The United States Navy commissions the Fletcher-class destroyerUSS The Sullivans (DD-537), on September 30, 1943. The ship commemorates the tragedy of the five Sullivan brothers (George, Francis, Joseph, Madison, and Albert), descendants of an Irish immigrant, who are killed November 13, 1942, after their ship, USS Juneau (CL-52), is hit by a Japanese torpedo at the Naval Battle of Guadalcanal. Only ten of the almost 700 crew survive. This is the greatest military loss by any one American family during World War II. The ship is also the first ship commissioned in the Navy that honors more than one person.
The Sullivans is originally laid down as Putnam on October 10, 1942, at San Francisco by the Bethlehem Shipbuilding Corporation. She is initially renamed Sullivan until President Franklin D. Roosevelt changes the name to The Sullivans to clarify that the name honors all five Sullivan brothers. The name is made official on February 6, 1943, and launches on April 4, 1943. The ship is sponsored by Mrs. Thomas F. Sullivan, the mother of the five Sullivan brothers. The Sullivans is commissioned on September 30, 1943, with Commander Kenneth M. Gentry in command.
Thomas James Carr, British artist who is associated with the Euston Road School in the 1930s and has a long career as a painter of domestic scenes and landscapes, is born in Belfast to a well-to-do family on September 21, 1909.
Although essentially a realist painter, Carr is included in the 1934 Objective Abstractionists exhibition at Zwemmer’s Gallery. In 1937, he shares an exhibition with Victor Pasmore and Claude Rogers at the Storran Gallery and subsequently becomes associated with the representational style of the Euston Road School. Starting in 1940, at Georges Wildenstein‘s gallery, he holds a series of one-man exhibitions at various galleries including at the Leicester Galleries, The Redfern Gallery and also at Thomas Agnew & Sons.
After the war, Carr teaches at the Belfast College of Art and moves to Belfast in 1955. After the death of his wife in 1995, he moves to Norfolk, England to be nearer one of his three daughters and her family. He continues to paint into old age and tends to concentrate on landscape painting.
Bodkin is the eldest son of Matthias McDonnell Bodkin, a nationalist journalist, judge and Member of Parliament. Graduating from the Royal University of Ireland in 1908 he practises law from 1911 until 1916 while collecting art privately, influenced by his uncle Sir Hugh Lane. With the death of Lane in the sinking of the RMS Lusitania in 1915, Bodkin is charged with ensuring that Lane’s collection of art is displayed in Dublin, a dispute that would only finally be settled in 1957 and about which Bodkin is to write Hugh Lane and his Pictures in 1932.
Bodkin leaves the legal profession in 1916 to become a Governor of the National Gallery of Ireland, being appointed Director in 1927. He also serves in 1926 on the committee that commissions the design of the new coinage of the Republic of Ireland from Percy Metcalfe.
In 1935 Bodkin leaves Ireland upon being appointed Director of the newly established Barber Institute of Fine Arts and Barber Professor of Fine Art at the University of Birmingham. The funds available to the Barber Institute for the purchase of new works compare favourably even to some national museums and Bodkin is able to make a string of exceptional purchases in the depressed art market around the time of World War II. The collection that in 1935 numbers just seven works, by 1939 holds major pieces such as Tintoretto‘s Portrait of a Youth (1554), Simone Martini‘s St. John the Evangelist (1320), Nicolas Poussin‘s Tancred and Erminia (1634) and James Abbott McNeill Whistler‘s Symphony in White No. III (1867). Bodkin retires in 1952 but retains control over acquisitions until 1959. His successor as Director and Professor, Ellis Waterhouse, wistfully refers to Bodkin’s wayward later purchases as “Acts of Bod.”
Bodkin is also an active broadcaster and author, publishing personal reminiscences and translations of modern French poetry as well as works of art history and criticism. In particular, his The Approach to Painting (1927), an introduction for a popular audience, runs through many editions over the succeeding thirty years.
Bodkin is awarded the Civil Division of the Order of St. Gregory the Great for services to his church. A bust of Bodkin, previously exhibited at the Royal Academy in 1958, is donated to the Barber Institute of Fine Arts by its sculptor, Sir Charles Wheeler, President of the Royal Academy and a personal friend of Bodkin’s, on the latter’s death.
