Diarmaid Ó Súilleabháin, Irish language writer whose chosen theme is contemporary urban life, dies on June 5, 1985. He is acknowledged as an important Irish language modernist. He is also active in the Irish republican movement and a member of Sinn Féin.
Ó Súilleabháin is born on the Beara Peninsula in County Cork on July 29, 1932. His mother, Máire Áine Ní Dhrisceoil, is a primary school teacher and his father, John O’Sullivan, is a small farmer. He marries Úna Ní Chléirigh on October 28, 1954, and they have two sons and three daughters.
Best known now for his literary work, Ó Súilleabháin writes ten novels, two of them for teenagers. Maeldún (1972) is a pioneering Irish novel that explores sexuality. He writes seven unpublished plays but most of them are shown in Damer Hall and the Peacock Theatre. Three plays that he writes include Bior, Ontos and Macalla and he writes a collection of short stories, Muintir (1970). A story from Muintir called ‘D’ is translated into English and adapted for the stage by Vivian McAlister and is performed by the Dublin University Players in May 1977.
Like Eoghan Ó Tuairisc, Ó Súilleabháin “challenged the critical orthodoxy by openly proclaiming that their standards could not be those of the Gaeltacht and by demanding a creative freedom that would acknowledge hybridity and reject the strictures of the linguistic purists.” He and Máirtín Ó Cadhain are considered the two most innovative Irish language authors to emerge in the 1960s. He often writes in a stream of consciousness, and his style influences younger writers. His writing “explores the problem of recovering idealism and cultural wholeness in an increasingly shallow and materialistic Irish society.” He is elected as a member of the Irish Academy of Letters and wins more literary prizes than any other living Irish author.
Ó Súilleabháin writes a collection of poetry, Cosa Gréine, which is published and launched in Dublin in 2013, twenty-eight years after his death.
Ó Súilleabháin is an active Irish republican, particularly in publicizing the republican struggle, and is a member of Sinn Féin’s ruling body beginning in 1971. He spends short periods in prison because of activities related to his political beliefs.
Salkeld works in tempera and oil, as well as etching and wood engraving. In 1921 he travels to Germany to study under Ewald Dulberg at the Kassell Kunstschule. He attends the Union of Progressive International Artists in Düsseldorf in May 1922, and is exhibited at the Internationale Kunstausstellung. Upon his return to Dublin in 1924, he holds his first solo exhibition in the Society of Dublin Painters gallery. He becomes a member of the Dublin Painters in 1927. With Francis Stuart, he co-edits the first two issues of To-morrow in 1924. His studio is in a converted labourer’s cottage at Glencree, County Wicklow. He also exhibits with the New Irish Salon and the Radical Painters’ Group.
Salkeld wins the 1926 Royal Dublin Society‘s Taylor scholarship, and has his first exhibited work with the Royal Hibernian Academy (RHA) in 1929. He lives in Berlin for a year in 1932. He exhibits in Daniel Egan’s Gallery in Dublin in 1935. He has a wide circle of literary friends, including Samuel Beckett and Flann O’Brien. In O’Brien’s At Swim-Two-Birds, the character of Michael Byrne is designed for Salkeld, reflecting his debilitating alcoholism. He also teaches at the Dublin Metropolitan School of Art, teaching artists such as Reginald Gray.
From 1937 to 1946 Salkeld runs a private press called Gayfield Press. This is co-founded with his mother, and operates from a garden shed at their home, 43 Morehampton Road. The press is a small Adana wooden hand press. He illustrates her 1938 The Engine Left Running, as well as Ewart Milne‘s Forty North Fifty West (1938) and Liam O’Flaherty‘s Red Barbara and Other Stories (1928). In 1951, he loans the press to Liam and Josephine Miller to found the Dolmen Press.
Salkeld’s most famous public work is his 1942 three-part mural in Davy Byrne’s pub. He is a co-founder of the Irish National Ballet School in the 1940s in his capacity as a pianist. In 1946 he is appointed an associate member of the RHA. In 1953 his play Berlin Dusk is staged at 37 Theatre Club, Dublin. During the 1950s he is a broadcaster with Radio Éireann as well as a director of cultural events for An Tóstal. He dies on May 11, 1969, in St. Laurence’s Hospital, Dublin.
