The son of Dr. Philip Francis, a man known by his translations of Horace, Aeschines and Demosthenes, Francis is educated in Dublin and London and holds a variety of clerical posts in the government from 1756 to 1773. He may have written the Letters of Junius, a series of bitter lampoons against the government of King George III published by a London newspaper from 1769 to 1772, when he was a clerk in the war office. The authorship of the letters has been assigned to Francis on a variety of grounds, including a computer-aided analysis of the Junius texts in the 1960s.
In June 1773 the prime minister, Lord Frederick North, appointed Francis a member of the newly created four-man council that is to rule British possessions in India with Governor-General Hastings. He leads two of his colleagues in a struggle against Hastings, in part because he covets Hastings’ job, but there are also differences between the two men on policy matters, including land-revenue collection. Although Hastings gains the upper hand by 1776 after two of the opposing councilors die, Francis continues his attacks and, in 1780, the governor-general wounds him in a duel.
Returning to England in 1781, Francis turns public opinion against Hastings with a series of anonymous pamphlets. He enters the House of Commons of the United Kingdom in 1784 and is the moving spirit behind Hastings’ impeachment, begun in 1788. The acquittal of Hastings in 1795 embitters Francis deeply and leads to his defeat in a parliamentary election. He served again in Parliament from 1802 to 1807, at which time he retires from politics. He is knighted in 1806.
Sir Philip Francis dies in London on December 23, 1818.
In 1790 Russell resumes his military career as a junior officer in the 64th Regiment of Foot and is posted to Belfast. The French Revolution in 1789 is warmly greeted in Belfast as are its ideals of liberty, equality, and fraternity. With his keen mind and radical ideas, Russell soon becomes a confidante of Henry Joy McCracken, James Hope, Samuel Neilson and others who are to play a prominent role in the United Irish movement. With them he develops ideas of parliamentary reform, to include the bulk of the people, and Catholic emancipation.
Russell leaves the army in July 1791 and attends a convention of the Whig Club in Belfast to mark Bastille Day. The convention is addressed by William Drennan, who proposes a brotherhood promoting separation from England and co-operation with the increasingly radical Cisalpine Club in the pursuit of political and social reforms. However, Russell notes the lack of trust between Dissenters and Catholics which is due to fears that Catholic radicalism can be bought off by religious concessions. Informing Wolfe Tone of his observations, within weeks leads to Wolfe Tone’s publication of Argument on Behalf of the Catholics of Ireland to address these suspicions. The pamphlet is extremely well received and provides the impetus for the founding of the Society of United Irishmen in Belfast on October 18, 1791.
Pressure from Dublin Castle later forces the United Irish movement to become a clandestine organisation as the would-be revolutionaries seek to continue their slow progress towards challenging the occupying British.
In 1795 Russell, Andrew Henderson, Henry Joy McCracken and Samuel Neilson lead a band of United Irishmen to the top of Cavehill overlooking the town of Belfast where they swear an oath “never to desist in our effort until we have subverted the authority of England over our country and asserted her independence” prior to Wolfe Tone’s exile to the United States. The event is noted in Dublin Castle although there is no immediate move to disband or arrest the members of the United Irishmen.
In 1796, Russell publishes an ambitious and far-sighted document, Letter to the People of Ireland, which lays out his vision of social and economic reform for the Irish nation. In addition to his stance on religious freedom, he makes clear his anti-slavery views in the Northern Star on March 17, 1792.
Russell takes an active part in organising the Society of United Irishmen becoming the United Irish commander in County Down. However, the outbreak of the French Revolution in 1793 leads to an ongoing campaign against the United Irishmen and in 1796 he is arrested and imprisoned as a “state prisoner” in Dublin. In March 1799 he and the other state prisoners are transferred to Fort George in Scotland, an extensive fortress some miles north of Inverness built in the wake of the failed Jacobite rebellion of 1745-46. He is released on condition of exile to Hamburg in June 1802 following a brief cessation in the war with France.
