seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Dublin


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National Gallery of Ireland Act, 1854

A statutory provision, the National Gallery of Ireland Act, 1854, is made on August 10, 1854, for the establishment of a national gallery of paintings, sculpture, and fine arts in Ireland.

The National Gallery of Ireland, which opens its doors ten years later, houses the national collection of Irish and European art. It is located in the centre of Dublin with one entrance on Merrion Square, beside Leinster House, and another on Clare Street. The Gallery has an extensive, representative collection of Irish painting and is also notable for its Italian Baroque and Dutch masters painting.

The façade of the National Gallery copies the Natural History building of the National Museum of Ireland which is already planned for the facing flank of Leinster House. The building itself is designed by Francis Fowke, based on early plans by Charles Lanyon.

The Gallery is unlucky not to have been founded around an existing collection, but through diligent and skillful purchase, by the time it opens it has 125 paintings. In 1866 an annual purchase grant is established and by 1891 space is already limited. In 1897, the Dowager Countess of Milltown indicates her intention of donating the contents of Russborough House to the Gallery. This gift includes about 223 paintings, 48 pieces of sculpture, 33 engravings, much silver, furniture and a library, and prompts construction from 1899 to 1903 of what is now called the Milltown Wing, designed by Thomas Newenham Deane.

At around this time Henry Vaughan leaves 31 watercolours by J.M.W. Turner with the requirement that they can only be exhibited in January, this to protect them from the ill-effects of sunlight. Though modern lighting technology has made this stipulation unnecessary, the Gallery continues to restrict viewing of the Vaughan bequest to January and the exhibition is treated as something of an occasion.

Another substantial bequest comes with the untimely death in the sinking of the RMS Lusitania of Hugh Lane (1875–1915), since 1914 director of the Gallery. Not only does he leave a large collection of pictures, but he also leaves part of his residual estate, and the Lane Fund has continued to contribute to the purchase of art works to this day. In addition to his involvement in the Gallery, Hugh Lane has also hoped to found a gallery of modern art, something only realised after his death in Dublin City Gallery The Hugh Lane. George Bernard Shaw also makes a substantial bequest, leaving the Gallery a third of royalties of his estate in gratitude for the time he spent there as a youth.

The Gallery is again extended in 1962 with a new wing designed by Frank DuBerry of the Office of Public Works. This opens in 1968 and is now named the Beit Wing. In 1978 the Gallery receives from the government the paintings given to the nation by Alfred Chester Beatty and in 1987 the Sweeney bequest purchases fourteen works of art including paintings by Pablo Picasso and Jack Butler Yeats. The same year the Gallery is once again given some of the contents of Russborough House when Alfred Beit donates 17 masterpieces, including paintings by Diego Velázquez, Bartolomé Esteban Murillo, Jan Steen, Johannes Vermeer and Henry Raeburn.

In the 1990s a lost Caravaggio, The Taking of Christ, known through replicas, is discovered hanging in a Jesuit house of studies in Leeson Street in Dublin by Sergio Benedetti, senior conservator of the gallery. The Jesuits generously allow this painting to be exhibited in the Gallery and the discovery is the cause of national excitement. In 1997 Anne Yeats donates sketchbooks by her uncle Jack Yeats and the Gallery now includes a Yeats Museum. Denis Mahon, a well-known art critic, promises the Gallery part of his rich collection and eight painting from his promised bequest are on permanent display, including Jacob Blessing the Sons of Joseph by Guercino.


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Founding of the Tenant Right League

The Tenant Right League, an organisation which aims to secure reforms in the Irish land system, is founded in Dublin on August 9, 1850, at a meeting attended by representatives of the Tenant Protection Societies. Formed by Charles Gavan Duffy and Frederick Lucas, the League unites for a time Protestant and Catholic tenants, Duffy calling his movement The League of North and South.

The political background to the movement is the Encumbered Estates Act and the resultant change in land ownership at landlord level. In the North of Ireland, Protestant and Presbyterian ministers fear that the new landlords will destroy the “Ulster custom” of tenancy, which compensates tenants for any improvement undertaken. Concurrently, in the South of Ireland politically minded young Catholic priests are agitating for the adoption there of the Ulster custom as a measure of reform.

Support for the League initially comes from the Ulster Tenant Right Association led by William Sharman Crawford. The support is short-lived because of the involvement of Catholic clergymen from the south. As a constitutional movement, the League seeks to secure the adoption and enforcement of the Three Fs, namely fair rent, fixity of tenure, and free sale. All of these would aid Irish tenant farms, all of whom lack them.

