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Birth of Brendan Bracken, Politician & Businessman

Brendan Bracken, Irish-born businessman, politician and a Minister of Information and First Lord of the Admiralty in Winston Churchill‘s War Cabinet, is born on February 15, 1901, in Church Street, Templemore, County Tipperary.

Bracken is the third child and second of three sons of Joseph Kevin (J. K.) Bracken and Hannah Bracken (née Ryan). The family moves to Kilmallock, County Limerick, in 1903, the year before his father’s death. By 1908, his mother takes the family to live in Glasnevin, a new suburb in north Dublin, and subsequently off the North Circular Road. He is educated in St. Patrick’s National School, Drumcondra, and at the Christian Brothers‘ O’Connell School in North Richmond Street. He is a mischievous, delinquent child, one time throwing a schoolfellow into the Royal Canal. In February 1915 he is sent to Mungret College, a Jesuit boarding school near Limerick. He is not amenable to the regime and runs away on several occasions, finding accommodation in local hotels under a false name.

At the end of 1915 Bracken goes to Australia with £14 in his pocket. He is first based in Echuca, Victoria, where he is put up in a convent. Later he moves to other houses run by religious orders. A voracious reader, he claims that he is doing research for a life of Cardinal Patrick Francis Moran, and signs himself “Brendan Newman Bracken.” He seeks admission as a pupil to Riverview, the fashionable Jesuit school in Sydney, claiming that he had been educated at Clongowes Wood College. Unfortunately for him, a priest who had just come out from Clongowes exposes him. Opinionated and argumentative, he does not conceal his skepticism about the Catholic religion. For a time, he teaches in a Protestant school in Orange, New South Wales.

Bracken returns to Ireland in 1919. By this time his mother has remarried and is living with her new husband, Patrick Laffan, on a farm in Beauparc, County Meath. After a short stay there, he moves to Liverpool and finds employment as a teacher at the Liverpool Collegiate School, claiming that he had been to the University of Sydney. He teaches at the school for two terms in 1920, earning extra money as tutor to a young boy. With his savings he is able to gain admission to Sedbergh School, a public school in the town of Sedbergh in Cumbria, North West England, giving his name as Brendan Rendall Bracken, born 1904, and stating that his parents had perished in a bush fire in Australia, leaving him money to complete his education. He remains only one term but distinguishes himself by winning a prize for history. After Sedbergh, Bracken teaches at Rottingdean preparatory school and then at Bishops Stortford School. He cuts a flamboyant figure and drops the name of famous acquaintances with gay abandon. He stands over 6 feet and has a powerful presence and a domineering personality; his mop of red hair and pale freckled skin combine with black teeth to give him a bizarre appearance.

In 1922 Bracken moves to London. He takes charge of the Illustrated Review when its editor, Hilaire Belloc, resigns. Renamed English Life and covering political and social events, it affords Bracken an opportunity to meet prominent people, including J. L. Garvin, editor of The Observer. In autumn 1923 Garvin introduces him to Winston Churchill, who had lost his parliamentary seat in 1922 and decided to contact Leicester West in the 1923 United Kingdom general election. Bracken offers his services as campaign manager. The friendship between Churchill and Bracken is soon so close that Bracken is rumoured to be Churchill’s natural son. Churchill’s wife Clementine dislikes Bracken and discourages the friendship.

Meanwhile Bracken enjoys the life of a ubiquitous socialite and builds up his career in publishing. He becomes a director of Eyre & Spottiswoode in 1926, starting The Banker, a monthly magazine, for them, and acquiring the Financial News in 1928 and a half-share in The Economist. To these are added in due course the Investors Chronicle and The Practitioner. His success in business enables him to acquire a home in North Street in 1928, near the Houses of Parliament. He is driven about in a chauffeured Hispano-Suiza car.

In 1929, Bracken has himself adopted as conservative candidate for Paddington North, a marginal seat. After a hard-fought campaign characterised by minor violence provoked by Bracken’s intemperate language, he wins the seat by 528 votes. At one point a rumour is put about that Bracken is in reality a Polish Jew, which he has to disprove by exhibiting a copy of his birth certificate. His background is a subject of speculation among acquaintances, and in throwaway remarks he gives different fictitious versions of it, Ireland figuring in none of them. He does however remain in constant touch with his mother, to whom he seems to have been deeply devoted, until her death in 1928. However, he has as little contact as possible with his brother and sisters, although he does give assistance to some of them and their families at various times.