Murphy is born in 1767. While his birthplace in Ireland is undetermined, various locations, such as Ballinoulart, Castleannesley or in Kilnew, County Wexford, are documented as possibilities. He is ordained a priest in 1785 at Wexford after completing hedge school in Oulart. His first parish is at Ballycanew, after Theology and Philosophy studies at the Irish College in Bordeaux in France. Murphy joins the Rebellion on May 27, 1798, following the vandalism of his church by Crownyeomen, despite a mostly pacifist stance by the church leadership.
Murphy proceeds toward battle at Gorey, Kilthomas Hill, then Ballyorril Hill where he meets with fellow priest Fr. John Murphy of Boolavogue. He is attacking a gun position on horseback at the Battle of Arklow on June 9, 1798, when he is killed by gunfire. His grave is at Castle Ellis.
(Pictured: Michael Murphy Monument in Arklow, County Wicklow)
Burke starts playing traditional at age four and purchases his first accordion in the 1950s. He wins the All-Ireland Senior Accordion Championship in Thurles in 1959 and again in Boyle the following year. Together with fiddler Aggie Whyte, he wins the All-Ireland duet championship in 1962 in Gorey, County Wexford.
Burke co-founds the Leitrim Ceili Band with Padden Downey in 1956. Other members of the east Galway-based band, which wins All-Ireland Championships in 1959 and 1962, includes Irish flute players Paddy Carty, Ambrose Moloney and Tony Molloy, button accordionists Mick Darcy and Sean McGlynn, fiddlers Michael Joe Dooley, Paddy Doorhy, Aggie Whyte and Séamus Connolly, drummer Sean Curley and pianist Anne-Marie Courtney. The band tours in England and releases an LP on the New York-based Dublin label.
Burke first tours in the United States in 1961, and lives mainly in New York from 1962 to 1965, during which period he forms a musical partnership with fiddler Andy McGann. With McGann and pianist Felix Dolan, he records an LP, A Tribute to Michael Coleman, first released in 1966 on his own Shaskeen label. He records again with this trio, issuing The Funny Reel LP on the Shanachie Records label in 1979. Other musical collaborators over the years include Belfast fiddle great Sean McGuire, piper Michael Cooney, harpist Máire Ní Chathasaigh, fiddler Kevin Burke, pianist Charlie Lennon and his wife Anne Conroy Burke, whom he marries in 1990, on guitar and button accordion.
Burke’s first solo LP, Galway’s Own, is released in 1971. He also tours extensively for the next two decades, including with groups sponsored by Comhaltas Ceoltóirí Éireann. From 1988 to 1991, he lives in St. Louis, Missouri, where he has a musical residency at John D. McGurk’s Pub and hosts radio programmes at two stations, one of them the “Ireland in America” programme on KDHX. He represents Ireland in 1989 and 1992 at the International Accordion Festivals, in Montmagny, Quebec, along with accordion greats who include Cajun accordion player Marc Savoy and jazz accordionist Art Van Damme.
After residing in the United States from 1988 until 1991, Burke returns to Kilnadeema in 1992. There, he carries on teaching and performing music. He dies at the age of 81 on February 20, 2021, at Galway Hospice.
Burke is named RTÉ‘s Traditional Musician of the Year in 1970. He goes on to win both the AIB Traditional Musician of the Year and the Lifetime Achievement Award from The Irish World in 1997. A Joe Burke Tribute Concert is held in April 1997 at the Town Hall Theatre in Galway, on his reception of the AIB award. Three years later, he receives an award in Musical Mastery from Boston College. He is later conferred Gradam an Chomhaltais in 2003.
Salkeld works in tempera and oil, as well as etching and wood engraving. In 1921 he travels to Germany to study under Ewald Dulberg at the Kassell Kunstschule. He attends the Union of Progressive International Artists in Düsseldorf in May 1922, and is exhibited at the Internationale Kunstausstellung. Upon his return to Dublin in 1924, he holds his first solo exhibition in the Society of Dublin Painters gallery. He becomes a member of the Dublin Painters in 1927. With Francis Stuart, he co-edits the first two issues of To-morrow in 1924. His studio is in a converted labourer’s cottage at Glencree, County Wicklow. He also exhibits with the New Irish Salon and the Radical Painters’ Group.
Salkeld wins the 1926 Royal Dublin Society‘s Taylor scholarship, and has his first exhibited work with the Royal Hibernian Academy (RHA) in 1929. He lives in Berlin for a year in 1932. He exhibits in Daniel Egan’s Gallery in Dublin in 1935. He has a wide circle of literary friends, including Samuel Beckett and Flann O’Brien. In O’Brien’s At Swim-Two-Birds, the character of Michael Byrne is designed for Salkeld, reflecting his debilitating alcoholism. He also teaches at the Dublin Metropolitan School of Art, teaching artists such as Reginald Gray.