For the larger tenant farmers fixity of tenure is the priority. On the other hand, the league never has the support of smaller tenants, whose prime concern is fair rents. The founders strive to establish a parliamentary party of Irish members who will oppose any government not prepared to grant “Tenant-right” also known as the Ulster Custom.

The Tenant Right League meets with considerable success under its national organiser, John Martin. It has the support of the surviving members of the Repeal Association in the British House of Commons as well as a number of English Radicals. It is agreed, all around, that a Land Act embodying the three F’s would be a real gain. In the 1852 general election, some fifty Tenant Right candidates, including Gavan Duffy, Lucas and John Sadleir, are returned to parliament, where they sit as the Independent Irish Party.

The League’s success is short lived and is ultimately destroyed and weakened when a number of prominent members break away and established the Catholic Defence Association. Supporters of the league are also intimidated by hostile landlords. The most serious blows to its success come when Lucas decides to take his complaint about the Archbishop of Dublin Paul Cullen to Rome, which alienates clerical support. Lucas dies in October 1855 shortly after the failure of his mission, a month later Gavan Duffy emigrates to Australia.

The League finally dissolves in 1859, and the Independent Irish Party disappears by 1860. The demand for tenants’ rights is however continued by Bishop Thomas Nulty of County Meath and taken up again as a popular cause by the Irish National Land League in 1879, when the “Three Fs” are anchored in the Land Law (Ireland) Act 1881, previously pursued rigorously by Michael Davitt.


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Birth of Anglo-Irish Poet Richard Murphy

Richard Murphy, Anglo-Irish poet, is born on August 6, 1927, in County Mayo. He is a member of Aosdána and currently lives in Sri Lanka.

Murphy is born to an Anglo-Irish family at Milford House, near the Mayo-Galway border. His childhood in Ireland is documented in the film The Other Irish Travellers made by his niece, Fiona Murphy.

He spends much of his early childhood in Ceylon, now Sri Lanka, where his father, William Lindsay Murphy, serves in the Colonial Service and is active as mayor of Colombo and Governor-General of the Bahamas, in succession to the Duke of Windsor. He first receives his education at Canterbury School and Wellington College, Berkshire. He wins a scholarship to Magdalen College, Oxford, at 17, where he studies English under C.S. Lewis. He is later educated at the Sorbonne, and between 1953 and 1954, he runs a school in Crete. In his Archaeology of Love (1955), Murphy reflects on his experiences in England and the Continent.

In 1954, Murphy settles at Cleggan, a village on the coast of Galway where fishing has been abandoned after a famous sailing disaster. Several years later, in 1959, he purchases and renovates the Ave Maria, a traditional Galway hooker type boat, from Inishbofin fisherman, Michael Schofield, which he uses to ferry visitors to the island. Taking the first-hand accounts of survivors of the sailing disaster, he weaves the material into a long tour de force poem which closes his first collection Sailing to an Island, published in the early 1960s by Faber & Faber. In 1969, he purchases Ardoileán (High Island), a small island in the vicinity of Inishbofin.

Murphy enjoys commissions for his poems from the BBC which prompts him to start on his long book-length sequence The Battle of Aughrim. Ostensibly about the 18th century triumph of Dutch-led Protestant forces over the Irish and French Catholic forces, the poem deals obliquely not only with the brewing strife in Ulster of the 1960s, but also with the issues of the Vietnam War. Its episodic structure is highly influential on poetic sequences subsequently published by Montague and Heaney.

Since 1971 Murphy has been a poet-in-residence at nine American universities. He lives in Sri Lanka, having previously divided his time between Dublin and Durban, South Africa, where his daughter and her family reside. He is the maternal grandfather of YouTuber Caspar Lee. In 2002, a memoir of his life and times, The Kick, is published by Granta, constructed from detailed diaries kept over the course of five decades.


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Death of Sportswriter Con Houlihan

Con Houlihan, Irish sportswriter, dies in Dublin on August 4, 2012. Despite only progressing to national journalism at the age of 46, he becomes “the greatest and the best-loved Irish sports journalist of all.”

Houlihan is born on December 6, 1925, in Castleisland, County Kerry. Over a lengthy career, Houlihan covers many Irish and international sporting events, from Gaelic football and hurling finals, to soccer and rugby World Cups, the Olympic Games and numberless race meetings inside and outside Ireland.