In parliament Bracken voices right-wing views on economic issues and is an enthusiastic imperialist. After Churchill resigns from the conservative front bench in 1930 because they would not oppose the Labour government’s proposal for Indian self-government, he is supported by Bracken. During the 1930s, when Churchill is in the wilderness, disagreeing with the party leadership on India and on what he sees as a policy of appeasement toward Hitler‘s Germany, Bracken is his sole political ally. Stanley Baldwin calls him Churchill’s “faithful chela.”

In September 1939, Churchill joins Neville Chamberlain‘s war cabinet as First Lord of the Admiralty. Bracken is appointed his parliamentary private secretary, continuing in that role when Churchill becomes Prime Minister. Despite the king’s opposition, Churchill insists in June 1940 that Bracken should be appointed a privy councillor. Bracken shuts up his house and moves to the Prime Minister’s residence for the duration of the war. As a confidant of the Prime Minister, he often acts as a go-between with other politicians and newspapermen. He is allowed to oversee patronage and takes a special interest in ecclesiastical appointments. In July 1941, he is persuaded by Lord Beaverbrook and Churchill to become Minister for Information. He wins over most of the proprietors by giving them more news, often on a confidential basis, and censorship is kept to a minimum. The BBC is also allowed a fair measure of freedom as long as it behaves responsibly; under the leadership of Cyril Radcliffe, the civil service head of the ministry, it operates more smoothly. Bracken was generally acclaimed for that success.

After the resignation of the Labour ministers from the government at the end of the war in Europe, Bracken joins the cabinet as First Lord of the Admiralty. He is prominent in the general election campaign that follows and is the only conservative minister apart from Churchill to give more than one radio broadcast. He is accused, probably unjustly, of provoking Churchill to take extreme positions, and blamed when the conservatives are heavily defeated at the polls. Bracken himself loses Paddington North to Lt. Gen. Sir Noel Mason-MacFarlane. However, he is soon back in parliament representing Bournemouth, and as front-bench spokesman is an uncompromising opponent of the nationalisation measures of the Labour government (1945–51). He is out of sympathy with the leftward drift of the conservative party associated with Rab Butler and Harold Macmillan.

In December 1951, when Churchill is again Prime Minister, Bracken declines an invitation to serve as Colonial Secretary, pleading that his recurring sinusitis makes it impossible. He resigns his seat in the House of Commons and is created a peer, Viscount Bracken of Christchurch in Hampshire, but never takes his seat in the House of Lords. Although he retires from politics, he remains close to political events through his friendship with Churchill. He is deeply involved in concealing the severe stroke that Churchill suffers in 1953, so that he can carry on as Prime Minister.

In the postwar period, Bracken has important business interests. The Financial News group acquires the Financial Times in 1945, and he is returned as chairman of the expanded company. He writes a weekly Financial Times column until 1954. He oversees the building near St. Paul’s of a new head office, named “Bracken House” after his death. He is also chairman of the Union Corporation mining house, with interests in South Africa, which he frequently visits. From 1950 he is chairman of the board of governors of Sedbergh School, where he goes frequently and often walks for miles across the fells. He organises and finances the restoration of the eighteenth-century school building as a library, with a commemoratory inscription, “Remember Winston Churchill.”

From 1955 Bracken is a trustee of the National Gallery. He is an unrelenting opponent of the proposal to return to Ireland the impressionist paintings bequeathed to it by Hugh Lane, because a codicil willing them to Dublin has not been witnessed. Throughout the postwar period he carries on a prolific correspondence with friends such as Lord Beaverbrook, the American ambassador Lewis Douglas, and the Australian entrepreneur W. S. Robinson. These are a valuable and entertaining source on the political history of the time.

In January 1958, Bracken, who has always been a heavy smoker, is diagnosed with throat cancer. He lingers on until August 8, 1958, when he dies at the flat of his friend Sir Patrick Hennessy in Park Lane. He resists efforts made to reconcile him to the church of Rome. By his own wish he is cremated, and his ashes are scattered on Romney Marsh, Kent. On his instructions his papers are burned by his chauffeur. His estate comes to £145,032.

