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Birth of Julia O’Faolain, Novelist & Short Story Writer

Julia O’Faolain, Irish novelist and short story writer, is born in London on June 6, 1932. She works as a writer, language teacher, editor and translator and lives in France, Italy, and the United States.

Although born in England when her father, Irish writer Seán Ó Faoláin, is lecturing at the Catholic college, St. Mary’s College, at Strawberry Hill, London, O’Faolain grows up in Ireland. The family returns to Ireland when she is just one year old. They live first in Killough House in County Wicklow, where future Taoiseach Garret FitzGerald is a playmate, artist Paul Henry a neighbour and Cork writer Frank O’Connor a regular visitor. The family then moves to Knockaderry House in Killiney, County Dublin, where her father publishes the literary journal The Bell from an outhouse at the bottom of the garden. Writers, poets and intellectuals such as Patrick Kavanagh, Brendan Behan and Conor Cruise O’Brien are regular visitors and often have to entertain her while waiting to speak with her father.

O’Faolain does not begin school until she is eight years old as her mother, Irish writer and teacher Eileen Gould, has little time for nuns. Following her schooling, she completes an arts degree at University College Dublin (UCD) and then further studies at the Sapienza University of Rome and the Sorbonne in Paris. A formidable student and strikingly beautiful, she makes a strong impression on those who meet her.

In search of love, literature and freedom from 1950s Ireland, the young O’Faolain remains abroad working variously as a translator, language teacher, editor and writer in London. She makes lifelong friends who speak highly of her generosity, loyalty and kindness. As well as maintaining a strong interest in politics throughout her life, she attains a black belt in karate and attends karate classes until her early 70s.

In her 2013 memoir, O’Faolain recounts a number of her adult loves before she meets and marries Lauro Martines in Florence in 1957. The couple lives in Florence for a year while Martines completes a travelling fellowship from Harvard University. They then move to Portland, Oregon, where their son Lucien is born in 1959. While in the United States, she teaches French at Reed College in Portland. The family returns to live in Florence from 1962-66 while her husband carries out research. When he is offered a professorship at the University of California, Los Angeles in 1966, they move back to the United States. However, not keen to live full-time in the United States, they purchase a house in Hampstead in 1970 and later in central London where she spends a good deal of time. From the 1990s onwards, she and Lauro spend more and more time in London, and they visit Ireland more during these years. Lucian, a painter and picture repairer, lives in London.

O’Faolain’s novels include No Country for Young Men, which is nominated for the Booker Prize in 1980, Women in the Wall (1975), The Obedient Wife (1982) and The Judas Cloth (1992) which is set in 19th-century Italy. Her first collection of short stories, We Might See Sights and Other Stories, is published in 1968, followed by Man in the Cellar (1974), Melancholy Baby (1978) and Daughters of Passion (1982). And with her husband, she edits Not in God’s Image: Women in History from the Greeks to the Victorians (1973).

O’Faolain’s writings are suffused with themes of clerical intrigue, women’s role in society, power, faith and sexuality. She says once that she is more detached from her characters than her father was. “He was fond of his characters whereas I was more impatient of mine… The fact that he often forgave their foolishness showed that he was fond of Ireland itself, where he lived for the most of his life. I instead left it and found I was happier elsewhere.”

As a writer, O’Faolain is not particularly well-known in Ireland. Following the publication of her memoir in 2013, she is asked by The Irish Times journalist Arminta Wallace if it bothers her that her name does not often figure in lists of famous Irish writers, perhaps because she did not live here. She replies, “Not only do I not live here but when my last book came out someone wrote an article naming me as a ‘forgotten writer’… which was not a cheerful read. It wasn’t in any way offensive, but it wasn’t very comforting…I suppose I didn’t write enough. You mustn’t let too many years go by between books – and I did that.”

O’Faolain dies at the age of 88 in London on October 27, 2020, following a long illness. Her papers, which include manuscripts of her writing and a significant correspondence between her and her father, are donated to UCD in 2018. At the time, archivists expect them to be available to researchers by 2022.


