Republican activists James Murphy and Patrick Kennedy are murdered in Dublin on February 9, 1921.
Murphy and Kennedy are arrested by Auxiliaries in Dublin and are in the custody of ‘F’ Company of the Auxiliary Division of the Royal Irish Constabulary (ADRIC). Two hours later, constables of the Dublin Metropolitan Police find the two men lying shot, with pails on their heads, in Clonturk Park, Drumcondra. Kennedy is dead and Murphy is dying. Murphy dies in Mater Hospital, Dublin on February 11, but just before dying he testifies that Captain William Lorraine King, commanding officer of ‘F’ Company ADRIC, had taken them and stated that they were “just going for a drive.” King is arrested for the killings. King and two of his men, H. Hinchcliffe and F.J. Welsh are court-martialed on February 13-15 but are acquitted after Murphy’s dying declaration is ruled inadmissible, and two officers from ‘F’ Company provide perjured alibis for Captain King at the time of the shootings.
King is implicated and court-martialed for the deaths of Conor Clune, Peader Clancy, and Dick McKee, the latter two leading lights in the Dublin Irish Republican Army (IRA), the former a luckless Gaelic League member. All three are captured in Dublin on November 20, 1920, the day before Bloody Sunday. Clune is caught at Vaughn’s Hotel in Parnell Square, Dublin and the two IRA leaders at Lower Gloucester St., complete with British army officer uniforms and detonators. Sometime between then and the next day, as news no doubt filters in of the deaths of several British intelligence officers, the prisoners are killed in questionable circumstances in the Dublin Castle guard room. According to an official report from Dublin Castle, the prisoners attempt to grab rifles and hurl unfused grenades and are killed in that action. The guards of ‘F’ Company in the room at the time are cleared of wrongdoing by a court inquiry. A Major Reynolds of ‘F’ Company is said to pass details of the killers to Michael Collins. The Times notes that it seems as if the prisoners had been lined up and shot. In a later novel, Major Jocelyn Lee Hardy more or less confesses to the killing of one of the prisoners.
Ironically, Captain King is on Michael Collins list of British Intelligence officers to be executed on the morning of November 20, 1920. He is not in his room when the assassins arrive as he is interrogating the prisoners in Dublin Castle.
(Pictured: Major William Lorraine King, ‘F’ Company Auxiliary Division of the Royal Irish Constabulary)
O’Riordan explains how she wrote the song in the Spring of 2001 after she had seen the children of Chernobyl. Having just given birth to her second child, the pictures of children born with so many illnesses moved her to tears, she said.
She says it is her hope that, as well as funds, the single will help raise awareness about the plight of the Chernobyl children. The band’s previous offering, Analyse, sold over 175,000 copies worldwide as of 2002.
Thanking the Cranberries, Roche says the song’s title is appropriate as the health problems caused by the Chernobyl nuclear disaster of April 26, 1986, are only beginning to emerge.
She says the effects are moving to the “next generation who are now witnessing soaring levels of infertility and genetic changes, especially among those who were less than six years of age when the accident happened.”
Founded in 1991, the Chernobyl Children Project International, now known as Chernobyl Children International, is an Irish charity that works to help the children who are living victims of the nuclear disaster. As of February 2002, it had sent €24 million in aid to the region.
(From “Cranberries single to benefit Chernobyl children”, The Irish Times, Thursday, February 7, 2002 | Pictured: (L to R) Ali Hewson, Adi Roche, and Dolores O’Riordan at the Clarence Hotel, February 7, 2002)
Cumann na mBan is an Irish republican women’s paramilitary organisation formed in Dublin on April 2, 1914, merging with and dissolving Inghinidhe na hÉireann and, in 1916, it becomes an auxiliary of the Irish Volunteers. Although it is otherwise an independent organisation, its executive is subordinate to that of the Volunteers.
On January 7, 1922 the Anglo-Irish Treaty is approved by the Second Dáil by a close vote of 64–57. On February 5 a convention is held to discuss this, and 419 Cumann na mBan members vote against as opposed to 63 in favour. In the ensuing Civil War, its members largely support the anti-Treaty Republican forces. Over 400 of its members are imprisoned by the forces of the Provisional government which becomes in December 1922 the Irish Free State. Some of those who support the Treaty change the name of their branches to Cumann na Saoirse, while others retain their name but give allegiance to the Free State Government.