From 1937 to 1946 Salkeld runs a private press called Gayfield Press. This is co-founded with his mother, and operates from a garden shed at their home, 43 Morehampton Road. The press is a small Adana wooden hand press. He illustrates her 1938 The Engine Left Running, as well as Ewart Milne‘s Forty North Fifty West (1938) and Liam O’Flaherty‘s Red Barbara and Other Stories (1928). In 1951, he loans the press to Liam and Josephine Miller to found the Dolmen Press.
Salkeld’s most famous public work is his 1942 three-part mural in Davy Byrne’s pub. He is a co-founder of the Irish National Ballet School in the 1940s in his capacity as a pianist. In 1946 he is appointed an associate member of the RHA. In 1953 his play Berlin Dusk is staged at 37 Theatre Club, Dublin. During the 1950s he is a broadcaster with Radio Éireann as well as a director of cultural events for An Tóstal. He dies on May 11, 1969 in St. Laurence’s Hospital, Dublin.
Between 1932 and 1937, Dillon serves as a TD for the Donegal constituency for the National Centre Party and after its merger with Cumann na nGaedheal, for the new party of Fine Gael. He plays a key role in instigating the creation of Fine Gael and becomes a key member of the party in later years. He remains as TD for Monaghan from 1937 to 1969. He becomes deputy leader of Fine Gael under W. T. Cosgrave.
Dillon temporarily resigns from Fine Gael in 1942 over its stance on Irish neutrality during World War II. While Fine Gael supports the government’s decision to stay out of the war, he urges the government to side with the Allies. A passionate anti-Nazi, he describes the Nazi creed as “the devil himself with twentieth-century efficiency.” His zeal against Adolf Hitler draws him the ire of the German Minister to Ireland Eduard Hempel, who denounces him as a “Jew” and “German-hater.” Even Éamon de Valera, then Taoiseach, is not spared the fierceness of Dillon’s rhetoric. When the Taoiseach ridicules his stark support for the Allies, noting this means he has to adopt a Pro-British stance, Dillon defiantly retorts, “My ancestors fought for Ireland down the centuries on the continent of Europe while yours were banging banjos and bartering budgies in the backstreets of Barcelona.”
In 1942, while holidaying in Carna, County Galway, Dillon meets Maura Phelan of Clonmel on a Friday. By that Monday the two are engaged and six weeks after that the pair are married. He is 40 and Maura is 22 years of age.
Dillon is one of the independents who supports the first inter-party government (1948–1951) and is appointed Minister for Agriculture. As Minister, he is responsible for huge improvements in Irish agriculture. Money is spent on land reclamation projects in the areas of less fertile land while the overall quality of Irish agricultural produce increases.
Dillon rejoins Fine Gael in 1953. He becomes Minister for Agriculture again in the second inter-party government (1954–1957). In 1959, he becomes leader of Fine Gael, succeeding Richard Mulcahy. He becomes president of the party in 1960. In 1965, Fine Gael loses the general election to Seán Lemass and Fianna Fáil. The non-Fianna Fáil parties win 69 seats to Fianna Fáil’s 72. Had the other parties won four more seats between them, they would have been able to form a government. Having narrowly failed to become Taoiseach, Dillon stands down as Fine Gael leader after the election.
On Northern Ireland, while Dillon stands against Partition, he equally opposes any “armed solution” or militant nationalist policy, stating, “We have got to win, not only the barren acres of Ulster, but the hearts of the people who live in it.”
Dillon is a colourful contributor to Dáil proceedings and is noted for his high standard of oratory. He remains a TD until 1969, when he retires from politics. He dies in Malahide, Dublin on February 10, 1986, at the age of 83.
A British advance force of 400 is defeated at Tuberneering on June 4. This rebel victory punches a hole in the dragnet the military has attempted to throw around County Wexford and also yields them three artillery pieces. The town of Arklow has been evacuated in the ensuing panic but the rebels content themselves with taking the town of Gorey and staying within the Wexford border. On June 5 the rebels attempt to break out of County Wexford across the River Barrow and to spread the rebellion but are halted by a major British victory at the Battle of New Ross. When the rebels finally move against Arklow, the town has been reoccupied by a force of 1,700 men sent from Dublin under Francis Needham, 1st Earl of Kilmorey, who quickly fortifies the town with barricades and has artillery positioned on all the approaches to the town.