(From: “Bracken, Brendan” by Charles Lysaght, Dictionary of Irish Biography, www. dib.ie, October 2009 | Pictured: Brendan Bracken, bromide print by Elliott & Fry, January 13, 1950, National Portrait Gallery, London)


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Birth of Thomas Spring Rice, 1st Baron Monteagle of Brandon

Thomas Spring Rice, 1st Baron Monteagle of Brandon, PC, FRS, FGS, British Whig politician who serves as Chancellor of the Exchequer from 1835 to 1839, is born on February 8, 1790, into a notable Anglo-Irish family which owns large estates in Munster.

Spring Rice is one of the three children of Stephen Edward Rice, of Mount Trenchard House, and Catherine Spring, daughter and heiress of Thomas Spring of Ballycrispin and Castlemaine, County Kerry, a descendant of the Suffolk Spring family. He is a great grandson of Sir Stephen Rice, Chief Baron of the Irish Exchequer and a leading Jacobite Sir Maurice FitzGerald, 14th Knight of Kerry. His grandfather, Edward, converted the family from Roman Catholicism to the Anglican Church of Ireland, to save his estate from passing in gavelkind.

Spring Rice is educated at Trinity College, Cambridge, and later studies law at Lincoln’s Inn, but is not called to the Bar. His family is politically well-connected, both in Ireland and Great Britain, and he is encouraged to stand for Parliament by his father-in-law, Lord Limerick.

Spring Rice first stands for election in Limerick City in 1818 but is defeated by the Tory incumbent, John Vereker, by 300 votes. He wins the seat in 1820 and enters the House of Commons. He positions himself as a moderate unionist reformer who opposes the radical nationalist politics of Daniel O’Connell and becomes known for his expertise on Irish and economic affairs. In 1824 he leads the committee which establishes the Ordnance Survey in Ireland.

Spring Rice’s fluent debating style in the Commons brings him to the attention of leading Whigs and he comes under the patronage of the Marquess of Lansdowne. As a result, he is made Under-Secretary of State for the Home Department under George Canning and Lord Goderich in 1827, with responsibility for Irish affairs. This requires him to accept deferral of Catholic emancipation, a policy which he strongly supports. He then serves as joint Secretary to the Treasury from 1830 to 1834 under Lord Grey. Following the Reform Act 1832, he is elected to represent Cambridge from 1832 to 1839. In June 1834, Grey appoints him Secretary of State for War and the Colonies, with a seat in the cabinet, a post he retains when Lord Melbourne becomes Prime Minister in July. A strong and vocal unionist throughout his life, he leads the Parliamentary opposition to Daniel O’Connell’s 1834 attempt to repeal the Acts of Union 1800. In a six-hour speech in the House of Commons on April 23, 1834, he suggests that Ireland should be renamed “West Britain.” In the Commons, he also champions causes such as the worldwide abolition of slavery and the introduction of state-supported education.

The Whig government falls in November 1834, after which Spring Rice attempts to be elected Speaker of the House of Commons in early 1835. When the Whigs return to power under Melbourne in April 1835, he is made Chancellor of the Exchequer. As Chancellor, he has to deal with crop failures, a depression and rebellion in North America, all of which create large deficits and put considerable strain on the government. His Church Rate Bill of 1837 is quickly abandoned and his attempt to revise the charter of the Bank of Ireland ends in humiliation. Unhappy as Chancellor, he again tries to be elected as Speaker but fails. He is a dogmatic figure, described by Lord Melbourne as “too much given to details and possessed of no broad views.” Upon his departure from office in 1839, he has become a scapegoat for the government’s many problems. That same year he is raised to the peerage as Baron Monteagle of Brandon, in the County of Kerry, a title intended earlier for his ancestor Sir Stephen Rice. He is also Comptroller General of the Exchequer from 1835 to 1865, despite Lord Howick‘s initial opposition to the maintenance of the office. He differs from the government regarding the exchequer control over the treasury, and the abolition of the old exchequer is already determined upon when he dies.

