Bullock’s father, Thomas Bullock, is a strict man who has eleven children and drives several to emigration because of his stern demeanour. Thomas Bullock works on the Crom Castle estate which runs along the Cavan/Fermanagh border and has both Catholic and Protestant workers. Protestant workers have the prime jobs and are employed as craftsmen and supervisors while Catholics work in the outer area of the estate at unskilled jobs. Folk memories of the Battle of Newtownbutler in 1689 remain long in the memory in the area where up to 1,500 Jacobite troops are hacked down or drowned in Upper Lough Erne when pursued by the Williamite cavalry. Many of the Williamite army is drawn from the local Protestant population.
Bullock is educated at Crom estate primary school run by the Church of Ireland and Farra School near Bunbrosna, County Westmeath. He fails the entrance exams at the University of Dublin. He tries his hand at farming but finds he is not suited. He moves to London in 1883 and becomes a Civil Service clerk. He takes to journalism to supplement his salary and publishes his first book of stories, The Awkward squads, in 1893. His stories are centered on Irish Catholic and Protestant small farmers and labourers and their struggles and tensions. He marries Emma Mitchell in 1899 and they have a son and daughter.
Bullock is well respected in literary circles, but his books are never successful enough for him to become a full-time writer. He says that the English are not interested in Irish stories and that there is no reading public in Ireland. He dislikes Orangesectarianism and is ambivalent to Irish nationalism. His novel The Red Leaguers looks at sectarianism conflict and Robert Thorne examines the lives of London clerks which is a popular theme at the time. His last and best novel The Loughsiders is published in 1924 and is the story of a conniving smallholder based on William Shakespeare’s Richard III.
Shan Bullock’s wife dies in 1922. He spends the final years of his life in Sutton, Surrey and dies there on February 27, 1935.
Holt is one of six sons of John Holt, a farmer in County Wicklow. He joins the Irish Volunteers in the 1780s and holds a number of minor public offices but becomes involved in law enforcement as a sub-constable, billet master for the militia and a bounty hunter. He is involved in the Battle of Vinegar Hill which is an engagement during the Irish Rebellion of 1798 on June 21, 1798, when over 15,000 British soldiers launch an attack on Vinegar Hill outside Enniscorthy, County Wexford.
Despite Holt’s apparent loyalism, he becomes a member of the Society of United Irishmen in 1797 and gradually begins to attract suspicion until finally in May 1798, his house is burned down by the militia of Fermanagh. He then takes to the Wicklow mountains, gradually assuming a position of prominence with the United Irish rebels. The defeat of the County Wexford rebels at Vinegar Hill on June 21 sees surviving rebel factions heading towards the Wicklow Mountains to link up with Holt’s forces.
Emerging to meet them, Holt is given much of the credit for the planning of the ambush and defeat of a pursuing force of 200 British cavalry in the Battle of Ballyellis on June 30, 1798. However, the subsequent Midlands campaign to revive the rebellion is a disaster, and he is lucky to escape with his life back to the safety of the Wicklow Mountains.
Holt largely holds out in expectation of the arrival of French aid but news of the defeat of the French in the Battle of Ballinamuck together with his ill-health brought about by the hardships of his fugitive life, age and family considerations prompt him to initiate contact with the Dublin Castle authorities with a view to a negotiated surrender. Dublin Castle is eager to end the rebellion in Wicklow and allows him exile after incarceration in the Bermingham Tower without trial in New South Wales.
Holt goes out on the Minerva and meets Captain William Cox who has been appointed paymaster of the New South Wales Corps. The ship arrives at Sydney on January 11, 1800, and shortly afterwards Holt agrees to manage Captain Cox’s farm. He always claims in Australia that he is a political exile and not a convict. In 1804 when the Castle Hill uprising occurs Holt, who is not involved, has been warned that evening that it is about to happen. During the night he sets up a defense of Captain Cox’s house. He is nonetheless afterwards hounded by Governor Philip Gidley King and many false witnesses are brought against him. Although there is no plausible evidence at all against him, he is exiled by King to Norfolk Island in April 1804, and there put to hard labour.
