FitzGerald is born in Ireland in 1194, the son of Gerald FitzMaurice, 1st Lord of Offaly, and Eve de Bermingham. He succeeds to the title of Lord of Offaly on January 15, 1204, and is invested as a knight in July 1217, at the age of 33. In 1224, he founds South Abbey, Youghal, the proto-friary of the Irish Province of the Observant Franciscans, dedicated to Saint Nicholas. He is summoned to London to accompany King Henry III of England to Poitou and Gascony in October 1229. He is appointed Justiciar of Ireland in September 1232 and holds the post until 1245. His reputation is marred by rumours that he had contrived the death of Richard Marshal, 3rd Earl of Pembroke in 1234. He meets Marshal at the Battle of the Curragh on April 1, where Marshal is wounded and dies shortly after. It is rumoured that Marshal had been betrayed. FitzGerald then proceeds to London, where he takes an oath before Henry III, that he is innocent of any participation in Marshal’s death. In 1253, he founds Sligo Abbey, a Dominican convent in Sligo, to house a community of monks to say prayers for Earl Marshal’s soul.
In February 1235, the King criticises FitzGerald for his proceedings in office and describes him as “little pleasant, nay, beyond measure harsh in executing the King’s mandates.” The same year, he takes part in the subjugation of Connacht. In the years 1241 and 1242, and later in 1246, 1247, and 1248 he musters armies against the Irish. In 1247, he invades Tír Chonaill and fights the combined forces of Cenél Conaill and Cenél nEógain at the Battle of Ballyshannon. According to various Irish annals, three eminent lords fall in battle against him: Maol Seachlainn Ó Domhnaill, King of Tír Chonaill, An Giolla Muinealach Ó Baoighill, and Mac Somhairle, King of Argyll (a man seemingly identical to Ruaidhrí mac Raghnaill).
In 1245, FitzGerald is dismissed from his post as Justiciar as a result of tardiness in sending the King assistance in the latter’s military campaigns in Wales. His successor is John FitzGeoffrey. That same year he lays the foundations for Sligo Castle. In 1250, he holds both the office of Member of the Council of Ireland and Commissioner of the Treasury. He also founds the Franciscan Friary at Youghal; hence his nickname of an Brathair, which is Irish for The Friar. He is at the English royal court in January 1252, and receives an urgent summons from King Henry in January 1254.
He married Juliana de Grenville and by her, they have four sons:
In 1257, FitzGerald and his Norman army engage the forces led by Gofraidh Ó Domhnaill, King of Tír Chonaill, at the Battle of Creadran Cille, in Cairbre Drom Cliabh, now the northern part of County Sligo. The two men fight each other in single combat and both are gravely wounded. FitzGerald dies of his injuries at South Abbey, wearing the habit of the Franciscans, on May 20, 1257, aged 63 years. In the Annals of the Four Masters, 1257, his death is described thus: “Maurice FitzGerald for some time Lord Justice of Ireland and the destroyer of the Irish, died.” (In Irish this reads as: “Muiris macGerailt lustis Ereann re h-edh diosccaoilteach Gaoidheal d’écc”.)
Upon FitzGerald’s death, the properties of Lea, Rathangan, and Geashill pass to his grandson Maurice, son of Gerald FitzMaurice, who dies in 1243.
FitzGerald is succeeded as Lord of Offaly by his son, Maurice FitzGerald, 3rd Lord of Offaly, rather than the rightful successor, his grandson, Maurice, son of his eldest son, Gerald.
Described as having an “ardent and self-confident manner,” Hughes is first heard of in an Irish musical capacity (beyond being honorary organist at St. Peter’s Church on Antrim Road at the age of fourteen) collecting traditional airs and transcribing folksongs in North Donegal in August 1903 with his brother Fred, Francis Joseph Bigger, and John Patrick Campbell. Dedicated to seeking out and recording such ancient melodies as are yet to be found in the more remote glens and valleys of Ulster, he produces Songs of Uladh (1904) with Joseph Campbell, illustrated by his brother John and paid for by Bigger. Throughout his career, he collects and arranges hundreds of traditional melodies and publishes many of them in his own unique arrangements. Three of his best-known works are the celebrated songs, My Lagan Love, She Moved Through the Fair, and Down by the Salley Gardens, which are published as part of his four collections of Irish Country Songs, his key achievement. These are written in collaborations with the poets Joseph Campbell and Padraic Colum, and W. B. Yeats himself. A dispute with Hamilton Harty over copyright on My Lagan Love is pursued on Bigger’s advice, but fails.
