Johnson is born on May 17, 1872, in Liverpool, England. He works on the docks for an Irish fish merchant, spending much of his time in Dunmore East and Kinsale. It is this way that he picks up ideas about socialism and Irish nationalism, joining a Liverpool branch of the Independent Labour Party in 1893. In 1900 he starts work as a commercial traveller, then moves in 1903 with his family to Belfast where he becomes involved in trade union and labour politics.
In 1907, Johnson helps James Larkin organise a strike in the port, but has to watch in dismay as the strike, which begins with remarkable solidarity between labour, Orange, and nationalist supporters, collapses in sectarian rioting. At various times he is the president, treasurer and secretary of the Irish Trades Union Congress (ITUC) which is, at the time, also the Labour Party in Ireland, until officially founded in 1912 by James Connolly and James Larkin. Johnson becomes Vice-President of the ITUC in 1913, and President in 1915.
Johnson sympathizes with the Irish Volunteers, many of whom are sacked from their jobs, for illegal activities. During the Easter Rising, he notes in his diary that people in Ireland paid little heed to the fate of the defeated revolutionaries. He succeeds as leader of the Labour Party from 1917, when the party does not contest the 1918 Irish general election. When the British government tries to enforce conscription in Ireland in 1918, he leads a successful strike in conjunction with other members of the Irish anti-conscription movement.
Johnson is later elected a TD for Dublin County to the Third Dáil at the 1922 Irish general election and remains leader of the Labour Party until 1927. As such, he is Leader of the Opposition in the Dáil of the Irish Free State, as the anti-treaty faction of Sinn Féin refuses to recognise the Dáil as constituted. He issues a statement of support for the Government of the 4th Dáil when the Irish Army Mutiny threatens civilian control in March 1924.
Johnson is the only Leader of the Labour Party who serves as Leader of the Opposition in the Dáil. He loses his Dáil seat at the September 1927 Irish general election, and the following year he is elected to Seanad Éireann, where he serves until the Seanad’s abolition in 1936.
In 1896 he meets Marie Tregay, then a teacher in St. Multose’s National school, outside Kinsale. A native of Cornwall, she has advanced political views. They marry in 1898 in Liverpool. Their only son, Frederick Johnson, is born in 1899, and becomes a well-known actor. Johnson dies on January 17, 1963, at 49 Mount Prospect Avenue, Clontarf, Dublin.
Each summer, Labour Youth holds the “Tom Johnson Summer School” to host panel discussions, debates and workshops.
In 1934, aged 16, McAlinden is playing for Glentoran Reserves, when after a game against their reserves, he is offered a professional contract by Belfast Celtic. Together with Jackie Vernon, Tommy Breen, Billy McMillan and Charlie Tully, he subsequently becomes a prominent member of the Celtic team managed by Elisha Scott. This team dominates the Irish League in the era before and during World War II. Among his most notable contributions is scoring in the 2–1 win against Bangor in the 1938 Irish Cup final.
In December 1938, McAlinden signs for Portsmouth for a fee of £7.500. He makes his debut for the club against Chelsea and goes on to become a regular in the side. Within six months of his arrival at the club, he helps them win the 1939 FA Cup final, beating Wolverhampton Wanderers 4–1. After the outbreak of World War II, he plays three times for Portsmouth in wartime regional leagues, but his first spell with the club ends when he then returns to Belfast Celtic in 1939. He returns to Portsmouth for a second stint in 1946. In September 1947, he leaves Portsmouth once again and joins Stoke City for a fee of £7,000.
Following the end of his second stint with Belfast Celtic and before he rejoins Portsmouth, McAlinden signs for Shamrock Rovers in September 1945. He makes his debut against Shelbourne at Glenmalure Park on September 16. While playing for Rovers his teammates include Paddy Coad, Peter Farrell and Tommy Eglington. During his one season with Rovers, he helps the club reach the 1946 FAI Cup final. However Rovers lose 3–1 to Drumcondra.
McAlinden joins Stoke City in September 1947 for a then club record fee of £7,000. He becomes regular inside forward under manager Bob McGrory in 1947–48, playing in 33 matches scoring just twice against Aston Villa and Huddersfield Town. His lack of goals sees him fall out of favour at the Victoria Ground and he is sold to Third Division South side Southend United in October 1948.