Holt is officially pardoned on January 1, 1811, and in December 1812, with his wife and younger son, takes passage to Europe on the Isabella. The ship is wrecked by a reef, so the passengers and crew are landed at Eagle Island, one of the Falkland Islands. He shows great resolution and ingenuity in making the best of the conditions on the island. He is rescued on April 4, 1813, but does not reach England until February 22, 1814, as he travels via the United States. He retires to Ireland where he lives for the rest of his life but regrets he had left Australia.
In 1866 Sullivan composes a one-act comic opera, Cox and Box, which is still widely performed. He writes his first opera with W. S. Gilbert, Thespis, in 1871. Four years later, the impresarioRichard D’Oyly Carte engages Gilbert and Sullivan to create a one-act piece, Trial by Jury (1875). Its box office success leads to a series of twelve full-length comic operas by the collaborators. After the extraordinary success of H.M.S. Pinafore (1878) and The Pirates of Penzance (1879), Carte uses his profits from the partnership to build the Savoy Theatre in 1881, and their joint works become known as the Savoy operas. Among the best known of the later operas are The Mikado (1885) and The Gondoliers (1889). Gilbert breaks from Sullivan and Carte in 1890, after a quarrel over expenses at the Savoy. They reunite in the 1890s for two more operas, but these do not achieve the popularity of their earlier works.
Sullivan’s infrequent serious pieces during the 1880s included two cantatas, The Martyr of Antioch (1880) and The Golden Legend (1886), his most popular choral work. He also writes incidental music for West End productions of several Shakespeare plays and holds conducting and academic appointments. Sullivan’s only grand opera, Ivanhoe, though initially successful in 1891, has rarely been revived. In his last decade Sullivan continues to compose comic operas with various librettists and writes other major and minor works.
Sullivan’s health is never robust. From his thirties kidney disease obliges him to conduct sitting down. He dies at the age of 58 of heart failure, following an attack of bronchitis, at his flat in London on November 22, 1900. Sullivan’s wishes are to be buried in Brompton Cemetery with his parents and brother, but by order of the Queen he is buried in St. Paul’s Cathedral.
Arthur Sullivan is regarded as Britain’s foremost composer. His comic opera style serves as a model for generations of musical theatre composers that follow, and his music is still frequently performed, recorded and pastiched.
Brougham’s father is an amateur painter and dies young. His mother is the daughter of a Huguenot, whom political adversity has forced into exile. He is the eldest of three children. Both of his siblings die in youth, and the father being dead, and the widowed mother left penniless, he is reared in the family and home of an uncle.
Brougham is prepared for college at an academy at Trim, County Meath, twenty miles from Dublin, and subsequently is sent to the University of Dublin. There he acquires classical learning and forms interesting and useful associations and acquaintances. He also becomes interested in private theatricals. He falls in with a crowd that puts on their own shows, cast by drawing parts out of a hat. Though he most always trades off larger roles so he can pay attention to his studies, he takes quite an interest in acting. He is a frequent attendant, moreover, at the Theatre Royal in Hawkins Street.
Brougham is educated with the intention of his becoming a surgeon and walks the Peth Street Hospital for eight months. However, misfortune comes upon his uncle, so he is obliged to provide for himself. Before leaving the university he, by chance, becomes acquainted with the actress Lucia Elizabeth Vestris.
Brougham goes to London in 1830 and, after a brief experience of poverty, suddenly determines to become an actor. He is destitute of everything except fine apparel, and he has actually taken the extreme step of offering himself as a cadet in the service of the East India Company. But, being dissuaded by the enrolling officer, who lends him a guinea and advises him to seek other employment, and happening to meet with a festive acquaintance, he seeks recreation at the Tottenham Theatre where Madame Vestris is acting.
