seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Author Archives: Jim Doyle


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Birth of Liam Ó Briain, Irish Language Expert & Political Activist

Liam Ó Briain, Irish language expert and political activist, is born at 10 Church Street, North Wall, Dublin, on September 16, 1888.

Christened as William O’Brien, the seventh child of Arthur O’Brien, clerk, and Mary O’Brien (née Christie), who is from County Meath, Ó Briain takes an interest in the Irish language from an early age and begins learning Irish by himself from a grammar book, as it is not encouraged by his teachers at the Christian Brothers’ O’Connell School nor spoken by his parents. While still at the O’Connell School, he starts using the Irish version of his name. He also attends meetings of the Gaelic League, then attends University College Dublin (UCD) on a scholarship, where he studies French, English and Irish, receiving a BA (1909) and an MA (1910).

UCD decides to start awarding one annual scholarship for overseas travel in 1911, and Ó Briain wins the first one, using it to visit Germany and study under Kuno Meyer and Rudolf Thurneysen. After three years, he returns home, where he rejoins the Gaelic League and begins teaching French at UCD. He also joins the Irish Volunteers then, the following year, Seán T. O’Kelly convinces him to join the Irish Republican Brotherhood (IRB).

During the 1916 Easter Rising, Ó Briain sees action with the Irish Citizen Army. He comes into conflict with his commander, Michael Mallin, as he wants to pursue a strategy without the Dublin brigade being “cooped up in the city.” However, Mallin overrules him and insists they should focus on taking Dublin Castle. He spends two months in Wandsworth Prison in London and six months in Frongoch internment camp in Wales before being released to discover that he has been fired from his job. However, he quickly obtains a professorship in Romance languages at University College Galway (UCG).

Around this time, Ó Briain joins Sinn Féin, and he stands unsuccessfully for the party in Mid Armagh at the 1918 United Kingdom general election in Ireland, taking 5,689 votes. His campaign leads, indirectly, to his arrest and three months in jail in Belfast. In 1920, following his release, he is appointed a judge in the then-illegal republican court system in Galway, and visits both France and Italy to try to source weapons for the Irish Republican Army (IRA). In November 1920, he is arrested in the UCG dining room by Black and Tans, and is imprisoned for thirteen months, first in Galway and then in the Curragh camp in County Kildare, thereby missing the conclusion of the Irish War of Independence. By the time he is released, the Anglo-Irish Treaty has been signed. He supports the treaty and takes no further part in militant activity.

In the newly independent Ireland, Ó Briain remains a professor at Galway. He also stands in the 1925 Seanad election, although he is not successful. He is the founding secretary of the Taibhdhearc na Gaillimhe theatre, also acting in many of its productions, and spends much time translating works from English and the Romance languages into Irish. He stands to become president of UCG in 1945, but is not elected, and in the 1940s and 1950s is best known for his many appearances on television and radio.

From his retirement in 1959, Ó Briain lives in Dublin. In 1974, the National University of Ireland (NUI) confers an honorary doctorate on him. He dies on August 12, 1974, at St. Gabriel’s Hospital, Cabinteely, County Dublin. His funeral to Glasnevin Cemetery is almost a state occasion, with a huge attendance of public figures, and a military firing party at the graveside, where the oration is given by Micheál Mac Líammóir and a lesson is read by Siobhán McKenna. For days after his death, the newspapers carry tributes to his many-sided career and personality. On the one hundredth anniversary of his birth, Proinsias Mac Aonghusa and Art Ó Beoláin write commemorative articles in Feasta.

On September 1, 1921, Ó Briain marries Helen Lawlor, of Dublin, who dies two years before him. The couple’s only child is Eibhlín Ní Bhriain, who is a journalist for The Irish Times and other periodicals.


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Birth of Liam O’Flynn, Uilleann Piper & Traditional Musician

Liam O’Flynn, Irish uilleann piper and Irish traditional musician, is born on September 15, 1945, in Kill, County Kildare. In addition to a solo career and as a member of Planxty, he records with Christy Moore, Dónal Lunny, Andy Irvine, Kate Bush, Mark Knopfler, The Everly Brothers, Emmylou Harris, Mike Oldfield, Mary Black, Enya and Sinéad O’Connor.

O’Flynn is acknowledged as Ireland’s foremost exponent of the uilleann pipes and brings the music of the instrument to a worldwide audience. In 2007, he is named TG4 Musician of the Year at the Gradam Ceoil TG4, considered to be the foremost recognition given to traditional Irish musicians.

O’Flynn is born to musical parents. His father, Liam, is a teacher and fiddle player. His mother, Maisie (née Scanlan), who comes from a family of musicians from County Clare, plays and teaches piano. From an early age, he shows musical talent, and is encouraged to pursue his interest in the uilleann pipes by the piper Tom Armstrong. At the age of 11, he begins taking classes with Leo Rowsome. He is also influenced by Willie Clancy and Séamus Ennis. In the 1960s, he begins to receive recognition of his talent, winning prizes at the Oireachtas na Gaeilge and the Fleadh Cheoil. During his early years, he is sometimes billed as Liam Óg Ó Flynn.