In 1948, Southend United signs McAlinden from Stoke City for a fee of £8,000. He continues to play for United until 1954 and during his time with the club he serves as club captain. He also becomes something of a cult hero among the club’s fans and is remembered as being possibly the best player ever to play for the club. In 1950, he is caught up in controversy after it is alleged that he received illegal payments during his second spell with Portsmouth. As a result, he is suspended for the first two months of the 1950–51 season. In April 1954, he makes his last home appearance for United in a 4–1 win over Queens Park Rangers.
When McAlinden begins his international career in 1937 there are in effect, two Ireland teams, chosen by two rival associations. Both associations, the Northern Ireland–based Irish Football Association (IFA) and the Irish Free State–based Football Association of Ireland (FAI), claim jurisdiction over the whole of Ireland and select players from the whole island. As a result, several notable Irish players from this era, including McAlinden play for both teams.
Between 1937 and 1948, McAlinden makes five appearances for the IFA XI, making his international debut in a 1–1 draw with Scotland at Pittodrie Stadium on November 10, 1937. His IFA XI appearances also include the 8–4 defeat against a Combined Services XI at Windsor Park on September 9, 1944. This team is basically a Great Britain XI and features, among others, Matt Busby, Stanley Matthews, Tommy Lawton and Stan Mortensen. He also plays against England in 7–2 defeat at Windsor Park on September 9, 1946. He makes his last appearance for the IFA XI on October 10, 1948, in a 6–2 defeat to England at Windsor Park. He makes his first three appearances for the IFA XI while with Belfast Celtic, his fourth while at Portsmouth and his fifth while at Southend United.
In 1946, while with Portsmouth, McAlinden also makes two appearances for the FAI XI. He is one of several players born in Northern Ireland who benefits from the FAI’s attempts to establish their all-Ireland influence. In June 1946, when the FAI organises an Iberian tour, he, together with Jackie Vernon, Billy McMillan and Paddy Sloan, is one of four Northern Irish players called up. He subsequently plays in both the 3–1 defeat to Portugal on June 16 and then helps Ireland gain a surprise 1–0 victory against Spain on June 23, 1946.
In 1955, McAlinden becomes player/manager of Glenavon. He continues playing for an additional year before finally retiring as a player to concentrate on management. During a thirteen-year stint with Glenavon, he guides them two Irish League titles, three Irish Cup victories and one Gold Cup. After leaving Glenavon, works as a full-time scout for Coventry City before taking charge at Lisburn Distillery in 1969. He subsequently guides a Distillery team that includes a young Martin O’Neill to a win in the 1971 Irish Cup. Later in his first season with Drogheda United, he guides them to the 1976 FAI Cup final, only to lose 1–0 to Bohemian.
McAlinden dies at the age of 75 on November 15, 1993.
Macardle is born in Dundalk, County Louth, on March 7, 1889, into a wealthy brewing family famous for producing Macardle’s Ale. Her father, Sir Thomas Callan Macardle, is a Catholic who supports John Redmond and the Irish Home Rule movement, while her mother, Lucy “Minnie” Macardle, comes from an English Anglican background and is politically a unionist. Lucy converts to Catholicism upon her marriage to Thomas. Macardle and her siblings are raised as Catholics, but Lucy, who is politically isolated in Ireland, “inculcated in her children an idealised view of England and an enthusiasm for the British empire“. She receives her secondary education in Alexandra College, Dublin—a school under the management of the Church of Ireland—and later attends University College Dublin (UCD). Upon graduating, she returns to teach English at Alexandra where she had first encountered Irish nationalism as a student. This is further developed by her first experiences of Dublin’s slums, which “convinced her that an autonomous Ireland might be better able to look after its own affairs” than the Dublin Castle administration could.
Between 1914 and 1916, Macardle lives and works in Stratford-upon-Avon in Warwickshire, England. There, her encounters with upper-class English people who express anti-Irish sentiment and support keeping Ireland in the British Empire by force further weakens her Anglophilia. Upon the outbreak of World War I, she supports the Allies, as does the rest of her family. Her father leads the County Louth recruiting committee while two of her brothers volunteer for the British Army. Her brother, Lieutenant Kenneth Callan Macardle, is killed at the Battle of the Somme, while another brother, Major John Ross Macardle, survives the war and earns the Military Cross. While Macardle is a student, the Easter Rising occurs, an experience credited for a further divergence of her views regarding republicanism and her family.
On January 19, 1919, Macardle is in the public gallery for the inaugural meeting of the First Dáil and witnesses it declare unilateral independence from the United Kingdom, which is ultimately the catalyst for the Irish War of Independence.
By 1919 Macardle has befriended Maud Gonne MacBride, the widow of the 1916 Easter Rising participant John MacBride, and together the two work at the Irish White Cross, attending to those injured in the war. It is during this period she also becomes a propagandist for the nationalist side.