The rebel army that forms for attack on the afternoon of June 9 is a combined force of Wexford and Wicklow rebels led by Billy Byrne, Anthony Perry, Conor McEvoy, Edward Fitzgerald, and Fr. Michael Murphy. The British in Arklow consist of approximately 1,000 militia from counties Antrim and Cavan and 150 regular cavalry supported by 250 Yeomanry. They are joined by 315 Durham Fencibles (Princess of Wales’s Fencible Dragoons) arriving an hour before the rebels.
The area surrounding the town and the approaches is covered by scrub and the rebel strategy adopted is to advance under cover attacking the town simultaneously from several points. Before the action begins, the rebels under Esmonde Kyan open fire upon the town with some of the artillery captured at Tuberneering and have some success by scoring a direct hit on a British artillery position, destroying the cannon and killing the attendant crew. The main assault is quickly launched but at all entry points the Irish are thrown back by the musket fire of the well-trained and disciplined militia and volunteers, and canister shot from the 3 pounder battalion gun brought by the fencibles. An attempt by the British to turn the Irish failure into a rout is defeated when pikemen and sharpshooters drive a cavalry charge back across the River Avoca, but an attempt to force a way into the town through the outlying fishing port is bloodily repulsed.
As Irish casualties mount, the lack of ammunition and proper leadership begin to work against them, and after Fr. Murphy is killed leading a charge, their attacks start to fade. As nightfall comes, the rebels begin to withdraw under cover of darkness and collect their wounded. They are not pursued or molested by the garrison who are, unknown to the rebels, down to their last three or four rounds per man and are themselves at the brink of defeat.
While rebel casualties are estimated at about 1,000 no full casualty list seems to exist on the British side, but are probably in the region of 100 dead and wounded. The defeat at Arklow marks the third failure to extend the fight for Irish independence beyond the borders of County Wexford following the other bloody repulses at New Ross and Bunclody. The Irish strategy now changes to a policy of static defence against the encroaching British armies.
MacBride is born in Paris on January 26, 1904. He is the son of Major John MacBride and Maud Gonne. After his father’s execution for his participation in the Easter Rising of 1916, MacBride is sent to school at Mount St. Benedict’s, Gorey, County Wexford in Ireland. In 1919, at the age of 15, he joins the Irish Volunteers, which fights as part of the Irish Republican Army, and takes part in the Irish War of Independence. He is imprisoned by the Irish Free State but is released in 1924 and resumes his IRA activities. He returns to Dublin in 1927 and becomes the Director of Intelligence of the IRA.
Toward the end of the 1920s, after many supporters have left the IRA to join Fianna Fáil, some members start pushing for a more left-wing agenda. After the IRA Army Council votes down the idea, MacBride launches a new movement, Saor Éire (“Free Ireland”), in 1931. Although it is a non-military organisation, Saor Éire is declared unlawful along with the IRA, Cumann na mBan, and nine other organizations.
In 1936, MacBride becomes Chief of Staff of the IRA after Moss Twomey is sent to prison for three years. At the time, the movement is in a state of disarray, with conflicts between several factions and personalities. In 1937, he is called to the bar and then resigns from the IRA when the Constitution of Ireland is enacted later that year. As a barrister, he frequently defends IRA political prisoners, but is not unsuccessful in stopping the execution of Charlie Kerins in 1944 who is convicted of killing Garda Detective Dennis O’Brien in 1942. In 1946, during the inquest into the death of Seán McCaughey, he embarrasses the authorities by forcing them to admit that the conditions in Portlaoise Prison are inhumane.
In 1946, MacBride founds the republican/socialist party Clann na Poblachta, hoping it would replace Fianna Fáil as Ireland’s major political party. In October 1947, he wins a seat in Dáil Éireann at a by-election in the Dublin County constituency. However, at the 1948 Irish general election Clann na Poblachta wins only ten seats.
Clann na Poblachta is reduced to only two seats after the 1951 Irish general election. MacBride keeps his seat and is re-elected again at the 1954 Irish general election. Opposing the internment of IRA suspects during the Border Campaign (1956–62), he contests both the 1957 and 1961 Irish general elections but fails to be elected both times. He then retires from politics but continues practicing as a barrister. He expresses interest in running as an independent candidate in the 1983 Irish presidential election, but does not receive sufficient backing and ultimately does not enter the contest.
Throughout the 1950s, 1960s, and 1970s, MacBride works tirelessly for human rights worldwide. He is a founding member of Amnesty International and serves as its International chairman from 1961 until 1975. During the 1980s, he initiates the Appeal by Lawyers against Nuclear War which is jointly sponsored by the International Peace Bureau and the International Progress Organization.
