Peters is born on July 6, 1939, in Halewood, Lancashire, England, later living at 5 Mere Avenue in Alkrington, where she goes to primary school. She moves to Ballymena (and later Belfast) at the age of eleven when her father’s job is relocated to Northern Ireland. As a teenager, her father encourages her athletic career by building her home practice facilities as birthday gifts. She qualifies as a teacher and works while training.
After Ballymena, the family moves to Portadown where she attends Portadown College. The headmaster, Donald Woodman, and the PE teacher, Kenneth McClelland, introduce her to athletics, McClelland being her first coach. She is head girl of the school in 1956.
At the 1972 Summer Olympics in Munich, competing for Great Britain and Northern Ireland, Peters wins the gold medal in the women’s pentathlon. She had finished 4th in 1964 and 9th in 1968. To win the gold medal, she narrowly beats the local favourite, West Germany’s Heide Rosendahl, by 10 points, setting a world record score. After her victory, death threats are phoned into the BBC: “Mary Peters is a Protestant and has won a medal for Britain. An attempt will be made on her life, and it will be blamed on the IRA … Her home will be going up in the near future.” But Peters insists she will return home to Belfast. She is greeted by fans and a band at the airport and paraded through the city streets but is not allowed back in her flat for three months. Turning down jobs in the United States and Australia, where her father lives, she insists on remaining in Northern Ireland.
In 1972, Peters wins the BBC Sports Personality of the Year award: “Peters, a 33-year-old secretary from Belfast, won Britain’s only athletics gold at the Munich Olympics. The pentathlon competition was decided on the final event, the 200m, and Peters claimed the title by one-tenth of a second.”
She represents Northern Ireland at every Commonwealth Games between 1958 and 1974. In these games she wins two gold medals for the pentathlon, plus a gold and silver medal for the shot put.
In May 2001, following her athletic career, Peters becomes a Trustee of The Outward Bound Trust and is Vice-President of the Northern Ireland Outward Bound Association. She is also Patron of Springhill Hospice in Rochdale, Greater Manchester.
Peters is appointed a Member of the Order of the British Empire (MBE) for services to athletics in the 1973 New Year Honours. For services to sport, she is promoted in the same Order to Commander (CBE) in the 1990 Birthday Honours and again to Dame Commander (DBE) in the 2000 Birthday Honours. In the 2015 New Year Honours, she is awarded as Member of the Order of the Companions of Honour (CH), also for services to sport and the community in Northern Ireland, and in 2017, she is made a Dame of the Order of Saint John (DStJ). She is appointed a Lady Companion of the Order of the Garter (LG) on February 27, 2019, and therefore granted the title Lady. She represents the Order at the 2023 coronation.
Northern Ireland’s premier athletics track, on the outskirts of Belfast, is named after Peters. A statue of her stands within it.
In April 2009, Peters is named the Lord Lieutenant of the City of Belfast; she retires from the post in 2014, being succeeded by Fionnuala Jay-O’Boyle. She is a Freeman of the Cities of Lisburn and Belfast.
Living in the nationalist Beechmount neighbourhood of the Falls, he stands for the Falls as a candidate for the Dock Labour Party in a city council by-election in 1956, but loses to Paddy Devlin of the Irish Labour Party, who later becomes his close ally. In 1958, he is elected to Belfast City Council as a member of the Irish Labour Party.
Many sympathetic British Members of Parliament (MPs) are present at a civil rights march in Derry on October 5, 1968, when Fitt and others are beaten by the Royal Ulster Constabulary. Fitt also supports the 1969 candidacy of Bernadette Devlin in the Mid Ulster by-election who runs as an anti-abstentionist ‘Unity‘ candidate. Devlin’s success greatly increases the authority of Fitt in the eyes of many British commentators, particularly as it produces a second voice on the floor of the British House of Commons who challenge the Unionist viewpoint at a time when Harold Wilson and other British ministers are beginning to take notice.
In August 1970, Fitt becomes the first leader of a coalition of civil rights and nationalist leaders who create the Social Democratic and Labour Party (SDLP). By this time Northern Ireland is charging headlong towards near-civil war and the majority of unionists remain hostile.
After the collapse of Stormont in 1972 and the establishment of the Northern Ireland Assembly in 1973 Fitt becomes deputy chief executive of the short-lived Power-Sharing Executive created by the Sunningdale Agreement.