Following the signing of the Anglo-Irish Treaty in December 1921, Macardle takes the anti-treaty side in the ensuing Irish Civil War. Alongside Gonne MacBride and Despard, she helps found the Women Prisoners’ Defence League, which campaigns and advocates for republicans imprisoned by the newly established Irish Free State government. It is also during this same time that she begins working alongside Erskine Childers in writing for anti-treaty publications An Phoblacht and Irish Freedom.
In October 1922, Despard, Gonne MacBride and Macardle are speaking at a protest on O’Connell Street, Dublin against the arrest of Mary MacSwiney, a sitting Teachta Dála, by the Free State when Free State authorities move to break it up. Rioting follows and Free State forces open fire, resulting in 14 people being seriously wounded while hundreds of others are harmed in the subsequent stampede to flee. Following the event, Macardle announces she is going to pursue support of the Anti-treaty side full-time in a letter to Alexandra College, which ultimately leads to her dismissal on November 15, 1922. In the following days Macardle is captured and imprisoned by the Free State government and subsequently serves time in both Mountjoy Prison and Kilmainham Gaol, with Rosamond Jacob as her cellmate. During one point at her time in Kilmainham, Macardle is beaten unconscious by male wardens. She becomes close friends with Jacob and shares a flat with her in Rathmines later in the 1920s.
The Irish Civil War concludes in the spring of 1923, and Macardle is released from prison on May 9.
Following the Irish Civil War, Macardle remains active in Sinn Féin and is drawn into the camp of its leader Éamon de Valera and his wife Sinéad. She travels alongside the de Valeras as they tour the country and she is a frequent visitor to their home. As the trust between Macardle and de Valera develops, de Valera asks her to travel to County Kerry to investigate and document what later becomes known as the Ballyseedy massacre of March 1923, in which a number of unarmed republican prisoners are reportedly killed in reprisals. She obliges, and by May 1924 she has compiled a report that is released under the title of The Tragedies of Kerry.” Immediately upon the release of the report, the Minister for DefenceRichard Mulcahy sets up an inquiry in June 1924 to carry out a separate investigation by the government. However, the government’s inquiry comes to the conclusion there had been no wrongdoing committed. Her book The Tragedies of Kerry remains in print and is the first journalistic historical account of the Irish Civil War from those on the republican side detailing Ballyseedy, Countess Bridge and various other incidents that occur in Kerry during this time.
In 1926, Éamon de Valera resigns as President of Sinn Féin and walks out of the party following a vote against his motion that members of the party should end their policy of abstentionism against Dáil Éireann. De Valera and his supporters, including Macardle, form the new political party Fianna Fáil in May 1926, with Macardle immediately elected to the party’s National Executive|Ard Chomhairle, one of six female members out of twelve on the original party National Executive, the others being Hanna Sheehy-Skeffington, Kathleen Clarke, Countess Constance Markievicz and Linda Kearns. Macardle is made the party’s director of publicity. However, she resigns from Fianna Fáil in 1927 when the new party endorses taking their seats in Dáil Eireann. Nevertheless, her views remain relatively pro-Fianna Fáil and pro-de Valera.
Macardle recounts her civil war experiences in Earthbound: Nine Stories of Ireland (1924). She continues as a playwright for the next two decades. In her dramatic writing, she uses the pseudonymMargaret Callan. In many of her plays a domineering female character is always present. This is thought to be symbolic of her own relationship with her own mother. Her parents’ marriage had broken up as her mother returned to England and her father raised the children with servants in Cambrickville and they were sent away for school. This female character holds back the growth and development of the younger female character in Dorothy’s plays and writings.
By 1931, Macardle takes up work as a writer for The Irish Press, which is owned by de Valera and leans heavily toward supporting Fianna Fáil and Irish republicanism in general. In addition to being a theatre and literary critic for the paper, she also occasionally writes pieces of investigative journalism such as reports on Dublin’s slums. In the mid-1930s she also becomes a broadcaster for the newly created national radio station Radio Éireann.