Not content to sit things out in Hamburg, Russell soon makes his way to Paris where he meets Robert Emmet who is planning another insurrection pending the French renewal of the war against England. He agrees to return to Ireland in March 1803 to organise the North in conjunction with James Hope. However, he meets with little success as much of the north is subdued following the suppression of the Irish Rebellion of 1798 and displays little appetite for a renewed outbreak. Finally, finding some support in the vicinity of Loughinisland, he prepares to take to the field on July 23, 1803, the date set by Emmett.
However, the plan is badly thought out and quickly collapses, forcing Russell to flee to Dublin before a shot is fired in anger. He manages to hide for a number of weeks, but Dublin is a hard place in which to hide in the days following the failure of Emmett’s rebellion as the shocked authorities have launched a massive campaign of raids and arrests in an effort to finally eradicate the United Irishmen.
Thomas Russell is promptly arrested and sent to Downpatrick Gaol where he is executed by hanging then beheaded on October 21, 1803.
Balfe is born in Dublin on May 15, 1808, where his musical gifts become apparent at an early age. He receives instruction from his father, a dancing master and violinist, and the composer William Rooke. His family moves to Wexford when he is a child.
In 1817, Balfe appears as a violinist in public, and in this year composes a ballad, first called “Young Fanny” and afterwards, when sung in Paul Pry by Lucia Elizabeth Vestris, “The Lovers’ Mistake”. In 1823, upon the death of his father, he moves to London and is engaged as a violinist in the orchestra of the Theatre Royal, Drury Lane. He eventually becomes the leader of that orchestra. While there, he studies violin with Charles Edward Horn and composition with Charles Frederick Horn.
While still playing the violin, Balfe pursues a career as an opera singer. He debuts unsuccessfully at Norwich in Carl Maria von Weber‘s Der Freischütz. In 1825, Count Mazzara takes him to Rome for vocal and musical studies and introduces him to Luigi Cherubini. In Italy, he also pursues composing, writing his first dramatic work, a ballet, La Perouse. He becomes a protégée of Gioachino Rossini‘s, and at the close of 1827, he appears as Figaro in The Barber of Seville at the Italian opera in Paris.
Balfe soon returns to Italy, where he is based for the next eight years, singing and composing several operas. In 1829 in Bologna, he composes his first cantata for the soprano Giulia Grisi, then 18 years old. He produces his first complete opera, I rivali di se stessi, at Palermo in the carnival season of 1829—1830.
Balfe returned to London in May 1835. His initial success takes place some months later with the premiere of The Siege of Rochelle on October 29, 1835, at Drury Lane. Encouraged by his success, he produces The Maid of Artois in 1836, which is followed by more operas in English. In July 1838, Balfe composes a new opera, Falstaff, for The Italian Opera House, based on The Merry Wives of Windsor, with an Italian libretto by S. Manfredo Maggione.
In 1841, Balfe founds the National Opera at the Lyceum Theatre, but the venture is a failure. The same year, he premieres his opera, Keolanthe. He then moves to Paris, presenting Le Puits d’amour in early 1843, followed by his opera based on Les quatre fils Aymon for the Opéra-Comique and L’étoile de Seville for the Paris Opera. Meanwhile, in 1843, he returns to London where he produces his most successful work, The Bohemian Girl, on November 27, 1843, at the Theatre Royal, Drury Lane. The piece runs for over 100 nights, and productions are soon mounted in New York, Dublin, Philadelphia, Vienna, Sydney, and throughout Europe and elsewhere.
From 1846 to 1852, Balfe is appointed musical director and principal conductor for the Italian Opera at Her Majesty’s Theatre. There he first produces several of Giuseppe Verdi‘s operas for London audiences. He conducts for Jenny Lind at her opera debut and on many occasions thereafter.
In 1851, in anticipation of The Great Exhibition in London, Balfe composes an innovative cantata, Inno Delle Nazioni, sung by nine female singers, each representing a country. He continues to compose new operas in English, including The Armourer of Nantes (1863), and writes hundreds of songs. His last opera, nearly completed when he dies, is The Knight of the Leopard and achieves considerable success in Italian as Il Talismano.
In all, Balfe composes at least 29 operas. He also writes several cantatas and a symphony. His only large-scale piece that is still performed regularly today is The Bohemian Girl.
