Clare Boylan, Irish author, journalist and critic for newspapers, magazines and many international broadcast media, is born in Dublin on April 21, 1948.
After leaving St. Louis convent, Boylan takes a job as a sales assistant in a bookshop before beginning her career as a journalist at The Irish Press, now defunct. In 1974 she wins the Journalist of the Year award when working in the city for the Evening Press. Later in her career she edits the glossy magazine Image, before largely giving up journalism to focus on a career as an author.
Boylan’s novels are Holy Pictures (1983), Last Resorts (1984), Black Baby (1988), Home Rule (1992), Beloved Stranger (1999), Room for a Single Lady (1997), which wins the Spirit of Light Award and is optioned for a film, and Emma Brown (2003). The latter work is a continuation of a 20-page fragment written by Charlotte Brontë before her death.
Boylan’s short stories are collected in A Nail on the Head (1983), Concerning Virgins (1990) and That Bad Woman (1995). The film Making Waves, based on her short story “Some Ladies on a Tour”, is nominated for an Oscar in 1988.
Boylan’s non-fiction includes The Agony and the Ego (1994) and The Literary Companion to Cats (1994). She writes introductions to the novels of Kate O’Brien and Molly Keane and adapts Keane’s novel Good Behaviour as the classic serial for BBC Radio 4 (2004). Her work has been translated as far afield as Russia and Hong Kong.
In later life, Boylan lives in County Wicklow with her husband Alan Wilkes. When she is diagnosed with ovarian cancer, she faces her illness with characteristic strength. She takes up kickboxing and spends time in France, shopping, cooking and entertaining friends. She succumbs to cancer at the age of 58 on May 16, 2006.
Lynd is born to Robert John Lynd, a Presbyterian minister, and Sarah Rentoul Lynd, the second of seven children. His paternal great-grandfather emigrated from Scotland to Ireland. He is educated at Royal Belfast Academical Institution and Queen’s University Belfast. His father serves a term as Presbyterian Church Moderator, but he is just one of a long line of Presbyterian clergy in the family.
Lynd marries the writer Sylvia Dryhurst on April 21, 1909. They meet at Gaelic League meetings in London. Their daughters Máire and Sigle become close friends of Isaiah Berlin. Sigle’s son, born in 1941, is artist Tim Wheeler. In March 1924, they move to what is to be their long-term married home, the elegant Regency house of 5 Keats Grove in the leafy suburb of Hampstead in northwest London. The house had been lived in by various members of Sylvia’s family.
The Lynds are literary hosts, in the group including J. B. Priestley. They are on good terms also with Hugh Walpole. Priestley, Walpole and Sylvia Lynd are founding committee members of the Book Society. Irish guests include James Joyce and James Stephens. On one occasion reported by Victor Gollancz in Reminiscences of Affection, Joyce intones Anna Livia Plurabelle to his own piano accompaniment. Joyce and his wife Nora Barnacle hold their wedding lunch at the Lynds’ house after getting married at Hampstead Town Hall on July 4, 1931.
Lynd uses the pseudonym Y.Y. in writing for the New Statesman. According to C. H. Rolph‘s Kingsley, Lynd’s weekly essay, which runs from 1913 to 1945, is “irreplaceable.” In 1941, editor Kingsley Martin decides to alternate it with pieces by James Bridie on Ireland, but the experiment is not at all a success.
Lynd’s political views are at a certain point radicalised by his experience of how Ulster and Home Rule develop in the 1912–1914 period. He is appalled at the threat of the use of violence to deliver Ulster from Home Rule and the later decision to postpone the implementation of the Third Home Rule Bill. He later writes, “Then came August 1914 and England began a war for the freedom of small nations by postponing the freedom of the only small nation in Europe which it was within her power to liberate with the stroke of a pen.”
Lynd becomes fluent in the Irish language and is a Gaelic League member. As a Sinn Féin activist, he uses the name Robiard Ó Flionn/Roibeard Ua Flionn. He dies in Hampstead, London on October 6, 1949. He is buried in Belfast City Cemetery.
McGee grows up a Catholic Irishman who hates the British rule of Ireland and works for a peasant revolution to overthrow British rule and secure Irish independence. He escapes arrest and flees to the United States in 1848, where he reverses his political beliefs. He becomes disgusted with American republicanism and democracy, and becomes intensely conservative in his politics and in his religious support for the Pope.