Brougham’s acquaintance with Madame Vestris leads to him being engaged at the theatre, and he thus makes his first appearance on the London stage in July in Tom and Jerry, in which he plays six characters. In 1831 he is a member of Madame Vestris’s company and writes his first play, a burlesque. He remains with Madame Vestris as long as she and Charles Mathews retain Covent Garden Theatre, and he collaborates with Dion Boucicault in writing London Assurance, the role of Dazzle being one of those with which he becomes associated. His success at small or “low” comic roles such as Dazzle earn him the nickname “Little Johnny Brougham,” a moniker which he embraces, and which boosts his popularity with working-class audiences.
In 1840 Brougham manages the Lyceum Theatre, for which he writes several light burlesques, but in 1842 he moves to the United States, where he becomes a member of William Evans Burton‘s company, for which he writes several comedies, including Met-a-mora; or, the Last of the Pollywogs, a parody of John A. Stone and Edwin Forrest’s Metamora; or The Last of the Wamponoags, and Irish Yankee; or, The Birthday of Freedom.
In 1860 Brougham returns to London, where he adapts or writes several plays, including The Duke’s Motto for Charles Fechter. In November 1864 he appears at the Theatre Royal in his native Dublin in the first performance of Dion Boucicault’s Arrah-na-Pogue with Boucicault, Samuel Johnson and Samuel Anderson Emery in the cast.
After the American Civil War Brougham returns to New York City. Brougham’s Theatre is opened in 1869 with his comedies Better Late than Never and Much Ado About a Merchant of Venice, but this managerial experience is also a failure due to disagreements with his business partner, James Fisk. He then takes to playing the stock market. His last appearance onstage is in 1879 as “O’Reilly, the detective” in Boucicault’s Rescued.
Burke is the second of three sons of James Hardiman Burke, an officer in the British army 7th Royal Fusiliers, and Anne Louisa Burke (nee O’Hara).
Burke enters the Royal Military Academy, Woolwich in May 1835. In December 1836 he fails his probationary exam and goes to Belgium to further his education. In 1841, he enters the Austrian army and spends most of his time posted to northern Italy. Towards the end of 1847 he suffers health problems and ultimately resigns from the Austrian army in June 1848.
After returning to Ireland in 1848, he joins the Irish Constabulary (later the Royal Irish Constabulary). He does his cadet training at Phoenix Park Depot in Dublin between November 1849 and January 1850. At the end of 1850 he transfers to the Mounted Police in Dublin.
Burke emigrates to Australia, arriving in Hobart, Tasmania on February 12, 1853, and promptly sails for Melbourne. On April 1, 1853, he joins the recently established Victoria Police force.
After the South Australian explorer John McDouall Stuart reaches the centre of Australia, the South Australian parliament offers a reward of £2,000 for the promotion of an expedition to cross the continent from south to north, generally following Stuart’s route. In June 1860, Burke is appointed to lead the Victorian Exploring Expedition with William John Wills, his third-in-command, as surveyor and astronomical observer.
The expedition leaves Melbourne on August 20, 1860, with a total of 19 men, 27 camels and 23 horses. They reach Menindee on September 23, 1860, where several people resign.
Cooper Creek, 400 miles further on, is reached on November 11, 1860, by the advance group, the remainder being intended to catch up. After a break, Burke decides to make a dash to the Gulf of Carpentaria, leaving on December 16, 1860. William Brahe is left in charge of the remaining party. The small team of Burke, William Wills, John King and Charley Gray reach the mangroves on the estuary of the Flinders River, near where the town of Normanton now stands, on February 9, 1861. They never see open ocean due to flooding rains and swamps.
Already weakened by starvation and exposure, progress on the return journey is slow and hampered by the tropical monsoon downpours of the wet season. Gray dies four days before they reach the rendezvous at Cooper Creek. The other three rest for a day when they bury him. They eventually reach the rendezvous point on April 21, 1861, nine hours after the rest of the party had given up waiting and left, leaving a note and some food, as they have not been relieved by the party supposed to be returning from Menindee.