Houlihan is a journalist with the Irish Press group writing for The Irish Press, Evening Press and sometimes The Sunday Press, until the group’s demise in 1995. He writes the “Tributaries” column and Evening Press back sports page “Con Houlihan” column.

Houlihan dies on the morning of August 4, 2012 in St. James’s Hospital in Dublin. Often considered one of Ireland’s finest writers, he leaves behind a legacy of immense sports journalism that spans over 60 years. A minute’s silence is observed in his memory ahead of Kerry GAA‘s All-Ireland Senior Football Championship quarter-final defeat to Donegal GAA at Croke Park the following day. His last column, in which he wishes Irish Olympic boxer Katie Taylor well, is published the day after his death. His funeral takes place on August 8, 2012.

Ireland’s president, Michael D. Higgins, leads the tributes to Houlihan, describing him as a “most original writer, with a unique style based on his extensive knowledge of literature, politics, life and sport.” He adds, “He had that special quality and ability to identify with the passion, pain and celebration of Irish community life.”

A bronze bust of Houlihan is unveiled in his hometown of Castleisland in 2004. In 2011, another sculpture is erected outside The Palace bar in Dublin.


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The Battle of Rathmines

The Battle of Rathmines is fought in and around what is now the Dublin suburb of Rathmines on August 2, 1649, during the Irish Confederate Wars. It is fought between an English Parliamentarian army under Michael Jones which holds Dublin and an army composed of Irish Confederate and English Royalist troops under the command of the James Butler, 1st Duke of Ormond.

By 1649, Ireland has already been at war for eight years, since the outbreak of the Irish Rebellion of 1641. The English Parliament holds only two small enclaves, Dublin and Derry, in Ireland.

In July 1649, Ormond, marches his coalition forces of 11,000 men to the outskirts of Dublin with the intent of taking the city from its Parliamentary garrison, which had landed there in 1647. Ormond takes Rathfarnham Castle and camps at Palmerston Park in Rathgar, about 4 km south of the city. The area from Ormond’s camp to the city of Dublin is now a heavily urbanised area, but in 1649, it is open countryside. Ormond begins inching his forces closer to Dublin by taking the villages around its perimeter and to this end, sends a detachment of troops to occupy Baggotrath Castle, on the site of present-day Baggot Street bridge. For reasons which have never been clear, they take several hours to reach Baggotrath, a distance of about a mile, and they arrive to find that the Parliamentary troops have already occupied the castle.

However, Ormond is not expecting Michael Jones, the Parliamentary commander, to take the initiative and has not drawn up his troops for battle. Unfortunately for the Royalists, this is exactly what Jones does, launching a surprise attack on August 2 from the direction of Irishtown with 5,000 men and sending Ormond’s men at Baggotsrath reeling backwards towards their camp in confusion.

Too late, Ormond and his commanders realise what is going on and send units into action piecemeal to try to hold up the Parliamentarian advance, so that they can form their army into battle formation. However, Jones’ cavalry simply outflanks each force sent against them, sending them too fleeing back south through the townland of Rathmines. The battle becomes a rout as scores of fleeing Royalist and Confederate soldiers are cut down by the pursuing Roundheads. The fighting finally ends when the English Royalist troops under Murrough O’Brien, 1st Earl of Inchiquin, mounts a disciplined rearguard action, allowing the rest to get away. Ormond claims he has lost less than a thousand men. Jones claims to have killed around 4,000 Royalist or Confederate soldiers and taken 2,517 prisoners, while losing only a handful himself. Ormond certainly loses at least one leading officer, Christopher Plunkett, 2nd Earl of Fingall, who is fatally wounded and dies in Dublin Castle a few days later. Ormond also loses his entire artillery train and all his baggage and supplies.

In the aftermath of the battle, Ormond withdraws his remaining troops from around Dublin, allowing Oliver Cromwell to land in the city at Ringsend with 15,000 veteran troops on August 15. Cromwell calls the battle “an astonishing mercy,” taking it as a sign that God has approved of his conquest of Ireland. Over the next four years he completes the Cromwellian conquest of Ireland.

Without Jones’ victory at Rathmines, the New Model Army would have had no port to land at in Ireland and the Cromwellian conquest of Ireland would have been much more difficult. Ormond’s incompetent generalship at Rathmines disillusions many Irish Confederates with their alliance with the English Royalists and Ormond is ousted as commander of the Irish forces the following year.


