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Birth of William Dargan, 19th Century Engineer

william-dargan

William Dargan, arguably the most important Irish engineer of the 19th century and certainly the most important figure in railway construction, is born at Killeshin near Carlow in County Laois (then called Queen’s County) on February 28, 1799. He designs and builds Ireland’s first railway line from Dublin to Dún Laoghaire in 1833. In total he constructs over 1,300 km (800 miles) of railway to important urban centres of Ireland. He is a member of the Royal Dublin Society and also helps establish the National Gallery of Ireland. He is also responsible for the Great Dublin Exhibition held on the lawn of Leinster House in 1853. His achievements are honoured in 1995, when the Dargan Railway Bridge in Belfast is opened, and again in 2004 when the William Dargan Bridge in Dublin, a new cable stayed bridge for Dublin’s Light Railway Luas, are both named after him.

Dargan is the eldest in a large family of tenant farmers on the Earl of Portarlington‘s estate. He attends a local hedge school in Graiguecullen near Carlow, where he excels in mathematics and accounting. He subsequently works on his father’s 101-acre farm before securing a position in a surveyor’s office in Carlow. With the assistance of prominent local people, particularly John Alexander, a prominent Carlow miller, and Henry Parnell MP for County Laois, he begins working with the Scottish engineer Thomas Telford on the Holyhead side of the London-Holyhead road. He works there between 1819 and 1824.

In 1824 Telford asks Dargan to begin work on Howth Road, from Raheny to Sutton in Dublin. He earns the relatively large sum of £300 for his work on this road and this provides the capital for future public works investments. Henry Parnell describes the road as “a model for other roads in the vicinity of Dublin.” Around the same time Dargan contributes roads in Dublin, Carlow and Louth as a surveyor. He also serves as assistant manager for about three years on the Birmingham & Liverpool Junction Canal and the Middlewich Branch, which are two canals in the English midlands.

On October 13, 1828, Dargan marries Jane Arkinstall in the Anglican Church of St. Michael & All Angels, Adbaston, Staffordshire. He and Jane do not produce any offspring.

When Dargan comes back to Ireland, he is occupied by minor construction projects, including rebuilding the main street of Banbridge and the 13 kilometers long Kilbeggan branch of the Grand Canal. After Irish parliament decides to launch a plan for the very first railway, the Dublin & Kingstown Railway in 1825, he becomes increasingly invested in the project. To fight against the skepticism of any railway program in Ireland, he spends a considerable amount of unpaid time promoting this first railway of Ireland, working along with engineer Charles Vignoles to plan the route. After a persistent effort, the Dublin & Kingstown Railway is opened on December 17, 1834, with eight trains running in each direction.

Dargan next constructs the water communication between Lough Erne and Belfast, afterwards known as the Ulster Canal, a signal triumph of engineering and constructive ability.

Other great works follow – the Dublin and Drogheda Railway, the Great Southern and Western Railway and the Midland Great Western Railway. By 1853 Dargan has constructed over six hundred miles of railway, and he has contracts for two hundred more. He pays the highest wages with the greatest punctuality and his credit is unbounded. At one point he is the largest railway projector in Ireland and one of its greatest capitalists.

Dargan has a strong sense of patriotism to Ireland. He is offered a knighthood by the British Viceroy in Ireland, but declines. Following this, Britain’s Queen Victoria visits Dargan at his residence, Dargan Villa, Mount Annville on August 29, 1853. She offers him a baronetcy, but he declines this also. Wishing to encourage the growth of flax, he then takes a tract of land which he devotes to its culture, but owing to some mismanagement the enterprise entails a heavy loss. He also becomes a manufacturer, and sets some mills working in Chapelizod, in the neighbourhood of Dublin, but that business does not prosper.

In his later years Dargan devotes himself chiefly to the working and extension of the Dublin, Wicklow and Wexford Railway, of which he is chairman. In 1866 he is seriously injured by a fall from his horse. He dies at 2 Fitzwilliam Square East, Dublin, on February 7, 1867, and is buried in Glasnevin Cemetery. His widow, Jane, is granted a civil list pension of £100 on June 18, 1870.


