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The Loughinisland Massacre

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The Loughinisland massacre takes place on June 18, 1994, in the small village of Loughinisland, County Down, Northern Ireland. Members of the Ulster Volunteer Force (UVF), a loyalist paramilitary group, burst into a pub with assault rifles and fire on the customers, killing six civilians and wounding five. The pub is targeted because it is frequented mainly by Catholics. The UVF claims the attack is retaliation for the killing of three UVF members by the Irish National Liberation Army (INLA) two days earlier.

About 24 people are gathered in The Heights Bar, also known as O’Toole’s Pub, watching the Republic of Ireland vs. Italy in the 1994 FIFA World Cup. It is thus sometimes referred to as the “World Cup massacre.”

At 10:10 PM, two UVF members wearing boilersuits and balaclavas walk into the bar. One shouts “Fenian bastards!” and opens fire on the crowd with a vz. 58 assault rifle, spraying the small room with more than sixty bullets. Six men are killed outright, and five other people are wounded. Witnesses say the gunmen then run to a getaway car, “laughing.” One witness describes “bodies … lying piled on top of each other on the floor.” The dead were Adrian Rogan (34), Malcolm Jenkinson (52), Barney Green (87), Daniel McCreanor (59), Patrick O’Hare (35) and Eamon Byrne (39), all Catholic civilians. O’Hare is the brother-in-law of Eamon Byrne and Green is one of the oldest people to be killed during the Troubles.

The UVF claims responsibility within hours of the attack. It claims that an Irish republican meeting was being held in the pub and that the shooting was retaliation for the INLA attack. Police say there is no evidence the pub had links to republican paramilitary activity and say the attack is purely sectarian. Journalist Peter Taylor writes in his book Loyalists that the attack may not have been sanctioned by the UVF leadership. Police intelligence indicates that the order to retaliate came from the UVF leadership and that its ‘Military Commander’ had supplied the rifle used. Police believe the attack was carried out by a local UVF unit under the command of a senior member who reported to the leadership in Belfast.

The attack receives international media coverage and is widely condemned. Among those who send messages of sympathy are Pope John Paul II, Queen Elizabeth II and United States President Bill Clinton. Local Protestant families visit their wounded neighbours in the hospital, expressing their shock and disgust.

There have been allegations that police (Royal Ulster Constabulary) double agents or informants in the UVF were linked to the massacre and that police protected those informers by destroying evidence and failing to carry out a proper investigation. At the request of the victims’ families, the Police Ombudsman for Northern Ireland investigate the police. In 2011 the Ombudsman concludes that there were major failings in the police investigation, but no evidence that police colluded with the UVF. The Ombudsman does not investigate the role of informers and the report is branded a whitewash. The Ombudsman’s own investigators demand to be disassociated from it. The report is quashed, the Ombudsman replaced, and a new inquiry ordered.

In 2016, a new Ombudsman report concludes that there had been collusion between the police and the UVF, and that the investigation was undermined by the wish to protect informers but found no evidence police had foreknowledge of the attack. A documentary film about the massacre, No Stone Unturned, is released in 2017. It names the main suspects, one of whom is a member of the British Army and claims that one of the killers was an informer.


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Birth of Cornelius Ryan, Journalist & Author

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Cornelius Ryan, Irish journalist and author mainly known for his writings on popular military history, is born in Dublin in June 5, 1920. He is especially known for his World War II books The Longest Day: 6 June 1944 D-Day (1959), The Last Battle (1966), and A Bridge Too Far (1974).

Ryan is educated at Synge Street CBS, Portobello, Dublin. He is an altar boy at St. Kevin’s Church, Harrington Street and studies the violin at the Irish Academy of Music in Dublin. He is a boy scout in the 52nd Troop of the Catholic Boy Scouts of Ireland and travels on their pilgrimage to Rome on the liner RMS Lancastria in 1934. He moves to London in 1940 and becomes a war correspondent for The Daily Telegraph in 1941.

Ryan initially covers the air war in Europe, flying along on fourteen bombing missions with the Eighth and Ninth United States Army Air Forces (USAAF). He then joins General George S. Patton‘s Third Army and covers its actions until the end of the European war. He transfers to the Pacific theater in 1945 and then to Jerusalem in 1946.