In 1937, Macardle writes and publishes the work by which she is best known, The Irish Republic, an in-depth account of the history of Ireland between 1919 until 1923. Because of the book, political opponents and some modern historians consider her to have been a hagiographer toward de Valera’s political views. In 1939 she admits, “I am a propagandist, unrepentant and unashamed.” Overall, however, the book is well-received, with reviews ranging from “glowing” to measured praise. She is widely praised for her research, thorough documentation, range of sources and narration of dramatic events, alongside reservations about the book’s political slant. The book is reprinted several times, most recently in 2005. Éamon de Valera considers The Irish Republic the only authoritative account of the period from 1916 to 1926, and the book is widely used by de Valera and Fianna Fáil over the years and by history and political students. She spends seven years writing the book in a cottage in Delgany, County Wicklow, and it is a day-by-day account of the history of the events in Ireland from 1919 to 1923 recorded in painstaking detail together with voluminous source material.
In 1937, de Valera’s Fianna Fáil government is able to create a new Constitution of Ireland following a successful referendum. However, there is widespread criticism of the new Constitution from women, particularly republican women, as the language of the new Constitution emphasises that a woman’s place should be in the home. Macardle is among them, deploring what she sees as the reduced status of women in this new Constitution. Furthermore, she notes that the new Constitution drops the commitment of the 1916 Proclamation of the Irish Republic to guarantee equal rights and opportunities “without distinction of sex” and writes to de Valera questioning how anyone “with advanced views on the rights of women” can support it. DeValera also finds her criticising compulsory Irish language teaching in schools.
While working as a journalist with the League of Nations in the late 1930s, Macardle acquires a considerable affinity with the plight of Czechoslovakia being pressed to make territorial concessions to Nazi Germany. Believing that “Hitler‘s war should be everybody’s war,” she disagrees with de Valera’s policy of neutrality. She goes to work for the BBC in London, develops her fiction and, in the war’s aftermath, campaigns for refugee children – a crisis described in her book Children of Europe (1949). In 1951, she becomes the first president of the Irish Society of Civil Liberties.
Macardle dies of cancer on December 23, 1958, in a hospital in Drogheda, at the age of 69. Though she is somewhat disillusioned with the new Irish State, she leaves the royalties from The Irish Republic to her close friend Éamon de Valera, who had written the foreword to the book. De Valera visits her when she is dying. She is accorded a state funeral, with de Valera giving the oration. She is buried in Sutton, Dublin.
Dwyer runs a off-licence/grocery shop in Rathmines and is a member of the Rathmines Urban Council. He marries Marie Molloy in 1914, they have no children. He is a member of the Peace Committee of ten men which sit in May 1922 and bring about the agreement between Michael Collins and Éamon de Valera.
On December 20, 1922, Dwyer is shot dead in his shop at 5 Rathmines Road, Dublin, by anti-Treaty IRA Volunteer Robert Bonfield. At about 4:50 p.m., Dwyer is talking to a customer when a young man enters the shop. Addressing Dwyer, the young man asks “Are you Mr. O’Dwyer?” Dwyer replies yes and the young man says that he has a note for him. The young man reaches into the pocket of his overcoat a draws a revolver. He fires twice at Dwyer at point-blank range and he dies instantly. The customer and a shop assistant give chase but are unable to catch the assassin. Two republicans, Frank Lawlor and the actual assassin, Robert Bonfield, are later killed by Free State forces in revenge for the shooting of Dwyer.
Traynor is born in Dublin on March 21, 1886, into a strongly nationalist family. He is educated by the Christian Brothers. In 1899, he is apprenticed to John Long, a famous woodcarver. As a young man he is a noted footballer and tours Europe as a goalkeeper with Belfast Celtic F.C. whom he plays with from 1910 to 1912. He rejects claims soccer is a foreign sport calling it “a Celtic game, pure and simple, having its roots in the Highlands of Scotland.”
When the Irish Civil War breaks out in June 1922, Traynor takes the Anti-Treaty IRA side. The Dublin Brigade is split, however, with many of its members following Michael Collins in taking the pro-Treaty side. During the Battle of Dublin, he is in charge of the Barry’s Hotel garrison, before making their escape. He organises guerilla activity in south Dublin and County Wicklow, before being captured by Free State troops in September. He is then imprisoned for the remainder of the war.
In 1936, Traynor is first appointed to the Cabinet as Minister for Posts and Telegraphs. In September 1939, he is appointed Minister for Defence and holds the portfolio to February 1948. In 1948, he becomes President of the Football Association of Ireland, a position he holds until his death. He serves as Minister for Defence in several Fianna Fáil governments and as Minister for Justice, where he is undermined by his junior minister, and later Taoiseach, Charles Haughey, before he retires in 1961.
Traynor dies in Dublin at the age of 77 on December 14, 1963. He has a road named in his memory, running from the Malahide Road through Coolock to Santry in Dublin’s northern suburbs.