From 1839 Spring Rice largely retires from public life, although he occasionally speaks in the House of Lords on matters generally relating to government finance and Ireland. He vehemently opposes John Russell, 1st Earl Russell‘s policy regarding the Irish famine, giving a speech in the Lords in which he says the government had “degraded our people, and you, English, now shrink from your responsibilities.”

In addition to his political career, Spring Rice is a commissioner of the state paper office, a trustee of the National Gallery and a member of the senate of the University of London and of the Queen’s University of Ireland. Between 1845 and 1847, he is President of the Royal Statistical Society. In addition, he is a Fellow of the Royal Society and a Fellow of the Geological Society of London. In May 1832 he becomes a member of James Mill‘s Political Economy Club.

Spring Rice is well regarded in Limerick, where he is seen as a compassionate landlord and a good politician. An advocate of traditional Whiggism, he strongly believes in ensuring society is protected from conflict between the upper and lower classes. Although a pious Anglican, his support for Catholic emancipation wins him the favour of many Irishmen, most of whom are Roman Catholic. He leads the campaign for better county government in Ireland at a time when many Irish nationalists are indifferent to the cause. During the Great Famine of the 1840s, he responds to the plight of his tenants with benevolence. The ameliorative measures he implements on his estates almost bankrupts the family and only the dowry from his second marriage saves his financial situation. A monument in honour of him still stands in the People’s Park in Limerick.

Even so, Spring Rice’s reputation in Ireland is not entirely favourable. In a book regarding assisted emigration from Ireland, a process in which a landlord pays for their tenants’ passage to the United States or Australia, Moran suggests that Spring Rice was engaged in the practice. In 1838, he is recorded as having “helped” a boat load of his tenants depart for North America, thereby allowing himself the use of their land. However, he is also recorded as being in support of state-assisted emigration across the British Isles, suggesting that his motivation is not necessarily selfish.

Spring Rice dies at the age of 76 on February 7, 1866. Mount Monteagle in Antarctica and Monteagle County in New South Wales are named in his honour.

(Pictured: Thomas Spring Rice, 1st Baron Monteagle of Brandon (1790-1866), contemporary portrait by George Richmond (1809-1896))


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Birth of Thomas MacGreevy, Poet & Former Director of the National Gallery of Ireland

Thomas MacGreevy, a pivotal figure in the history of Irish literary modernism, is born on October 26, 1893, in Tarbert, County Kerry. A poet, he is also director of the National Gallery of Ireland from 1950 to 1963 and serves on the first Irish Arts Council (An Chomhairle Ealaíon).

MacGreevy is the son of a policeman and a primary school teacher. At age 16, he joins the British Civil Service as a boy clerk.

At the outbreak of World War I, MacGreevy is promoted to an intelligence post with the Admiralty. He enlists in 1916 and sees active service at the Ypres Salient and the Somme, being wounded twice. After the war, he studies at Trinity College, Dublin, in whose library his papers are now held. He then becomes involved in various library organisations, begins publishing articles in Irish periodicals, and writes his first poems.

In 1924, MacGreevy is first introduced to James Joyce in Paris. The following year he moves to London, where he meets T. S. Eliot and begins writing for The Criterion and other magazines. He also begins publishing his poetry.

In 1927, MacGreevy moves to Paris to teach English at the École normale supérieure. Here he meets Samuel Beckett and resumes his friendship with Joyce. His essay The Catholic Element in Work In Progress is published in 1929 in Our Exagmination Round His Factification for Incamination of Work In Progress, a book intended to help promote Joyce’s Finnegans Wake. Along with Beckett, he is one of those who signs the Poetry is Vertical manifesto which appears in issue 21 of transition. In 1931, he produces critical studies of both Eliot and Richard Aldington.

In 1934, Poems is published in London and New York City. The work shows that MacGreevy has absorbed the lessons of Imagism and of The Waste Land, but also demonstrates that he has brought something of his own to these influences. The book is admired by Wallace Stevens and the two poets become regular correspondents.

Unfortunately, although MacGreevy continues to write poetry, this is the only collection published in his lifetime. Since his death there have been two Collected Poems issued, one in 1971 and an edited edition collecting his published and unpublished poetry published twenty years later.

In 1929 MacGreevy begins working at Formes, a journal of the fine arts. He also publishes a translation of Paul Valéry‘s Introduction à la méthode de Léonard de Vinci as Introduction to the Method of Leonardo da Vinci. In the mid-1930s, he moves back to London and earns his living lecturing at the National Gallery there.

