seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

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Birth of Sean Scully, Painter, Printmaker, Sculptor & Photographer

Sean Scully, Irish-born American-based artist working as a painter, printmaker, sculptor and photographer, is born in Dublin on June 30, 1945. His work is held in museum collections worldwide and he has twice been named a Turner Prize nominee.

Four years after his birth, Scully’s family moves to London where they live in a working-class part of South London, moving from lodging to lodging for a number of years. By the age of 9, he knows he wants to become an artist. From the age of 15 until he is 17, he is apprenticed at a commercial printing shop in London as a typesetter, an experience that greatly influences his future artwork.

Scully studies at Croydon School of Art between 1965-67 and at Newcastle University between 1967-71. He is awarded the Frank Knox Memorial Fellowship in 1972 to attend Harvard University. It is during this first stay in the United States that he begins to experiment with new techniques such as tape and spray paint. In 1975 he is awarded a Harkness Fellowship and establishes a studio in New York, where he settles, becoming an American citizen in 1983.

Over the years, Scully develops and refines his own recognisable style of geometric abstraction and most notably his characteristic motif of the ‘stripe.’ Although he is predominately known for his monumental paintings, he is also a gifted printmaker who has made a notable body of woodcuts and etchings.

Scully has his first solo exhibition at the Rowan Gallery, London in 1973. He has his first retrospective at the Ikon Gallery in Brindleyplace, Birmingham, in 1981, which travels throughout the United Kingdom. In 1989 his first solo exhibition in a European museum travels from the Whitechapel Gallery in London to Palacio Velázquez in Madrid and Städtische Galerie im Lenbachhaus in Munich. He has further solo exhibitions at Kunstsammlung Nordrhein Westfalen in Düsseldorf (2001) which travels to Haus der Kunst in Munich and the Institut Valencià d’Art Modern in Valencia; The Phillips Collection in Washington, D.C. (2005) travels to the Modern Art Museum of Fort Worth in Texas, the Cincinnati Art Museum in Ohio and finally the Metropolitan Museum of Art in New York City. A major retrospective tours multiple venues in China between 2015 and 2017.

Scully’s paintings and prints are held in the collections of Tate in London, the Albertina in Vienna, Museo Nacional Centro de Arte Reina Sofía in Madrid, Instituto Valencia d’Arte Modern in Valencia, the Metropolitan Museum of Art and the Solomon R. Guggenheim Museum in New York City, the National Gallery of Art in Washington D.C., Modern Art Museum of Fort Worth in Texas, Guangzhou Museum of Art in Guangzhou, China, and the Central Academy of Fine Arts in Beijing, China.

Scully has held teaching positions at Chelsea College of Arts and Goldsmith’s College of Art and Design, both in London, Princeton University in New Jersey, Parsons School of Design in New York, and most recently at the Akademie der Bildenden Künste in Munich. He is shortlisted for the Turner Prize in 1989 and in 1993, and is elected a Royal Academician in 2013. He participates for the first time at the Venice Biennale in 2014.

Sean Scully lives and works in New York and in Bavaria, Germany.


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Death of Frank Harte, Traditional Irish Singer

Frank Harte, traditional Irish singer, music collector, architect and lecturer, dies of a heart attack on June 27, 2005.

Harte is born in Chapelizod, County Dublin on May 14, 1933. He emigrates to the United States for a short period, but later returns to Ireland where he works as an architect, lecturer at Dublin Institute of Technology in Rathmines, Dublin and in later life fully engages in songs in many ways.

Harte’s introduction to Irish traditional singing comes from a chance listening to an itinerant who is selling ballad sheets at a fair in Boyle, County Roscommon. He begins collecting early in life and by the end of his life has assembled a database of over 15,500 recordings.

Harte becomes a great exponent of the Dublin street ballad, which he prefers to sing unaccompanied. He is widely known for his distinctive singing, his Dublin accent having a rich nasal quality complementing his often high register. His voice mellows considerably by the time of his later recordings, allowing for an expressive interpretation of many love songs such as “Bonny Light Horseman” on the album My Name is Napoleon Bonaparte. This is contrasted sublimely by his cogent interpretation of the popular “Molly Malone.” He also becomes more accustomed to singing with accompaniment which is not strictly part of the Irish singing tradition and does not come naturally to him.