Byrne is born on November 23, 1900, in the National Maternity Hospital, Holles Street, Dublin, the elder among one son and one daughter of Vincent Byrne, carpenter, of 33 Denzille Street (now Fenian Street), and his wife Margaret (née White). By 1911 the family is living with maternal relatives at 1 Anne’s Lane. Educated at St. Andrew’s national school, Westland Row, he is apprenticed as a cabinet maker under Thomas Weafer, a company captain in the Irish Volunteers, who is subsequently killed in the 1916 Easter Rising. At the age of fourteen, he joins the Irish Volunteers in January 1915, and is posted to the 2nd Battalion of the Dublin Brigade. His training includes lectures on street fighting by James Connolly. During the 1916 rising he serves with the 2nd Battalion in Jacob’s biscuit factory under Thomas MacDonagh. At the surrender he is slipped out a factory window to safety by a priest who is acting as an intermediary. Arrested in his home a week later, he is held in Richmond Barracks with other youngsters, all of whom are released after an additional week. Active in the post-rising reorganisation of the Dublin Brigade, he claims to have voted twenty times for Sinn Féin candidates in the 1918 United Kingdom general election in Ireland.
In November 1919, Byrne is recruited to an elite counter-intelligence squad of the Dublin Brigade, whose primary mission is the assassination of plainclothes detectives of the Dublin Metropolitan Police’s (DMP) political (‘G’) division. He participates in the attempted ambush of the Lord Lieutenant of Ireland, John French, at Ashtown, Dublin, on December 19, 1919, a combined operation of the Dublin and the 3rd Tipperary brigades. In March 1920, he leaves his civilian employment with the Irish Woodworkers, Crow Street, when the squad is constituted as a full-time, paid, GHQ guard, under direct orders from Michael Collins. Dubbed “The Twelve Apostles,” the squad also includes James Slattery, a workmate of Byrne since their apprenticeships. For the duration of the Irish War of Independence, Byrne takes part in the stakeouts and killings of police detectives and military intelligence agents. His witness statement to the Bureau of Military History recounts his participation in some fifteen such operations. On Bloody Sunday he commands an IRA detail that kills two of the “Cairo Gang“ agents in their boarding house at 38 Upper Mount Street on November 21, 1920. He takes part in The Custom House raid on May 25, 1921.
Owing largely to his devoted allegiance to Collins, Byrne supports the Anglo–Irish Treaty of December 1921, regarding it as a stepping stone to complete independence. Enlisting in the National Army, he serves in the Dublin Guard. Promoted five times from January 1922 to February 1923, he rises in rank from company sergeant to commandant. He is OC of the guard at the handover of Dublin Castle from British to Irish authority on January 16, 1922. During ensuing months he commands guard details at government buildings and the Bank of Ireland, College Green, Dublin. In March 1922, he foils an attempt by Anti-Treaty forces to seize the bank with the aid of mutinous soldiers within the building’s guard. Having displayed courage and presence of mind throughout the incident, he is promoted captain in the field. Resenting the role given to ex-British-army officers in the National Army, and feeling that the political elite of the Free State are betraying the national interest, he is among the group of officers involved in the failed army mutiny of 1924, and accordingly is forced to resign his commission on March 21. He then works as a carpenter on the industrial staff of the Office of Public Works (OPW), and in the post office stores, St. John’s Road, Kilmainham, Dublin, until his retirement.
Byrne is a founding member of both the Association of Dublin Brigades and the 1916–1921 Club. Long lived, and a willing raconteur with a colourful turn of phrase, he becomes probably the best known of Collins’s squad (of which he is the last surviving member), granting many interviews to journalists and historians. He expresses no misgivings about his role as a revolutionary hit man, arguing the necessity of the ruthless methods employed, which deterred potential informers, and eventually won the struggle by crippling British intelligence.
Byrne lives in Dublin at 59 Blessington Street, and later at 227 Errigal Road, Drimnagh. His last address is 25 Lein Road, Artane. His wife Eileen predeceases him. He dies on December 13, 1992, survived by two daughters and one son. He is buried at Balgriffin Cemetery, Balgriffin, County Dublin.