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Death of Thomas Moore, Poet, Singer & Songwriter

thomas-moore

Thomas Moore, Irish poet, singer, songwriter, and entertainer, dies at Sloperton Cottage, Bromham, Wiltshire, England on February 25, 1852. He is best remembered for the lyrics of “The Minstrel Boy” and “The Last Rose of Summer.” He is a close friend of Lord Byron and Percy Bysshe Shelley.

The son of a Roman Catholic wine merchant, Moore is born at 12 Aungier Street in Dublin on May 28, 1779. From a relatively early age he shows an interest in music and other performing arts. He attends several Dublin schools including Samuel Whyte’s English Grammar School in Grafton Street where he learns the English accent with which he speaks for the rest of his life. In 1795 he graduates from Trinity College, Dublin in an effort to fulfill his mother’s dream of his becoming a lawyer.

Upon graduation from Trinity, Moore studies law in London. His major poetic work, Irish Melodies (1807–34), earns him an income of £500 annually for a quarter of a century. It contains such titles as “The Last Rose of Summer” and “Oft in the Stilly Night.” The Melodies, a group of 130 poems set to the music of Moore and Sir John Andrew Stevenson and performed for London’s aristocracy, arouses sympathy and support for the Irish nationalists, among whom Moore is a popular hero.

Lalla-Rookh (1817), a narrative poem set in an atmosphere of Oriental splendour, gives Moore a reputation among his contemporaries rivaling that of Byron and Sir Walter Scott. It is perhaps the most translated poem of its time, and it earns what is up until then the highest price paid by an English publisher for a poem (£3,000). His many satirical works, such as The Fudge Family in Paris (1818), portray the politics and manners of the Regency era.

In 1824 Moore becomes a participant in one of the most celebrated episodes of the Romantic era. He is the recipient of Byron’s memoirs, but he and the publisher John Murray burn them, presumably to protect Byron. He later brings out the Letters and Journals of Lord Byron: With Notices of his Life (1830), in which he includes a life of the poet. His lifelong espousal of the Catholic cause leads him to produce such brilliant works as his parody of agrarian insurgency, The Memoirs of Captain Rock (1824), and his courageous biography of the revolutionary leader of the Irish Rebellion of 1798, The Life and Death of Lord Edward Fitzgerald (1831).

Moore finally settles in Sloperton Cottage at Bromham, Wiltshire, England, and becomes a novelist and biographer as well as a successful poet. Around the time of the Reform Act he is invited to stand for parliament, and considers it, but nothing comes of it. In 1829 he is painted by Thomas Lawrence, one of the last works completed by the artist before his death.

Moore’s personal life is dogged by tragedy including the deaths of all five of his children within his lifetime and a stroke in later life, which disables him from performances – the activity for which he is most renowned. He dies being cared for by his wife at Sloperton on February 25, 1852. His remains are in a vault at St. Nicholas churchyard, Bromham, within view of his cottage-home, beside his daughter Anastasia.


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Birth of George Moore, Writer, Poet & Dramatist

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George Augustus Moore, novelist, short story writer, poet, art critic, memoirist, and dramatist, is born in Moore Hall, near Lough Carra, County Mayo on February 24, 1852. He is considered an innovator in fiction in his day.

Moore comes from a distinguished Catholic family of Irish landholders. When he is 21, he leaves Ireland for Paris to become a painter. His Reminiscences of the Impressionist Painters (1906) vividly describes the Café Nouvelle-Athènes and the circle of Impressionist painters who frequent it. He is particularly friendly with Édouard Manet, who sketches three portraits of him. Another account of the years in Paris, in which he introduces the younger generation in England to his version of fin de siècle decadence, is his first autobiography, Confessions of a Young Man (1888).

