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The Warrenpoint Ambush

The Warrenpoint ambush, also known as the Narrow Water ambush, the Warrenpoint massacre or the Narrow Water massacre, is a guerrilla attack by the Provisional Irish Republican Army (IRA) on August 27, 1979. The IRA’s South Armagh Brigade ambushes a British Army convoy with two large roadside bombs on the A2 road at Narrow Water Castle, just outside Warrenpoint, County Down, Northern Ireland.

The road and castle are on the northern bank of the Newry River, which marks the border between Northern Ireland and the Republic of Ireland. The Republic’s side of the river, the Cooley Peninsula in County Louth, is an ideal spot from which to launch an ambush. It is thickly wooded, which gives cover to the ambushers, and the river border prevents British forces from giving chase.

On the afternoon of August 27, a British Army convoy of one Land Rover and two four-ton lorries carrying soldiers of the 2nd Battalion, Parachute Regiment is driving from Ballykinlar Barracks to Newry. The British Army is aware of the dangers of using the stretch of road along the Newry River and often declares it out of bounds. However, they sometimes use it to avoid setting a pattern. At 4:40 p.m., as the convoy is driving past Narrow Water Castle, an 800-pound fertiliser bomb, hidden among bales of straw on a parked flatbed trailer, is detonated by remote control by IRA members watching from across the border in County Louth. The explosion catches the last lorry in the convoy, hurling it onto its side and instantly killing six paratroopers, whose bodies are scattered across the road. There are only two survivors amongst the soldiers traveling in the lorry, both of whom receive serious injuries. The lorry’s driver, Anthony Wood (19), is one of those killed. All that remains of his body is his pelvis, welded to the seat by the fierce heat of the blast.

According to the soldiers, immediately after the blast they are targeted by rifle fire from the woods on the Cooley Peninsula on the other side of the border, with this view supported by two part-time firefighters assisting the wounded. Shortly afterwards, the two IRA members arrested by the Garda Síochána and suspected of being behind the ambush, are found to have traces of gunsmoke residue on their hands and on the motorbike they are riding. The IRA’s first statement on the incident, however, denies that any shots had been fired at the troops, and according to Royal Ulster Constabulary (RUC) researchers, the soldiers might have mistaken the sound of ammunition cooking off for enemy gunfire. Nevertheless, at the official inquiry the soldiers declare on oath that they had been fired on.

The surviving paratroopers radio for urgent assistance, and reinforcements are dispatched to the scene by road. A rapid reaction unit is sent by Gazelle helicopter, consisting of Lieutenant Colonel David Blair, commanding officer of the Queen’s Own Highlanders, his signaler Lance Corporal Victor MacLeod, and army medics. Another helicopter, a Wessex, lands to pick up the wounded. Colonel Blair assumes command once at the site.

William Hudson, a 29-year-old from London, is killed by the British Army and his cousin Barry Hudson, a 25-year-old native of Dingle, is wounded when shots are fired across the Newry River into the Republic of Ireland about 3 km from the village of Omeath, County Louth.

The pair are partners in ‘Hudson Amusements’ and had been operating their amusements in Omeath for the duration of the Omeath Gala. When the first explosion is heard across the Lough, the pair go down to the shore to see what is unfolding. The pair makes their way to Narrow Water on the southern side of the border to get a better view of what is happening on the northern side. Barry Hudson is shot in the arm and as he falls to the ground he sees his cousin, who is the son of a coachman at Buckingham Palace, fall to the ground, shot in the head. He dies almost immediately.

The IRA had been studying how the British Army behaves after a bombing and correctly predicts that they would set up an incident command point (ICP) at the stone gateway on the other side of the road. At 5:12 p.m., thirty-two minutes after the first explosion, another 800-pound bomb hidden in milk pails explodes at the gateway, destroying it and hurling lumps of granite through the air. It detonates as the Wessex helicopter is taking off carrying wounded soldiers. The helicopter is damaged by the blast but does not crash.

The second explosion kills twelve soldiers, ten from the Parachute Regiment and the two from the Queen’s Own Highlanders. Lieutenant Colonel Blair is the second Lieutenant Colonel to be killed in the Troubles up until then, following Lieutenant Colonel Corden-Lloyd of the 2nd Battalion Royal Green Jackets in 1978. Only one of Colonel Blair’s epaulettes remains to identify him as his body had been vaporised in the blast. The epaulette is taken from the scene by Brigadier David Thorne to a security briefing with Prime Minister Margaret Thatcher to “illustrate the human factor” of the attack. Mike Jackson, then a major in the Parachute Regiment, is at the scene soon after the second explosion and later describes seeing human remains scattered over the road, in the water and hanging from the trees. He is asked to identify the face of his friend, Major Peter Fursman, still recognisable after it had been ripped from his head by the explosion and recovered from the water by divers from the Royal Engineers.

Press photographer Peter Molloy, who arrives at the scene after the first explosion, comes close to being shot by an angry paratrooper who sees him taking photographs of the dead and dying instead of offering to help the wounded. The soldier is tackled by his comrades. Molloy says, “I was shouted at and called all sorts of things, but I understood why. I had trespassed on the worst day of these fellas’ lives and taken pictures of it.”

The Warrenpoint ambush is a victory for the IRA. It is the deadliest attack on the British Army during the Troubles and the Parachute Regiment’s biggest loss since World War II, with sixteen paratroopers killed. General Sir James Glover, Commander of British forces in Northern Ireland, later says it was “arguably the most successful and certainly one of the best planned IRA attacks of the whole campaign.” The ambush happens on the same day that Lord Mountbatten, a prominent member of the British royal family, is killed by an IRA bomb aboard his boat at Mullaghmore, County Sligo, along with three others.

