Joe Heaney, traditional Irish singer also known as Joe Éinniú or Seosamh Ó hÉanaí, dies in Seattle, Washington on May 1, 1984. He spends most of his adult life abroad, living in England, Scotland and New York City, in the course of which he records hundreds of songs.
Heaney is born Carna, a remote village in the Irish-speaking district of Connemara, County Galway, along the west coast of Ireland on October 15, 1919. He starts singing at the age of five, but his shyness keeps him from singing in public until he is 20. He learns English at school in Carna. When he is 16 years old, he wins a scholarship to attend school in Dublin. While there he wins first and second prizes at a national singing competition. Most of his repertoire, estimated to exceed 500 songs, is learned while growing up in Carna.
In 1949, Heaney goes to London where he works on building sites and becomes involved in the folk-music scene. He records for the Topic Records and Gael Linn Records labels. He is married for six years until his wife dies of tuberculosis.
Heaney is recorded by Pádraic Ó Raghallaigh for Raidió Teilifís Éireann, and by Peter Kennedy for the BBC in 1959. The BBC recordings are assembled on a BBC LP, not commercially issued, as BBC LP 22570.
Joe Heaney dies of emphysema in Seattle on May 1, 1984. The Joe Heaney Collection of the University of Washington Ethnomusicology Archives is established after his death. The Féile Chomórtha Joe Éinniú (Joe Heaney Commemorative Festival) is held every year in Carna. An Irish-language biography of him has been written by Liam Mac Con Iomaire, and a biography that discusses his work in the larger context of Ireland and the United States was published in 2011 by Sean Williams and Lillis Ó Laoire.
Jackson was born in Newtownards, County Down, in 1737. Much is unclear about his early life. He studies at Oxford and becomes an Anglicancurate. In the 1760s, he moves to London, where he preaches at the Tavistock Chapel and St. Mary-le-Strand. Although he gains some popularity as a preacher, he remains unbeneficed and eventually turns to journalism to support himself.
In 1766, Jackson becomes the editor of The Public Ledger. Under his editorship, the London paper becomes increasingly strident and oppositional in its politics. He is forced to flee to France in April 1777 to avoid a trial for libel that the popular actor and playwright Samuel Foote had initiated. He does not have to stay long in exile because Foote dies on October 21 of that same year.
After Foote’s death, Jackson returns to England. He resumes his political activities by publishing The Constitutions of the Several Independent States of America in 1783, with a dedication to the opposition leader, William Bentinck, 4th Duke of Portland. But the following year, he is secretly hired by the Prime Minister, William Pitt the Younger, to support the government in The Morning Post. Publishing anonymously, he attacks his former allies with his usual vehemence until he is discovered and is soundly damned for his apostasy and finds himself generally excluded from English politics.
Jackson’s next appearance in the public results in yet another scandal. In 1787 he joins forces with “Gentleman” John Palmer. Their goal is to build a new theatre in London. Jackson and Palmer persuade investors to sink more than eighteen thousand pounds into the construction of the Royalty Theatre. However, while there is no law against building a theatre in London, there is a law against operating one without the Lord Chamberlain‘s authorisation. Jackson and Palmer have no such authorisation so the theatre is shut down after just one night. The duped investors initiated legal action. Jackson again flees to France, where he arrives on the eve of revolution.
During his stay in Paris, Jackson is swept up in the revolutionary fervour and becomes involved with the radical British expatriate set there. Swept up in the general arrest of British subjects in 1793, he is released from prison on the strength of his radical commitments. Upon his release, he becomes inspector of horses for Meaux and later in 1793 is commissioned as a spy for the French. Nicholas Madgett, an Irishman who works in the Marine Ministry, recruits Jackson to go to England and Ireland to assess the public’s inclination towards armed revolution.
