Wynne-Jones is born to landowner Charles Llewellyn Wynne-Jones and Sybil Mary Gella Scott. The family spends half the year in Wales and half the year in Thornhill, Stalbridge, Dorset, England. She has two brothers, Andrew and Ronald (“Polly”), both of whom die in Africa during World War II.
Wynne-Jones is educated at home. Her skill in art leads to her getting lessons in Sherborne from a children’s book illustrator. Her music is encouraged by the family doctor, and she begins to compose and study the violin, receiving lessons in Bournemouth with the first violinist of the symphony orchestra and continues in Aberystwyth after the start of World War II. She goes on to study the violin and composition at the Royal Academy of Music, London (1940–43). While in London she also serves as a Voluntary Aid Detachment nurse until 1943 and later as a draughtswoman at the Ordnance Survey.
After the war Wynne-Jones purchases and manages a bookshop on the King’s Road in Chelsea, but it is not a financial success. She returns to painting, studying at the Heatherley School of Fine Art, London (1951-52) and the Chelsea School of Art (1952–55). She travels extensively through Portugal and Italy painting landscapes. An interest in completing landscapes in an abstract manner leads her to study with Peter Lanyon in St. Ives, Cornwall.
Wynne-Jones begins study in Cornwall in 1957 and remains there for fifteen years. Her first public exhibition is in a group show (1957) at the Pasmore Edwards Gallery, Newlyn. Other group shows are Jefferson Place Gallery, Washington, D.C., (1959), and in Falmouth, Cornwall (1960). Her solo exhibitions are at the New Vision Centre, London (1962 and 1965), Florence (1963) and Dolgellau (1964). From the 1960s through the 1990s she exhibits in Great Britain, Italy, Belgium, Germany, Ireland, Spain, Holland, South Africa, and the United States.
In 1962 Wynne-Jones purchases Trevaylor House near Penzance and provides accommodation for other artists including renowned Irish painter Tony O’Malley, sculptor Conor Fallon, and English poet and writer W. S. ‘Sydney’ Graham. In the 1970s she exhibits in Ireland at the Project Arts Centre, Dublin (1970) and at the Emmet Gallery, Dublin (1975 and 1977). During the 1980s she exhibits at the Lincoln and Hendricks galleries in Dublin before joining the Taylor Galleries, run by John and Patrick Taylor. She is elected honorary member of the Royal Hibernian Academy (RHA) in 1994 and becomes a member of Aosdána in 1996. Originally an abstract artist, her contact with the Irish countryside slowly transforms her work to that of a landscape artist, albeit with an influence of abstraction attached to it. She becomes well known in Irish art circles as an eminent Irish landscape artist.
Wynne-Jones is involved with artist Derek Middleton before moving to Cornwall. There she becomes romantically involved with Graham who is in an open marriage, however it is the death of her mentor Peter Lanyon that devastates her. She meets the sculptor Conor Fallon through their mutual friend Tony O’Malley. Fallon had arrived in Cornwall ostensibly to meet Lanyon. They marry in 1966. Their honeymoon in Provence is immortalised in expressionist paintings done by Wynne-Jones. The couple adopts a boy and a girl, siblings, John and Bridget. In 1972 she moves with her family to Kinsale, County Cork. It is in this area that a number of her paintings are created. She moves to Ballard House, near Rathdrum, County Wicklow in 1987. There she paints the mountain visible from her home.
Wynne-Jones dies at the age of 83 on November 9, 2006. She is buried in Ballinatone (Church of Ireland), Rathdrum.
(Pictured: “Klein Constantia with Table Mountain” by Nancy Wynne-Jones, acrylic on paper, 16 1/2″ x 23″)
León Ó Broin, senior civil servant, historian, and author, is born Leo Byrne on November 10, 1902, at 21 Aungier Street, Dublin, the second of four sons of James P. Byrne, a potato factor’s bookkeeper, and Mary Byrne (née Killeen), daughter of a seaman who abandoned his family.
