seamus dubhghaill

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Birth of Tom Hales, IRA Volunteer & Fianna Fáil Politician

Thomas Hales, Irish Republican Army (IRA) volunteer and Fianna Fáil politician, is born in Knocknacurra House, Ballinadee, near Bandon, County Cork, on March 5, 1892.

Hales is born on a family farm owned by his father, Robert Hales, an activist in the Irish Land War and a reputed member of the Irish Republican Brotherhood (IRB) and his wife, Margaret (née Fitzgerald). He is the sixth of nine children (five sons and four daughters). He is educated at Ballinadee national school and Warner’s Lane school, Bandon. After leaving school he works at Harte’s timber yard, Bandon.

Hales joins and is involved with the Irish Volunteers movement from its inception in November 1913. Elected a delegate at the Volunteer national convention in the Abbey Theatre in 1915, he is among the majority who vote for the election of the national executive.

Hales is a part of a group of volunteers who are mobilised and plan to rise up in Cork during the 1916 Easter Rising. He sends a number of dispatches to Cork requesting further instructions. However, they receive last minute orders to stand down and there is no uprising in Cork to match that in Dublin. The Volunteers give up their arms and are later arrested.

By May 1916, Hales and his brothers, Seán, Bob, and William, are fighting with the IRA in west Cork during the Irish War of Independence. Terence MacSwiney is arrested in Hales’ home on May 3, 1916, and Hales himself escapes and goes on the run. He states that he was listed as “wanted” in the Hue and Cry police gazette.

In 1918, Hales takes part in a raid on a British gunboat and holds 25 armed Royal Irish Constabulary (RIC) members prisoner at Snugmore Castle. He takes part in a decoy in assisting his elder brother, Seán, to escape after his arrest in connection with the German Plot. He is elected Battalion Commandant of the 1st (Bandon) Battalion (1917–19), and Brigade Commandant of Cork 3rd Brigade, IRA, in January 1919.

In December 1919, Hales takes part in an ambush against the RIC at Kilbrittain and Bandon and is involved in the manufacture of gunpowder for IRA munitions. By this point he is the commander of the Third Cork Brigade of the IRA. In July 1920, he along with Harte is arrested by soldiers from the Essex Regiment.

The pair are taken to a nearby military barracks, where they are severely beaten while being interrogated by officers of the regiment. Hales has his fingernails pulled out, an event that later inspires a scene in the film The Wind That Shakes the Barley. However, neither Hales nor Harte give up any information and are eventually sent to a military hospital to recuperate. Hales is tried and is eventually sentenced to two years’ penal servitude, which he serves in Pentonville and Dartmoor prisons in England. He is commander of the Irish prisoners at Pentonville, but is released following a general amnesty after the Anglo-Irish Treaty in December 1921. According to Tom Barry, Harte suffers brain damage and goes insane before dying in Broadmoor Hospital.

A fifth Hales brother, Donal, settles in Genoa from 1913, and is appointed Irish Consular and Commercial Agent for Italy in February 1919. In this capacity he plays a leading propaganda role. Several letters from Michael Collins to Donal Hales still exist which are used by Hales to promote international awareness of the Irish conflict in Italian publications. Donal oversees a failed attempt to import a substantial number of Austrian weapons and ammunition captured from World War I, from Genoa in the spring of 1921, through the person of Gabriele D’Annunzio.

During the Irish Civil War, Tom and Seán Hales fight on opposite sides, with Hales fighting against the Anglo-Irish Treaty with the Anti-Treaty IRA while Seán joins the newly formed National Army of the Irish Free State. While the bothers end up on opposite sides of the war, they never openly criticise one another for their rival political stances.

Hales is elected to the anti-Treaty IRA executive in March 1922, but resigns in June over a proposal to prevent the Free State’s first general election in June 1922. He resumes his old rank during the Irish Civil War as commander of Cork 3 Brigade.

During the Irish Civil War in July 1922, Hales takes part in the raid and capture of Skibbereen Barracks and Ballineen by anti-Treaty forces. He is also involved in a skirmish with Free State troops at Newcestown. He is arrested in November 1922 and imprisoned first in Cork and then at the Curragh. He is released in December 1923, having taken part in a hunger strike for fourteen days. He mentions in his application for a military pension that he was a member of the Supreme Council of the IRB at this time.

In December 1922, Hales’s brother Seán is assassinated by the anti-Treaty IRA in Dublin, in reprisal for the Free State government’s execution of IRA prisoners. Hales later applies to the Irish government for a service pension under the Military Service Pensions Act, 1934 and is awarded nine years’ service in 1935 at Grade B for his service with the Irish Volunteers and the IRA between April 1, 1917, and September 30, 1923.

Hales is elected to Dáil Éireann as a Fianna Fáil Teachta Dála (TD) for the Cork West constituency at the 1933 Irish general election. He resigns from Fianna Fáil in June 1936 stating he cannot support their policy on interning IRA members. He fails to retain his seat as an independent candidate at the 1937 Irish general election. He also unsuccessfully contests the 1944 Irish general election as an independent candidate and the 1948 Irish general election as a candidate for Clann na Poblachta, receiving 2,287 votes (7.93%).