Jackson arrives in London in early 1794 and becomes reacquainted with John Cockayne, a lawyer he had met two decades earlier. He reveals his mission to Cockayne, who promptly reveals it to the Prime Minister out of fear of being tried for treason himself. When Jackson leaves London for Dublin, he is accompanied by Cockayne. In Ireland they meet with several radical leaders of the Society of United Irishmen, including Theobald Wolfe Tone, James Reynolds and Archibald Hamilton Rowan. Hamilton Rowan, in particular, is tempted by Jackson’s talk of French assistance, and persuades Tone to write up a report for the French, indicating Irish willingness to rise up. Jackson makes the fatal mistake of placing Tone’s report and other letters in the public mail, where they are seized by the authorities. This seizure leads to Jackson’s arrest on April 28, 1794.
Jackson remains in prison for a year before his trial takes place. The delays are at his request, allowing him time to assemble a defence and procure witnesses. During his imprisonment, he writes his last work, Observations in Answer to Mr. Paine’s Age of Reason (1795). His trial takes place in Dublin on April 23, 1795, and he is found guilty. One week later, on the morning of his sentencing hearing Jackson steps into the dock looking terribly ill. As his lawyers make drawn out speeches, hoping to avoid judgment on the technicality of an improperly filed indictment, Jackson’s condition steadily worsens. The judges order that a chair be provided for him and ask that a doctor attend him. He then collapses and dies. An autopsy finds that Jackson had ingested a large quantity of a “metallic poison.” This is likely administered by his second wife, but the inquest pointedly refuses to assign blame.
The effect of Jackson’s suicide is that he had not actually been pronounced guilty of treason by the court, and so his family can inherit his goods and a pension.
O’Neill is born on September 10, 1914 in London. Having served in the Irish Guards, he comes to live in Northern Ireland in 1945. He is returned unopposed for the Stormont seat of Bannside in November 1946 for the Ulster Unionist Party (UUP) and ten years later reaches cabinet rank. When Lord Brookeborough retires as prime minister in March 1963, O’Neill succeeds as the apostle of technocratic modernization who could see off the Northern Ireland Labour Party. In community relations O’Neill is unprecedentedly liberal, visiting Catholic schools and, more dramatically, meeting with the Taoiseach of the Irish Republic, Seán Lemass, at Stormont on January 14, 1964. O’Neill hopes to encourage Catholic acceptance of the state, but he more quickly aggravates suspicious unionist and loyalist opinion.
The eruption of the civil rights movement of 1968 multiplies pressures for substantive reform from the British government. O’Neill impresses on his cabinet colleagues the necessity of concessions. On November 22 he unveils a program of reforms, notably the closing down of the gerrymandered Londonderry Corporation. However, the local government’s rate-based franchise is for the time untouched. In a television broadcast on December 9, 1968, O’Neill warns that Northern Ireland stands at the crossroads. He calls for an end to street demonstrations but also promises meaningful reforms. There is a massive response from the public, but attitudes polarize again when a radical civil rights march from Belfast to Derry is attacked by loyalists at Burntollet Bridge on January 4, 1969.
O’Neill’s failure to preserve governmental authority by repression or concession leads to discontent in his party. In an attempt to regain the initiative and remake the Ulster Unionist Party, he calls for an election on February 24, 1969. He refuses to campaign for official unionist candidates opposed to his leadership and lends his support to Independent candidates who vow to support him personally. Breaking with unionist convention, O’Neill openly canvasses for Catholic votes. Such strategic innovations fail to produce a clear victory, however, and a phalanx of anti-O’Neill unionists are returned. There is little evidence that O’Neill’s re-branded unionism has succeeded in attracting Catholic votes.
From O’Neill’s point of view, the election results are inconclusive. He is humiliated by his near-defeat in his own constituency of Bannside by Ian Paisley and resigns as leader of the UUP and as Prime Minister on April 28, 1969 after a series of bomb explosions on Belfast’s water supply by the Ulster Volunteer Force (UVF) bring his personal political crisis to a head. Before leaving, he secures “one person, one vote” in place of the ratepayers’ franchise in local elections as well as the succession of the relatively loyal James Chichester-Clarke.
O’Neill retires from Stormont politics in January 1970 when he resigns his seat, having become the Father of the House in the previous year. On January 23, 1970, he is created a life peer as Baron O’Neill of the Maine, of Ahoghill in the County of Antrim. The Maine is a river which flows near Ahoghill.