Deciding that he has no talent for painting, Moore returns to London in 1882 to write. His first novels, A Modern Lover (1883) and A Mummer’s Wife (1885), introduce a new note of French Naturalism into the English scene, and he later adopts the realistic techniques of Gustave Flaubert and Honoré de Balzac. Esther Waters (1894), his best novel, deals with the plight of a servant girl who has a baby out of wedlock. It is a story of hardship and humiliation illumined by the novelist’s compassion. It is an immediate success, and he follows it with works in a similar vein: Evelyn Innes (1898) and Sister Teresa (1901).

In 1901 Moore moves to Dublin, partly because of his loathing for the South African War and partly because of the Irish Literary Revival spearheaded by his friend, the poet William Butler Yeats. In Dublin he contributes notably to the planning of the Abbey Theatre. He also produces The Untilled Field (1903), a volume of fine short stories reminiscent of Ivan Turgenev’s writing that focuses on the drudgery of Irish rural life, and a short poetic novel, The Lake (1905). The real fruits of his life in Ireland, however, come with the trilogy Hail and Farewell (Ave, 1911; Salve, 1912; Vale, 1914). Discursive, affectionate, and satirical by turns, it reads like a sustained monologue that is both a carefully studied piece of self-revelation and an acute, though not always reliable, portrait gallery of his Irish acquaintance, which included Yeats, George William Russell, and Lady Gregory. Above all it is a perfectly modulated display of the comic spirit.

The increasing narrowness of the Irish mind, politics, and clericalism sends Moore back to England in 1911. After Hail and Farewell, he makes another literary departure. Aiming at epic effect he produces The Brook Kerith (1916), an elaborate and stylish retelling of the Gospel story that is surprisingly effective despite some dull patches. He continues his attempts to find a prose style worthy of epic theme in Héloïse and Abélard (1921). His other works include A Story-Teller’s Holiday (1918), a blend of autobiography, anecdote, Irish legend, and satire, Conversations in Ebury Street (1924), autobiography, The Pastoral Loves of Daphnis and Chloe (1924) and Ulick and Soracha (1926), an Irish legendary romance.

George Moore dies at his home at Ebury Street in the London district of Belgravia on January 21, 1933, leaving a fortune of £70,000. He is cremated in London at a service attended by Ramsay MacDonald among others. An urn containing his ashes is interred on Castle Island in Lough Carra in view of the ruins of Moore Hall, which had been burned by anti-treaty forces in 1923, during the final months of the Irish Civil War.


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Death of Landscape Painter T.P. Flanagan

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Terence Philip “T.P.” Flanagan, one of the finest landscape painters of his generation, passes away in Belfast on February 23, 2011, at the age of eighty. For more than 60 years he shapes the face of landscape painting in Northern Ireland and is known internationally for his rural scenes of his native County Fermanagh and County Sligo. With his stunning watercolours and intricate brush strokes, he is described as one of the most successful artists of his generation. Poet Seamus Heaney, who dedicates his 1969 poem Bogland to Flanagan, pays tribute saying “he was a teacher and a friend whose work held a deep personal significance.”

Flanagan is born in Enniskillen, County Fermanagh in 1929. When he is in his late teens, he learns the art of watercolour painting from the famous local portraitist and landscape artist Kathleen Bridle. Later, he paints her portrait, which now hangs in the Ulster Museum, and interviews her in a film of her life and art, which is produced shortly before her death in 1989.

After his time with Bridle, Flanagan attends Belfast College of Art from 1949-1953. The following year he joins the teaching staff at St. Mary’s College of Education, where he remains for 28 years, eventually becoming Head of the Art Department.

Flanagan spends the majority of his painting career in Ireland, but his landscapes have received wide attention and his work has been recognised both in Ireland and abroad. His first solo exhibition is held at the Council for the Encouragement of Music and the Arts (CEMA), Belfast in 1961. He also shows regularly at the Hendriks Gallery in Dublin and at the Tom Caldwell Gallery in Belfast during the 1970s and 1980s. He participates in many group exhibitions, including “Four Ulster Painters” at the Arnolfini gallery in Bristol (1965), “Two Irish Painters” (with Colin Middleton) at the Herbert Art Gallery & Museum, Coventry, (1968) and is represented in “The Gordon Lambert Collection Exhibitions” held at the Hugh Lane Gallery, Dublin (1972) and the Ulster Museum (1976). In addition, he exhibits at the Royal Hibernian Academy (RHA) in Dublin and at the Royal Ulster Academy Of Arts (RUA) in Belfast.