Republicans portray the attack as retaliation for Bloody Sunday in 1972 when the Parachute Regiment shot dead 13 unarmed civilians during a protest march in Derry. Graffiti appears in republican areas declaring “13 gone and not forgotten, we got 18 and Mountbatten.” The day after the Mountbatten and Warrenpoint attacks, the Ulster Volunteer Force (UVF) retaliates by shooting dead a Catholic man, John Patrick Hardy (43), at his home in Belfast‘s New Lodge estate. Hardy is targeted in the mistaken belief that he is an IRA member.

Very shortly after the ambush, IRA volunteers Brendan Burns and Joe Brennan are arrested by the Gardaí. They are stopped while riding a motorbike on a road opposite Narrow Water Castle. They are later released on bail due to lack of evidence. Burns dies in 1988 when a bomb he is handling explodes prematurely. In 1998, former IRA member Eamon Collins claims that Burns had been one of those who carried out the Warrenpoint ambush. No one has ever been criminally charged.

According to Toby Harnden, the attack “drove a wedge” between the Army and the RUC. Lieutenant General Sir Timothy Creasey, General Officer Commanding Northern Ireland, suggests to Margaret Thatcher that internment should be brought back and that liaison with the Gardaí should be left in the hands of the military. Sir Kenneth Newman, the RUC Chief Constable, claims instead that the British Army practice since 1975 of supplying their garrisons in south County Armagh by helicopter gives too much freedom of movement to the IRA. One result is the appointment of Sir Maurice Oldfield to a new position of Co-ordinator of Security Intelligence in Northern Ireland. His role is to co-ordinate intelligence between the military, MI5 and the RUC. Another is the expansion of the RUC by 1,000 members. Tim Pat Coogan asserts that the deaths of the 18 soldiers hastens the move to Ulsterisation.

Lieutenant Colonel Blair is remembered on a memorial at Radley College, Oxfordshire.


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Birth of Cathal O’Shannon, Journalist & Television Presenter

Cathal O’Shannon, Irish journalist and television presenter, is born in Marino, Dublin, on August 23, 1928. He is a reporter with The Irish Times, and television reporter/presenter and documentary film maker with RTÉ. The Irish radio and television broadcaster Terry Wogan describes O’Shannon as possibly the greatest Irish television journalist of the 20th century.

O’Shannon is the son of Cathal O’Shannon (Sr.), a Socialist and Irish Republican. He receives his formal education at Colaiste Mhuire School, in Parnell Square, Dublin. Despite his father’s politics, as a 16-year-old he volunteeres for war time service with the Royal Air Force (RAF) in Belfast in 1945 during World War II. He utilizes a forged birth certificate to disguise being underage for enlistment with the British Armed Forces. After air crew training, he is posted to the Far East, as a tail gunner in an Avro Lancaster bomber to take part in the Burma campaign, but the war ends with the downfall of the Japanese Empire before he is required to fly combat sorties.

O’Shannon first becomes a journalist with The Irish Times on leaving the RAF in 1947. Later he joins the Irish state broadcasting service Raidió Teilifís Éireann (RTÉ).

In July 1972 O’Shannon records a notable television interview with 31-year-old Muhammad Ali, when Ali is in Dublin to compete at Croke Park in a bout with Alvin Lewis.

O’Shannon receives a Jacob’s Award for his 1976 TV documentary, Even the Olives are Bleeding, which details the activities of the “Connolly Column” in the Spanish Civil War. Two years later he is honoured with a second Jacob’s Award for his television biography Emmet Dalton Remembers (1978).

In 1978, O’Shannon leaves RTÉ to join Canadian company Alcan, which is setting up an aluminum plant at Aughinish, County Limerick, in 1978. He is head-hunted to become its Director of Public Affairs, an important post at a time when there are environmental concerns about the effects of aluminium production. He admits that he was attracted by the salary, “five times what RTÉ were paying me,” but he also later says that one of the reasons for the move is that he had become unhappy with working at RTÉ, stating in an interview that “The real reason I got out of RTÉ was that they wouldn’t let me do what I wanted to do journalistically.” He had submitted proposals to the station’s editors for a television documentary series on the Irish Civil War, and also one on the wartime Emergency period, but they had been rejected. While he enjoys the social life with lavish expenses which his public relations duties involve, his friends believe that he missed the varied life and travel of journalism. He retires early from Aughinish in 1992 and returns to making television documentaries with RTÉ.

In January 2007, O’Shannon’s last documentary, Hidden History: Ireland’s Nazis, is broadcast by RTÉ as a two-part series. It explores how a number of former Nazis and Nazi collaborators from German-occupied Europe go to live in the Republic of Ireland after World War II — the best known of whom is Otto Skorzeny, who lives for a period in County Kildare. Others include such Breton nationalists as Alan Heusaff, Yann Fouéré and Yann Goulet, as well as two Belgians, Albert Folens and Albert Luykx.

O’Shannon announces his retirement at the age of 80 on January 12, 2007.

O’Shannon is awarded lifetime membership in the Irish Film & Television Academy in 2010, to which he says is “particularly gratifying that it occurs before I pop my clogs.”

After weakening health for two years, and spending his last days in hospice at Blackrock, O’Shannon dies at the Beacon Hospital in Dublin on October 22, 2011. His body is reposed at Fanagans Funeral Home in Dublin on October 25, 2011, followed by a funeral the following day at Glasnevin Cemetery Chapel, where it is afterwards cremated.