In 1972, O’Flynn co-founds the Irish traditional music group Planxty, alongside Christy Moore, Andy Irvine and Dónal Lunny and remains a member throughout the band’s various incarnations. While Seán Ó Riada and The Chieftains had reinvigorated Irish traditional instrumental music in an ensemble format during the 1960s, Planxty builds on that foundation and takes it one step further. They bring a punch and vitality to acoustic music that draws heavily on O’Flynn’s piping virtuosity.

As O’Flynn grows in his skill as a musician and as he begins to meet pipers like Willie Clancy and Séamus Ennis, he becomes acutely aware of his position in the tradition of piping. His subsequent close friendship with Ennis, which starts as a master/pupil relationship, teaches him that there is much more to being a piper than playing tunes. He notes, “Seamus Ennis gave me much more than a bag of notes.”

“When I’m playing, I’m certainly lost within it. The only way to describe it, is that it’s like looking inwards. I think when a performer engages with the audience, and vice versa, it’s like a spell is cast and a terrific passage of feelings moves from the musician to the audience and back again.”

Following the break-up of Planxty in 1983, O’Flynn finds work as a session musician with such prominent artists as The Everly Brothers, Enya, Kate Bush, Nigel Kennedy, Rita Connolly, and Mark Knopfler. He also works on film scores, including Kidnapped (1979) and A River Runs Through It (1992). He is adventurous enough to work with avant-garde composer John Cage, but his most natural alliance is with neo-romantic composer Shaun Davey.

The Bothy Band are natural successors to the original Planxty, and one of its members, Matt Molloy, who subsequently joins The Chieftains, plays with The Chieftains’ fiddler Seán Keane on O’Flynn’s album, The Piper’s Call, which is performed in the 1999 BBC Proms season at the Royal Albert Hall. He also works on projects with Seamus Heaney, mixing poetry with music.

O’Flynn’s name is mentioned in Christy Moore’s song “Lisdoonvarna.”

O’Flynn dies in a Dublin hospital on March 14, 2018, following a long illness. His cremated remains rest at Newlands Cross Cemetery and Crematorium in Dublin.

The Liam O’Flynn Award is awarded each year by the Arts Council and the National Concert Hall to recognise individual creativity in Traditional Irish music. Awardees include Úna Monaghan, Barry Kerr, Jack Talty, Louise Mulcahy and Strange Boy (aka Jordan Kelly).


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Birth of Janet McNeill, Novelist & Playwright

Janet McNeill, prolific Irish novelist and playwright, is born on September 14, 1907, in Dublin. Author of more than 20 children’s books, as well as adult novels, plays, and two opera libretti, she is best known for her children’s comic fantasy series My Friend Specs McCann.

McNeill is born to Rev. William McNeill, a minister at Adelaide Road Presbyterian Church, and Jeannie Patterson (Hogg) McNeill. In 1913, the family moves to Birkenhead, Merseyside, England, where her father becomes minister at Trinity Road Church. She attends public school in Birkenhead and studies classics at the University of St. Andrews in St. Andrews, Scotland, completing a MA degree in 1929. While at university, she is involved in writing and acting with the College Players. In 1924, the family returns to Ireland due to her father’s failing health, and Rev. McNeill becomes the minister of a village church in Rostrevor, County Down, Northern Ireland, while Janet joins the Belfast Telegraph as a secretary.

In 1933, McNeill marries Robert Alexander, the chief engineer in the Belfast city surveyor’s department, and the couple settles in Lisburn, where they raise their four sons. One son is the zoologist Professor Robert McNeill Alexander, CBE, FRS. Though she plans to write her first novel early on, she finds it impossible to write seriously until the children grow up, saying, “It was four years before I had a baby and twenty-five before I produced the book.”

In 1946, McNeill wins a prize in a BBC competition for her play Gospel Truth. She begins writing radio dramas, which are broadcast by the BBC. She suffers an intracerebral hemorrhage in 1953. During her recovery, she begins writing novels both for adults and children, producing a large body of work between 1955 and 1964. Her popular children’s character, Specs McCann, who debuts in a 1955 book and makes several reappearances, also inspires a newspaper cartoon strip by Rowel Friers, a Belfast artist and friend of hers.

Her 1944 novel The Maiden Dinosaur is her first to be published in the United States, twenty-two years later. She also has three writing credits on television with series and plays. Several of her plays are staged at the Ulster Group Theatre.

In 1964, McNeill’s husband retires, and the couple moves to Bristol, South West England. She writes one more novel after she leaves Northern Ireland but continues to write children’s books for another decade. During this time, she writes her only children’s play, published as Switch On, Switch Off, and other plays (1968), which presents different moral themes in scenes set in “domestic and workplace settings in contemporary England.” Her children’s book The Battle of St. George Without is televised by the BBC in 1969.

