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Death of Austin Clarke, Poet, Playwright & Novelist

Austin Clarke, poet, playwright and novelist, dies in Dublin on March 19, 1974. At the time of his death, he is considered to be the greatest poet of his generation after W. B. Yeats,

Clarke is born in 83 Manor Street, Stoneybatter, Dublin, on May 9, 1896. His main contribution to Irish poetry is the rigour with which he uses technical means borrowed from classical Irish language poetry when writing in English. Effectively, this means writing English verse based not so much on metre as on complex patterns of assonance, consonance, and half rhyme. Describing his technique to Robert Frost, he says, “I load myself down with chains and try to wriggle free.”

Clarke’s early poetry clearly shows the influence of Yeats. His first book, The Vengeance of Fionn, is a long narrative poem retelling an Ossianic legend. It meets with critical acclaim and, unusually for a first book of poetry, goes to a second edition. Between this and the 1938 volume Night and Morning, he publishes a number of collections, all of which, to one extent or another, can be seen as being written in the shadow of Yeats. There is, however, one significant difference. Unlike the older poet, Clarke is a Catholic, and themes of guilt and repentance run through this early work.

Between 1938 and 1955, Clarke publishes no new lyric or narrative poetry. He is co-founder of the Lyric Theatre, Dublin and writes a number of verses plays for them. He also works as a journalist and has a weekly poetry programme on RTÉ radio. It seems likely that he also experiences some kind of personal crisis during this time, and this has significant consequences for his later poetry.

Clarke returns to publishing poetry with the 1955 collection Ancient Lights and is to continue writing and publishing prolifically for the remainder of his life. Although he continues to use the same Gaelic-derived techniques, this late poetry is markedly different from his earlier work. Many of the later poems are satires of the Irish church and state, while others are sensual celebrations of human sexuality, free of the guilt of the earlier poems. He also publishes the intensely personal Mnemosyne Lay in Dust, which is a poem sequence detailing the fictional Maurice Devanes’s nervous breakdown and subsequent recovery.

Clarke also comes to admire the work of more avant-garde poets like Ezra Pound and Pablo Neruda, both of whom he writes poems about. A number of the late long poems, such as, for instance, the 1971 Tiresias, show the effects of studying these poets and their looser formal structures. He sets up the Bridge Press to publish his own work, which allows him the freedom to publish work that many mainstream Irish publishers of the time might have been reluctant to handle. His Collected Poems is published in 1974 and a Selected Poems in 1976.

In addition to some twenty volumes of poetry and numerous plays, Clarke publishes three novels: The Bright Temptation (1932), The Singing Men at Cashel (1936), and The Sun Dances at Easter (1952). All of these are banned by the Censorship of Publications Board (Ireland). He also publishes two volumes of memoirs, Twice Round the Black Church (1962) and A Penny in the Clouds (1968), and a number of scattered critical essays and book reviews. While all of these prose writings are of interest, his reputation rests firmly on his poetry.

In 1920 Clarke marries Cornelia (Lia) Cummins. The marriage effectively lasts only a few days, and he spends several months in St. Patrick’s Hospital recovering from it, but they do not divorce before Cummins dies in 1943. He meets, has three sons with, and later marries (1945) Norah Esmerelda Patricia Walker (1900–1985), granddaughter of Matthew Harris, MP for East Galway from 1885 to 1890.

Clarke lives in Bridge House beside Templeogue Bridge which spans the River Dodder in the south Dublin suburb of Templeogue. After his death on March 19, 1974, there is a proposal to preserve the house and his library of 6,500 books as a memorial. This is not possible owing to long-term plans to demolish the house and widen the road. The old Templeogue Bridge, built in 1800, and Bridge House are removed. A new bridge is opened by Councillor Bernie Malone, Chairman Dublin City Council, on December 11, 1984, which is renamed Austin Clarke Bridge in his honour.

(Photo © RTÉ Archives)


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Birth of Neil Shawcross, Post-Impressionist Artist

Neil Shawcross MBE, RHA, HRUA, Post-Impressionist artist, is born in Kearsley, Lancashire, England, on March 15, 1940. He has been a resident of Northern Ireland since 1962.