From 1938 to 1940 MacGreevy is the chief art critic for The Studio. He publishes several books on art and artists, including Jack B. Yeats: An Appreciation and an Interpretation and Pictures in the Irish National Gallery (both 1945), and Nicolas Poussin (1960).

MacGreevy is a lifelong Roman Catholic. His faith informs both his poetry and his professional life. On returning to Dublin during World War II, he writes for both the Father Mathew Record and the Capuchin Annual and joins the editorial board of the latter.

MacGreevy is director of the National Gallery of Ireland from 1950–63. Although to many he seems a surprising choice, his latent talents as an administrator are brought to the fore. He is instrumental in bringing to the gallery such ideas as a lecture series and in-house restoration, which are commonplace abroad. It is through his persistent requests to the government that an extension to the gallery is approved. Unfortunately, the demands of the position take its toll. He has two heart attacks in 1956 and 1957 and ill health forces him to retire in 1963.

During his last years MacGreevy begins writing poetry again. He also begins his memoirs, which he never completes. He is admitted to the Portobello Nursing Home in Dublin for what is to be a minor operation in March 1967. He dies from heart failure on Saint Patrick’s Day eve, March 16, 1967.


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Birth of Irish Painter Sir Frederic William Burton RHA

Irish painter Sir Frederic William Burton RHA is born in County Wicklow on April 8, 1816. The third son of Samuel Frederick Burton and his wife Hanna Mallett, he is taken by his parents to live in County Clare on the west coast of Ireland at the age of six. The old Burton seat is Clifden House, Corofin, County Clare, which is built around the middle of the eighteenth century. The artist’s grandparents were Major Edward William Burton, Clifden, who was High Sheriff of Clare in 1799, and his wife, Jane Blood of nearby Roxton, County Clare. In his youth he has strong sympathy with the Young Ireland movement.

Educated in Dublin, Burton is elected an associate of the Royal Hibernian Academy at the age of twenty-one and an academician two years later. In 1842 he begins to exhibit at the Royal Academy. A visit to Germany and Bavaria in 1842 is the first of a long series of trips to various parts of Europe, which give him a profound knowledge of the works of the Old Masters. From 1851 he spends seven years working as a painter in the service of Maximilian II of Bavaria.

Burton works with George Petrie on archaeological sketches and is on the council of the Royal Irish Academy and the Archaeological Society of Ireland. He is elected an associate of the Royal Society of Painters in Watercolours in 1855, and a full member in the following year. He resigns in 1870 and is reelected as an honorary member in 1886.

In 1874 Burton is appointed the third director of the National Gallery, London, in succession to Sir William Boxall RA. In June 1874, he obtains a special grant to acquire the art collection of Alexander Barker, which includes Piero della Francesca‘s Nativity and Sandro Botticelli‘s Venus and Mars. In 1876 a bequest of 94 paintings, mainly by Dutch artists but also including works by Antonio del Pollaiuolo, Dieric Bouts and Canaletto, is made by the British haberdasher Wynne Ellis. Also, in this year an extension to the Gallery by Edward Middleton Barry is completed.

During the twenty years that Burton holds this post he is responsible for many important purchases, among them Leonardo da Vinci‘s Virgin of the Rocks, Raphael‘s Ansidei Madonna, Anthony van Dyck‘s Equestrian portrait of Charles I, Hans Holbein the Younger‘s Ambassadors, and the Admiral Pulido Pareja, by Diego Velázquez (this subsequently attributed to Velázquez’s assistant Juan Bautista Martínez del Mazo). He also adds to the noted series of Early Italian pictures in the gallery. The number of acquisitions made to the collection during his period of office exceeds 500.

Burton’s best-known watercolours, The Aran Fisherman’s Drowned Child (1841) and The Meeting on Turret Stairs (1864) are in the National Gallery of Ireland. The Meeting on Turret Stairs is voted by the Irish public as Ireland’s favourite painting in 2012 from among ten works shortlisted by critics. A knighthood is conferred on him in 1884, and the degree of LL.D. of Dublin in 1889.

Burton dies in Kensington, West End of London on March 16, 1900, and is buried in Mount Jerome Cemetery, Dublin.