After early education in convent school, Ó Broin attends Synge Street CBS, where he is especially adept at languages. After working in several minor clerical employments, he becomes a clerk in the Kingsbridge headquarters of the Great Southern Railway. Joining a local Sinn Féin club, he canvasses for the party in the College Green ward during the 1918 Irish general election. Sent from an early age to Irish language classes by his father, he attends the Irish summer college in Spiddal, County Galway, and joins the Gaelic League, becoming by early 1921 secretary of central branch. He writes articles for the league’s successive weekly organs, each in its turn suppressed by the authorities. Despite regarding such writing as practice work within a language he is yet learning, he is selected best writer of Irish at the 1920 Dublin feis.
Arrested with his father and two brothers just before Christmas 1920 when Black and Tans discover a letter in Irish on his person during a house raid, Ó Broin is imprisoned for several weeks in Wellington Barracks. Leaving his railway job, he works as a clerk in the clandestine office of the Dáil ÉireannDepartment of Agriculture (1921–22). During the Irish Civil War, with departmental work at a standstill, he joins the National Army as a commissioned officer assigned to general headquarters staff at Portobello Barracks. Having recently commenced legal studies at the King’s Inns and University College Dublin (UCD), he handles army legal matters, such as compensation claims for damage to property.
Called to the bar in 1924, Ó Broin enters the civil service. Assigned to the Department of Education (1925–27), he was involved in launching the Irish language publishing imprint An Gúm, intended to redress the paucity of reading material, apart from school texts, in the language. Transferred to the Department of Finance (1927), he serves as estimates officer and parliamentary clerk and is assistant secretary of the economy committee established by the Cumann na nGaedheal government to make recommendations on reductions in current expenditure. Appointed private secretary to the Minister for Finance (1931–32), he serves both Ernest Blythe and the first Fianna Fáil minister, Seán MacEntee. Promoted to assistant principal (1932), and to principal officer (1939), he represents the department on the Irish Folklore Commission, and serves on the interdepartmental committee that, after the disastrous Kirkintilloch bothy fire in 1937, investigates seasonal migration to Scotland. During the emergency he is regional commissioner for Galway and Mayo (1940–45), one of eight such officers charged with organising contingency preparations for dealing with the likely collapse of central administration in the event of invasion by any of the wartime belligerents.
Transferred out of Finance, Ó Broin becomes assistant secretary (1945–48) and secretary (1948–67) of the Department of Posts and Telegraphs, administering both the postal service and telecommunications. He works closely with Fianna Fáil minister Patrick Little to improve the range and quality of music offered by the broadcasting service, playing a large part in the decision to form and adequately staff a full Radio Éireann symphony orchestra. He represents Ireland in several post-war conferences in Europe and America that reorganise the international regulation of broadcasting activities. He is elected to the European Broadcasting Union‘s administrative council (1953). He establishes and serves on a departmental committee in 1953 that studies all facets of launching a television service.
A devout but liberal Catholic, Ó Broin is prominent for many years in the Legion of Mary, founded by his close friend and civil-service colleague Frank Duff. President of a legion presidium of writers, actors, and artists, he is first editor (1937–47) of the quarterly organ Maria Legionis. Sharing Duff’s ecumenism, he belongs to the Mercier Society, the Pillar of Fire Society, and Common Ground, groups organised by Duff in the early 1940s to facilitate discussion between Catholics and, respectively, protestants, Jews, and secular intellectuals. The first two are suspended amid disapproval by the Catholic Archbishop of Dublin, John Charles McQuaid.
On retirement from the civil service in 1967, Ó Broin concentrates on the parallel career of research and writing that he had cultivated over many years. Having begun writing articles and short stories in Irish from his earliest years in the Gaelic League, he publishes his first collection of short stories, Árus na ngábhad, in 1923. With the establishment of An Gúm, he publishes three more collections of original short stories and translations of such masters of the genre as Alexander Pushkin, Prosper Mérimée, Guy de Maupassant, and Jerome K. Jerome. He translates several popular modern novels, including Robert Louis Stevenson‘s Kidnapped and H. G. Wells‘s The War of the Worlds. Active as secretary, actor, and writer with the state-subsidised Gaelic Drama League (An Comhar Drámaíochta), which produces Irish language plays, he publishes many plays in Irish, both original and translated. His best-selling book in Irish is Miss Crookshank agus coirp eile (1951), about the mummified corpses in the vaults of St. Michan’s Church, Dublin.