Shawcross studies at Bolton College of Art from 1955 to 1958, and Lancaster College of Art from 1958 to 1960, before moving to Belfast in 1962 to take up a part-time lecturer’s post at the Belfast College of Art, becoming full-time in 1968. He continues to lecture there until his retirement in 2004.

Primarily a portrait painter, his subjects include Nobel Prize winning poet Seamus Heaney, novelist Francis Stuart (for the Ulster Museum), former Lord Mayor of Belfast David Cook (for Belfast City Council), footballer Derek Dougan and fellow artists Colin Middleton and Terry Frost. He also paints the figure and still life, taking a self-consciously childlike approach to composition and colour. His work also include printmaking, and he has designed stained glass for the Ulster Museum and St. Colman’s Church, Lambeg, County Antrim.

Shawcross’s academic career includes a residency at Virginia Center for the Creative Arts in Amherst, Virginia in 1987, a residency at Vermont Studio Center in Johnson, Vermont in 1991, and a visiting assistant professorship at Pennsylvania State University in 1993.

Shawcross has exhibited nationally, with one-man shows in London, Manchester, Dublin and Belfast, and internationally in Hong Kong and the United States, and his work is found in many private and corporate collections.

Shawcross is elected an Associate of the Royal Ulster Academy of Art in 1975, and is made a full Academician in 1977. He wins the Academy’s Conor Award in 1975, its gold medal in 1978, 1982, 1987, 1994, 1997 and 2001, and its James Adam Prize in 1998. He is also a member of the Royal Hibernian Academy (RHA). He is awarded the Gallaher Portrait Prize in 1966.

Shawcross is conferred an honorary doctorate by Queen’s University Belfast in 2007. He is appointed Member of the Order of the British Empire (MBE) in the 2014 New Year Honours for services to arts in Northern Ireland.

In 2010, the Merrion Hotel, Dublin, hosts a private collection of the works of Shawcross. In 2015, he exhibits a collection of six foot tall book covers inspired by original Penguin paperbacks at the National Opera House in Wexford, County Wexford. In 2018, he donates to Belfast City Council a collection of 36 paintings dedicated to ‘Writers of Belfast’ in a show of appreciation to his adopted home city. A major retrospective of his works are exhibited at the F. E. McWilliam Gallery and Studio, Banbridge, County Down, in the same year.

Shawcross is a Patron of the charity YouthAction Northern Ireland. He lives in Hillsborough, County Down, Northern Ireland.


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Death of Evie Hone, Painter & Stained Glass Artist

Eva Sydney Hone RHA, Irish painter and stained glass artist usually known as Evie, dies on March 13, 1955, in Rathfarnham, County Dublin. She is considered to be an early pioneer of cubism, although her best known works are stained glass. Her most notable pieces are the East Window in the Chapel at Eton College, which depicts the Crucifixion, and My Four Green Fields, which is now in the Government Buildings in Dublin.

Hone is born at Roebuck Grove, County Dublin, on April 22, 1894. She is the youngest daughter of Joseph Hone, of the Hone family, and Eva Eleanor, née Robinson, daughter of Sir Henry Robinson and granddaughter of Arthur Annesley, 10th Viscount Valentia. She is related to Nathaniel Hone and Nathaniel Hone the Younger. Shortly before her twelfth birthday she suffers from polio. She is educated by a governess, continuing her education in Switzerland, and goes on tours to Spain and Italy before moving to London in 1913. Her three sisters all marry British Army officers, and all are widowed in World War I.

Hone studies at the Byam Shaw School of Art in London and then under Bernard Meninsky at the Central School of Arts and Crafts. She meets Mainie Jellett when both are studying under Walter Sickert at the Westminster Technical Institute. She works under André Lhote and Albert Gleizes in Paris before returning to become influential in the modern movement in Ireland and become one of the founders of the Irish Exhibition of Living Art. She is considered an early pioneer of Cubism but in the 1930s turns to stained glass, which she studies with Wilhelmina Geddes.