Fitt becomes increasingly detached from both his own party and also becomes more outspoken in his condemnation of the Provisional Irish Republican Army. He becomes a target for republican sympathisers in 1976 when they attack his home. He becomes disillusioned with the handling of Northern Ireland by the British government. In 1979, he abstains from a crucial vote in the House of Commons which brings down the Labour government, citing the way that the government had failed to help the nationalist population and tried to form a deal with the Ulster Unionist Party.
In 1979, Fitt is replaced by John Hume as leader of the SDLP and he leaves the party altogether after he agrees to constitutional talks with British Secretary of StateHumphrey Atkins without any provision for an ‘Irish dimension’ and then sees his decision overturned by the SDLP party conference. Like Paddy Devlin before him, he claims the SDLP has ceased to be a socialist force.
In 1981, he opposes the hunger strikes in the Maze prison in Belfast. His seat in Westminster is targeted by Sinn Féin as well as by the SDLP. In June 1983, he loses his seat in Belfast West to Gerry Adams, in part due to competition from an SDLP candidate. The following month, on October 14, 1983, he is created a UK life peer as Baron Fitt, of Bell’s Hill in County Down. His Belfast home is firebombed a month later and he moves to London.
Gerry Fitt dies in London on August 26, 2005, at the age of 79, after a long history of heart disease.
Hammond is born on December 5, 1928, in Miss Kells’s nursing home on the Castlereagh Road in Belfast, the son of Leslie Hammond, a tram driver, and his wife Annie (née Lamont). His parents are not city people; his mother grew up near Ballybogy in the Ballymoney area of County Antrim, and his father, though from a family with roots in south County Londonderry, had lived in Ballymoney as a boy, and had been apprenticed to a blacksmith there. Both have a strong sense of their rural identity and maintain the Ulster Scots dialect of their childhood. They are never quite at home in the Belfast suburb of Cregagh, and in particular do not share the sectarian attitudes that are much more present in 1930s Belfast than they had been in north Antrim, one of the last strongholds of Presbyterian radicalism. Even as a boy, Hammond is interested in the old songs that his mother sang and realises that the traditions in which his parents had been nurtured are disappearing quickly in an increasingly urbanising and modernising world. When he encounters the work of Emyr Estyn Evans in the early 1940s, he is encouraged to document both rural tradition and the street life of the city, and he and a couple of friends, though still just teenagers, ride off on their bicycles to look for folklore in the hinterland of Belfast.
After primary school, Hammond wins a scholarship in 1941 to Methodist College Belfast, where he does well in examinations, and then goes to Stranmillis University College to train as a teacher. In his first job, in Harding Memorial primary school in east Belfast, he proves to be a popular, idealistic teacher, and is remembered by his pupils fifty years later as a fine singer and a teller of ghost stories, who had taken the class on memorable youth-hosteling trips to the Mourne Mountains. Youth hosteling and folklore collecting increases his awareness and understanding of the rich traditions of the whole community in the north of Ireland, and he is never constrained by political or religious barriers. His early career mirrors closely that of James Hawthorne, and their paths are to cross in later life.
Hammond is friendly with many others active in the cultural life of Northern Ireland and makes a name for himself as a song collector and eventually as an expert on all aspects of traditional singing. In 1956, he is awarded a scholarship to travel in the United States to meet the important pioneers of folk-music collecting and performance there. He records his first LP record of Ulster songs, I Am The Wee Falorie Man (1958), in the United States, and becomes friends with Pete Seeger, the Appalachian singer Jean Ritchie, with old blues singers, and notably with Liam Clancy, one of the three Clancy brothers who as a quartet with Tommy Makem are to popularise Irish folk music in the United States and elsewhere.
On returning to Belfast, Hammond takes a job in 1958 in Orangefield secondary school in the east of the city, where the highly regarded headmaster John Malone encourages new approaches to education. Among his pupils at Orangefield is George Ivan “Van” Morrison, who credits him with inspiring his interest in Irish traditional music. Hammond enjoys teaching but is increasingly drawn to folk-song performance and recording. He appears regularly on radio programmes of the BBC and Radio Éireann, and in 1964 joins the school’s department in BBC Northern Ireland. There, with colleagues like Sam Hanna Bell, James Hawthorne and others, he works on programmes such as Today and Yesterday in Northern Ireland, which for the first time introduces pupils (and many adults) to local history and to aspects of tradition. In 1968, with two friends, the poets Seamus Heaney and Michael Longley, he puts on poetry and traditional music events in schools all over the province. The Arts Council funds the Room to Rhyme project, which is immensely influential and inspiring, and is still talked about many years later by those who attended as children.
