Shiels is born to Robert Shiels and Eileen (née MacSweeney). He emigrates to Canada as a young man. While working on the building of the Canadian Pacific Railway in 1913, he is involved in a serious accident that leaves him in a wheelchair for the rest of his life. He returns to Ballymoney and starts a shipping company with his brother and also begins writing. Starting with poems and short stories, he soon progresses to plays, which he provides to the Ulster Literary Theatre under the pen name of George S. Morsheils.
Starting with Bedmates (1921), his plays begin to be regularly accepted by the Abbey Theatre for production. His 1930 work The New Gossoon is so well-received that the Abbey’s touring company, The Abbey Theatre Irish Players, bring the play to Broadway for limited runs three times, in 1932, 1934, and 1937. In 1940, a production of Shiels’ The Rugged Path sets an Abbey record by attracting a total audience of 25,000 people over eight weeks.
When his success as a playwright allows him, he leaves the shipping business and moves to Carnlough on the coast of County Antrim, where he lives from 1932 until his death on September 19, 1949.
Annie French Hector, a popular 19th-century novelist who writes under the pen name “Mrs. Alexander,” is born in Dublin on June 23, 1825.
Hector is the only child of Robert French, a Dublin solicitor. Her family claims to be descended from Irish gentry, the French family of Roscommon and Lord Annaly. On the paternal side, she is related to the poet Charles Wolfe and on her mother’s side, to the Shakespearian scholar, Edmund Malone. Her father loses his money in 1844 and moves first to Liverpool before settling in London.
Hector marries the explorer and archaeologist Alexander Hector in 1858 and together they have four children. She writes several novels during her early life, the first being Kate Vernon in 1854. However, her husband disapproves of her writing so she remains unpublished in his lifetime.
After Alexander Hector’s death in 1875, she uses his first name as her pseudonym and publishes over forty novels as “Mrs. Alexander,” many published by George and Richard Bentley. Among her books, all of which enjoy a wide popularity in the United States, are The Wooing O’t (1873), Ralph Wilton’s Weird (1875), Her Dearest Foe (1876), The Freres (1882), A Golden Autumn (1897), A Winning Hazard (1897), and Kitty Costello (1902).
Hector’s final novel, Kitty Costello, which presents an Irish girl’s introduction to English life and has autobiographic touches, is written when she is 77 years old and is barely completed at her death. A witty, clever talker, of quick sympathies and social instincts, Hector is in many ways abler and broader-minded than is shown in her writings. She dies in London, after suffering from neuritis for ten years, on July 10, 1902, and is buried in Kensal Green Cemetery.
Wilson is born in County Longford and a long-time opponent of the Irish Home Rule movement. He joins the British army in 1884 and sees action during the Boer War. He is assigned to British army headquarters during the infamous Curragh incident and supports the near-mutiny of British officers who refuse to lead troops against Ulster opponents of home rule. He serves in France during the World War I and, when the war ends, continues his staunch support of the Unionist cause while serving as Chief of General Staff. He is a strong supporter of the coercion tactics of the British in Ireland during the Irish War of Independence, even suggesting that the leaders of Sinn Féin be executed. He leaves the army when David Lloyd George decides not to renew his term as chief of staff and is elected Member of Parliament (MP) for North Down as a Conservative in 1922. In Parliament, he urges even stronger coercion methods than those then being carried out by the Black and Tans.
On June 22, 1922, two London-based volunteers of the Irish Republican Army, Reginald Dunne and Joseph O’Sullivan, assassinate Wilson outside his house at 36 Eaton Place at approximately 2:20 PM. He is in full uniform as he is returning from unveiling the Great Eastern Railway War Memorial at Liverpool Street station at 1:00 PM. He has six wounds, two of them fatal wounds to the chest.
Stories later circulate that the first shot misses but rather than taking shelter in the house, he draws his sword and advances on his attackers, who are able to shoot and kill him. These stories often stress that he dies a martyr. His housemaid testifies that she found his drawn sword lying by his side. These details do not feature in the witness accounts by Reginald Dunne, which is smuggled out of prison, the inquest testimony of one of two road menders working nearby, and the taxi driver who had just dropped Wilson off. One of the road mender’s accounts, as published in the Daily Mail, mentions Wilson turning on his attackers with the words “you cowardly swine!” but this is believed to be a possible embellishment by the newspaper.
