Higgins is born on April 24, 1896, on the west coast of Ireland in Foxford, County Mayo. He is the eldest son of Joseph, a policeman stationed in Foxford at the time of his son’s birth, and Annie Higgins. His poem “Father and Son” is a loving tribute to his father. He grows up in Ballivor, County Meath, where his family has farmed for several generations. He spends the largest part of his adult life in Dublin, in a house he has built beside the River Dodder in Rathfarnham. His health is poor, and though his friends are inclined to regard him as a hypochondriac, his frequent predictions that he would die young prove to be accurate.
Higgins marries Beatrice May Moore in 1921. The marriage is a happy one. Even Frank O’Connor, who dislikes him, praises him as a kind and considerate husband. He is however reputed to have had a number of affairs, notably with the actress Ria Mooney.
Higgins is a student of William Butler Yeats and serves on the board of the Abbey Theatre from 1935 until his death. His best-known book of poetry is The Gap of Brightness (1940). He is also well known for his poem “Father and Son.” He writes a moving elegy for his fellow poet Pádraic Ó Conaire. He is generally acknowledged to be a fine poet but is less successful in his Abbey Theatre work. Frank O’Connor says unkindly that Higgins could not direct a children’s poetry recitation.
In 1937 Higgins is tour manager of the Abbey Theatre production of Teresa Deevy‘s Katie Roche, which tours to the Ambassador Theatre in New York City. There are five performances from October 2-6. His Abbey career can be seen in the Abbey Theatre archives.
Higgins is a popular and convivial man. Even O’Connor, who comes to regard him with deep suspicion, admits that he is a delightful person to know. His circle of friends includes many of the leading Irish literary figures of his time, including Yeats, Padraic O Conaire, George William Russell, Lennox Robinson, and for a time O’Connor. O’Connor, however, comes to regard him as untrustworthy and a troublemaker, and describes him unflatteringly in his memoir My Father’s Son. For Yeats, Higgins seems to feel a genuine affection, once remarking that he never left Yeats’ house without “feeling like a thousand dollars.” He is also capable of great kindness and generosity to younger writers like Patrick Kavanagh.
(Pictured: “F. R. Higgins,” Oil on Canvas by Sean O’Sullivan, courtesy of the Abbey Theatre, Dublin)
Plant is the second eldest child and son in a family of six children. His parents are John William Albert Plant, a farmer, and Catherine Hayden.
One Sunday in 1916 George and his older brother Jimmy are arrested by the Royal Irish Constabulary (RIC) after being seen speaking to two well-known republicans, Seán Hayes and Dan Breen. In custody the two brothers are beaten and mistreated resulting in a hatred of the RIC. He serves with the Irish Republican Army during the Irish War of Independence and with the Anti-Treaty IRA in the Irish Civil War.
In 1923 George and Jimmy leave Ireland for Canada and the United States but continue as active IRA members. In 1929 they return to Ireland and carry out a bank raid in Tipperary on behalf of the IRA. They are arrested two days later at the family farm and subsequently sentenced to 7 years in prison. They are released in a general amnesty after the Fianna Fáil and Éamon de Valera election victory in 1932. He is a strong supporter of Seán Russell. In 1939 following the outbreak of World War II, known in Ireland as The Emergency, de Valera is determined to maintain Irish neutrality and is not going to allow the IRA to jeopardize this. The IRA links with Germany and campaign in Britain are severely straining Anglo-Irish relations so emergency legislation is introduced.
