Mahony is born to Martin Mahony and Mary Reynolds. He is educated at the JesuitClongowes Wood College, in County Kildare, and later in the Abbey of Saint-Acheul, a similar school in Amiens, France and then at Rue de Sèvres, Paris, and later in Rome. He begins teaching at the Jesuit school of Clongowes as master of rhetoric but is soon after expelled. He then goes to London and becomes a leading contributor to Fraser’s Magazine, under the signature of “Father Prout” (the original Father Prout, whom Mahony knew in his youth, born in 1757, was parish priest of Watergrasshill, County Cork). At one point he is director of this magazine.
Mahony is witty and learned in many languages. One form which his humour takes is the professed discovery of the originals in Latin, Greek, or mediaeval French of popular modern poems and songs. Many of these jeux d’esprit are collected as Reliques of Father Prout. He pretends that these poems had been found in Fr. Prout’s trunk after his death. He wittily describes himself as “an Irish potato seasoned with Attic salt.” Later he acts as foreign correspondent to various newspapers, and during the last eight years of his life his articles form a main attraction of The Globe.
In his native Cork Mahoney is best remembered for his poem “The Bells of Shandon” and his penname is synonymous with the city and the Church of St. Anne, Shandon.
Mahony spends the last two years of his life in a monastery and dies on May 18, 1866, in Paris reconciled to the Church.
The Reliques of Father Prout originally appear in two volumes in 1836 with illustrations by Maclise. They are reissued in Henry George Bohn‘s Bohn’s Libraries in 1860. Another volume, Final Reliques, is edited by Douglas Jerrold and published in 1876. The Works of Father Prout, edited by Charles Kent, is published in 1881. Facts and Figures from Italy (1847) is made from his Rome letters to London’s The Daily News.
Samuel Madden, writer, economist, and philanthropist commonly called “Premium” Madden, is born in Dublin on December 23, 1686. His father is John Madden, and his mother is Mary Molyneux.
In 1729, Madden writes a tragedy entitled Themistocles, the Lover of His Country. In 1733, he writes Memoirs of the Twentieth Century, one of the first science fiction novels. However, it is suppressed by Sir Robert Walpole, and is now very rare. A reprint of the original sheets appears with publishing company Garland Science in 1972 (ISBN 0824005708). The work is originally designed to have six volumes yet is discontinued after the first volume.
In 1738, Madden writes his most famous work, Reflections and Resolutions Proper for the Gentlemen of Ireland, in which he describes the poor living conditions in Ireland at the time.
Dr. Samuel Johnson writes of Madden, “His was a name which Ireland ought to honour.” He suggests that the Royal Dublin Society initiate a scheme to fund improvements in agriculture and arts in Ireland via the use of premiums – the source of his nickname Premium.
Samuel Madden dies at the age of 79 on December 31, 1765, at Manor Waterhouse in County Fermanagh.
(Pictured: Portrait of Samuel Madden wearing clerical robes, Oil on Canvas,Philip Hussey (Irish, 1713–1783))
Beckett is born on Good Friday, April 13, 1906, in Foxrock, Dublin. His father, William Frank Beckett, works in the construction business and his mother, Maria Jones Roe, is a nurse. Beckett attends Earlsfort House School in Dublin and then, at age 14, he goes to Portora Royal School, the same school attended by Oscar Wilde. He receives his bachelor’s degree from Trinity College, Dublin in 1927. In his youth he periodically experiences severe depression keeping him in bed until mid-day. This experience later influences his writing.
In 1928, Beckett finds a welcome home in Paris where he meets and becomes a devoted student of James Joyce. In 1931, he embarks on a restless sojourn through Great Britain, France and Germany. He writes poems and stories and does odd jobs to support himself. On his journey, he comes across many individuals who inspire some of his most interesting characters.
In 1937, Beckett settles in Paris. Shortly thereafter, he is stabbed by a pimp after refusing his solicitations. While recovering in the hospital, he meets Suzanne Dechevaux-Dumesnuil, a piano student in Paris. The two become life-long companions and eventually marry. After meeting with his attacker, Beckett drops the charges, partly to avoid the publicity.
During World War II, Beckett’s Irish citizenship allows him to remain in Paris as a citizen of a neutral country. He fights in the resistance movement until 1942 when members of his group are arrested by the Gestapo. He and Suzanne flee to the unoccupied zone until the end of the war.
