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Category Archives: Free State & Republic (1922-Present)


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Death of Evelyn Gleeson, Designer & Co-founder of Dun Emer Press

Evelyn Gleeson, English embroidery, carpet, and tapestry designer, dies at the age of 89 at Dun Emer, Dundrum, Dublin, on February 20, 1944. Along with Elizabeth and Lily Yeats, she establishes the Dun Emer Press.

Gleeson is born on May 15, 1855, in Knutsford, Cheshire, England, the daughter of Irish-born Edward Moloney Gleeson, a medical doctor, and Harriet (née Simpson), from Bolton, Lancashire. Her father has a practice in Knutsford but on a trip to Ireland he is struck by the poverty and unemployment and, with the advice of his brother-in-law, a textile manufacturer in Lancashire, he founds the Athlone Woollen Mills in 1859, investing all his money in the project. The family moves to Athlone in 1863, but Gleeson is educated in England, where she trains as a teacher. She later studies portraiture in London at the Atelier Ludovici from 1890–92. She goes on to study design with Alexander Millar, a follower of William Morris, who believes she has an exceptional aptitude for colour-blending. Many of her designs are bought by the exclusive Templeton Carpets of Glasgow.

Gleeson takes a keen interest in Irish affairs and, as a member of the Gaelic League and the Irish Literary Society, mixes with the Yeats family and the Irish artistic circle in London and is inspired by the Gaelic revival in art and literature. She is also involved in the suffrage movement and is chairwoman of the Pioneer Club, a women’s club in London. In 1900, an opportunity arises to make a practical contribution to the Irish renaissance and the emancipation of Irish women. She is suffering from ill-health, but her friend Augustine Henry, botanist and linguist, suggests she move away from the London smog to Ireland and open a craft centre with his financial assistance. She seizes the opportunity and discusses her plans with her friends the Yeats sisters, Elizabeth and Lily, who are talented craftswomen and have direct contact with William Morris and his followers. They have no money to contribute to the venture but are enthusiastic and can offer their skills and provide contacts. She seeks advice from W. B. and Jack Yeats, from Henry, who loans her £500, and from her cousin, T. P. Gill, secretary of the Department of Agriculture and Technical Instruction.

During the summer of 1902 Gleeson finds a suitable house in Dundrum, County Dublin, ten minutes from the railway station. The house, originally called Runnymede, is renamed Dun Emer, after the wife of Cú-Chulainn, renowned for her craft skills. The printing press arrives in November 1902, and soon three craft industries are in operation. Lily Yeats runs the embroidery section, since she had trained with Morris’s daughter May. Elizabeth Yeats operates the press, having learned printing at the Women’s Printing Society in London. Gleeson manages the weaving and tapestry and looks after the financial affairs of the industries. W. B. Yeats acts as literary adviser, an arrangement that often causes friction, and Gleeson’s sister, Constance McCormack, is also involved.

Local girls are employed and trained, and the industries seek to use the best of Irish materials to make beautiful, high-quality, lasting products of original design. Church patronage accounts for most of their orders and, in 1902–03, Loughrea cathedral commissions twenty-four embroidered banners portraying Irish saints. They also make vestments, traditional dresses, drapes, cushions and other items, all beautifully crafted and mostly employing Celtic design. The first book published is In the Seven Woods (1903), by W. B. Yeats, cased in full Irish linen.

Gleeson is in demand as an adjudicator in craft competitions around the country and at Feis na nGleann in 1904 she praises the workmanship of the entries but is critical of the lack of teaching in design. She gives lectures and tries to raise the status of craftwork from household occupation to competitive industry. There are tensions with the Yeats sisters, who complain that she is bad-tempered and arrogant. In truth she had taken on too much of a financial burden, even with the support of grants, and she is anxious to repay her debt to Augustine Henry, which he is prepared to forego. The sisters snub her and omit her name in an interview about Dun Emer in the magazine House Beautiful. Millar, her design teacher in London, likens the omission to Hamlet without the prince. In 1904, it is decided to split the industries on a cooperative basis: Dun Emer Guild Ltd. under Gleeson and Dun Emer Industries Ltd. under the Yeats sisters.