O’Shannon’s wife, Patsy, whom he met while they were working for The Irish Times office in London, dies in 2006. They are married for more than 50 years. In a 2008 television documentary O’Shannon admits that throughout his marriage he had been a serial womaniser, who had repeatedly engaged in extra-marital affairs unbeknownst to his wife.

Director-General of RTÉ Noel Curran says O’Shannon had brought into being “some of the great moments in the RTÉ documentary and factual schedule over the past five decades.” In tribute, RTÉ One shows the documentary Cathal O’Shannon: Telling Tales on November 10, 2011. It had originally aired in 2008 to mark his 80th birthday.


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Birth of Poet Francis Edward Ledwidge

Francis Edward Ledwidge, Irish poet sometimes known as the “poet of the blackbirds,” is born on August 19, 1887, to a poor family in Slane, County Meath. He is later also known as a World War I war poet.

Ledwidge starts writing at an early age and is first published in a local newspaper at the age of fourteen. Finding work as a labourer and miner, he is also a trade union activist and a keen patriot and nationalist, associated with Sinn Féin. He becomes friendly with a local landowner, the writer Lord Dunsany, who gives him a workspace in the library of Dunsany Castle and introduces him to literary figures including William Butler Yeats and Katharine Tynan, with whom he has a long-term correspondence. He is elected to a local authority post and helps organise the local branch of the Irish Volunteers, while Dunsany edits and helps him secure publication for a first volume of his poetry.

Having sided with the faction of the Irish Volunteers which oppose participation in the war, he enlists in the Royal Inniskilling Fusiliers in October 1914, and continues to write poetry on assignment, sending work to Lord Dunsany and to family and other friends. The poems he writes on active service reveal his pride at being a soldier, as he believes, in the service of Ireland. He often wonders whether he would find a soldier’s death.

On July 31, 1917, a group from Ledwidge’s battalion of the Royal Inniskilling Fusiliers are road-laying in preparation for an assault during the Third Battle of Ypres, near the village of Boezinge, Ypres Salient, Belgium.

According to Irish author and lecturer Alice Curtayne, “Ledwidge and his comrades had been toiling since the early morning at roadmaking. The army’s first need was men; their second, guns; their third roads. These latter consisted mainly of heavy beech planks bolted together, which could be rapidly laid down. No advance could be supported in that sodden land without a sufficiency of these communications tracks, six or seven feet wide. Supplies were conveyed by pack mules over the wooden paths. Survivors concur in placing the road work done by B Company that day one mile northeast of Hellfire Corner, so called because it was very exposed to German shelling. There was a violent rainstorm in the afternoon, shrouding the region in a gray monochrome. Sullenly, the enemy’s long-range guns continued to fling their shells far behind the lines. Roadwork could not be suspended, however, as the tracks were in use as fast as they were laid down. Tea was issued to the men and drenched to the skin, they stopped to swallow it. A shell exploded beside Ledwidge, and he was instantly killed.”

A Roman Catholic military chaplain, Father Devas, is the first on the scene. That night, Father Devas writes in his diary, “Crowds at Holy Communion. Arranged for service but washed out by rain and fatigues. Walk in rain with dogs. Ledwidge killed, blown to bits, at Confession yesterday and Mass and Holy Communion this morning. R.I.P.”

Ledwidge is first buried at Carrefour de Rose, and later re-interred in the nearby Artillery Wood Military Cemetery, at Boezinge, where the Welsh poet Hedd Wyn, who was killed in action on the same day, also lies buried.

Dunsany arranges for the publication of more of Ledwidge’s poems, and a collected edition in 1919. Further poems, from the archives at Dunsany Castle and some material held by family, are later published by Ledwdige’s biographer, Alice Curtayne, and by one of the Ledwidge memorial societies. Ledwidge is selected as one of twelve prominent war poets for the exhibition Anthem for Doomed Youth at the Imperial War Museum in London in 2002, and memorialised at an event in Inchicore, Dublin, in 2017, with his work set to music by Anúna. A museum of his life and work is opened in his birthplace cottage in 1982. Some of his manuscripts are held in the National Library of Ireland and more in the archives of Dunsany Castle.


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Death of Robert Barton, Nationalist & Anglo-Irish Politician

Robert Childers Barton, Anglo-Irish politician, Irish nationalist and farmer who participates in the negotiations leading up to the signature of the Anglo-Irish Treaty, dies in Annamoe, County Wicklow, on August 10, 1975. His father is Charles William Barton, and his mother is Agnes Alexandra Frances Childers. His wife is Rachel Warren of Boston, daughter of Fiske Warren. His double first cousin and close friend is the English-born Irish writer Erskine Childers.

Barton is born in Annamoe on March 14, 1881, into a wealthy Irish Protestant land-owning family, namely of Glendalough House. His two younger brothers, Erskine and Thomas, die while serving in the British Army during World War I. He is educated in England at Rugby School and the University of Oxford and becomes an officer in the Royal Dublin Fusiliers on the outbreak of World War I. He is stationed in Dublin during the 1916 Easter Rising and comes into contact with many of its imprisoned leaders in the aftermath while on duty at Richmond Barracks. He resigns his commission in protest at the heavy-handed British government suppression of the revolt. He then joins the Irish Republican Brotherhood (IRB).