After the war, Beckett is awarded the Croix de Guerre for bravery during his time in the French resistance. He settles in Paris and begins his most prolific period as a writer. In five years, he writes Eleutheria, Waiting for Godot, Endgame, the novels Molloy, Malone Dies, The Unnamable, and Mercier et Camier, two books of short stories, and a book of criticism.
Beckett’s first publication, Molloy, enjoys modest sales, but more importantly praise from French critics. Soon, Waiting for Godot, achieves quick success at the small Theatre de Babylone putting Beckett in the international spotlight. The play runs for 400 performances and enjoys critical praise.
Beckett writes in both French and English, but his most well-known works, written between World War II and the 1960s, are written in French. Early on he realizes his writing has to be subjective and come from his own thoughts and experiences. His works are filled with allusions to other writers such as Dante Alighieri, René Descartes, and James Joyce. Beckett’s plays are not written along traditional lines with conventional plot and time and place references. Instead, he focuses on essential elements of the human condition in dark humorous ways. This style of writing has been called “Theater of the Absurd” by Martin Esslin, referring to poet Albert Camus’ concept of “the absurd.” The plays focus on human despair and the will to survive in a hopeless world that offers no help in understanding.
The 1960s are a period of change for Beckett. He finds great success with his plays across the world. Invitations come to attend rehearsals and performances which lead to a career as a theater director. In 1961, he secretly marries Suzanne Dechevaux-Dumesnuil who takes care of his business affairs. A commission from the BBC in 1956 leads to offers to write for radio and cinema through the 1960s.
Beckett continues to write throughout the 1970s and 1980s, mostly in a small house outside Paris. There he can give total dedication to his art of evading publicity. In 1969, he is awarded the Nobel Prize in Literature, though he declines accepting it personally to avoid making a speech at the ceremonies. However, he should not be considered a recluse. He often times meets with other artists, scholars and admirers to talk about his work.
By the late 1980s, Beckett is in failing health and is moved to a small nursing home. His wife Suzanne dies on July 17, 1989. His life is confined to a small room where he receives visitors and writes. Suffering from emphysema and possibly Parkinson’s disease, he dies on December 22, 1989.
Harrison goes to Westminster School and then to Balliol College, Oxford. While there he develops an admiration for Charles Stewart Parnell and becomes secretary of the Oxford University Home Rule League. At this time, the Land War is in progress and in 1889 he goes to Ireland to visit the scene of the evictions in Gweedore, County Donegal. He becomes involved in physical confrontations with the Royal Irish Constabulary and as a result becomes a Nationalist celebrity overnight. The following May, Parnell offers the vacant parliamentary seat of Mid Tipperary to Harrison, who leaves Oxford at age 22, to take it up, unopposed.
Only six months later, following the divorce case involving Katharine O’Shea, the Irish Parliamentary Party splits over Parnell’s leadership. Harrison strongly supports Parnell, acts as his bodyguard and aide-de-camp, and after Parnell’s death devotes himself to the service of his widow Katharine. From her he hears a completely different version of the events surrounding the divorce case from that which had appeared in the press, and this is to form the seed of his later books.
Harrison then makes a return to Irish politics, working with Sir Horace Plunkett as Secretary of the Irish Dominion League, an organisation campaigning for dominion status for Ireland within the British Empire. He is a lifelong opponent of Irish partition. He is Irish correspondent of The Economist from 1922 to 1927 and owner-editor of Irish Truth from 1924 to 1927.
Harrison’s two books defending Parnell are published in 1931 and 1938. They have had a major impact on Irish historiography, leading to a more favourable view of Parnell’s role in the O’Shea affair. F. S. L. Lyons comments that he “did more than anyone else to uncover what seems to have been the true facts” about the Parnell-O’Shea liaison. The second book, Parnell, Joseph Chamberlain and Mr Garvin, is written in response to J. L. Garvin‘s biography of Joseph Chamberlain, which had ignored his first book, Parnell Vindicated: The Lifting of the Veil. Later, he successfully repulses an attempt in the official history of The Times to rehabilitate that newspaper’s role in using forged letters to attack Parnell in the late 1880s. In 1952 he forces The Times to publish a four-page correction written by him as an appendix to the fourth volume of the history.