McGee moves to Canada in 1857 and works hard to convince the Irish Catholics to cooperate with the Protestant British in forming a Confederation that will make for a strong Canada in close alliance with Britain. His fervor for Confederation garners him the title “Canada’s first nationalist.” He fights the Fenians in Canada, who are Irish Catholics who hate the British and resemble his younger self politically. McGee succeeds in helping create the Canadian Confederation in 1867.
On April 7, 1868, McGee, having participated in a parliamentary debate that goes on past midnight, walks back to the boarding house where he is staying. McGee is opening the door to Trotter’s Boarding House in Ottawa when he is shot by someone waiting for him on the inside. Several people run to the scene, however there is no sign of the assassin. It is later determined that McGee is assassinated with a shot from a handgun by Patrick J. Whelan. He is to date the only Canadian victim of political assassination at the federal level.
McGee is given a state funeral in Ottawa and interred in a crypt at the Cimetière Notre Dame des Neiges in Montreal. His funeral procession in Montreal draws an estimated crowd of 80,000 out of a total city population of 105,000.
Patrick J. Whelan, a Fenian sympathiser and a Catholic, is accused, tried, convicted, and hanged for the crime on February 11, 1869, in Ottawa. The jury is decisively swayed by the forensic evidence that Whelan’s gun had been fired shortly before the killing, together with the circumstantial evidence that he had threatened and stalked McGee. Historian David Wilson points out that forensic tests conducted in 1972 show that the fatal bullet is compatible with both the gun and the bullets that Whelan owned. Wilson concludes, “The balance of probabilities suggests that Whelan either shot McGee, or was part of a hit-squad, but there is still room for reasonable doubt as to whether he was the man who actually pulled the trigger.”
The government of Canada’s Thomas D’Arcy McGee Building stands near the site of the assassination. The case is dramatised in the Canadian play Blood on the Moon by Ottawa actor/playwright Pierre F. Brault. The assassination of McGee is also a major component of Away, a novel about Irish immigration to Canada by Canadian novelist Jane Urquhart.
Gifford is the second youngest of 12 children born to Frederick Gifford, a solicitor and a Roman Catholic, and Isabella Julia Burton Gifford, a Protestant. The boys are baptised as Catholics and the girls as Protestant, but effectively the children are all raised as Protestants with the girls attending Alexandra College in Earlsfort Terrace.
Gifford returns to Dublin in 1908 and, with great difficulty, tries to earn a living as a caricaturist, publishing her cartoons in The Shanachie, Irish Life, Meadowstreet and The Irish Review, which is edited from 1913 by Joseph Plunkett. She considers emigrating but gives up the idea. Nora Dryhurst, a journalist from London, brings her to the opening of the new bilingual school Scoil Éanna in Ranelagh, Dublin. It is here that she meets Plunkett for the first time. He is a friend of her brother-in-law, another of the future leaders of the 1916 Easter Rising, Thomas MacDonagh, who is married to her sister Muriel.
Gifford’s growing interest in the Roman Catholic religion leads to the deepening of Gifford and Plunkett’s relationship as she begins to discuss Catholic mystical ideas with him. Plunkett proposes to her in 1915, and she accepts and takes formal instruction in Catholic doctrine. She is received into the Catholic Church in April 1916. The couple plans to marry on Easter Sunday that year, in a double wedding with his sister and her fiancé.
After the Rising, Gifford’s brother-in-law Thomas MacDonagh is shot with Patrick Pearse and Thomas Clarke by firing squad on May 3. That day, she hears that Plunkett is to be shot at dawn. She purchases a ring in a jeweler’s shop in Dublin and, with the help of a priest, persuades the military authorities to allow them to marry. She and Joseph are married on the night of May 3 in the chapel of Kilmainham Gaol, a few hours before he is executed.
Grace Plunkett decides to devote herself through her art to the promotion of Sinn Féin policies and resumes her commercial work to earn a living. She is elected to the Sinn Féin executive in 1917.
During the Irish Civil War, Plunkett is arrested with many others in February 1923 and interned at Kilmainham Gaol for three months. She paints pictures on the walls of her cell, including one of the Blessed Virgin and the Christ Child. She is released in May 1923.
When the Civil War ends, Plunkett has no home of her own and little money. Like many Anti-Treaty Republicans, she is the target of social ostracism and has difficulty finding work. Her talent as an artist is her only real asset and her cartoons are published in various newspapers and magazines. She moves from one apartment to another and eats in the city-centre restaurants but has no wish to remarry. Her material circumstances improve in 1932 when she receives a Civil List pension from Éamon de Valera‘s Fianna Fáil government. She lives for many years in a flat in Nassau Street with a balcony overlooking the sports ground of Trinity College.