O’Neill spends his last years at Lisle Court, Lymington, Hampshire, although he continues to speak on the problems of Northern Ireland in the House of Lords where he sits as a crossbencher. His Reform Policies are largely forgotten by British Unionists and Irish Nationalists in Ulster, however he is remembered by historians for his efforts to reform the discrimination and sectarianism within the Province during the 1960s. In retirement he is also a trustee of the Winston Churchill Memorial Trusts.
Terence O’Neill dies at his home of cancer on June 12, 1990.
Peter Denis Sutherland, businessman, barrister and politician, is born in Foxrock, Dublin on April 25, 1946. He is a barrister by profession and a Senior Counsel of the Bar Council of Ireland. He is known for serving in a variety of international organisations, political and business roles.
Sutherland is educated at Gonzaga College, Ranelagh, Dublin. He is of partial Scottish ancestry. He graduates in Civil Law at University College Dublin and practices at the Irish Bar between 1969 and 1980. He marries Maruja Sutherland, a Spaniard, in 1974.
Sutherland makes his entry into politics when he is appointed Attorney General of Ireland in June 1981. He resigns in March 1982 only to take the post again between December 1982 and December 1984.
In September 2016, Sutherland suffers a heart attack while on his way to Mass at a Catholic Church in London. Six months later, he resigns from his post as United Nations Special Representative of the Secretary-General for International Migration because of poor health. After a long illness, he dies at St. James’s Hospital in Dublin on January 7, 2018, of complications from an infection, at the age of 71. He is buried in Kilternan Cemetery Park in Dublin.
Peter Sutherland received numerous awards including European Person of the Year Award (1988).
(Pictured: Peter D. Sutherland, Chairman, Goldman Sachs International, United Kingdom; Member of the Foundation Board of the World Economic Forum, speaks during the session ‘China’s Impact on Global Trade and Growth’ at the Annual Meeting 2011 of the World Economic Forum in Davos, Switzerland, January 27, 2011. Copyright by World Economic Forum swiss-image.ch/Photo by Michael Wuertenberg)
The son of a Dublin-based Dutch merchant, Hone moves to England as a young man and, after marrying Molly Earle, daughter of the John Campbell, 4th Duke of Argyll, in 1742, eventually settles in London, by which time he has acquired a reputation as a portrait-painter. While his paintings are popular, his reputation is particularly enhanced by his skill at producing miniatures and enamels. He interrupts his time in London by spending two years (1750–52) studying in Italy.
As a portrait painter, several of Hone’s works are now held at the National Portrait Gallery in London. His sitters include magistrate Sir John Fielding and Methodist preacher John Wesley, and General Richard Wilford and Sir Levett Hanson in a double portrait. He often uses his son John Camillus Hone (1745-1836) in some of his works, including his unique portrait of “The Spartan Boy,” painted in 1774.
Hone courts controversy in 1775 when his satirical picture The Conjurer (National Gallery of Ireland, Dublin) is seen to attack the fashion for Italian Renaissance art and to ridicule Sir Joshua Reynolds, leading the Royal Academy to reject the painting. It also originally includes a nude caricature of fellow Academician Angelica Kauffman in the top left corner, which is painted out by Hone after Kauffman complains to the academy. The combination of a little girl and an old man has also been seen as symbolic of Kauffman and Reynolds’s closeness, age difference, and rumoured affair. To show that his reputation is undamaged, Hone organises a one-man retrospective in London, the first such solo exhibition of an artist’s work.
The Hone family is related to the old Dutch landed family the van Vianens, who hold the hereditary title of Vrijheer. His great-grand-nephew shares the same name and is also a notable Irish painter, known as Nathaniel Hone the Younger (1831–1917). He is also a relation to painter Evie Hone.
Nathaniel Hone the Elder dies on August 14, 1784.
(Pictured: Self-portrait by Nathaniel Hone, circa 1760)
George Anne Bellamy, English actress whose stage career and personal life are, in their irregularity, not entirely atypical of her era, is born in County Fingal on April 23, 1727. Her best performances are in such tragic roles as Desdemona in Othello and Juliet in Romeo and Juliet.