In her adult fiction, McNeill focuses on the lifestyle and social mores of Belfast and Ulster in the mid-twentieth century. Her characters are primarily “menopausal, middle-aged, middle-class Protestants.” She depicts the “dreary, Ulster religiosity” of ministers and laymen alike, and the class conventions and sexual repression of middle-aged, upper-middle-class women. The theme of suppressing self-identity and goals, both by wives in deference to their husbands and parents on behalf of their children, pervades her adult novels.

McNeill has a number of health problems and dies in Bristol in October 1994.


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The Siege of Jadotville

As part of the larger Congo Crisis (1960–1964), the siege of Jadotville begins on September 13, 1961, lasting for five days. While serving under the United Nations Operation in the Congo (Opération des Nations Unies au Congo, ONUC), a small contingent of the Irish Army‘s 35th Battalion, designated “A” Company, are besieged at the UN base near the mining town of Jadotville (modern-day Likasi) by Katangese forces loyal to the secessionist State of Katanga. The siege takes place during the seven-day escalation of hostilities between ONUC and Katangese forces during Operation Morthor. Although the contingent of 156 Irish soldiers repels attacks by a 3,000-strong Katangese force, they are eventually forced to surrender after running out of ammunition and water. “A” Company is subsequently held as prisoners of war for approximately one month, before being released on October 15 as part of a prisoner exchange. The Irish forces inflict approximately 1,300 casualties (including up to 300 killed) on the Katangan force, with no deaths amongst “A” Company.

On the morning of Wednesday, September 13, 1961, the soldiers stationed at Jadotville are informed of Operation Morthor by UN Headquarters at Elisabethville. At 07:40 twenty Katangese troops attack while many of the UN Irish troops of A Company are attending an open-air Mass. Expecting to take the men off-guard, the first attackers move in rapidly. However, they are spotted by an Irish sentry, and a warning shot by Private Billy Ready alerts the company to the threat. Ready is wounded in a later exchange of fire.

The paramilitary Katangese Gendarmerie, which is a combined force of mercenaries, Belgian settlers and local tribesmen, attack the Irish company. The attackers have a strength of 3,000–5,000 men – consisting of mostly Katangese and settlers, but with many Belgian, French and Rhodesian mercenaries armed with a mix of weapons. Additionally, these forces have limited air support from a Fouga CM.170 Magister trainer-light ground attack jet fitted with a pair of underwing bombs and twin 7.5 mm machine guns, which repeatedly attacks the UN position. The Irish soldiers are armed with personal weapons, several water-cooled Vickers machine guns, 60 mm mortars and two Irish-built Ford Mark VI armoured cars under the command of Lieutenant Kevin Knightly.

The Katangese attack in waves of 600 or so, preceded by bombardment from 81 mm mortars and a French 75mm field gun. The Irish Support Platoon of “A” Company knocks out most of the Katangese mortar and artillery positions, including the 75mm gun, with counter-battery fire from 60mm mortars. The fire from the UN Irish positions proves accurate and effective. Mercenary officers are reportedly observed shooting native gendarmes to stem the rout caused in Katangese lines.

The 500 Irish and Swedish UN troops based in Kamina, and Indian army Gurkhas make several attempts to relieve the besieged Irish soldiers. The supporting force of mercenaries beat back these efforts. They have been brought in by Moïse Tshombe, Katanga’s premier, whose secessionist government has been supported by Belgium.

Attempting to reach the besieged “A” Company, the relief column, named “Force Kane” after its commander Commandant John Kane, is stymied in a series of battles at a pinch point called the Lufira Bridge. It carries the Jadotville-to-Elisabethville Highway across the Lufira River. The Katangese forces dig in here and bring heavy and sustained ground and air fire onto the relief column, killing three Indian UN troops, injuring a number of Irish UN troops and ultimately forcing the column off the bridge. Additionally, during the effort to reach the trapped company, the Katanga forces set off charges on the railway bridge to impede potential relief efforts.

On September 14, the Katangan Fouga jet flies passes over the battlefield, dropping bombs that rendered the Company’s vehicles inert and cause injuries to Privates Tahaney and Gormley.

During the siege, the Irish radio to their headquarters: “We will hold out until our last bullet is spent. Could do with some whiskey.”

On September 16, a second attempt to reach the Irish Company is made but fails with another three Indian troops being killed and a further eight soldiers suffering injuries. The Katangese ask Commandant Pat Quinlan for a ceasefire, as their own forces have been seriously diminished. By this time their effective strength may have been reduced to 2,000 men. Later that same day, a ceasefire agreement is reached between Commandant Quinlan and the Burgomaster of the Katangan forces, enabling the Irish troops to re-supply with water. The Gendarmerie retreat from their positions surrounding the UN.