Hughes has a unique approach to arranging Irish traditional music. He calls upon the influence of the French impressionistClaude Debussy in his approach to harmony: “Musical art is gradually releasing itself from the tyranny of the tempered scale. […] and if we examine the work of the modern French school, notably that of M. Claude Debussy, it will be seen that the tendency is to break the bonds of this old slave-driver and return to the freedom of primitive scales.” He regards arrangements as an independent art form on an equal level with original composition: “[…] under his [i.e. the arranger’s] hands it is definitively transmuted into an art-song, an art-song of its own generation.” His folksong arrangements have been sung all across the English-speaking world. John McCormack and Kathleen Ferrier are the first to record them on gramophone records.
Hughes also composes a limited amount of original chamber music (a violin sonata is mentioned in a letter to Hughes from Bernard van Dieren dated April 4, 1932), and some scores for the stage (like And So to Bed by James Bernard Fagan) and film. Hughes and John Robert Monsell also create songs for a musical version of Richard Brinsley Sheridan‘s The Rivals called Rivals!, which is staged at the Kingsway Theatre in London in October 1935 by Vladimir Rosing and runs for 86 performances.
Married to Lillian Florence (known as Meena) Meacham and Suzanne McKernan, Hughes has three children: Patrick, known professionally as Spike Hughes, Angela and Helena. He dies in Brighton, England, at the relatively early age of fifty-four on May 1, 1937.
Gleeson is the daughter of Irish-born Edward Moloney Gleeson, a medical doctor, and Harriet (née Simpson), from Bolton, Lancashire. Her father has a practice in Knutsford but on a trip to Ireland he is struck by the poverty and unemployment and, with the advice of his brother-in-law, a textile manufacturer in Lancashire, he founds the Athlone Woollen Mills in 1859, investing all his money in the project. The family moves to Athlone in 1863, but Gleeson is educated in England, where she trains as a teacher. She later studies portraiture in London at the Atelier Ludovici from 1890–92. She goes on to study design with Alexander Millar, a follower of William Morris, who believes she has an exceptional aptitude for colour-blending. Many of her designs are bought by the exclusive Templeton Carpets of Glasgow.
Gleeson takes a keen interest in Irish affairs and, as a member of the Gaelic League and the Irish Literary Society, mixes with the Yeats family and the Irish artistic circle in London and is inspired by the Gaelic revival in art and literature. She is also involved in the suffrage movement and is chairwoman of the Pioneer Club, a women’s club in London. In 1900, an opportunity arises to make a practical contribution to the Irish renaissance and the emancipation of Irish women. She is suffering from ill-health, but her friend Augustine Henry, botanist and linguist, suggests she move away from the London smog to Ireland and open a craft centre with his financial assistance. She seizes the opportunity and discusses her plans with her friends the Yeats sisters, Elizabeth and Lily, who are talented craftswomen and have direct contact with William Morris and his followers. They have no money to contribute to the venture but are enthusiastic and can offer their skills and provide contacts. She seeks advice from W. B. and Jack Yeats, from Henry, who loans her £500, and from her cousin, T. P. Gill, secretary of the Department of Agriculture and Technical Instruction.
During the summer of 1902 Gleeson finds a suitable house in Dundrum, County Dublin, ten minutes from the railway station. The house, originally called Runnymede, is renamed Dun Emer, after the wife of Cú-Chulainn, renowned for her craft skills. The printing press arrives in November 1902, and soon three craft industries are in operation. Lily Yeats runs the embroidery section, since she had trained with Morris’s daughter May. Elizabeth Yeats operates the press, having learned printing at the Women’s Printing Society in London. Gleeson manages the weaving and tapestry and looks after the financial affairs of the industries. W. B. Yeats acts as literary adviser, an arrangement that often causes friction, and Gleeson’s sister, Constance McCormack, is also involved.