Two police officers and a chauffeur are also shot as the men attempt to avoid capture. They are then surrounded by a crowd and arrested by other policemen after a struggle. Dunne and O’Sullivan are convicted of murder and hanged on August 10, 1922. On the day Wilson’s killers were hanged, Currygrane, the family homesite in Ballinalee, County Longford is burned to the ground, possibly as a reprisal although possibly as an unrelated part of the unrest in that county.
Wilson’s widow blames the government for his death and is only persuaded to allow government representation at the funeral on the grounds that not to do so would be disrespectful to the King. Wilson’s funeral is a public affair attended by David Lloyd George and the cabinet, Ferdinand Foch, Robert Nivelle and Maxime Weygand from France as well as many of his former army colleagues including John French, Nevil Macready, Douglas Haig and William Robertson. He is buried in the crypt of St. Paul’s Cathedral in London.
Charles Davis Lucas, a 20-year-old mate on the HMS Hecla in the Royal Navy, hurls a Russian shell, its fuse still burning, from the deck of his ship on June 21, 1854, during the Crimean War. For this action, he becomes the first recipient of the Victoria Cross in 1857.
Lucas is born in Druminargal House, Poyntzpass, County Armagh, on February 19, 1834. He enlists in the Royal Navy in 1848 at the age of 13, serves aboard HMS Vengeance, and sees action in the Second Anglo-Burmese War of 1852–53 aboard the frigate HMS Fox at Rangoon, Pegu, and Dalla. By age 20, he has become a mate.
On June 21, 1854, in the Baltic Sea, HMS Hecla, along with two other ships, is bombarding Bomarsund, a fort in the Åland Islands off Finland. The fire is returned from the fort, and, at the height of the action, a live shell lands on HMS Hecla‘s upper deck with its fuse still hissing. All hands are ordered to fling themselves flat on the deck, but Lucas with great presence of mind runs forward and hurls the shell into the sea where it explodes with a tremendous roar before it hits the water. Thanks to Lucas’s action no one on board is killed or seriously wounded by the shell and, accordingly, he is immediately promoted to lieutenant by his commanding officer. His act of bravery is the first to be rewarded with the Victoria Cross.
In 1879 he marries Frances Russell Hall, daughter of Admiral William Hutcheon Hall, who had been captain of HMS Hecla in 1854. The couple has three daughters together. Lucas serves for a time as Justice of the Peace for both Kent and Argyllshire, and dies in Great Culverden, Kent on August 7, 1914. He is buried at St. Lawrence Church, Mereworth, Maidstone, Kent.
Lucas’s campaign medals, including his Victoria Cross, are displayed at the National Maritime Museum in Greenwich, London. They are not the original medals, which were left on a train and never recovered. Replacement copies were made, though the reverse of the Victoria Cross copy is uninscribed.
During the Irish Rebellion of 1798, the Battle of Foulksmills, known locally as the Battle of Horetown and also known as the Battle of Goff’s Bridge, takes place on June 20, 1798 between advancing British forces seeking to stamp out the rebellion in County Wexford and a rebel army assembled to oppose them.
By June 19 the threat of the United Irish rebellion spreading outside County Wexford had been largely contained and Crown forces were positioned to move against rebel held territory. A force of about 1,500 men under Sir John Moore move out of New Ross toward Wexford as part of an overall encirclement operation in conjunction with General Gerard Lake‘s forces moving from the north.
Moore’s force is to link up and combine with the isolated garrison holding Duncannon before moving deeper into County Wexford, but after waiting several hours with no sign of their arrival, Moore decides to press ahead to the village of Taghmon alone. Upon nearing Goff’s Bridge at Foulkesmill, his scouts report a rapidly moving rebel force of some 5,000 moving along the road with the intent to give battle. Moore despatches a force of riflemen from the 60th Regiment to hold the bridge until artillery can be brought up in support.
The rebels however, led by Father Philip Roche, spot this move and move away from the road to the high ground on the left intending to outflank Moore’s force. The 60th are forced to engage the rebels on the roads, fields and forests of the area and the rebel flanking move briefly threatens to overturn Moore’s left. Moore has to personally rally his fleeing troops to hold the line and lead them in a successful counter-attack. As more troops begin to arrive the rebels are flushed out of their concealed positions, allowing the artillery to be brought into play and the rebels’ move is foiled. The rebels are gradually pushed back field by field but are able to withdraw the bulk of their force safely.