Plunkett’s in-laws refuse to honour her husband’s will, in which he leaves everything to his widow. Legally, the will is invalid because there is only one witness, rather than the required two, and the marriage takes place after the will is made, automatically revoking it. For years she receives nothing, so she begins legal proceedings against her in-laws in 1934. The Count and Countess Plunkett settle out of court, and she is paid £700, plus costs.
At around this time Plunkett joins the Old Dublin Society, where she meets the noted Irish harpsichord maker Cathal Gannon. When Cathal marries, she gives him and his wife Margaret a present of two single beds and a picture. From the late 1940s onwards, her health declines. In 1950 she is brought to St. Vincent’s Hospital. She convalesces in a nursing home, which she does not like, mainly because it restricts her freedom.
Grace Gifford Plunkett dies suddenly on December 13, 1955, in her apartment in South Richmond Street, Portobello. Her body is removed to St. Kevin’s Church, Harrington Street and among the attendees at her funeral is PresidentSeán T. O’Kelly. She is buried with full military honours close to the republican plot in Glasnevin Cemetery.
Immediately after leaving the British Army Falls writes a history of one of the Divisions that he had served with during the war, entitled The History of the 36th (Ulster) Division, which is published in 1922.
Falls holds the post of Chichele Professor of Military History at All Souls College, Oxford from 1946 to 1953. From the late 1940s through to the end of his life in the early 1970s he is a productive writer of military histories, publishing in-depth detailed studies as well as general works for the commercial market, his final two titles being published posthumously.
The historian Sir Michael Howard later describes Falls’ work The History of the 36th (Ulster) Division (1922) as “containing some of the finest descriptions of conditions on the Western Front to be found anywhere in the literature of the war.”
Mitchel is one of the great propagandists of his day, although the causes he espouses often place him on the wrong side, he is loved and loathed in equal measure. He is one of the few Irishmen to have incurred the wrath of the British government and of the Federal administration of the United States.
Inflamed by the suffering he witnesses on a trip to Galway, it is Mitchel, more than any other writer or politician, who shapes the nationalist perception of an Gorta Mór (Great Famine):
“I could see, in front of the cottages, little children leaning against a fence when the sun shone out for they could not stand, their limbs fleshless, their bodies half-naked, their faces bloated yet wrinkled, and of a pale, greenish hue… I saw Trevelyan’s claw in the vitals of those children: his red tape would draw them to death: in his government laboratory he had prepared for them the typhus poison.”
Responding to such writing, Ireland simmers, angry and ready for rebellion. Fearful of Mitchel’s power, London’s Punch magazine emphasises his international standing by portraying him as an Irish monkey challenging the Great British Lion. The Times thunders against him. When Mitchel produces his own republican newspaper, The United Irishman, which, in its inaugural edition, claims that “the world was weary of Old Ireland and also of Young Ireland” thus attacking both Daniel O’Connell and his younger antagonists with the same broadsword. He aims to be an equal opportunities offender and succeeds admirably.
The United Irishman sells out and is shut down by the British authorities after a mere sixteen issues. In order to silence Mitchel, to rob him of his heroic status and his possible martyrdom, the British government passes the Treason Felony Act 1848, which seeks to treat treason as a common crime. He is later tried before an elegantly and efficiently packed jury, found guilty of treason-felony, and deported to Van Diemen’s Land (Tasmania). The result is one of the greatest works of Irish political history, The Jail Journal, in which Mitchel writes about his own experience of deportation and advocates a far more militaristic approach to Ireland’s “English problem” than would have been popular heretofore.
Mitchel is acclaimed by Patrick Pearse, who declares The Jail Journal to be “the last of the four gospels of the New Testament of Irish nationality, the last and the fieriest and the most sublime.” Éamon de Valera reveres Mitchel, and when in 1943 he imagines Ireland as “the home of a people who valued material wealth only as a basis for right living, of a people who, satisfied with frugal comfort, devoted their leisure to the things of the spirit,” he too is delving into The Jail Journal for his inspiration.