Though Irish Republican in his politics, Harte believes that the Irish song tradition need not be a sectarian or nationalist preserve. He believes that songs are a key to understanding the past often saying, “those in power write the history, while those who suffer write the songs, and, given our history, we have an awful lot of songs.” Though considered a stalwart of traditional Irish singing and well aware of it, he does not consider himself to be a sean-nós singer.

Harte wins the All-Ireland Fleadh Cheoil singing competition on a number of occasions and in 2003 receives the Traditional Singer of the Year award from the Irish-language television channel TG4.

Harte records several albums and makes numerous television and radio appearances, most notably the Singing Voices series he writes and presents for RTÉ Radio, which is produced by Peter Browne in 1987. He is a regular at the Sunday morning sessions at The Brazen Head pub, along with Liam Weldon who runs the session. He is also an enthusiastic supporter of An Góilín Traditional Singer’s Club.

Harte appears at many American festivals including The Blarney Star in New York City, Gaelic Roots in Boston College, The Catskills Irish Arts Week, The Greater Washington Ceili Club Festival in Maryland and the Milwaukee Irish Fest and for seventeen years he is a veritable staple at the Irish Week every July in the Augusta Heritage Festival in Elkins, West Virginia where he often performs with Mick Moloney.

Frank Harte dies of a heart attack, aged 72, on June 27, 2005. His influence is still evident in singers such as Karan Casey and he continues to be remembered fondly in sessions and folk clubs on both sides of the Irish Sea.


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Death of Myles Walter Keogh, Last Man Killed at the Battle of Little Big Horn

Myles Walter Keogh, soldier in the United States Army, is the last man killed at the Battle of Little Big Horn on June 25, 1876, according to the Sioux. His horse is the only U.S. survivor.

Keogh is born in Orchard House in Leighlinbridge, County Carlow, on March 25, 1840. He attends the National School in Leighlinbridge and is long thought to have attended St. Patrick’s College in Carlow but that college has no record of his attendance. It is possible that he attends St. Mary’s Knockbeg College.

By 1860, a twenty-year-old Keogh volunteers, along with over one thousand of his countrymen, to rally to the defence of Pope Pius IX following a call to arms by the Catholic clergy in Ireland. By August 1860, Keogh is appointed second lieutenant of his unit in the Battalion of St. Patrick, Papal Army under the command of General Christophe Léon Louis Juchault de Lamoricière. Once the fighting is over and duties of the Pontifical Swiss Guard become more mundane, Keogh sees little purpose in remaining in Rome. In March 1862, with civil war raging in America, he resigns his commission in the Company of St. Patrick and sets out for New York City, arriving on April 2.

Keogh actively participates in several prominent American Civil War battles including the Shenandoah Valley, the Battle of Antietam, the Battle of Fredericksburg, and the Battle of Gettysburg.

Perhaps the strongest testimony to Keogh’s bravery and leadership ability comes at the Battle of the Little Bighorn, also known as Custer’s Last Stand, on June 25, 1876. The senior captain among the five companies wiped out with General George Armstrong Custer that day, and commanding one of two squadrons within the Custer detachment, Keogh dies in a “last stand” of his own, surrounded by the men of Company I. When the sun-blackened and dismembered dead are buried three days later, Keogh’s body is found at the center of a group of troopers. The slain officer is stripped but not mutilated, perhaps because of the “medicine” the Indians see in the Agnus Dei (“Lamb of God”) he wears on a chain about his neck or because many of Sitting Bull‘s warriors are believed to be Catholic. Keogh’s left knee has been shattered by a bullet that corresponds to a wound through the chest and flank of his horse, indicating that horse and rider may have fallen together prior to the last rally.

The badly injured animal is found on the fatal battlefield and nursed back to health as the 7th Cavalry’s regimental mascot, which he remains until his death in 1890. This horse, Comanche, is considered the only U.S. military survivor of the battle, though several other badly wounded horses are found and destroyed at the scene. Keogh’s bloody gauntlet and the guidon of his Company I are recovered by the army three months after Little Bighorn at the Battle of Slim Buttes.

Originally buried on the battlefield, Keogh’s remains are disinterred and taken to Auburn, New York as he had requested in his will. He is buried at Fort Hill Cemetery on October 26, 1877, an occasion marked by citywide official mourning and an impressive military procession to the cemetery.