Burke’s party attempts to reach Mount Hopeless, the furthest outpost of pastoral settlement in South Australia, which is closer than Menindee, but fail and return to Cooper Creek. While waiting for rescue Wills dies of exhaustion and starvation. Soon after, Burke also dies, at a place now called Burke’s Waterhole on Cooper Creek in South Australia. The exact date of Burke’s death is uncertain but has generally been accepted to be June 28, 1861.
King survives with the help of Aborigines until he is rescued in September by Alfred William Howitt. Howitt buries Burke and Wills before returning to Melbourne. In 1862 Howitt returns to Cooper Creek and disinters Burke and Wills, taking them first to Adelaide and then by steamer to Melbourne where they are laid in state for two weeks. On January 23, 1863, Burke and Wills receive a State Funeral and are buried in Melbourne General Cemetery. Ironically, on that same day John McDouall Stuart and his companions, having successfully completed the south-north crossing, are received back at a large ceremony in Adelaide.
Harry Lillis “Bing” Crosby Jr., American singer and actor and descendant of Irish immigrants, is born on May 3, 1903, in Tacoma, Washington. His trademark warm bass-baritone voice makes him one of the best-selling recording artists of all time, selling over one billion analog records and tapes, as well as digital compact discs and downloads around the world.
Crosby’s parents are Harry Lillis Crosby Sr. (1870–1950), a bookkeeper of English descent, and Catherine Helen “Kate” (née Harrigan; 1873–1964), a second-generation Irish American. An ancestor, Simon Crosby, emigrates to America in the 17th century, and one of his descendants marries a descendant of Mayflower passenger William Brewster.
The first multimedia star, from 1931 to 1954 Crosby is a leader in record sales, radio ratings, and motion picture grosses. His early career coincides with technical recording innovations such as the microphone. This allows him to develop a laid-back, intimate singing style that influences many of the popular male singers who follow him, including Perry Como, Frank Sinatra, Dick Haymes, and Dean Martin. Yank, the Army Weekly magazine says that he is the person who has done the most for American soldiers’ morale during World War II.
The biggest hit song of Crosby’s career is his recording of Irving Berlin‘s “White Christmas,” which he introduces on a Christmas Day radio broadcast in 1941. The song then appears in his 1942 movie Holiday Inn. His record hits the charts on October 3, 1942, and rises to No. 1 on October 31, where it stays for eleven weeks.
In 1948, American polls declare him the “most admired man alive,” ahead of Jackie Robinson and Pope Pius XII. Also in 1948, Music Digest estimates that his recordings fill more than half of the 80,000 weekly hours allocated to recorded radio music.
Crosby wins an Academy Award for Best Actor for his role as Father Chuck O’Malley in the 1944 motion picture Going My Way and is nominated for his reprise of the role in The Bells of St. Mary’s opposite Ingrid Bergman the next year, becoming the first of six actors to be nominated twice for playing the same character. In 1963, he receives the first Grammy Global Achievement Award. He is one of 33 people to have three stars on the Hollywood Walk of Fame, in the categories of motion pictures, radio, and audio recording.
Crosby influences the development of the postwar recording industry. After seeing a demonstration of an early Ampexreel-to-reel tape recorder he places a large order for their equipment and convinces ABC to allow him to tape his shows. He becomes the first performer to pre-record his radio shows and master his commercial recordings onto magnetic tape. Through the medium of recording, he constructs his radio programs with the same directorial tools and craftsmanship (editing, retaking, rehearsal, time shifting) used in motion picture production, a practice that becomes an industry standard. In addition to his work with early audio tape recording, he helps to finance the development of videotape, purchases television stations, breeds racehorses, and co-owns the Pittsburgh Pirates baseball team.