Russell, the IRA Chief of Staff, dies in August 1940 after taking ill on board a U-boat and Stephen Hayes from County Wexford becomes IRA Chief of Staff. In late August 1940 an address on Lansdowne Road Dublin is raided by the Garda Síochána. Among the men arrested is Michael Devereux, a 24-year-old married truck driver from County Wexford who is also Quartermaster of the IRAs Wexford Brigade. He is released after three days without charge. Shortly afterwards Gardaí in County Wexford find an IRA arms dump. Many in the IRA suspect that Devereux had turned informer, so Stephen Hayes orders Devereux’s execution. George Plant and another man, Michael Walsh from County Kilkenny, are ordered to carry out the order. Devereux meets Plant and Walsh who tell Devereux that Tom Cullimore, the Wexford Brigade’s OC is blamed for the arms dump and that they have shot him. They order Devereux to drive them to an IRA safe house at Grangemockler in south County Tipperary. Devereux, believing he is the prime suspect in a murder, stays willingly at the safe house. A week later, on September 27, 1940, Devereux is invited to go for a walk with Plant and Paddy Davern, the owner of the safe house. Somewhere along the walk Plant accuses Devereux of being an informer and shoots him dead. Plant is arrested nine weeks later on suspicion of IRA membership and brought before the Special Criminal Court in Dublin. On February 10, 1941, Radio Éireann broadcasts a radio appeal for Michael Devereux on behalf of his wife.
In September 1941 Stephen Hayes is accused of being an informer by a group of Northern IRA members led by Seán McCaughey. He manages to escape to a garda station. Shortly afterwards a large force of Garda Síochána and Irish Army descend on the area around the Davern farmhouse where they find Devereux’s car buried under an onion bed and eventually discover Devereux’s body, a year to the day after his death. Two weeks later, Plant, already in prison on IRA membership charges, is charged with Devereux’s murder. A trial is held with a senior IRA officer, Joseph o’Connor, also charged with Devereux’s murder. The first trial collapses after two days when Paddy Davern and Micheal Walsh, two of the prosecution witnesses, refuse to give evidence. This result leads to the court issuing a nolle prosequi order which should have meant the end of the affair, however both men are rearrested and recharged with the same offence, under Emergency Order 41f. Minister for JusticeGerald Boland transfers the case to a Special Military Court with army officers acting as judges. In addition to Plant, Paddy Davern and Michael Walsh are also now charged with Devereux’s murder. The second trial begins at Collins Barracks, Dublin in February 1942 with Seán MacBride, a former IRA Chief of Staff and future government minister as the defendant’s barrister. Davern states his original statement was given at gunpoint but under the new order even statements given under duress are admissible. The court only has two sentencing options – death or acquittal. Joseph O’Connor is acquitted and despite MacBride’s best efforts the other three are sentenced to death. Davern and Walsh have their sentences commuted to life imprisonment and are both released in 1946.
Just one week after sentence is passed, Plant is executed in Portlaoise Prison by a six-man firing squad drawn from the Irish Army. Much bitterness is caused by the treatment of Plant’s relatives. Neither his wife or mother or infant son are allowed to visit him in the week before his execution. Censorship ensures there is little mention in the newspapers, so his family only learns of his execution from a brief radio broadcast shortly before they receive a telegram. He is buried in the grounds of Portlaoise Prison, but is reinterred in 1948, when he is buried with full IRA military honours in his local church St. Johnstown in County Tipperary, and a Celtic cross is erected over his grave.
Plant’s wife moves to the United States where she remarries. His brother Jimmy dies in London in 1978. The Plant’s family farm is now part of the Coolmore Estate.
The People’s Democracy organizes the four-day march from Belfast to Derry, starting on January 1, 1969. The march is to be the acid test of the government’s intentions. Either the government will face up to the extreme right of its own Unionist Party and protect the march from the ‘harassing and hindering,’ or it will be exposed as impotent in the face of sectarian thuggery, and Westminster will be forced to intervene, re-opening the whole Irish question for the first time in 50 years. The march is modelled on the Selma to Montgomery march in Alabama in 1965, which had exposed the racist thuggery of America’s Deep South and forced the United States government into major reforms.
The departure on New Year’s Day 1969 of approximately 40 People’s Democracy supporters on the march to Derry is marked by a protest in Belfast by loyalists under the direction of MajorRonald Bunting, a close associate of Rev. Ian Paisley. It is the loyalist’s intention to harass the march along its entire journey.