Work continues, and the guild and industries exhibit separately at the Royal Dublin Society (RDS) and other craft competitions. In 1907, the National Museum of Ireland commissions a copy of a Flemish tapestry. It takes far longer than anticipated to complete, but the result is beautiful and is exhibited at the Arts and Crafts Society of Ireland in 1910. The guild wins a silver medal at the Milan International exhibition in 1906. The guild and industries both show work at the New York exhibition of 1908. The guild alone shows work in Boston. By now cooperation has turned to rivalry, and there is a final split as the Yeats sisters leave, taking the printing press with them to their house in Churchtown, Dublin. Gleeson writes off a debt of £185 owed to her, on condition that they do not use the name Dun Emer.

The business thrives at Dundrum, with her niece Katherine (Kitty) MacCormack and Augustine Henry’s niece, May Kerley, assisting with design. Later they move the workshops to Hardwicke Street, Dublin. In 1909, Gleeson becomes one of the first members of the Guild of Irish Art Workers and is made master in 1917. The Irish Women Workers’ Union commissions a banner from her about 1919, and, among numerous other notable successes, a Dun Emer carpet is presented to Pope Pius XI in 1932, the year of the Eucharistic Congress of Dublin.

Gleeson dies at the age of 89 at Dun Emer, Dundrum, Dublin, on February 20, 1944, with Kitty carrying on the Guild after her death. The final home of Dun Emer is a shop on Harcourt Street, Dublin, which finally closes in 1964.

(From: “Gleeson, Evelyn” by Ruth Devine, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of Micho Russell, Musician & Author

Micho Russell, an Irish musician and author best known for his expert tin whistle performance, dies in an automobile accident on February 19, 1994. He also plays the simple system flute and is a collector of Irish traditional music and folklore.

Russell is born in Doonagore, Doolin, County Clare, on March 25, 1915. He comes from a musically renowned family. His mother plays the concertina, and his father is a sean-nós singer. He has two brothers, Packie and Gussie, who are also musicians. He also has two sisters. He never marries.

Russell teaches himself to play the tin whistle by ear, beginning at the age of eleven. The 1960s revival of Irish traditional music brings him attention and performance opportunities. In 1973, he wins the All-Ireland tin whistle competition, which further increases demand for his performances. Like Séamus Ennis, he is also known for his spoken introductions to tunes in his live performances, which incorporate folklore and legend. His knowledge of tradition extends past music to language, stories, dance, herbal lore, and old country cures.

“Micho Russell’s Reel,” Russell’s only known composition, is a variant of an older tune he calls “Carthy’s Reel.” He tells Charlie Piggott, “…So Carthy was beyond anyway, and he heard the old tune from a piper playing it, and he had the first part but only three-quarters of the second part. So when Séamus Ennis came around collecting music, I put in the last bit. That’s roughly the story of the tune.” The reel has been recorded by other artists such as Mary Bergin. His best-known songs are John Phillip Holland and The Well of Spring Water.

Russell dies in a car accident on February 19, 1994, in Kilcolgan, County Galway, on his way home from a gig just prior to going back into the studio to record another CD.


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Death of Elizabeth Mernin, Irish Intelligence Agent

Elizabeth “Lily” Mernin, an Irish intelligence agent known as the “Little Gentleman” or “Lt. G.,” dies in Dublin on February 18, 1957.

Mernin is born in Clanbrassil Street, Dublin, on November 16, 1886. Her parents are John Mernin and Marianne “Mary” (née McGuire). She has one sister, May. Her father is a baker and confectioner of Dorset Street, Dublin. After his death when Mernin is young, the children are raised by his family in Dungarvan, County Waterford.