Quinlan lacks any clear direction or communication from his superiors, and the Katangese gradually infringe on the ceasefire agreement to undermine “A” Company’s position. With his position untenable, without any clear orders or promise of assistance, having run out of ammunition and food and being low on water, Quinlan accepts their second offer to surrender. On September 17, Quinlan meets with Katanga Minister Munongo, in which a formal written ceasefire and surrender agreement is made, which contains the proviso that the Irish Company will keep their weapons and be unharmed.

“A” Company, 35th Battalion, suffers five wounded in action during the siege. The Katangese suffered up to 300 killed, including 30 mercenaries and an indeterminate number of wounded, with figures ranging from 300 to 1,000.

The Irish soldiers are held as hostages for approximately one month, in an effort to extort terms of ceasefire that are embarrassing to the United Nations.

After being released, the troops are returned to their base in Elisabethville. Some weeks later, however, “A” Company finds itself in active combat again, this time with the support of Swedish UN troops. Eventually, they are reinforced with fresh troops from Ireland, their replacement being the 36th Battalion. After weeks of fighting and their six-month tour of duty now complete, “A” Company is rotated out of the battle zone and are home in Ireland that December.

In 2016, the Irish government awards a Presidential Unit Citation to “A” Company, the first in the State’s history. In October 2017, a plaque commemorating Quinlan is unveiled in his native County Kerry, by former Taoiseach Enda Kenny. The decision of the State to honour individually the soldiers of Jadotville or their next of kin is one of the last decisions taken by Kenny before he retires as Taoiseach in June 2017. They are presented with newly designed Siege of Jadotville Medals in Athlone on December 2, 2017.

(Pictured: No.3 Platoon, A Company, 35th Battalion, pose in front of a UN relief helicopter, September 17, 1961)


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Birth of Alexander Campbell, Ulster Scots Minister

Alexander Campbell, an Ulster Scots immigrant who becomes an ordained minister in the United States, is born on September 12, 1788, near Ballymena, in the parish of Broughshane, County Antrim.

Campbell is the eldest son of Thomas Campbell and Jane Campbell (née Corneigle), who marry in 1787 and later have four daughters and two younger sons. His father, the son of soldier Archibald Campbell and his wife Alice McNally, is born on February 1, 1763, at Sheepbridge, near Newry, County Down. The Presbyterian minister William Campbell may have been a relation.

Archibald Campbell is born Catholic but joins the Church of Ireland, while his son joins the seceding branch of the Presbyterian church and studies at the University of Glasgow, graduating with a Master of Arts degree in 1786, although he does not appear in the published records of the university. He becomes a teacher but is determined to become a minister, and studies in the Anti-Burgher Divinity Hall in Whitburn, West Lothian (or the Seceder Theological Seminary in Whithorn, Wigtownshire, according to another source) for two months each year for five years. He is ordained a minister in the seceding congregation of Ahorey, County Armagh, probably in 1798. Although at first a member of the Anti-Burgher party in his church, Thomas Campbell begins to believe that divisions between and within denominations are prejudicial to true Christianity. He writes a report in 1804 suggesting that Burgher and Anti-Burgher Presbyterians in Ireland should unite. When this is vetoed in 1805 by the General Associate Synod of Scotland, Thomas Campbell, then moderator of the Irish Seceding Synod, initiates an unsuccessful move to seek independence from Scottish control. His experiences with church authorities undoubtedly increase his belief in the need to rediscover the scriptural basis of religion, freed from man-made creeds.

In 1804, Thomas Campbell sets up an academy at Richhill, County Armagh. In 1798, he is one of the founders of the Evangelical Society of Ulster in which clergymen from differing sects cooperate but resigns when this enterprise is frowned on by seceding authorities.

In poor health in 1806, Thomas Campbell resigns from Ahorey, and goes to the United States in 1807, where he preaches in small congregations around Washington, Pennsylvania. He is soon accused of doctrinal unsoundness, of disciplinary laxity and of administering the sacraments to non-Presbyterians. His appeal to the Associate Synod of North America is unsuccessful, and in 1809 he ceases to be a minister of the seceder church. His liberal views on Christian unity and on the paramount importance of the Bible attract supporters, and in 1809 they found the Christian Association of Washington. He publishes a declaration and address in which he sets out the principles of this body. His followers claim it represents a “second reformation” or a “restoration.” It forms the basis of the doctrine of what becomes America’s most important indigenous religious development, and is regarded as significant in the history of the wider ecumenical movement. He publishes a great many other tracts and articles. Thomas Campbell dies in Bethany, West Virginia, on January 4, 1854.

Thomas had married Jane Corneigle in 1787 and their eldest son Alexander is born on September 12, 1788, in Broughshane, County Antrim, where his father is teaching. His parents intend him for the ministry, and he receives a good education, partly from his father, and religious training from both parents. He is greatly influenced by his strongminded and pious mother. In October 1808 his family sets sail for America to join his father. The ship is wrecked on the island of Islay, off Scotland. All on board are saved, partly thanks to Alexander’s strength and leadership. Rather than continuing the voyage by other means, Alexander spends eight months in the University of Glasgow to prepare himself for the ministry.