Hales makes his living as farmer. A member of the Mallow area board of the beet growers’ association from 1934 to 1942, he is also connected with other farming organisations. He marries Ann Lehane from Tirelton, Macroom, on April 30, 1927. They have five children, Seán, Robert, Thomas, Eileen, and Margaret.

Hales dies on April 29, 1966, at St. Finbarr’s Hospital, Cork, and is buried at St. Patrick’s Cemetery, Bandon.


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Birth of Michael McCarthy, Professional Football Player & Manager

Michael Joseph “Mick” McCarthy, professional football manager, pundit and former player, is born on February 7, 1959, in Barnsley, South Yorkshire, England. He is most recently the head coach of Blackpool.

McCarthy makes his league debut for then-Fourth Division Barnsley on August 20, 1977, in a 4–0 win over Rochdale. He spends two years in the basement league, before the club wins promotion. A strong central defender, he is a virtual ever-present for his hometown club, but departs in December 1983 for fellow Division 2 club Manchester City.

Manchester City wins promotion in McCarthy’s first full season, and he finally has the chance to play at the highest level. His first season in the topflight is steady enough as the club reaches mid-table, but relegation strikes the following year. However, he does not face the drop as he signs for Celtic in May 1987 in a surprise £500,000 move.

McCarthy is brought to Parkhead by David Hay but within days of the signing the Celtic boss is sacked. Fortunately for McCarthy, Hay’s replacement is the returning Parkhead legend Billy McNeill, who quickly recognises that McCarthy’s strength and aggression are qualities desperately required by a notoriously leaky Celtic defence. He picks up his first silverware with Celtic as they win the league and cup double in his first season. The following season he again wins a Scottish Cup winners medal, although the club has to settle for third place in the league.

If ever an example is needed to reflect McCarthy’s values, it cannot be bettered than that on the day of the 1998 Scottish Cup Final. Celtic wins 2-1, but to the disgust of many, the unpopular Conservative Prime Minister Margaret Thatcher is in attendance and to present the trophy to the winners. The players are under pressure from the Scottish Football Association (SFA) to meet her, but a few refuse. According to fellow Celtic player Andy Walker, McCarthy refuses point-blank, as he is from Barnsley and the son of a miner. Shaking hands with her is an impossibility for him.

In the summer of 1988, McCarthy joins fellow Celtic players Packie Bonner and Chris Morris in Germany as part of the Republic of Ireland European Championship squad and gives a fine account of himself particularly in the historic 1-0 win over England. He, like Bonner and Morris, also star in the Republic’s 1990 FIFA World Cup squad which makes it to the quarterfinals in Italy.

In terms of his Celtic career, McCarthy never repeats the achievements or level of performance of his debut season.

McCarthy signs for Lyon in the summer of 1989 for £350,000. Afflicted by injuries and mindful of his spot in Ireland’s World Cup team, he finishes that season on loan to Millwall. After a captain’s showing in Italy for the Ireland national side, Millwall signs him full-time and later he becomes manager at The Den in 1992. In February 1996, he follows Jack Charlton into the Ireland manager’s job and experiences various highs and lows over his nearly seven years in charge. He has since managed Sunderland and Wolverhampton Wanderers.

In later years McCarthy becomes a low-key candidate for the Celtic manager’s job after the departures of Martin O’Neill and Gordon Strachan but is never favoured by the board or the general support for the role. Ironically then in 2018, he takes over from Martin O’Neill following his second stint as the Ireland manager. Notably, Roy Keane is Martin O’Neill’s assistant and has to step down also. On April 4, 2020, amid the global coronavirus pandemic, he stands down as manager and is immediately replaced by Stephen Kenny.

McCarthy joins Cypriot First Division club APOEL as manager on November 2, 2020, signing a contract until 2022. He is sacked by the club on January 5, 2021, following a run of 2 wins, 1 draw and 5 defeats in his eight games in charge.

On January 22, 2021, McCarthy is appointed as manager of Cardiff City, following the sacking of Neil Harris. He signs a contract until the end of the season. After making an unbeaten start to his reign at the club, a run that includes a six-game winning streak, he signs a new two-year deal with the club on March 4, 2021. Cardiff finishes the season in 8th place. Despite losing one of their opening six matches at the start of the following season, a run of results follows which sees Cardiff drop as low as 21st in the table. On October 23, 2021, after suffering a club-record eighth successive loss of the season at the hands of Middlesbrough, McCarthy leaves the club by mutual consent.

On January 19, 2023, McCarthy is appointed head coach of the Championship’s second-bottom placed club Blackpool on a short-term contract until the end of the season. On April 8, 2023, he leaves Blackpool by mutual consent, following a 3–1 home defeat to Cardiff the previous day. He achieves two wins in his 14 games in charge, losing nine of them, which leaves the club in 23rd position. “With results on the pitch not improving in recent weeks, the decision has been agreed by both parties that a change is needed,” the club says in a statement.


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“The Siege of Rochelle” First Performed at Drury Lane Theatre

Irish composer Michael William Balfe‘s opera The Siege of Rochelle is first performed at the Drury Lane Theatre in London on October 29, 1835.

The opera is originally prepared for the English Opera House but for some reason the theatrical manager, Samuel James Arnold, does not want it. Instead, Alfred Bunn, the manager of Drury Lane Theatre, seizes the opportunity and begins what is a very fruitful collaboration with Balfe that lasts a decade. Balfe is to become the mainstay of English Opera for almost the next 30 years with a succession of popular operas.