Cumann na mBan continues to exist after the Treaty, forming (alongside Sinn Féin, the Irish Republican Army, Fianna Éireann and other groups) part of the Irish republican milieu. The government of the Irish Free State bans the organisation in January 1923 and opens up Kilmainham Gaol as a detention prison for suspect women.
Its membership strength is adversely affected by the many splits in Irish republicanism, with sections of the membership resigning to join Fianna Fáil, Clann na Poblachta and other parties. Máire Comerford, a lifelong member from 1914, reflects in later years that it became a “greatly weakened organisation” that “gathered speed downhill” from the founding of Fianna Fáil in 1926.
In the 17th century, parliament settles at Chichester House, a town house in Hoggen Green (later College Green) formerly owned by Sir George Carew, Lord President of Munster and Lord High Treasurer of Ireland, which had been built on the site of a nunnery disbanded by King Henry VIII at the time of the dissolution of the monasteries. Carew’s house, named Chichester House after its later owner Sir Arthur Chichester, is a building of sufficient importance to have become the temporary home of the Kingdom of Ireland’s law courts during the Michaelmas law term in 1605. Most famously, the legal documentation facilitating the Plantation of Ulster is signed there on November 16, 1612.
Chichester House is in a dilapidated state, allegedly haunted and unfit for official use. In 1727 parliament votes to spend £6,000 on a new building on the site. It is to be the world’s first purpose-built two-chamber parliament building.
The then ancient Palace of Westminster, the seat of the English before 1707 and, later, British Parliament, is a converted building. The House of Commons‘s odd seating arrangements is due to the chamber’s previous existence as a chapel. Hence MPs face each other from former pews.
The original, domed House of Commons chamber is destroyed by fire in the 1790s, and a less elaborate new chamber, without a dome, is rebuilt in the same location and opened in 1796, four years before the Parliament’s ultimate abolition.
Pearce’s designs come to be studied and copied both at home and abroad. The Viceregal Apartments in Dublin Castle imitate his top-lit corridors. The British Museum in Bloomsbury in London copies his colonnaded main entrance. His impact reaches Washington, D.C., where his building, and in particular his octagonal House of Commons chamber, is studied as plans are made for the United States Capitol building. While the shape of the chamber is not replicated, some of its decorative motifs are, with the ceiling structure in the Old Senate Chamber and old House of Representatives chamber (now the National Statuary Hall) bearing a striking resemblance to Pearce’s ceiling in the House of Commons.
(Pictured: Architectural drawing of the front of Parliament House by Peter Mazell based on the drawing by Rowland Omer, 1767)
Joyce is one of the ten children of Mary Jane “May” Murray and John Stanislaus Joyce, a professional singer and later rate-collector from a bourgeois Catholic family. He attends Clongowes Wood College, a Jesuit boarding school, until 1891, when his father’s financial worries mean they can no longer afford to send him there. He is temporarily home-schooled and spends a short time at a Christian Brothers school, before starting at Belvedere College, a Jesuit day school run by his old Clongowes headmaster, Father John Conmee.
Much of Joyce’s childhood is influenced by his charismatic, but increasingly alcohol-dependent and difficult father, whose ongoing financial troubles led to regular domestic upheaval. However, John Joyce’s passions, eccentricities, as well as his gift as a singer are celebrated in his son’s work. The death of the Irish Home Rule movement leader Charles Stewart Parnell in 1891 is a watershed moment in Joyce’s life and is the subject of an inflammatory argument during a Christmas dinner, in which John Joyce and his friend John Kelly passionately defend Parnell from the accusations of the pious Elizabeth Conway. Joyce recreates the scene in A Portrait of the Artist as a Young Man, portraying Kelly’s character, Mr. Casey, crying loudly with a “sob of pain,” “Poor Parnell! … My dead king!”
Joyce attends University College Dublin in 1899-1902, where he studies modern languages, with Latin and logic. In 1902 he goes to Paris with an intent of studying medicine but discovers, on arrival, that he does not have the necessary qualifications. He constantly struggles for money, relying on irregular work as a teacher, bank employee, cinema-owner and tweed-importer, and on patrons and supporters such as Harriet Shaw Weaver and Ezra Pound.