Ryan emigrates to the United States in 1947 to work for Time, where he reports on the postwar tests of atomic weapons carried out by the United States in the Pacific. He then reports for Time on the Arab-Israeli war in 1948. This is followed by work for other magazines, including Collier’s Weekly and Reader’s Digest.

Ryan marries Kathryn Morgan, a novelist, and becomes a naturalized citizen of the United States in 1951.

On a trip to Normandy in 1949 Ryan becomes interested in telling a more complete story of Operation Overlord than has been produced to date. He begins compiling information and conducting over 1,000 interviews as he gathers stories from both the Allies and the Germans, as well as the French civilians.

In 1956 Ryan begins to write down his World War II notes for The Longest Day: 6 June 1944 D-Day, which tells the story of the D-Day Invasion of Normandy, published three years later in 1959. It is an instant success, and he assists in the writing of the screenplay for the 1962 film of the same name. Darryl F. Zanuck pays the author U.S.$175,000 for the screen rights to the book.

Ryan’s 1957 book One Minute to Ditch! is about the successful ocean ditching of a Pan American Boeing 377 Stratocruiser. He had written an article about the ditching for Collier’s in their December 21, 1956, issue and then expanded it into the book.

Ryan’s next work is The Last Battle (1966), about the Battle of Berlin. The book contains detailed accounts from all perspectives: civilian, American, British, Russian and German. It deals with the fraught military and political situation in the spring of 1945, when the forces of the western allies and the Soviet Union contend for the chance to liberate Berlin and to carve up the remains of Germany.

This work was followed by A Bridge Too Far (1974), which tells the story of Operation Market Garden, the ill-fated assault by allied airborne forces on the Netherlands culminating in the Battle of Arnhem. It is made into a major 1977 film of the same name.

Ryan is awarded the French Legion of Honour and an honorary Doctor of Literature degree from Ohio University, where the Cornelius Ryan Collection is housed in the Alden Library. He is diagnosed with prostate cancer in 1970 and struggles to finish A Bridge Too Far during his illness. He dies in Manhattan on November 23, 1974, while on tour promoting the book, only two months after publication. He is buried in the Ridgebury Cemetery in northern Ridgefield, Connecticut.

Four years after his death, Ryan’s struggle with prostate cancer is detailed in A Private Battle, written by his widow, from notes he had secretly left behind for that purpose.


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Publication of the First Issue of “Sinn Féin”

File source: http://en.wikipedia.org/wiki/File:Sinn_F%C3%A9in_Newspaper.jpgThe first issue of Sinn Féin, a weekly Irish nationalist newspaper edited by the Dublin typesetter, journalist and political thinker Arthur Griffith, is published on May 5, 1906. It is published by the Sinn Féin Printing & Publishing Company, Ltd. (SFPP) between 1906 and 1914, and replaces an earlier newspaper called The United Irishman which is liquidated after a libel suit. Initially, Sinn Féin is a large format (slightly larger than a modern broadsheet), 4-page newspaper with 7 columns per page.

Trained as he was in the graphic side of newspaper production, Arthur Griffith has both a professional interest in and a profound understanding of visual culture. He is also very much aware of how visual discourses can be used to defend the Irish nation against cultural Anglicisation. In his newspaper propaganda he continually promotes the use of such discourses to develop a strong brand awareness for the Irish nation.

The most important graphic element of the Sinn Féin newspaper is the Déanta i nÉirinn symbol. This distinctive logo is created by the Irish Industrial Development Association (IIDA). The text in Irish means “Made in Ireland.” From the autumn of 1909, Griffith’s newspapers displays it proudly and very prominently on their front page between the words ‘sinn’ and ‘féin’ in the title-piece. It can also frequently be seen in advertisements and cartoons throughout. Both a trade description and a statement of Sinn Féin‘s industrial politics, this mark plays a fundamental role in the newspaper propaganda published by the SFPP.

For the first few years of its existence the circulation of Sinn Féin is limited. From January 1909 onwards, however, Griffith attempts to attract new readers by publishing a daily newspaper, the Sinn Féin Daily, with sensational articles from overseas, a fashion column aimed at women readers, and a new graphic approach. The daily newspaper is abandoned by the SFPP when it plunges the company into enormous debt.