The opera runs for 70 nights on its initial run and is revived in the following three seasons with Balfe singing the role of Michel. Queen Victoria sees the opera on November 15, 1837, her first state visit to a theatre during her reign. In 1836, the opera is reported as staged in Leeds, York, Sheffield, Manchester, Liverpool, Bath and Dublin with Abigail Betts as Clara. John Wilson, who sings in the initial run of the opera, also sings in, at least, some of these. Madame Balfe chooses the opera for her benefit in 1841, and Bunn opens his 1843 season with it on September 30. Emma Romer uses it to open her 1853 season at the Surrey Theatre, although it is being described by then as “somewhat hacknied.”

October 1875 sees a revival of the opera by the Carl Rosa Opera Company at the Princess’s Theatre, and it is then included in the company’s repertoire that tours to Manchester in 1875, Liverpool in 1876, Birmingham in 1877 and Dublin in 1879. The Turner Company tours it in 1893. This is possibly the opera’s last performance until the Wexford Festival Opera performances in 1963. The overture and songs from the opera, such as “When I beheld the anchor weigh’d” continue to retain a place in the concert hall and the home into the 20th century.

In 1838, the opera is performed by the Caradori-Allan troupe at the Park Theatre in New York but fails although it appears to be retained in the repertory. In 1839, it is performed again in Dublin with Balfe as Michel and in Sydney in 1848.

The opera’s production sparks an acrimonious argument between a correspondent in The Examiner accusing Balfe of plagiarism from Luigi Ricci‘s 1832 opera, Chiara di Rosemberg, and, in defence, Frederick Beale, from Balfe’s publishers, and Balfe. The matter seems to be settled in Balfe’s favour when the score of Chiara di Rosemberg is displayed at music publisher Cramer, Beale and Co. so that people can compare the two for themselves. While Edward Fitzball probably uses Ricci’s libretto as the basis for his, it does not seem to have been a straight translation, as some allege, but similarities would help to feed the accusations of plagiarism, bolstered by the Italian training and approach of both composers and the fact that Balfe had sung in Chiara di Rosemberg in Italy in 1834.

Balfe is said to have been paid £5 a night by Bunn and 400 guineas for the score by the publishers Cramer, Beale and Co. In 1871, the Bury and Norwich Post (April 11, 1871) report that the copyright has sold for £156 and just over ten years later the Aberdeen Evening Express (May 8, 1883) notes that the copyright has been sold again for approximately £20, adding “So much for Balfe’s ‘popularity.”


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Birth of Irish Folk Singer Patsy Watchorn

Patsy Watchorn, Irish folk singer notable for being a member of the Dublin City Ramblers and later The Dubliners, is born in Crumlin, Dublin, on October 16, 1944.

Watchorn first comes to prominence in 1969 as the lead singer of The Quare Fellas, a Dublin-based ballad group. They evolve into the Dublin City Ramblers in the early 1970s and with Watchorn as their lead singer they have hits with songs such as “The Rare Ould Times” and “The Ferryman,” both of which are written by Pete St. John.

Watchorn also writes and sings the Irish Football Team anthem, “We are the Boys in Green” (Home & Away album), with The Dublin City Ramblers for the teams European Championship campaign in Germany and again for the 1990 FIFA World Cup in Italy. The lyrics change slightly in both releases in 1988 and 1990.

In 1995, Watchorn leaves The Dublin City Ramblers and makes a number of solo albums. He joins The Dubliners in 2005, taking Paddy Reilly‘s place. He is well received throughout Ireland, the United Kingdom, Europe, Australia and the United States. He appears on their Tour Sampler EP in 2005, as well as the double album Live at Vicar Street (2006). He plays the banjo, bodhrán and spoons. He cites Luke Kelly, former lead singer with The Dubliners, as his favourite singer.

When The Dubliners announce their retirement in 2012 after finishing their 50 Years Anniversary Tour, Watchorn decides to keep on touring with former band members Seán Cannon and Eamonn Campbell and banjo player Gerry O’Connor under the name of “The Dublin Legends.”

On April 28, 2014, Watchorn posts a message on his website, stating that he has “decided to take a break from the music business for a while” and will not be touring the rest of 2014 with The Dublin Legends. He later admits this is due to ill health and that doctors had advised him that touring would do further damage to his health.

Watchorn’s distinctive and passionate vocals have made him a huge rock on the Irish folk scene. In his solo projects in the mid- and late-1990s, after his departure from The Dublin City Ramblers, he has session men who used to play alongside him and he uses the stage name “Patsy Watchorn, agus a Cháirde” (which means “and his Friends” in Irish).


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Birth of John Hogan, the “Greatest of Irish Sculptors”

Irish sculptor John Hogan, described in some sources as the “greatest of Irish sculptors,” is born in Tallow, County Waterford, on October 14, 1800. According to the Dictionary of Irish Biography he is responsible for “much of the most significant religious sculpture in Ireland” during the 19th century. Working primarily from Rome, among his best-known works are three versions of The Dead Christ, commissioned for churches in Dublin, Cork, and the Basilica of St. John the Baptist in St. John’s, Newfoundland and Labrador, Canada.