(From: “Byrne, Vincent (‘Vinnie’)” by Lawrence William White and Pauric J. Dempsey, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Lyons is born in to Margaret (née Sullivan) and Timothy Lyons senior, who is listed on his birth certificate as a cottier. He is the oldest of six siblings. Prior to the Irish Civil War, he works as a labourer. He fights with the IRA’s Kilflynn Company during the Irish War of Independence. He is described as being slight, “adventurous” as a column leader and a marksman who shoots at small birds. He shoots a British officer in an ambush led by captain George O’Shea at Shannow Bridge where the Kilflynn road joins the R557, forcing a retreat. He gains the nickname “Aeroplane” or “Aero” because of the way he suddenly appears and his last-minute escapes. Because of regular searches by Black and Tans, his father fears the family home will be burnt out and asks him to leave.
After the ratification of the Anglo-Irish Treaty, Lyons fights against Free State forces . At the time of his death he is commandant. He is involved in fighting in Listowel and Limerick, is captured near Athea, jailed in Limerick and released in late 1922 with an undertaking not to rejoin the fight. Notwithstanding this, the column continues to operate, generally around Causeway and Ballyduff.
On April 15, 1923, Lyons’ column attacks a Free State raiding party in Meenoghane, County Kerry. The raiding party receives reinforcements. He and his men are eventually surrounded at nearby Clashmealcon on April 16 by Michael Hogan’s 1st Western Division. They descend the rugged, Atlantic cliffs to the caves and hide in Dumfort’s Cave. He shoots out searchlights with his Lee-Enfield rifle and two Free State soldiers are shot dead from the cave. The situation is under Army Emergency Powers. With no escape for the men hiding, troops try to blast them out by dropping mines and smoke them out with petrol-soaked turf.
On April 16, James McGrath, the brother of Thomas McGrath, one of Lyons’s men, is arrested and taken to the cliffs in order to enter the cave and persuade the men to surrender. On the night of April 17-18, Thomas McGrath and Patrick O’Shea, his first cousin, fall trying to scale the cliffs to escape and drown. After offering to surrender himself on the morning of the April 18, Lyons falls several metres onto rocks from a rope that is provided by National Army troops. He is then shot multiple times by troops from the cliff top and is not recovered.
Three of Lyons’ men who surrender, Edmond Greaney, James McEnery and British deserter-turned-republican Reginald Stephen Hathaway, are executed in Ballymullen Barracks by gunshot on April 25, for breaking their undertaking not to take up arms against the Free State, attacking troops at Clashmealcon, burning the Civic Guard station at Ballyheigue, stripping the same Civic Guards and robbing the post office at Ballyduff.
Lyons’ decomposing body, minus a leg, is washed up on May 5, identifiable by a boot. He is buried alongside George O’Shea and Timothy Tuomey (both killed at Ballyseedy) in the Republican plot at Kilflynn Church (now St. Columba’s Heritage Centre).
(Pictured: Kilflynn IRA Flying Column, 1922. Back (L to R): Denis O’Connell (Lixnaw), Stephen Fuller (Kilflynn), William Hartnett (Mountcoal), Tim Twomey (Kilflynn). Front (L to R): Terry Brosnan (Lixnaw), John McElligott (Leam, Kilflynn), Danny O’Shea (Kilflynn), Timothy (Aero) Lyons (Garrynagore), Tim Sheehy (Lyre), Pete Sullivan (Ballyduff), Paddy Mahony (Ballyegan, Battalion O.C.).)
Shanahan is born in Hollyford on October 27, 1874. At some point he moves to Dublin, where he is a licensed vintner, maintaining an Irish pub in the notorious Montored-light district.
Shanahan is involved in the Easter Rising in Dublin in April 1916. This leads to him having legal difficulties over the licence of his public house. He consults the lawyer and politician Tim Healy who comments:
“I had with me today a solicitor with his client, a Dublin publican named Phil Shanahan, whose licence is being opposed, and whose house was closed by the military because he was in Jacob’s during Easter week. I was astonished at the type of man – about 40 years of age, jolly and respectable. He said he ‘rose out’ to have a ‘crack at the English’ and seemed not at all concerned at the question of success or failure. He was a Tipperary hurler in the old days. For such a man to join the Rebellion and sacrifice the splendid trade he enjoyed makes one think there are disinterested Nationalists to be found. I thought a publican was the last man in the world to join a rising! Alfred Byrne, MP, was with him, and is bitter against the Party. I think I can save Shanahan’s property.”
Shanahan is elected for Dublin Harbour at the 1918 United Kingdom general election in Ireland, defeating Alfred Byrne. Like other Sinn Féin MPs, he does not take his seat at Westminster, but becomes a member of the revolutionary Dáil. He represents Dublin Harbour in the First Dáil from 1919 to 1921. He is arrested and detained in custody by the British government in April 1920 but is released in time to attend the next meeting of the Dáil on June 29, 1920.