Thanks to the purchase of two brand new Linotype machines, the newspaper becomes more attractive from a typographical point of view and easier to read. The addition of images give Sinn Féin a far less austere look and at the same time significantly improve its commercial appeal, with sales reaching a peak of 64,000 in September 1909. Foremost among these images are the large political cartoons which regularly appear on the front page. This user-friendly graphic discourse translates the National question into a series of emotionally charged life and death struggles set against familiar mythical and literary backdrops. At the same time, it illustrates Griffith’s instructions to the individual Sinn Féiner, indicating the path to follow and the dangers to avoid.

The man responsible for these cartoons is the Dublin-born designer, illustrator, and stained glass artisan Austin V. Molloy. At the age of twenty-two Molloy is hired by the SFPP to provide cartoons at a rate of 1 shilling and 6 pence per week. His work appears in the newspaper between August 1909 and April 1911. As is the case for many of the contributors to Sinn Féin, Molloy uses the Irish version of his name, Maolmhuidhe, to sign his contributions. His cartoons provide a snapshot of the issues preoccupying Sinn Féin’s propagandists between 1909 and 1911, namely the status of the Irish language, the development of Irish industry and the prevention of emigration.

Through The United Irishman and Sinn Féin Griffith demonstrates the need to arrogate legislature from the hands of the British by transferring Irish Parliament back to Dublin. However, Irish Parliamentary parties quite clearly cannot agree to Griffith’s urgings, as such a move would undermine the foundation of their existence in Westminster. Sinn Féin thus serves as conduit for Griffith’s opposition to the Acts of Union 1800.

The Sinn Féin weekly and the SFPP both come to an end when they are suppressed by the British Government in 1914.


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Birth of Clare Boylan, Author & Journalist

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Clare Boylan, Irish author, journalist and critic for newspapers, magazines and many international broadcast media, is born in Dublin on April 21, 1948.

After leaving St. Louis convent, Boylan takes a job as a sales assistant in a bookshop before beginning her career as a journalist at The Irish Press, now defunct. In 1974 she wins the Journalist of the Year award when working in the city for the Evening Press. Later in her career she edits the glossy magazine Image, before largely giving up journalism to focus on a career as an author.

Boylan’s novels are Holy Pictures (1983), Last Resorts (1984), Black Baby (1988), Home Rule (1992), Beloved Stranger (1999), Room for a Single Lady (1997), which wins the Spirit of Light Award and is optioned for a film, and Emma Brown (2003). The latter work is a continuation of a 20-page fragment written by Charlotte Brontë before her death.

Boylan’s short stories are collected in A Nail on the Head (1983), Concerning Virgins (1990) and That Bad Woman (1995). The film Making Waves, based on her short story “Some Ladies on a Tour”, is nominated for an Oscar in 1988.

Boylan’s non-fiction includes The Agony and the Ego (1994) and The Literary Companion to Cats (1994). She writes introductions to the novels of Kate O’Brien and Molly Keane and adapts Keane’s novel Good Behaviour as the classic serial for BBC Radio 4 (2004). Her work has been translated as far afield as Russia and Hong Kong.

In later life, Boylan lives in County Wicklow with her husband Alan Wilkes. When she is diagnosed with ovarian cancer, she faces her illness with characteristic strength. She takes up kickboxing and spends time in France, shopping, cooking and entertaining friends. She succumbs to cancer at the age of 58 on May 16, 2006.


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Birth of Robert Wilson Lynd, Writer & Irish Nationalist

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Robert Wilson Lynd, Irish writer, editor of poetry, urbane literary essayist and strong Irish nationalist, is born in Belfast on April 20, 1879.

Lynd is born to Robert John Lynd, a Presbyterian minister, and Sarah Rentoul Lynd, the second of seven children. His paternal great-grandfather emigrated from Scotland to Ireland. He is educated at Royal Belfast Academical Institution and Queen’s University Belfast. His father serves a term as Presbyterian Church Moderator, but he is just one of a long line of Presbyterian clergy in the family.

Lynd begins as a journalist with the Northern Whig in Belfast. He moves to London in 1901, via Manchester, sharing accommodation with his friend the artist Paul Henry. Initially he writes drama criticism for Today, edited by Jerome K. Jerome. He also writes for The Daily News (later the News Chronicle), being its literary editor from 1912 until 1947.