At the 1918 Irish general election to the British House of Commons, Barton is elected as the Sinn Féin member for West Wicklow. In common with all Sinn Féin members, he boycotts the Westminster parliament and sits instead in Dáil Éireann (the First Dáil). Arrested in February 1919 for sedition, he escapes from Mountjoy Prison on Saint Patrick’s Day, leaving a note to the governor explaining that, owing to the discomfort of his cell, he felt compelled to leave, and requests the governor to keep his luggage until he sends for it. He is appointed as Director of Agriculture in the Dáil Ministry in April 1919. He is recaptured in January 1920 and sentenced to three years’ imprisonment but is released under the general amnesty of July 1921.

In May of that year, prior to his release, Barton is elected as a Sinn Féin member for Kildare–Wicklow in the 1921 Irish election to the House of Commons of Southern Ireland. Once again, all Sinn Féin members boycott this parliament, sitting as the Second Dáil. In August 1921, he is appointed to cabinet as Secretary for Economic Affairs.

Barton is one of the Irish plenipotentiaries to travel to London for the Anglo-Irish Treaty negotiations. His cousin is a secretary to the delegation. He reluctantly signs the Treaty on December 6, 1921, defending it “as the lesser of two outrages forced upon me and between which I had to choose.”

Although he had signed the Treaty and voted for it in the Dáil, Barton stands in the 1922 Irish general election for Anti-Treaty Sinn Féin, the only TD who had voted for the Treaty to do so and wins a seat in the Third Dáil. In common with other Anti-Treaty TDs, he does not take his seat. In October 1922 he is appointed Minister for Economic Affairs in Éamon de Valera‘s “Emergency Government,” a shadow government in opposition to the Provisional Government and the later Executive Council of the Irish Free State. His memoir of this period is completed in 1954 and can be seen on the Bureau of Military History website. He is arrested and interned for most of the war at the Curragh Camp.

Barton is defeated at the 1923 Irish general election and retires from politics for the law, practicing as a barrister. He later becomes a judge. He is chairman of the Agricultural Credit Corporation from 1934 to 1954. He dies at home in County Wicklow on August 10, 1975, at the age of 94, the last surviving signatory of the Anglo-Irish Treaty. Éamon de Valera dies only nineteen days later, on August 29, 1975.

Glendalough House, run by Barton for over 70 years right up until his death, is still considered one of Ireland’s most notable properties, alongside nearby Powerscourt Estate. The house is the center of numerous political meetings and gatherings from 1910 to 1922. It has also been featured as a location in many large Hollywood films including Excalibur, Saving Private Ryan and Braveheart.


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Birth of Conor McPherson, Playwright, Screenwriter & Director

Conor McPherson, Irish playwright, screenwriter and director of stage and film, is born in Dublin on August 6, 1971. In recognition of his contribution to world theatre, he is awarded a Doctor of Literature, Honoris Causa, in June 2013 by the University College Dublin (UCD).

McPherson is educated at University College Dublin and begins writing his first plays there as a member of UCD Dramsoc, the college’s dramatic society, and goes on to found Fly by Night Theatre Company which produces several of his plays. He is considered one of the best contemporary Irish playwrights. His plays attract good reviews and have been performed internationally (notably in the West End and on Broadway).

The Weir opens at the Royal Court Theatre before transferring to the West End and Broadway. It wins the Laurence Olivier Award for Best New Play for 1999.

McPherson’s 2001 play, Port Authority, tells of three interwoven lives. The play is first produced by the Gate Theatre of Dublin but premiers at the New Ambassadors Theatre in London in February 2001, before moving to the Gate Theatre in April of that year. The production is directed by McPherson himself. New York‘s Atlantic Theater Company stages a production of the play in the spring of 2008, starring Brian d’Arcy James, and Tony Award winners John Gallagher, Jr. and Jim Norton. The New York Times critic Ben Brantley says, “I found myself holding on to what these actors had to say as if I were a five-year-old at bedtime being introduced to The Arabian Nights.”

McPherson also directs his play, Dublin Carol, at the Atlantic Theater Company, New York, in 2003.

McPherson’s 2004 play Shining City opens at the Royal Court Theatre and prompts The Daily Telegraph to describe him as “the finest dramatist of his generation.” A meditation on regret, guilt and confusion, the play is set entirely within the Dublin offices of a psychiatrist who himself has psychological secrets. While much of the play takes the form of monologues delivered by a patient, the everyday stories and subtle poignancy and humour make it a riveting experience. It subsequently opens on Broadway in 2006 and is nominated for two Tony Awards, including Best Play.

In September 2006, to great critical acclaim, McPherson makes his Royal National Theatre debut as both author and director with The Seafarer at the Cottesloe Theatre, starring Karl Johnson and Jim Norton, with Ron Cook as their poker-playing, Mephistophelean guest. Norton wins an Olivier Award for his performance while McPherson is nominated for both the Olivier and Evening Standard Theatre Awards for Best Play. In October 2007 The Seafarer opens on Broadway, keeping with it most of its creative team, including McPherson as director and both Jim Norton and Conleth Hill in their respective roles, with David Morse taking over as Sharky, and Ciarán Hinds portraying Mr. Lockhart. The production on Broadway receives some positive reviews including such statements as “McPherson is quite possibly the finest playwright of his generation” from Ben Brantley at The New York Times and “Succinct, startling and eerie, and the funniest McPherson play to date” from The Observer. Norton’s performance as Richard Harkin in The Seafarer at the National Theatre wins the 2007 Best Supporting Actor Laurence Olivier Award, and he wins a Tony Award in 2008 for Best Featured Actor in a play.