Hogan is the third child of John Hogan, a carpenter and builder of Cove Street, Cork, County Cork, and Frances Cos, the great-granddaughter of Sir Richard Cox, Lord Chancellor of Ireland from 1703 to 1707. As the family feels that she had married beneath her station, she is disinherited.

At the age of fourteen, Hogan is placed as clerk to an attorney, where he spends much of his time carving figures in wood. After two years, he chooses to be apprenticed to the architect Sir Thomas Deane, where his talents for drawing and carving are developed. He carves balusters, capitals, and ornamental figures for Deane’s buildings. At the completion of his apprenticeship in March 1820, Deane encourages him to consider taking up sculpture as a profession. For the next three years, he attends lectures on anatomy, copies casts of classic statuary in the Gallery of the Cork Society of Arts, and makes anatomical studies in wood of feet, hands, and legs. Among the first of his works to attract notice is a life-size figure of Minerva for an insurance building built by Deane.

In 1821, Hogan carves twenty-seven statues in wood for the North Chapel in Cork for the reredos behind the high altar. After subsequent cathedral renovations, these are now positioned in decorative plasterwork over the nave. He also does a bas-relief of the “Last Supper” for the altar. This work keeps him employed for about a year.

In 1823, the engraver William Paulet Carey visits Cork, and impressed with Hogan’s talent, begins to publicise his work in order to raise subscriptions for him to study in Italy. Hogan arrives in Rome, by way of Dublin and Liverpool, in 1824. He works in the galleries of the Vatican but cannot afford a studio. Additional subscriptions allow him to improve his situation, rent a studio, purchase marble, and hire models. Danish sculptor Bertel Thorvaldsen says to him, “My son, you are the best sculptor I leave after me in Rome.”

In 1829, Hogan visits Ireland, bringing several works with him. The Royal Arts Society provides a venue for an exhibition. The Royal Dublin Society awards him a gold medal.

Hogan’s best-known work and masterpiece are the three versions of the statue of The Dead Christ or The Redeemer in Death. Created in flawless Carrara marble, the first version (1829) is located in St. Therese’s Church, Dublin, the second (1833) in St. Finbarr’s (South) Church, Cork, and the third and final version (1854) is located in the Basilica of St. John the Baptist, Newfoundland. His other works include the Sleeping Shepherd and The Drunken Faun. He assures his international reputation in 1829 with The Dead Christ. Thereafter, his creations are snapped up by Irish bishops visiting his Rome studio.

In 1837 Hogan is elected a member of the Virtuosi del Pantheon. During the next several years, he has several works in hand, including a marble statue of Daniel O Connell, for the Repeal Association. The statue stands today at City Hall, Dublin, the same spot where O’Connell gave his first speech against the Acts of Union in 1800.

In 1840, a monumental group in memory of Bishop James Warren Doyle, founder of the Cathedral of the Assumption in Carlow, is brought to Dublin and exhibited at the Royal Exchange. The statue of Bishop Doyle is in the Cathedral of the Assumption, as is a second Hogan work depicting the Holy Family.

Hogan marries Cornelia Bevignani in Rome in 1838. The figure of Hibernia, in Hogan’s work Hibernia with the Bust of Lord Cloncurry (1844), is reportedly modelled on his wife. A representation of this work is later used as the watermark on all Series A banknotes printed in Ireland from the 1920s to the 1970s. The couple has four sons and eight daughters.

With the revolutionary movement growing in Italy during the 1840s, and after spending twenty-four years in Rome, Hogan returns with his family to Ireland in 1848. At first, he finds little work in the aftermath of the Great Famine, but gradually commissions increase. He can be impatient with ignorance, intolerant of professional inferiority, and independent. He holds aloof from other artists and refuses to join the Royal Hibernian Academy.

Hogan has a stroke in 1855 and, though he recovers somewhat, his health begins to fail. By the year prior to his death, he can no longer work and his sons, John Valentine Hogan and James Cahill, assist at his studio and complete some of the work.

Hogan dies at his home at 14 Wentworth Place (later renamed Hogan Place), Dublin, on March 27, 1858. He is buried at Glasnevin Cemetery in Dublin.

(Pictured: Scan of a drawing depicting the Irish sculptor John Hogan with his sculpture The Drunken Faun in background, published in the Dublin University Magazine, January 1850)


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Birth of Patrick Hennessy, Irish Realist Painter

Patrick Anthony Hennessy RHA, Irish realist painter known for his highly finished still lifes, landscapes and trompe-l’œil paintings, is born in Cork, County Cork, on August 28, 1915. The hallmark of his style is his carefully observed realism and his highly finished surfaces, the result of a virtuoso painting technique.

Hennessy is the son of John Hennessy an army sergeant major from County Kerry and Bridget Hennessy from Cork. His father is killed in World War I at the Battle of Passchendaele in 1917. In 1921, when he is five years old, his mother remarries in Cork. Her second husband is a Scot named John Duncan and shortly afterwards the whole family moves to Arbroath, Scotland, where Duncan has relatives.