On the first day of the march, the group makes its way unhindered towards Antrim. Just outside Antrim the marchers run into a police barricade, behind which several hundred loyalists are gathered, led by Major Bunting. The RUC refuses to remove the blockade and after a lengthy delay, and minor scuffles, the marchers are driven in police tenders to Whitehall Community Centre where they spend an unsettled night interrupted by a bomb threat.
The next day, the marchers set off for Randalstown but again find their way blocked by Major Bunting and a crowd of loyalists. Once again, the RUC refuses to remove the loyalist protesters and the marchers are eventually transported to Toome by car. The marchers are welcomed at Toome and after taking lunch in the village they set out for Maghera. After 30 minutes the march is again halted and then rerouted away from the loyalist village of Knockloughlin. After two miles, loyalist protestors led by Major Bunting again halt the march. Another standoff ensues and, as locals gather to support the marchers, the RUC’s County Inspector Kerr asks the loyalists to stand aside, which they do. The marchers then make their way towards Maghera, where loyalists have gathered to await their arrival. On hearing of this ‘reception’ committee, which is armed with clubs and sticks, the marchers decide to bypass the village and spend the night at Bracaghreilly. That night Maghera witnesses considerable violence from frustrated loyalists.
On January 3, the third day of the march, the marchers set out for Dungiven and encounter little opposition. After lunch in Dungiven they travel on to Feeny. A mile outside Dungiven the marchers are halted by the RUC with reports of a loyalist protest further along the road. A civil rights supporter then arrives along the road that is allegedly blocked and reports no obstructions ahead. The marchers decide to breach police lines and encounter no protest ahead. After reaching Feeny the marchers move on to Claudy, where they receive a friendly reception and settle down for the night. That night a loyalist attack on the hall in which the marchers are staying is repulsed by locals.
The same night in Derry, a rally by Ian Paisley in the Guildhall leads to serious disorder. While those inside the hall are listening to Major Bunting call for loyalists to gather the next day at Burntollet, a crowd of nationalists gather outside the building in protest. During clashes as the rally disperses, Major Bunting’s car is destroyed. Later that night stockpiles of bottles and stones are left by loyalists in the fields at Burntollet.
On the morning of January 4, the marchers, who now number approximately 500, set out on the last league of their journey to Derry. Just before reaching Burntollet District Inspector Harrison stops the march in order to investigate reports of loyalists ahead. Harrison, together with County Inspector Kerr, speak of 50 loyalists ahead and claim to be confident that there is no danger. With the RUC leading the way the marchers advance. In the field overlooking the road the marchers observe approximately 300 loyalists, identified by white armbands and armed with cudgels. They come under a bombardment of missiles. Marchers seek to escape the bombardment by speeding up the road but there is to be no escape as they immediately encounter a second contingent of loyalists blocking their escape.
As many marchers flee into the fields they are pursued by attackers and the RUC makes no attempt to intervene. Others are thrown into the nearby River Faughan. As what is left of the marchers continue on to Derry, they are also attacked twice in Derry’s Waterside before receiving a rousing welcome in Guildhall Square.
That night clashes occur between the RUC and local people and the first “Free Derry” is born. At 2:00 AM members of the RUC attack the Bogside, running amok in the Lecky Road and St. Columbs Wells districts. Windows are broken, residents are assaulted, and sectarian abuse is directed at the people of the Bogside. The reaction to this ‘invasion’ ranges from the painting of the Free Derry legend to the formation of vigilante squads in the area, based at the Foyle Harps Hall in the Brandywell and Rossville Hall in the Bogside. The barricades remain up for a number of days and relations between the community in the Bogside and the RUC, which has never been particularly good, grows steadily worse.
These events, together with the steady increase of conflict between local youths and the RUC as the year progress, is to lay the foundations for the resistance that is to take place during the Battle of the Bogside.