Hammond is creatively involved with hundreds of hours of broadcasting, in television as well as radio, and eventually for adults as well as children. He writes scripts, produces documentary series such as Ulster in Focus and Explorations, and brings an artistic sensibility to filming, as well as working sympathetically with traditional singers and craftspeople. Dusty Bluebells, a sensitively made film of Belfast children’s street games, wins the prestigious Golden Harp award in 1972. After he leaves the BBC to work as a freelance, and founds Flying Fox Films in 1986, he continues making documentaries on many aspects of Ulster life and heritage. His film called Steel Chest, Nail in the Boot and the Barking Dog (1986), about working in the Belfast shipyards, also wins a Golden Harp award. A companion book of the same name is published. Another book is Belfast, City of Song (1989), with Maurice Leyden. In 1979, he edits a volume of the songs of Thomas Moore. His documentary programmes include films about singers from Boho, County Fermanagh, and about the big houses of the gentry in Ireland. The Magic Fiddle (1991/2) examines the role of the instrument in the folk music of Ireland, Scandinavia, Canada, and the American south, while Another Kind of Freedom (1993) is about the experiences of a former Orangefield pupil, the Beirut hostage Brian Keenan. He also produces and directs the films Something to Write Home About (1998), Where Are You Now? (1999), and Bogland (1999), all of which explore Seamus Heaney’s home region and experiences.
The first poem in Heaney’s collection Wintering Out (1972) is entitled “For David Hammond and Michael Longley.” Their lifelong friendship leads to several other creative collaborations. In particular, after a distressing evening in 1972 when Hammond, affected by the despair and terror unleashed by Irish Republican Army (IRA) bombing of his city, is for once unable to sing, Heaney meditates on the experience in an essay and in an important poem, “The singer’s house” (subsequently included in his 1979 Field Work collection). The poem urges the singer to keep singing, to defend the values of art and friendship in a hostile time. Hammond collaborates with Dónal Lunny and other traditional musicians to bring out an LP also called The Singer’s House (1978), which includes Heaney’s poem on the album sleeve, and features some of the songs that he had made famous, such as “My Aunt Jane” and “Bonny Woodgreen,” from his vast repertoire of songs from Ulster. The album is reissued in 1980.
In 1995, Hammond is one of Heaney’s personal guests at the award of his Nobel prize in Stockholm, characteristically wearing his usual, mustard-yellow, cattle-dealer boots with evening dress. On another formal occasion, when he is awarded an honorary doctorate by Dublin City University in November 2003, he surprises the audience by standing up in his academic robes to sing “My Lagan love,” instead of giving an address. His unique, light mellow voice is an ideal vehicle for the traditional ballads which he knows so well. He records a number of records in the 1960s, including Belfast Street Songs, and publishes the book Songs of Belfast (1978). He also encourages traditional musicians like Arty McGlynn, and collaborates with them on various recording projects. He is well known for live and often impromptu performances at festivals and venues in Ireland and the United States. He also performs at the John F. Kennedy Center for the Performing Arts in Washington, D.C.
Hammond is also a notable collaborator with poets and dramatists, especially in the important Field Day Theatre Company project, of which he is a director, along with Seamus Heaney, Tom Paulin, Seamus Deane, Thomas Kilroy, and the project’s founders, Brian Friel and Stephen Rea. He supports the Field Day search for a “fifth province,” where history and community and culture can intersect, believing that to speak unthinkingly of “two traditions” is to perpetuate superficial political divisions. As he says in an interview in The Irish Times on July 4, 1998, songs can “take you out of yourself” and become bridges to unite people.
Hammond receives many honours. In 1994, he receives the Estyn Evans award for his contribution to mutual understanding, and his work is featured in several major events in his honour: in the University of North Florida (1999), in the Celtic Film Festival in Belfast (2003), and in Belfast’s Linen Hall Library (2005). A Time to Dream, a film about his life and work, is broadcast on BBC Northern Ireland in December 2008.
Hammond dies in hospital in Belfast, after a long illness, on August 25, 2008, survived by his wife Eileen (née Hambleton), whom he marries on July 19, 1954, and by their son and three daughters. His funeral in St Finnian’s church is a major cultural event, where friends sing, play and speak in his honour.