Hennessy is educated in Arbroath at St. Thomas RC Primary School followed by secondary education at Arbroath High School, where he begins to show an aptitude for art, leaving in 1933 with the Dux for Art and an accompanying medal. In the autumn of 1933 he enrolls at the Dundee of Jordanstone College of Art & Design, for a four-year Diploma course in Drawing and Painting under James McIntosh Patrick and Edward Baird. Here he meets Harry Robertson Craig who becomes his lifelong companion. He plays a full part in the social activities of the college, winning a fancy-dress award at the Christmas revels in 1935 and producing a ballet “Paradise Lost” the following year. He gains a First-Class Pass in each year of the course along with winning first prize in 1934 and 1936 for work done during the summer vacation. He graduates with a First-Class Distinction in 1937.

Having gained a scholarship, Hennessy continues his studies at the Dundee of Jordanstone College of Art & Design for a further year by doing a Post-Graduate Diploma course in Drawing and Painting. Within a month of gaining his Post-Graduate Diploma he holds his first joint exhibition at the Art Galleries in Arbroath. In June 1938 he is awarded the Annual Travelling Scholarship for further studies in Paris and Italy. In Paris he meets up with the artists Robert Colquhoun and Robert MacBryde, whom he had met the previous year, the three travelling south together to Marseilles towards the end of that year. On his return to Scotland he is selected for the residential summer school course at Hospitalfield House near Arbroath under James Cowie. Two of his paintings, a still life and a self-portrait, are accepted that year by the Royal Scottish Academy for their Annual Exhibition. However, by the autumn of 1939 with war looming and feeling somewhat disenchanted on his return to Scotland, he decides to return to Ireland.

On arrival in Dublin Hennessy is offered an exhibition in December 1939 at the Country Shop on St. Stephen’s Green which is opened by Mainie Jellett. This attracts favourable attention. During the early 1940s he lives at various addresses in and around Dublin with frequent trips to Cork. In 1940 he is invited to join the Society of Dublin Painters and holds regular annual exhibitions of his work there during the 1940s and early 1950s. These exhibitions are supplemented by an eclectic mix of commissions, mostly portraits which he undertakes during this period. In 1941 he has three of his paintings accepted by the Royal Hibernian Academy (RHA) for their annual exhibition. This is the beginning of a long relationship with the RHA. He exhibits there virtually every year from 1941 until 1979, the year before his death.

From the early 1940s onwards, Hennessey’s work sometimes incorporates a homosexual visual subtext. He re-unites with Harry Robertson Craig in 1946 and soon after they move to Crosshaven, County Cork, and later to Cobh. In 1947, Time magazine selects him as one of Ireland’s outstanding painters, in recognition of the important position he has then attained in the art world. In 1948 he has an exhibition at the Victor Waddington Gallery, Dublin, and that same year is elected an associate of the Royal Hibernian Academy and a full member the following year. In 1950 his painting De Profundis is selected for the Contemporary Irish Painting exhibition that tours North America. As a result of this tour, the American public and critics begin to take notice of his work. In 1951 he visits Italy, taking in Venice and Sicily and returning to Dublin with many of his canvases painted abroad. One of these paintings, Bronze Horses of St. Marks, is exhibited at the Royal Academy of Arts in London in 1954.

In 1956, a friend of Hennessy, David Hendriks, opens the Ritchie Hendriks Gallery on St. Stephen’s Green, Dublin and it is this gallery that is to be the main outlet for his work over the following 22 years. In October 1956 the Thomas Agnew Gallery in London holds an exhibition of his work comprising 38 of his paintings. However, during the winter of 1959 he becomes seriously ill with pneumonia. As a consequence of this, in the autumn of that year he and Craig decide to winter in Morocco. This is the beginning of a new era in both their lives. They would never again spend a full year in Ireland. His exhibitions at the Ritchie Hendriks Gallery had for many years enjoyed favourable reviews from the art critics but in the 1960s this changes with critics claiming his paintings to be dull, repetitive and suggest he needs to explore new areas. Despite the barrage of criticism, in 1965 the Guildhall Gallery in Chicago offers him a major exhibition. Shortly after this exhibition takes place in 1966, he becomes one of the artists on permanent display at the gallery with an annual exhibition. The North American market is extremely lucrative for him and by the end of the decade he is selling more of his work in the United States than in Ireland. In 1968 he finally moves to Tangier, Morocco on a permanent basis and in 1970 sells his studio on Raglan Lane, Dublin.

In Morocco, Hennessy paints prolifically for nine years to keep up with demand from the Hendriks Gallery and Guildhall Gallery along with the RHA. In 1975 the Guildhall Gallery mounts a highly successful Retrospective of his work. In 1978 he has his last exhibition in Dublin at the Hendriks Gallery. By this time he has moved to the Algarve, Portugal and is beginning to have health problems.

In November 1980, with his health deteriorating, Craig brings Hennessy to a hospital in London for treatment. However, on December 30, 1980 he dies from cancer. Following cremation his ashes are buried in nearby Golders Green Crematorium. He leaves his entire estate to Harry Robertson Craig with the proviso that on Craig’s death the Royal Hibernian Academy should be the beneficiary. This legacy has been used to set up the annual Hennessy Craig Scholarship for aspiring artists.

Hennessy falls into the category of painter who develops a distinctive personal style, labelled at various times in his life as a Traditional Realist, Romantic, Photo Realist, Illusionary and Surrealist. However, he always remains intrinsically himself. His subjects range from still life and interiors to landscapes and portraits.