(From: “People’s Democracy march, January 4, 1969” by Jude Collins, http://www.judecollins.com, January 4, 2016)
Ria Mooney, Irish stage and screen actress, artistic director of the Abbey Theatre (1948-1963) and director of the Gaiety School of Acting, dies in Dublin on January 3, 1973. She is the first female producer at the Abbey Theatre.
After spells abroad and at the Gate Theatre, Mooney is put in charge of the new Peacock Theatre and the Abbey Experimental Theatre Company at the Abbey in 1937. Her memoirs allude to an affair with the poet F. R. Higgins who is on the board of the Abbey. Ria and Higgins discover they are related, as third cousins, due to a chance conversation when they are both travelling to the United States together. She is shocked at his sudden death of a heart attack on January 6, 1941.
After Higgins’ death Ernest Blythe is named managing director. Mooney leaves the Abbey in 1944 to direct the Gaiety School of Acting. In January 1948 she becomes resident producer at the Abbey. It is a difficult time for the Abbey, and she has to contend with Blythe, a demanding manager with whom she does not see eye-to-eye. An unexpected blow is the death of F. J. McCormick on April 24, 1947. On July 17, 1951, fire destroys the Abbey Theatre. The company leases the old Queen’s Theatre in September and continues in residence there until 1966. She takes the opportunity to employ younger actors, many of whom she knows from her time teaching at the Gaiety. Among them are Ronnie Masterson, Joan O’Hara, Ray McAnally, Philip O’Flynn, Angela Newman, Bill Foley and Doreen Madden. Between 1948 and 1963, seventy-five new plays are produced at the two Abbey locations, with most of these directed by Mooney, and most receive excellent reviews from the Dublin critics.
Gregory becomes involved in republican politics, joining Sinn Féin and the Irish Republican Army (IRA) in 1964. In UCD he helps found the UCD Republican Club, despite pressure from college authorities, and becomes involved with the Dublin Housing Action Committee. Within the party he is a supporter of Wicklow Republican Seamus Costello. Costello, who is a member of Wicklow County Council, emphasises involvement in local politics and is an opponent of abstentionism. Gregory sides with the Officials in the 1970 split within Sinn Féin. Despite having a promising future within the party, he resigns in 1972 citing frustration with ideological infighting in the party. Later, Costello, who had been expelled by Official Sinn Féin, approaches him and asks him to join his new party, the Irish Republican Socialist Party. He leaves the party after Costello’s assassination in 1977. He is briefly associated with the Socialist Labour Party.
Gregory contests the 1979 local elections for Dublin City Council as a “Dublin Community Independent” candidate. At the February 1982 general election, he is elected to Dáil Éireann as an Independent TD. On his election he immediately achieves national prominence through the famous “Gregory Deal,” which he negotiates with Fianna Fáil leader Charles Haughey. In return for supporting Haughey as Taoiseach, he is guaranteed a massive cash injection for his inner-city Dublin constituency, an area beset by poverty and neglect.
Although Gregory is reviled in certain quarters for effectively holding a government to ransom, his uncompromising commitment to the poor is widely admired. Fianna Fáil loses power at the November 1982 general election, and many of the promises made in the Gregory Deal are not implemented by the incoming Fine Gael–Labour Party coalition.
Gregory is involved in the 1980s in tackling Dublin’s growing drug problem. Heroin had largely been introduced to Dublin by the Dunne criminal group, based in Crumlin, in the late 1970s. In 1982 a report reveals that 10% of 15- to 24-year-olds have used heroin at least once in the north inner city. The spread of heroin use also leads to a sharp increase in petty crime. He confronts the government’s handling of the problem as well as senior Gardaí, for what he sees as their inadequate response to the problem. He co-ordinates with the Concerned Parents Against Drugs group in 1986, who protest and highlight the activities of local drug dealers and defend the group against accusations by government Ministers Michael Noonan and Barry Desmond that it is a front for the Provisional IRA. He believes that the solution to the problem is multi-faceted and works on a number of policy level efforts across policing, service co-ordination and rehabilitation of addicts. In 1995 in an article in The Irish Times, he proposes what would later become the Criminal Assets Bureau, which is set up in 1996, catalysed by the death of journalistVeronica Guerin. His role in its development is later acknowledged by then Minister for JusticeNora Owen.