Bodkin is the subject of This Is Your Life in March 1960 when he was surprised by Eamonn Andrews at the BBC’s Costa Green Studios in Birmingham.
Thomas Bodkin dies in Birmingham, England on April 24, 1961. His remains are interred in Glasnevin Cemetery, Dublin.
Irish writer William Denis Johnston is born in Ballsbridge, Dublin on June 18, 1901. He primarily writes plays, but also works of literary criticism, a book-length biographical essay of Jonathan Swift, a memoir and an eccentric work on cosmology and philosophy.
Johnston is a protégé of William Butler Yeats and George Bernard Shaw, and has a stormy friendship with Seán O’Casey. He is a pioneer of television and war reporting. He works as a lawyer in the 1920s and 1930s before joining the BBC as a writer and producer, first in radio and then in the fledgling television service. His broadcast dramatic work include both original plays and adaptation of the work of many different writers.
Johnston’s first play, The Old Lady Says “No!”, helps establish the worldwide reputation of the Dublin Gate Theatre. His second, The Moon in the Yellow River, has been performed around the globe in numerous productions featuring such actors as Jack Hawkins, Claude Rains and Errol Flynn, although not all in the same production. He plays a role in the 1935 film version of John Millington Synge‘s Riders to the Sea.
During World War II Johnston serves as a BBC war correspondent, reporting from El Alamein to Buchenwald. For this he is awarded an OBE, a Mentioned in Despatches and the Yugoslav Partisans Medal. He then becomes Director of Programmes for the television service.
Johnston later moves to the United States and teaches at Mount Holyoke College, Smith College and other universities. He keeps extensive diaries throughout his life, now deposited in the Library of Trinity College, Dublin. These, together with his many articles and essays, give a distinctive picture of his times and the people he knows. Another archive of his work is held at the library of Ulster University at Coleraine. He receives honorary degrees from the Ulster University and Mount Holyoke College and is a member of Aosdána.
The Denis Johnston Playwriting Prize is awarded annually by Smith College Department of Theatre for the best play, screen play, or musical written by an undergraduate at Smith, Mount Holyoke, Amherst College, Hampshire College and the University of Massachusetts Amherst.
Johnston’s war memoir Nine Rivers from Jordan reaches The New York Times Bestseller List and is cited in the World Book Encyclopedia‘s 1950s article on World War II under “Books to Read”, along with Churchill, Eisenhower et al. Joseph Ronsley cites an unnamed former CBSVietnam correspondent who calls the book the “Bible”, carrying it with him constantly, “reading it over and over in the field during his tour of duty.”
Denis Johnston dies on August 8, 1984, in Ballybrack, Dublin. His daughter Jennifer Johnston is a respected novelist and playwright.
The Bushmills Old Distillery Company itself is not established until 1784 by Hugh Anderson. Bushmills suffers many lean years with numerous periods of closure with no record of the distillery being in operation in the official records both in 1802 and in 1822. In 1860 a Belfast spirit merchant named Jame McColgan and Patrick Corrigan purchase the distillery and in 1880 they form a limited company. In 1885, the original Bushmills buildings are destroyed by fire but the distillery is quickly rebuilt. In 1890, the steamship SS Bushmills, owned and operated by the distillery, makes its maiden voyage across the Atlantic to deliver Bushmills whiskey to America. It calls at Philadelphia and New York City before heading on to Singapore, Hong Kong, Shanghai and Yokohama.
In the early 20th century, the United States is a very important market for Bushmills, as well as for other Irish Whiskeyproducers. American Prohibition in 1920 comes as a large blow to the Irish Whiskey industry, but Bushmills manages to survive. Wilson Boyd, Bushmills’ director at the time, predicts the end of prohibition and has large stores of whiskey ready to export. After the World War II, the distillery is purchased by Isaac Wolfson and, in 1972, it is taken over by Irish Distillers, meaning that Irish Distillers controls the production of all Irish whiskey at the time. In June 1988, Irish Distillers is bought by French liquor group Pernod Ricard.
In June 2005, the distillery is bought by Diageo for £200 million. Diageo announces a large advertising campaign in order to regain market share for Bushmills.