In Seamus Heaney’s last collection of poetry, Human Chain (2010), he includes a poignant farewell to Hammond. The poet imagines (or perhaps dreams) of another visit to the singer’s house, but this time “The door was open, and the house was dark.”
(From: “Hammond, David Andrew (‘Davy’)” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, December 2014)
Colonel Frederick Hugh Crawford, CBE, JP, an officer in the British Army, is born in Belfast on August 21, 1861. A staunch Ulster loyalist, he is one of the lesser-known figures in Ulster Unionist history but one who is hugely influential because of his involvement in what is known as the Larne gun-running incident, when he is responsible for smuggling over 25,000 guns and ammunition into the North on the night of April 24, 1914. This makes him a hero for Northern Ireland‘s unionists.
According to the 1911 census for Ireland, Crawford is living in Marlborough Park, Belfast, with his wife of 15 years, Helen, and four of their five children: Helen Nannie, Marjorie Doreen, Ethel Bethea and Malcolm Adair Alexander. His other child, Stuart Wright Knox, is recorded as a pupil at Ballycloghan National School, Belfast. Stuart would become a lieutenant colonel in the British Army, before being invalided in 1944. Malcolm, after being a member of the Colonial Police, joins the Royal Ulster Constabulary (RUC), advancing to District Inspector. In 1931, Malcolm becomes a Justice of the Peace for Singapore.
Crawford works as an engineer for White Star Line in the 1880s, before returning from Australia in 1892. In 1894, he enlists with the Mid-Ulster Artillery regiment of the British Army, before being transferred to the Donegal Artillery, with which he serves during the Boer Wars, earning himself the rank of major.
In 1898, Crawford is appointed governor of Campbell College, Belfast. Two of his children, Stuart Wright Knox and Malcolm Adair Alexander, both attend Campbell College.
In 1911, Crawford becomes a member of the Ulster Unionist Council. On September 28, 1912, he is in charge of the 2,500 well-dressed stewards and marshals that escort Sir Edward Carson and the Ulster Unionist leadership from the Ulster Hall in central Belfast to the nearby City Hall on Donegall Square for the signing of the Ulster Covenant, which he allegedly signs in his own blood. With the formation of the Ulster Volunteers in 1913, he is made their Director of Ordnance.
With regard to Irish Home Rule, Crawford is strongly partisan and backs armed resistance to it, being contemptuous of those who use political bluffing. His advocation of armed resistance is evident when he remarks, at a meeting of the Ulster Unionist Council, that his heart “rejoiced” when he heard talk of looking into using physical force. At another meeting he even goes as far as asking some attendees to step into another room where he has fixed bayonets, rifles and cartridges laid out.
In 1910, the Ulster Unionist Council plans for the creation of an army to oppose Home Rule and approaches Crawford to act as their agent in securing weapons and ammunition. He tries several times to smuggle arms into Ulster, however, vigilant customs officials seize many of them at the docks. Despite this, the meticulously planned and audacious Larne gun-running of April 1914, devised and carried out by Crawford, is successful in bringing in enough arms to equip the Ulster Volunteer Force.
By the 1920s Crawford remains as stoic in his beliefs, remarking in a letter in 1920 that “I am ashamed to call myself an Irishman. Thank God I am not one. I am an Ulsterman, a very different breed.” In March 1920, he begins to reorganize the UVF and in May 1920 he appeals to Carson and James Craig for official government recognition. He states, “We in Ulster will not be able to hold our men in hand much longer…we will have the Protestants…killing a lot of the well-known Sinn Féin leaders and hanging half a dozen priests.” In 1921, he attempts to create an organisation intended to be a “Detective Reserve,” but called the “Ulster Brotherhood,” the aims of which are to uphold the Protestant religion and political and religious freedom, as well as use all means to “destroy and wipe out the Sinn Féin conspiracy of murder, assassination and outrage.” This organisation only lasts for a few months after failing to gain acceptance from the political authorities.
In 1921, Crawford is included in the Royal Honours List and appointed a CBE. In 1934, he writes his memoirs, titled Guns for Ulster.
Crawford dies on November 5, 1952, and is buried in the City Cemetery, Falls Road, Belfast. Upon news of his death, he is described by the then Prime Minister of Northern Ireland, Sir Basil Brooke, as being “as a fearless fighter in the historic fight to keep Ulster British.”