Gregory also advocates for Dublin’s street traders. After attending a sit-down protest with Sinn Féin Councillor Christy Burke, and future Labour Party TD Joe Costello on Dublin’s O’Connell Street in defence of a street trader, he, Burke and four others are arrested and charged with obstruction and threatening behaviour. He spends two weeks in Mountjoy Prison after refusing to sign a bond to keep the peace.
Gregory remains a TD from 1982 and, although he never holds a government position, remains one of the country’s most recognised Dáil deputies. He always refuses to wear a tie in the Dáil chamber stating that many of his constituents could not afford them.
Gregory dies on January 2, 2009, following a long battle with cancer. Following his death, tributes pour in from politicians from every party, recognising his contribution to Dublin’s north inner city. During his funeral, politicians from the Labour Party, Fianna Fáil and Fine Gael are told that although they speak highly of Gregory following his death, during his time in the Dáil he had been excluded by many of them and that they were not to use his funeral as a “photo opportunity.” He is buried on January 7, with the Socialist Party‘s Joe Higgins delivering the graveside oration.
Over 12 million immigrants are processed at the station that eventually closes in 1954. Third class and steerage passengers are processed at the Ellis Island station. First- and Second-class passengers are generally processed on the boats they arrive on as they are seen to be of lesser “risk.”
Moore arrives from County Cork aboard the Guion LinesteamshipNevada in 1892. Her brothers, Anthony and Philip, who journey with her, have just turned 15 and 12, respectively. As the first person to pass inspection at the newly opened facility, she is presented with an American $10 gold piece from an American official.
Moore’s parents, Matthew and Julia, had come to the United States in 1888 and were living at 32 Monroe Street in Manhattan. Annie marries a son of German Catholic immigrants, Joseph Augustus Schayer (1876-1960), a salesman at Manhattan’s Fulton Fish Market, with whom she has eleven children, five of whom survive to adulthood. The rest all die before the age of three.
Moore dies of heart failure on December 6, 1924, at age 47 and is buried in Calvary Cemetery, Queens. Her previously unmarked grave is identified in August 2006. On October 11, 2008, a dedication ceremony is held at Calvary which celebrates the unveiling of a marker for her grave, a Celtic cross made of Irish blue limestone.
A woman named “Annie Moore” who died near Fort Worth, Texas, in 1924 had long been thought to be the one whose arrival marked the beginning of Ellis Island. Further research, however, establishes that the Annie Moore in Texas was born in Illinois.
The Irish American Cultural Institute presents an annual Annie Moore Award “to an individual who has made significant contributions to the Irish and/or Irish American community and legacy.” She is also honored by two statues sculpted by Jeanne Rynhart. One stands at Cobh Heritage Centre (formerly Queenstown), her port of departure, and another at Ellis Island, her port of arrival. The image is meant to represent the millions who pass through Ellis Island in pursuit of the American dream.
(Pictured: Statue of Annie Moore and her brothers on the quayside in Cobh, County Cork)
Montgomery is born into a wealthy family in Swords, Dublin, on December 2, 1738. He attends Trinity College Dublin before dropping out to become a Junior Non-Commissioned Officer (NCO) in the British Army. He serves with distinction during the Seven Years’ War, more commonly known as the French and Indian War, and is promoted several times, finally attaining the rank of captain before the end of the war. He is released from duty due to his health and returns to Great Britain to recover. In Britain, he discusses politics and affiliates with the Whigs political party in Parliament, who later supports American independence. When his health finally recovers, he resigns his commission from the British Army and moves to New York, settling into the life of a farmer. On July 24, 1773, he marries Janet Livingston, who is from an anti-British patriot family. He continues to cement his beliefs and begins to identify as an “American” rather than a “Briton.”