(Pictured: “Sir Frederic William Burton,” painting by Henry Tanworth Wells (died 1903), given to the National Portrait Gallery, London in 1913)


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Birth of Illustrator Hugh Thomson

Hugh Thomson, illustrator, is born on Kingsgate Street, Coleraine, County Londonderry on June 1, 1860. He is best known for his pen-and-ink illustrations of works by authors such as Jane Austen, Charles Dickens, and J. M. Barrie.

Thomson is born to tea merchant John Thomson (1822–1894) and shopkeeper Catherine (née Andrews). He is the eldest of their three surviving children. Although he has no formal artistic training, as a young boy he often fills his schoolbooks with drawings of horses, dogs, and ships. He attends Coleraine Model School, but leaves at the age of fourteen to work as a clerk at E. Gribbon & Sons, Linen Manufacturers. Several years later his artistic talents are discovered, and in 1877 he is hired by printing and publishing company Marcus Ward & Co.

On December 29, 1884 Thomson marries Jessie Naismith Miller in Belfast. Soon afterwards they move back to London for Thomson’s career. They have one son together, John, born in 1886.

In 1911, he and his family move to Sidcup, hoping to improve their “ever delicate health.” Thomson’s correspondence reflects the fact that he misses being close to the National Gallery and the museums where he usually compiles research for his illustrations. During World War I, demand for Thomson’s work decreases to a few propaganda pamphlets and some commissions from friends. By 1917, Thomson has fallen on financial hardship and he has to take a job with the Board of Trade, where he works until 1919.

Hugh Thomson dies of heart disease at his home at 8 Patten Road in Wandsworth Common, London, on May 7, 1920.


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Birth of Sir Hugh Percy Lane, Gallery Director & Collector

hugh-percy-lane

Sir Hugh Percy Lane, art dealer, collector, and gallery director, is born in County Cork on November 9, 1875. He is best known for establishing Dublin‘s Municipal Gallery of Modern Art, the first known public gallery of modern art in the world, and for his contribution to the visual arts in Ireland, including the Lane Bequest.

Lane is brought up in Cornwall, England, and begins his career as an apprentice painting restorer and later becomes a successful art dealer in London.

Through regular visits to the home of his aunt, Lady Gregory, in Coole Park, near Gort in County Galway, Lane remains in contact with Ireland. He soon counts among his family, friends, and social circle those who collectively form the core of the Irish cultural renaissance in the early decades of the 20th century.

Extolling the cause of Irish art abroad, Lane also becomes one of the foremost collectors and dealers of Impressionist paintings in Europe, and amongst those works purchased by him for the new gallery are La Musique aux Tuileries by Édouard Manet, Sur la Plage by Edgar Degas, Les Parapluies by Pierre-Auguste Renoir, and La Cheminée by Jean-Édouard Vuillard.

The Municipal Gallery of Modern Art opens in January 1908 in temporary premises in Harcourt Street, Dublin. Lane hopes that Dublin Corporation will run it, but the corporation is unsure if it will be financially viable. Lane does not live to see his gallery permanently located as he dies on May 7, 1915, during the sinking of the RMS Lusitania off the west coast of Cork. The gallery, extended in 2005, is now in Parnell Square in central Dublin.

For his “services to art” in Ireland, Lane is knighted in June 1909 at the comparatively young age of 33.

Following his death, Lane’s will bequeaths his collection to London, but an unwitnessed later codicil bequeaths it to Dublin. Having possession, London’s National Gallery does not recognise the codicil. At the request of Lane’s aunt, Lady Gregory, W.T. Cosgrave, leader of the Irish Government unsuccessfully approaches Ramsay MacDonald on the matter in 1929. When John A. Costello becomes Taoiseach in 1948, he initiates further negotiations with the government of the United Kingdom, eventually leading to a compromise in 1959, under Taoiseach Seán Lemass, whereby half of the Lane Bequest will be loaned and shown in Dublin every five years. In 1993 the agreement is varied so that 31 of the 39 paintings would stay in Ireland. The remaining 8 are divided into two groups, so that four would be loaned for six years at a time to Dublin. In 2008, The National Gallery in London arranges for the entire collection to be on display in Dublin together for the first time.