Abroad, Flanagan’s works are exhibited at the Armstrong Gallery, New York (1986) and the Concept Gallery, Pittsburgh. A retrospective of his painting from the period 1967-1977 is held at the Arts Council of Northern Ireland in 1977. In 1995, the Ulster Museum stages a major retrospective of his paintings (1945-1995). Other retrospectives are held at the Hugh Lane Gallery in Dublin and the Stadsmusueum, Gothenberg, Sweden. His paintings are also included in the show “A Century of Irish Painting” organized by the Hugh Lane Gallery which tours Japanese museums in 1995.

As an artist, Flanagan works in oils as well as his preferred watercolours, although by rapid application of the paint with minimal overworking, even his oils manage to retain the luminous colouring of the watercolourist. He specializes in landscape painting within his native County Fermanagh and the adjoining County Sligo, his methods being ideally suited to capturing the soft atmospheric light of Ireland’s northwest.

Flanagan is elected associate of the RUA in 1960, a full member in 1964, and President 1978-82. During his long career, he receives numerous commissions and other awards for his works, which are represented in the collections of The Arts Councils of Ireland & Northern Ireland, the Ulster Museum, the Hugh Lane Municipal Gallery, Dublin, Irish Museum of Modern Art, and the National Self-Portrait Collection, Limerick.

Flanagan dies suddenly on February 23, 2011. His funeral takes place at St. Brigid’s Church in south Belfast and is buried at St. Michaels’ Church in Enniskillen.

The auction record for a work by T.P. Flanagan is set in 2009, when his landscape painting, entitled Castlecoole From Lough Coole, is sold at Christie’s, London, for £20,000.

(From Encyclopedia of Visual Artists In Ireland, visual-arts-cork.com)


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Desmond Connell Created Cardinal-Priest by John Paul II

desmond-connell

Desmond Connell is created Cardinal-Priest by Pope John Paul II at the Consistory in Rome on February 21, 2001. He becomes the first Archbishop of Dublin in over 100 years to be installed as a Cardinal. A large Irish contingent from Church and State, along with family and friends of the Cardinal, attend the installation which for the first time takes place at the front of the entrance to St. Peter’s Basilica.

Connell is born in Dublin on March 24, 1926. He is educated at St. Peter’s National School, Phibsborough and the Jesuit Fathers’ second level school, Belvedere College, and studies for the priesthood at Holy Cross College. He later studies Arts at University College Dublin (UCD) and graduates with a BA in 1946 and is awarded an MA the following year. Between 1947 and 1951, he studies theology at St. Patrick’s College, Maynooth for a Bachelor of Divinity.

Connell is ordained priest by Archbishop John Charles McQuaid on May 19, 1951. He takes up a teaching post at the Department of Metaphysics at the University College Dublin. He is appointed Professor of General Metaphysics in 1972 and in 1983 becomes the Dean of the Faculty of Philosophy and Sociology. The College’s Department of Metaphysics is abolished after his departure.

Connell is appointed Archbishop of Dublin by the Holy See in early 1988. He is consecrated at St. Mary’s Pro-Cathedral, Dublin on March 6, 1988. He is created Cardinal-Priest by Pope John Paul II at the Consistory in Rome on February 21, 2001, with the Titulus S. Silvestri in Capite. Archbishops of Armagh, who hold the higher title of Primate of All Ireland, are more frequently appointed Cardinal than Archbishops of Dublin. The last Archbishop of Dublin to have been a cardinal is Cardinal Edward MacCabe, who was appointed in 1882.