McPherson writes and directs a stage adaptation of Daphne du Maurier‘s story The Birds, which opens in September 2009 at the Gate Theatre in Dublin.

In 2011 the Royal National Theatre premiers his play The Veil at the Lyttleton Theatre. Described by The Times as “a cracking fireside tale of haunting and decay,” it is set in 1822 and marks McPherson’s first foray into period drama. This vein continues with a striking new translation of August Strindberg‘s The Dance of Death premiering at the Trafalgar Studios in London at the end of 2012. His version is described as “a profoundly seminal work” by The Guardian which also managed, The Times says, to be “shockingly funny.”

The Donmar Warehouse mounts a season of McPherson’s work in 2013 with a revival of The Weir and the world premiere of The Night Alive. The Weir is hailed once again as “a modern classic” by The Daily Telegraph and “a contemporary classic” by The Guardian while The Night Alive is nominated for the Laurence Olivier Award for Best Play and described as “another triumph” by The Independent on Sunday and “a masterstroke” by Time Out.

The Night Alive transfers to the Atlantic Theatre New York, where it is awarded the New York Drama Critics’ Circle Award for Best Play 2014, and also receives Best Play nominations from the Drama Desk and Lucille Lortell Awards.

McPherson’s play Girl from the North Country, where the dramatic action is broken up by 20 songs by Bob Dylan, opens at London’s The Old Vic on July 26, 2017. The play is set in a hotel in 1934 in Duluth, Minnesota, the birthplace of Dylan. The project begins when Dylan’s office approaches McPherson and suggests creating a play using Dylan songs. The drama receives favorable reviews.

The film of his first screenplay, I Went Down, is critically acclaimed and a great commercial success. His first feature film as a director, Saltwater, wins the CICAE award for Best Film at the Berlin International Film Festival. His second feature film is The Actors, which he wrote and directed.

He is the director and co-writer of The Eclipse, a film which has its world premiere at the 2009 Tribeca Film Festival. It is picked up for distribution by Magnolia Pictures and is released in U.S. cinemas in the spring of 2010. The film subsequently wins the Melies D’Argent Award for Best European Film at the Sitges Film Festival in Spain, the world’s premier horror and fantasy genre festival. At The 2010 Irish Film and television Awards The Eclipse wins the awards for Best Film and Best Screenplay. Ciarán Hinds wins the Best Actor Award at the Tribeca Film Festival for his portrayal of Michael Farr.

In 2013, McPherson writes the last episode of Quirke. In 2020, he co-writes the feature film adaptation of the Artemis Fowl books by Eoin Colfer. In response to the COVID-19 pandemic, it is released digitally worldwide on Disney+ on June 12, 2020.


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Birth of George Campbell, Artist & Writer

George Campbell, Irish artist and writer, is born on July 29, 1917, in Arklow, County Wicklow. Although he grows up in Belfast, Northern Ireland, he spends much of his adult life living and painting in Spain and Dublin.

Campbell is the son of Matthew Arthur Campbell (1866-1925), caterer, and Gretta Campbell (née Bowen) (1880-1981). He attends boarding school at Masonic Orphan Boys’ School at Clonskeagh, Dublin, before moving to Belfast to live with his widowed mother and family.

Campbell is working in an aircraft factory at the time of the Belfast Blitz, and begins to paint, taking the bomb-damage as his subject. He is one of the founders of the Irish Exhibition of Living Art in 1943. In the same year, along with his brother Arthur (1909-94), he publishes a sixteen page book entitled Ulster in Black and White, that includes drawings from the two brothers and their close contemporaries Maurice Wilks and Patricia Webb. Owing to the success of the original publication, the brothers then publish Now in Ulster (1944), an anthology of short stories, essays and poetry by young Belfast writers.

Campbell holds a joint exhibition at the William Mol Gallery, Belfast, with his brother Arthur in 1944. In the same year he also shows with Gerard Dillon at the Portadown gallery of John Lamb. In 1946 he shows with the Victor Waddington Gallery in Dublin, where he is to return on a number of occasions. The Council for the Encouragement of Art and Music hosts a solo exhibition in 1949 where he is to show twice more, in 1952 and 1960. He wins £500 at the first Council for the Encouragement of Music and the Arts (CEMA) Open Painting Competition at the Ulster Museum in 1962. Campbell also shows in one-man exhibitions with the Arts Council of Northern Ireland in 1966 and 1972.

After the war Campbell becomes increasingly interested in Spain. In 1946 he comes to know Spaniards who had settled in Dublin, and when in London paints visiting Spanish dancers in their traditional costume. He first visits Spain in 1951, encouraged by his friendship with Gerard Dillon and “an interest in bohemian characters.” He lives there for six months almost every year throughout much of the following twenty-five years.

Campbell makes stained glass windows for the Cathedral of Our Lady Assumed into Heaven and St Nicholas in Galway. He also plays flamenco guitar. A member of the Royal Hibernian Academy, he wins the Douglas Hyde Gold Medal in 1966 and the Oireachtas Prize for Landscape in 1969. The Spanish government makes him a Knight Commander of Spain in 1978.

Campbell dies in Dublin on May 18, 1979, and is buried at St. Kevin’s Cemetery in Glendalough, County Wicklow. He is survived by his wife Margaret, his mother, and two brothers, Arthur and Stanley. After his death the Arts Council of Northern Ireland and An Chomhairle Ealáion join with the Instituto Cervantes to initiate the George Campbell Memorial Travel Award. In May 2017, Arklow Municipal District Council unveils two plaques at St. Patrick’s Terrace, Arklow, marking Campbell’s birthplace and the centennial of his birth.