Examples of Hennessy’s work can be found in the public collections of the Crawford Art Gallery, the Dublin City Gallery The Hugh Lane, the Irish Museum of Modern Art (IMMA), the Limerick City Gallery of Art (LCGA), the National Gallery of Ireland (NGI), the National Self-Portrait Collection of Ireland (NSPCI) at the University of Limerick (UL), and in the collections of University College Cork (UCC) and University College Dublin (UCD).


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Death of Laval Graf Nugent von Westmeath

Laval Graf Nugent von Westmeath, Field Marshal in the Austrian army and a soldier of Irish birth who fights in the armies of Austria and the Two Sicilies, dies on August 21, 1862, in the Bosiljevo Castle near Karlovac, in what is now Croatia.

Nugent is born in Ballinacor, a townland in the civil parish of Killare, County Westmeath, on November 3, 1777. He is the son of Count Michael Anton Nugent von Westmeath, Governor of Prague.

In 1793, Nugent joins the Austrian Army, becoming Colonel in 1807, and Chief of Staff of the Army Corps of Archduke John of Austria in 1809. In 1813, he leads the campaign against Viceroy Eugène de Beauharnais, separating French units in Dalmatia and simultaneously joining the British fleet, thus conquering Croatia, Istria and the Po Valley. In 1815, during the Neapolitan War, he commands the right wing of the Austrian Army in Italy, liberates Rome, and defeats Joachim Murat at the Battle of Ceprano and the Battle of San Germano.

In 1816, Nugent is given the title of prince by Pope Pius VII. In 1817, he enters the service of King Ferdinand I of the Two Sicilies. He marries Countess Giovannina Riario-Sforza who owns property in the small town of Montepeloso (now called Irsina), in Basilicata. After the outbreak of the Carbonari rebellion in 1820, he returns to serve in the Austrian Army. In 1848, he leads an Army Corps under Joseph Radetzky von Radetz against the Piedmontese, in the course of the First Italian War of Independence, and also against the Hungarian Revolution of 1848. He receives the title of Field Marshal in 1849.

In recognition of his achievements, Nugent is created in addition to a Roman Prince, an Austrian Imperial Count and a Knight of the Golden Fleece. Later, in 1860, he is appointed titular Prior of Ireland of the Sovereign Military Order of St. John of Jerusalem of Rhodes of Malta.

Nugent dies on August 21, 1862, in the Bosiljevo Castle, near Karlovac, and his body is later transferred to a sarcophagus in the Doric temple “Peace for the Hero,” in Trsat above Rijeka, next to the sarcophagus of his wife.

An exhibition of Nugent’s life in terms of his art collecting as well as his military career is curated at the University of Galway in 2019.


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Birth of Patrick Coveney, Prelate of the Catholic Church

Patrick Coveney, Irish prelate of the Catholic Church who works in the diplomatic service of the Holy See from 1966 to 2009, is born in Tracton, County Cork, on July 29, 1934. He becomes an archbishop in 1985 and fulfills several assignments as Apostolic Nuncio, including stints in Zimbabwe, Ethiopia, New Zealand, and Greece.

Coveney obtains the academic degree of Bachelor of Arts in classical languages and literature at Maynooth College, and the Licentiate of Sacred Theology at the Pontifical Irish College in Rome, Italy. He is ordained as a priest at the age of twenty-four on February 21, 1959, by the archbishop vicegerent (deputy vicar general of Rome) Luigi Traglia in the Archbasilica of Saint John Lateran.

After doing parish work in Kidlington, England, Coveney teaches in St. Finbarr’s College, the minor seminary of the Diocese of Cork and Ross in Cork from 1960 to 1966. When use of the vernacular language is introduced into the celebration of the Roman Rite Mass, he edits a lectionary in English.

In September 1966, Coveney goes to work in the English-language section of the Secretariat of State in the Vatican. This sometimes involves acting as interpreter at audiences of Pope Paul VI, as when the Pope receives the three astronauts of the Apollo 11 mission that first lands human beings on the Moon.

At the Pontifical Lateran University Coveney obtains the degree of Doctor of Canon Law in 1969.

To prepare for a diplomatic career Coveney enters the Pontifical Ecclesiastical Academy in 1969 and enters the diplomatic service of the Holy See in 1971.

Coveney serves with the rank of Secretary in the Apostolic Nunciature in Buenos Aires from 1972 to 1976, returning then to the Secretariat of State in the Vatican. He is counselor of the nunciatures in New Delhi (1982–1984) and Khartoum (1984–1985).

On July 27, 1985, Coveney is appointed titular Archbishop of Satrianum and Apostolic Pro-Nuncio to Zimbabwe and Apostolic Delegate to Mozambique. He is ordained to the episcopate on September 15, 1985, in the Cathedral of St. Mary and St. Anne, Cork. The principal consecrator is the Cardinal Secretary of State Agostino Casaroli. The principal co-consecrators are Archbishop Gaetano Alibrandi, Apostolic Nuncio to Ireland, and Bishop Michael Murphy, Bishop of Cork and Ross. In Harare, capital of Zimbabwe, he represents the Holy See at the 8th Summit Conference of the Non-Aligned Movement on September 1–6, 1986.