Hone’s most important works are probably the East Window, depicting the Crucifixion, for the Chapel at Eton College, Windsor (1949–1952) and My Four Green Fields, now located in Government Buildings, Dublin. This latter work, commissioned for the Irish Government’s Pavilion, wins first prize for stained glass in the 1939 New York World’s Fair. It graces CIÉ‘s Head Office in O’Connell Street from 1960 to about 1983. The window is then taken into storage by Abbey Glass in Kilmainham, Dublin at the request of the Office of Public Works.

The East Window of Eton College is commissioned following the destruction of the building after a bomb is dropped on the school in 1940 during World War II. She is commissioned to design the East Window in 1949, and the new window is inserted in 1952. This work is featured on an Irish postage stamp in 1969. From December 2005 to June 2006, an exhibition of her work is on display at the National Gallery of Ireland. Saint Mary’s church in Clonsilla also features her stained glass windows.

Hone is extremely devout. She spends time in an Anglican Convent in 1925 at Truro in Cornwall and converts to Catholicism in 1937. This may have influenced her decision to begin working in stained glass. Initially she works as a member of the An Túr Gloine stained glass co-operative before setting up a studio of her own in Rathfarnham.

Hone is elected an honorary member of the Royal Hibernian Academy (RHA) in 1954.

Unmarried, Hone dies on March 13, 1955, while entering her parish church at Rathfarnham. She is survived by two of her sisters. Over 20,000 people visit a memorial exhibition of her work at University College Dublin (UCD), Earlsfort Terrace, Dublin, in 1958.

(Pictured: “My Four Green Fields” by Evie Hone, which depicts the four provinces of Ireland)


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Death of M. E. Francis, Novelist & Playwright

Mary Elizabeth Blundell (née Sweetman), prolific Irish novelist and playwright who writes under the pen name M. E. Francis, dies on March 9, 1930. She is described as the best-known female novelist of the day.

Blundell is born in 1859 in Killiney Park, County Dublin to Margaret and Michael James Sweetman. The family moves to Brussels in 1873 and she spends her summers in Switzerland. Her family is quite artistic. Her sisters are poet Elinor Sweetman and writer Agnes Castle (aka Mrs. Egerton Castle). Her uncle is the novelist, William Sweetman. She marries her husband, Francis Blundell, on November 18, 1879, and moves to Little Crosby, Lancashire, North West England, where his family has been notable Catholics since the 16th century. They have three children: Francis Nicholas Blundell, Conservative politician, and writers Margaret Elizabeth Clementina Mary Blundell and Agnes Mary Frances Blundell.

Blundell’s husband dies after only five years of marriage. She had written her first story, True Joy, when she was just eight years old and has a publication in the Irish Monthly the day of her wedding. She takes up writing professionally after her husband’s death. In later life she writes in collaboration with her daughters. She later retires to Dorset.

The Ireland of her youth, the Lancashire of her married life, and the Dorset of her retirement provide backgrounds for many of her volumes of fiction.


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Birth of Irish Composer John McLachlan

Irish composer John McLachlan is born in Dublin on March 5, 1964.

McLachlan is the son of the writer Leland Bardwell, and studies at the Dublin Institute of Technology (DIT) Conservatory of Music and Drama (1982–86), the Royal Irish Academy of Music (1989–97), and Trinity College Dublin (BA 1988). He studies composition with William York, Robert Hanson and Kevin Volans. He holds a Ph.D. in musicology from Trinity College (1999) for a study of the relationship between analysis and compositional technique in the post-war avant-garde.

McLachlan writes numerous articles for The Journal of Music in Ireland (2000–10). He is executive director of the Association of Irish Composers (1998–2012), and in 2007 he is elected to Aosdána.

McLachlan is the featured composer in the RTÉ National Symphony Orchestra‘s “Horizons” series in 2003 and 2008. He also represents Ireland at international festivals, including the ISCM World Music Days in Slovenia in 2003 and Croatia in 2005. In 2006, his work Grand Action is commissioned as a test-piece for the AXA Dublin International Piano Competition.