Lynd marries the writer Sylvia Dryhurst on April 21, 1909. They meet at Gaelic League meetings in London. Their daughters Máire and Sigle become close friends of Isaiah Berlin. Sigle’s son, born in 1941, is artist Tim Wheeler. In March 1924, they move to what is to be their long-term married home, the elegant Regency house of 5 Keats Grove in the leafy suburb of Hampstead in northwest London. The house had been lived in by various members of Sylvia’s family.

The Lynds are literary hosts, in the group including J. B. Priestley. They are on good terms also with Hugh Walpole. Priestley, Walpole and Sylvia Lynd are founding committee members of the Book Society. Irish guests include James Joyce and James Stephens. On one occasion reported by Victor Gollancz in Reminiscences of Affection, Joyce intones Anna Livia Plurabelle to his own piano accompaniment. Joyce and his wife Nora Barnacle hold their wedding lunch at the Lynds’ house after getting married at Hampstead Town Hall on July 4, 1931.

Lynd uses the pseudonym Y.Y. in writing for the New Statesman. According to C. H. Rolph‘s Kingsley, Lynd’s weekly essay, which runs from 1913 to 1945, is “irreplaceable.” In 1941, editor Kingsley Martin decides to alternate it with pieces by James Bridie on Ireland, but the experiment is not at all a success.

Lynd’s political views are at a certain point radicalised by his experience of how Ulster and Home Rule develop in the 1912–1914 period. He is appalled at the threat of the use of violence to deliver Ulster from Home Rule and the later decision to postpone the implementation of the Third Home Rule Bill. He later writes, “Then came August 1914 and England began a war for the freedom of small nations by postponing the freedom of the only small nation in Europe which it was within her power to liberate with the stroke of a pen.”

Lynd becomes fluent in the Irish language and is a Gaelic League member. As a Sinn Féin activist, he uses the name Robiard Ó Flionn/Roibeard Ua Flionn. He dies in Hampstead, London on October 6, 1949. He is buried in Belfast City Cemetery.


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Birth of Thomas D’Arcy McGee, Canadian Politician

Thomas D’Arcy Etienne Hughes McGee, Irish Canadian politician, Catholic spokesman, journalist, poet, and a Father of Canadian Confederation, is born on April 13, 1825, in Carlingford, County Louth.

McGee grows up a Catholic Irishman who hates the British rule of Ireland and works for a peasant revolution to overthrow British rule and secure Irish independence. He escapes arrest and flees to the United States in 1848, where he reverses his political beliefs. He becomes disgusted with American republicanism and democracy, and becomes intensely conservative in his politics and in his religious support for the Pope.

McGee moves to Canada in 1857 and works hard to convince the Irish Catholics to cooperate with the Protestant British in forming a Confederation that will make for a strong Canada in close alliance with Britain. His fervor for Confederation garners him the title “Canada’s first nationalist.” He fights the Fenians in Canada, who are Irish Catholics who hate the British and resemble his younger self politically. McGee succeeds in helping create the Canadian Confederation in 1867.

On April 7, 1868, McGee, having participated in a parliamentary debate that goes on past midnight, walks back to the boarding house where he is staying. McGee is opening the door to Trotter’s Boarding House in Ottawa when he is shot by someone waiting for him on the inside. Several people run to the scene, however there is no sign of the assassin. It is later determined that McGee is assassinated with a shot from a handgun by Patrick J. Whelan. He is to date the only Canadian victim of political assassination at the federal level.

McGee is given a state funeral in Ottawa and interred in a crypt at the Cimetière Notre Dame des Neiges in Montreal. His funeral procession in Montreal draws an estimated crowd of 80,000 out of a total city population of 105,000.

Patrick J. Whelan, a Fenian sympathiser and a Catholic, is accused, tried, convicted, and hanged for the crime on February 11, 1869, in Ottawa. The jury is decisively swayed by the forensic evidence that Whelan’s gun had been fired shortly before the killing, together with the circumstantial evidence that he had threatened and stalked McGee. Historian David Wilson points out that forensic tests conducted in 1972 show that the fatal bullet is compatible with both the gun and the bullets that Whelan owned. Wilson concludes, “The balance of probabilities suggests that Whelan either shot McGee, or was part of a hit-squad, but there is still room for reasonable doubt as to whether he was the man who actually pulled the trigger.”