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The Funeral of Jeremiah O’Donovan Rossa

The funeral of Fenian Jeremiah O’Donovan Rossa is held before a huge crowd at Glasnevin Cemetery in Dublin on August 1, 1915.

Rossa’s body had been returned from New York City where he died June 29. He had been exiled by the British for his Fenian activities in 1871. While in exile, Rossa manages to alienate many of his former Fenian colleagues, including his good friend John Devoy, with his uncompromising advocacy of violence to end British rule in Ireland. Perhaps his attitude is due in part to the harsh treatment he receives in British prisons as well as scenes he witnesses while helping to distribute relief in his native County Cork during the Great Hunger.

In the late 1870s, he organizes the “Skirmishing Fund,” which finances the infamous Fenian dynamite campaign in England. When he dies in New York on June 29, 1915, he is estranged from most in the Irish republican movement.

Rossa’s funeral is one of the seminal events in the revival of the Irish republican movement in Ireland. During the three days when Rossa lays in the vestibule of the City Hall, encased in a coffin with a plate glass lid, thousands of citizens pass by to pay their final respects.

The coffin is conveyed from the City Hall in the four-horse bier in waiting at 2:25 PM and fifteen minutes later the cortège starts, headed by a guard of honour of the Irish Volunteers with rifles, a mounted guard being supplied by the same body. The coffin is thickly covered with wreaths and an open carriage behind is also filled with floral tokens, while many of the contingents carry wreaths to be placed on the grave.

The procession, in marching four deep at a slow pace, takes a little over fifty minutes to pass the corner of Dame Street into George’s Street. A conservative estimate of those who actually take part in the procession give the numbers as exceeding 6,000 and there must be at least ten times that number lining the streets.

The funeral comes into College Green at about 3:00 PM, headed by a body of Volunteers with the St. James’s Band. It is nearing 6:00 PM when the hearse passes through the main gates of Glasnevin Cemetery. The avenue leading to the mortuary chapel is lined by detachments of Volunteers. The prayers in the chapel are said by the Rev. D. Byrne, chaplain. Several priests then accompany the coffin to the grave, which is situated just beyond the eastern fringe of the O’Connell circle, close to the graves of two other prominent Fenians, John O’Leary and James Stephens.

Patrick Pearse gives an address at the graveside which has resounded with republicans down through the years. The final words of his oration provide them with one of their most enduring slogans, “Ireland unfree will never be at peace.”

A firing party then fires a volley, the Last Post is sounded, and wreaths are laid on the grave.


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Birth of Frank McGuinness, Playwright & Poet

Frank McGuinness, award-winning Irish playwright and poet, is born in Buncrana, a town located on the Inishowen peninsula of County Donegal on July 29, 1953. As well as his own works, which include The Factory Girls, Observe the Sons of Ulster Marching Towards the Somme, Someone Who’ll Watch Over Me and Dolly West’s Kitchen, he is recognised for a “strong record of adapting literary classics, having translated the plays of Jean Racine, Sophocles, Henrik Ibsen, Federico García Lorca, and August Strindberg to critical acclaim.”

McGuinness is educated locally and at University College Dublin, where he studies Pure English and medieval studies to postgraduate level.

He first comes to prominence with his play The Factory Girls but establishes his reputation with his play about World War I, Observe the Sons of Ulster Marching Towards the Somme, which is staged in Dublin‘s Abbey Theatre and internationally. The play makes a name for him when it is performed at Hampstead Theatre, drawing comments about McGuinness’s Irish Catholic background. It wins numerous awards including the London Evening Standard Award for Most Promising Playwright for McGuinness and the Christopher Ewart-Biggs Memorial Prize. He has also written new versions of classic dramas, including works by Henrik Ibsen, Anton Chekhov, and Euripides, adapting the literal translations of others. In addition, he writes the screenplay for the film Dancing at Lughnasa, adapting the stage play by fellow Ulsterman Brian Friel.

McGuinness’s first poetry anthology, Booterstown, is published in 1994. Several of his poems have been recorded by Marianne Faithfull, including Electra, After the Ceasefire and The Wedding.

McGuinness previously lectured in Linguistics and Drama at the University of Ulster, Medieval Studies at University College, Dublin and English at the National University of Ireland, Maynooth. Then he is a writer-in-residence lecturing at University College Dublin before being appointed Professor of Creative Writing in the School of English, Drama and Film there in 2007.