McLachlan’s musical aesthetic is largely shaped by a desire to impart a sense of narrative and expectation to his music without recourse to pastiche rhetorical devices. A critic writes of a recording of McLachlan’s piano piece Nine: “The style of each little piece sends one’s imagination and musical memory reeling, some of them evoking French Impressionism, some jazzy in feel, some reminiscent of the miniatures for piano of Webern, and none of them in any way, shape or form derivative.” Much of his music is structured in contrasting and suddenly changing block-like sections of homogeneous material. The material within these sections is propelled by a rigorous focus on subtle rhythmic and melodic permutations, which result in both surface opacity and gradually increasing tension.

McLachlan’s works have been performed in the United States, Peru, Japan, South Africa, Britain, France, Italy, Germany, Holland, Switzerland, Finland, Denmark, Portugal, Spain, Romania, Moldova, Slovenia, Croatia, and around Ireland, with broadcasts in several of these countries. Performers who have played his music include the National Symphony Orchestra of Ireland, Opera Theatre Company, the National Chamber Choir, Concorde, Sequenza, Traject, Archaeus, the Pro Arte Orchestra, Antipodes, Ensemble Nordlys, The Fidelio Trio, The ConTempo Quartet and Trio Arbós as well as many prominent soloists including Ian Pace, John Feeley, Mary Dullea, Darragh Morgan, Satoko Inoue and David Adams.

McLachlan is also known as a broadcaster and writer on contemporary music, with many published articles.

McLachlan now lives in Inishowen, County Donegal.


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Birth of Anne Butler Yeats, Painter and Costume and Stage Designer

Anne Butler Yeats, Irish painter, costume and stage designer, is born in Dublin on February 26, 1919.

Yeats is the daughter of the poet William Butler Yeats and Georgie Hyde-Lees, a niece of the painter Jack B. Yeats, and of Lily Yeats and of Elizabeth Corbet Yeats. Her birth is commemorated by her father with the poem A Prayer for My Daughter. Her aunts are associated with the arts and crafts movement in Ireland and are associated with the Dun Emer Press, Cuala Press, and Dun Emer industries. Her brother Michael Yeats is a politician. She is known as “feathers” by her family.

Yeats spends her first three years between Ballylee, County Galway, and Oxford before her family moves to 82 Merrion Square, Dublin in 1922. She is very sick as a child and spends three years in two different hospitals, St. Margaret’s Hall, 50 Mespil Road, and Nightingale Hall, Morehampton Road, Dublin. She then goes to the Pension Henriette, a boarding school in Villars-sur-Bex, Switzerland from 1928–30. In 1923 her Aunt Elizabeth “Lolly” gives her brush drawing lessons which aid her in winning first prize in the Royal Dublin Society (RDS) National Art competition for children under eight years old in 1925 and 1926.

Yeats trains in the Royal Hibernian Academy school from 1933 to 1936 and works as a stage designer with the Abbey Theatre in Dublin. In 1936, at the age of 16, she is hired by the Abbey Theatre as assistant to Tanya Moiseiwitsch. She studies for four months at the School of Theatrical Design in Paris with Paul Colin in 1937. At 18, she begins her costume career on sets with Ria Mooney‘s company. At the Abbey, she designs the sets and costumes for revivals of W.B. Yeats’ plays The Resurrection and On Baile’s Strand (1938).

In 1938 Yeats designs the first production of W.B. Yeats’ play Purgatory. The designs for Purgatory are her most successful achievement. Purgatory is the last play that W.B Yeats sees on stage, and when it is performed it is a full house. When working on Purgatory, Hugh Hunt wants to have a moon on the back cloth of the production, but she refuses. “If she does not win, she is going to say that she doesn’t wish to have her name on the programme as a designer of the setting.” This could be the main reason why her name is not on many productions that she worked on. She also designs the first play of her uncle Jack Yeats to receive professional production, Harlequin’s Positions.

In 1939 Yeats is promoted to head of design at the Abbey until her departure in May 1941. In 1939 it is commented that her designs are “getting arty” and not in keeping with style of the Abbey. One of her last designs is her father’s last play, The Death of Cuchulain, for the Lyric Theatre on the Abbey stage in 1949. She designs and stage-manages for the Peacock Theatre, the Cork Opera House, the Olympia Theatre, the Gaiety Theatre, the Lyric Theatre, the Abbey Theatre and the Players Theatre.