Tongue River Cantonment in southeastern Montana is renamed after him to be Fort Keogh. The fort is first commanded by Nelson A. Miles. The 55,000-acre fort is today an agricultural experiment station. Miles City, Montana is located two miles from the old fort.


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Death of Brigadier General Robert Nugent of the U.S. Army

Brigadier General Robert Nugent, Irish-born American United States Army officer during the American Civil War and the Indian Wars, dies at the age of 76 in Brooklyn, New York on June 20, 1901.

Born in Kilkeel, County Down on June 27, 1824, Nugent serves with the 69th New York Infantry Regiment, from its days as a militia unit and into its incorporation into the Union Army at the start of the war and is one of its senior officers at the First Battle of Bull Run.

When the unit is originally mustered out of service, the 90-day enlistment terms having expired, Nugent accepts a commission as a captain in the regular army. He is immediately assigned to the 13th Infantry Regiment whose commanding officer, General William Tecumseh Sherman, personally requests. Taking a leave of absence to return to New York, he assists Thomas Francis Meagher in organizing the Irish Brigade. The newly reformed 69th Infantry Regiment is the first unit assigned to the Irish Brigade and, with Nugent as its colonel, he leads the “Fighting 69th” at the Battles of Seven Pines, Gaines’ Mill, Savage’s Station, White Oak Swamp, Glendale, and Malvern Hill.

Nugent is wounded, shot in the stomach, at the Battle of Fredericksburg and is eventually forced to resign his command. He is appointed acting assistant provost marshal for the southern district of New York, which includes New York City and Long Island, by the U.S. Department of War. An Irishman and Democrat, his appointment is thought to assure the Irish American population that conscription efforts would be carried out fairly. The Irish-American, a popular Irish language newspaper, writes that the selection is a “wise and deservedly popular one.” He does encounter resistance from city officials wanting him to remain uninvolved, however by mid-June he reports to his superior officer and provost marshal general Colonel James Fry that conscription efforts are “nearing completion without serious incident.”

Understanding the seriousness of the situation, Nugent attempts to keep the draft selections quiet and in isolated parts of the city. In Manhattan however, lotteries are placed in the heart of Irish tenement and shanty neighborhoods where the draft is most opposed.

In the ensuing New York City draft riots, Nugent takes command of troops and attempts to defend the city against the rioters. Despite issuing the cancellation of the draft, the riots continue for almost a week. His home on West 86th Street is looted and burned by the rioters during that time, his wife and children barely escaping from their home. Upon breaking into his house, furniture is destroyed, and paintings of Nugent and Meagher are slashed, although Brigadier General Michael Corcoran‘s is left untouched.

On October 28, Nugent is relieved of his post and succeeded by General William Hayes. Returning to active duty, he assumes command of the Irish Brigade in November 1864, shortly after the death of Corcoran, and is present at the Battle of Spotsylvania Court House, the Siege of Petersburg and the Appomattox campaign. As its last commanding officer, he and the Irish Brigade also march in the victory parade held in Washington, D.C. following Robert E. Lee‘s surrender at Appomattox Court House.

Nugent is brevetted Brigadier General for distinguished leadership of the 69th Regiment on March 13, 1865. The veterans of the Irish Brigade are honorably discharged and mustered out three months later. Nugent, however, remains in the regular U.S. Army for the next twenty years, a formidable “Indian fighter” during the America Indian Wars with the 13th and 24th Infantry Regiments. In 1879, he retires at the rank of major and resides in New York where he is involved in the Grand Army of the Republic, the War Veterans’ Association of the 7th Regiment and an honorary member of The Old Guard.

Nugent becomes ill in his old age, complications arising from his wounds suffered at Fredericksburg, and remains bedridden for two months before his death at his McDonough Street home in Brooklyn on June 20, 1901. In accordance with his last wishes, he is buried at Cypress Hills National Cemetery, located in the Cypress Hills neighborhood of Brooklyn.


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Death of Irish American Actor Gregory Peck

Actor Gregory Peck dies at his home in Los Angeles, California, from bronchopneumonia at the age of 87 on June 12, 2003.