On January 25, 1990, Coveney is appointed Nuncio to Ethiopia and also becomes Apostolic Delegate to Djibouti on March 26, 1992, and Nuncio to Eritrea on September 30, 1995.

Coveney becomes Apostolic Nuncio to New Zealand, Tonga, the Marshall Islands, and Samoa, and Apostolic Delegate for Oceania on hpril 27, 1996. His remit is expanded to include Apostolic Nuncio to Fiji, Kiribati, the Federated States of Micronesia, and Vanuatu on October 15, 1996, and Apostolic Nuncio to Nauru on December 7, 1996. He is also named Apostolic Nuncio to the Cook Islands and Palau on July 14, 2001. As the longest-serving resident diplomatic representative to New Zealand, Archbishop Coveney serves for a time as Dean of the Diplomatic Corps. While based in Wellington, he also represents the Holy See at the inauguration of Chen Shui-bian as president of the Republic of China (Taiwan) on May 18, 2004.

Coveney’s last diplomatic appointment is as Apostolic Nuncio to Greece on January 25, 2005. On November 5, 2008, he officiates at the presentation to the Acropolis Museum in Athens of a fragment of the Parthenon Frieze on loan from the Vatican Museums. He resides in Athens until his retirement in 2009.

Coveney returns to the Diocese of Cork and Ross to reside in Crosshaven Parish. He assists in Crosshaven parish and celebrates the Sacrament of Confirmation in many parishes throughout the Diocese of Cork and Ross. He dies at the age of 88 on October 22, 2022.


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Birth of Edward Flanagan, Founder of Boys Town

Edward Joseph Flanagan, Irish-born priest of the Catholic Church in the United States, is born on July 13, 1886, in the townland of Leabeg, County Roscommon, near the village of Ballymoe, County Galway. He founds the orphanage known as Boys Town located in Boys Town, Douglas County, Nebraska, which now also serves as a center for troubled youth.

Flanagan is born to John and Honoria Flanagan. He attends Summerhill College, Sligo.

In 1904, Flanagan emigrates to the United States and becomes a U.S. citizen in 1919. He attends Mount St. Mary’s University in Emmitsburg, Maryland, where he receives a Bachelor of Arts degree in 1906 and a Master of Arts degree in 1908. He studies at Saint Joseph’s Seminary in Dunwoodie, Yonkers, New York. He continues his studies in Italy and at the University of Innsbruck in Austria where he is ordained a priest on July 26, 1912. His first parish is in O’Neill, Nebraska, where from 1912 he serves as an assistant pastor at St. Patrick’s Catholic Church. He then moves to Omaha, Nebraska, to serve as an assistant pastor at St. Patrick’s Church and later at St. Philomena’s Church.

In 1917, Flanagan founds a home for homeless boys in Omaha. Bishop Jeremiah James Harty of the Diocese of Omaha has misgivings but endorses Flanagan’s experiment. Because the downtown facilities are inadequate, he establishes Boys Town, ten miles west of Omaha in 1921. Under his direction, Boys Town grows to be a large community with its own boy-mayor, schools, chapel, post office, cottages, gymnasium, and other facilities where boys between the ages of 10 and 16 can receive an education and learn a trade.

Boys Town, a 1938 film starring Spencer Tracy based on Flanagan’s life, wins Tracy an Academy Award for Best Actor for his performance. Mickey Rooney also stars as one of the residents. Tracy spends his entire Oscar acceptance speech talking about Flanagan. Without confirming it with Tracy, an overzealous MGM publicity representative announces incorrectly that Tracy is donating his Oscar to Flanagan. The Academy of Motion Picture Arts and Sciences hastily strikes another inscription so Tracy keeps his statuette and Boys Town gets one as well. A sequel also starring Tracy and Rooney, Men of Boys Town, is released in 1941.

Flanagan himself appears in a separate 1938 MGM short, The City of Little Men, promoting Boys Town and giving a tour of its facilities. The actor Stephen McNally plays Flanagan in a 1957 episode of the ABC religion anthology series, Crossroads.

Flanagan receives many awards for his work with the delinquent and homeless boys. Pope Pius XI names him a Domestic Prelate with the title Right Reverend Monsignor in 1937. He serves on several committees and boards dealing with the welfare of children and is the author of articles on child welfare. Internationally known, he travels to the Republic of Ireland in 1946, where he is appalled by the children’s institutions there, calling them “a national disgrace.” When his observations are published after returning to Omaha, instead of improving the horrid conditions, vicious attacks are leveled against him in the Irish print media and the Oireachtas. He is invited by General Douglas MacArthur to Japan and Korea in 1947 to advise on child welfare, as well as to Austria and Germany in 1948. While in Berlin, Germany, he dies of a heart attack on May 15, 1948. He is interred at Dowd Memorial Chapel of the Immaculate Conception Parish in Boys Town, Nebraska.

In 1986, the United States Postal Service issues a 4¢ Great Americans series postage stamp honoring Flanagan. He is a member of the Nebraska Hall of Fame.