Campbell’s work forms part of many private and public art collections, including Queen’s University Belfast, Ulster Museum, Irish Museum of Modern Art, Hugh Lane Gallery, The National Self-Portrait Collection of Ireland, and Municipal Museum of Antequera, Málaga.

(Pictured: “Three Nuns” by George Campbell)


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Birth of Liam Redmond, Stage, Film & Television Character Actor

Liam Redmond, Irish character actor known for his stage, film and television roles, is born in Limerick, County Limerick, on July 27, 1913.

Redmond is one of four children born to cabinet-maker Thomas and Eileen Redmond. Educated at the Christian Brothers schools in Dublin, he later attends University College Dublin and initially reads medicine before moving into drama.

While Director of the Dramatic Society Redmond meets and marries the society’s secretary, Barbara MacDonagh, sister of Donagh MacDonagh and daughter of 1916 Easter Rising leader Thomas MacDonagh and Muriel Gifford. They have four children.

Redmond is invited to join the Abbey Theatre in 1935 as a producer by William Butler Yeats, the Irish poet. Yeats writes his play Death of Cú Chulainn for Redmond to star as Cú Chulainn, hero of one of Ireland’s foundational myths.

Redmond makes his acting debut at the Abbey Theatre in 1935 in Seán O’Casey‘s The Silver Tassie. His first stage appearance is in 1939 in New York City in The White Steed. After returning to Britain at the outbreak of World War II he is a regular on the London stage. He is one of the founders of the Writers’, Artists’, Actors’ and Musicians’ Association (WAAMA), a precursor of the Irish Actors’ Equity Association. His insistence that “part-time professionals” – usually civil servants who act on the side – should be paid a higher rate than professional actors for both rehearsal time and performance, effectively wiping out this class, raising the wages and fees of working actors.

Redmond stars in Broadway, among other plays starring in Paul Vincent Carroll‘s The White Steed in 1939, playing Canon McCooey in The Wayward Saint in 1955, winning the George Jean Nathan Award for Dramatic Criticism for his performance, and starring in 1968 in Joe Orton‘s Loot and Brian Friel‘s The Loves of Cass Maguire.

Redmond works in television and film throughout the 1950s to the 1980s and is regularly seen in television series such as The Avengers, Daniel Boone, The Saint and Z-Cars. He is often called upon as a character actor in various military, religious and judicial roles in films such as I See a Dark Stranger (1946), Captain Boycott (1947), High Treason (1951), The Cruel Sea (1953), The Playboy of the Western World (1962), Kid Galahad (1962), The Luck of Ginger Coffey (1964), Tobruk (1967), The Ghost and Mr. Chicken (1966) and Barry Lyndon (1975). His performance as the kindly occult expert in the cult horror film Night of the Demon (1957) is a favourite of fans of the film.

Redmond retires to Dublin and dies at age 76, after a long period of ill health, on October 28, 1989. His wife Barbara predeceases him in 1987.


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Éamon de Valera Visits Butte, Montana During His American Tour

President Éamon de Valera visits Butte, Montana, on July 25, 1919, during his American Tour of 1919-20. Montana Lieutenant Governor W. W. McDowell meets his train and rides with de Valera through the streets to where de Valera then addresses over 10,000 people who have come out to hear him. The next day, de Valera addresses a joint session of the Montana State Legislature.

De Valera’s eventful 1919 begins in Lincoln Jail and ends in New York City’s Waldorf Astoria, the largest and most luxurious hotel in the world. Smuggled aboard the SS Lapland in Liverpool in June, he sails for the United States during the closing stages of the Paris Peace Conference. As London’s Sunday Express complains in August 1919, “there is more Irish blood in America than in Ireland,” making the United States the obvious destination for a sustained propaganda and fundraising mission.

After his highly-publicised American debut at New York’s Waldorf Astoria, the self-styled “President of the Irish Republic” embarks on the first leg of what is to be an eighteen-month tour of the United States. The purpose of his mission is twofold: to gain formal recognition of the Irish Republic and to raise funds via a bond issue to support the independence movement and the newly established Dáil Éireann.

Between July and August 1919, de Valera and his entourage travel over 6,000 miles from New York to San Francisco, addressing enormous crowds at dozens of venues. He fills Madison Square Garden to capacity and receives a thirty-minute standing ovation from 25,000 people in Chicago’s Wrigley Field. Twice as many people fill Boston’s Fenway Park on June 29, cheering the arrival of the “Irish Lincoln.” The Sinn Féin envoys also visit less obvious Irish communities of the period, such as Scranton, Savannah, New Orleans and Kansas City. For de Valera’s personal secretary, Seán Nunan, the public meeting in Butte, Montana is like “an election meeting at home – there were so many first-generation Irishmen working on the mines – mainly from around Allihies in West Cork.” In San Francisco de Valera dedicates a statue of Robert Emmet by Irish-born sculptor Jerome Connor in Golden Gate Park, a replica of which stands sentinel in St. Stephen’s Green in Dublin. This is one of many symbolic gestures linking the American and Irish struggles for independence played out before the flashing bulbs of the ubiquitous press photographers. On August 15, The Cork Examiner notes that the enthusiastic American exchanges “indicate that few public missionaries from other lands – possibly only Mr. Parnell – have ever had such receptions as were accorded to the Sinn Féin leader.”