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Death of Seán Ó Faoláin, Short Story Writer

Seán Proinsias Ó Faoláin, short story writer of international repute and one of the most influential figures in 20th-century Irish culture, dies in Dublin on April 20, 1991. He is also a leading commentator and critic.

Ó Faoláin is born John Francis Whelan in Cork, County Cork, on February 27, 1900. He is educated at the Presentation Brothers College secondary school in Cork. He comes under the influence of Daniel Corkery, joining the Cork Dramatic Society, and increasing his knowledge of the Irish language, which he had begun in school. Shortly after entering University College Cork (UCC), he joins the Irish Volunteers and fights in the Irish War of Independence. During the Irish Civil War, he serves as censor for The Cork Examiner and as publicity director for the Irish Republican Army (IRA). After the Republican loss, he receives MA degrees from the National University of Ireland (NUI) and from Harvard University where he studies for three years. He is a Commonwealth Fellow from 1926 to 1928 and is a Harvard Fellow from 1928 to 1929.

Ó Faoláin writes his first stories in the 1920s, eventually completing ninety stories over a period of sixty years. From 1929 to 1933 he lectures at the Catholic college, St. Mary’s College, at Strawberry Hill, London, during which period he writes his first two books. His first book, Midsummer Night Madness, is published in 1932. It is a collection of stories partly based on his Civil War experiences. He afterward returns to Ireland. He publishes four novels, seven additional volumes of short stories, six biographies, three travel books, a play, a memoir, a history book, translations and literary criticism, including one of the rare full-length studies of the short story, The Short Story (1948). He also writes a cultural history, The Irish, in 1947. His last short story volume, Foreign Affairs, is published in 1976. His Collected Stories is published in 1983.

Ó Faoláin produces critical studies of the novel and the short-story form, introduces texts of historical and literary merit, and contributes scores of articles, reviews, and uncollected stories to periodicals in Ireland, Britain, and the United States.

Ó Faoláin is a founder member and editor of the Irish literary periodical The Bell from 1940 to 1946. Under his editorship, The Bell participates in many key debates of the day. It also provides a crucial outlet for established and emerging writers during the lean war years. The list of contributors to The Bell include many of Ireland’s foremost writers, among them Patrick Kavanagh, Patrick Swift, Flann O’Brien, Frank O’Connor and Brendan Behan.

A recurring thread in Ó Faoláin’s work is the idea that national identities are historically produced and culturally hybrid; an additional thesis is that Irish history should be conceived in international terms, and that it should be read, in particular, in the context of social and intellectual developments across Europe.

Ó Faoláin serves as director of the Arts Council of Ireland from 1956 to 1959.

Ó Faoláin marries Eileen Gould, a children’s book writer who publishes several books of Irish folk tales, in 1929. They have two children: Julia (1932–2020), who becomes a Booker-nominated novelist and short story writer, and Stephen (b. 1938).

Ó Faoláin dies in Dublin at the age of 91 on April 20, 1991.

Ó Faoláin is a controversial figure in his own lifetime and two of his books are banned for “indecency” in Ireland — his debut collection of short stories and his second novel, Bird Alone (1936). His legacy has proven divisive. If some consider him a social liberal cosmopolitan who challenges “proscriptive” definitions of Irish culture, others see him as a chauvinistic snob who paradoxically restricts the development of Irish writing. Proto-revisionist or nascent postcolonial, O’Faoláin has been considered both, sometimes within the same critical survey. Either way, his work is central to the evolution of a post–Literary Revival aesthetic, and his voice is one of the most prominent, and eloquent, in the fight against censorship in Ireland.

(Pictured: Portrait of Seán Ó Faoláin by Howard Coster, 1930s, National Portrait Gallery)


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Birth of Edna O’Brien, Novelist, Playwright & Poet

Edna O’Brien, novelist, memoirist, playwright, poet and short story writer, is born in Tuamgraney, County Clare on December 15, 1930. Philip Roth describes her as “the most gifted woman now writing in English,” while the former President of Ireland Mary Robinson cites her as “one of the great creative writers of her generation.” Her works often revolve around the inner feelings of women, and their problems in relating to men, and to society as a whole.