In the 1910s, Mernin works as a typist in a number of Dublin companies, and by 1914 she is a shorthand typist in Dublin Castle at the garrison adjutant’s office. She is a member of the Keating branch of the Gaelic League, and through this her cousin, Piaras Béaslaí, introduces her to Michael Collins in 1918. From 1919 she begins working for Collins as an intelligence agent. She uses her position in Dublin Castle to obtain important documents and, in 1920, intelligence on British intelligence officers and the auxiliary police.

Under the alias of “Little Gentleman” or “Lt. G.,” Mernin is one of Collins‘a most important agents, so much so that many believe the Little Gentleman is a British intelligence officer. One of the most important contributions she makes is identifying the homes of British intelligence officers who are later killed on Bloody Sunday, November 21, 1920, by Collins‘s Irish Republican Army (IRA) unit The Squad. She aids Frank Saurin and Tom Cullen in identifying senior British agents in Dublin, typing secret reports for Collins in a room in 19 Clonliffe Road.

In February 1922, Mernin is discharged from the British service, taking up a position as a typist in the Irish Army from July 1922 until February 1952, when she retires. She works primarily at Clancy Barracks. She is awarded a military pension for her service from 1918-1922, and her statement is held in the Bureau of Military History in the Military Archives.

Mernin never marries, although she gives birth to a son in London in June 1922, with some evidence suggesting Béaslaí is the father. She lives at 167 Mangerton Road, Drimnagh. She dies at the age of 70 on February 18, 1957, in Dublin.


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Death of Actress Ronnie Masterson

Ronnie Masterson, one of the best-known Irish stage actors of her generation from the 1940s to the 1970s, dies at the age of 87 in Rush, County Dublin, on February 10, 2014. Following her stage career she builds a solid film and television career with RTÉ, and independent directors including Peter Kosminsky, Alan Parker and Neil Jordan.

Masterson is born in Dublin on April 4, 1926. She trains at the Abbey Theatre and first appears on stage there in 1944. At the Abbey, she meets and then marries actor Ray McAnally in 1951, and they remain married until his death in 1989, although they reside in different homes; her husband with Irish actress Britta Smith. McAnally and Masterson have four children: Conor, Aonghus, Máire and Niamh.

In the late 1960s Masterson and McAnally leave the permanent and pensionable security of the national theatre to set up their own company, Old Quay Productions. The company brings contemporary American and British theatre to Irish audiences, including Alan Ayckbourn‘s Relatively Speaking, Edward Albee‘s Who’s Afraid of Virginia Woolf?, Bill Naughton‘s Alfie, and Robert Patrick‘s Kennedy’s Children.

Kennedy’s Children nearly bankrupts the company, having to be pulled early in a 14-week run, when playgoers in Dublin mistake its title as an adverse comment on the children of assassinated and revered U.S. president John F. Kennedy, whereas the play is actually a series of monologues exploratory of U.S. society in the Vietnam War era. They are rescued by two giants of Irish independent theatre, Phyllis Ryan of Gemini Productions – whose Eblana Theatre the couple had hired- and John B. Keane, who has just published Letters of a Matchmaker , a novel written as a series of letters between a rural matchmaker and his clients.

Film and television work follow, including many episodes of RTÉ soap opera Glenroe, in which Masterson plays Madge O’Regan, and in 1988 her first film, The Dawning, an adaptation of Jennifer Johnston‘s story The Old Jest, which wins first prize as best film at the Montreal World Film Festival and where she acts opposite Anthony Hopkins, Trevor Howard and a young Hugh Grant.

Masterson’s best film work is probably as a memorable Grandma Sheehan in Alan Parker’s screen version of Frank McCourt‘s Angela’s Ashes in 1999, where, in her own words in an interview with her grandson, Aonghus Óg McAnally, she says, “Without doubt I had the best script.”