(From: #OTD in 1848 – John Mitchel Publishes First United Irishman, Stair na hÉireann | History of Ireland)
Duffy is born on April 12, 1816, in Dublin Street, Monaghan, County Monaghan. Both of his parents die while he is still a child and his uncle, Fr. James Duffy, who is the Catholic Parish Priest of Castleblayney, becomes his guardian for a number of years. He is educated at St. Malachy’s College in Belfast and is admitted to the Irish Bar in 1845. Duffy becomes a leading figure in Irish literary circles.
In August 1850, Duffy forms the Tenant Right League to bring about reforms in the Irish land system and protect tenants’ rights, and in 1852 is elected to the House of Commons for New Ross. By 1855, the cause of Irish tenants seems more hopeless than ever. Broken in health and spirit, Duffy publishes a farewell address to his constituency, declaring that he has resolved to retire from parliament, as it is no longer possible to accomplish the task for which he has solicited their votes.
In 1871, Duffy leads the opposition to Premier Sir James McCulloch‘s plan to introduce a land tax, on the grounds that it unfairly penalises small farmers. When McCulloch’s government is defeated on this issue, Duffy becomes Premier and Chief Secretary. The majority of the colony is Protestant, and Duffy is accused of favouring Catholics in government appointments. In June 1872, his government is defeated in the Assembly on a confidence motion allegedly motivated by sectarianism.
When Graham Berry becomes Premier in 1877, he makes Duffy Speaker of the Legislative Assembly, a post he holds without much enthusiasm until 1880, when he quits politics and retires to the south of France. He remains interested in both the politics of his adoptive country and of Ireland. He is knighted in 1873 and is made KCMG in 1877. Sir Charles Gavan Duffy dies in Nice, France, at the age of 86 in 1903.
Power is born Jane O’Toole in Baltinglass, County Wicklow on May 1, 1858. In the 1880s she joins the Ladies’ Land League and finds herself immersed in their activities during the Land War. She compiles lists of those evicted from their homes and also organises the Land League in Wicklow and Carlow. In 1883 she marries John Wyse Power, a journalist who shares her political beliefs and is a member of the Irish Republican Brotherhood (IRB). They have four children together, a fact that does not interfere with her political work.
Power helps set up the Irish Women’s Franchise League and is also a founding member of Inghinidhe na hÉireann and Sinn Féin becoming Vice-President of both organisations. She is later on the Provisional Committee that sets up Cumann na mBan. She rises in the ranks to become one of the most important women of the revolution. In October 1914, she is elected the first President of Cumann na mBan. She is a successful businesswoman owning four branches of her Irish Farm Produce Company. The 1916 Proclamation of the Irish Republic is written in her home at 21 Henry Street, and she always maintains that the Military Council signed the proclamation in no particular order; they just signed as it was passed to each of the signatories, though, with James Connolly being eager to be the first to sign. Even the identity of the head of the Provisional Government was not altogether clear.
During the 1916 Easter Rising she supplies food to the Irish Volunteers. After the Rising she and her daughter, Nancy, help re-organise Cumann na mBan and distribute funds to families suffering hardships, as well as the Prisoners Dependants Fund. These funds had been sent by Clan na Gael in the United States. She is subsequently elected as one of five women members onto Dublin Corporation in 1920 for the Inns Quay – Rotunda District.
Power supports the Anglo-Irish Treaty and by the end of 1921, she is convinced that in doing so, will mean the need to leave Cumann na mBan to form a separate organisation. She helps set up Cumann na Saoirse (The League for Freedom), the pro-Treaty women’s organisation and becomes its Vice-President. She is a Free State Senator from 1922 until 1936 and is also a member of Cumann na nGaedheal.
Jennie Wyse Power dies on January 5, 1941, aged 82, at her home in Dublin. She is interred in Glasnevin Cemetery with her husband and daughter, Máire (who predeceased her). Her funeral is attended by many from both sides of the Dáil and the former revolutionary movement.
Mahony is born to Martin Mahony and Mary Reynolds. He is educated at the JesuitClongowes Wood College, in County Kildare, and later in the Abbey of Saint-Acheul, a similar school in Amiens, France and then at Rue de Sèvres, Paris, and later in Rome. He begins teaching at the Jesuit school of Clongowes as master of rhetoric but is soon after expelled. He then goes to London and becomes a leading contributor to Fraser’s Magazine, under the signature of “Father Prout” (the original Father Prout, whom Mahony knew in his youth, born in 1757, was parish priest of Watergrasshill, County Cork). At one point he is director of this magazine.