Peck is born in La Jolla, California on April 5, 1916, to Bernice Mary (Ayres) and Gregory Pearl Peck, a chemist and pharmacist in San Diego. Through his Irish-born paternal grandmother, Catherine Ashe, Peck is related to Thomas Ashe, who takes part in the Easter Rising fewer than three weeks after Peck’s birth and dies while on hunger strike in 1917.

Peck’s parents divorce when he is five years old. An only child, he is sent to live with his grandmother. He never feels as though he has a stable childhood. His fondest memories are of his grandmother taking him to the movies every week and of his dog, which follows him everywhere.

At the age of ten Peck is sent to a Catholic military school, St. John’s Military Academy in Los Angeles. While he is a student there, his grandmother dies. At 14, he moves back to San Diego to live with his father and attends San Diego High School. After graduating he enrolls for one year at San Diego State Teacher’s College (now known as San Diego State University).

Peck studies pre-med at the University of California, Berkeley and while there is bitten by the acting bug and decides to change the focus of his studies. He enrolls in the Neighborhood Playhouse School of the Theatre in New York City and debuts on Broadway after graduation. His debut is in Emlyn Williams‘ play The Morning Star (1942). By 1943, he is in Hollywood, where he debuts in the RKO Pictures film Days of Glory (1944).

Stardom comes with Peck’s next film, The Keys of the Kingdom (1944), for which he is nominated for an Academy Award. Peck’s screen presence displays the qualities for which he becomes well known. He is tall, rugged and heroic, with a basic decency that transcends his roles. He appears in Alfred Hitchcock‘s Spellbound (1945) as an amnesia victim accused of murder. In The Yearling (1946), he is again nominated for an Academy Award and wins the Golden Globe Award. He is especially effective in westerns and appears in such varied fare as David O. Selznick‘s critically blasted Duel in the Sun (1946), the somewhat better received Yellow Sky (1948) and the acclaimed The Gunfighter (1950). He is nominated again for the Academy Award for his roles in Gentleman’s Agreement (1947), which deals with antisemitism, and Twelve O’Clock High (1949), a story of high-level stress in an Air Force bomber unit in World War II.

With a string of hits to his credit, Peck makes the decision to only work in films that interest him. He continues to appear as the heroic, larger-than-life figures in such films as Captain Horatio Hornblower R.N. (1951) and Moby Dick (1956). He works with Audrey Hepburn in her debut film, Roman Holiday (1953).

Peck finally wins the Oscar, after four nominations, for his performance as lawyer Atticus Finch in To Kill a Mockingbird (1962). In the early 1960s, he appears in two darker films than he usually makes, Cape Fear (1962) and Captain Newman, M.D. (1963), which deal with the way people live. He also gives a powerful performance as Captain Keith Mallory in The Guns of Navarone (1961), one of the biggest box-office hits of that year.

In the early 1970s, Peck produces two films, The Trial of the Catonsville Nine (1972) and The Dove (1974), when his film career stalled. He makes a comeback playing, somewhat woodenly, Robert Thorn in the horror film The Omen (1976). After that, he returns to the bigger-than-life roles he is best known for, such as MacArthur (1977) and the monstrous Nazi Dr. Josef Mengele in the huge hit The Boys from Brazil (1978). In the 1980s, he moves into television with the miniseries The Blue and the Gray (1982) and The Scarlet and the Black (1983). In 1991, he appears in the remake of his 1962 film, playing a different role, in Martin Scorsese‘s Cape Fear (1991). He is also cast as the progressive-thinking owner of a wire and cable business in Other People’s Money (1991).

In 1967, Peck receives the Academy’s Jean Hersholt Humanitarian Award. He has also been awarded the Presidential Medal of Freedom. Always politically progressive, he is active in such causes as anti-war protests, workers’ rights and civil rights. In 2003, Peck’s portrayal of Atticus Finch is named the greatest film hero of the past 100 years by the American Film Institute.

Peck dies in his sleep at his home in Los Angeles, California from bronchopneumonia at the age of 87 on June 12, 2003. He is entombed in the Cathedral of Our Lady of the Angels mausoleum in Los Angeles. His eulogy is read by Brock Peters, whose character, Tom Robinson, was defended by Peck’s Atticus Finch in To Kill a Mockingbird.


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Birth of Garry Hynes, Theatre Director & Tony Award Winner

Garry Hynes, Irish theatre director, is born in Ballaghaderreen, County Roscommon, on June 10, 1953. She is the first woman to win the prestigious Tony Award for direction of a play.