Other notable film roles include Fools of Fortune, The Real Charlotte and Kosminsky’s dramatisation of the events which led to the Stalker inquiry in Northern Ireland, Shoot to Kill, where she plays Mrs. Tighe opposite her old Abbey colleague Peadar Lamb, as Mr. Tighe.

Speaking to The Irish Times , Lamb remarks how, as a young actor at the Abbey in 1949, Masterson had been a “striking” Kathleen Ní Houlihan in W. B. Yeats‘s play, her height, green eyes and vivid red hair perfect for the part.

Lamb, who serves for many years with Masterson on the committee of Irish Actors’ Equity Association, pays tribute also to her work for other actors: “She didn’t waste words, but spoke very strongly when she did speak.” RTÉ producer Laurence Foster also pays a tribute to this aspect of Masterson’s career on the SIPTU website.

Masterson also plays in the Edinburgh International Festival and in many Dublin Theatre Festival productions. She appears on many series broadcast on RTÉ, BBC and ITV and tours extensively in the United States in her own one woman shows.

In November 2005, Masterson is in the United States again, this time to take the lead role in The Sea Captain, a short film directed by her son, veteran television producer Conor McAnally.

Masterson dies on February 10, 2014, at Rush Nursing Home in Rush, County Dublin. She is buried at St. Fintan’s Cemetery, Sutton, Dublin.


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Death of Terry Wogan, Irish-British Radio & Television Broadcaster

Sir Michael Terence Wogan KBE DL, Irish-British radio and television broadcaster who works for the BBC in the United Kingdom (UK) for most of his career, dies on January 31, 2016, at his home in Taplow, Buckinghamshire, England. Between 1993 and his semi-retirement in December 2009, his BBC Radio 2 weekday breakfast programme Wake Up to Wogan regularly draws an estimated eight million listeners. He is believed at the time to be the most listened-to radio broadcaster in Europe.

Wogan, the elder of two children, is born at Cleary’s Nursing Home, Elm Park, Limerick, County Limerick, on August 3, 1938. He is the son of the manager of Leverett & Frye, a high-class grocery store in Limerick, and is educated at Crescent College, a Jesuit school, from the age of eight. He experiences a strongly religious upbringing, later commenting that he had been brainwashed into believing by the threat of going to hell. Despite this, he often expresses his fondness for the city of his birth, commenting on one occasion that “Limerick never left me, whatever it is, my identity is Limerick.”

At the age of 15, after his father is promoted to general manager, Wogan moves to Dublin with his family. While living there he attends Crescent College’s sister school, Belvedere College. He participates in amateur dramatics and discovers a love of rock and roll. After leaving Belvedere in 1956, he has a brief career in the banking profession, joining the Royal Bank of Ireland. Still in his twenties, he joins the national broadcaster of Ireland, Raidió Teilifís Éireann (RTÉ), as a newsreader and announcer, after seeing a newspaper advertisement inviting applicants.

Wogan conducts interviews and presents documentary features during his first two years at RTÉ, before moving to the light entertainment department as a disc jockey and host of TV quiz and variety shows such as Jackpot, a top-rated quiz show on RTÉ in the 1960s.

Wogan is a leading media personality in Ireland and Britain from the late 1960s, and is often referred to as a “national treasure.” In addition to his weekday radio show, he is known for his work on television, including the BBC One chat show Wogan, presenting Children in Need, the game show Blankety Blank and Come Dancing. He is the BBC’s commentator for the Eurovision Song Contest from 1971 to 2008 (radio in 1971, 1974–1977; television in 1973, 1978, 1980–2008) and the Contest’s host in 1998. From 2010 to 2015 he presents Weekend Wogan, a two-hour Sunday morning show on BBC Radio 2.

In 2005, Wogan acquires British citizenship in addition to his Irish nationality and is awarded a knighthood in the same year and is therefore entitled to use the title “Sir” in front of his name.