On February 25, 2012, the Catholic Archdiocese of Omaha, Nebraska opens the canonization process of Flanagan. At a March 17, 2012 prayer service at Boys Town’s Immaculate Conception Church, he is given the title “Servant of God,” the first of three titles bestowed before canonization as a Catholic saint. The investigation is completed in June 2015 and the results forwarded to the Vatican. If the Vatican approves the local findings, Flanagan will be declared venerable. The next steps will be beatification and canonization.

There is a portrait statue dedicated to Fr. Edward J. Flanagan in Ballymoe, County Galway.


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Birth of Frank Stapleton, Association Footballer & Manager

Francis Anthony Stapleton, Irish former professional association football player and manager, is born in Dublin on July 10, 1956. He is best remembered for his time at Arsenal, Manchester United and as a pivotal player for the Republic of Ireland national football team. He has also been manager at Bradford City and Major League Soccer (MLS) club New England Revolution.

Stapleton is a distinguished centre-forward, once touted as being among the best in the world in his position, and an exceptionally strong header of the ball. He starts his career with Arsenal, joining them in 1972 as an apprentice, after being turned down by Manchester United. He makes his first-team debut in March 1975, at home to Stoke City, and goes on to form a potent striking partnership with Malcolm Macdonald. The two score 46 goals between them in 1976–77. He is Arsenal’s top scorer for the three following seasons and helps the Gunners reach a trio of FA Cup finals. He scores one of the goals in Arsenal’s 1979 FA Cup Final 3–2 win over Manchester United, and scores 108 goals in 300 appearances in total for the Gunners.

Stapleton moves on to Manchester United in the summer of 1981 for £900,000 as new manager Ron Atkinson begins building a team capable of challenging for silverware after a disappointing 1980–81 season under Dave Sexton. He helps United win the 1983 and 1985 FA Cups. It is in the first of those finals, when he scores against Brighton & Hove Albion, in which he makes history by becoming the first man to score for two different clubs in FA Cup Finals. United finishes in the top four of the league in each of Stapleton’s first five seasons at Old Trafford, and comes close to winning a league title medal in the 1985–86 season after United wins their first ten league games of the season before their form slumps and they finished fourth. Atkinson is sacked and replaced by Alex Ferguson in November 1986, and Stapleton remains a regular member of the first team under the new manager, but he leaves at the end of the season to sign for Ajax. There, he makes just six appearances and scores one goal before quickly being moved to Belgian side Anderlecht at the end of 1987, followed by a three-month loan back to England with Derby County. He then plays for French club Le Havre for a season, before returning to England with Blackburn Rovers in 1989, followed by moves to Aldershot, Huddersfield Town (as player-coach) and Bradford City.

After three seasons as player-manager at Bradford, Stapleton is sacked following their narrow failure to qualify for the Division Two playoffs at the end of the 1993-94 season. He then has a brief spell at Brighton & Hove Albion in the 1994–95 season, playing two games before finally announcing his retirement as a player.

Stapleton also wins 71 caps for the Republic of Ireland national team, scoring a then record 20 goals. He makes his international debut under then player-manager Johnny Giles in a friendly against Turkey in Ankara in 1976 at 20 years of age. He scores after only three minutes of his debut when he heads home a Giles free-kick at the near post. That friendly international finishes 3–3 and marks the start of a magnificent international career for the quiet and reserved Stapleton.

Stapleton is committed to international football insisting that an “international release clause” be inserted to all of his contracts so that he can be released to play in international games for Ireland.

Stapleton plays a significant role in Ireland’s attempt to qualify for the 1982 FIFA World Cup in Spain in 1982. Goals against Cyprus, the Netherlands and France by him in the qualifying matches are not enough as Ireland is denied a place at the World Cup by a superior French goal difference. He is made captain of the national team for the qualifying campaign for the 1986 FIFA World Cup though Ireland fails to emulate their fine performance in the 1982 qualifiers.

Jack Charlton takes over as the Irish manager in 1986 and he keeps Stapleton as captain despite a sometimes uneasy relationship between the two men. Stapleton scores a magnificent diving header in the opening UEFA Euro 1988 qualifier against Belgium in the 2–2 draw at the Heysel Stadium, Brussels, that September. He also scores in the 2–1 defeat by Bulgaria in Sofia on April 1, 1987, with another goal against Luxembourg in the 2–1 victory at Lansdowne Road the following September.

Stapleton captains the Irish team to the 1988 Euro finals and plays in all of their matches during the competition including Ireland’s famous victory against England.

After the 1988 European Championships Stapleton remains on the fringe of the national team during qualification for 1990 FIFA World Cup in Italy making just two appearances late in the campaign. By then, his 20 goals for the Republic had made him the national side’s all-time leading goalscorer, a record which is broken ten years later by Niall Quinn, who is in the early stages of his own international career when Stapleton bows out of the international scene. He does, however, score an 87th-minute goal against Malta in a 3–0 friendly in Valletta just prior to those finals in Italy.

Stapleton moves to the United States to manage Major League Soccer side New England Revolution in 1996. In the 2003–04 season he briefly returns to English football as a specialist coach of Bolton Wanderers. The Bolton manager, Sam Allardyce, wants Stapleton to enhance the skills of the strikers at the club and sees the Irishman as an ideal candidate, given his successful playing career.

Stapleton is appointed assistant manager to former teammate Ray Wilkins with Jordan on September 3, 2014.