During the Irish War of Independence, Billy Dunleavy recalls, “The IRA were the best men we ever had at that time. The Tans used to go around in the tenders with a wire over the top and if it was going by up there in Talbot Street they’d (IRA) say, ‘Get out of the way, quick!’ and they’d throw a hand grenade into the car. Now Phil Shanahan, he owned a pub over there on the corner, he was a great man and he used to hide them after they’d been out on a job. He had cellars and all the IRA men used to go there and hide their stuff.”
Power is born to Henry Power, a watchmaker, and Mary (née Atkins), an embroideress. He has one older brother, and one younger sister. He attends a Christian Brothersnational school in North Brunswick Street. As a child he plays in local clay brickyards and sculpts busts of his friends. After finishing his primary school education, he trains with a firm of sculptors run by Edward Smyth. In 1884, he enrolls as an evening pupil at the Dublin Metropolitan School of Art (DMSA), later attending as a full-time student from 1906 to 1911. During his time at the DMSA he is taught and strongly influenced by John Hughes, Oliver Sheppard and William Orpen. He wins a number of prizes during his time at the DMSA, including medals, three scholarships, book prizes, and the national gold medal for the best modeling of a nude figure, in Ireland, Scotland, and the Channel Islands in 1911.
Power marries Agnes Kelly in 1903. The couple has ten children, four daughters and six sons, including May and James who also become sculptors.
Power establishes his own stone-carving business in 1912 from his new home at 18 Geraldine Street, Phibsborough, Dublin. As the firm grows, it moves to premises nearby at 15 Berkeley Street from 1930. He executes a wide range of works, including monuments and architectural features in bronze, marble, and stone. Among his notable works are the figure of “Science” designed by Sheppard from the façade of the new Royal College of Science for Ireland (later Government Buildings) on Merrion Street, Dublin, carved motifs and sphinxes for the Gresham Hotel, O’Connell Street, and four statues on the dome of Christ the King church, Carndonagh, County Donegal.
Power is considered the leading Irish sculptor of the 1920s and 1930s. He is a nationalist and promotes the use of Irish materials such as limestone from Durrow and Connemara marble. He is noted for his academic realist style. He exhibits regularly with the Royal Hibernian Academy from 1906, becoming an associate member in 1911, and a full member in 1919. Among those he models sculptures for are James Stephens (1913), W. B. Yeats (1918), and Lord Dunsany (1920). Among his patrons are Oliver St. John Gogarty, and through Gogarty he is commissioned to model a number of prominent Irish nationalists. Gogarty asks him to carve a portrait of Terence MacSwiney in 1920, while MacSwiney is on hunger strike in HM Prison Brixton, London. Smuggled into the prison to do a thumbnail sketch, Power then carves a portrait in the form of a life mask.
On Gogarty’s recommendation, Power is commissioned by the Irish Free State government to create portraits of a number of leading politicians including Arthur Griffith (1922), Michael Collins (1936), and Austin Stack (1939). He is also privately commissioned to execute a portrait of Éamon de Valera in 1944. Among his monumental works are sculptures of Tom Kettle (1919) at St. Stephen’s Green, Dublin, Christ the King in Gort, County Galway, (1933), Pádraic Ó Conaire (1935) at Eyre Square, Galway, and W. B. Yeats (1939) at Sandymount Green, Dublin. He is one of the artists invited to submit designs for the new coinage of the Irish Free State in 1928.
Power dies in Dublin on July 10, 1945, following complications from a double hernia. His is buried in Glasnevin Cemetery, Dublin.
Whelan is awarded many prizes in the Royal Dublin Society (RDS) Taylor art competitions, including one in 1912 for a portrait of his sister Lena, entitled On the Moors, rendered in a strongly academic technique. In 1916, he wins the Taylor scholarship for the Royal Hibernian Academy (RHA) schools for his finest early work, The Doctor’s Visit, an adroitly executed composition of contrasting shadows and light. Typical of many of his genre interiors, the painting depicts a room in the family home, with relatives as models: Whelan’s mother sits by the bed watching over his ill cousin, while his sister, dressed in a Mater hospital nurse’s uniform, is in the background opening the door for the doctor. The subtly evoked atmosphere of restrained emotion foreshadowed a hallmark of his mature style.