Wogan’s health declines after Christmas 2015. He does not present Children in Need in November 2015, citing back pain as the reason for his absence from the long-running annual show. One of his friends, Father Brian D’Arcy, visits him during January and notices he is seriously ill. He dies of cancer at the age of 77 on January 31, 2016, at his home in Taplow, Buckinghamshire, England.

British Prime Minister David Cameron says, “Britain has lost a huge talent.” President of Ireland Michael D. Higgins praises Wogan’s career and his frequent visits to his homeland. Taoiseach Enda Kenny and Tánaiste Joan Burton remember Wogan for his role in helping Anglo-Irish relations during the Troubles. D’Arcy speculates that a public funeral would be logistically difficult, as there would be too many people wanting to pay their respects.

After Wogan’s death and his private funeral a few weeks later, a public memorial service is held on September 27 of the same year. This is held at Westminster Abbey and is opened by a recording of Wogan himself, and features a number of his celebrity friends making speeches, such as Chris Evans and Joanna Lumley. The service is broadcast live on BBC Radio 2.

On November 16, 2016, the BBC renames BBC Western House, home of BBC Radio 2, in his memory, to BBC Wogan House.


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Birth of Rhona Clarke, Composer & Pedagogue

Rhona Clarke, Irish composer and pedagogue, is born into a musical family in Dublin on January 21, 1958.

Clarke sings in a women’s choir from age 14 and is an outstanding piano pupil at the College of Music (now the DIT Conservatory of Music and Drama), Dublin. She studies music at University College Dublin (UCD), earning a Teacher’s Diploma in 1978 and a BMus in 1980. She teaches at a number of schools in the Dublin area. When she participates in the Ennis Composition Summer School in 1985, she is introduced to the music of continental composers such as Luciano Berio and Witold Lutoslawski, which leaves a lasting impression.

Some of Clarke’s early works receive awards, such as the Six Short Piano Pieces (1982), which wins the composition prize of the Feis Ceoil, and the choral work Suantraí Ghráinne (1983), which wins the Seán Ó Riada Memorial Trophy at the 1984 Cork International Choral Festival. For Sisyphus (1985) for flute, clarinet and string trio she receives the Varming Prize, which is awarded only every four years to an Irish composer under the age of thirty. She completes her first orchestral score in 1991 (A Great Rooted Tree). In 1992, she receives a Ph.D. from Queen’s University Belfast (QUB). She is a lecturer in music at St. Patrick’s College, Dublin City University (DCU).

Clarke receives commissions from RTÉ, the Cork International Choral Festival, Concorde, Music Network and the National Concert Hall, among others. Her work is performed and broadcast throughout Ireland and worldwide. In January 2014, she is the featured composer in the Horizon Series of contemporary music by the Irish national broadcaster RTÉ. For this event, the RTÉ National Symphony Orchestra commissions her orchestral composition SHIFT (2013). Since 2009 she has been collaborating with visual artist Marie Hanlon, including short experimental films with music, live music with visual projections and joint exhibitions, one example being the joint exhibition DIC TAT at the Gallery Draíocht, Blanchardstown, Dublin, July-September 2014.

Clarke is a member of Aosdána, Ireland’s state-sponsored academy of creative artists.

Clarke’s output includes choral, chamber, orchestral and electronic works. Her calm and evocative music in the early Suantraí Ghráinne creates some curiosity at its 1984 performance. Early chamber works such as Sisyphus (1985) and Purple Dust are characterised by wide-spaced harmonic settings of a rather sparse tonal material. Some aleatoric passages alternate with more strictly notated pitches and a rather limited degree of dissonance. In Gloria Deo (1988) for soprano, mixed chorus and orchestra she combines modal influences from Renaissance music with free atonality. Since the early 1990s she has been exploring the possibilities of electroacoustic music, winning an award at the 1992 Dublin Film Festival for her electronic score Whaling Afloat and Ashore. Her recent orchestral score SHIFT reflects her experiences in electroacoustic processes: “Extended techniques, deliberately avoided in previous work, are embraced here using harmonics and noise elements in strings, and bowed, timbral effects on percussion. In a single, fifteen-minute movement, transformations in colour and texture vary from slow and intense in the opening section, to sudden and harsh later in the piece.”