Among the work Yeats is credited with in the Abbey Theatre, she also works on five productions in the Peacock Theatre with the Theatre Company: Alarm Among the Clerks (1937), The Phoenix (1937), Harlequin’s Positions (1939), The Wild Cat (1940), and Cavaliero (The Life of a Hawk) (1948).

Yeats chooses to move towards painting full-time beginning a brief study at the Dublin Metropolitan School of Art in 1941. She experiments with watercolour and wax. She has a touching naive expressionist style and is interested in representing domestic humanity. She designs many of the covers for the books of Irish language publisher Sáirséal agus Dill over a twenty-year period from 1958. She does illustrations for books by Denis Devlin, Thomas Kinsella and Louis MacNeice, and works with many young designers, such as Louis le Brocquy.

Yeats participates in group exhibitions in the United States, Canada, Germany, the Netherlands, Monaco, and Scotland, along with the Irish Exhibition of Living Art and Taispeántas an Oireachtas.

Yeats dies at the age of 82 on July 4, 2001, and is buried in Shanganagh Cemetery, south Dublin.

The Royal Hibernian Academy holds a retrospective of her work in 1995, as does the National Gallery of Ireland in 2002. She donates her collection of Jack B. Yeats’ sketch books to the National Gallery of Ireland, leading to the creation of the Yeats Museum within the Gallery. Her brother, Michael, in turn, donates her sketchbooks to the Museum.

(Pictured: “Coole Park,” oil on board by Anne Butler Yeats, Duke Street Gallery, Dublin)


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Birth of Albert Rosen, Czech/Irish-Naturalized Conductor

Albert Rosen, Austrian-born and Czech/Irish-naturalised conductor associated with the National Symphony Orchestra of Ireland, the Wexford Festival Opera, the National Theatre in Prague and J. K. Tyl Theatre in Plzeň (Pilsen), is born in Vienna on February 14, 1924. He has a strong affinity with the works of Czech composers such as Bedřich Smetana, Antonín Dvořák, Bohuslav Martinů, and Leoš Janáček.

Rosen’s mother is Czech, while his father’s family is Austrian-Jewish. After Anschluss of Austria in 1938 they move to Bratislava, and after the Slovak version of Nuremberg Laws comes to force in September 1941, he escapes discrimination and genocide via the Danube and the sea to Israel (then Mandatory Palestine). There he works in the Shaʽar_HaGolan kibbutz, manually and as an amateur chorus master, until 1945, when he returns to Bratislava.

In 1946–47 Rosen studies piano, composition and conducting at the Vienna Academy of Music with Joseph Marx and Hans Swarowsky, and continues to study conducting at the Prague Conservatory under Pavel Dědeček and Alois Klíma (1947–48). He starts his career in J. K. Tyl Theatre in Plzeň (Pilsen) as a correpetiteur, assistant conductor and chorus master (1949–52) and conductor (1953–59), participating on the production of 11 operas, 19 ballets and, as the composer of stage music, 17 dramas. In 1960 he is engaged by National Theatre in Prague, to be appointed in 1964 the chief conductor of Smetana Theatre, the National Theatre’s opera stage. He holds this position until 1971, conducting 11 ballets and 9 opera productions.

In 1965 Rosen comes to Ireland for the first time to conduct the National Symphony Orchestra (under its former name, the Radio Telefís Éireann Symphony Orchestra) at the Wexford Festival. This leads to regular appearances at the festival until 1994, conducting 18 Wexford productions, more than anyone else. In 1969 he becomes the orchestra’s chief conductor, until he becomes principal guest conductor in 1981. In 1994 he is honoured with the title Conductor Laureate of the orchestra.

Rosen’s operatic repertoire includes standard works such as Carmen (Bizet), Tosca and Madama Butterfly (Puccini), Il trovatore and Don Carlos (Verdi), Lohengrin (Wagner), Lucrezia Borgia (Donizetti), Otello and L’italiana in Algeri (Rossini), Káťa Kabanová (Janáček), La Wally (Catalani), The Bartered Bride (Smetana), and Salome (Richard Strauss). He also conducted unusual works such as Smetana’s The Two Widows and The Kiss, and Dvořák’s Rusalka, The Devil and Kate and The Jacobin.