O’Brien is the youngest child of “a strict, religious family.” From 1941 to 1946 she is educated by the Sisters of Mercy, a circumstance that contributes to a “suffocating” childhood. “I rebelled against the coercive and stifling religion into which I was born and bred. It was very frightening and all pervasive. I’m glad it has gone.” She is fond of a nun as she deeply misses her mum and tries to identify the nun with her mother.

In 1950, O’Brien is awarded a licence as a pharmacist. In Ireland, she reads such writers as Leo Tolstoy, William Makepeace Thackeray, and F. Scott Fitzgerald. In 1954, she marries, against her parents’ wishes, the Irish writer Ernest Gébler and the couple moves to London. They have two sons, but the marriage is dissolved in 1964. Gébler dies in 1998.

In London, O’Brien purchases Introducing James Joyce, with an introduction written by T. S. Eliot. When she learns that James Joyce‘s A Portrait of the Artist as a Young Man is autobiographical, it makes her realise where she might turn, should she decide to write herself. In London she starts work as a reader for Hutchinson, where on the basis of her reports she is commissioned, for £50, to write a novel. Her first novel, The Country Girls (1960), is often credited with breaking silence on sexual matters and social issues during a repressive period in Ireland following World War II.

This novel is the first part of a trilogy of novels which includes The Lonely Girl (1962) and Girls in Their Married Bliss (1964). Shortly after their publication, these books are banned and, in some cases burned, in her native country due to their frank portrayals of the sex lives of their characters. Her novel A Pagan Place (1970) is about her repressive childhood. Her parents are vehemently against all things related to literature and her mother strongly disapproves of her daughter’s career as a writer.

O’Brien is a panel member for the first edition of the BBC‘s Question Time in 1979. In 2017, she becomes the sole surviving member.

In 1980, she writes a play, Virginia, about Virginia Woolf, and it is staged originally in June 1980 at the Stratford Festival, Ontario, Canada and subsequently in the West End of London at the Theatre Royal Haymarket with Maggie Smith and directed by Robin Phillips. It is staged at The Public Theater in New York City in 1985.

Other works include a biography of James Joyce, published in 1999, and one of the poet Lord Byron, Byron in Love (2009). House of Splendid Isolation (1994), her novel about a terrorist who goes on the run, marks a new phase in her writing career. Down by the River (1996) concerns an under-age rape victim who seeks an abortion in England, the “Miss X case.” In the Forest (2002) deals with the real-life case of Brendan O’Donnell, who abducts and murders a woman, her three-year-old son, and a priest, in rural Ireland.

O’Brien now lives in London. She receives the Irish PEN Award in 2001. Saints and Sinners wins the 2011 Frank O’Connor International Short Story Award, the world’s richest prize for a short story collection. Faber and Faber publishes her memoir, Country Girl, in 2012. In 2015, she is bestowed Saoi by Aosdána.


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Death of Frank O’Connor, Poet & Novelist

Frank O’Connor, Irish writer of over 150 works and best known for his short stories and memoirs, dies of a heart attack in Dublin on March 10, 1966. The Frank O’Connor International Short Story Award is named in his honour.

O’Connor is born Michael Francis O’Donovan in Cork, County Cork, on September 17, 1903. The only child of Minnie (née O’Connor) and Michael O’Donovan, he attends Saint Patrick’s School on Gardiner’s Hill and North Monastery CBS. His early life is marked by his father’s alcoholism, debt, and ill-treatment of his mother. His childhood is shaped in part by his mother, who supplies much of the family’s income by cleaning houses, because his father is unable to keep steady employment due to his drunkenness. He adores his mother and is bitterly resentful of his father. In his memoirs, he recalls his childhood as “those terrible years,” and admits that he has never been able to forgive his father for his abuse of himself and his mother. When his mother is seventy, O’Connor is horrified to learn from his own doctor that she has suffered for years from chronic appendicitis, which she has endured with great stoicism, as she has never had the time nor the money to see a doctor.