Swift is born in Dublin on November 30, 1667. His father, an attorney, also named Jonathan Swift, dies just two months before he is born. Without steady income, his mother struggles to provide for her newborn. Moreover, he is a sickly child. It is later discovered that he suffers from Ménière’s disease, a condition of the inner ear that leaves the afflicted nauseous and hard of hearing. In an effort to give her son the best upbringing possible, Swift’s mother gives him over to Godwin Swift, her late husband’s brother and a member of the respected professional attorney and judges group Gray’s Inn. Godwin Swift enrolls his nephew in the Kilkenny Grammar School (1674–1682), which is perhaps the best school in Ireland at the time. His transition from a life of poverty to a rigorous private school setting proves challenging. He does, however, make a fast friend in William Congreve, the future poet and playwright.
At age 14, Swift commences his undergraduate studies at Trinity College, Dublin. In 1686, he receives a Bachelor of Arts degree and goes on to pursue a master’s degree. Not long into his research, huge unrest breaks out in Ireland. The king of Ireland, England and Scotland is soon to be overthrown. What becomes known as the Glorious Revolution of 1688 spurs him to move to England and start anew. For 10 years, Swift works in Surrey‘s Moor Park and acts as an assistant to Sir William Temple.
During his Moor Park years, Swift met the daughter of Temple’s housekeeper, an 8-year-old named Esther Johnson. They become lovers for the rest of their lives until Johnson’s death. It is rumored that they marry in 1716, and that Swift keeps of lock of Johnson’s hair in his possession at all times.
During his decade of work for Temple, Swift returns to Ireland twice. On a trip in 1695, he takes all necessary requirements to become an ordained priest in the Anglican tradition. Under Temple’s influence, he also begins to write, first short essays and then a manuscript for a later book. Temple dies in 1699. Swift completes the task of editing and publishing Temple’s memoirs. He then leans on his priestly qualifications and finds work ministering to a pea-sized congregation just 20 miles outside of Dublin. For the next ten years, he gardens, preaches and works on the house provided to him by the church. He also returns to writing. His first political pamphlet is titled A Discourse on the Contests and Dissentions in Athens and Rome.
In 1704, Swift anonymously releases A Tale of a Tub and The Battle of the Books. Tub, although widely popular with the masses, is harshly disapproved of by the Church of England. Ostensibly, it criticizes religion, but Swift means it as a parody of pride. Nonetheless, his writings earn him a reputation in London and when the Tories come into power in 1710, they ask him to become editor of The Examiner, their official paper. After a time, he becomes fully immersed in the political landscape and begins writing some of the most cutting and well-known political pamphlets of the day, including The Conduct of the Allies, an attack on the Whigs. Privy to the inner circle of Tory government, he lays out his private thoughts and feelings in a stream of letters to his beloved Stella. They are later published as The Journal to Stella.
When he sees that the Tories will soon fall from power, Swift returns to Ireland. In 1713, he takes the post of dean at St. Patrick’s Cathedral in Dublin. While leading his congregation at St. Patrick’s, he begins to write what would become his best-known work. In 1726, at last finished with the manuscript, he travels to London and benefits from the help of several friends, who anonymously publish it as Travels into Several Remote Nations of the World, in Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships, more simply known as Gulliver’s Travels. The book is an immediate success and has not been out of print since its first run.
Not long after the celebration of this work, Swift’s longtime love, Esther Johnson, falls ill. She dies in January 1728. Her death moves Swift to write The Death of Mrs. Johnson.
In 1742, Swift suffers a stroke and loses the ability to speak. On October 19, 1745, Jonathan Swift dies. He is laid to rest next to Esther Johnson inside Dublin’s St. Patrick’s Cathedral.
Woffington’s father is believed to have been a bricklayer, and, after his death, the family becomes impoverished. Her mother is obliged to take in washing while Peg sells watercress door to door. It is said that she is walking through a marketplace as a pre-teen and happens upon Madame Signora Violante, a famous tightrope walker. Violante is so immediately enthralled by Peg’s beautiful face that she accompanies her home and asks her mother permission to take her in as her apprentice.