The road to Wexford is opened and the town recaptured by the Crown the next day but during this battle followers of rebel captain Thomas Dixon massacre up to 100 loyalist prisoners at Wexford bridge.
Casualties are estimated at 500 on the rebel side and 100 of the military.
The Dublin Institute for Advanced Studies (DIAS) is established in Dublin on June 19, 1940, by TaoiseachÉamon de Valera under the Institute for Advanced Studies Act, 1940. The Institute consists of three schools: the School of Theoretical Physics, the School of Cosmic Physics and the School of Celtic studies. The Institute under the act is empowered to “train students in methods of advanced research” but does not itself award degrees. Graduate students working under the supervision of Institute researchers can, with the agreement of the governing board of the appropriate school, be registered for a higher degree in any university worldwide.
Shortly after becoming Taoiseach, Éamon de Valera investigates the possibility of setting up an institute of higher learning. Being of mathematical background, de Valera is aware of the decline of the Dunsink Observatory, where Sir William Rowan Hamilton, regarded as Ireland’s most influential mathematician, has held the position of Royal Astronomer of Ireland. Following meetings with prominent academics in the fields of mathematics and astronomy, he comes to the conclusion that astronomy at Dunsink should be revived and an institute for higher learning should be established.
The Institute is initially located at 64 and 65 Merrion Square and consists of the School of Theoretical Physics and the School of Celtic Studies, to which the School of Cosmic Physics is added in 1947. It is modeled on the Institute for Advanced Study in Princeton, New Jersey, which was founded in 1930. Most importantly, Erwin Schrödinger is interested in coming to Ireland, and this represents an opportunity not to be missed. The School of Celtic Studies owes its founding to the importance de Valera accords to the Irish language. He considers it a vital element in the makeup of the nation, and therefore important that the nation should have a place of higher learning devoted to this subject.
The founding of the Institute is somewhat controversial, since at the time only a minority are successfully completing elementary education, and university education is for the privileged. By this reasoning, the creation of a high-level research institute is a waste of scarce resources. However, Éamon de Valera is aware of the great symbolic importance such a body would have on the international stage for Ireland. This thinking influences much of de Valera’s premiership.
Work by the Geophysics section of the School of Cosmic Physics on the formation of the North Atlantic demonstrates that the Irish continental shelf extends much further than previously thought, thereby more than doubling the area of the seabed over which Ireland can claim economic exploitation rights under the international law of the sea. Fundamental work in statistical mechanics by the School of Theoretical Physics finds application in computer switching technology and leads to the establishment of an Irish campus company to exploit this intellectual property. The Institute has also in recent years been one of the main agents helping to set up a modern e-Infrastructure in support of all Irish research.
In 1968 the Royal Society recognises de Valera’s contribution to science in establishing the Institute by electing him to honorary fellowship.
Currently the Institute has its schools located at three premises on the Southside of Dublin at 10 Burlington Road, 31 Fitzwilliam Place and 5 Merrion Square. It also maintains a presence at Dunsink Observatory in north County Dublin.
(Pictured: Dublin Institute for Advanced Studies School of Theoretical Physics, 10 Burlington Road, Dublin)
Irish writer William Denis Johnston is born in Ballsbridge, Dublin on June 18, 1901. He primarily writes plays, but also works of literary criticism, a book-length biographical essay of Jonathan Swift, a memoir and an eccentric work on cosmology and philosophy.
Johnston is a protégé of William Butler Yeats and George Bernard Shaw, and has a stormy friendship with Seán O’Casey. He is a pioneer of television and war reporting. He works as a lawyer in the 1920s and 1930s before joining the BBC as a writer and producer, first in radio and then in the fledgling television service. His broadcast dramatic work include both original plays and adaptation of the work of many different writers.
Johnston’s first play, The Old Lady Says “No!”, helps establish the worldwide reputation of the Dublin Gate Theatre. His second, The Moon in the Yellow River, has been performed around the globe in numerous productions featuring such actors as Jack Hawkins, Claude Rains and Errol Flynn, although not all in the same production. He plays a role in the 1935 film version of John Millington Synge‘s Riders to the Sea.
During World War II Johnston serves as a BBC war correspondent, reporting from El Alamein to Buchenwald. For this he is awarded an OBE, a Mentioned in Despatches and the Yugoslav Partisans Medal. He then becomes Director of Programmes for the television service.