In November 2014 it is announced that Diageo is to trade the Bushmills brand with Jose Cuervo in exchange for the 50% of the Don Julio brand of tequila that Diageo does not already own.
Some Bushmills offerings have performed well at international Spirits ratings competitions. In particular, its Black Bush Finest Blended Whiskey receives double gold medals at the 2007 and 2010 San Francisco World Spirits Competitions. It also receives a well-above-average score of 93 from the Beverage Testing Institute in 2008 and 2011.
From 1932, Alexander teaches mathematics in Winchester and marries Enid Constance Crichton Neate on December 22, 1934. In 1938 he leaves teaching and becomes head of research at the John Lewis Partnership.
In February 1940 Alexander arrives at Bletchley Park, the British codebreaking centre during the World War II. He joins Hut 6, the section tasked with breaking German Army and Air Force Enigma messages. In 1941, he transfers to Hut 8, the corresponding hut working on Naval Enigma. He becomes deputy head of Hut 8 under Alan Turing and formally becomes the head of Hut 8 in November 1942. In October 1944, Alexander is transferred to work on the Japanese JN-25 code.
In mid-1946, Alexander joins GCHQ, which is the post-war successor organisation to the Government Code and Cypher School (GC&CS) at Bletchley Park. By 1949, he has been promoted to the head of “Section H” (cryptanalysis), a post he retains until his retirement in 1971.
Alexander is twice a winner of the British Chess Championship, in 1938 and 1956. He represents England in the Chess Olympiad six times, in 1933, 1935, 1937, 1939, 1954 and 1958. At the 1939 Olympiad in Buenos Aires, Argentina, Alexander has to leave part-way through the event, along with the rest of the English team, due to the declaration of World War II, as he is required at home for codebreaking duties. He is also the non-playing captain of England from 1964 to 1970. He is awarded the International Master title in 1950 and the International Master for Correspondence Chess title in 1970. He wins the Hastings International Chess Congress 1946/47 with the score 7½/9, a point ahead of Savielly Tartakower. His best tournament result may have been first equal Hastings 1953/54, where he goes undefeated and beats Soviet grandmasters David Bronstein and Alexander Tolush in individual games. He is also the chess columnist of The Sunday Times in the 1960s and 1970s.
Many knowledgeable chess people believe that Alexander had Grandmaster potential, had he been able to develop his chess abilities further. Many top players peak in their late twenties and early thirties, but for Alexander this stretch coincided with World War II, when high-level competitive opportunities were unavailable. After this, his professional responsibilities as a senior cryptanalyst limited his top-class appearances. He defeats Mikhail Botvinnik in one game of a team radio match against the Soviet Union in 1946, at a time when Botvinnik is probably the world’s top player. Alexander makes important theoretical contributions to the Dutch Defence and Petrov’s Defence.
Samuel Barclay Beckett, avant-garde novelist, playwright, theatre director, and poet, is born on Good Friday, April 13, 1906, in Foxrock, Dublin. His father, William Frank Beckett, works in the construction business and his mother, Maria Jones Roe, is a nurse. Beckett attends Earlsfort House School in Dublin and then, at age 14, he goes to Portora Royal School, the same school attended by Oscar Wilde. He receives his bachelor’s degree from Trinity College, Dublin in 1927. In his youth he periodically experiences severe depression keeping him in bed until mid-day. This experience later influences his writing.
In 1928, Beckett finds a welcome home in Paris where he meets and becomes a devoted student of James Joyce. In 1931, he embarks on a restless sojourn through Great Britain, France and Germany. He writes poems and stories and does odd jobs to support himself. On his journey, he comes across many individuals who inspire some of his most interesting characters.
In 1937, Beckett settles in Paris. Shortly thereafter, he is stabbed by a pimp after refusing his solicitations. While recovering in the hospital, he meets Suzanne Dechevaux-Dumesnuil, a piano student in Paris. The two become life-long companions and eventually marry. After meeting with his attacker, Beckett drops the charges, partly to avoid the publicity.
During World War II, Beckett’s Irish citizenship allows him to remain in Paris as a citizen of a neutral country. He fights in the resistance movement until 1942 when members of his group are arrested by the Gestapo. He and Suzanne flee to the unoccupied zone until the end of the war.