Eventually, Montgomery’s political beliefs turn into political action. In May 1775, he is elected as one of the ten deputies to represent Dutchess County in the New York Provincial Congress and is chosen to organize the militias and defenses of New York. After George Washington is chosen to be the commander of the Continental Army in June of the same year, the New York Provincial Congress is asked to choose two people for the rank major general and brigadier general for service in the new army. Philip Schuyler is appointed to the rank of major general. Montgomery protests the promotion, arguing that Schuyler does not have enough combat experience to be an effective leader. Later, the New York Provincial Congress appoints Montgomery as brigadier general because of his military experience. General Washington personally appoints the reluctant Montgomery to be Schuyler’s second in command. This move is just in time as Schuyler falls ill during at the start of the invasion of Canada, thus giving Montgomery control of the campaign.
Once in command, Montgomery begins a successful campaign in Canada as General Benedict Arnold is marching through the wilderness of modern-day Maine to meet him in Quebec. He captures numerous strongpoints and eventually the city of Montreal falls to the Patriots. His numerous victories and kind treatment of British prisoners take a toll on the Patriot militias under his command, who demand rest and the same provisions given to the British prisoners. The commanding general is reluctant to lead his soldiers, who he has seen as undisciplined. It takes a personal letter from General Washington to reassure him that there is insubordination and lack of discipline all throughout the Continental Army and that resignation is not the answer. Nevertheless, he continues to Quebec to meet Arnold and his army.
When Montgomery and his men arrive outside Quebec, his force consists of some 300 men compared to Arnold’s 1,000 men. Now a major general, he establishes siege lines around the city of Quebec and demands the surrender of the defenders within. The terms of surrender are rejected numerous times, leaving him and Arnold with no other choice but to assault the city. He hopes that snow will hide the movement of his troops, thus, he plans on waiting for snowfall in order to attack. General Arnold, however, is worried about his men. A December 31 enlistment expiration is looming, that could drastically reduce the size of the assaulting force. Montgomery discovers waiting for the right time is not an option and coordinates an attack for the early hours of December 31, 1775. That morning, Montgomery leads a group of his men toward the interior of Quebec. With sword drawn and lantern out, the Patriots advance toward a blockhouse where the British and Canadian defenders notice this movement and let loose a volley of grapeshot and muskets, which instantly kills Montgomery and the men close to him.
Montgomery’s body is discovered after the failed attacks by the Continentals. The British defenders of Quebec bring his body to General Guy Carleton, who orders it be buried with respect and dignity. He is laid to rest in Quebec on January 4, 1776. News of his death causes widespread mourning, both in America and in the British Isles. Many Patriots elevate his status to a hero and martyr for independence and the American cause, while British members of parliament, especially the Whigs, use his death to mark the failures in the British response to the insurrection in their colonies. In July 1818 his remains are reinterred in New York.
Patrick Anthony HennessyRHA, Irish realist painter known for his highly finished still lifes, landscapes and trompe-l’œil paintings, dies in London on December 30, 1980. The hallmark of his style is his carefully observed realism and his highly finished surfaces, the result of a virtuoso painting technique.
Hennessy is born in Cork, County Cork, on August 28, 1915. The son of John Hennessy an army sergeant major from County Kerry and Bridget Hennessy from Cork. His father is killed in World War I at the Battle of Passchendaele in 1917. In 1921, when he is five years old, his mother remarries in Cork. Her second husband is a Scot named John Duncan and shortly afterwards the whole family moves to Arbroath, Scotland, where Duncan has relatives.