Bellamy is the illegitimate daughter of a Quaker lady who elopes from boarding school with the diplomat James O’Hara, 2nd Baron Tyrawley. She is named George Anne through a mishearing of the name Georgiana at her christening. Though her mother marries a Captain Bellamy in Lisbon, Bellamy is acknowledged by Tyrawley as his daughter and he provides for her needs, including her education at a convent in Boulogne-sur-Mer. While living with her mother in London, she meets the theatrical manager John Rich and other leading stars of the stage, and she soon determines to pursue an acting career.
Bellamy’s early roles at Covent Garden, beginning about 1744, are as Miss Prue in Love for Love and with James Quin in The Orphan. Her reputation as an actress rests largely on her good looks and her “soft” feminine manner. Her career reaches its pinnacle when, in 1750, her performance of Juliet to David Garrick’s Romeo at Theatre Royal, Drury Lane is said to surpass the work of the revered Susannah Cibber in a rival production of the play at Covent Garden.
Riotous living, including a legal and a bigamous marriage, takes its toll on Bellamy’s beauty and her appeal to managers. Her later life is marred by ill health and credit troubles. Her last appearance is at Drury Lane on May 24, 1785, at her own benefit concert. She is unable to act but speaks briefly to the audience.
In the same year Bellamy publishes “An Apology for the Life of George Anne Bellamy” in six volumes. The salacious work is said to be ghost written by Alexander Bicknell.
George Anne Bellamy dies in poverty on February 16, 1788, in London.
(Pictured: George Anne Bellamy by F Lindo exhibited in 1833 now owned by Garrick Club)
As a child Sloane possesses a strong curiosity of nature, and he develops a particular interest in plants. After studying medicine in London, he travels in France, taking an M.D. degree at the University of Orange in 1683. In 1685 he returns to London and is elected a fellow of the Royal Society. He proceeds to practice medicine as an assistant to British physician Thomas Sydenham. He is made a fellow of the Royal College of Physicians in 1687. That same year he accepts an opportunity to visit Jamaica, traveling as personal physician to the Christopher Monck, 2nd Duke of Albermarle, who had been appointed to govern the island.
The journey to Jamaica provides Sloane with the chance to pursue his interest in the natural sciences. During the 15 months of his travels, he visits multiple islands in the West Indies, including Saint Kitts, Nevis, and Barbados. He ultimately collects specimens of about 800 plants. He also records information on and collects specimens of various fish, mollusks, and insects, and he observes the local peoples and contemplates the natural phenomena of the area. His observations and the specimens he collects during the voyage lay the foundation for his later contributions to botany and zoology and for his role in the formation of the British Museum. He returns to England in 1689, his trip having been cut short by Monck’s death. His collection of plants from the West Indies is one of the first from that region to reach England.
Sloane’s trip to Jamaica also leads to his invention of a milk chocolate beverage. While on the island, he encounters a local drink made from a cacao plant. The beverage apparently makes him nauseous. To avoid this, he decides to mix the cacao material with milk. He finds this concoction to be not only more tolerable but also tasty and healthy. Shortly after his return to England, his milk-based concoction is sold by apothecaries as a medicinal product. His recipe later forms the basis for a milk chocolate product manufactured by Cadbury.
In 1696 Sloane publishes in Latin an elaborate catalogue, Catalogus Plantarum Quae in Insula Jamaica, on the plants he collected in Jamaica. He later publishes Natural History of Jamaica (2 Vol., 1707 and 1725), a comprehensive account of his studies of the natural phenomena of the island country.
Sloane also makes important contributions to medicine. He is physician to Queen Anne, King George I, and King George II. He is created a baronet in 1716, becoming the first medical practitioner to receive a hereditary title. He is relatively progressive as a physician, and, while serving George I, he adopts the practice of inoculation against smallpox for members of the royal family. In 1719 he is elected president of the Royal College of Physicians, a post he serves until 1735. In 1727 he becomes president of the Royal Society, succeeding physicist and mathematician Sir Isaac Newton. He holds the position until 1741. He earns a reputation as a specialist in eye diseases, and he eventually publishes Account of a Medicine for Soreness, Weakness and Other Distempers of the Eyes (1745).