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Death of Gerard Slevin, Heraldist & Dramatist

(John) Gerard Slevin, dramatist and Chief Herald of Ireland from 1954 to 1981, dies on January 18, 1997.

Slevin is born on November 1, 1919, in Cork, County Cork, the son of John Slevin, motor mechanic, of Wellington Road, Cork, and Bridget Slevin (née Kennelly). His father, who hails from County Laois tenant farmers, works with the Irish Omnibus Corporation. He is educated at North Monastery CBS and University College Cork (UCC), taking an MA summa cum laude in philosophy and English in 1941.

After lecturing at St. Patrick’s College, Dublin, from 1941 to 1944, Slevin enters the civil service. Despite no prior interest in heraldry, he is selected via competition to assist the newly installed Chief Herald, Dr. Edward MacLysaght, in the genealogical office, Bedford Tower, Dublin Castle. After serving as Deputy Chief Herald (1944–54), he succeeds MacLysaght as Chief Herald of Ireland, becoming the longest-serving occupant of the office (1954–81).

One of three national heralds named to a vexillogical committee to devise a common emblem for the Council of Europe, Slevin persuades his colleagues to eschew religious iconography, such as the Christian cross, as inappropriate. His own design of a circle of twelve golden stars on an azure field is selected by the committee in 1954, and formally accepted by the council in December 1955. With blue chosen as a colour common to the flags of many European countries, the twelve stars represent not individual states but such associations as the zodiac and a clock face, suggesting ideals of universality, harmony, and evolution through time. Adopted in 1985 for the flag of the European Community (latterly the European Union), his design attracts wide acclaim in heraldic circles, leading to his being awarded membership of the Académie Internationale d’Héraldique.

During Slevin’s tenure as Chief Herald, several hundred patents of arms are issued to Irish public bodies, including civic and municipal authorities, and to individuals of Irish descent worldwide. On behalf of the Irish government, he confirms the Irish connections of such notables as United States presidents Kennedy, Nixon, and Reagan, French president Charles de Gaulle, and Princess Grace of Monaco. His coat of arms for President Kennedy, combining the ancient arms of the Kennedy and Fitzgerald families, wins renown as a masterpiece of heraldic design. While possessing a keen sense of graphic impact, he is not a great draughtsman, and he employs the noted heraldic painter Myra Maguire to execute the designs that he creates. He oversees expansion of genealogical office services, instituting an advisory service and team of research assistants for the growing numbers – especially within emigrant communities abroad – seeking to trace Irish ancestry. He establishes a committee to catalogue churchyard memorial inscriptions as an archival resource, meant to redress the loss of state records in the 1922 Four Courts fire.

Slevin wins first prize in successive years in the 1950s for entries in the Oireachteas drama competition, both plays being subsequently produced at the Abbey Theatre. He writes a detective novel in Irish, and contributes numerous articles to learned journals, chiefly on medieval heraldry and Anglo-Irish families. Erudite and possessed of great presence, courtesy, and wit, he is an engaging speaker.

Resident in south County Dublin, Slevin is active in amateur dramatics, local history societies, and the ecumenical movement. His recreation is long country walks. He marries Millicent Nolan in 1950 and they have three sons. He dies on January 18, 1997.

(From: “Slevin, (John) Gerard” by Lawrence William White, Dictionary of Irish Biography, http://www.dib.ie, October 2009 (last revised February 2025))


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Death of Thomas Johnson, Irish Labour Party Politician

Thomas Ryder Johnson, Irish Labour Party politician and trade unionist who serves as Leader of the Opposition from 1922 to 1927 and Leader of the Labour Party from 1917 to 1927, dies on January 17, 1963, at Clontarf, Dublin. He serves as a Teachta Dála (TD) for Dublin County from 1922 to 1927. He is a Senator for the Labour Panel from 1928 to 1934.