Hennessy is educated in Arbroath at St. Thomas RC Primary School followed by secondary education at Arbroath High School, where he begins to show an aptitude for art, leaving in 1933 with the Dux for Art and an accompanying medal. In the autumn of 1933 he enrolls at the Dundee of Jordanstone College of Art & Design, for a four-year Diploma course in Drawing and Painting under James McIntosh Patrick and Edward Baird. Here he meets Harry Robertson Craig who becomes his lifelong companion. He plays a full part in the social activities of the college, winning a fancy dress award at the Christmas revels in 1935 and producing a ballet “Paradise Lost” the following year. He gains a First Class Pass in each year of the course along with winning first prize in 1934 and 1936 for work done during the summer vacation. He graduates with a First Class Distinction in 1937.
Having gained a scholarship, Hennessy continues his studies at the Dundee of Jordanstone College of Art & Design for a further year by doing a Post-Graduate Diploma course in Drawing and Painting. Within a month of gaining his Post-Graduate Diploma he holds his first joint exhibition at the Art Galleries in Arbroath. In June 1938 he is awarded the Annual Travelling Scholarship for further studies in Paris and Italy. In Paris he meets up with the artists Robert Colquhoun and Robert MacBryde, whom he had met the previous year, the three travelling south together to Marseilles towards the end of that year. On his return to Scotland he is selected for the residential summer school course at Hospitalfield House near Arbroath under James Cowie. Two of his paintings, a still life and a self-portrait, are accepted that year by the Royal Scottish Academy for their Annual Exhibition. However, by the autumn of 1939 with war looming and feeling somewhat disenchanted on his return to Scotland, he decides to return to Ireland.
On arrival in Dublin Hennessy is offered an exhibition in December 1939 at the Country Shop on St. Stephen’s Green which is opened by Mainie Jellett. This attracts favourable attention. During the early 1940s he lives at various addresses in and around Dublin with frequent trips to Cork. In 1940 he is invited to join the Society of Dublin Painters and holds regular annual exhibitions of his work there during the 1940s and early 1950s. These exhibitions are supplemented by an eclectic mix of commissions, mostly portraits which he undertakes during this period. In 1941 he has three of his paintings accepted by the Royal Hibernian Academy (RHA) for their annual exhibition. This is the beginning of a long relationship with the RHA. He exhibits there virtually every year from 1941 until 1979, the year before his death.
From the early 1940s onwards, Hennessey’s work sometimes incorporates a homosexual visual subtext. He re-unites with Harry Robertson Craig in 1946 and soon after they move to Crosshaven, County Cork, and later to Cobh. In 1947, Time magazine selects him as one of Ireland’s outstanding painters, in recognition of the important position he has then attained in the art world. In 1948 he has an exhibition at the Victor Waddington Gallery, Dublin, and that same year is elected an associate of the Royal Hibernian Academy and a full member the following year. In 1950 his painting De Profundis is selected for the Contemporary Irish Painting exhibition that tours North America. As a result of this tour, the American public and critics begin to take notice of his work. In 1951 he visits Italy, taking in Venice and Sicily and returning to Dublin with many of his canvases painted abroad. One of these paintings, Bronze Horses of St. Marks, is exhibited at the Royal Academy of Arts in London in 1954.
In 1956, a friend of Hennessy, David Hendriks, opens the Ritchie Hendriks Gallery on St. Stephen’s Green, Dublin and it is this gallery that is to be the main outlet for his work over the following 22 years. In October 1956 the Thomas Agnew Gallery in London holds an exhibition of his work comprising 38 of his paintings. However, during the winter of 1959 he becomes seriously ill with pneumonia. As a consequence of this, in the autumn of that year he and Craig decide to winter in Morocco. This is the beginning of a new era in both their lives. They would never again spend a full year in Ireland. His exhibitions at the Ritchie Hendriks Gallery had for many years enjoyed favourable reviews from the art critics but in the 1960s this changes with critics claiming his paintings to be dull, repetitive and suggest he needs to explore new areas. Despite the barrage of criticism, in 1965 the Guildhall Gallery in Chicago offers him a major exhibition. Shortly after this exhibition takes place in 1966 he becomes one of the artists on permanent display at the gallery with an annual exhibition. The North American market is extremely lucrative for him and by the end of the decade he is selling more of his work in the United States than in Ireland. In 1968 he finally moves to Tangier, Morocco on a permanent basis and in 1970 sells his studio on Raglan Lane, Dublin.