In the summer of 1809, the family finally arrives in Pennsylvania, among many emigrants from Ulster. On January 1, 1812, Campbell is ordained as a minister by his father’s Brush Run Church, and quickly takes over the leadership of the fledgling church. By 1812, most of their followers, thenceforth often called Campbellites, have undergone baptism by immersion; a union with the Baptist denomination results, but does not survive after 1830, by which date Campbell’s work on a translation of the Greek New Testament has convinced him that baptism is unscriptural. Controversy between the two groups continues for many years.

A very able preacher and debater, whose public discussions attract much attention, Campbell attacks the creeds and governance of established churches. In 1823, he founds the journal the Christian Baptist. Subsequently in 1830, after the break with the Baptists, he starts the Millennial Harbinger. Both periodicals are largely written by Campbell and his father, Thomas, and are widely influential. He is convinced that church unity will usher in a millennial age of peace and harmony. Primitive Christianity is thus to bring about a utopian future. His book Christianity Restored (1835) is widely read, in Britain as well as in the United States. In 1826, a translation of the Greek New Testament is printed by Campbell’s press in Bethany, West Virginia. Largely based on recent translations by others, it nonetheless contains variant readings by Campbell and furthers his aim of providing followers with authoritative texts on which to base their beliefs. In 1841, he founds Bethany College, West Virginia, and is its president until his death in Bethany on March 4, 1866, when he leaves it $10,000 and a large library.

In 1832, several fledgling churches join the Campbellites, and form a new body called the Christian Church, or Disciples of Christ, which today has over 3,000 congregations in the United States. The two guiding principles of the lifelong beliefs of the Campbells are in the end irreconcilable. An emphasis on the literal interpretation of scripture allows believers to form beliefs at variance from those of co-religionists, and neither Alexander Campbell’s great authority in the denomination nor Thomas Campbell’s emphasis on the need for church unity are enough to prevent the fissions inevitable in a church that so strongly opposes man-made creeds. There are now at least six major divisions of the Church of Christ, one of several alternative names.

On March 2, 1811, Campbell marries Margaret Brown, and thenceforth derives his income from the large farm that had belonged to her family. They have eight children, who all die in their father’s lifetime. Margaret Brown Campbell dies on October 22, 1827. On July 31, 1828, in fulfilment of his wife’s dying request, the widower marries the English-born Selina Huntington Bakewell, and has six children with her. Four of those children survive him. Selina Campbell writes a memoir of her husband, published in 1882, and lives until 1897.

(From: “Campbell, Alexander” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, last revised May 2021)


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Death of John Harty, Catholic Archbishop of Cashel

John Harty, Catholic Archbishop of Cashel, dies in Thurles, County Tipperary, on September 11, 1946.

Harty is born on August 11, 1867, in Knocknagurteeny, Murroe, County Limerick, the son of Francis Harty and his wife, Johana (née Ryan). He is educated locally and at the Jesuits‘ Crescent College, Limerick. In 1884, he goes to St. Patrick’s College, Thurles, and two years later proceeds to Maynooth College, where he trains for the priesthood. After ordination at Clonliffe College, Dublin, on May 20, 1894, he returns to Maynooth. The following year he is appointed to the chair of philosophy and theology there. However, he defers this for a year while he attends lectures at the Ecclesiastical university in Rome, as one of two professors who has been granted the new privilege of leave of absence on full salary to study abroad.

Back at Maynooth Harty is a prominent member of staff. In 1906, he co-founds the Irish Theological Quarterly, of which he is for many years editor, and is also editor for a time of the Irish Ecclesiastical Record. His contributions to these and other periodicals are numerous and include an essay on the “Sacredness of fetal life” for the Irish Theological Quarterly in 1906. As a founder member of the Maynooth manuscripts publication committee, which runs from 1906 to 1915, he helps oversee the publication of the edition of the Black Book of Limerick (1907) by his colleague James MacCaffrey and of some impressive student publications, including Gadaidhe Géar na Geamh-oidche (1915), a volume of tales from the Fenian cycle from manuscripts in the library. He is appointed senior professor of moral theology but ceases teaching after he is consecrated Archbishop of Cashel on January 18, 1914.

Harty is early involved with the Gaelic Athletic Association – he had been a hurler in his youth – and is a strong supporter of the Irish Parliamentary Party (IPP). In late 1915 he furnishes John Redmond with a letter of support, and a few months later is denouncing the Easter Rising and congratulating the people of Cashel for abstaining from insurrection. Later that year he is involved in a French propaganda drive to boost the war effort in Ireland. As one of the four bishop delegates to the 1917 Irish Convention, he speaks against a Methodist delegate’s call for mixed education. Criticising the Protestant educational system in Belfast, he claims the Catholic church has a right to teach its own children, and effectively closes down the discussion. By April 1918 he has moved toward tacit acceptance of Sinn Féin and is at the forefront of the anti-conscription campaign. In a speech he calls conscription unjust and hypocritical and calls for “every man with a drop of Irish blood in his veins” to sign the protest against it.