Around 1730, Violante features Woffington as Polly Peachum in a production of John Gay’s The Beggar’s Opera. This serves as a springboard for her fame in Dublin, and she continues dancing and acting in the area playing Dorinda in an adaptation of The Tempest at the Theatre Royal, Dublin in 1735 and joining the Smock Alley Theatre to perform with well-known actor David Garrick.
Woffington dances and acts at various Dublin theaters until her success as Sir Harry Wildair in The Constant Couple leads to her being given her London debut at Covent Garden. She becomes well known as an actress thereafter.
Woffington enjoys success in the role of Sylvia in The Recruiting Officer. She performs at Drury Lane for several years and later returns to Dublin, appearing in a variety of plays. Her most well-received performances are in comic roles, such as elegant women of fashion like Lady Betty Modish and Lady Townley, and breeches roles. She is impeded in the performance of tragedy by a harsh tone in her voice that she strives to eliminate.
Woffington lives openly with David Garrick, the foremost actor of the day, and her other love affairs are numerous and notorious. She becomes friend and mentor to the socialite/actress sisters, Elizabeth and Maria Gunning, and also shares the stage with the likes of Charles Macklin, Kitty Clive, and the tragedienne Susannah Maria Arne.
Though Woffington is popular with society figures, she is not always favored by her competition. She tends to create rivalries with similar-type actresses at Drury Lane and Covent Garden. Her fiercest rivalry is with “equally peppery” actress Kitty Clive. According to Garrick biographer Thomas Davies, “No two women in high life ever hated each other more unreservedly than these two great dames of the stage.” When she returns to Covent Garden, rivalries with these women and with the manager, John Rich, eventually send her back to Dublin, where she is unrivaled and celebrated at the Smock Alley Theatre.
Rich decides to start a Beefsteak Club in 1749, also known as the Sublime Society of Steaks or “the Club.” Some of its members include Garrick and William Hogarth, as well as many other London celebrities. Not only is Woffington the first female member of the all-male dining club, in 1750 she becomes president of the club by election. She also educates and supports her sister and cares for and pensions her mother.
For whatever reason, Woffington leaves Garrick in about 1744 and moves to Teddington, into a house called Teddington Place. In 1754 she becomes the beneficiary of the will of the Irish impresario Owen Swiny. In 1756, she performs the part of Lady Randolph in Douglas, a part which finds a later exponent in Sarah Siddons.
On May 3, 1757, Woffington is playing the part of Rosalind in As You Like It when she collapses on stage. She rallies but would never act again, lingering with a wasting illness. She dies in Queen Square, Westminster on March 28, 1760. She is buried in St. Mary with St. Alban, the parish church in Teddington.
This involves helping to ship weapons to be used in an Irish uprising from Germany into Ireland. Together with Molly Childers, she raises £2,000 towards the purchase of 900 Mauser rifles from Germany, many of which are used in the 1916 Easter Rising. She sails on the Asgard to collect the guns and helps to unload them in Ireland.
Con Collins stays with Spring Rice regularly. She helps train local women as nurses to tend to wounded nationalists and acts as an IRA message carrier between Limerick and Dublin. Throughout this time, she maintains her aristocratic façade and society connections, inviting senior Liberal Party politicians to Mount Trenchard to pressure them to support Irish independence.
Spring Rice starts to suffer from tuberculosis in 1923, and dies unmarried in a sanatorium in Clwyd, Wales, on December 1, 1924. She is buried in Ireland, where her coffin is draped in the Irish tricolour and escorted by an IRA guard of honour.
(Pictured: Mary Ellen Spring-Rice and Molly Childers with the German guns on board Asgard, 1914.)
James Barry, Irish painter best remembered for his six-part series of paintings entitled The Progress of Human Culture in the Great Room of the Royal Society of Arts in London, is born in Water Lane (now Seminary Road) on the northside of Cork, County Cork on October 11, 1741.
Barry first studies painting under local artist John Butts. At the schools in Cork to which he is sent he is regarded as a child prodigy. About the age of seventeen he first attempts oil painting, and between that and the age of twenty-two, when he first goes to Dublin, he produces several large paintings.