Ó Broin writes prolifically on modern Irish history and biography. His Irish language biography of Charles Stewart Parnell (1937), the first full-scale study of its kind in Irish since the commencement of the language revival, is a landmark publication, praised for the quality of its prose by such critics as Frank O’Connor and Seán Ó Faoláin. His biography of Robert Emmet, published in Irish in 1954, and awarded the Douglas Hyde prize, pioneers the scholarly subversion of the romantic myth surrounding its subject, and includes consideration of the political and social context. The subjects of subsequent biographies include Richard Robert Madden, Charles Gavan Duffy, Joseph Brenan, Michael Collins, and Frank Duff.
Ó Broin takes a largely biographical approach to historical writing, researching neglected aspects of pivotal historical events, and basing his studies on previously unexploited primary sources, often the papers of a single individual, whose career serves as the linchpin of his narrative, filtering events through the perspective of that person. Another vein of his scholarship is his primary research into the history of Irish separatism, especially with sources in the Irish State Paper Office.
Ó Broin receives an honorary LL. D from the National University of Ireland (NUI) in 1967. Elected a member of the Royal Irish Academy (RIA) in 1971, he is a council member (1974–76) and senior vice-president (1976–77) and chairs the group whose recommendations results in the academy’s establishment of the National Committee on International Affairs. He is president of the Irish Historical Society (1973–74), and a member of the Irish Manuscripts Commission.
In 1925 Ó Broin marries Cait Ní Raghallaigh, an office assistant reared in Baltinglass, County Wicklow, whom he met in the Gaelic League. They have two sons and three daughters. After residing in the south city suburbs, they move to Booterstown, County Dublin in the 1930s, and from there to the Stillorgan Road in the 1950s.
Ó Broin dies February 26, 1990, in Dublin, and is buried in Deans Grange Cemetery. His papers are in the National Library of Ireland (NLI). His eldest son, Eimear Ó Broin, is an accomplished musicologist and assistant conductor of the several Radio Éireann orchestras (1953–89).
(From: “Ó Broin, León” by Lawrence William White, Dictionary of Irish Biography, http://www.dib.ie)
Sir William Basil Goulding, Irish cricketer, squash player, art collector and prominent businessman, is born in Dublin on November 4, 1909. He is an important art collector of contemporary art in Ireland and is renowned for his extensive collection which is dispersed posthumously. He is an adept businessman and sits on the boards of many companies.
Goulding is educated at Winchester College and Christ Church, Oxford. He inherits the family business W & HM Goulding Ltd. and succeeds his father as Chairperson in 1935. Goulding Ltd. is a well-established fertiliser manufacturer based in Dublin and Cork. The factory closes and is demolished in the mid-20th century and very little of it remains today. The land is donated to the people of Cork by Goulding in the late 1960s and is subsequently developed as an amenity park.
The Arts Act of 1951 establishes the Arts Council in response to the Bodkin Report which outlines the sad condition of the arts in Ireland. Goulding is a co-opted member of the Council from its formative years and is instrumental in acting on many of its policies.
Goulding is the founding Chairperson of the Contemporary Irish Art Society in 1962, along with Gordon Lambert, Cecil King, Stanley Mosse, James White and Michael Scott. The enthusiasm and vision of these founding members of the society is the catalyst which leads to the development of many important art collections in Ireland. The purpose of the society is to encourage a greater level of patronage of living Irish artists which, at the time, is extremely low. This is mainly achieved by raising funds to purchase artworks by living artists, which are then donated to public collections. The first purchase in 1962 is an important painting by Patrick Scott, donated to the Municipal Gallery of Modern Art (now the Hugh Lane Gallery). Over the following 12 years the society purchases 37 works for the gallery, until in 1974, Dublin Corporation starts to provide an annual purchasing fund for the gallery.
Following completion of the report ‘Design in Ireland,’ the Kilkenny Design Workshops (KDW) is set up in 1963. It endeavours to nurture native Irish crafts particularly textiles, metalwork, ceramics, glass and furniture to have a modern yet distinctly Irish sensibility. The KDW is the first State sponsored design agency in the world and is held as a model of governmental intervention in design. Goulding sits on the board of the KDW from its origination and occupies the role of Chairperson from 1977 until 1981.