On April 26, 2004, Connell retires as archbishop, handing the diocese to the coadjutor bishop, Diarmuid Martin. All bishops submit their resignation to the Pope on their 75th birthday. Connell’s is accepted shortly after his 78th birthday.

Connell is one of the cardinal electors who participates in the 2005 papal conclave that selects Pope Benedict XVI. Connell is considered quite close to Pope Benedict, both theologically and personally, both having served together on a number of congregations. He attends the 50th International Eucharistic Congress in Dublin in June 2012 and concelebrates at the Statio Orbis Mass in Croke Park.

It is Connell’s failure, when Archbishop of Dublin in 1988–2004, to address adequately the abuse scandals in Dublin that lead the Vatican to assign Archbishop Martin as his replacement in the country’s largest diocese. The Murphy Report finds that Connell had handled the affair “badly” as he was “slow to recognise the seriousness of the situation.” It does praise him for making the archdiocesan records available to the authorities in 2002 and for his 1995 actions in giving the authorities the names of 17 priests who had been accused of abuse, although it says the list is incomplete as complaints were made against at least 28 priests in the archdiocese.

From 1988 Connell also continues to insure his archdiocese against liability from complainants, while claiming to the Murphy Commission that the archdiocese is “on a learning curve” in regard to child abuse. He arranges for compensation payments to be made from a “Stewardship Trust” that is kept secret from the archdiocese’s parishioners until 2003. In 1996 he refuses to help a victim of Paul McGennis and does not pass on what he knows about McGennis to her, or to the police. He apologises for this in 2002.

Desmond Connell dies in Dublin at the age of 90 on February 21, 2017, exactly sixteen years after his creation as Cardinal.


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Birth of William Carleton, Writer & Novelist

william-carleton

William Carleton, Irish writer and novelist, is born in Clogher, County Tyrone on February 20, 1794. He is best known for his Traits and Stories of the Irish Peasantry, a collection of ethnic sketches of the stereotypical Irishman.

Carleton receives a basic education at various hedge schools. Most of his learning is gained from a curate, Father Keenan, who teaches at a classical school at Donagh, County Monaghan which he attends from 1814 to 1816. He studies for the priesthood at St. Patrick’s Pontifical University, Maynooth, but leaves after two years. Around the age of 19 he undertakes one of the religious pilgrimages then common in Ireland. His experiences as a pilgrim make him give up the thought of entering the church.

Carleton’s vacillating ideas as to a mode of life are determined by reading the picaresque novel Gil Blas by Alain-René Lesage. He decides to try what fortune has in store for him, and he goes to Killanny, County Louth. For six months he serves as tutor to the family of a farmer named Piers Murphy. After some other experiments he sets out for Dublin, arriving with two shillings and sixpence in his pocket.

Carleton first seeks occupation as a bird-stuffer, but a proposal to use potatoes and meal as stuffing fails to recommend him. He then tries to become a soldier, but the colonel of the regiment dissuades him. After staying in a number of cheap lodgings, he eventually finds a place in a house on Francis Street which contains a circulating library. The landlady allows him to read from 12 to 16 hours a day. He obtains some teaching and a clerkship in a Sunday School office, begins to contribute to journals. “The Pilgrimage to Lough Derg,” which is published in the Christian Examiner, attracts great attention.

In 1830 Carleton publishes his first full-length book, Traits and Stories of the Irish Peasantry (2 volumes), which is considered his best achievement. A second series (3 volumes) appears in 1833, and Tales of Ireland in 1834. From that time until a few years prior to his death he writes constantly. “Fardorougha the Miser, or the Convicts of Lisnamona” appears in 1837–1838 in the Dublin University Magazine.

Carleton remained active publishing in Dublin magazines through the 1830s and 1840s writing many ethnic stories often drawn from the south Tyrone locality. He also writes a lot of fiction. During the last months of his life, he begins an autobiography which he brings down to the beginning of his literary career. This forms the first part of The Life of William Carleton by David James O’Donoghue, which contains full information about his life, and a list of his scattered writings.