Johnson is born on May 17, 1872, in Liverpool, England. He works on the docks for an Irish fish merchant, spending much of his time in Dunmore East and Kinsale. It is this way that he picks up ideas about socialism and Irish nationalism, joining a Liverpool branch of the Independent Labour Party in 1893. In 1900 he starts work as a commercial traveller, then moves in 1903 with his family to Belfast where he becomes involved in trade union and labour politics.

In 1907, Johnson helps James Larkin organise a strike in the port, but has to watch in dismay as the strike, which begins with remarkable solidarity between labour, Orange, and nationalist supporters, collapses in sectarian rioting. At various times he is the president, treasurer and secretary of the Irish Trades Union Congress (ITUC) which is, at the time, also the Labour Party in Ireland, until officially founded in 1912 by James Connolly and James Larkin. Johnson becomes Vice-President of the ITUC in 1913, and President in 1915.

Johnson sympathizes with the Irish Volunteers, many of whom are sacked from their jobs, for illegal activities. During the Easter Rising, he notes in his diary that people in Ireland paid little heed to the fate of the defeated revolutionaries. He succeeds as leader of the Labour Party from 1917, when the party does not contest the 1918 Irish general election. When the British government tries to enforce conscription in Ireland in 1918, he leads a successful strike in conjunction with other members of the Irish anti-conscription movement.

Johnson is later elected a TD for Dublin County to the Third Dáil at the 1922 Irish general election and remains leader of the Labour Party until 1927. As such, he is Leader of the Opposition in the Dáil of the Irish Free State, as the anti-treaty faction of Sinn Féin refuses to recognise the Dáil as constituted. He issues a statement of support for the Government of the 4th Dáil when the Irish Army Mutiny threatens civilian control in March 1924.

Johnson is the only Leader of the Labour Party who serves as Leader of the Opposition in the Dáil. He loses his Dáil seat at the September 1927 Irish general election, and the following year he is elected to Seanad Éireann, where he serves until the Seanad’s abolition in 1936.

In 1896 he meets Marie Tregay, then a teacher in St. Multose’s National school, outside Kinsale. A native of Cornwall, she has advanced political views. They marry in 1898 in Liverpool. Their only son, Frederick Johnson, is born in 1899, and becomes a well-known actor. Johnson dies on January 17, 1963, at 49 Mount Prospect Avenue, Clontarf, Dublin.

Each summer, Labour Youth holds the “Tom Johnson Summer School” to host panel discussions, debates and workshops.


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Death of Jim Tunney, Fianna Fáil Politician

James C. Tunney, a Fianna Fáil politician, dies in Dublin on January 16, 2002.

Tunney is born on December 25, 1924, in Finglas, Dublin, the fourth child among three sons and five daughters of James Tunney, a farmer and Labour Party Teachta Dála (TD) and senator, and M. Ellen Tunney (née Grimes), who both come from outside Westport, County Mayo. He is educated at St. Vincent’s C.B.S. in Glasnevin.

Tunney works in the Department of Agriculture from 1943 to 1955 and it is during this period that he studies part-time at University College Dublin (UCD), where he takes a BA in drama, English, and Irish before studying for a postgraduate qualification in Irish. From 1955 to 1962 he teaches drama at Vocational Education Committees (VEC) in Lucan, Balbriggan, and Garretstown, before being appointed headmaster of Blanchardstown VEC in 1962.

Tunney also plays at senior level for the Dublin county football team. He is on the winning side for Dublin in the 1948 All-Ireland Junior Football Championship.

A snappy dresser who earns the nickname “the yellow rose of Finglas,” Tunney is sometimes seen as pompous, a perception possibly attributable to his acting background, which once leads to an audition at Dublin’s Abbey Theatre.