The government of Canada’s Thomas D’Arcy McGee Building stands near the site of the assassination. The case is dramatised in the Canadian play Blood on the Moon by Ottawa actor/playwright Pierre F. Brault. The assassination of McGee is also a major component of Away, a novel about Irish immigration to Canada by Canadian novelist Jane Urquhart.


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Birth of Grace Gifford Plunkett, Artist & Irish Republican

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Grace Evelyn Gifford Plunkett, artist and cartoonist who is active in the Republican movement, is born in Rathmines, Dublin on March 4, 1888. She marries her fiancé, Joseph Plunkett, in Kilmainham Gaol only a few hours before he is executed for his part in the 1916 Easter Rising.

Gifford is the second youngest of 12 children born to Frederick Gifford, a solicitor and a Roman Catholic, and Isabella Julia Burton Gifford, a Protestant. The boys are baptised as Catholics and the girls as Protestant, but effectively the children are all raised as Protestants with the girls attending Alexandra College in Earlsfort Terrace.

At the age of 16, Gifford goes to the Dublin Metropolitan School of Art, where she studies under the Irish artist William Orpen. Orpen regards her as one of his most talented pupils. Around this time, her talent for caricature is discovered and developed. In 1907 she attends the course in Fine Art at the Slade School of Fine Art, London.

Gifford returns to Dublin in 1908 and, with great difficulty, tries to earn a living as a caricaturist, publishing her cartoons in The Shanachie, Irish Life, Meadowstreet and The Irish Review, which is edited from 1913 by Joseph Plunkett. She considers emigrating but gives up the idea. Nora Dryhurst, a journalist from London, brings her to the opening of the new bilingual school Scoil Éanna in Ranelagh, Dublin. It is here that she meets Plunkett for the first time. He is a friend of her brother-in-law, another of the future leaders of the 1916 Easter Rising, Thomas MacDonagh, who is married to her sister Muriel.

Gifford’s growing interest in the Roman Catholic religion leads to the deepening of Gifford and Plunkett’s relationship as she begins to discuss Catholic mystical ideas with him. Plunkett proposes to her in 1915, and she accepts and takes formal instruction in Catholic doctrine. She is received into the Catholic Church in April 1916. The couple plans to marry on Easter Sunday that year, in a double wedding with his sister and her fiancé.

After the Rising, Gifford’s brother-in-law Thomas MacDonagh is shot with Patrick Pearse and Thomas Clarke by firing squad on May 3. That day, she hears that Plunkett is to be shot at dawn. She purchases a ring in a jeweler’s shop in Dublin and, with the help of a priest, persuades the military authorities to allow them to marry. She and Joseph are married on the night of May 3 in the chapel of Kilmainham Gaol, a few hours before he is executed.

Grace Plunkett decides to devote herself through her art to the promotion of Sinn Féin policies and resumes her commercial work to earn a living. She is elected to the Sinn Féin executive in 1917.

During the Irish Civil War, Plunkett is arrested with many others in February 1923 and interned at Kilmainham Gaol for three months. She paints pictures on the walls of her cell, including one of the Blessed Virgin and the Christ Child. She is released in May 1923.

When the Civil War ends, Plunkett has no home of her own and little money. Like many Anti-Treaty Republicans, she is the target of social ostracism and has difficulty finding work. Her talent as an artist is her only real asset and her cartoons are published in various newspapers and magazines. She moves from one apartment to another and eats in the city-centre restaurants but has no wish to remarry. Her material circumstances improve in 1932 when she receives a Civil List pension from Éamon de Valera‘s Fianna Fáil government. She lives for many years in a flat in Nassau Street with a balcony overlooking the sports ground of Trinity College.

Plunkett’s in-laws refuse to honour her husband’s will, in which he leaves everything to his widow. Legally, the will is invalid because there is only one witness, rather than the required two, and the marriage takes place after the will is made, automatically revoking it. For years she receives nothing, so she begins legal proceedings against her in-laws in 1934. The Count and Countess Plunkett settle out of court, and she is paid £700, plus costs.