Carleton’s later years are characterised by drunkenness and poverty. In spite of his considerable literary production, he remains poor but receives a pension in 1848 of £200 a year granted by Lord John Russell in response to a memorial on Carleton’s behalf signed by numbers of distinguished persons in Ireland.

William Carleton dies at his home at Woodville, Sandford Road, in Ranelagh, Dublin on January 30, 1869, and is interred at Mount Jerome Cemetery, Harold’s Cross, Dublin. The house, now demolished, is close to the entrance to the Jesuit residence at Milltown Park. Despite his conversion to Protestantism, Carleton remains on friendly terms with one of the priests there, Reverend Robert Carbery, who offers to give him the Last Rites of the Catholic Church. In the final weeks before his death, Carleton politely declines the offer, stating he had not been a Roman Catholic “for half a century and more.”

(Pictured: Portrait of Irish author William Carleton (1794-1869) by John Slattery (fl. 1850s))


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Death of Robert John Kane, Chemist & Educator

robert-john-kane

Sir Robert John Kane, chemist and educator, dies at the age of 80 in Dublin on February 16, 1890. In a distinguished career, he founds the Dublin Journal of Medical  & Chemical Science, is Vice-Chancellor of Royal University of Ireland and is director of the Museum of Irish Industry.

Kane is born at 48 Henry Street, Dublin on September 24, 1809 to John and Eleanor Kean (née Troy). His father is involved in the Irish Rebellion of 1798 and flees for a time to France where he studies chemistry. Back in Dublin, Kean (now Kane) founds the Kane Company and manufactures sulfuric acid.

Kane studies chemistry at his father’s factory and attends lectures at the Royal Dublin Society as a teenager. He publishes his first paper in 1828, Observations on the existence of chlorine in the native peroxide of manganese, in the London Quarterly Journal of Science, Literature and Art. The following year, his description of the natural arsenide of manganese results in the compound being named Kaneite in his honour. He studies medicine at Trinity College, Dublin, graduating in 1834 while working in the Meath Hospital. He is appointed Professor of Chemistry at the Apothecaries’ Hall, Dublin in 1831, which earns him the moniker of the “boy professor.” In the following year he participates in the founding of the Dublin Journal of Medical & Chemical Science.

On the strength of his book Elements of Practical Pharmacy, Kane is elected to the Royal Irish Academy in 1832. He studies acids, shows that hydrogen is electropositive, and proposes the existence of the ethyl radical. In 1836 he travels to Giessen in Germany to study organic chemistry with Justus von Liebig. In 1843 he is awarded the Royal Irish Academy’s Cunningham Medal for his work on the nature and constitution of compounds of ammonia.

Kane publishes a three-volume Elements of Chemistry in 1841–1844, and a detailed report on the Industrial Resources of Ireland. This includes the first assessment of the water power potential of the River Shannon, which is not realised until the 1920s at Ardnacrusha.

Kane becomes a political adviser on scientific and industrial matters. He serves on several commissions to enquire into the Great Irish Famine, along with Professors Lindley and Taylor, all more or less ineffective. His political and administrative work means that his contribution to chemistry ceases after about 1844.

Kane’s work on Irish industry leads to his being appointed director of the Museum of Irish Industry in Dublin in 1845. The Museum is a successor to the Museum of Economic Geology, and is housed at 51 St. Stephen’s Green.

Also in 1845 Kane becomes the first President of Queen’s College, Cork (now University College Cork). He does not spend a lot of time in Cork as he has work in Dublin, and his wife lives there. The science building on the campus is named in his honour. He is knighted in 1846.

In 1873 Kane takes up the post of National Commissioner for Education. He is elected president of the Royal Irish Academy in 1877, holding the role until 1882. In 1880 he is appointed the first chancellor of the newly created Royal University of Ireland. After a motion to admit women to the University, put forward by Prof. Samuel Haughton at Academic Council in Trinity College Dublin, March 10, 1880, Kane is appointed to a committee of ten men to look into the matter. He is opposed to the admission of women, and nothing is reported from the committee in the Council minutes for the next ten years.