Mahony is witty and learned in many languages. One form which his humour takes is the professed discovery of the originals in Latin, Greek, or mediaeval French of popular modern poems and songs. Many of these jeux d’esprit are collected as Reliques of Father Prout. He pretends that these poems had been found in Fr. Prout’s trunk after his death. He wittily describes himself as “an Irish potato seasoned with Attic salt.” Later he acts as foreign correspondent to various newspapers, and during the last eight years of his life his articles form a main attraction of The Globe.
In his native Cork Mahoney is best remembered for his poem “The Bells of Shandon” and his penname is synonymous with the city and the Church of St. Anne, Shandon.
Mahony spends the last two years of his life in a monastery and dies on May 18, 1866, in Paris reconciled to the Church.
The Reliques of Father Prout originally appear in two volumes in 1836 with illustrations by Maclise. They are reissued in Henry George Bohn‘s Bohn’s Libraries in 1860. Another volume, Final Reliques, is edited by Douglas Jerrold and published in 1876. The Works of Father Prout, edited by Charles Kent, is published in 1881. Facts and Figures from Italy (1847) is made from his Rome letters to London’s The Daily News.
Wilde is born on October 16, 1854, at 21 Westland Row, Dublin (now home of the Oscar Wilde Centre, Trinity College), the second of three children born to Anglo-Irish Sir William Wilde and Jane Wilde, two years behind his brother William. His parents are successful Anglo-Irish intellectuals in Dublin. He learns to speak fluent French and German. At university, he reads Greats. He demonstrates himself to be an exceptional classicist, first at Trinity College Dublin, then at Magdalen College, Oxford. He becomes associated with the emerging philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, he moves to London into fashionable cultural and social circles.
As a spokesman for aestheticism, Wilde tries his hand at various literary activities: he publishes a book of poems, lectures in the United States and Canada on the new “English Renaissance in Art” and interior decoration, and then returns to London where he works prolifically as a journalist. Known for his biting wit, flamboyant dress and glittering conversational skill, he becomes one of the best-known personalities of his day.
At the turn of the 1890s, Wilde refines his ideas about the supremacy of art in a series of dialogues and essays, and incorporates themes of decadence, duplicity, and beauty into what would be his only novel, The Picture of Dorian Gray (1890). The opportunity to construct aesthetic details precisely, and combine them with larger social themes, draw him to write drama. He writes Salome (1891) in French while in Paris, but it is refused a licence for England due to an absolute prohibition on the portrayal of Biblical subjects on the English stage. Unperturbed, he produces four society comedies in the early 1890s, which make him one of the most successful playwrights of late-Victorian London.
At the height of his fame and success, while The Importance of Being Earnest (1895) is still being performed in London, Wilde has John Douglas, 9th Marquess of Queensberry prosecuted for criminal libel. The Marquess is the father of Wilde’s lover, Lord Alfred Douglas. The libel trial unearths evidence that causes him to drop his charges and leads to his own arrest and trial for gross indecency with men. After two more trials he is convicted and sentenced to two years of hard labour, the maximum penalty, and is jailed from 1895 to 1897. During his last year in prison, he writes De Profundis, published posthumously in 1905, a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. On his release, he leaves immediately for France, never to return to Ireland or Britain. There he writes his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life.
By November 25, 1900, Wilde has developed meningitis, then called “cerebral meningitis”. On November 29, he is conditionally baptised into the Catholic Church by Fr. Cuthbert Dunne, a Passionist priest from Dublin. He dies of meningitis on November 30, 1900. Different opinions are given as to the cause of the disease. Richard Ellmann claims it is syphilitic. Merlin Holland, Wilde’s grandson, believes this to be a misconception, noting that Wilde’s meningitis followed a surgical intervention, perhaps a mastoidectomy. Wilde’s physicians, Dr. Paul Cleiss and A’Court Tucker, report that the condition stems from an old suppuration of the right ear treated for several years and makes no allusion to syphilis.
Wilde is initially buried in the Cimetière parisien de Bagneux outside Paris. In 1909 his remains are disinterred and transferred to Père Lachaise Cemetery, inside the city. In 2011, the tomb is cleaned of the many lipstick marks left there by admirers and a glass barrier is installed to prevent further marks or damage.
In 2017, Wilde is among an estimated 50,000 men who are pardoned for homosexual acts that are no longer considered offences under the Policing and Crime Act 2017. The Act is known informally as the Alan Turing law.
seamus dubhghaill 