Joyce returns to Ireland in 1903 after his mother falls ill. She dies in August 1903. He refuses to take the sacraments or kneel at her deathbed, and the guilt he later feels is depicted in Ulysses when the ghost of Stephen’s mother returns to haunt him. On June 16, 1904, he meets Nora Barnacle, the woman with whom he spends the rest of his life. By autumn, he is convinced of the impossibility of remaining in Ireland and persuades Nora to travel with him. They arrive in Paris on October 9, 1904. He would not return to Ireland to live. He cultivates a sense of himself as an exile, living in Trieste, Zürich, Rome and Paris.
Joyce’s first publication in 1907 is the poetry collection Chamber Music. When he sends Pound a revised first chapter of Portrait of an Artist as a Young Man, along with the manuscript of his short story collection Dubliners, Pound arranges for Portrait to be published serially in the modernist magazine The Egoist between 1914 and 1915. His short story collection, Dubliners, had been delayed by years of arguments with printers over its contents, but is also published in 1914.
Joyce then begins work on Ulysses, an experimental account of a single day in Dublin. The novel is serialised between 1918 and 1920, but full publication is delayed due to problems with American obscenity laws. The work is finally published in book form by his friend Sylvia Beach in Paris in 1922. His play Exiles is first performed in German in 1919, and English in 1926. His last novel, Finnegans Wake (1939), is an innovative language experiment that contains over 40 languages and a huge variety of popular and arcane references.
On January 11, 1941, Joyce undergoes surgery in Zürich for a perforated duodenal ulcer. He falls into a coma the following day. He awakes at 2:00 AM on January 13, 1941, and asks a nurse to call his wife and son, before losing consciousness again. They are en-route when he dies 15 minutes later, less than a month short of his 59th birthday. He is buried in the Fluntern Cemetery, Zürich.
Ahern and Paisley discuss political and economic developments in Northern Ireland and increasing cross-Border co-operation. The Taoiseach says he is honoured to visit the north Antrim heartland of the Democratic Unionist Party (DUP) leader.
“I do not believe even a year back it could have been envisaged we would have been together here,” Ahern says. “It is an honour to be here with the First Minister to talk about progress.”
Paisley jokes that Ahern and his entourage had held a prayer meeting in their helicopter hoping that they would not be pelted with snowballs by him, a reference to his famous protest when former Taoiseach Seán Lemass visited Stormont in 1965.
When asked about welcoming the Fianna Fáil leader to his constituency Paisley quips, “What I am saying is he is in under my control. This is a good day for work. It is a good day for our province. It is a good day for the whole of Ireland because we need help from outside. We cannot live on our own.”
Ahern and Paisley meet again the following week at the Dublin Chamber of Commerce AGM dinner where Paisley has been invited to be a guest speaker.
The engagement is the latest visit to the Republic by the DUP leader since the Assembly was restored in Stormont the previous May. The Taoiseach invites Paisley to the historic Battle of the Boyne battle site in County Louth in July where the DUP leader presents a 17th-century musket to Ahern.
Knowles’ early interest in botany is encouraged by her father, William James Knowles, himself an amateur scientist who takes Matilda and her sister to meetings of the Belfast Naturalists’ Field Club. This is where she first meets Robert Lloyd Praeger who continues to be a lifelong influence. In 1895 she is introduced to the Derry botanist Mary Leebody and together they work on a supplement to Samuel Alexander Stewart‘s and Thomas Hughes Corey‘s 1888 book the Flora of the North-east of Ireland.
Knowles then volunteers to help with the crowdsourcing of material about the plants of County Tyrone. While completing this work Knowles publishes her own first paper about Tyrone’s flowering plants in 1897. She eventually sends in over 500 examples that are considered for inclusion in the Irish Topographical Botany, which Praeger publishes in 1901.
In 1902, after attending the Royal College of Science for Ireland for a year, Knowles is appointed a temporary assistant in the then Botanical Section of the National Science and Art Museum. She works closely with Professor Thomas Johnson to continue the development of the Herbarium collection. She also co-authors with him the Hand List of Irish Flowering Plants and Ferns (1910).
One of Knowles’ first works is The Maritime and Marine Lichens of Howth, which the Royal Dublin Society publishes in 1913. Knowles had gathered the knowledge and experience to do this while diligently assisting with a survey of Clare Island as suggested by Praeger. This novel survey involves not only Irish but also several European scientists including prominent UK lichenologist, Annie Lorrain Smith. This is claimed as the most extensive piece of field work at the time. As a result, Knowles is able to create a foundation for her later specialism in lichens.