Brooke is born on June 9, 1888, at Colebrooke Park, his family’s neo-Classicalancestral seat on what is then the several-thousand-acre Colebrooke Estate, just outside Brookeborough, a village near Lisnaskea in County Fermanagh. He is the eldest son of Sir Arthur Douglas Brooke, 4th Baronet, whom he succeeds as 5th Baronet when his father dies in 1907. His mother is Gertrude Isabella Batson. He is a nephew of Field MarshalAlan Brooke, 1st Viscount Alanbrooke, Chief of the Imperial General Staff (CIGS) during World War II, who is only five years his senior. His sister Sheelah marries Sir Henry Mulholland, Speaker of the Stormont House of Commons and son of Lord Dunleath. He is educated for five years at St. George’s School in Pau, France, and then at Winchester College (1901–05).
Brooke is a very active Ulster Unionist Party member and ally of Edward Carson. He founds his own paramilitary group, Brooke’s Fermanagh Vigilance, from men returning from the war front in 1918. Although the umbrella Ulster Volunteers had been quiescent during the war, it is not defunct. It re-emerges strongly in 1920, subsuming groups like Brooke’s.
In 1920, having reached the rank of captain, Brooke leaves the British Army to farm the Colebrooke Estate, the family estate in west Ulster, at which point he turns toward a career in politics.
Brooke has a very long political career. When he resigns the Premiership of Northern Ireland in March 1963, he is Northern Ireland’s longest-serving prime minister, having held office for two months short of 20 years. He also establishes a United Kingdom record by holding government office continuously for 33 years.
On May 2, 1943, Brooke succeeds John M. Andrews as Prime Minister of Northern Ireland. In 1952, while Prime Minister, was raised to the peerage as Viscount Brookeborough, the title taken from the village named after the Brookes. Although a peer, he retained his seat in the House of Commons at Stormont and remained Prime Minister for another decade.
As the Northern Ireland economy begins to de-industrialise in the mid-1950s, leading to high unemployment amongst the Protestant working classes, Brooke faces increasing disenchantment amongst UUP backbenchers for what is regarded as his indifferent and ineffectual approach to mounting economic problems. As this disenchantment grows, British civil servants and some members of the UUP combine to exert discreet and ultimately effective pressure on Brooke to resign to make way for Captain Terence O’Neill, who is Minister of Finance.
Brooke is noted for his casual style toward his ministerial duties. Terence O’Neill later writes of him, “he was good company and a good raconteur, and those who met him imagined that he was relaxing away from his desk. However, they did not realise that there was no desk.”
In his retirement Brooke develops commercial interests as chairman of Carreras (Northern Ireland), a director of Devenish Trade, and president of the Northern Ireland Institute of Directors. He is also made an honorary LL.D. of Queen’s University Belfast.
From 1970 to 1973, years in which the Stormont institution comes under its greatest strain and eventually crumbles, Brooke makes only occasional forays into political life. In 1972, he appears next to William Craig MP on the balcony of Parliament Buildings at Stormont, a diminutive figure beside the leader of the Vanguard Unionist Progressive Party (VUPP) who is rallying right-wing Unionists against the Government of Northern Ireland. He opposes the Westminsterwhite paper on the future of Northern Ireland and causes some embarrassment to his son, Captain John Brooke, the UUP Chief Whip and an ally of Brian Faulkner, by speaking against the Faulkner ministry‘s proposals.
Brooke dies at his home, Colebrooke Park, on the Colebrooke Estate, on August 18, 1973. His remains are cremated at Roselawn Cemetery, East Belfast, three days later, and, in accordance with his wishes, his ashes are scattered on the demesne surrounding his beloved Colebrooke Park.