Hynes is educated at St. Louis Convent at Monaghan, the Dominican Convent at Galway, and University College Galway (UCG).

Hynes is a co-founder of the Druid Theatre Company with Mick Lally and Marie Mullen in 1975 after meeting through the drama society of UCG. She is Druid’s artistic director from 1975 to 1991, and again from 1995 to date. She directs for the Abbey Theatre from 1984 and is its artistic director from 1991 to 1994, and also the Royal Shakespeare Company, the Royal Exchange, Manchester, the John F. Kennedy Center for the Performing Arts and the Royal Court Theatre, London.

Hynes directs DruidSynge, the company’s critically acclaimed production of all six of John Millington Synge‘s plays that première at the Galway Arts Festival in 2005 and has since toured to Dublin, Edinburgh, Inis Meáin, Minneapolis and New York City. DruidSynge has been described by Charles Isherwood of The New York Times as “the highlight not just of my theatre going year but of my theatre going life” and by The Irish Times as “one of the greatest achievements in the history of Irish theatre.”

In 2017, award-winning artist Vera Klute is commissioned by the National Gallery of Ireland to create a portrait of Hynes as part of the 2015 Hennessey Portrait Prize. The bust, made of porcelain, concrete and timber (with a dimension of 164cm x 54cm x 45cm), is unveiled to the public in April 2017 and is currently on display as part of the Gallery’s National Portrait Collection.

In 1998 Hynes wins the Tony Award for Direction for The Beauty Queen of Leenane, the first woman to receive the award. She is a recipient of many other Theatre Awards, including The Irish Times/ESB Irish Theatre Award for Best Director (2002) and a The Irish Times Special Tribute Award for her contribution to Irish Theatre in February 2005.

Hynes has received honorary Doctorates from the University of Dublin (2004), The National University of Ireland, Galway (1998) and the National Council for Educational Awards (1988). On June 15, 2006, she is awarded the Freedom of the City of Galway, its highest bestowed honour.

Hynes is the civil partner of film producer Martha O’Neill.


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Death of Charlotte Grace O’Brien, Philanthropist & Activist

Charlotte Grace O’Brien, author, philanthropist and an activist in nationalist causes and the protection of female emigrants, dies on June 3, 1909. She is known also as a plant collector.

Born on November 23, 1845, at Cahirmoyle, County Limerick, O’Brien is the younger daughter in a family of five sons and two daughters. Her father is William Smith O’Brien, the Irish nationalist and her mother is Lucy Caroline, eldest daughter of Joseph Gabbett, of High Park, County Limerick. On her father’s return in 1854 from the penal colony in Tasmania, she rejoins him in Brussels and stays there until he comes back to Cahirmoyle in 1856. On her mother’s death in 1861, she moves with her father to Killiney, near Dublin, and is his constant companion until his death at Bangor, Gwynedd in 1864.

From 1864, O’Brien lives at Cahirmoyle with her brother Edward, caring for his motherless children until his remarriage in 1880. Having been hard of hearing since childhood, by 1879 she has become entirely deaf. She goes to live at Ardanoir near Foynes on the River Shannon and spends time writing. She becomes a staunch supporter of Charles Stewart Parnell.

A bad harvest in Ireland in 1879, combined with Irish political turmoil, causes many Irish people to emigrate to the United States. In articles and letters to newspapers and reviews, O’Brien exposes the awful conditions that exist in the Queenstown (Cobh) lodging houses, on board the emigrant ships, and in the dock slums of New York City, where the Irish have to stay upon landing. A notable piece she writes is the Horrors of the Immigrant Ship which appears in The Pall Mall Gazette on May 6, 1881.

A visit to Queenstown, the port of embarkation, and a tour of the White Star Line‘s Germanic leads her to successfully lobby to get a Catholic priest aboard the emigrant ship to help ease the passage, at least spiritually. That achievement captures even more public attention by virtue of the fact that O’Brien herself is Protestant. Despite the limit of 1,000 passengers, she notes the steamer has carried as many as 1,775 at one time.