During the difficult years of the Anglo-Irish Trade War over the land purchase annuities, declaration of the Republic, Irish neutrality during World War II, and departure from the Commonwealth, Harrison works to promote good relations between Britain and Ireland. He publishes various books and pamphlets on the issues in dispute and writes numerous letters to The Times. He also founds, with General Sir Hubert Gough, the Commonwealth Irish Association in 1942.
At the time of his death on February 20, 1954, Harrison is the last survivor of the Irish Parliamentary Party led by Parnell, and as a member of the pre-1918 Irish Parliamentary Party, he seems to have been outlived only by John Patrick Hayden, who dies a few months after him in 1954 and by Patrick Whitty and John Lymbrick Esmonde who are only MPs for a very short time during World War I. He is buried in Holywood, County Down.
Yeats is born at Sandymount in County Dublin on June 13, 1865. His father, John Butler Yeats, is a lawyer and a well-known portrait painter. He is educated in London and in Dublin but spends his summers in the west of Ireland in the family’s summer house at Connacht. The young Yeats is very much part of the fin de siècle in London. At the same time, he is active in societies that attempt an Irish literary revival. His first volume of verse appears in 1887, but in his earlier period his dramatic production outweighs his poetry both in bulk and in import.
After 1910, Yeats’s dramatic art takes a sharp turn toward a highly poetical, static, and esoteric style. His later plays are written for small audiences. They experiment with masks, dance, and music, and are profoundly influenced by the Japanese Noh plays. Although a convinced patriot, he deplores the hatred and the bigotry of the Nationalist movement, and his poetry is full of moving protests against it. He is appointed to the Irish Senate, Seanad Éireann, in 1922.
Yeats is one of the few writers whose greatest works are actually written after the award of the Nobel Prize. Whereas he receives the Prize chiefly for his dramatic works, his significance today rests on his lyric achievement. His poetry, especially the volumes The Wild Swans at Coole (1919), Michael Robartes and the Dancer (1921), The Tower (1928), The Winding Stair and Other Poems (1933), and Last Poems and Plays (1940), make him one of the outstanding and most influential twentieth-century poets writing in English. His recurrent themes are the contrast of art and life, masks, cyclical theories of life (the symbol of the winding stairs), and the ideal of beauty and ceremony contrasting with the hubbub of modern life.
Wilde is born on October 16, 1854, at 21 Westland Row, Dublin (now home of the Oscar Wilde Centre, Trinity College), the second of three children born to Anglo-Irish Sir William Wilde and Jane Wilde, two years behind his brother William. His parents are successful Anglo-Irish intellectuals in Dublin. He learns to speak fluent French and German. At university, he reads Greats. He demonstrates himself to be an exceptional classicist, first at Trinity College Dublin, then at Magdalen College, Oxford. He becomes associated with the emerging philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, he moves to London into fashionable cultural and social circles.
As a spokesman for aestheticism, Wilde tries his hand at various literary activities: he publishes a book of poems, lectures in the United States and Canada on the new “English Renaissance in Art” and interior decoration, and then returns to London where he works prolifically as a journalist. Known for his biting wit, flamboyant dress and glittering conversational skill, he becomes one of the best-known personalities of his day.
At the turn of the 1890s, Wilde refines his ideas about the supremacy of art in a series of dialogues and essays, and incorporates themes of decadence, duplicity, and beauty into what would be his only novel, The Picture of Dorian Gray (1890). The opportunity to construct aesthetic details precisely, and combine them with larger social themes, draw him to write drama. He writes Salome (1891) in French while in Paris, but it is refused a licence for England due to an absolute prohibition on the portrayal of Biblical subjects on the English stage. Unperturbed, he produces four society comedies in the early 1890s, which make him one of the most successful playwrights of late-Victorian London.
At the height of his fame and success, while The Importance of Being Earnest (1895) is still being performed in London, Wilde has John Douglas, 9th Marquess of Queensberry prosecuted for criminal libel. The Marquess is the father of Wilde’s lover, Lord Alfred Douglas. The libel trial unearths evidence that causes him to drop his charges and leads to his own arrest and trial for gross indecency with men. After two more trials he is convicted and sentenced to two years of hard labour, the maximum penalty, and is jailed from 1895 to 1897. During his last year in prison, he writes De Profundis, published posthumously in 1905, a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. On his release, he leaves immediately for France, never to return to Ireland or Britain. There he writes his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life.