An earlier “Fianna” is organised “to serve as a Junior Hurling League to promote the study of the Irish Language” on June 26, 1902, at the Catholic Boys’ Hall, Falls Road, in West Belfast, the brainchild of Bulmer Hobson. Hobson, a Quaker influenced by suffragism and nationalism, joins the Irish Republican Brotherhood in 1904 and is an early member of Sinn Féin during its monarchist-nationalist period, alongside Arthur Griffith and Constance Markievicz. Hobson later relocates to Dublin and the Fianna organisation collapses in Belfast. Markievicz, inspired by the rapid growth of Robert Baden-Powell‘s Boy Scouts, forms sometime before July 1909 the Red Branch Knights, a Dublin branch of Irish National Boy Scouts. After discussions involving Hobson, Markievicz, suffragist and labour activist Helena Molony and Seán McGarry, the Irish National Boy Scouts change their name to Na Fianna Éireann at a meeting in 34 Lower Camden Street, Dublin, on August 16, 1909, at which Hobson is elected as president, thus ensuring a strong IRB influence, Markievicz as vice-president and Pádraig Ó Riain as secretary. Seán Heuston is the leader of the Fianna on Dublin’s north side, while Cornelius “Con” Colbert is the leader on the south side. The Fianna forms as a Nationalist alternative to Powell’s Scouts with the aim to achieve the full independence of Ireland by training and teaching scouting and military exercises, Irish history, and the Irish language.
The Fianna finds its first years difficult and by 1912 has barely 1,000 members and a skeleton structure outside of the cities of Dublin, Cork, Belfast and Galway. But in the next couple of years the momentum of events carries the Fianna forward. It is involved in initiating the militarisation of the IRB, the launch of the Irish Volunteers and showing solidarity with the striking Irish Transport and General Workers’ Union (ITGWU). It is also crucial to the success of the Howth and Kilcoole gun-running operations. Alongside these headline-grabbing activities, the Fianna continues with classes, drilling, camps and protests and reaps the benefits of an expanding membership and structure. When the fighting starts, the Fianna are not found wanting either. In 1916, Na Fianna members are present in all areas that mobilise and fight alongside all the other Republican organisations. They continue to fight throughout the Irish War of Independence and Irish Civil War. Seeing comrades being killed in action or executed or suffering imprisonment does not dim their enthusiasm for the fight. In Na Fianna Éireann’s March 1922 Árd Fheis, the 187 delegates representing 30,000 members vote unanimously to reject the Anglo-Irish Treaty.
The Fianna are declared an illegal organisation by the government of the Irish Free State in 1931. This is reversed when Fianna Fáil comes to power in 1932 but re-introduced in 1938. During the splits in the Republican movement of the later part of the 20th century, the Fianna and Cumann na mBan support Provisional Sinn Féin in 1969 and Republican Sinn Féin in 1986. The Fianna have been a proscribed organisation in Northern Ireland since 1920.
While the events in which the Fianna members are involved over the revolutionary years have a special place in Irish history, the specific role of the Fianna is absent from most written histories. This, allied with the failure to adequately commemorate the organisation’s centenary, marks a kind of revisionism of omission.
John Havelock Nelson, composer and conductor, dies in Belfast, Northern Ireland, on August 5, 1996. He makes an immense contribution to the development of the cultural life of the province – and beyond – over the second half of the 20th century.
Nelson is born of middle-class parents in Cork, County Cork, on May 25, 1917, his distinctive forename being taken from a cousin of his mother who lost his life in World War I. Despite his birthplace, both his parents’ ancestral roots lie firmly in Northern Ireland.
Nelson’s father Robert comes from Larne, County Antrim, where he was raised. However, the early years of his mother Grace are quite eventful. She is born in the Belgian Congo on account of her father’s placement there as a missionary in the latter years of the 19th century (his family hail from Tobermore, County Londonderry). She is eventually sent home at an early age, due to the threat of malaria, and is raised in Belfast by an aunt and uncle who have no family of their own. It appears that Nelson inherits his musical genes from both parents. Although his father is trained as a chartered accountant, he is a capable baritone singer who studies in the early 1900s with C. J. Brennan, later to become the organist and choirmaster at St. Anne’s Cathedral, Belfast). Meanwhile, his mother shows talent as a pianist during her upbringing in her adopted city and by her early 20s is offering her services as an accompanist.
By chance, this is how his parents meet. They marry in 1916, shortly before their arrival in Cork where Robert takes up his first accountancy job. Within a month of Nelson’s birth, the family moves to Dublin where his father has secured a better post, eventually settling near Dún Laoghaire, just south of the capital city. From the age of five, now the eldest of four brothers born a year apart, he starts piano lessons and makes such rapid progress that, by the age of ten, he is able to play in a piano trio and to accompany his father in informal concerts. By the age of twelve, he wins a scholarship to the Royal Irish Academy of Music, Dublin, giving him the opportunity to study piano and theory and helping him to establish his core musical skills. Soon he adds conducting and organ lessons to his study programme.