Local girls are employed and trained, and the industries seek to use the best of Irish materials to make beautiful, high-quality, lasting products of original design. Church patronage accounts for most of their orders and, in 1902–03, Loughrea cathedral commissions twenty-four embroidered banners portraying Irish saints. They also make vestments, traditional dresses, drapes, cushions and other items, all beautifully crafted and mostly employing Celtic design. The first book published is In the Seven Woods (1903), by W. B. Yeats, cased in full Irish linen.
Gleeson is in demand as an adjudicator in craft competitions around the country and at Feis na nGleann in 1904 she praises the workmanship of the entries but is critical of the lack of teaching in design. She gives lectures and tries to raise the status of craftwork from household occupation to competitive industry. There are tensions with the Yeats sisters, who complain that she is bad-tempered and arrogant. In truth she had taken on too much of a financial burden, even with the support of grants, and she is anxious to repay her debt to Augustine Henry, which he is prepared to forego. The sisters snub her and omit her name in an interview about Dun Emer in the magazine House Beautiful. Millar, her design teacher in London, likens the omission to Hamlet without the prince. In 1904, it is decided to split the industries on a cooperative basis: Dun Emer Guild Ltd. under Gleeson and Dun Emer Industries Ltd. under the Yeats sisters.
Work continues, and the guild and industries exhibit separately at the Royal Dublin Society (RDS) and other craft competitions. In 1907, the National Museum of Ireland commissions a copy of a Flemish tapestry. It takes far longer than anticipated to complete, but the result is beautiful and is exhibited at the Arts and Crafts Society of Ireland in 1910. The guild wins a silver medal at the Milan International exhibition in 1906. The guild and industries both show work at the New York exhibition of 1908. The guild alone shows work in Boston. By now cooperation has turned to rivalry, and there is a final split as the Yeats sisters leave, taking the printing press with them to their house in Churchtown, Dublin. Gleeson writes off a debt of £185 owed to her, on condition that they do not use the name Dun Emer.
The business thrives at Dundrum, with her niece Katherine (Kitty) MacCormack and Augustine Henry’s niece, May Kerley, assisting with design. Later they move the workshops to Hardwicke Street, Dublin. In 1909, Gleeson becomes one of the first members of the Guild of Irish Art Workers and is made master in 1917. The Irish Women Workers’ Union commissions a banner from her about 1919, and, among numerous other notable successes, a Dun Emer carpet is presented to Pope Pius XI in 1932, the year of the Eucharistic Congress of Dublin.
Gleeson dies at the age of 89 at Dun Emer on February 20, 1944, with Kitty carrying on the Guild after her death. The final home of Dun Emer is a shop on Harcourt Street, Dublin, which finally closes in 1964.
(From: “Gleeson, Evelyn” by Ruth Devine, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Knowles’s father is the lexicographer James Knowles, cousin of Richard Brinsley Sheridan. The family moves to London in 1793, and at the age of fourteen he publishes a ballad entitled The Welsh Harper, which, set to music, is very popular. His talents secure him the friendship of William Hazlitt, who introduces him to Charles Lamb and Samuel Taylor Coleridge. He serves for some time in the Wiltshire and afterwards in the Tower Hamlets militia, leaving the service to become a pupil of Dr. Robert Willan. He obtains the degree of M.D. and is appointed vaccinator to the Jennerian Society.
Although Dr. Willan offers him a share in his practice, Knowles decides to give up medicine for the stage, making his first appearance as an actor probably at Bath, and plays Hamlet at the Crow Street Theatre, Dublin. At Wexford he marries, in October 1809, Maria Charteris, an actress from the Edinburgh Theatre. In 1810, he writes Leo, a successful play in which Edmund Kean appears. Another play, Brian Boroihme, written for the Belfast Theatre in the next year, attracts crowds. Nevertheless, his earnings are so small that he is obliged to become assistant to his father at the Royal Belfast Academical Institution. In 1817 he moves from Belfast to Glasgow, where, besides keeping a flourishing school, he continues to write for the stage.