Sloane is also known as an avid collector, and he benefits greatly from the acquisition of the cabinets of other collectors, including amateur scientist William Charleton and English apothecary and botanist James Petiver. When he retires from active work in 1741, his library and cabinet of curiosities has grown to be of unique value, and on his death, he bequeaths his collection to the nation, on condition that parliament pay his executors £20,000. The bequest is accepted and goes to form the collection opened to the public as the British Museum in 1759.
Sloane has no son that survives beyond infancy, and the baronetcy becomes extinct upon his death in London on January 11, 1753.
The Baltic Exchange bombing, an attack by the Provisional Irish Republican Army (PIRA) on London‘s financial centre, takes place on April 10, 1992, the day after the General Election which re-elects John Major from the Conservative Party as Prime Minister. The one-ton bomb, concealed in a large white truck and consisting of a fertilizer device wrapped with a detonation cord made from 100 lbs. of Semtex, is the biggest detonated on mainland Britain since World War II. The bombing kills three people, injures 91 others, and causes massive damage, destroying the Baltic Exchange building and severely damaging surroundings.
Since the PIRA’s campaign in the early 1970s, many commercial targets are attacked on the mainland which cause economic damage and severe disruption. Since 1988, Gerry Adams of Sinn Féin and John Hume of the Social Democratic and Labour Party are engaged in private dialogue to create a broad Irish nationalist coalition. British Prime Minister John Major refuses to openly enter into talks with Sinn Féin until the IRA declares a ceasefire. The risk of an IRA attack on London increases due to the lack of progress with political talks, resulting in a warning being circulated to all police forces in Britain highlighting intelligence reports of a possible attack, as it is believed that the IRA has enough personnel, equipment and funds to launch a sustained campaign in England.
On April 10, 1992, at 9:20 PM, a huge bomb is detonated in front of the Baltic Exchange building at 24-28 St. Mary Axe. The façade of the offices is partially destroyed, and the rest of the building is extensively damaged. The bomb also causes heavy damage to surrounding buildings. It causes £800 million worth of damage, £200 million more than the total damage caused by the 10,000 explosions that had occurred during the Troubles in Northern Ireland up to that point.
The IRA gives a telephone warning twenty minutes before the explosion, saying there is a bomb inside a van outside the London Stock Exchange. This is a half mile away from the actual location by the Baltic Exchange.
The homemade explosive is inside a white Ford Transit van parked in St. Mary Axe. The components are developed in South Armagh, shipped from Ireland, and assembled in England. The attack is planned for months and marks a dangerous advance to the British of the IRA’s explosives manufacturing capabilities. The bomb is described as the most powerful to hit London since the Luftwaffe raids of World War II.
A few hours later another similarly large bomb goes off in Staples Corner in north London, also causing major damage.
The next day, the IRA claims responsibility in a statement from Dublin. It is believed the IRA are trying to send a message to the Conservative Party who won the election, which also sees Sinn Féin leader Gerry Adams lose his unused seat in the Westminster Parliament.
Many of the damaged buildings are once again badly damaged by the Bishopsgate bombing the following year. Both incidents contribute to the formation of the “Ring of Steel” in the city to protect it from further terrorism.
The Exchange sells its badly damaged historic building to be redeveloped under the auspices of English Heritage as a Grade II* site. However, the City and English Heritage later allow it to be demolished, seeking instead a new landmark building. The site, together with that of the UK Chamber of Shipping at 30–32 St. Mary Axe, is now home to the skyscraper commissioned by Swiss Re commonly referred to as The Gherkin.
Butler’s early style is that of an illustrator. He only begins to work regularly in oils in 1906. His early pictures are simple lyrical depictions of landscapes and figures, predominantly from the west of Ireland, especially of his boyhood home of Sligo. His work contains elements of Romanticism.