A right-handed batsman and wicket-keeper, Goulding plays twice for the Ireland cricket team against the Marylebone Cricket Club (MCC) in 1934, the year in which his father is president of the Irish Cricket Union. He makes his debut in July in a two-day match, scoring seven runs in the Ireland second innings and taking one catch in the MCC first innings. The following month, he plays his only first-class match, not scoring in either inning. In addition to playing cricket, he also represents Ireland at squash, and captains Oxford University at football.
Bradshaw loses the 1949 The Open Championship following a playoff against Bobby Locke at Royal St. George’s Golf Club, after an extraordinary incident in the second round when his drive at the 5th hole comes to rest against broken glass from a beer bottle on the fairway. Rather than taking a drop (to which he is probably entitled) he elects to play the ball as it lay, but is only able to move it slightly forward, dropping the shot. The setback results in his tying with Locke with an aggregate of 283, thereby equaling the championship record. However he loses the playoff to Locke. Arguably the incident with the bottle costs Bradshaw the tournament.
Bradshaw dies at the age of 77 on December 22, 1990.
Ward wins 19 caps for Ireland between 1978 and 1987. He makes his international debut against Scotland at Lansdowne Road on January 21, 1978 at the age of 23. He helps Ireland win 12–9 and during the 1978 Five Nations Championship he scores 38 points, a record for a debutant. He makes one major tour with Ireland, to Australia in 1979. During his career as an Ireland international he scores 113 points, including 29 penalties, 7 conversions and 4 drop goals. He plays his last game for Ireland on June 3, 1987 in a 32–9 win over Tonga during the 1987 Rugby World Cup.
Leinsterman Ward also inspires Munster to a legendary win over New Zealand, scoring two drop goals and a conversion in a 12–0 victory at Thomond Park on October 31, 1978. To date Munster are the only Irish provincial men’s team ever to beat the All-Blacks, although having played them far more frequently than any other province and joining dozens of smaller Welsh clubs and English regions who defeated mid-week All Black teams over the same period.
Ward also plays one Test game for the British & Irish Lions during the 1980 South Africa tour. He sets a Lions Test record by scoring 18 points, including 5 penalties and a drop goal. It is also a record for any player against South Africa.
Ward is the first ever recipient of a European Rugby Player of the Year award for his performances in the 1979 Five Nations Championship.
Ward also plays association football for both Shamrock Rovers and Limerick United. In his last season with Rovers, 1974–75, he scores 6 league goals. He plays for Limerick United in the 1981–82 UEFA Cup and in 1982 he helps them win the FAI Cup.
Since retiring as a sportsman, Ward has worked as a sports journalist, most notably with the Irish Independent, and as a rugby commentator for Raidió Teilifís Éireann (RTÉ). He starts as a co-commentator for the 1988 Five Nations Championship, and remains in that role for many years.
Ward is currently involved in St. Gerard’s School in Bray, County Wicklow, where he is coaching the Senior Rugby team and has been doing so for a number of years. He constantly downplays his fame and success and does not even want to be in the room if another coach plays video footage of his legendary tries.
The Free State’s Provisional Government puts the “Public Safety Bill” before Dáil Éireann on September 27, 1922, which passes by 41 votes to 18. This is emergency legislation which allows for the execution of those captured bearing arms against the State. The legislation passes to the National Army powers of punishment for anyone “taking part in or aiding and abetting attacks on the National Forces,” having possession of arms or explosives “without the proper authority” or disobeying an Army General Order.
The legislation gives the Military Courts the right to impose the sentence of death, imprisonment or penal servitude on those found to be guilty of such offences, the sentence only requiring the signatures of two officers. By time the bill is a year old, 81 men are executed under its terms and over 12,000 men and women imprisoned.
The reason for such punitive legislation is the dragging on of the Irish Civil War caused by the Anglo-Irish Treaty. A pro-Treaty offensive against the anti-Treaty Irish Republican Army (IRA) in the summer of 1922 appears to have won the war for the government but the anti-Treatyites or republicans subsequently fall back on guerrilla tactics which the newly formed Free State or National Army have great difficulty in suppressing. Ernest Blythe, the Minister for Finance in the Provisional Government, later recalls, “there was for some time a feeling that the Civil War would speedily end as major resistance was broken, but actually it began to assume a chronic character.”