De Valera’s team deserves credit for the incredible logistical triumph that is the U.S. tour. As chief organiser, Liam Mellows travels ahead to each city, ensuring a suitable reception is prepared and a venue secured for a mass meeting. Seán Nunan is de Valera’s fastidious personal secretary and Harry Boland, Sinn Féin TD for South Roscommon and Irish Republican Brotherhood (IRB) envoy, is at his side troubleshooting, speechmaking and shaking hands. As the tour progresses, de Valera’s supporting cast expands to include Kerry-born Kathleen O’Connell who becomes de Valera’s full-time personal secretary from 1919.

The next stage of de Valera’s American odyssey begins on October 1, 1919, in Philadelphia, a city with a rich Irish heritage and rife with symbolism of America’s struggle for independence. Over the next three weeks, de Valera and his team travel from the Atlantic to the Pacific seaboard and back again, delivering seventeen major public speeches and a host of smaller ones to aggregate crowds of over half a million.

The pace is relentless as the Irish team makes its way through middle America. De Valera is received as a visiting dignitary at multiple state legislatures and presented with honorary degrees from six American universities. In line with his secondary objective to foster the interest of “wealthy men of the race in the industrial development of Ireland,” he addresses the Chambers of Commerce in a number of cities and arranges a personal meeting with Henry Ford, the son of an Irish emigrant, during his visit to Detroit in October. In the same month in Wisconsin, he is made a Chief of the Chippewa Nation, an honour he later says meant more to him than all the freedoms of all the cites he was ever given. It is not surprising that by the time they reach Denver on October 30, The Irish World reports that “the President looked tired.” Still, he musters the energy to make high profile visits to Portland, Los Angeles and San Diego before beginning the return journey to New York at the end of November.

After a short break for Christmas, the Irish team prepares for the launch of the Bond Certificate Drive. A week-long frenzy of publicity kicks off on January 17 at New York City Hall where Mayor John F. Hylan presents de Valera with the Freedom of the City. During the spring of 1920, de Valera addresses the Maryland General Assembly at Annapolis before making the swing through the southern states of America.

It is not all plain sailing for the Sinn Féin representatives in America. The tour of the west coast in late 1919 sees increasing tensions with American patriotic bodies who are critical of de Valera’s perceived pro-German stance during World War I. He is heckled during a speech in Seattle and a tricolour is ripped from his car in Portland by members of the American Legion. The trip through the southern states in the spring of 1920 coincides with rising American anti-immigration and anti-Catholic nativism. A small number of counter demonstrations are organised by right-wing Americans. Most notably, members of the Ku Klux Klan make unwelcome appearances at several rallies in the American south, making clear their opposition to de Valera’s presence.

The Irish envoys also contend with antagonism from the leaders of Friends of Irish Freedom (FOIF), the broad-based popular front of Clan na Gael headed by veteran Fenian John Devoy and Judge Daniel Cohalan. The FOIF uses its significant resources to finance de Valera’s tour and facilitate the Bond Certificate Drive, but behind the scenes there are significant personality clashes and tensions over tactics.

The increasingly public dispute comes to a head in a row over strategies at the Republican National Convention in Chicago in June 1920. Drawing on his influential political contacts, Cohalan persuades the Republican Party to include Irish self-determination in their election platform. However, much to Cohalan’s fury, de Valera leads a separate delegation to the Convention and insists on a resolution calling for recognition of the Irish Republic. The result is that two resolutions are submitted to the Platform Committee, which indicates dissension in the Irish ranks and gives the Committee the excuse to include neither in the final platform. After de Valera also fails to secure the endorsement of the Democratic convention in San Francisco in June, it is clear that the Irish question will not be a significant factor in the ensuing presidential election. Relations between the FOIF and de Valera reach a new low. In November 1920, de Valera makes the final break with the FOIF and sets up a new organisation, the American Association for the Recognition of the Irish Republic.

De Valera is in Washington, D.C. on October 25 when Terence MacSwiney dies after 74 days on hunger strike. Six days later, at the last great meeting of the American tour, 40,000 people fill New York’s Polo Grounds to commemorate MacSwiney’s death. By late November, de Valera knows that it is time to return to Ireland. Smuggled aboard SS Celtic in New York harbour on December 10, he prepares for the nine-day journey home. He had failed to obtain the recognition of the United States Government for the Republic, but his cross-continental tour and associated press coverage raised international awareness and over $5 million for the Irish cause.

(From: An article by Helene O’Keeffe that was first published in the Irish Examiner on March 24, 2020 | Photo: Eamon de Valera, center, president of the Provisional Government of the Irish Republic, in Butte, Montana, in 1919 to encourage support for Ireland’s fight for independence. Courtesy of Butte-Silver Bow Public Archives)


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Birth of John Philpot Curran, Orator, Politician, Lawyer & Judge

John Philpot Curran, Irish orator, politician, wit, lawyer and judge, who holds the office of Master of the Rolls in Ireland, is born in Newmarket, County Cork, on July 24, 1750.

Curran is the eldest of five children of James Curran, seneschal of the Newmarket manor court, and Sarah, née Philpot. The Curran family are said to have originally been named Curwen, their ancestor having come from Cumberland as a soldier under Oliver Cromwell during the Cromwellian conquest of Ireland, originally settling in County Londonderry.

Curran is educated at Midleton College, County Cork, before studing law at Trinity College Dublin. He continues his legal studies at King’s Inns and the Middle Temple. He is called to the Irish Bar in 1775. Upon his first trial, his nerves get the better of him and he cannot proceed. His short stature, boyish features, shrill voice and a stutter are said to have impacted his career, and earn him the nickname “Stuttering Jack Curran.”