In October 1978, in Dublin and Cork, Rosen conducts the National Symphony Orchestra in only the second and third performances of André Tchaikowsky‘s 2nd Piano Concerto, Op. 4, which are the first performances with the composer as soloist. He is to record the work in 1982, again with Tchaikowsky at the piano, but the composer becomes ill, and the recording is cancelled. His other work with the NSO includes standard orchestral repertoire as well as major pieces such as Olivier Messiaen‘s Turangalîla-Symphonie and Gustav Mahler‘s Symphony No. 8 (Symphony of a Thousand). In 1992, the orchestra tours ten cities in Germany, having a major success with Die Fledermaus in Stuttgart.

Rosen makes his American debut at the San Francisco Opera in 1980, in Janáček’s Jenůfa. In Australia, he is chief conductor of the West Australian Symphony Orchestra from 1983 until 1985, and the Adelaide Symphony Orchestra in 1986. He conducts the British premiere of Nikolai Rimsky-Korsakov‘s opera Christmas Eve with English National Opera in 1988. He becomes music director of the Irish National Opera in 1993.

Rosen often conducts the National Youth Orchestra of Ireland during the 1990s, in challenging works such as the tone poems and An Alpine Symphony of Richard Strauss. Other opera orchestras he conducts included those of the Welsh National Opera, Scottish Opera, Vancouver Opera, San Diego Opera, and the Dublin Grand Opera Society.

Rosen becomes an Irish citizen by naturalisation. His own conducting students include John Finucane.

Rosen dies at the age of 73 in Dublin on May 23, 1997, of lung cancer.

(Pictured: Albert Rosen conducts the RTÉ Symphony Orchestra in St. Patrick’s Training College in Drumcondra, Dublin, in 1972)


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Birth of Miriam Gallagher, Playwright & Author

Miriam Gallagher, Irish playwright and author whose works have been performed globally and translated into numerous languages, is born in Waterford, County Waterford, on February 11, 1940.

Born Miriam O’Connor to Michael O’Connor, a bank manager with five children including Valerie, Michael and Fidelma, she goes to school in the Convent of the Sacred Heart in Roscrea, County Tipperary, and in Bregenz, Austria. She goes to college at both the University of London and University College Dublin (UCD). After college she works initially as a speech and language therapist, an occupation which leads to the publication of one of her non-fiction books. She also studies drama in London, at the London Academy of Music and Dramatic Art (LAMDA) under Frieda Hodgson.

Gallagher is commissioned to write essays for The Irish Times, the Irish Medical Times and various journals. She takes up writing screenplays and stage plays. The result is a prolific list of productions which have been staged around the world as well as broadcast by RTÉ and the BBC.

Gallagher varies work from plays to speech therapy, as well as working with prisoners, and this leads her to be a visiting lecturer at universities across the globe. She is deeply involved in the organisations of her craft, leading her to being a member of Irish PEN, both on its committee and as vice president, on the Irish Writers’ Union committee as well as a council member of the Society of Irish Playwrights. Over the years she wins a number of awards including the Arts Council and European Script Fund Awards, the MHA TV Script Award, and the EU Theatre Award.

Gallagher’s husband is Gerhardt Gallagher. They live in Dublin and have three children, Mia, Donnacha, and Etain. In 2012 she is diagnosed with cancer and kidney disease. She dies on January 15, 2018.


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Death of Brinsley MacNamara, Writer & Playwright

John Weldon (alternatively “A. E. Weldon”), Irish writer, playwright, and the registrar of the National Gallery of Ireland, dies in Dublin on February 4, 1963. He adopts the pseudonym ‘Brinsley MacNamara,’ the first name deriving from Richard Brinsley Sheridan, the second from a relative on his mother’s side, and uses it throughout his subsequent career as novelist and playwright.

Weldon is born on September 6, 1890, in Hiskinstown, Delvin, County Westmeath, the eldest son of James Weldon, a schoolteacher, originally of Ballinea, Mullingar, and Fanny Weldon (née Duncan). He attends his father’s school at Delvin until he is eighteen, and the relationship between father and son is to remain rather formal and strict.