In the week preceding the Dáil’s motion, on September 21, six National Army soldiers are killed in a prolonged engagement with Republican fighters near Ballina, County Mayo. On the same day, the Free State barracks in Drumshambo, County Leitrim, is attacked and taken and one soldier is killed. On September 22, a National Army soldier is killed and several soldiers and three civilians injured in a gun and grenade attack by Republicans on Free State troops on Eden Quay in central Dublin. And on the day of the Bill itself coming before the Dáil, in County Kerry several hundred anti-Treaty IRA guerrillas attack the town of Killorglin and are only repulsed after 24 hours of fighting, when Free State troops arrive from Tralee.
At the time and since, the legislation passed in 1922 is known as the Public Safety Bill. However, no such Bill or Act can be found in the records of the Irish state. The Provisional Government have no legal right under the Treaty to enact new legislation without royal assent, the King being represented in the person of the Governor-General. And in theory the Provisional Government’s powers do not apply after the Treaty formally passes into law on December 6, 1922.
So technically speaking the Public Safety Bill is not a law but simply a resolution passed in the Dáil. However, since there was, as yet no Governor-General who could give his assent and as the government felt the situation was too grave for legal niceties, the legislation setting up military courts was passed anyway. It is not until August 1923, when the Free State passes an Act of Indemnity for all actions committed during the Irish Civil War and also pass new, formal special powers legislation – The Emergency Powers Act – that retrospectively legalises what it had enacted in the autumn of 1922.
After an amnesty of two weeks, in which anti-Treaty fighters could surrender without consequences, the legislation comes into force in mid-October. Republicans at first do not believe that the government is serious about enforcing what its foes term “the Murder Bill.” It is in practice nearly two months before it is used in earnest.
On November 17, 1922, four IRA men who had been captured in Dublin are shot by firing squad. By the end of the week, Erskine Childers, who had served as secretary to the delegation which signed the Treaty but later organized Republican propaganda against it, is also dead. He had been captured at his home in County Wicklow on November 11 in possession of a small pistol Michael Collins had given him before he departed for Treaty negotiations in London. He is sentenced and shot on November 24. On November 30 another three Republican prisoners are executed in Dublin.
Liam Lynch, IRA Chief of Staff, issues a general order that Teachtaí Dála (TDs) who had voted for the Bill be shot on sight. On December 6, in retaliation for the executions, IRA members assassinate the TD Sean Hales in Dublin. In reprisal for that four senior republicans, Rory O’Connor, Liam Mellows, Richard Barrett and Joe McKelvey, who had been captured long before the Public Safety legislation is passed are summarily shot.
The legislation passed on September 27, 1922, may well have helped, as its supporters claimed, to break anti-Treaty resistance and to bring the Irish Civil War to an end. However, it also helped to convert the conflict into a feud as bitter and as personal as a vendetta.
(From: “The passing of legislation allowing for executions during the Irish Civil War” by John Dorney, The Irish Story (www.theirishstory.com), September 27, 2013 | Photo: Richard Mulcahy, shown inspecting soldiers in Dublin, argued that permitting official executions would prevent National Army troops from carrying out unofficial killings)
Potter is born to a Presbyterian family who, oddly, lives on the Falls Road, a republican (Catholic) stronghold. His father is a church organist and piano tuner who has been blind since childhood. His mother is, in Potter’s own words, “a raging alcoholic.” He escapes a rather grim childhood when he goes to live with an aunt in Kent, England.
Potter had already started composing chamber and vocal music before the war. Now, established in Dublin, he chooses the orchestra as his principal means of expression. His early pieces, such as Rhapsody under a High Sky and Overture to a Kitchen Comedy, show that he has absorbed Vaughan Williams’ pastoral style and his love of folk music. In 1952, both pieces are awarded Radio Éireann‘s “Carolan Prize” for orchestral composition by the adjudicatorArnold Bax. A year later Potter repeats this success when his Concerto da Chiesa, a concerto for piano and orchestra, also wins the Carolan Prize.