At around this time Plunkett joins the Old Dublin Society, where she meets the noted Irish harpsichord maker Cathal Gannon. When Cathal marries, she gives him and his wife Margaret a present of two single beds and a picture. From the late 1940s onwards, her health declines. In 1950 she is brought to St. Vincent’s Hospital. She convalesces in a nursing home, which she does not like, mainly because it restricts her freedom.

Grace Gifford Plunkett dies suddenly on December 13, 1955, in her apartment in South Richmond Street, Portobello. Her body is removed to St. Kevin’s Church, Harrington Street and among the attendees at her funeral is President Seán T. O’Kelly. She is buried with full military honours close to the republican plot in Glasnevin Cemetery.


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Birth of Cyril Falls, Military Historian & Journalist

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Cyril Bentham Falls, British military historian, journalist and academic, noted for his works on World War I, is born in Dublin on March 2, 1888.

Falls is the eldest son of Sir Charles Falls, an Ulster landowner in County Tyrone. He receives his formal education at the Portora Royal School, Enniskillen, and the University of London. At the age of 27 he publishes his first book, Rudyard Kipling: A Critical Study (1915).

During World War I Falls receives a commission into the British Army as a subaltern in the Royal Inniskilling Fusiliers. He serves as a Staff Officer in the Head Quarters of the 36th (Ulster) Division and the 62nd (2nd West Riding) Division during the conflict. He receives the French Croix de guerre and is discharged from the British Armed Forces with the rank of Captain.

Immediately after leaving the British Army Falls writes a history of one of the Divisions that he had served with during the war, entitled The History of the 36th (Ulster) Division, which is published in 1922.

From 1923 to 1939 Falls is employed by the Historical Section of the United Kingdom Government‘s Committee of Imperial Defence, researching and writing the text of several volumes of the British Government’s official History of the Great War. He serves as the military correspondent for The Times during World War II from 1939 to 1945.

Falls holds the post of Chichele Professor of Military History at All Souls College, Oxford from 1946 to 1953. From the late 1940s through to the end of his life in the early 1970s he is a productive writer of military histories, publishing in-depth detailed studies as well as general works for the commercial market, his final two titles being published posthumously.

The historian Sir Michael Howard later describes Falls’ work The History of the 36th (Ulster) Division (1922) as “containing some of the finest descriptions of conditions on the Western Front to be found anywhere in the literature of the war.”

Cyril Falls dies at the age of 84 in Walton-on-Thames, Surrey, on April 23, 1971.


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Publication of the First Issue of “The United Irishman”

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John Mitchel, Irish nationalist activist, author, and political journalist, publishes the first issue of The United Irishman on February 12, 1848.

Mitchel is one of the great propagandists of his day, although the causes he espouses often place him on the wrong side, he is loved and loathed in equal measure. He is one of the few Irishmen to have incurred the wrath of the British government and of the Federal administration of the United States.

Mitchel is born near Dungiven, County Derry in what is now Northern Ireland on November 3, 1815. The son of a Presbyterian clergyman, he creates his own pulpit in a series of journalistic enterprises in Dublin, Tennessee, Virginia and New York.

Mostly raised in Newry, County Down, Mitchel’s first political association is with the Young Ireland movement of the 1840s and the famous The Nation newspaper, founded by Charles Gavan Duffy, Thomas Davis and John Blake Dillon in 1842. But long before the abortive Young Ireland Rebellion of 1848 he has moved on, finding the editorial policies of The Nation rather too bland for his tastes.

Inflamed by the suffering he witnesses on a trip to Galway, it is Mitchel, more than any other writer or politician, who shapes the nationalist perception of an Gorta Mór (Great Famine):

“I could see, in front of the cottages, little children leaning against a fence when the sun shone out for they could not stand, their limbs fleshless, their bodies half-naked, their faces bloated yet wrinkled, and of a pale, greenish hue… I saw Trevelyan’s claw in the vitals of those children: his red tape would draw them to death: in his government laboratory he had prepared for them the typhus poison.”