In Morocco, Hennessy paints prolifically for nine years to keep up with demand from the Hendriks Gallery and Guildhall Gallery along with the RHA. In 1975 the Guildhall Gallery mounts a highly successful Retrospective of his work. In 1978 he has his last exhibition in Dublin at the Hendriks Gallery. By this time he has moved to the Algarve, Portugal and is beginning to have health problems.
In November 1980, with his health deteriorating, Craig brings Hennessy to a hospital in London for treatment. However, on December 30, 1980 he dies from cancer. Following cremation his ashes are buried in nearby Golders Green Crematorium. He leaves his entire estate to Harry Robertson Craig with the proviso that on Craig’s death the Royal Hibernian Academy should be the beneficiary. This legacy has been used to set up the annual Hennessy Craig Scholarship for aspiring artists.
Hennessy falls into the category of painter who develops a distinctive personal style, labelled at various times in his life as a Traditional Realist, Romantic, Photo Realist, Illusionary and Surrealist. However, he always remains intrinsically himself. His subjects range from still life and interiors to landscapes and portraits.
Butcher leaves Trinity on his marriage, in 1876, to Rose Julia Trench (1840-1902), the daughter of ArchbishopRichard Chenevix Trench. The marriage produces no children.
Butcher dies in London on December 29, 1910, and his body is returned to Scotland and interred at the Dean Cemetery in Edinburgh with his wife. His grave has a pale granite Celtic cross and is located near the northern path of the north section in the original cemetery.
Butcher’s many publications include, in collaboration with Andrew Lang, a prose translation of Homer‘s Odyssey which appears in 1879 and the OCT edition of Demosthenes, Orationes, vol. I (Or. 1-19, Oxford, 1903), II.i (Or. 20–26, Oxford, 1907).
Hayes sends a plan for the invasion of Northern Ireland by German troops to Germany in April 1940. This plan later becomes known as Plan Kathleen. He is also known to have met with German agent Hermann Görtz on May 21, 1940, in Dublin shortly after the latter’s parachuting into Ireland on May 5, 1940, as part of Operation Mainau. He is known to have asked Görtz for money and arms to wage a campaign in Northern Ireland, although shortly after this meeting the original Plan Kathleen is discovered. The discovery of the plan leads to the acceleration of joint British and Irish military planning for a German invasion known as Plan W.
Another meeting on August 15, 1940, on Rathgar Road, Dublin organised by Hayes and attended by senior IRA men Paddy McGrath, Tom Harte and Tom Hunt, is also raided by the Garda Síochána.
On June 30, 1941, Northern-based IRA men kidnap Hayes, accusing him of being a spy. By his own account, he is tortured and “court-martialed” for “treason” by his comrades, and would have been executed, but he buys himself time composing an enormously long confession. He manages to escape on September 8, 1941, and hands himself in to the Garda for protection.
The Officer Commanding (O/C) of the IRA Northern Command, Seán McCaughey, is convicted on September 18, 1941, of the kidnapping. After a long hunger and thirst strike in Portlaoise Prison, he dies on May 11, 1946.
Hayes is later sentenced to five years’ imprisonment by the Special Criminal Court on account of his IRA activities.
Within IRA circles, Hayes is still considered a traitor and an informer. One of the main allegations against him is that he informed the Garda Síochána about IRA arms dumps in Wexford. However, this is later blamed on a Wexford man named Michael Deveraux, an officer of the Wexford Battalion of the IRA who is subsequently abducted and executed by an IRA squad in County Tipperary on Hayes’ orders. George Plant, a Protestant IRA veteran, is later executed in Portlaoise Prison for Devereux’s murder.
After his release, Hayes resumes his clerical position at Wexford County Council. He dies in Enniscorthy on December 28, 1974.
seamus dubhghaill 