Knowles publishes more than thirty scientific papers on a wide range of botanical subjects between 1897 and 1933. It is while studying the lichens of Howth that she discovers how lichens by the shore grow in distinct tidal zones that can be distinguished by their colour: black, orange and grey.
Her major work is The Lichens of Ireland which adds over 100 species of lichen to the Irish List and records the distribution of the eight hundred species identified in Ireland. She achieves this task with the collaboration of thirty other natural scientists. It is published in 1929 and includes twenty lichens that had previously not been identified as Irish.
Professor Thomas Johnson retires in 1923, allowing Knowles to take over curatorship, working with Margaret Buchanan. As she becomes older Knowles’ hearing begins to fail such that she has to rely on an ear trumpet. Despite her deafness she still attends meetings. She cares for and adds to the National Museum Herbarium collection although never gets the credit she deserves. In 1933 she plans to retire but pneumonia ends her life before she ends her career. Knowles dies in Dublin on April 27, 1933.
Knowles is honoured with a commemorative plaque by the Irish National Committee for Science and Engineering in October 2014 to mark the 150th anniversary of her birth.
Du Cros is the third of seven sons of Harvey du Cros. He is brought up in modest circumstances. His father, later a well-known manufacturer, is at the time only a bookkeeper with an income of £170 a year. He attends a national school in Dublin and then enters the civil service at the lowest grade. In 1892 he joins the Pneumatic Tyre and Booth’s Cycle Agency Ltd, of which his father is now the chairman, and is made a joint managing director in 1896 when it is floated as a public company.
In 1895 du Cros marries Maude Gooding, the daughter of a Coventry watch manufacturer. They have two sons and two daughters before a divorce in 1923.
In 1901 du Cros founds the Dunlop Rubber Company, converting 400 acres of land in Birmingham to produce and manufacture tires, with the area henceforth being known as Fort Dunlop. The firm eventually diversifies into making other rubber products as well as tires, and du Cros selects plantations in Malaya and Sri Lanka for the company, which by 1917 owns 60,000 acres of rubber-producing land.
In 1906 du Cros enters politics, unsuccessfully contesting the seat of Bow & Bromley as a Conservative Party candidate, a seat his brother is elected to in 1910. In 1908 he is elected Member of Parliament for Hastings, a position his father had held immediately before.
In 1909 du Cros forms, and is director of, the Parliamentary Aerial Defence Committee to ensure funding for military aeronautical development, of which he is a strong proponent. During World War I he works for the Ministry of Munitions on an honorary basis, buying two motorised ambulance convoys out of his own money and helping raise an infantry battalion, being a former captain of the Royal Warwickshires and for some years being the honorary colonel of the 8th battalion of the Royal Warwickshire Regiment. In 1916 he is created a baronet. He continues to represent Hastings until 1918, when he is elected as a Member of Parliament for Clapham, a position he resigns four years later.
His later career is awash with financial impropriety. He finds it difficult to distinguish between personal and company assets, using company funds to sponsor family investments and appointing family members to senior position with no regard for merit. He also participates in financial manipulation, being a close associate of James White, a financial expert who specialises in share rigging and whose actions leave Dunlop, had already lost influence within the company, close to collapse in 1921. He is quietly removed after the 1921 crash.
Joan Denise Moriarty, Irish ballet dancer, choreographer, teacher of ballet and traditional Irish dancer and musician, dies on January 24, 1992. She is a key figure in the development of both amateur and professional ballet in Ireland.
Little is known of Moriarty’s early life. Her year of birth is estimated between 1910 and 1913 but no documentation has been found. The place of her birth is also unknown, and even the country is uncertain. She grows up as the daughter of Michael Augustus Moriarty, an alumnus of Stonyhurst College and contemporary of Sir Arthur Conan Doyle, and his wife, Marion (née McCarthy). The Moriartys are originally from Mallow, County Cork, where her grandfather John Moriarty was a successful solicitor.
Moriarty is brought up in England. She studies ballet until her early teens with Dame Marie Rambert. She is an accomplished Irish step-dancer and traditional musician and becomes the champion Irish step-dancer of Britain on April 24, 1931. She also wins a swimming championship. She is a member of the Liverpool branch of the Conradh na Gaeilge.