The painting that first brings him into public notice, and gains him the acquaintance and patronage of Edmund Burke, is founded on an old tradition of the landing of Saint Patrick on the sea-coast of Cashel, although Cashel is an inland town far from the sea, and of the conversion and Baptism of the King of Cashel. It is exhibited in London in 1762 or 1763 and rediscovered in the 1980s in unexhibitable condition.
In late 1765 Barry goes to Paris, then to Rome, where he remains upwards of three years, from Rome to Florence and Bologna, and thence home through Venice. He paints two pictures while abroad, an Adam and Eve and a Philoctetes.
Soon after his return to England in 1771 Barry produces his painting of Venus, which is compared to the Triumph of Galatea of Raphael, the Venus of Urbino of Titian and the Venus de’ Medici. In 1773 he exhibits his Jupiter and Juno on Mount Ida. His Death of General Wolfe, in which the British and French soldiers are represented in very primitive costumes, is considered as a falling-off from his great style of art.
In 1773 Barry publishes An Inquiry into the real and imaginary Obstructions to the Acquisition of the Arts in England, vindicating the capacity of the English for the fine arts and tracing their slow progress to the Reformation, to political and civil dissensions, and lastly to the general direction of the public mind to mechanics, manufactures and commerce.
In 1774 a proposal is made through Valentine Green to several artists to ornament the Great Room of the Society for the encouragement of Arts, Manufactures and Commerce (now the Royal Society of Arts), in London’s Adelphi Theatre, with historical and allegorical paintings. This proposal is rejected at the time. In 1777 Barry makes an offer, which is accepted, to paint the whole on condition that he is allowed the choice of his subjects, and that he is paid by the society the costs of canvas, paints and models. He finishes the series of paintings after seven years to the satisfaction of the members of the society. He regularly returns to the series for more than a decade, making changes and inserting new features. The series of six paintings, The progress of human knowledge and culture, has been described by critic Andrew Graham-Dixon as “Britain’s late, great answer to the Sistine Chapel.”
Soon after his return from the continent Barry is chosen a member of the Royal Academy of Arts. In 1782 he is appointed professor of painting in the room of Edward Penny with a salary of £30 a year. In 1799 he is expelled from the Academy soon after the appearance of his Letter to the Society of Dilettanti, an eccentric publication, full of enthusiasm for his art and at the same time of contempt for the living professors of it. He remains the only academician ever to be expelled by the Academy until Brendan Neiland in July 2004.
After the loss of his salary, a subscription is set on foot by the Earl of Buchan to relieve Barry from his difficulties, and to settle him in a larger house to finish his painting of Pandora. The subscription amounts to £1000, with which an annuity is bought, but on February 6, 1806 he is seized with illness and dies on February 22. His remains are interred in St. Paul’s Cathedral, London on March 4, 1806.
(Pictured: James Barry, Self-portrait, 1803, oil on canvas. National Gallery of Ireland, Dublin.)
On May 14, 2009, Byrne is a substitute for a Liverpool F.C. Legends XI that plays against an All Star XI in a Hillsborough Memorial match to mark the 20th anniversary of the Hillsborough disaster. He represented the Republic of Ireland at U15, U16 and U18 levels.
In June 1998, Byrne attends an audition for new Irish boyband, where Boyzone manager Louis Walsh approaches him to join his new venture, Westlife. He joins Westlife along with Kian Egan, Mark Feehily, Shane Filan and Brian McFadden. With Westlife, he has had 25 top ten UK singles, fourteen of which are number one, seven number one albums and has sold in excess of over 45 million records worldwide. He also has a number one single in Ireland in 2002, alongside the Republic of Ireland national football team and Dustin the Turkey with the Irish 2002 FIFA World Cup anthem, “Here Come the Good Times (Ireland).” He also co-writes many of Westlife’s songs.
On September 7, 2012, it is announced that Byrne will be a contestant for the tenth series of Strictly Come Dancing. He is the ninth contestant to be eliminated. He is ranked number two on Ireland’s Sexiest Man of 2014.