Johnston later moves to the United States and teaches at Mount Holyoke College, Smith College and other universities. He keeps extensive diaries throughout his life, now deposited in the Library of Trinity College, Dublin. These, together with his many articles and essays, give a distinctive picture of his times and the people he knows. Another archive of his work is held at the library of Ulster University at Coleraine. He receives honorary degrees from the Ulster University and Mount Holyoke College and is a member of Aosdána.
The Denis Johnston Playwriting Prize is awarded annually by Smith College Department of Theatre for the best play, screen play, or musical written by an undergraduate at Smith, Mount Holyoke, Amherst College, Hampshire College and the University of Massachusetts Amherst.
Johnston’s war memoir Nine Rivers from Jordan reaches The New York Times Bestseller List and is cited in the World Book Encyclopedia‘s 1950s article on World War II under “Books to Read”, along with Churchill, Eisenhower et al. Joseph Ronsley cites an unnamed former CBSVietnam correspondent who calls the book the “Bible”, carrying it with him constantly, “reading it over and over in the field during his tour of duty.”
Denis Johnston dies on August 8, 1984, in Ballybrack, Dublin. His daughter Jennifer Johnston is a respected novelist and playwright.
Most of Osborne’s paintings are figurative and focus on women, children, the elderly, the poor, and the day-to-day life of ordinary people on Dublin streets, as well as series of rural scenes. He also produces city-scapes, which he paints from both sketches and photographs. A prolific artist, he produces oils, watercolours, and numerous pencil sketches. He is best known for his documentary depictions of late 19th century working class life.
Osborne is the second of three sons of William Osborne, a successful animal painter who specialises in portraying horses and dogs for the then prosperous Irish landlords. He is educated at Rathmines School and at the Royal Hibernian Academy school. He learns from his father that there is money to be earned from painting animals. He produces quite a few, including of children with their pets, notably his 1885 A New Arrival, and a series of impressionistic works on cows.
In 1883, Osborne moves from Antwerp to Brittany where he paints his famous Apple Gathering, Quimperlé, now in the National Gallery of Ireland. Soon after, he moves to England where he works alongside Nathaniel Hill and Augustus Burke at Walberswick. During his period, he often returns to Dublin to make preparatory sketches for what becomes his most renowned series, of the everyday lives of the city’s poor. Although highly regarded today, these documentary street paintings are not commercially successful, and Osborne supplements his income through portrait paintings of the middle class, which are not as artistically satisfying.
In 1886, he is elected to the Royal Hibernian Academy and receives many commissions for portraits. This is an important source of income, as he has no private means of his own. After his sister dies, he is involved in looking after her daughter, and his own parents become increasingly financially dependent on him.
In 1892, he returns to Ireland to live in the family residence, and he also keeps a studio at No. 7 St. Stephen’s Green. He spends a considerable amount of time painting outdoors, in Dublin around St. Patrick’s Cathedral or in the country. He is well liked in social circles and counts the surgeon Sir Thornely Stoker, brother of Bram Stoker, among his best friends.
Osborne’s mother becomes ill in the early 1900s, and Walter spends significant periods caring for her. In 1903, while gardening, he overheats himself and catches a chill, which he neglects, and which develops into pneumonia. He dies prematurely from the illness at the age of 43 on April 24, 1903. He is buried in Mount Jerome Cemetery in Dublin.
Some critics have suggested that at the time of his death he is on the brink of his artistic maturity. His final work Tea in the Garden, a fusion of naturalism and impressionism, remains unfinished at his death and is now in the collection of the Hugh Lane Gallery in Dublin. Today his work is highly sought after by collectors.
Large crowds turned out for the proceedings including VIP guests, members of the Fianna Fáil party and members of the Oireachtas, who begin arriving at the church at 10:00 AM, although some members of the public begin queuing for a chance to get into the church as early as 8:00 AM. Taoiseach Bertie Ahern, accompanied by his aide-de-camp, arrive at 11:45 AM, followed shortly afterwards by the Lord Mayor of Dublin, Cllr. Catherine Byrne. Many members of the public watch and listen to the service outside the church on loudspeakers and big screens.
Approximately 2,000 people pack into the large church for the two-hour service, which includes contributions from members of Haughey’s family and from the Fianna Fail Teachta Dála (TD) Brian Lenihan, Haughey’s friend P.J. Mara and the poet Brendan Kennelly. The majority of seating in the church is reserved for friends of the Haughey family and members of the public from the Dublin North Central constituency that he represented for nearly 40 years.