Knowles first important success is Caius Gracchus, produced at the Belfast Theatre in 1815. His Virginius, written for William Charles Macready, is first performed in 1820 at Covent Garden. In William Tell (1825), he writes for Macready one of his favourite parts. His best-known play, The Hunchback, is produced at Covent Garden in 1832, and he wins praise acting in the work as Master Walter. The Wife is brought out at the same theatre in 1833. The Daughter, better known as The Wrecker’s Daughter, in 1836, and The Love Chase in 1837. His 1839 play Love is praised by Mary Shelley for its “inspiring situations founded on sentiment and passion.” His second wife is the actress, Emma Knowles.
In his later years Knowles forsakes the stage for the pulpit and, as a Baptist preacher, attracts large audiences at Exeter Hall and elsewhere. He publishes two polemical works: the Rock of Rome and the Idol Demolished by Its Own Priests in both of which he combats the special doctrines of the Roman Catholic Church. He is for some years in the receipt of an annual pension of £200, bestowed by Sir Robert Peel in 1849. In old age he befriends the young Edmund Gosse, whom he introduces to Shakespeare. He makes a happy appearance in Gosse’s Father and Son.
Knowles dies at Torquay on November 30, 1862. He is buried under a huge tomb at the summit of the Glasgow Necropolis.
A full list of the works of Knowles and of the various notices of him can be found in The Life of James Sheridan Knowles (1872), privately printed by his son, Richard Brinsley Knowles (1820–1882), who is well known as a journalist. It is translated into German.
Eleanor Charlotte Butler, recluse of Llangollen, is born in Cambrai, France, on May 11, 1739.
Butler is the youngest daughter of Walter Butler of Garryricken, County Tipperary, and his wife, Ellen (née Morres), of Latargh, County Tipperary. Her family are members of the old Catholic gentry, and her father is the sole lineal representative of James Butler, 2nd Duke of Ormonde. In 1740 her family returns to the Garryricken estate, where she spends part of her childhood. She is educated by the English Benedictine nuns of the convent of Our Lady of Consolation in Cambrai, where her Jacobite grand-aunt is a pensioner. Reared in the liberal and anti-clerical environment at Cambrai, she is open about her opposition to Irish Catholicism. She is also well read in literature.
By the time Butler returns to Ireland, her brother John had claimed the family titles and was recognised as 16th Earl of Ormond. Though he never uses the title, his sisters are recognised as the daughters of an earl. As the family is impoverished, and she is not disposed to marriage, a decade is passed in unhappiness. Then, in 1768, the thirteen-year-old Sarah Ponsonby arrives in Kilkenny to attend a local school. Following her visit to the Butler home at Kilkenny Castle, and despite the difference in age, the two form an immediate friendship and corresponded secretly, having discovered their mutual interest in the arts and Rousseau‘s ideal of pastoral retirement.
Ponsonby, upon finishing school, is sent to live with relatives at nearby Woodstock Estate, and there is subject to the uninvited attention of a middle-aged guardian. Butler is discontented with her life and the prospects of her family’s wish to send her back to Cambrai, so the two plan to leave their difficulties behind and settle in England. In their first attempt to flee in March 1778, they leave for Waterford disguised as men and wielding pistols, but their families manage to catch up with them. Butler is then sent to the home of her brother-in-law, Thomas ‘Monarch’ Kavanagh of Borris, County Carlow, but makes a second, successful attempt and runs away to find Ponsonby at Woodstock Estate. Her persistence wins out when both families finally capitulate and accepted their plans to live together.
Butler and Ponsonby set out for Wales in May 1778 and, after an extensive tour of Wales and Shropshire, eventually settle in Llangollen Vale, where they rent a cottage which is renamed Plas Newydd. They are accompanied by Mary Carryll, a former servant of the Woodstock household, who remains in their service until her death in 1809. Having made a deliberate decision to retire from the world, they spend the greater part of their days corresponding with friends, reading, building up a large library and making alterations to Plas Newydd, which takes on a fashionable Gothic look. Their garden, landscaped under their direction, becomes a popular attraction for visitors. Butler meticulously records their daily routine in a series of journals, some of which are now lost.