After the war, Beckett is awarded the Croix de Guerre for bravery during his time in the French resistance. He settles in Paris and begins his most prolific period as a writer. In five years, he writes Eleutheria, Waiting for Godot, Endgame, the novels Molloy, Malone Dies, The Unnamable, and Mercier et Camier, two books of short stories, and a book of criticism.
Beckett’s first publication, Molloy, enjoys modest sales, but more importantly praise from French critics. Soon, Waiting for Godot, achieves quick success at the small Theatre de Babylone putting Beckett in the international spotlight. The play runs for 400 performances and enjoys critical praise.
Beckett writes in both French and English, but his most well-known works, written between World War II and the 1960s, are written in French. Early on he realizes his writing has to be subjective and come from his own thoughts and experiences. His works are filled with allusions to other writers such as Dante Alighieri, René Descartes, and James Joyce. Beckett’s plays are not written along traditional lines with conventional plot and time and place references. Instead, he focuses on essential elements of the human condition in dark humorous ways. This style of writing has been called “Theater of the Absurd” by Martin Esslin, referring to poet Albert Camus’ concept of “the absurd.” The plays focus on human despair and the will to survive in a hopeless world that offers no help in understanding.
The 1960s are a period of change for Beckett. He finds great success with his plays across the world. Invitations come to attend rehearsals and performances which lead to a career as a theater director. In 1961, he secretly marries Suzanne Dechevaux-Dumesnuil who takes care of his business affairs. A commission from the BBC in 1956 leads to offers to write for radio and cinema through the 1960s.
Beckett continues to write throughout the 1970s and 1980s, mostly in a small house outside Paris. There he can give total dedication to his art evading publicity. In 1969, he is awarded the Nobel Prize in Literature, though he declines accepting it personally to avoid making a speech at the ceremonies. However, he should not be considered a recluse. He often times meets with other artists, scholars and admirers to talk about his work.
By the late 1980s, Beckett is in failing health and is moved to a small nursing home. His wife Suzanne dies in July 1989. His life is confined to a small room where he receives visitors and writes. He dies on December 22, 1989, in a hospital of respiratory problems just months after his wife.
Living in the nationalist Beechmount neighbourhood of the Falls, he stands for the Falls as a candidate for the Dock Labour Party in a city council by-election in 1956, but loses to Paddy Devlin of the Irish Labour Party, who later becomes his close ally. In 1958, he is elected to Belfast City Council as a member of the Irish Labour Party.
Many sympathetic British Members of Parliament (MPs) are present at a civil rights march in Derry on October 5, 1968, when Fitt and others are beaten by the Royal Ulster Constabulary. Fitt also supports the 1969 candidacy of Bernadette Devlin in the Mid Ulster by-election who runs as an anti-abstentionist ‘Unity‘ candidate. Devlin’s success greatly increases the authority of Fitt in the eyes of many British commentators, particularly as it produces a second voice on the floor of the British House of Commons who challenge the Unionist viewpoint at a time when Harold Wilson and other British ministers are beginning to take notice.
In August 1970, Fitt becomes the first leader of a coalition of civil rights and nationalist leaders who create the Social Democratic and Labour Party (SDLP). By this time Northern Ireland is charging headlong towards near-civil war and the majority of unionists remain hostile.
After the collapse of Stormont in 1972 and the establishment of the Northern Ireland Assembly in 1973 Fitt becomes deputy chief executive of the short-lived Power-Sharing Executive created by the Sunningdale Agreement.
Fitt becomes increasingly detached from both his own party and also becomes more outspoken in his condemnation of the Provisional Irish Republican Army. He becomes a target for republican sympathisers in 1976 when they attack his home. He becomes disillusioned with the handling of Northern Ireland by the British government. In 1979, he abstains from a crucial vote in the House of Commons which brings down the Labour government, citing the way that the government had failed to help the nationalist population and tried to form a deal with the Ulster Unionist Party.