The requiem Mass is celebrated by the Archbishop of Dublin, Dr. Diarmuid Martin, and by Haughey’s brother, Fr. Eoghan Haughey, OMI. Minister of State Brian Lenihan, the son of former tánaisteBrian Lenihan, conducts the first reading, while the second reading is delivered by Haughey’s daughter Eimear Mulhern. Members of Haughey’s family, including his son, Ciarán, and old friends such as his former political adviser, P.J. Mara, read prayers. Haughey’s son, Seán, who inherited his father’s seat in Dáil Éireann, gives his personal reflections on his father’s life as does poet Brendan Kennelly near the end of the ceremony.
After the solemn Requiem Mass, the coffin is removed from the church by Military Police pallbearers from the 2nd Military Police Company at Cathal Brugha Barracks, followed by President Mary McAleese and her husband, the immediate Haughey family, the Lord Mayor, the Taoiseach and Tánaiste Mary Harney.
The funeral cortege forms outside the church. Soldiers drawn from the 2nd Eastern Brigade battalion carry the Tricolour and the brigade’s flag, escorted by 24 military cadets from the Curragh Military College. Military Police pallbearers carry the coffin to the graveside, where they remove the Tricolour before the prayer service begins.
Taoiseach Bertie Ahern delivers a graveside oration in which he says Haughey was “blessed with a strong intellect, natural charisma and driving spirit which was to make him the dominant public figure in the late 20th century Ireland.” A Naval Service firing party fires three volleys over the grave, while the Defence Forces‘ Band plays the Last Post and Reveille.
Wood is the fifth child and third son of Charles Wood, Sr. and Jemima Wood. He is a treble chorister in the choir of the nearby St. Patrick’s Cathedral. His father sings tenor as a stipendiary “Gentleman” or “Lay Vicar Choral” in the Cathedral choir and is also the Diocesan Registrar of the church. He is a cousin of Irish composer Ina Boyle.
Wood receives his early education at the Cathedral Choir School and also studies organ with two Organists and Masters of the Boys of Armagh Cathedral, Robert Turle and his successor Dr. Thomas Marks. In 1883 he becomes one of fifty inaugural class members of the Royal College of Music, studying composition with Charles Villiers Stanford and Charles Hubert Hastings Parry primarily, and horn and piano secondarily. Following four years of training, he continues his studies at Selwyn College, Cambridge through 1889, where he begins teaching harmony and counterpoint.
In 1889 he attains a teaching position at Gonville and Caius College, Cambridge, first as organ scholar and then as fellow in 1894, becoming the first Director of Music and Organist. He is instrumental in the reflowering of music at the college, though more as a teacher and organiser of musical events than as composer. After Stanford dies in 1924, Wood assumes his mentor’s vacant role as Professor of Music in the University of Cambridge.
Like his better-known colleague Stanford, Wood is chiefly remembered for his Anglican church music. As well as his Communion Service in the Phrygian mode, his settings of the Magnificat and Nunc dimittis are still popular with cathedral and parish church choirs, particularly the services in F, D, and G, and the two settings in E flat. During Passiontide his St. Mark Passion is sometimes performed, and demonstrates Wood’s interest in modal composition, in contrast to the late romantic harmonic style he more usually employs.
Wood’s anthems with organ, Expectans expectavi, and O Thou, the Central Orb are both frequently performed and recorded, as are his unaccompanied anthems Tis the day of Resurrection, Glory and Honour and, most popular of all, Hail, gladdening light and its lesser-known equivalent for men’s voices, Great Lord of Lords. All of Wood’s a cappella music demonstrates fastidious craftsmanship and a supreme mastery of the genre, and he is no less resourceful in his accompanied choral works which sometimes include unison sections and have stirring organ accompaniments, conveying a satisfying warmth and richness of emotional expression appropriate to his carefully chosen texts.
Wood collaborates with priest and poet George Ratcliffe Woodward in the revival and popularisation of renaissance tunes to new English religious texts, notably co-editing three books of carols. He also writes eight string quartets, and is co-founder of the Irish Folk Song Society in 1904.
He marries Charlotte Georgina Wills-Sandford, daughter of W. R. Wills-Sandford, of Castlerea, County Roscommon on March 17, 1898. Their son is killed in World War I.
seamus dubhghaill 