Yeats is born in London on August 29, 1871. He is the youngest son of Irish portraitist John Butler Yeats. He grows up in Sligo with his maternal grandparents, before returning to his parents’ home in London in 1887. Early in his career he works as an illustrator for magazines like The Boy’s Own Paper and Judy, draws comic strips, including the Sherlock Holmes parody “Chubb-Lock Homes” for Comic Cuts, and writes articles for Punch under the pseudonym “W. Bird.” In 1894 he marries Mary Cottenham, also a native of England and two years his senior and resides in Wicklow according to the Census of Ireland, 1911.
From around 1920, Yeats develops into an intensely Expressionist artist, moving from illustration to Symbolism. He is sympathetic to the Irish Republican cause, but not politically active. However, he believes that “a painter must be part of the land and of the life he paints,” and his own artistic development, as a Modernist and Expressionist, helps articulate a modern Dublin of the 20th century, partly by depicting specifically Irish subjects, but also by doing so in the light of universal themes such as the loneliness of the individual, and the universality of the plight of man. Samuel Beckett writes that “Yeats is with the great of our time… because he brings light, as only the great dare to bring light, to the issueless predicament of existence.” The Marxist art critic and author John Berger also pays tribute to Yeats from a very different perspective, praising the artist as a “great painter” with a “sense of the future, an awareness of the possibility of a world other than the one we know.”
Yeats’s favourite subjects include the Irish landscape, horses, circus and travelling players. His early paintings and drawings are distinguished by an energetic simplicity of line and colour, his later paintings by an extremely vigorous and experimental treatment of often thickly applied paint. He frequently abandons the brush altogether, applying paint in a variety of different ways, and is deeply interested in the expressive power of colour. Despite his position as the most important Irish artist of the 20th century, he takes no pupils and allows no one to watch him work, so he remains a unique figure. The artist closest to him in style is his friend, the Austrian painter, Oskar Kokoschka.
Besides painting, Yeats has a significant interest in theatre and in literature. He is a close friend of Samuel Beckett. He designs sets for the Abbey Theatre, and three of his own plays are also produced there. He writes novels in a stream of consciousness style that James Joyce acknowledges, and also many essays. His literary works include The Careless Flower, The Amaranthers, Ah Well, A Romance in Perpetuity, And To You Also, and The Charmed Life. His paintings usually bear poetic and evocative titles. He is elected a member of the Royal Hibernian Academy in 1916.
Yeats holds the distinction of being Ireland’s first medalist at the Olympic Games in the wake of creation of the Irish Free State. At the 1924 Summer Olympics in Paris, his painting The Liffey Swim wins a silver medal in the arts and culture segment of the Games. In the competition records the painting is simply entitled Swimming.
Like William Orpen, Lavery is appointed an official artist in World War I. Ill-health, however, prevents him from travelling to the Western Front. A serious car crash during a Zeppelin bombing raid also keeps him from fulfilling this role as war artist. He remains in Britain and mostly paints boats, aeroplanes, and airships. During the war years he is a close friend of H.H. Asquith‘s family and spends time with them at their Sutton Courtenay Thames-side residence, painting their portraits and idyllic pictures like Summer on the River (Hugh Lane Gallery).
After the war Lavery is knighted and in 1921 he is elected to the Royal Academy of Arts.
During this time, he and his wife, Hazel, are tangentially involved in the Irish War of Independence and the Irish Civil War. They give the use of their London home to the Irish negotiators during the negotiations leading to the Anglo-Irish Treaty. After Michael Collins is assassinated, Lavery paints Michael Collins, Love of Ireland, now in the Hugh Lane Gallery. In 1929, Lavery makes substantial donations of his work to both the Ulster Museum and the Hugh Lane Gallery and in the 1930s he returns to Ireland. He receives honorary degrees from the University of Dublin and Queen’s University Belfast. He is also made a free man of both Dublin and Belfast. A long-standing member of Glasgow Art Club, Lavery exhibits at the club’s annual exhibitions, including its exhibition in 1939 in which his The Lake at Ranelagh is included.
seamus dubhghaill 