By November 25, 1900, Wilde has developed meningitis, then called “cerebral meningitis”. On November 29, he is conditionally baptised into the Catholic Church by Fr. Cuthbert Dunne, a Passionist priest from Dublin. He dies of meningitis on November 30, 1900. Different opinions are given as to the cause of the disease. Richard Ellmann claims it is syphilitic. Merlin Holland, Wilde’s grandson, believes this to be a misconception, noting that Wilde’s meningitis followed a surgical intervention, perhaps a mastoidectomy. Wilde’s physicians, Dr. Paul Cleiss and A’Court Tucker, report that the condition stems from an old suppuration of the right ear treated for several years and makes no allusion to syphilis.
Wilde is initially buried in the Cimetière parisien de Bagneux outside Paris. In 1909 his remains are disinterred and transferred to Père Lachaise Cemetery, inside the city. In 2011, the tomb is cleaned of the many lipstick marks left there by admirers and a glass barrier is installed to prevent further marks or damage.
In 2017, Wilde is among an estimated 50,000 men who are pardoned for homosexual acts that are no longer considered offences under the Policing and Crime Act 2017. The Act is known informally as the Alan Turing law.
Lewis is schooled by private tutors until age nine when his mother dies in 1908 from cancer. His father then sends him to live and study at Wynyard School in Watford, Hertfordshire. After the school is closed soon afterward, he attends Campbell College in the east of Belfast about a mile from his home, but leaves after a few months due to respiratory problems. He is then sent to the health-resort town of Malvern, Worcestershire, where he attends the preparatory school Cherbourg House. It is during this time that he abandons his childhood Christian faith and becomes an atheist. In September 1913, he enrolls at Malvern College. After leaving Malvern, he studies privately with William T. Kirkpatrick, his father’s old tutor and former headmaster of Lurgan College.
Lewis and fellow novelist J. R. R. Tolkien are close friends. They both serve on the English faculty at Oxford University and are active in the informal Oxford literary group known as the Inklings. He returns to Anglicanism at the age of 32, owing to the influence of Tolkien and other friends, and he becomes an “ordinary layman of the Church of England.” His faith profoundly affects his work, and his wartime radio broadcasts on the subject of Christianity bring him wide acclaim.
Lewis writes more than 30 books which have been translated into more than 30 languages and have sold millions of copies. The books that make up The Chronicles of Narnia have sold the most and have been popularised on stage, television, radio and cinema. His philosophical writings are widely cited by Christian apologists from many denominations.
In early June 1961, Lewis begins suffering from nephritis, which results in blood poisoning. He recovers but on July 15 of that year he falls ill and is admitted to the hospital where he suffers a heart attack the following day, lapses into a coma and awakens the next day. After he is discharged from the hospital his condition continues to decline. He is diagnosed with end-stage renal failure in mid-November. He collapses and dies in his bedroom on November 22. He is buried in the churchyard of Holy Trinity Church, Headington, Oxford.
Media coverage of Lewis’s death is almost completely overshadowed by news of the assassination of United States PresidentJohn F. Kennedy, which takes place approximately 55 minutes after Lewis’s collapse.
Trench is educated at Haileybury and Keble College, Oxford, and is elected a fellow of All Souls College, Oxford. In 1891, after some years spent in traveling, he is appointed an examiner in the Board of Education. He gives up this appointment in 1908 in order to devote himself to literary work.
From his school days Trench has been a writer of verse, and his first volume of poems, Deirdre Wed and other Poems, appears in 1901. It is followed by further poems, notably Apollo and the Seaman, included in New Poems (1907), and Lyrics and Narrative Poems (1911). Among his later publications are an Ode from Italy in time of War (1915), Poems with Fables in Prose (1917) and a poetic play Napoleon (1919), which is produced in London by the Stage Society in 1919. Some of his poems are set to music by Arnold Bax.
Butler is the son of Richard and Ellen Butler. The great famine of 1847 and scenes of suffering and eviction are amongst his earliest recollections. He is educated chiefly by the Jesuits at Tullabeg College.
On June 11, 1877, Butler marries Elizabeth Thompson, an accomplished painter of battle scenes, notably The Roll Call (1874), Quatre Bras (1875), Rorke’s Drift (1881), The Camel Corps (1891), and The Dawn of Waterloo (1895). They have six children. His daughter, Elizabeth Butler, marries Lt.-Col. Randolph Albert Fitzhardinge Kingscote (1867-1940) on July 24, 1903.