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The First Dungannon Convention

bank-of-ireland-college-green

The first Dungannon Convention of the Ulster Volunteers on February 15, 1782, calls for an independent Irish parliament. This is the parliament that Henry Grattan also campaigns for and later becomes known as “Grattan’s parliament.”

The Irish Volunteers are a part-time military force whose original purpose is to guard against invasion and to preserve law and order when regular troops are being sent to America during the American Revolutionary War. Members are mainly drawn from the Protestant urban and rural middle classes and the movement soon begins to take on a political importance.

The first corps of Volunteers is formed in Belfast and the movement spreads rapidly across Ireland. By 1782 there are 40,000 enlisted in the Volunteers, half of them in Ulster. Strongly influenced by American ideas, though loyal to the Crown, the Volunteers demand greater legislative freedom for the Dublin Parliament.

The Dungannon Convention is a key moment in the eventual granting of legislative independence to Ireland.

At the time, all proposed Irish legislation has to be submitted to the Privy Council of the United Kingdom for its approval under the great seal of England before being passed by the Parliament of Ireland. English Acts emphasise the complete dependence of the Irish parliament on its English counterpart and English Houses claim and exercise the power to legislate directly for Ireland, even without the agreement of the parliament in Dublin.

The Ulster Volunteers, who assemble in Dungannon, County Tyrone, demand change. Prior to this, the Volunteers received the thanks of the Irish parliament for their stance but in the House of Commons, the British had ‘won over’ a majority of that assembly, which led to a resistance of further concessions. Thus, the 315 volunteers in Ulster at the Dungannon convention promised “to root out corruption and court influence from the legislative body,” and “to deliberate on the present alarming situation of public affairs.”

The Convention is held in a church and is conducted in a very civil manner. The Volunteers agree, almost unanimously, to resolutions declaring the right of Ireland to legislative and judicial independence, as well as free trade. A week later, Grattan, in a great speech, moves an address of the Commons to His Majesty, asserting the same principles but his motion is defeated. So too is another motion by Henry Flood, declaring the legislative independence of the Irish Parliament.

However, the British soon realise they can resist the agitation no longer. It is through ranks of Volunteers drawn up outside the parliament house in Dublin that Grattan passes on April 16, 1782, amidst unparalleled popular enthusiasm, to move a declaration of the independence of the Irish parliament. After a month of negotiations, legislative independence is granted to Ireland.

(Pictured: The original Irish Parliament Building which now houses the Bank of Ireland, College Green, opposite the main entrance to Trinity College, Dublin)


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The Stardust Nightclub Fire

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The Stardust nightclub in Artane, Dublin goes up in flames in the early hours of February 14, 1981. Some 841 people had attended a disco there, of whom 48 die and 214 are injured as a result of the fire.

The fire starts due to an electrical fault in a first-floor storeroom inside the building that is open to the roof space. The non-compliant storage room contains dangerously flammable materials including drums of cooking oil. The staff observes a small fire outbreak on a seat in an alcove behind a curtain and fail in an attempt to extinguish it. This fire apparently starts after fire in the roof space comes through the roof tiles and falls onto the seat. The fire then spreads to tables and chairs and patrons notice smoke. The disc jockey announces that there is a small fire and requests a calm evacuation.

Outside, the fire is first spotted by a lady 200 metres from the Stardust and she calls the Dublin Fire Brigade. Within the same minute of her call, two other calls are made from the Stardust building to tell the Fire Brigade that there is a small fire on a seat in the ballroom. The fire is very small when first seen in the ballroom. Within two minutes a ferocious burst of heat and lots of thick black smoke quickly start coming from the ceiling, causing the material in the ceiling to melt and drip on top of patrons and other highly flammable materials including the seats and carpet tiles on the walls. The fire flashover envelopes the club and the lights fail.

The attendees at a trade union function taking place in the same building make their escape but the escape of some of the Stardust patrons is hampered by a number of obstructions. Some of the main fire exits are padlocked around the push bars and consequently are impossible to open.