In 1955 Potter is appointed Professor of Composition at the Royal Irish Academy of Music, where he becomes an effective administrator and inspiring teacher.
In the 1960s, Potter turns to ballet, writing four orchestral scores for the Cork Ballet company. The first of these, Careless Love, becomes the composer’s own favourite of all his compositions. Several years later, following a successful battle with alcoholism, he writes what some regard as his magnum opus, Sinfonia “de Profundis” (1969). The première is given at the Gaiety Theatre, Dublin on March 23, 1969 in a performance by the RTÉ Symphony Orchestra under the baton of Albert Rosen. The Irish Times refers to the concert as a “major national event.” In December 1969, he receives a Jacob’s Award for the composition.
Potter’s last substantial work, an opera entitled The Wedding, receives its first public performance in Dublin in 1981, almost a year after his death.
Potter dies suddenly at his home in Greystones, County Wicklow on July 5, 1980, at the age of 61. He is buried in the nearby Redford cemetery.
The Battle of Curlew Pass is fought on August 15, 1599, during the campaign of the Earl of Essex in the Nine Years’ War, between an English force under Sir Conyers Clifford and a rebel Irish force led by Hugh Roe O’Donnell. The English are ambushed and routed while marching through a pass in the Curlew Mountains, near the town of Boyle, in northwestern Ireland. The English forces suffer heavy casualties. Losses by allied Irish forces are not recorded but are probably minimal.
In April 1599, Robert Devereux, 2nd Earl of Essex, lands in Ireland with over 17,000 troops and cavalry to put down the rebellion of Hugh O’Neill and Red Hugh O’Donnell, which has spread from Ulster to all Ireland. To this end, he supports an Irish enemy of O’Donnell’s, Sir Donogh O’Connor (O’Connor Sligo), encouraging him to repossess those territories of his in Sligo that O’Donnell has occupied. Sligo Town is an excellent advance base, with Ballyshannon 20 miles to the northeast commanding an important river-ford at the principal western passage into O’Donnell’s country in Ulster. English military advisers have long urged the government councils in Dublin and London to capture these strategic points. O’Connor’s brother-in-law, Tibbot ne Long Bourke, is appointed joint-commander with an English captain of a force sailing from Galway, and O’Connor is expected to receive them in Sligo. However, O’Donnell quickly besieges O’Connor at Collooney Castle with over 2,000 men in an effort to starve him out, and Essex is put on the back foot. Essex has no option but to support the besieged O’Connor, one of the few Gaelic chieftains the Crown can rely upon for support. He orders the experienced Sir Conyers Clifford, who is based in Athlone, to relieve the castle with 1,500 English infantry and 200 cavalry. It is hoped that the operation would also distract the chief rebel, O’Neill, and afford the crown an opportunity to march into his Ulster territory across its southeastern border.
O’Donnell leaves 300 men at Collooney Castle under his cousin, Niall Garbh O’Donnell, and sends another 600 to Sligo town to prevent the landing of English reinforcements under Tibbot ne Long Bourke. He then marches to Dunavaragh with 1,500 of his men, where he is joined by additional forces under local chieftains Conor MacDermott and Brian Óg na Samhthach Ó Ruairc. The Irish then carefully prepare an ambush site in the Curlew Mountains, along the English line of march. O’Donnell has trees felled and placed along the road to impede their progress. When he gets word of the English passing through Boyle, O’Donnell positions his men. Musketeers, archers and javelin men are placed in the woods alongside the road to harass the English. The main body of Irish infantry, armed with pikes and axes, are placed out of sight behind the ridge of the mountain.
In hot harvest weather, Clifford’s force marches from Athlone through Roscommon, Tulsk and Boyle. At 4:00 PM on August 15, they reach the foot of the Curlew Mountains, which have to be crossed before Sligo can be approached. The expedition is poorly supplied, and Clifford’s men are tired and hungry, and probably in no fit state to continue. But Clifford has received false intelligence that the pass is undefended, and he therefore chooses to seize the opportunity and march across, promising his troops plenty of beef in the evening. This means that his men miss out on the rest that had been planned for them in Boyle, whereas the Irish are well fed and prepared.