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Birth of John Field, Pianist & Composer

John Field, pianist, composer, and teacher, is born in Dublin into a musical family on July 26, 1782. He is the eldest son of Irish parents who are members of the Church of Ireland. His father, Robert Field, earns his living by playing the violin in Dublin theatres.

Field first studies the piano under his grandfather, who is a professional organist, and later under Tommaso Giordani. He makes his debut at the age of nine, a performance that is well-received, on March 24, 1792 in Dublin. By late 1793, the Fields have settled in London, where the young pianist starts studying with Muzio Clementi.

Field continues giving public performances and soon becomes famous in London, attracting favourable comments from the press and the local musicians. Around 1795 his performance of a Jan Ladislav Dussek piano concerto is praised by Joseph Haydn. Field continues his studies with Clementi, also helping the Italian with the making and selling of instruments. He also takes up the violin, which he studies under Johann Peter Solomon. His first published compositions are issued by Clementi in 1795. The first historically important work, the Piano Concerto No. 1, H 27, is premiered by the composer in London on February 7, 1799, when he is 16 years old. Field’s first official opus is a set of three piano sonatas published by Clementi in 1801.

In summer 1802 Field and Clementi leave London and go to Paris on business. They soon travel to Vienna, where Field takes a brief course in counterpoint under Johann Georg Albrechtsberger, and in early winter arrive in Saint Petersburg. Field is inclined to stay, impressed by the artistic life of the city. Clementi leaves in June 1803, but not before securing Field a teaching post in Narva. After Clementi’s departure, Field has a busy concert season, eventually performing at the newly founded Saint Petersburg Philharmonia. In 1805 Field embarks on a concert tour of the Baltic states, staying in Saint Petersburg during the summer. The following year he gives his first concert in Moscow. He returns to Moscow in April 1807 and apparently does not revisit Saint Petersburg until 1811. In 1810 he marries Adelaide Percheron, a French pianist and former pupil.

In 1811 Field returns to Saint Petersburg where he spends the next decade of his life, more productive than ever before, publishing numerous new pieces and producing corrected editions of old ones. He is successful in establishing a fruitful collaboration with both H.J. Dalmas, the most prominent Russian publisher of the time, and Breitkopf & Härtel, one of the most important music publishing houses of Europe. By 1819 Field is sufficiently wealthy to be able to refuse the position of court pianist that is offered to him. His lifestyle and social behaviour are becoming more and more extravagant.

In 1818 Field revisits Moscow on business, prompted by his collaboration with the publisher Wenzel. He and his wife give a series of concerts in the city in 1821, the last of which marks their last appearance in public together. Adelaide leaves Field soon afterward and attempts a solo career, which is not particularly successful. Field stays in Moscow and continues performing and publishing his music. In 1822 he meets Johann Nepomuk Hummel and the two collaborate on a performance of Hummel’s Sonata for Piano 4-Hands, Op. 92.

Partly as a result of his extravagant lifestyle, Field’s health begins to deteriorate by the mid-1820s. From about 1823 his concert appearances started decreasing. By the late 1820s he is suffering from colorectal cancer. Field leaves for London to seek medical attention. He arrives in September 1831 and, after an operation, gives concerts there and in Manchester. He stays in England for some time, meeting distinguished figures such as Felix Mendelssohn and Ignaz Moscheles. After a series of concerts in various European cities, Field spends nine months in a Naples hospital. His Russian patrons rescue him. He briefly stays with Carl Czerny in Vienna, where he gives three recitals, and then returns to Moscow. He gives his last concert in March 1836 and dies in Moscow almost a year later, on January 23, 1837, from pneumonia. He is buried in the Vvedenskoye Cemetery.


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Birth of Watercolourist Michael Angelo Hayes

Painter Michael Angelo Hayes is born in Waterford on July 25, 1820. Probably the best 19th century painter of animals in Ireland, Hayes is most accomplished as a watercolourist, although he occasionally uses oils.

Hayes is the son and pupil of Tipperary watercolour miniaturist Edward Hayes RHA. It is clear from his christening that he is expected to become an artist.  Fortunately, the younger Hayes is a talented draughtsman, and by his late teens has acquired something of a reputation as a painter of horses and military subjects.