As far as Nelson’s general education is concerned, this is completed at St. Andrew’s College, Dublin, where he excels in English, history and the sciences. By his late teens, he is determined to pursue a professional career as a musician. His father, however, exercises caution in this regard, advising him to take a science degree in the first instance. Consequently, he gains entry to Trinity College Dublin (TCD) in 1935 to read Natural Science, then makes a decision the following year to change to Medical Science. By 1939, he completes his primary degree in Medical Science, leading to doctoral research in bacteriology. At the same time, he begins a 4-year music degree at TCD while remaining musically active outside the university in relation to his piano studies, and also co-founds and conducts the Dublin Orchestral Players, a body that continues to provide an invaluable platform for amateur performers. He completes his university studies in 1943, graduating with a PhD in Medical Science and a primary Music degree. Seven years later he also completes a doctorate in Music from the same university.
His university career now behind him, like many fellow Irishmen, Nelson feels a desire to contribute to the World War II effort and applies for a commission in the medical branch of the Royal Air Force (RAF) in 1944. Eventually, he is called up and located at RAF Halton, Buckinghamshire, where he remains until after the end of the War, only returning to Dublin for his marriage in 1945. By nature, an outgoing, sociable person, he wastes no time in immersing himself in music-making activities when off duty, both inside and outside his RAF base. It is during this immediate post-war period that he becomes convinced that he wants to pursue a career in music. By chance, his attention is drawn to a BBC advertisement regarding a number of regional posts for staff accompanists, including Northern Ireland. His application is successful, and he reports for duty at BBC Northern Ireland in March 1947, where he remains for the next 30 years. In his new post, his main role is to play and accompany on the piano. To this end, he becomes involved in a number of new radio programmes, notably Children’s Hour. Elsewhere, he composes and arranges music for adult dramas and serials, the best known being The McCooeys. Another responsibility is to assist in auditioning local musicians for broadcasting opportunities, a process that uncovers much local talent, including a young James Galway. While his activities revolve around radio work in the 1950s, the next 20 years embrace opportunities arising from the new medium of television, including the popular Songs of Praise which involve him as conductor.
Nelson’s decision to retire from the BBC in 1977 enables him to focus fully on his free-lance career which had been running parallel, up until then, with his broadcasting work. In this capacity he is able to give full rein to his diverse range of musical skills as choral and orchestral conductor, chamber musician, music-festival adjudicator, composer and arranger. One should not overlook his role as animateur in founding the Studio Symphony Orchestra (1947) and the Studio Opera Group (1950). Both became integral parts of the local cultural scene during Nelson’s lifetime. His contribution as a festival adjudicator is an important activity, notably when undertaking tours abroad, including to Canada and the Caribbean. His visits to the latter area lead him to form the Trinidad and Tobago Opera Company shortly after his BBC retirement. In his busy lifestyle, he makes time to satisfy his creative energy as a composer and arranger. In total he publishes over 100 pieces, many inspired by his love of Irish traditional song and are of short duration and scored for a variety of vocal combinations. His enjoyment of his reputation as a piano accompanist of international standing is confirmed by his association with some of the leading Irish and British professional singers of the period, including Bernadette Greevy (soprano), Margaret Marshall (soprano), Peter Pears (tenor) and Ian Wallace (bass-baritone).
During his lifetime, Nelson’s outstanding services to music, both inside and outside the province, are recognised by a number of awards. The first of these is an OBE in 1966, followed in the latter part of his life by four honorary doctorates, three from local universities. A gifted and versatile musician, his personality is described by one colleague as “magnetic”- he has the unique ability to reach out to everybody irrespective of their age, status and position in life in whatever role he performs. In his best-known role as a conductor, a critic says of him that, “Dr. Nelson has a remarkable touch in getting people to do what he wants in the pleasantest way possible.” His vision and determination help to establish a vibrant music culture throughout Northern Ireland, an achievement that will remain his lasting legacy.
Nelson is survived by his three children and eight grandchildren; his wife Hazel having predeceased him in 1983.
Cluney tours briefly with the band Dark Lady supporting Jake Burns and the Big Wheel, notably at the Marquee Club in Wardour Street, Soho, City of Westminster, London, but then spends five years back in Belfast teaching guitar until Stiff Little Fingers is reformed. He is a regular songwriting contributor for the group’s first four albums, taking over lead vocal duties on his own compositions. He leaves the group amid some acrimony in 1993.