The English come under gunfire, arrow and javelin attack as soon as they reach the first of O’Donnell’s barricades, between Boyle and Ballinafad. The barricade is immediately abandoned by the Irish but as the English moved past and proceed up the hill they sustain further casualties. The road consists of “stones of six or seven foot broad, lying above ground, with plashes of bog between them,” and is lined with woodland on one side. The further the English advance, the more intensive the rebels’ fire becomes, and some English soldiers begin to lose their nerve and slip away. Eventually, there is a firefight, lasting about 90 minutes, at the end of which the English vanguard has run out of gunpowder. The commander of the vanguard, Alexander Radcliffe, can no longer control his troops. They wheel about in a panic and collide with the main column, which breaks and flees. The commander leads a charge with his remaining pikemen but is shot dead. With the English ranks in disarray, the main body of Irish infantry, which has concealed itself on the reverse slope of the hill, closes in and fights hand to hand. Clifford tries to regain control over his men, but appears overcome by his circumstances. He manages to rally himself and is killed by a pike-thrust as he rushes the enemy. The English are routed, but the situation is prevented from becoming a complete disaster for them when the commander of the horse, Sir Griffin Markham, charges uphill and temporarily drives the rebels back.
Though the actions of the English cavalry allows many of their foot soldiers to escape, Clifford’s men are pursued as far as the town of Boyle, where they find shelter in Boyle Abbey. About 500 English are killed in the battle. Irish losses are not recorded, but are probably small, having been firing from prepared positions and then routing a disorganised and demoralised enemy.
Clifford’s head is cut off and delivered to O’Donnell, who has remained nearby but without taking part in the fight. While the head is brought to Collooney Castle to intimidate its defenders, the trunk is carried by MacDermott to the monastery of Lough Key, where he hopes to use it to ransom his own prisoners. At last, the trunk is given a decent burial in the monastery.
O’Connor Sligo surrenders the castle shortly afterwards and reluctantly joins with the rebels. After the victory, there is a noticeable increase in the rate of desertion by Irish troops from the ranks of Essex’s army, and the earl orders that the surviving troops be divided up as fit only to hold walls.
The battle is a classic Gaelic Irish ambush, similar to the Battle of Glenmalure in 1580 or the Battle of the Yellow Ford in 1598. According to the Annals of the Four Masters, the victory is put down to the intercession of the Blessed Mary, rather than to arms. But Clifford had been overconfident, a trait in him that Essex once warned against, and it is clear that English military commanders are choosing to learn the hard way about the increased effectiveness of Irish rebel forces. Queen Elizabeth I‘s principal secretary, Sir Robert Cecil, rates this defeat (and the simultaneous defeat of Sir Henry Harrington in the Battle of Deputy’s Pass in County Wicklow) as the two heaviest blows ever suffered by the English in Ireland, and seeks to lay the blame indirectly on Essex. It leaves O’Donnell and O’Neill free from any threat from the Connacht side, and renders a land-based attack through Armagh highly improbable, a factor that weighs with Essex as he marches northward later in the year and enters a truce with O’Neill.
In August 1602, the Curlew Pass is the scene of the last victory won by the rebels during the war, when a panicking English force is again routed and suffers significant losses. This time the rebels are led by Rory O’Donnell who commands 400 musketeers.
Today the battlefield at Curlew Pass is overlooked by an impressionistic sculpture by Maurice Harron called “The Gaelic Chieftain”, unveiled in 1999.
Byrne joins the Society of the United Irishmen in the spring of 1797 and later that same year is appointed by the Leinster committee to organise the half barony of Rathdown. As a delegate for Rathdown barony, he is a well respected and competent figure. With the assistance of his Protestant friend Thomas Miller of Powerscourt, he undertakes the organisation of military and civil branches of the United Irishmen in Rathdown, recruiting 2,000 men by late 1797. In October 1797 he is forced to resign from the yeomen after refusing to swear the oath of loyalty and his activities begin to come to the attention of Dublin Castle.
According to the informant A.B. (Thomas Murray), Byrne attends the inaugural meeting of the United Irishmen’s Wicklow county committee in December. It is held in the Annacurra home of William’s first cousin, John Loftus. Murray’s information tells that Byrne established networks of contacts between the Leinster committee and the Cork United Irishmen along with other contacts in Munster.