Hayes begins showing at the Royal Hibernian Academy (RHA) in 1837, then for three years 1840-1842.  In 1842, he is appointed Military Painter-in-ordinary to the Lord Lieutenant.  He passes the next few years in London, where he exhibits watercolours at the New Society of Painters in Water Colours, of which he is elected an Associate Member in 1848, the same year he makes his one and only contribution to the Royal Academy of Arts.

Returning to Dublin, Hayes resumes exhibiting at the RHA, at the same time becoming involved in its administration.  He is elected an Associate member in 1853, a full Academician the following year, and Secretary in 1856.  The affairs of the Academy are totally disorganized at the time, inducing Hayes and others to resolve the situation.  His efforts to reform the institution and secure its finances meets with entrenched opposition from older members, which results in Hayes being removed from his post, although he is successfully reinstated in 1861.

Not long afterwards he is appointed secretary to the Lord Mayor of Dublin, Peter McSwiney, who happens to be his brother-in-law, and later becomes City Marshal in 1867.  He continues as Secretary of the RHA until he resigns in 1870, and continues showing until 1874.

Hayes makes a special study of horses in motion, and in 1876 publishes his conclusions in an illustrated pamphlet, The Delineation of Animals in Rapid Motion.  One of his Dublin paintings, Sackville Street, Dublin, depicts a view of Dublin’s premier street in the 1850s. The painting is a documentary of social life in Dublin. It achieves widespread popularity when reprinted as a lithograph.

Michael Angelo Hayes dies prematurely in 1877 in a tragic drowning accident at his home.


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Death of Sinn Féin Leader Margaret Buckley

Margaret Buckley, Irish republican and leader of Sinn Féin from 1937 to 1950, dies on July 24, 1962.

Originally from Cork, Buckley joins Inghinidhe na hÉireann, which was founded in 1900, taking an active role in the women’s movement. She is involved in anti-British royal visit protests in 1903 and 1907 and is among the group that founds An Dún in Cork in 1910. In 1906, she marries Patrick Buckley, described as “a typical rugby-playing British civil servant.” After his death she moves into a house in Marguerite Road, Glasnevin, Dublin. Later, she returns to Cork to care for her elderly father.

Arrested in the aftermath of 1916 Easter Rising, she is released in the amnesty of June 1917 and plays a prominent role in the reorganisation of Sinn Féin. She is involved in the Irish War of Independence in Cork.

After the death of her father, Buckley returns to Dublin. In 1920, she becomes a Dáil Court judge in the North city circuit, appointed by Austin Stack, the Minister for Home Affairs of the Irish Republic. She opposes the Anglo-Irish Treaty and is interned in Mountjoy Gaol and Kilmainham Gaol, where she goes on a hunger strike. She is released in October 1923. During her imprisonment, she is elected Officer Commanding (OC) of the republican prisoners in Mountjoy, Quartermaster (QM) in the North Dublin Union and OC of B-Wing in Kilmainham. She is an active member of the Women Prisoners’ Defence League, founded by Maud Gonne and Charlotte Despard in 1922.

In 1929, she serves as a member of Comhairle na Poblachta which unsuccessfully attempts to resolve the differences between Sinn Féin and the Irish Republican Army (IRA). She is also an organiser for the Irish Women Workers’ Union.

At the October 1934 Sinn Féin ardfheis, Buckley is elected one of the party’s vice-presidents. Three years later, in 1937, she succeeds Cathal Ó Murchadha, who is a former Teachta Dála (TD) of the second Dáil Éireann, as President of Sinn Féin at an ardfheis attended by only forty delegates.

When she assumes the leadership of Sinn Féin, the party is not supported by the IRA, which had severed its links with the party in the 1920s. When she leaves the office in 1950, relations with the IRA have been resolved. As President she begins the lawsuit Buckley v. Attorney-General, the Sinn Féin Funds case, in which the party seeks unsuccessfully to be recognised as owners of money raised by Sinn Féin before 1922 and held in trust in the High Court since 1924.

In 1938, her book, The Jangle of the Keys, about the experiences of Irish Republican women prisoners interned by the Irish Free State forces is published. In 1956, her Short History of Sinn Féin is published.

Buckley serves as honorary vice-president of Sinn Féin from 1950 until her death in 1962. She is the only member of the Ard Chomhairle of the party not to be arrested during a police raid in July 1957.

Margaret Buckley dies on July 24, 1962, and is buried in St. Finbarr’s Cemetery in Cork.