On the establishment of the Free State, Harty preaches support for Cumann na nGaedheal, but by the 1930s is closer to Éamon de Valera, and is a strong advocate of protectionism, which he feels will ensure a self-sufficient Ireland of traditional values. In 1933, he applauds the tax set on imported daily papers, as he believes English papers are corrupting the young. At the golden jubilee of the GAA the following year he makes a speech in Cashel calling for Irish industries, Irish music, and Irish dances. As president of the congress committee, he is a key organiser of the massive Eucharistic Congress of 1932. His other great concerns are the foreign missions and the promotion of Catholic literature – he is president of the Catholic Truth Society of Ireland. His practical work for his diocese includes heading a deputation to the minister for agriculture in October 1932 to press Thurles’s claims for the new sugar beet factory. It opens there in December 1934.

Although tall, athletic, and fond of open air, Harty is for many years in poor health and from about 1933 petitions the Holy See for a coadjutor-archbishop. This finally comes about in 1942 when Bishop Jeremiah Kissane of Waterford comes to Cashel as his dean and coadjutor. Four years later Harty dies at his residence in Thurles on September 11, 1946, and is buried at the Cathedral of the Assumption, Thurles. He is survived by a brother and a sister. The GAA ground in his native Murroe is named after him.

(From: “Harty, John” by Bridget Hourican, Dictionary of Irish Biography, www. dib.ie, October 2009)


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Birth of Siobhan Fahey, Founding Member of Bananarama

Siobhan Maire Fahey, Irish singer and founding member of the British girl group Bananarama, who have ten top-10 hits including the U.S. number one hit single “Venus,” is born on September 10, 1958, in County Meath. She is the first Irish-born woman to have written two number one singles on the Irish charts. She later forms the musical act Shakespears Sister, who have a UK number one hit with the 1992 single “Stay.” She joins the other original members of Bananarama for a 2017 UK tour, and, in 2018, a North America and Europe tour.

Fahey is the daughter of Helen and Joseph Fahey, both from County Tipperary. She has two younger sisters, Maire (who plays Eileen in the video of the 1982 song “Come On Eileen,” a hit for Dexys Midnight Runners) and Niamh, a producer and editor. She lives in Ireland for several years before her father joins the British Army and the family moves to England, then to Germany for several years, and back to England when she is nine years old. When she is 14, she and her family move to Harpenden, Hertfordshire, and, two years later, she leaves home for London and becomes involved in the punk scene of the late 1970s.

Fahey takes a course in fashion journalism at the London College of Fashion, where she meets Sara Dallin in 1980. Along with Keren Woodward, they found Bananarama and record their first demo “Aie a Mwana” in 1981. Bananarama then works with the male vocal trio Fun Boy Three, releasing two top-five singles with them in early 1982 before having their own top-five hit with “Shy Boy” later that year. Fahey, with Dallin and Woodward, co-write many of the group’s hits, including “Cruel Summer,” “Robert De Niro’s Waiting…,” “I Heard a Rumour,” and “Love in the First Degree.”

In 1988, frustrated with the direction she feels Bananarama is heading, Fahey leaves the group and forms Shakespears Sister. Initially, she effectively is Shakespears Sister, though American singer/songwriter Marcella Detroit later becomes an official member, making the outfit a duo. Their 1992 single “Stay” spends eight weeks at number one on the UK Singles Chart and wins the 1993 Brit Award for Best British Video. At the 1993 Ivor Novello Awards, she, Detroit, and Dave Stewart receive the award for Outstanding Contemporary Song Collection. She often appears in the band’s music videos and on-stage as a vampish glam figure. After two successful albums, tensions begin to rise between Fahey and Detroit and they split up in 1993. That year, Fahey admits herself into a psychiatric unit with severe depression.

In 1996, Fahey continues as Shakespears Sister by herself and releases the single “I Can Drive.” Intended as the first single from Shakespears Sister’s third album and her first record since her split with Marcella Detroit, the single performs disappointingly (UK number 30), which prompts London Records not to release the album. Following this, she leaves the label and, after a lengthy battle, finally obtains the rights to release the album (entitled #3) independently through her own website in 2004.

Fahey briefly re-joins Bananarama in 1998 to record a cover version of ABBA‘s “Waterloo” for the Channel 4 Eurovision special A Song for Eurotrash. She reteams with Bananarama again in 2002 for a “last ever” reunion at the band’s 20th-anniversary concert at G-A-Y in London. The trio performs “Venus” and “Waterloo.”

Fahey continues to make music into the new millennium. In 2005, she independently releases The MGA Sessions, an album recorded with frequent collaborator Sophie Muller in the mid-1990s. Her most recent single under her own name, “Bad Blood,” is released on October 17, 2005.