In 1979, Fitt is replaced by John Hume as leader of the SDLP and he leaves the party altogether after he agrees to constitutional talks with British Secretary of StateHumphrey Atkins without any provision for an ‘Irish dimension’ and then sees his decision overturned by the SDLP party conference. Like Paddy Devlin before him, he claims the SDLP has ceased to be a socialist force.
In 1981, he opposes the hunger strikes in the Maze prison in Belfast. His seat in Westminster is targeted by Sinn Féin as well as by the SDLP. In June 1983, he loses his seat in Belfast West to Gerry Adams, in part due to competition from an SDLP candidate. The following month, on October 14, 1983, he is created a UK life peer as Baron Fitt, of Bell’s Hill in County Down. His Belfast home is firebombed a month later and he moves to London.
Gerry Fitt dies in London on August 26, 2005, at the age of 79, after a long history of heart disease.
Clancy is one of eleven children and the eldest of four boys born to Johanna McGrath and Bob Clancy. During World War II he serves as a flight engineer in the Royal Air Force in India. After his demobilization, Clancy works as a baker in London. In 1947 he emigrates to Toronto, Canada with his brother Tom Clancy. The following year, the two brothers move to Cleveland, Ohio to stay with relatives. Later, they attempt to move to California, but their car breaks down and they relocate to the New York City area instead.
After moving to Greenwich Village in 1951, both Patrick and Tom devote themselves primarily to careers in the theater. In addition to appearing in various Off-Broadway productions and television shows, they produce and star in plays at the Cherry Lane Theatre in Greenwich Village and at a playhouse in Martha’s Vineyard. After losing money on some unsuccessful plays, the brothers begin singing concerts of folk songs after their evening acting jobs are over. They soon dub these concerts “Midnight Specials” and the “Swapping Song Fair.” Patrick and Tom are often joined by other prominent folk singers of the day, including Pete Seeger, Woody Guthrie, and Jean Ritchie.
In 1956 their younger brother, Liam Clancy, immigrates to New York, where he teams up with Tommy Makem, whom he had met while collecting folk songs in Ireland. The two begin singing together at Gerde’s Folk City, a club in Greenwich Village. Patrick and Tom sing with them on occasion, usually in informal folk “sing-songs” in the Village. Around the same time, Patrick founds Tradition Records with folk-song collector and heiress Diane Hamilton, and in 1956 the Clancy Brothers and Tommy Makem release their first album, The Rising of the Moon, with only Patrick’s harmonica as musical accompaniment. However, the Clancys and Makem do not become a permanent singing group until 1959.
In the late 1950s, Clancy with his brothers and Makem begin to take singing more seriously as a permanent career, and soon they record their second album, Come Fill Your Glass with Us. This album proves to be more successful than their debut album, and they begin receiving job offers as singers at important nightclubs, including the Gate of Horn in Chicago and the Blue Angel in New York City. The group garners nationwide fame in the United States after an appearance on The Ed Sullivan Show, which leads to a contract with Columbia Records in 1961. Over the course of the 1960s, the Clancy Brothers and Tommy Makem record approximately two albums a year for Columbia. By 1964, Billboard magazine reports that the group was outselling Elvis Presley in Ireland.
The group performs together on stage, recordings, and television to great acclaim in the United States, Ireland, the United Kingdom, Canada, and Australia until Tommy Makem leaves to pursue a solo career in 1969. They continue performing first with Bobby Clancy and then with Louis Killen until Liam leaves in 1976 also to pursue a solo career. In 1977 after a short hiatus, the group reforms with Patrick, Tom, and Bobby Clancy and their nephew Robbie O’Connell. Liam returns in 1990 after the death of Tom Clancy.
In 1968, after two decades in North America, Clancy returns to live in Carrick-on-Suir, where he purchases a dairy farm and breeds exotic cattle. When not on tour or working on his farm, he spends much of his time fishing, reading, and doing crossword puzzles. In the late 1990s, he is diagnosed with a brain tumor. The tumor is successfully removed, but he is also stricken with terminal lung cancer around the same time. He continues performing until his failing health prevents him from doing so any longer.
Patrick Clancy dies at home of lung cancer on November 11, 1998, at the age of 76. He is buried, wearing his trademark white cap, in the tiny village of Faugheen, near Carrick-on-Suir.
seamus dubhghaill 