The failure of the lighting in the club leads to widespread panic causing mass trampling as many of the patrons instinctively run for the main entrance. Many people mistake the entrance to the men’s toilets for the main entrance doors but the windows there have metal plates fixed on the inside and iron bars on the outside. Firemen attempt in vain to pull off the metal bars using a chain attached to a fire engine. Firemen rescue 25 to 30 of those trapped in the front toilets.

Ambulances from Dublin Fire Brigade, the Eastern Health Board, Civil Defence Ireland, the Irish Red Cross, the Order of Malta Ambulance Corps and St. John Ambulance Ireland are dispatched to the scene. Many ambulances leave the scene carrying up to 15 casualties. CIÉ also sends buses to transport the injured, and local radio stations ask people in the vicinity with cars to come to the club. The city’s hospitals are overwhelmed by the influx of injured and dying, in particular Mater Misericordiae University Hospital, Jervis Street Hospital and Dr. Steevens’ Hospital.

The investigation at the time reports that the cause of the fire is arson. The finding of arson has recently been ruled out by investigators, as there was never any evidence to support the arson finding, even at the time of the tragedy.

There are allegations of a huge cover-up as to the cause of so many fatalities. There is a meeting before the public inquiry in 1981 of all of the experts including the Judge when the concept of arson is determined to be the cause to protect the Dublin Corporation from having to pay out millions in compensation to the victims and families. The Coolock Garda investigation is excellent, but the Tribunal distorts the evidence. The Inquiry Report and the team of experts and coached witnesses conspire to conceal the truth and determine arson to be the cause without any evidence.

The club was located where Butterly Business Park now lies, opposite Artane Castle Shopping Centre.


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Birth of Stephen Lucius Gwynn, Writer & Politician

stephen-lucius-gwynn

Stephen Lucius Gwynn, journalist, biographer, author, poet, Protestant Nationalist politician, and Member of Parliament (MP) in the House of Commons of the United Kingdom of Great Britain and Ireland, is born on February 13, 1864, in St. Columba’s College, Rathfarnham, Dublin, where his father John Gwynn, a biblical scholar and Church of Ireland clergyman, is a warden.

Gwynn spends his early childhood in rural County Donegal, which shapes his later view of Ireland. He is educated at St. Columba’s College and goes on to Brasenose College, Oxford, where, as scholar, in 1884 he is awarded first-class honours in classical moderations and in 1886 literae humaniores. During term holidays he returns to Dublin, where he meets several of the political and literary figures of the day.

After graduating Gwynn moves to France where he works as a schoolmaster for ten years. In December 1889 he marries his cousin Mary Louisa Gwynn. They have four sons and two daughters. Having dabbled in journalism since his student days, he moves to London in 1896 to pursue a career as a writer. He soon becomes a prominent figure in literary and journalistic circles.

In 1904 the Gwynns return to Ireland to live in Raheny, County Dublin. In November 1906 he wins a seat for Galway Borough, which he represents as a member of the Irish Parliamentary Party until 1918. During this time, he also becomes active with the Gaelic League and the Irish Literary Revival.

At the outbreak of World War I, Gwynn gives his support to John Redmond that Irishmen should enlist in the British forces. At the age of fifty-one he enlists as a private in the 7th Leinster Regiment and is later commissioned lieutenant in the 6th Battalion Connaught Rangers, attached to the 16th (Irish) Division. He is promoted to captain in 1915 and serves with his battalion at the battles of Ginchy and Guillemont during the Somme offensive and also at Messines in 1917, leaving the front line shortly afterwards.

Gwynn is appointed to the Dardanelles Commission in 1916, an investigation into the unsuccessful 1915 Gallipoli Campaign.

After the war Gwynn continues with his writing and political life. He receives honorary doctorates from the National University of Ireland in 1940 and the University of Dublin in 1945. He dies on June 11, 1950, at his home in Terenure, Dublin and is buried at Tallaght cemetery.