Responding to such writing, Ireland simmers, angry and ready for rebellion. Fearful of Mitchel’s power, London’s Punch magazine emphasises his international standing by portraying him as an Irish monkey challenging the Great British Lion. The Times thunders against him. When Mitchel produces his own republican newspaper, The United Irishman, which, in its inaugural edition, claims that “the world was weary of Old Ireland and also of Young Ireland” thus attacking both Daniel O’Connell and his younger antagonists with the same broadsword. He aims to be an equal opportunities offender and succeeds admirably.

The United Irishman sells out and is shut down by the British authorities after a mere sixteen issues. In order to silence Mitchel, to rob him of his heroic status and his possible martyrdom, the British government passes the Treason Felony Act 1848, which seeks to treat treason as a common crime. He is later tried before an elegantly and efficiently packed jury, found guilty of treason-felony, and deported to Van Diemen’s Land (Tasmania). The result is one of the greatest works of Irish political history, The Jail Journal, in which Mitchel writes about his own experience of deportation and advocates a far more militaristic approach to Ireland’s “English problem” than would have been popular heretofore.

Mitchel is acclaimed by Patrick Pearse, who declares The Jail Journal to be “the last of the four gospels of the New Testament of Irish nationality, the last and the fieriest and the most sublime.” Éamon de Valera reveres Mitchel, and when in 1943 he imagines Ireland as “the home of a people who valued material wealth only as a basis for right living, of a people who, satisfied with frugal comfort, devoted their leisure to the things of the spirit,” he too is delving into The Jail Journal for his inspiration.

(From: #OTD in 1848 – John Mitchel Publishes First United Irishman, Stair na hÉireann | History of Ireland)


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Death of Charles Gavan Duffy

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Charles Gavan Duffy, Irish nationalist, journalist, poet, and Australian politician, dies on February 9, 1903, in Nice, France. He is the 8th Premier of Victoria and one of the most colourful figures in Victorian political history.

Duffy is born on April 12, 1816, in Dublin Street, Monaghan, County Monaghan. Both of his parents die while he is still a child and his uncle, Fr. James Duffy, who is the Catholic Parish Priest of Castleblayney, becomes his guardian for a number of years. He is educated at St. Malachy’s College in Belfast and is admitted to the Irish Bar in 1845. Duffy becomes a leading figure in Irish literary circles.

Duffy, along with Thomas Osborne Davis and John Blake Dillon, founds The Nation and becomes its first editor. Davis and Dillon later become Young Irelanders. All three are members of Daniel O’Connell‘s Repeal Association. This paper, under Duffy, transforms from a literary voice into a “rebellious organisation.”

In August 1850, Duffy forms the Tenant Right League to bring about reforms in the Irish land system and protect tenants’ rights, and in 1852 is elected to the House of Commons for New Ross. By 1855, the cause of Irish tenants seems more hopeless than ever. Broken in health and spirit, Duffy publishes a farewell address to his constituency, declaring that he has resolved to retire from parliament, as it is no longer possible to accomplish the task for which he has solicited their votes.

In 1856, emigrates with his family to Australia, settling in the newly formed Colony of Victoria. A public appeal is held to enable him to buy the freehold property necessary to stand for the colonial Parliament. He is immediately elected to the Legislative Assembly for Villiers and Heytesbury in the Western District in 1856. He later represented Dalhousie and then North Gippsland. With the collapse of the Victorian Government‘s Haines Ministry during 1857, another Irish Catholic, John O’Shanassy, unexpectedly becomes Premier with Duffy his second-in-charge.

In 1871, Duffy leads the opposition to Premier Sir James McCulloch‘s plan to introduce a land tax, on the grounds that it unfairly penalises small farmers. When McCulloch’s government is defeated on this issue, Duffy becomes Premier and Chief Secretary.  The majority of the colony is Protestant, and Duffy is accused of favouring Catholics in government appointments. In June 1872, his government is defeated in the Assembly on a confidence motion allegedly motivated by sectarianism.

When Graham Berry becomes Premier in 1877, he makes Duffy Speaker of the Legislative Assembly, a post he holds without much enthusiasm until 1880, when he quits politics and retires to the south of France. He remains interested in both the politics of his adoptive country and of Ireland. He is knighted in 1873 and is made KCMG in 1877. Sir Charles Gavan Duffy dies in Nice, France, at the age of 86 in 1903.