In 1963 Tunney joins Fianna Fáil, and stands for the party at the  1965 Irish general election but is not elected. He is elected to Dáil Éireann as a Fianna Fáil TD for the Dublin North-West constituency at the 1969 Irish general election. He serves continuously in the Dáil until losing his seat at the 1992 Irish general election, having been a TD for Dublin Finglas from 1977 to 1981 when Dublin constituencies are reconfigured as 3-seaters, before being returned for Dublin North-West in 1981.

During this period Tunney serves as Parliamentary Secretary to the Minister for Education (after 1978, Minister of State at the Department of Education) in three governments. He serves as Leas-Ceann Comhairle of Dáil Éireann from 1981 to 1982, and from 1987 to 1993. He is also chair of the Fianna Fáil parliamentary party for ten years. He is a member of Dublin City Council, and serves as Lord Mayor of Dublin from 1984 to 1985.

Following Tunney’s death, Taoiseach Bertie Ahern describes him as “a parliamentarian and a gentleman who was passionately committed to serving his country.” Ahern adds, “he was not only a man of substance but one of style. From the flower that was always in his buttonhole to the elegance of his language in both Irish and English he had a commanding and stylish presence.”

Fine Gael leader Michael Noonan says Tunney had gained “the widespread affection and respect of colleagues of all political parties.”

Leader of the Labour Party Ruairi Quinn describes Tunney as a “thoughtful and courteous colleague” who carried out his duties with “fairness but also with wit and style.”


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Birth of Patrick Pollen, Stained Glass Artist

Patrick Pollen, a British stained glass artist who spends most of his life working in Ireland, is born Patrick La Primaudaye Pollen in London on January 12, 1928.

Pollen is the second son and second of six children of Arthur and Daphne Pollen (née Baring). His father is a sculptor of religious works, and grandson of John Hungerford Pollen. His mother is a painter of religious matter and the daughter of Cecil Baring, 3rd Baron Revelstoke, who purchases Lambay Island and employs Edwin Lutyens to restore the castle there. Pollen attends St. Philip’s preparatory school in South Kensington, then Avisford, near Arundel, and finally Ampleforth College, going on to serve national service. He attends the Slade School of Fine Art for two years to study painting, going on to work at Académie Julian, an art school in Paris, France.

In 1952, Pollen’s father takes him to see Evie Hone‘s “Crucifixion and Last Supper” window in Eton College Chapel. Upon seeing it he announces, “That’s what I want to do.” He moves to Dublin to study with the stained glass cooperative Evie Hone is a member of, An Túr Gloine, which is run by Catherine O’Brien and she and Hone become his mentors. When Hone dies in 1955, she leaves him her brushes.

Pollen’s early work from the 1950s is mostly in Britain, including a window in a private chapel in the London Oratory, three windows for a chapel at Whitchurch, and a crypt window for Rosslyn Chapel. He works for two years from 1957 on thirty-two windows for the new Cathedral of Christ The King, Johannesburg. He makes the windows in Dublin, then ships them to be assembled in South Africa. He creates the mosaic of St. Joseph the Worker and windows for Galway Cathedral. In 1963, he creates a memorial window to Catherine O’Brien in Christ Church Cathedral, Dublin. He takes on Helen Moloney as an assistant from 1960 to 1962.

Following the Second Vatican Council, newly designed churches feature less stained glass, and Pollen finds he is receiving less commissions. As a consequence he and his family move to the United States in 1981. They settle in Winston-Salem, North Carolina but there is very little work there and in 1997 they return in Ireland, living in his wife’s native County Wexford.

Pollen marries sculptor Nell Murphy in 1963, with the couple buying a house in Dublin in which Pollen had his studio. Murphy works in plaster, clay and stone, her works often featured in churches with those of her husband. They hav four sons, Peter, Ciaran, Laurence and Christopher, and a daughter, Brid.

Pollen dies on November 30, 2010, in Enniscorthy, County Wexford. His remains are cremated and the location of his ashes is unknown.