Fahey’s track “Bitter Pill” is partially covered by the pop band The Pussycat Dolls on their 2005 debut album PCD. The verses, which were slightly altered, and the overall sound of the song are from “Bitter Pill,” but added in is the chorus of Donna Summer‘s “Hot Stuff.” The song is renamed “Hot Stuff (I Want You Back)” and a remix is included as a B-side to their hit single “Beep.”

In 2008, Fahey appears in the Chris Ward-written and directed short film What Shall We Do with the Drunken Sailor, based on the life of artist/model Nina Hamnett, self-styled “Queen of Bohemia,” with Fahey playing the role of Hamnett opposite actor Clive Arrindel, Donny Tourette, frontman with punk band Towers of London, and Honey Bane, former vocalist of the punk band Fatal Microbes.

In 2009, Fahey decides to resurrect the Shakespears Sister name and releases a new album. Entitled Songs from the Red Room, it is released on her own record label, SF Records, and includes various singles she had released under her own name in recent years. She performs her first live show in almost 15 years as Shakespears Sister in Hoxton, London, on November 20, 2009. In 2014 she joins the line-up of Dexys Midnight Runners for some shows, including at Glastonbury Festival.

In 2017, it is announced that Fahey has joined her former Bananarama bandmates for an upcoming UK tour. This is the first live tour she has done as a member of Bananarama.

In 2019, Fahey reunites with Marcella Detroit for Shakespears Sister dates, commencing with an appearance on BBC One‘s The Graham Norton Show on May 10, 2019.

Fahey marries Dave Stewart of Eurythmics in 1987; the couple divorces in 1996. They have two sons, Samuel (born November 26, 1987) and Django James (born 1991). The two brothers form a musical band called Nightmare and the Cat. As an infant, Samuel Stewart appears in early Shakespears Sister videos for “Heroine” and “You’re History.” Django Stewart is also an actor. Samuel is currently the guitarist for the American indie rock band Lo Moon.

Prior to her marriage to Stewart, Fahey is romantically involved with Jim Reilly, the drummer for the Northern Irish punk rock band Stiff Little Fingers and Scottish singer Bobby Bluebell of The Bluebells, with whom she co-writes the UK No. 1 “Young at Heart.”


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Birth of Journalist Terry Keane

Terry Keane, Irish social columnist and fashion journalist, is born in Guildford, Surrey, England, on September 9, 1939.

Born Ann Teresa O’Donnell, she studies medicine at Trinity College Dublin (TCD). She drops out without taking a degree and later marries a young barrister, Ronan Keane. The couple separates in the 1990s, but never divorce. Ronan Keane goes on to become Chief Justice of Ireland (2000-2004).

Keane spends the majority of her career working for the Irish newspaper, the Sunday Independent, where she is the principal contributor of the newspaper’s long-running gossip column, “The Keane Edge.”

In “The Keane Edge” column there are often hints of a relationship with a prominent political figure, named in the column as Sweetie, and her relationship is apparently widely known in certain circles, though never openly confirmed. She leaves the paper on bad terms after selling the story of her 27-year affair with former Taoiseach Charles Haughey to the British newspaper The Sunday Times, a rival to the affiliated London Independent newspapers, though she admits her affair on The Late Late Show in 1999.

Keane’s death on May 31, 2008, after a long illness is announced by her son-in-law, the Irish garden designer and television personality Diarmuid Gavin. She is survived by her children Jane, Madeleine and Justine, who is married to Gavin. Her son Tim dies in 2004. One of her granddaughters, Holly Carpenter, is Miss Ireland in 2011.


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Death of Frederick May, Composer & Arranger

Frederick May, Irish composer and arranger, dies in Dublin on September 8, 1985. His musical career is seriously hindered by a lifelong hearing problem, and he produces relatively few compositions.

May is born on June 9, 1911, into a Dublin Protestant family who lives in the suburb of Donnybrook. His father, also named Frederick, is employed at the Guinness Brewery. He pursues his musical studies at the Royal Irish Academy of Music, where he is taught composition by John Larchet. In 1930, McCullough Pigott and Co. publishes his Irish Love Song. That same year he is awarded the Esposito Cup at the Feis Ceoil and as a result of this he is nominated as the first recipient of a new scholarship prize worth £100 to be spent on the further study of piano. In July 1930, he takes his preliminary examination for the Bachelor of Music at Trinity College Dublin (TCD) before departing Dublin to utilise his scholarship in London. In September he enrolls at the Royal College of Music (RCM) where his teachers include Charles Kitson, Ralph Vaughan Williams, R. O. Morris and Gordon Jacob. He takes his final TCD examination in December 1931 submitting a string quartet and on December 10 his degree is conferred. During 1932 his study is funded by the RCM’s Foli Scholarship and in October he is awarded the Octavia Travelling Scholarship.