In the autumn of 1933 Moriarty returns with her family to their native Mallow in County Cork. In 1934, she sets up her first school of dance there. From 1938 she also gives weekly classes in Cork in the Gregg Hall and Windsor School. During the 1930s she takes part in the Cork Feis, annual arts competitions with a focus on traditional dance and music, competing in Irish step-dancing, warpipes and operatic solo singing. She performs on the warpipes in various public concerts and gives at least two broadcasts. In 1938 she is invited by Seán Neeson, lecturer in Irish music at University College Cork, to perform at a summer school which the Music Department organises for primary school teachers.
Moriarty’s mother dies in February 1940. The following November she moves to Cork where she sets up the Moriarty School of Dancing. The early years during the war are very difficult financially. In the early 1940s she performs with her dancers in musicals and variety shows at the Cork Opera House.
In 1945 the composer Aloys Fleischmann invites Moriarty to perform in his Clare’s Dragoons for baritone, war pipes, choir and orchestra, which had been commissioned by the national broadcasting company, Radio Éireann, for the Thomas Davis centenary. Moriarty agrees on condition that his Cork Symphony Orchestra would play for her Ballet Company’s annual performances, which marks the beginning of a lifelong collaboration.
Branches of the Moriarty School of Dance are established in Bandon, Clonmel, Fermoy, Killarney, Mallow, Tralee, Waterford, and Youghal. Moriarty bequeaths her Cork school to Breda Quinn, a long-standing member of the Cork Ballet Company, who runs it with another Moriarty student, Sinéad Murphy, who creates a new dance school, Cork School of Dance, after Breda’s death in 2009.
Moriarty founds the Cork Ballet Group in 1947, the members recruited from her school. It gives its first performance in June of that year at the Cork Opera House. In 1954 the group is registered as a company under the name “Cork Ballet Company.” The company’s final season is 1993, the year following Moriarty’s death.
Irish Theatre Ballet is founded by Moriarty in the summer of 1959, and gives its first performance in December 1959. It is a small touring company of 10 to 12 dancers, which travels all over Ireland, going to some 70 venues annually with extracts from the classical ballets, contemporary works and folk ballets. In an attempt to resolve the constant financial difficulties, the Arts Council in 1963 insists on a merger with Patricia Ryan’s Dublin National Ballet. The amalgamation does not bring a solution to the financial problems besetting both companies and, after one joint season, the amalgamated company, Irish National Ballet, has to be disbanded in March 1964.
In 1973, the Irish government decides to fund a professional ballet company, the Irish Ballet Company, and entrusts it to Moriarty. Like Irish Theatre Ballet, it is a touring company which travels all over Ireland in two annual seasons. The company has a number of striking successes between 1978 and 1981. In 1983 the name of the company is changed to Irish National Ballet. The severe recession in Ireland during the 1980s and shrinking funds force the Irish National Ballet to disband in 1989.
Moriarty spends almost 60 years working for ballet in Ireland. Her amateur Cork Ballet Company is still the longest-lasting ballet company the country’s history. Her two professional touring companies bring ballet to all parts of Ireland for 21 years. She receives numerous awards for her work, among them an honorary doctorate from the National University of Ireland in 1979.
During the last years of her life, Moriarty suffers ill-health, but continues her work with the Cork Ballet Company, bringing the shows to towns in the county. She dies on January 24, 1992, in Dublin.
O’Brien moves with his family to Dublin in 1897 and quickly becomes involved in the Irish Socialist Republican Party (ISRP). He is described as “a very significant figure in the ISRP” by ISRP historian David Lynch. He is a member of the Socialist Party of Ireland, serving on its executive.
An important figure in the Labour Party in Ireland in its formative days, O’Brien resists James Larkin‘s attempt to gain control of the Party on release from prison. Taking Larkin to court over his occupation of ITGWU headquarters, the Larkin-O’Brien feud results in a split within the labour and trade union movements, and the formation of the Irish Congress of Trade Unions.
In 1930, O’Brien seeks to have Leon Trotsky granted asylum in Ireland, but the head of the Free State government, W. T. Cosgrave, refuses to allow it.
Active in politics and the trade union movement into his 60s, O’Brien retires in 1946 and dies on October 31, 1968.
seamus dubhghaill 