In 1898 Butler succeeds General William Howley Goodenough as commander-in-chief in South Africa, with the local rank of lieutenant general. For a short period (December 1898 – February 1899), during the absence of Sir Alfred Milner in England, he acts as high commissioner, and as such, and subsequently in his military capacity, he expresses views on the subject of the probabilities of war which are not approved by the home government. He is consequently ordered home to command the Western District and holds this post until 1905. He also holds the Aldershot Command for a brief period from 1900 to 1901. He is promoted to lieutenant general in 1900 and continues to serve, finally leaving the King‘s service in 1905.
In October 1905, having reached the age limit of sixty-seven, Butler is placed on the retired list. The few years of life which remain to him he spends at Bansha Castle in Ireland, devoted chiefly to the cause of education. He is a frequent lecturer both in Dublin and the provinces on historical, social, and economic questions. He is known as a Home Ruler and an admirer of Charles Stewart Parnell. He is a member of the Senate of the National University of Ireland, and a commissioner of the Board of National Education. In June 1906, he is appointed Knight of the Grand Cross of the Order of the Bath, and in 1909 he is made a member of the Privy Council of Ireland.
William Butler dies at Bansha Castle in Bansha, County Tipperary, on June 10, 1910, and is buried at the cemetery of Killaldriffe, a few miles distant and not far from his ancestral home.
Butler had long been known as a descriptive writer, since his publication of The Great Lone Land (1872) and other works and he was the biographer (1899) of Sir George Pomeroy Colley. He had started work on his autobiography a few years before his death but died before it was completed. His youngest daughter, Eileen, Viscountess Gormanston, completes the work and has it published in 1911.
(Pictured: William Francis Butler, Source: Archives of Manitoba, Personalities – Butler, W. F. 1, N10492)
As Alfred Willmore, he is one of the leading child actors on the English stage, in the company of Noël Coward. He appears for several seasons in Peter Pan. He studies painting at London’s Slade School of Fine Art, continuing to paint throughout his lifetime. In the 1920s he travels all over Europe. He is captivated by Irish culture and learns the Irish language which he speaks and writes fluently. He changes his name to an Irish version, presenting himself in Ireland as a descendant of Irish Catholics from Cork. Later in his life, he writes three autobiographies in Irish and translates them into English.
While acting in Ireland with the touring company of his brother-in-law Anew MacMaster, Mac Liammóir meets the man who becomes his partner and lover, Hilton Edwards. Their first meeting takes place in the Athenaeum, Enniscorthy, County Wexford. Deciding to remain in Dublin, where they live at Harcourt Terrace, the pair assists with the inaugural production of Galway‘s Irish language theatre, An Taibhdhearc. The play is Mac Liammóir’s version of the mythical story Diarmuid agus Gráinne, in which Mac Liammóir plays the lead role as Diarmuid.
Mac Liammóir and Edwards then throw themselves into their own venture, co-founding the Gate Theatre in Dublin in 1928. The Gate becomes a showcase for modern plays and design. Mac Liammóir’s set and costume designs are key elements of the Gate’s success. His many notable acting roles include Robert Emmet/The Speaker in Denis Johnston‘s The Old Lady Says “No!” and the title role in Hamlet.
In 1948, Mac Liammóir appears in the NBC television production of Great Catherine with Gertrude Lawrence. In 1951, during a break in the making of Othello, he produces Orson Welles‘s ghost-story Return to Glennascaul which is directed by Hilton Edwards. He plays Iago in Welles’s film version of Othello (1951). The following year, he goes on to play ‘Poor Tom’ in another Welles project, the TV film of King Lear (1953) for CBS.
Mac Liammóir claims when talking to Irish playwright Mary Manning, to have had a homosexual relationship with General Eoin O’Duffy, former Garda Síochána Commissioner and head of the paramilitary Blueshirts in Ireland, during the 1930s. The claim is revealed publicly by RTÉ in a documentary, The Odd Couple, broadcast in 1999. However, Mac Liammóir’s claims have not been substantiated.
Mac Liammóir’s life and artistic development are the subject of a major study by Tom Madden, The Making of an Artist. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christopher Fitz-Simon.
Micheál Mac Liammóir dies at the age of 78 on March 6, 1978. Edwards and Mac Liammóir are buried alongside each other at St. Fintan’s Cemetery, Sutton, Dublin.
seamus dubhghaill 