Whelan exhibits annually at the RHA for forty-five years (1911–56), averaging six works per year. He is elected an RHA associate in 1920, becoming a full member in 1924. He participates in the Exposition d’art irlandais at the Galerie Barbazanges in Paris in 1922. A visiting teacher at the RHA schools in 1924, he also teaches in the DMSA for a time. He has studios at 64 Dawson Street (1914–27) and 7 Lower Baggot Street (1931–56). Beginning in the 1910s, he receives regular commissions for portraits, constituting his primary source of income. Having become the family’s main breadwinner following his parents’ deaths in the 1920s, he concentrates most of his production on this lucrative activity, portraying numerous leading figures in the spheres of politics, academia, religion, society, medicine, and law.
Situated securely in the academic tradition, in most of his portraits Whelan favours a sombre, restricted palette, with the sitter placed, in grave demeanour, against a monotone background with few accessories. In a 1943 interview he asserts that twentieth-century portraiture suffers from the drabness of modern costume, for which the artist must compensate by careful rendition of the subject’s hands. He tends to depart from his prevailing portrait style when painting women, whom he characteristically depicts in meticulously observed interiors, a notable example being his portrait of Society hostess Gladys Maccabe (c.1946; NGI).
Whelan’s commercial concentration on portraiture notwithstanding, he expresses his true talent in genre compositions, especially kitchen interiors, in which he emulates the technique of the Dutch painter Johannes Vermeer. Two of the most accomplished of these depict his sister Frances in the basement kitchen of the family home: The Kitchen Window (1927; Crawford Art Gallery, Cork) demonstrates a particularly skillful use of light, while Interior of a Kitchen (1935) is notable for the dexterous handling of objects of varied shapes and textures. His genre works include both urban and rural scenes, with a distinctive interest in portraying occupations and other activities. Gypsy (1923), an Orpenesque composition of a shawled woman in a west-of-Ireland landscape with a caravan in the background, receives wide contemporary critical acclaim. Jer (c.1925), depicting a man seated by the fire in a cottage interior, is reproduced in J. Crampton Walker’s Irish Art and Landscape (1927). The Fiddler (c.1932), a naturalistic, sensitively characterised study, is first shown at an Ulster Academy exhibition at Stranmillis, Belfast. A Kerry Cobbler is reproduced in Twelve Irish Artists (1940), introduced by Thomas Bodkin, as among the works denoting the development of a distinctively Irish school of painting.
In 1929, Whelan designs the first Irish Free State commemorative stamp, a portrait of Daniel O’Connell for the centenary of Catholic emancipation. Commissioned by the Thomas Haverty trust to paint an incident from the life of Saint Patrick for the 1932 Eucharistic Congress, he executes The Baptism by St. Patrick of Ethna the Fair and Fedelmia the Ruddy, Daughters of the Ard Rí Laoghaire, a work highly conservative in style. He rapidly completes an oil study of the papal legate, Lorenzo Lauri, also for the Eucharistic Congress. He is represented in the art competitions at the 1932 Summer Olympics in Los Angeles. His depiction of Saint Brigid, shown at the Academy of Christian Art exhibition (1940), becomes a familiar image owing to the wide circulation of reproductions.
Whelan’s political portraits are influential in creating a strong, assured image of the newly formed Irish state, and thus retain an historical significance. His posthumous portrait, The Late General Michael Collins, exhibited at the RHA in 1943 and now held in Leinster House, is an iconic, heroic image of the fallen leader. His portraits of Arthur Griffith and Kevin O’Higgins – commissioned posthumously, as is the Collins, by Fine Gael – also hang in Leinster House, while that of John A. Costello, exhibited at the RHA in 1949, is now held in the King’s Inns, Dublin. He paints two presidents, Douglas Hyde and Seán T. O’Kelly, both works currently in Áras an Uachtaráin. A portrait of Éamon de Valera, painted in 1955 when the sitter is Leader of the Opposition, is in Leinster House. In 1954, he designs a second commemorative stamp, picturing a reproduction of a portrait bust of John Henry Newman, to mark the centenary of the Catholic University of Ireland.
Whelan is elected an honorary academician of both the Ulster Academy of Arts (1931), and the Royal Ulster Academy (1950). He becomes a member of the United Arts Club in 1934. As a representative of the RHA, he sits on the board of governors of the National Gallery of Ireland for many years, and is on the advisory committee of the Municipal Gallery of Modern Art. Unmarried, he resides until his death at the Eccles Street address, with two sisters who continue to manage the family hotel. He dies on November 6, 1956, from leukemia at the Mater private nursing home in Dublin. He is buried in Glasnevin Cemetery.
(From: “Whelan, (Michael) Leo,” by Carmel Doyle, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
seamus dubhghaill 