Their seclusion, eccentricities, semi-masculine dress and short-cropped powdered hair gain them notoriety, and it becomes fashionable to call on them. Their numerous and illustrious visitors include Hester Lynch Piozzi, Charles and Erasmus Darwin, Sir Walter Scott, Sir Arthur Wellesley, the Duke of Gloucester and Josiah Wedgwood. In 1792 they entertain Stéphanie Caroline Anne Syms, later that year to become the wife of Lord Edward FitzGerald, and her mother, Madame de Genlis. Following the arrest of Edward FitzGerald in 1798, Stéphanie and her suite flee to London and on May 27 pass through Llangollen, where the events in Dublin are already known. On hearing that she is staying in the local inn, Butler and Ponsonby invite her to call in. However, when she wishes to stay for the day, their apprehension of Jacobinism leads them to persuade her “principally for her own sake and a little for [our] own to proceed as fast and as incognito as possible for London.”
Both Anna Seward and William Wordsworth, who stay at Plas Newydd, write poems celebrating their friendship, and Lord Byron sends them a copy of The Corsair. Owing to her support of the Bourbons, Butler is sent the Croix St. Louis, which she wears about her neck. Though generally considered a hospitable couple, Seward, who is a good friend, admits that the “incessant homage” they received could make Butler “haughty and imperious,” while Lady Lonsdale thinks her “very clever, very odd.” Their celebrity does have its drawbacks: an article in the General Evening Post of July 24, 1790, entitled “Extraordinary female affection,” suggests indirectly that their relationship is unnatural. Butler is particularly angered by this publicity and appeals to Edmund Burke for legal advice. Their retirement is also continually dogged by financial difficulties. They live mainly off their respective allowances and Butler’s royal pension (granted through the influence of Lady Frances Douglas), but spend beyond their means and are often in debt. To add to their problems, Butler receives no mention in her father’s will. However, the Gothic eccentricities of their cottage, which they succeed over time in purchasing, and garden attract even the interest of Queen Charlotte.
Though it is claimed that neither woman spends a night away from Plas Newydd, in January 1786 they stay with their friends, the Barretts of Oswestry, and that September they visit Sir Henry Bridgeman of Weston Park, near Staffordshire. In June 1797 they take their only holiday, at the coastal resort of Barmouth. Despite their isolation they are well informed about international events and society gossip. The Irish serjeant-at-law Charles Kendal Bushe recalls how they gave him all the news of Dublin, London, Cheltenham, and Paris.
In later years Butler’s eyesight deteriorates, preventing her from keeping her journal. She is secretly painted as an old woman with Ponsonby by Lady Mary Leighton and sketched by Lady Henrietta Delamere. A distinctive, anonymous silhouette shows the two generously proportioned women in traditional riding habits (National Portrait Gallery, London). Butler dies on June 2, 1829, and is buried alongside Carryll at Llangollen church. Sarah Ponsonby is subsequently buried with them.
(From: “Butler, Lady (Charlotte) Eleanor” by Frances Clarke, Dictionary of Irish Biography, http://www.dib.ie)
The prince has a private meeting with a group of those injured and bereaved in the August attack on the Northern Ireland market town, which left 29 dead. It fulfills a promise he made to the people of the town when he visited it three days after the bombing by the Real Irish Republican Army (IRA).
After his meeting with residents at the offices of Omagh District Council, the prince says, “I was determined to come back today to see how all of you were faring after all the terrible things you have had to go through.”
Referring to the IRA assassination of his uncle, Lord Mountbatten, he says, “Having experienced myself a relative who was blown to smithereens, I can well understand how these poor people must feel.” He adds that there is enormous concern and care across the world, and many who have given generously to the Omagh Fund, which organisers say has topped £4.5m.