O’Brien presses the Board of Trade for greater vigilance, and in April 1882, founds a 105-bed boarding house at Queenstown for the reception and protection of girls on the point of emigrating. The O’Brien Emigrants Home at The Beach, Queenstown fails because it is boycotted by other boardinghouse keepers and local merchants, forcing her to order provisions from Cork.

O’Brien also daily visits three or four of the ships for which her lodgers are destined along with a medical officer. She makes passages herself to America, using the occasion to investigate shipboard conditions and lobby for the reform and enforcement of health and safety standards.

O’Brien finds little effort to provide food, drink or accommodation at the Castle Garden entry facility. She also finds that often the illiterate young women are being tricked into prostitution through spurious offers of employment. Additionally, she notes the high infant mortality rates in the tenements where the women live. She proposes to Archbishop John Ireland of Minnesota an information bureau at Castle Garden, a temporary shelter to provide accommodation for immigrants and a chapel. Archbishop Ireland agrees to raise the matter at the May 1883 meeting of the Irish Catholic Association which endorses the plan and votes to establish an information bureau at Castle Garden. Ireland also contacts Cardinal John McCloskey, Archbishop of New York, about providing a priest for immigrants arriving at Castle Garden.

The Mission opens on January 1, 1884, with Rev. John J. Riordan appointed as the first chaplain at Castle Garden. Immigrant girls needing accommodation are placed in local boarding houses until May 1 when a Home for Immigrant Girls is opened at 7 Broadway. In 1885, the James Watson House at 7 State Street is purchased from Isabella Wallace for the Mission of Our Lady of the Rosary for the Protection of Irish Immigrant Girls to serve as a way station for young immigrant women. Between 1884 and 1890, the Mission provides assistance to 25,000 Irish immigrant women.

In 1881–82, O’Brien embarks on a campaigning lecture tour in the United States. She encounters problems, however, particularly given her Protestant background and the need to enlist support from Catholic clergy. Poor health, and her profound deafness cause her to curtail her activities in America. When she returns to Ireland in 1883, she finds herself suspected of being a British agent whose Emigrant Boarding house and whose plans for an American home for Irish immigrant girls facilitate the government’s assisted emigrant scheme. Supposedly, this would be the scheme that helps landlords clear their estates of poor tenants. In fact, O’Brien opposes assisted emigration, but she continues to assist those who are sent to her.

O’Brien retires from active public work in 1886, moving to Ardanoir, Foynes, on the Shannon Estuary. She spends considerable time in Dublin, where she socialises with Douglas Hyde and the painter William Osbourne. She joins the Roman Catholic Church in 1887. She dies of heart failure on June 3, 1909, at Foynes, and is buried at Knockpatrick.


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Birth of Tony Award Nominated Actor Milo O’Shea

Milo Donal O’Shea, Irish actor twice nominated for the Tony Award for Best Actor in a Play for his performances in Staircase (1968) and Mass Appeal (1982), is born in Dublin on June 2, 1926.

O’Shea is raised in Dublin and educated by the Christian Brothers at Synge Street CBS, along with his friend Donal Donnelly. His father is a singer and his mother a ballet teacher. Because he is bilingual, he performs in English-speaking theatres and in Irish in the Abbey Theatre Company. At age 12, he appears in George Bernard Shaw‘s Caesar and Cleopatra at the Gate Theatre. He later studies music and drama at the Guildhall School of Music and Drama in London and is a skilled pianist.

O’Shea is discovered in the 1950s by Harry Dillon, who runs the 37 Theatre Club on the top floor of his shop, the Swiss Gem Company, 51 Lower O’Connell Street, Dublin. Early in his career he tours with the theatrical company of Anew McMaster.

O’Shea begins acting on the stage, then moves into film in the 1960s. He becomes popular in the United Kingdom, as a result of starring in the BBC sitcom Me Mammy alongside Yootha Joyce. In 1967–68 he appears in the drama Staircase, co-starring Eli Wallach and directed by Barry Morse, which stands as Broadway‘s first depiction of homosexual men in a serious light. For his role in that drama, he is nominated for the Tony Award for Best Actor in a Play in 1968.