May’s compositions are few in number and he produces most of his small output in the 1930s and early 1940s. His first significant work is the Scherzo for Orchestra, written while he is still a student in London. The first orchestral run through of Scherzo for Orchestra takes place on March 17, 1933, and it receives its first public performance on December 1 when it is heard as part of the Patron’s Concert. Between the months of May and October he composes his Four Romantic Songs, which receive their premiere in London at a Macnaghten-Lemare concert on January 22, 1934. At some point, probably in the second half of 1933, he follows in the footsteps of other Octavia Scholarship winners and travels to Vienna to study with Egon Wellesz.

On January 1, 1936, May takes up the position of Director of Music at the Abbey Theatre in Dublin, a position he retains until he is fired in 1948. His duties mainly consist of leading the piano trio which bears the title “The Abbey Orchestra” in music during the intervals of productions. In 1936, he composes what is today his best-known composition, the String Quartet in C Minor, described in the Grove’s Dictionary of Music and Musicians as “one of the most individual statements from an Irish composer in the first half of the 20th century.” He composes the quartet as his hearing is beginning to deteriorate and he later describes it as “an appeal for release.” String Quartet in C Minor is not premiered until 1948 when it is performed by the Martin Quartet in the Wigmore Hall, London. This is followed by Symphonic Ballad (1937), Suite of Irish Airs (1937), Spring Nocturne (1938), Songs from Prison (1941) and Lyric Movement for Strings (1942). He effectively ceases original composition at this point.

Following a long break from composition, May produces what is to be his valedictory work in 1955, the nine-minute orchestral piece Sunlight and Shadows. It is given its first performance on January 22, 1956, by the Radio Éireann Symphony Orchestra at Dublin’s Gaiety Theatre. Although this is his last original work, he does not abandon music completely. He produces arrangements of Irish music for Radio Éireann, which while not perhaps rewarding artistically, does help to alleviate his always precarious financial situation. He also composes a number of songs for voice and piano and a short piece entitled Idyll for violin and piano. The latter is chosen as a set work for the junior violin competition at the Feis Ceoil in 2017.

Throughout his life May suffers from significant mental health issues which result in hospitalisation. He also experiences otosclerosis, as a result of which he gradually becomes increasingly deaf. In addition, he suffers from severe tinnitus with constant ringing noises in his head. In later life he becomes homeless for a time due to alcoholism and sleeps at night in Grangegorman Asylum, Dublin. He is rescued by some friends led by Garech Browne whose record company, Claddagh Records, records the String Quartet in 1974.

Throughout his career May is an advocate of better musical education in Ireland and expresses his views on this and other musical matters through the medium of The Bell, a monthly journal dealing with the arts. He is a co-founder, along with Brian Boydell and Aloys Fleischmann, of the Music Association of Ireland (now “Friends of Classical Music”), set up in 1948 to promote art music as an integral part of the cultural life of Ireland. Later he becomes a member of Aosdána. He lives the last years of his life at Orthopaedic Hospital of Ireland, Clontarf, Dublin. He dies on September 8, 1985, at the age of 74 and is buried in Mount Jerome Cemetery.


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Birth of Fiachra Trench, Musician & Composer

Fiachra Terence Wilbrah Trench, Irish musician and composer, is born on September 7, 1941, in Dublin, County Dublin.

Trench studies chemistry at Trinity College Dublin (TCD) and composition and organ at the Royal Irish Academy of Music with A. J. Potter and George Hewson, before moving on to the University of Georgia in 1963, and then the University of Cincinnati. From 1969 to 1991, he lives and works in London. In 1972, he co-produces, and plays keyboards on, the If album Waterfall, as well as appearing on Solid Gold Cadillac‘s eponymous first album. In 1973, he plays piano on the If album Double Diamond.

Trench and his songwriting partner of the 1980s, Ian Levine, write and produce some popular hi-NRG club hits of the era for Miquel Brown, Barbara Pennington and Evelyn Thomas. It is through Levine that he comes to co-write the theme tune for the 1981 BBC Doctor Who spin-off K-9 and Company. He is credited with the string arrangements on The Boomtown Rats‘ “I Don’t Like Mondays” and “Fairytale of New York” by The Pogues. Other artists he works with include Van Morrison on his 1989 album Avalon Sunset, Elvis Costello, Art Garfunkel, Sinéad O’Connor, The Corrs, Phil Lynott (including the orchestral arrangements on Lynott’s solo hit “Old Town“), Sweet (arrangement and piano on early hits), Joan Armatrading and Paul McCartney. His string arrangements on the Van Morrison song “Have I Told You Lately” are among his most beautiful works. He teaches McCartney’s late wife Linda to play the piano. In 1996, he conducts the French entry in the Eurovision Song Contest, “Diwanit bugale,” composed and performed by Dan Ar Braz.

Trench scores and composes music for films including Pearl Harbor, The Boxer, The Tailor of Panama and The Ring. In 2006, he reworks Clint Mansell‘s “Lux Aeterna” for the 2006 Allied Irish Banks (AIB) Ryder Cup advert “Epic” directed by Enda McCallion.