Before visiting the site of the bombing and the regeneration scheme, the prince says the rebuilding plans are bringing “new life, new meaning and new hope back to this really remarkable community.”
“It always was a remarkable community, it still is. You set a wonderful example to many other communities, not only in Northern Ireland but in other parts of the world who also have suffered so traumatically,” the prince says.
Speaking about his visit to Soho following the Admiral Duncan pub bombing by neo-NaziDavid Copeland the previous Friday (April 30, 1999), he adds, “I am sure your experiences will be of enormous help to those people in London who have shared with you yet another tragedy in another horrible bombing.”
Marion Radford, who was injured in the Omagh bombing and whose 16-year-old son Alan died, says, “Visits like this help, just to know people care. I found this helpful, I found him a very nice person, he does care and was a sympathetic listener.”
Frederick Edward McWilliamCBERA, Northern Irish surrealistsculptor, is born in Banbridge, County Down, on April 30, 1909. He works chiefly in stone, wood and bronze. His style of work consists of sculptures of the human form contorted into strange positions, often described as modern and surreal.
McWilliam is the son of Dr. William McWilliam, a local general practitioner. Growing up in Banbridge has a great influence on his work. He makes references to furniture makers such as Carson the Cooper and Proctors in his letters to his friend, Marjorie Burnett.
McWilliam attends Campbell College in Belfast and later attends Belfast College of Art from 1926. After 1928, he continues to study at the Slade School of Fine Art in London. He originally intends to become a painter, but influenced by Alfred Horace Gerrard, head of the sculpture department at the Slade, and by Henry Moore whom he meets there, he turns to sculpture. He receives the Robert Ross Leaving Scholarship which enables him and his wife, Beth (née Crowther), to travel to Paris where he visits the studio of Constantin Brâncuși.
During the first year of World War II, he joins the Royal Air Force and is stationed in England for four years where he is engaged in interpreting aerial reconnaissance photographs. He is then posted to India. While there he teaches art in the Hindu Art School in New Delhi.
After his return from India, McWilliam teaches for a year at the Chelsea School of Art. He is then invited by A. H. Gerrard to teach sculpture at the Slade. He continues in this post until 1968.
During the Northern IrelandTroubles McWilliam produces a series of bronzes in 1972 and 1973 known as Women of Belfast in response to the bombing at the Abercorn Tea-Rooms.
In 1964 McWilliam is awarded an Honorary Doctor of Letters from Queen’s University Belfast. In 1966 he is appointed CBE and in 1971 he wins the Oireachtas Gold Medal. He is represented in many public collections, including the Museum of Modern Art in New York City and Tate Britain in London. In 1984 the National Self-Portrait Gallery purchases a McWilliam self-portrait amongst acquisitions from fellow Northerners Brian Ballard, Brian Ferran and T. P. Flanagan.
Boland is the son of Irish Republican Brotherhood member James Boland and Kate Woods. He was active in GAA circles in early life and referees the 1914 All-Ireland Senior Football Championship Final. He joins the IRB at the same time as his older brother Gerald in 1904, following in the footsteps of his father, uncle and probably grandfather. He is educated at the Synge Street CBS, but hads a personality clash with one of the brothers so he refuses to carry on his attendance at the school. He then goes to De la Salle College, County Laois, as a novice.
Boland later joins the Irish Volunteers along with Gerry and his younger brother Ned. They take an active part in the Easter Rising of 1916.
At the 1918 Irish general election, Boland is elected as an MP for South Roscommon. In line with all the Sinn Féin MPs elected at that election, he does not take his seat in the British House of Commons but withdraws to sit in the declared independent Dáil Éireann (the First Dáil) and is named by Éamon de Valera as special envoy to the United States, a role his uncle Jack had played 25 years earlier. He leaves Ireland for the United States along with de Valera as part of a campaign to raise awareness and support for their cause in America. He negotiates a loan of $20,000 from the Irish Republic to the Russian Soviet Federative Socialist Republic through the head of the Soviet Bureau, Ludwig Martens, using some Russian jewelry as collateral. These jewels are transferred to Ireland when he returns. His sister Kathleen and her mother are entrusted with the safekeeping of jewels.