O’Shea stars as Leopold Bloom in Joseph Strick‘s 1967 film version of Ulysses. Among his other memorable film roles in the 1960s are the well-intentioned Friar Laurence in Franco Zeffirelli‘s Romeo and Juliet (1968) and the villainous Dr. Durand Durand in Roger Vadim‘s counterculture classic Barbarella (1968). In 1984, he reprises his role as Dr. Durand Durand, credited as Dr. Duran Duran, for the 1985 Duran Duran concert film Arena (An Absurd Notion), since his character inspired the band’s name. He plays Inspector Boot in the 1973 Vincent Price horror/comedy film Theatre of Blood.

O’Shea is active in American films and television, such as his memorable supporting role as the trial judge in the Sidney Lumet-directed movie The Verdict (1982) with Paul Newman, an episode of The Golden Girls in 1987, and portraying Chief Justice of the United States Roy Ashland in the television series The West Wing. In 1992, he guest stars in the season 10 finale of the sitcom Cheers, and, in 1995, in an episode of the show’s spin-off Frasier. He appears in the pilot episode of Early Edition as Sherman.

Other stage appearances include Mass Appeal (1981) in which he originates the role of Father Tim Farley, for which he is nominated for the Tony Award for Best Actor in a Play in 1982, the musical Dear World in which he plays the Sewer Man opposite Angela Lansbury as Countess Aurelia, Corpse! (1986) and a 1994 Broadway revival of Philadelphia, Here I Come!.

O’Shea receives an honorary degree from Quinnipiac University in 2010.

O’Shea’s first wife is Maureen Toal, an Irish actress, with whom he has two sons, Colm and Steven. They divorce in 1974. His second wife is Irish actress Kitty Sullivan, whom he meets in Italy, where he is filming Barbarella and she is auditioning for Man of La Mancha. The couple occasionally act together, such as in a 1981 Broadway revival of My Fair Lady. O’Shea and Sullivan have no children together. They both adopt United States citizenship and reside in New York City, where they both live from 1976.

O’Shea dies on April 2, 2013, in New York City following a short illness at the age of 86. He is buried at Deans Grange Cemetery.


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Birth of Singer-Songwriter Luka Bloom

Kevin Barry Moore, Irish folk singer-songwriter best known as Luka Bloom, is born on May 23, 1955 in Newbridge, County Kildare. He is the younger brother of folk singer Christy Moore.

Moore’s parents are Andy Moore and Nancy Power, who had already raised three daughters and two other sons. He attends a Patrician Brothers primary school and later studies at Newbridge College, run by the Dominican Order. In college he forms the group Aes Triplex with his brother Andy and a school friend. He later attends a college in Limerick, but he drops out after a couple of years to pursue a music career.

In 1969, 14-year-old Moore embarks on a tour supporting his eldest brother, Christy Moore, at various English folk clubs. After the tour he spends all of his time practising and writing music. In 1976, Christy records one of his songs “Wave up to the Shore.” In 1977, he tours Germany and England as part of the group Inchiquin.

In 1978, Moore releases his debut album, Treaty Stone. In 1979, having normally played guitar using a finger-picking technique, he is afflicted with tendonitis and is forced to learn to play with a plectrum, which alters his guitar style. That same year, he moves to Groningen in the Netherlands. In 1980, he records and releases his second album, In Groningen. In 1982, he releases his third album, No Heroes, which contains songs all written by Moore himself. For three years, from 1983 to 1986, he is the front-man for the Dublin-based band Red Square. During this time, in 1984, his son Robbie is born.

In 1987, Moore moves to the United States and begins performing using the stage name of “Luka Bloom.” He chooses the name “Luka” from the title of Suzanne Vega‘s song about child abuse and “Bloom” from the main character in James Joyce‘s novel Ulysses. Initially he lives and performs primarily in Washington D.C., but in late 1987 he moves to New York City. The following year, he releases his first album – later withdrawn – under the name Luka Bloom.

In 1990, Bloom releases his album Riverside, which includes the song “The Man Is Alive.” The album is recorded in New York, with its lyrics reflecting his experiences living and performing in that city. In 1991, he returns to Dublin to record The Acoustic Motorbike, which includes a cover version of LL Cool J‘s “I Need Love.” The cover song is reviewed by Rolling Stone magazine, noting that “the prospect of a folksy Irish rocker covering a rap ballad may seem strange, but experimenting with different forms is precisely what keeps established traditions vital.”