Stimulated by the visiting fit-up theatrical companies and of news from Dublin of the Abbey Theatre, in September 1908 he takes the lead in a local staging of a political melodrama, Robert Emmet by Henry C. Mangan. The following summer he leaves for Dublin, ostensibly to become a civil servant but in fact to audition as an actor at the Abbey Theatre. His acting career with the Abbey Theatre begins in September 1910 with a role in R. J. Ryan’s The Casting-out of Martin Whelan.

MacNamara is the author of several novels, the most well-known of which is his first, The Valley of the Squinting Windows (1918), its title a byword for small-town hypocrisy and begrudgery. The work itself is an uneasy fusion of a satiric portrait of gossipy, prying women and dipsomaniacally drinking men with a naturalist tragedy in which the sins of the past repeat themselves in the lives of the younger characters. The novel’s frank treatment of sexual matters is eclipsed as a cause of offence by the unflattering portrayal of almost all the inhabitants of the fictional village called Garradrimna, a place that local people feel would be automatically identified as Delvin. In the ensuing controversy the novelist’s father, James Weldon (widely suspected of being the author), and his school are subject to boycott. His attempts to seek legal redress in 1923 are unsuccessful.

MacNamara continues to write for many years after this controversial first work, and locates most of his later fiction in Garradrimna, in the Irish Midlands. Among his plays are The Glorious Uncertainty (1923) and Look at the Heffernans! (1926). His work is part of the literature event in the art competition at the 1924 Summer Olympics in Paris.

In 1925 McNamara is appointed registrar to the National Gallery of Ireland in Dublin, a position he holds until his retirement in 1960. In 1932 he becomes one of the first members of the Irish Academy of Letters, and in 1935 joins the board of directors of the Abbey Theatre.

MacNamara marries Helena Degidon, a schoolteacher, in 1920. His later years are dogged by increasing ill health and he dies at Sir Patrick Dun’s Hospital, Dublin, on February 4, 1963.


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Birth of Rosaleen Brigid Ganly, Painter & Sculptor

Brigid Ganly HRHA, Irish painter and sculptor, is born Rosaleen Brigid O’Brien on January 29, 1909, in Dublin.

Ganly is one of five children born to Dermod O’Brien, a painter, and his wife Mabel Smiley. Her great-grandfather is the Irish Republican William Smith O’Brien. She grows up on a farm in Cahirmoyle, County Limerick, until the family moves to Fitzwilliam Square in Dublin. She goes on to attend the Metropolitan School of Art where she has the opportunity to study under Patrick Tuohy, Seán Keating and Oliver Sheppard. She is a talented sculptor and wins several awards, including the Taylor scholarship in 1929, for her allegorical male nude, Pity. She spends time in Paris in 1951 where she trains with André Lhote. She travels to Greece where Lhote continues to influence her work.

Ganly also studies painting in the Royal Hibernian Academy School where she has Margaret Clarke and Seán O’Sullivan as teachers. She is made an associate of the Royal Hibernian Academy (RHA) in 1928 and becomes a member in 1935 though, in 1969, resigns her membership in protest of the lack of young artists being given the opportunity to exhibit. In 1972 she is made an honorary member and returns.

Ganly is a representational artist and while known as a portrait artist, she also paints landscapes, interiors and may be best known for her still lifes. Some of her best works are portraits of her husband, her sister Ethel, her father, and her friend Sheila Pim. She illustrates the book-jackets of Sheila Pim’s works. She has many exhibitions, with the RHA and the Water Colour Society of Ireland. There is a retrospective of her life in 1998 at the Hugh Lane Gallery and her works are in the collections there. She is also in the collections of the Waterford Municipal Gallery, Crawford Art Gallery, Cork and in The National Self-Portrait Collection of Ireland. She is part of the 2014 exhibition ‘Irish Women Artists: 1870-1970.’

Ganly’s sister-in-law is Kitty Wilmer O’Brien with whom she often exhibits. She marries Andrew Ganly, a dental surgeon and writer with a strong involvement in theatre, in 1936. He dies in 1982. They have two children, Eoghan and Phillida.

Brigid Ganly dies on March 25,2002.

(Pictured: “Storm Over Poros” (1964) by Rosaleen Brigid Ganly, HRHA)