In the 1922 Irish general election, Boland is re-elected to the Dáil representing Mayo South–Roscommon South. Six weeks later, on July 31, he is shot by soldiers of the National Army when they attempt to arrest him at the Skerries Grand Hotel. Two officers enter his room and, although unarmed, he is shot and mortally wounded during a struggle.
Boland’s death affects Collins and possibly spurs him toward peace negotiations with Éamon de Valera.
Boland’s brother, Gerald Boland, is a prominent member of Fianna Fáil and later serves as Minister for Justice. His nephew, Kevin Boland, serves as a Minister until he resigns in solidarity with the two ministers, Charles Haughey and Neil Blaney, who are sacked from the government in May 1970 during the Arms Crisis. Kevin Boland’s resignation from Fianna Fáil and the subsequent loss of his seat marks the end of an era for the Boland political dynasty.
In the 1991 TV movie The Treaty, Boland is portrayed by Malcolm Douglas. In the 1996 film Michael Collins, he is portrayed by American actor Aidan Quinn. The film is criticised for fictionalising both Boland’s death and Collins’ life.
It is on the night of April 23, 1915, during the Second Battle of Ypres in Belgium that Hall discovers a number of men are missing. On the ridge above he can hear the moans of the wounded men. Under cover of darkness, he goes to the top of the ridge on two separate occasions and returns each time with a wounded man.
By nine o’clock on the morning of April 24 there are still men missing. In full daylight and under sustained and intense enemy fire, Hall, Cpl. Payne and Pvt. Rogerson crawl out toward the wounded. Payne and Rogerson are both wounded but return to the shelter of the front line. When a wounded man who is lying some 15 yards from the trench calls for help, Company Sergeant-Major Hall endeavors to reach him in the face of very heavy enfilade fire by the enemy. He then makes a second most gallant attempt and is in the act of lifting up the wounded man to bring him in when he falls, mortally wounded in the head. The soldier he is attempting to help is also shot and killed.
In 1925, Pine Street in Winnipeg is renamed Valour Road because three of Canada’s Victoria Cross recipients resided on the same 700 block of that street: Frederick Hall, Leo Clarke and Robert Shankland. It is believed to be the only street in the British Commonwealth to have three Victoria Cross recipients to live on it, let alone the same block. A bronze plaque is mounted on a street lamp at the corner of Portage Avenue and Valour Road to tell the tale of these three men.
Cooney is the second of three children of John Cooney and Mary Ann Cooney (née Gleeson), middling farmers. While his grandfather, Patrick Cooney, from nearby Garrykennedy, is reputed to have been a member of the Irish Republican Brotherhood (IRB) and an Irish National Land League activist, his father does not have any inclination towards radical politics. He is educated at Lissenhall national school and St. Joseph’s CBS, Nenagh. In October 1916, he commences studies in medicine at University College Dublin (UCD) just as the Irish War of Independence is getting underway. He plays briefly with the College’s hurling club.
In 1917, Cooney joins the Third Battalion of the Dublin Brigade of the Irish Republican Army (IRA). A year later he is jailed for two months in Mountjoy Prison and Crumlin Road Gaol, Belfast, for illegal drilling. Joining the IRB at the end of 1918, he assists in the December 1918 election by protecting candidates and acts as a guard at sittings of the First Dáil. On June 26, 1920, he plays a major role in the attack on BorrisokaneRoyal Irish Constabulary (RIC) barracks. He takes part in the Bloody Sunday operations of November 21, 1920, at 28 Upper Pembroke Street where a number of British agents are killed and attends Croke Park afterwards. He then goes on the run as a full-time Volunteer and serves with the Dublin Brigade active service unit (ASU).
After the Anglo-Irish truce of July 1921, Cooney is appointed Officer Commanding (O/C) of the 1st Kerry Brigade, IRA, reorganising it and forming a flying column. Opposing the Anglo-Irish Treaty of 1921, he does not immediately break with GHQ, who sends him to organise the 1st Eastern Division. Later in January 1922, the Chief of Staff, Eoin O’Duffy, asks him to become O/C of the 3rd Eastern Division, but later rescinds the appointment. In March 1922 he is appointed O/C of the 1st Eastern Division of the anti-Treaty IRA during the Irish Civil War.