On October 13, 1977, Crosby flies alone to Spain to play golf and hunt partridge. The following day, at the La Moraleja Golf Course near Madrid, he plays 18 holes of golf. As Crosby and his party head back to the clubhouse, Crosby says, “That was a great game of golf, fellas.” At about 6:30 PM, he collapses about 20 yards from the clubhouse entrance and dies instantly from a massive heart attack. At Reina Victoria Hospital he is administered the last rites of the Catholic Church and is pronounced dead. On October 18, following a private funeral Mass at St. Paul’s Catholic Church in Westwood, he is buried at Holy Cross Cemetery in Culver City, California. A plaque is placed at the golf course in his memory.
James Henthorn Todd, biblical scholar, educator, and Irish historian, is born in Rathfarnham, a Southside suburb of Dublin, on April 23, 1805. He is noted for his efforts to place religious disagreements on a rational historical footing, for his advocacy of a liberal form of Protestantism, and for his endeavours as an educator, librarian, and scholar in Irish history.
Todd is the son of Charles Hawkes Todd, a professor of surgery, and Eliza Bentley, and is the oldest of fifteen children. Noted physician Robert Bentley Todd is among his younger brothers. His father dies a year after he receives a B.A. from Trinity College, Dublin in 1825, diminishing his prospects for success. However, he is able to remain at the college by tutoring and editing a church periodical.
Todd obtains a premium in 1829, and two years later is elected Fellow, taking deacon’s orders in the same year. From that time until 1850, when he becomes a Senior Fellow, he is among the most popular tutors in Trinity College.
Todd takes priest’s orders in 1832. He begins publishing in earnest, including papers on John Wycliffe, church history, and the religious questions of his day. He is Donnellan Lecturer in 1838 and 1839, publishing works related to the Antichrist in which he opposes the views of the more extreme of his co-religionists who apply this term to the Roman Catholicism and the Pope. In 1840 he graduates Doctor of Divinity.
In 1837 Todd is installed Treasurer at St. Patrick’s Cathedral in Dublin and becomes Precentor in 1864. His style of preaching is described as simple and lucid, and his sermons interesting. He co-founds Saint Columba’s College in 1843, a school which promotes the Irish language for those who intend to take orders, as well as promoting the principles of the Church of Ireland.
In 1849 Todd is made Regius Professor of Hebrew at Trinity, and a Senior Fellow the following year. In 1852 he is appointed Librarian, and working alongside John O’Donovan and Eugene O’Curry, he classifies and arranges the collection of manuscripts. When his office receives money, he spends it on the acquisition of manuscripts and rare books, and he deserves much credit for the library’s high ranking as one of the chief libraries of Europe.
Todd’s secular achievements are no less remarkable. In 1840 he co-founds the Irish Archaeological Society and acts as its honorary secretary. He is elected a member of the Royal Irish Academy and strives actively to acquire transcripts and accurate accounts of Irish manuscripts from foreign libraries. He is honorary secretary from 1847 to 1855, and president from 1856 to 1861. In 1860 he is given an ad eundem degree at the University of Oxford.
Todd is a notable person among notable people. His work is widely respected and cited. Among his friends and acquaintances are lawyer and poet Sir Samuel Ferguson, Conservative Member of Parliament (MP) and Roman Catholic convert Edwin Wyndham-Quin, fellow historian William Reeves, artist Sir George Petrie, and the Stokes family (physician father William, future lawyer and Celticist son Whitley, and future antiquarian daughter Margaret).
James Henthorn Todd dies at his house in Rathfarnham on June 28, 1869, and is buried in the churchyard of St. Patrick’s Cathedral.
Killen is the third of four sons and nine children of John Killen (1768–1828), a grocer and seedsman in Ballymena, by his wife Martha, daughter of Jesse Dool, a farmer in Duneane. His paternal grandfather, a farmer at Carnmoney, marries Blanche Brice, a descendant of Edward Brice. A brother, James Miller Killen (1815–1879), is a minister in Comber, County Down. Thomas Young Killen is his father’s great-nephew.