In early January 2016, it is rumored that RTÉ had internally chosen Byrne to represent Ireland in the Eurovision Song Contest 2016. On January 13, he is confirmed to be the Irish singer for the 2016 contest in Stockholm with the song, “Sunlight.” He performs it in the second semi-final but fails to advance to the final.
Byrne’s wife Georgina is the daughter of former TaoiseachBertie Ahern, and they have twin sons, Rocco Bertie Byrne and Jay Nicky Byrne, and a daughter, Gia.
Williams becomes a member of the Young Ireland movement and contributes poetry to The Nation under the pseudonym “Shamrock.” He is immediately successful. In the January 21, 1843 edition there appears: “Shamrock is a jewel. He cannot write too often. His verses are full of vigour, and as natural as the harp of Tara.”
Later in 1843 Williams goes to Dublin to study medicine at Saint Vincent’s Hospital. In 1848 he brings out a newspaper, the Irish Tribune, to take the place of the suppressed United Irishman, founded by John Mitchel. Before the sixth weekly publication, it is seized by the Government, and proceedings are instituted against the editors, Williams and his friend Kevin Izod O’Doherty. On October 30, 1848, at a third trial, O’Doherty is convicted of treason and transported to Australia while Williams is successfully defended by lawyer and fellow poet Samuel Ferguson two days afterwards on the same charge. He then resumes his medical studies, takes out his degree at Edinburgh, Scotland in 1849 and emigrates to the United States in 1851.
Williams is married to Elizabeth Connolly on September 8, 1856, with whom he has four children of whom the youngest is commemorated in Lines on the Death of his Infant Daughter, Katie.
In the United States Williams practises medicine until he becomes ill and dies of tuberculosis in Thibodaux, Louisiana on July 5, 1862. He is buried there in St. Joseph’s Cemetery. His headstone is later erected that year by Irish members of the 8th New Hampshire Volunteer Infantry, then encamped in Thibodaux.
Born into a wealthy and powerful Anglo-IrishProtestant landowning family in County Wicklow on June 27, 1846, Parnell enters the House of Commons in 1875. He is a land reform agitator and becomes leader of the Home Rule League in 1880, insisting on operating independently of the Liberals, and winning great influence by his balancing of constitutional, radical, and economic issues, and by his skillful use of parliamentary procedure. He is imprisoned in Kilmainham Gaol in 1882 but, being a very capable negotiator, is released when he renounces violent extra-Parliamentary action in an informal agreement, the Kilmainham Treaty, with British Prime Minister William Ewart Gladstone. That same year he reforms the Home Rule League as the Irish Parliamentary Party, which he controls minutely as Britain’s first disciplined democratic party.
The hung Parliament of 1885 sees him hold the balance of power between Gladstone’s Liberals and Robert Gascoyne-Cecil, 3rd Marquess of Salisbury‘s Conservatives. His power is one factor in Gladstone’s adoption of Home Rule as the central tenet of the Liberal Party. His reputation peaks in 1889-1890 when letters published in The Times linking him to the Phoenix Park murders of 1882 are shown to have been forged by Richard Pigott. However, the Irish Parliamentary Party splits in 1890 after the revelation of Parnell’s long adulterous love affair, causing many English Liberals, many of them nonconformists, to refuse to work with him, and strong opposition from Catholic bishops. He heads a small minority faction until his death in 1891.
In describing Parnell, Gladstone says, “I do not say the ablest man; I say the most remarkable and the most interesting. He was an intellectual phenomenon.” Liberal leader H. H. Asquith calls him as one of the three or four greatest men of the 19th century, while Richard Haldane, 1st Viscount Haldane describes him as the strongest man the House of Commons has seen in 150 years. Historian A.J.P. Taylor says, “More than any other man he gave Ireland the sense of being an independent nation.”
Charles Stewart Parnell dies of pneumonia at age 45 in his home at 10 Walsingham Terrace, Hove, England on October 6, 1891, in the arms of his wife Katharine. Though an Anglican, his funeral on October 11 is at the Irish National nondenominational Glasnevin Cemetery in Dublin and is attended by more than 200,000 people. His notability is such that his gravestone of unhewn Wicklow granite, erected in 1940, reads only “Parnell.”
seamus dubhghaill 