That same year he is captured by Free State forces and interned in Mountjoy Prison, where he becomes O/C of the prisoners in C Wing. He accepts responsibility for an attempted escape bid on October 10, 1922, in which a fellow prisoner, Peadar Breslin, is killed and another man is wounded. After sojourns in Newbridge and Arbour Hill Prison, he is moved with the other leaders to Kilmainham Gaol, where he spends forty-one days on hunger strike. Removed to Harepark Camp, the Curragh, on January 1, 1924, he is among the last to be released on May 29, 1924.
Cooney succeeds Frank Aiken as Chief of Staff of the IRA on November 18, 1925. Central to the reorganisation scheme he puts in place is the need to secure American funds for the IRA and to combat Frank Aiken’s fundraising work in the United States since December 1925 on behalf of the embryo Fianna Fáil organisation. Receiving permission on April 21, 1926, he departs on a fund-raising trip to the United States but returns to Ireland in October. He resigns as chief of staff in favour of Maurice Twomey but retains his position as chairman of the IRA executive until November 21, 1927, when he obtains leave to complete his medical studies.
After internship in the Mater Hospital, Dublin, Cooney finds temporary employment in London, but remains in touch with GHQ. On September 27, 1929, he marries the German-educated Frances (‘Frank’) Brady, daughter of a wealthy Belfast linen family and former Cumann na mBan activist and hunger-striker. The marriage is not a success. Failing to secure employment due to police harassment and the loyalty test then in force, he and his wife are obliged to emigrate to London, where he practises as a GP, still maintaining his IRA links. Their only child, Seán, is born there in 1931. He returns to Ireland in August 1932, after Fianna Fáil’s accession to power.
An intimate friend of Maurice Twomey, who is still Chief of Staff, Cooney remains in the upper echelons of the IRA and attends its conventions. Signifying his standing in republican circles, he is chosen to unveil, inter alia, the Fenian memorial in Glasnevin Cemetery and the Seán Treacy plaque in Talbot Street, Dublin, and is a regular speaker at commemorations. In March 1940, he attempts to intercede with Éamon de Valera on behalf of hunger-striking republicans, and is later arrested, but released.
After the discovery of a German spy ring in the hospitals commission’s subsidiary, the Dublin Hospitals Bureau, Cooney is forced to resign in April 1942 on refusing to take a loyalty pledge to the state. He returns to private practice. He becomes active in the unsuccessful campaign to save Charlie Kerins, Chief of Staff, from being hanged in 1944. In anticipation of emigrating, he finally resigns from the IRA in 1944, though military and police surveillance continue until March 1945.
In August 1945, Cooney joins the United Nations Relief and Rehabilitation Administration, working with displaced persons in the American zone in Germany, and gains rapid promotion. After joining the International Refugee Organisation (UNRRA’s successor) on July 1, 1947, he becomes the chief medical officer of an area including the American sector of Berlin and containing 150,000 displaced persons. He later holds a similar post in Bavaria.
Appointed a part-time member of the hospitals commission by the inter-party government in September 1949 and in severe financial straits, Cooney emigrates alone to the United States on December 2, 1950, and never returns. While employed in a tuberculosissanatorium in New Jersey, he obtains by examination his licence to practise medicine in Maryland on January 14, 1954. Admitted a member of the American College of Chest Physicians, again by examination, on November 23, 1954, he secures, at the age of 57, his first ever permanent post in medicine, in a similar hospital in Pikesville, Maryland. His republican activities continue through Clan na Gael during his U.S. years, and he is a frequent speaker at commemorative events.
(Pictured: Liam Lynch with some of his Divisional Staff and Officers of the Brigades, including the 1st Southern Division, who attend as delegates to the Army Convention at the Mansion House, Dublin, on April 9, 1922. Cooney is first on the right in the 3rd row back.)