Cluney moves to Rochester, Minnesota, in 1997, keeping up his involvement in music, playing guitar with several regional rock bands.
Cluney completes a feature-length film in 2009 and tours the United Kingdom for the first time in fifteen years, as the opening for The Damned and The Alarm on their 341 tour. He subsequently tours the next two years, as a solo artist, and in 2013 forms XSLF with former bandmate Jim Reilly, and friend, Ave Tsarion.
Cluney currently lives in Rochester with his wife, Carol, while touring frequently throughout the United Kingdom (including Northern Ireland), Ireland and Europe with his nephew David Cluney who also plays the guitar.
Thornley is the youngest child of Welshman Frederick Edward Thornley and Dublin-born Maud Helen Thornley (née Browne). His parents, both civil servants, meet while working in Inland Revenue in Dublin in the 1910s.
Thornley receives a BA and PhD at Trinity College Dublin. His PhD is entitled “Isaac Butt and the creation of an Irish Parliamentary Party (1868–1879)” and is written under the supervision of Theodore William Moody. Working as a presenter on 7 Days since 1963, he is appointed Associate professor of Trinity in 1968. In 1964, he publishes the book Isaac Butt and Home Rule.
In December 1972, Thornley calls for the immediate release of Seán Mac Stíofáin, then leader of the Provisional Irish Republican Army. He is re-elected at the 1973 Irish general election. In April 1976, he loses the Labour Party whip after appearing on a Sinn Féin platform during Easter Rising commemorations. In September 1976, he votes for the Criminal Justice (Jurisdiction) Bill despite misgivings. He tells The Irish Times, “When I get very depressed, I drink too much. When I voted for the Criminal Justice (Jurisdiction Bill) I went on the batter for a forthnight [sic].” In February 1977, he is re-admitted to the Labour Parliamentary Party. He loses his seat at the 1977 Irish general election.
In 1978, Thornley joins the newly formed Socialist Labour Party (SLP) stating that he has done so because “There is no man in politics that I respect more than Noël Browne, despite our occasional differences. If the SLP is good for him, it’s good enough for me.”
Overweight, afflicted with undiagnosed diabetes, his judgement increasingly erratic, from the early 1970s Thornley suffers a steady deterioration of health, compounded by his heavy drinking, on which he relies to cope with stress and emotional depression. On one occasion he collapses in the Dáil and is attended by party colleague Dr. John O’Connell. He dies at the age of 42 on June 18, 1978, one week after admission into Jervis Street private nursing home. After a sung Latin Requiem Mass in St. Andrew’s Church, Westland Row, Dublin, he is buried in Bohernabreena Cemetery, County Dublin.
The Trinity College Labour Branch is formerly named the David Thornley Branch in his honour.
Ervine leaves Orangefield High School at age 14 and joins the Orange Order at age 18, however his membership does not last long. The following year he joins the Ulster Volunteer Force (UVF), believing this to be the only way to ensure the defence of the Protestant community after the events of Bloody Friday.
Ervine is arrested in November 1974, while an active member of the UVF. He is driving a stolen car containing five pounds of commercial explosives, a detonator and fuse wire. After seven months on remand in Crumlin Road Gaol he is found guilty of possession of explosives with intent to endanger life. He is sentenced to 11 years and imprisoned at The Maze.
While in prison, Ervine comes under the influence of Gusty Spence who makes him question what his struggle is about and unquestionably changes Ervine’s direction. After much study and self-analysis, he emerges with the view that change through politics is the only option. He also becomes friends with Billy Hutchinson while in prison.
Ervine is released from prison in 1980 and takes up full-time politics several years later. He stands in local council elections as a Progressive Unionist Party (PUP) candidate in 1985 Northern Ireland local elections. In 1996, he is elected to the Northern Ireland Forum from the regional list, having been an unsuccessful candidate in the Belfast East constituency. In 1998, he is elected to the Northern Ireland Assembly to represent Belfast East and is re-elected in 2003. He is also a member of Belfast City Council from 1997.
Ervine plays a pivotal role in bringing about the loyalist ceasefire of October 1994. He is part of a delegation to Downing Street in June 1996 that meets then British Prime MinisterJohn Major to discuss the loyalist ceasefire.
seamus dubhghaill 