MacBride is awarded the Nobel Peace Prize in 1974 as a man who “mobilised the conscience of the world in the fight against injustice.” He later receives the Lenin Peace Prize (1975–76) and the UNESCO Silver Medal for Service (1980).
In his later years, MacBride lives in his mother’s home, Roebuck House, that served as a meeting place for many years for Irish nationalists, as well as in the Parisian arrondissement where he grew up with his mother, and enjoyed strolling along boyhood paths. In 1978, he receives the Golden Plate Award of the American Academy of Achievement.
MacBride dies in Dublin on January 15, 1988, just eleven days shy of his 84th birthday. He is buried in a simple grave in Glasnevin Cemetery, Dublin, with his mother, and wife who died in 1976.
Paul Funge, internationally respected painter and arts enthusiast, dies at Loughlinstown Hospital in the south Dublin suburb of Loughlinstown on February 21, 2011, after a short illness.
A native of Gorey, County Wexford, Funge is a founder of the Project Arts Centre in Dublin and the founder of Gorey Arts Centre in 1970. He is also a founder of the Belltable Arts Centre in Limerick while the regional arts officer for the midwest. In addition, he establishes the Gorey Arts Festival, a three-week summer arts festival, and runs it for more than fifteen years. He is remembered as the man who brought U2 to play at the Gorey Arts Festival in the days before they became an international success.
Funge suffers a fall before Christmas 2010, badly fracturing his leg and he is admitted to St. Vincent’s Hospital. On January 6, he transfers from Vincent’s to recuperate at a nursing home in Bray. In early February he takes a turn and develops chest problems. His condition deteriorates and he is admitted to the ICU in Loughlinstown Hospital. Initially he appears to be making a reasonable recovery, but his condition deteriorates again in the days prior to his death.
Following Funge’s death, Eamon Carter, director of Gorey School of Art, pays tribute to him as a visionary who felt passionate about decentralising the arts to areas outside of Dublin.
Carter adds that it had just been announced that the Gorey School of Art is linking up with NCAD to provide a masters in fine arts and it is sad that in the week it receives such good news it also receives the sad news of Funge’s death. “I’m saddened that he wasn’t here to see that because he would have been chuffed obviously,” he said.
Between 1932 and 1937 Dillon serves as Teachta Dála (TD) for the Donegal constituency for the National Centre Party and after its merger with Cumann na nGaedheal, for the new party of Fine Gael. He plays a key role in instigating the creation of Fine Gael and becomes a key member of the party in later years. He remains as TD for Monaghan from 1937 to 1969. He becomes deputy leader of Fine Gael under W. T. Cosgrave.
Dillon resigns from Fine Gael in 1942 over its stance on Irish neutrality during World War II. While Fine Gael supports the government’s decision to stay out of the war, he urges the government to side with the Allies. He is a rabid anti-Nazi, proclaiming the Nazi ideology is “the devil himself with twentieth-century efficiency.” His zealousness against the Nazis draws him the ire of the German minister to Ireland, Eduard Hempel, who denounces him as a “Jew” and “German-hater.”
Dillon has a personally eventful 1942. While holidaying in Carna, County Galway he meets Maura Phelan of Clonmel on a Friday. By that Monday the two are engaged and six weeks after that they are married.
Dillon is one of the independents who supports the first inter-party government (1948–1951) and is appointed Minister for Agriculture. As Minister, he is responsible for huge improvements in Irish agriculture. Money is spent on land reclamation projects in the areas of less fertile land while the overall quality of Irish agricultural produce increases.
Dillon rejoins Fine Gael in 1953. He becomes Minister for Agriculture again in the second inter-party government (1954–1957). In 1959 he becomes leader of Fine Gael, succeeding Richard Mulcahy. He becomes president of the party in 1960. In 1965 Fine Gael loses the general election to Seán Lemass and Fianna Fáil. The non-Fianna Fáil parties win 69 seats to Fianna Fáil’s 72. Had the other parties been able to win four more seats between them, they would have been able to form a government. Having narrowly failed to become Taoiseach, Dillon stands down as Fine Gael leader after the election.
Dillon is a colourful contributor to Dáil proceedings and is noted for his high standard of oratory. He remains a TD until 1969, when he retires from politics. He died in Malahide, Dublin on February 10, 1986, at the age of 83.
seamus dubhghaill 