In 1993, Bloom again returns to Ireland to record the album Turf, this time with producer Brian Masterson and sound engineer Paul Ashe-Browne. The album attempts to capture the sound of a live performance, and is recorded in front of an audience that is asked to remain as quiet as possible. In 1998, he releases Salty Heaven, an album inspired by his return to Ireland.

Bloom’s early albums showcase his frenetic strumming style, including “Delirious,” the debut track on Riverside, and his penchant for thoughtful cover songs, an affinity that he maintains even in more recent work. In addition to his LL Cool J cover, he also covers Elvis Presley‘s “Can’t Help Falling in Love” on the album The Acoustic Motorbike.

Released in 2000, Keeper of the Flame is an album of cover versions featuring renditions of ABBA‘s “Dancing Queen,” Bob Marley‘s “Natural Mystic,” and the Hunters & Collectors‘ “Throw Your Arms Around Me,” among others. His 2004 acoustic mini-album, Before Sleep Comes, is recorded while he is recovering from tendinitis. He states that the purpose of the album is “to help bring you closer to sleep, our sometimes elusive night-friend.”

In 2005, Bloom releases the album Innocence. Some of the songs feature a new-found interest in Eastern European Romani music and other world music. The album features him playing classical guitar, and the resonant plucking associated with that style of instrument. In his previous work, he relies almost exclusively on steel-stringed acoustic guitars that created his distinctive style. In 2007, he releases the album Tribe, a collaboration with County Clare musician Simon O’Reilly. O’Reilly composes the music and sends the recordings to Bloom for him to complete with lyrics and singing.

In February 2008, Bloom releases a DVD titled The Man is Alive, featuring footage filmed in Dublin and at his home in Kildare, a question and answer session with fans, the documentary My Name is Luka, and a CD of music taken from the two performances. In September of that year, he releases the album Eleven Songs, which features an expanded ensemble of instrumentation, giving the album a distinct sound within his catalogue.


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Tom McClean Completes First Solo Rowboat Transatlantic Crossing

Tom McClean crosses from Newfoundland to Blacksod Bay, County Mayo, completing the first solo transatlantic crossing in a rowboat on May 17, 1969.

McClean is born on February 12, 1941. Having been abandoned as a baby, he starts life as an orphan at Bethany Home in Dublin. He spends much of his teenage years working on a farm until he becomes bored and enlists in the British Army. After Chay Blyth and John Ridgway row the Atlantic in 1966, he announces to both that he is going to complete this alone.

McClean starts his military career in the Parachute Regiment and then progresses into the Special Air Service (SAS). Following his retirement from military service, he gains fame for numerous feats of endurance. He holds the world record as the first man to row solo across the Atlantic Ocean from west to east which he does in 1969. In 1982 he sails across the Atlantic in the smallest boat to accomplish that crossing. The self-built boat measures 9-feet and 9-inches, and because of the weight of the food takes seven weeks to cross. His record is broken three weeks later by a sailor manning a 9-feet and 1-inch long boat. In response, McClean uses a chainsaw to cut two feet off his own vessel, making it 7-feet and 9-inches long. During the return trip he loses his mast and the journey takes even longer than his first attempt but he regains the record.

He is a survival expert who lives on the island of Rockall from May 26 to July 4, 1985 to affirm the United Kingdom‘s claim to it. This is the third longest human occupancy of the island, surpassed in 1997 by a team from Greenpeace which spends 42 days on the island, and in 2014 by Nick Hancock who spends 45 days there. Two years later, the then 44-year-old McClean sets about regaining his transatlantic rowing record and achieves his goal crossing the Atlantic in 54 days, a record still held.

In 1990 McClean completes a west-east crossing in a 37-foot bottle-shaped vessel, which had been constructed at Market Harborough by Springer Engineering, a firm with a past history of steel fabrication and narrowboat construction. The Typhoo Atlantic Challenger sails from New York to Falmouth, England. This vessel is now preserved at Fort William Diving Centre.

McClean’s most recent feat is the construction, in 1996, of a boat shaped like a giant whale, which completes a circumnavigation of Great Britain. The boat, ‘Moby’ Prince of Whales, stands 25-feet high and 65-feet long. It has a spout which can launch water as high as 6 metres in the air. The Moby Dick, as of 2017, is in the process of conversion to electric power for an Atlantic crossing.

McClean is the subject of This Is Your Life in 1987 when he is surprised by Eamonn Andrews.