Byrne’s career comes to an end when he, along with fourteen other Leinster delegates, are arrested on March 12, 1798 at the house of Oliver Bond. They had been betrayed by Thomas Reynolds, treasurer of Kildare United Irishmen and member of the provincial committee. Reynolds had been informed that plans for an insurrection were about to be finalised by the committee. Byrne is arrested in possession of incriminating documents which are described by Attorney-General for IrelandArthur Wolfe as being ‘very treasonable printed papers.’
On July 4, 1798 Byrne with four others is brought before a commission of oyer and terminer on charges of high treason. The case mounted by the state against him is based principally on the evidence of Reynolds and also that given by his former comrade William Miller of Powerscourt. The weight of the evidence is overwhelming, rendering an effective defence impossible.
Byrne’s lawyer, John Philpot Curran KC, the leading defence counsel of the period, attempts to cast Reynold’s character and motives in a foul light but it is futile. In his last days, efforts are made to spare his life if he would only express regret for his actions and accuse Lord Edward FitzGerald for having led him to this point. He refuses, meeting his end with great dignity and stoicism.
Byrne is convicted of high treason and executed on July 25, 1798 outside Green Street Courthouse, Dublin.
The Dublin Magazine notes that Byrne “met his fate with a degree of courage perhaps unequalled.” For his service to the state, Reynolds is honoured by Dublin Corporation with the freedom of the city on October 19, 1798, spending much of his life thereafter in fear of assassination.
Keane’s mother is a poet who writes under the pseudonym Moira O’Neill. Her father is a fanatic for horses and hunting. She grows up at Ballyrankin in County Wexford and refuses to go to boarding school in England as her siblings had done. She is educated by her mother, governesses, and at a boarding school in Bray, County Wicklow. Relationships between her and her parents are cold and she states that she had no fun in her life as a child. Her own passion for hunting and horses is born out of her need for fun and enjoyment. Reading does not feature much in her family and, although her mother writes poetry, it is of a sentimental nature, “suitable to a woman of her class.”
Keane claims she had never set out to be a writer, but at seventeen she is bedbound due to suspected tuberculosis, and turns to writing out of sheer boredom. It is then she writes her first book, The Knight of Cheerful Countenance, which is published by Mills & Boon. She writes under the pseudonym “M. J. Farrell,” a name over a pub that she had seen on her return from hunting. She explains writing anonymously because “for a woman to read a book, let alone write one was viewed with alarm: I would have been banned from every respectable house in County Carlow.”
In her teenage years Keane spends much of her time in the Perry household in Woodruff, County Tipperary. Here she befriends the two children of the house, Sylvia and John Perry. She later collaborates with John in writing a number of plays. Among them is Spring Meeting, directed by John Gielgud in 1938, and one of the hits of the West End that year. She and Gielgud become life long friends.
It is through the Perry family that Molly meets Bobby Keane, whom she marries in 1938. He belongs to a County Waterfordsquirearchical family, the Keane baronets. The couple goes on to have two daughters, Sally and Virginia.
Keane loves Jane Austen, and like Austen’s, her ability lay in her talent for creating characters. This, with her wit and astute sense of what lay beneath the surface of people’s actions, enables her to depict the world of the big houses of Ireland in the 1920s and 1930s. She “captured her class in all its vicious snobbery and genteel racism.” She uses her married name for her later novels, several of which, including Good Behaviour and Time After Time, have been adapted for television. Between 1928 and 1956, she writes eleven novels, and some of her earlier plays, under the pseudonym “M. J. Farrell.” She was a member of Aosdána.
Keane’s husband dies suddenly in 1946, after which she moves to Ardmore, County Waterford, a place she knows well, and lives there with her two daughters. Following the failure of a play shortly after her husband’s death, she publishes nothing for twenty years. In 1981 Good Behaviour comes out under her own name. The manuscript, which had languished in a drawer for many years, is lent to a visitor, the actress Peggy Ashcroft, who encourages her to publish it. The novel is warmly received and is short-listed for the Man Booker Prize.
Keane dies at the age of 91 on April 22, 1996 in her Cliffside home in Ardmore. She is buried beside the Church of Ireland church, near the centre of the village.
seamus dubhghaill 