However, Curran can speak passionately in court on subjects close to his heart. He eventually overcomes his nerves and gets rid of his speech impediment by constantly reciting Shakespeare and Henry St. John, 1st Viscount Bolingbroke, in front of a mirror, becoming a noted orator and wit. His championing of popular Irish causes such as Catholic emancipation make him one of the most popular lawyers in Ireland. He is also fluent in the Irish language which is still the language of the majority at the time. He writes a large amount of humorous and romantic poetry.

The case which cements Curran’s popularity is that of Father Neale and St. Leger St. Leger, 1st Viscount Doneraile at the County Cork Assizes in 1780. Having a passion for lost causes, he represents the priest and wins over the jury by setting aside the issue of religion.

A liberal Protestant whose politics are similar to Henry Grattan, Curran employs all his eloquence to oppose the illiberal policy of the Government, and also the Union with Britain. He stands as Member of Parliament (MP) for Kilbeggan in 1783. He subsequently represents Rathcormack (1790-98) and Banagher from 1800 until the Act of Union in 1801, which bitterly disappoints him, forcing him to contemplate emigrating to the United States.

In 1798, Ireland rebels against the British House of Commons and lack of reforms on Catholic emancipation. The British defeat the Irish rebels in numerous battles and soon establish their control over the country by 1799. Many of the Irish ring leaders are charged with treason and are facing death sentences. Curran plays an important role in court defending the leaders of the United Irishmen.

Curran’s youngest daughter Sarah‘s romance with United Irishmen leader Robert Emmet scandalises Curran, who had tried to split them up. He is arrested and agrees to pass their correspondence on to Standish O’Grady, 1st Viscount Guillamore, the Attorney-General for Ireland. In the circumstances he cannot defend Emmet. He is suspected of involvement in Emmet’s Rebellion, but is completely exonerated. However, his friend Arthur Wolfe, 1st Viscount Kilwarden, is killed by the rebels, and he loses any faith in the beliefs of the United Irishmen. Emmet is found guilty of rebelling against the Crown and the union between Great Britain and Ireland and is hanged in 1803. Curran disowns Sarah, who dies of tuberculosis five years later.

Curran is appointed Master of the Rolls in Ireland in 1806, following William Pitt the Younger‘s replacement by a more liberal cabinet.

Curran retires in 1814 and spends his last three years in London. He dies in his home in Brompton on October 14, 1817. In 1837, his remains are transferred from Paddington Cemetery, London to Glasnevin Cemetery in Dublin, where they are laid in an 8-foot-high classical-style sarcophagus. In 1845 a white marble memorial to him, with a carved bust by Christopher Moore, is placed near the west door of St. Patrick’s Cathedral, Dublin.


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Death of James Butler, 1st Duke of Ormonde

James Butler, 12th Earl and 1st Duke of Ormond, dies on July 21, 1688, at the Kingston Lacy estate near Wimborne Minster, Dorset, England. An Anglo-Irish Protestant, he is the leading agent of English royal authority in Ireland during much of the period from the beginning of the English Civil War (1642–51) to the Glorious Revolution (1688–89).

Butler is born at Clerkenwell, London on October 19, 1610, into the prominent Butler family, the eldest child of Thomas Butler and his wife Elizabeth Poyntz. He grows up in England and succeeds to the earldom of Ormonde in 1633. That same year he begins his active career in Ireland by offering his services to Lord Deputy of Ireland Thomas Wentworth, later Earl of Strafford. Upon the outbreak of the Irish Rebellion of 1641 in Ireland, he is appointed a lieutenant general in the English army. He defeats the rebels of the Catholic Confederacy at Kilrush, Munster on April 15, 1642, and at New Ross, Leinster on March 18, 1643. Those triumphs, however, do not prevent the confederates from overrunning most of the country.

Butlers’s attempts to conclude a peace are blocked by a Catholic faction that advocates complete independence for Ireland. The situation deteriorates further, and in July 1647, he departs from Ireland, leaving the Protestant cause in the hands of the parliamentarians, who had defeated King Charles I in the First English Civil War (1642–46).

Returning to Ireland in September 1648, Butler concludes a peace with the confederacy in January 1649. He then rallies Protestant royalists and Catholic confederates in support of Charles II, son and successor of Charles I. For several months most of Ireland is under his control. But the parliamentarian general Oliver Cromwell lands at Dublin in August 1649 and swiftly conquers the country for Parliament. Butler flees to France and becomes one of Charles II’s closest advisers at his court-in-exile in Paris.

When Charles II returns to England in the Restoration of 1660, Butler, who had urged constitutional rather than military rule, is made commissioner for the treasury and the navy. Appointed Lord Lieutenant of Ireland in 1662, he makes vigorous attempts to encourage Irish commerce and industry. Nevertheless, his enemies at court persuade Charles to dismiss him in 1669. He is restored to royal favour in 1677 and is again appointed Lord Lieutenant of Ireland. Although he is created a duke in the English peerage in 1682, he is recalled from Ireland in 1684 as a result of new intrigues at Charles’s court and because of the determination of James, Duke of York, to strengthen his supporters in Ireland.

Butler dies on July 21, 1688, at the Kingston Lacy estate, Dorset. He is buried in Westminster Abbey on August 4, 1688. His eldest son, Thomas, 6th Earl of Ossory, predeceases him, but Ossory’s eldest son James succeeds as 2nd Duke of Ormonde (1665–1745).

(Pictured: “James Butler, 1st Duke of Ormond,” oil on canvas by William Wissing, National Portrait Gallery)