After attending local primary schools, Killen goes to Ballymena Academy around 1816, and in November 1821 enters the collegiate department of the Royal Belfast Academical Institution, under James Thomson. In 1827, he is licensed to preach by the Presbytery of Ballymena, and on November 11, 1829 he is ordained minister at Raphoe, County Donegal.
In July 1841 Killen is appointed, by the General Assembly of the Presbyterian Church in Ireland, its professor of church history, ecclesiastical government, and pastoral theology, in succession to James Seaton Reid. He concentrates on history. When Assembly’s College, Belfast is set up in 1853, he becomes one of the professors there. In 1869 he is appointed president of the college, in succession to Henry Cooke, and undertakes fundraising for professorial endowments and new buildings. In 1889 he resigns his chair but continues as president.
During his career Killen receives the degrees of D.D. (1845) and of LL.D. (1901) from the University of Glasgow. His portrait, painted by Richard Hooke, hangs in the Gamble library of the college.
William Dool Killen dies on January 10, 1902, and is buried in Balmoral Cemetery, Belfast, where a monument marks his resting place.
Bennett attends Hamblin and Porter’s School in Cork, and the Academic Institute in Hardcourt Street. He enrolls in medical school at Trinity College, Dublin in 1854 at the age of 17. At college he studies under professor Robert Smith, under whom he develops an interest in bone fractures. He gains the degrees of BA and MB before graduating with a M.Ch. in 1859 and MD in 1864. He is conferred with a fellowship of the Royal College of Surgeons in Ireland (RCSI) in 1863.
Following a period as an anatomy demonstrator Bennett is appointed as Surgeon to Sir Patrick Dun’s Hospital in 1864. He succeeds Robert Smith as Professor of Surgery in 1873 following his death. He studies fractures, joint dislocations and bone diseases, recording them at the Pathology Museum at Trinity College. He describes his eponymous fracture at the British Medical Association meeting in Cork in 1880 and today he is best remembered for the fracture he describes which still bears his name. Perhaps more importantly, however, he is accredited with having introduced antiseptic techniques to Dublin hospitals. Bennett also serves as President of the RCSI.
Edward Hallaran Bennett dies in Dublin on June 21, 1907.
Trevelyan is the son of a Cornish clergyman, the Venerable George Trevelyan, who becomes Archdeacon of Taunton, and his wife Harriet, daughter of Sir Richard Neave. As a young man, he works with the colonial government in Calcutta, India. In the late 1850s and 1860s he serves there in senior-level appointments.
Trevelyan’s most enduring mark on history may be the quasi-genocidalanti-Irish racial sentiment he expresses during his term in the critical position of administrating relief to the millions of Irish peasants suffering under the Great Famine, an Gorta Mór, as Assistant Secretary to HM Treasury (1840–1859) under the Whig administration of Lord John Russell.
During the height of the famine Trevelyan deliberately drags his feet in disbursing direct government food and monetary aid to the Irish due to his strident belief in laissez-faire economics and the free hand of the market. In a letter to an Irish peer, Thomas Spring Rice, 1st Baron Monteagle of Brandon, a former Chancellor of the Exchequer, he describes the famine as an “effective mechanism for reducing surplus population” as well as “the judgement of God” and writes that “The real evil with which we have to contend is not the physical evil of the Famine, but the moral evil of the selfish, perverse and turbulent character of the people.”
Trevelyan never expresses remorse for his comments, even after the full dreadful scope of the Irish famine becomes known. His defenders claim that other factors than Trevelyan’s personal acts and beliefs are more central to the problem.
Sir Charles Trevelyan dies at the age of 70 at 67 Eaton Square, London, on June 19, 1886.
Trevelyan is referred to in the modern Irish folk songThe Fields of Athenry about an Gorta Mór. For his actions, or lack thereof, during the Great Famine, he is commonly considered one of the most detested figures in Irish history, along with the likes of Oliver Cromwell.