In 1918 O’Connor joins the First Brigade of the Irish Republican Army (IRA) and serves in combat during the Irish War of Independence. He opposes the Anglo-Irish Treaty of 1921 and joins the Anti-Treaty IRA during the Irish Civil War, working in a small propaganda unit in Cork city. He is one of twelve thousand Anti-Treaty combatants who are interned by the government of the new Irish Free State. Between 1922 and 1923 he is imprisoned in Cork City Gaol and in Gormanston, County Meath.

Following his release, O’Connor takes various positions including that of teacher of the Irish language, theatre director, and librarian. He begins to move in literary circles and is befriended by George William Russell (Æ), through whom he comes to know most of the well-known Irish writers of the day, including William Butler Yeats, Lennox Robinson, F. R. Higgins and Lady Gregory. In his memoirs, he pays tribute to both Yeats and Russell for the help and encouragement they gave him.

In 1935, O’Connor becomes a member of the board of directors of the Abbey Theatre in Dublin, founded by Yeats and other members of the Irish National Theatre Society. In 1937, he becomes managing director of the Abbey. Following Yeats’s death in 1939, O’Connor’s long-standing conflict with other board members comes to a head and he leaves the Abbey later that year. In 1950, he accepts invitations to teach in the United States, where many of his short stories have been published in The New Yorker and have won great acclaim. He spends much of the 1950s in the United States, although it is always his intention to return eventually to Ireland.

From the 1930s to the 1960s O’Connor is a prolific writer of short stories, poems, plays, and novellas. His work as an Irish teacher complements his plethora of translations into English of Irish poetry, including his initially banned translation of Brian Merriman‘s Cúirt an Mheán Oíche (The Midnight Court). Many of his writings are based on his own life experiences – notably his well-known The Man of the House in which he reveals childhood details concerning his early life in County Cork. The Sullivan family in this short story, like his own boyhood family, is lacking a proper father figure.

O’Connor’s early years are recounted in An Only Child, a memoir published in 1961 which has the immediacy of a precocious diary. He continues his autobiography through his time with the Abbey Theatre in Dublin in his book My Father’s Son, which is published posthumously in 1968. It contains valuable character sketches of many of the leading Irish literary figures of the 1930s, in particular Yeats and Æ.

Frank O’Connor has a stroke while teaching at Stanford University in 1961, and he later dies from a heart attack in Dublin on March 10, 1966. He is buried in Deans Grange Cemetery two days later.


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The Murder of IRA Volunteer Eamon Collins

Eamon Collins, member of the Provisional Irish Republican Army (IRA) in the late 1970s and early 1980s, is beaten and stabbed to death by an unidentified assailant(s) in the early morning hours of January 27, 1999, in Newry, County Down, Northern Ireland.

Collins is born in 1954 in Camlough, County Armagh, Northern Ireland, the son of Brian Collins, a farmer, livestock trader, and cattle smuggler, and Kathleen Collins (née Cumiskey). His extended family has no history of political involvement, though his upbringing is fervently Catholic and nationalist. He leaves secondary school at age 16 and briefly works as a clerk in the Ministry of Defence in London. He returns home for family reasons and resumes his education in 1971 through a scholarship to St. Colman’s College, Newry, County Down. In 1973 he goes to Queen’s University Belfast (QUB) to study law.

Collins develops ultra-leftist political beliefs in his late teens and supports the Northern Ireland civil rights movement but retains reservations about the use of violence. He is further radicalised by being beaten up by soldiers searching his family’s farm at Easter 1974 and by the downfall of the power sharing executive. He loses interest in his studies, leaves QUB in 1976 without completing his degree, and drifts for two years, joining an anarchist collective in Belfast. He comes back into contact with the republican movement through the blanket protest by Long Kesh inmates; he had known hunger striker Raymond McCreesh as a teenager. In 1978 he joins the customs service in Newry and begins to pass information to the IRA, which he joins in 1979. He is central to IRA recruitment and intelligence in Newry and south Down. Without firing a shot himself he facilitates at least five murders, including that of a customs colleague.

In 1982 Collins marries and the couple has four children. By 1984 he has developed doubts about his activities. He antagonises the Belfast leadership, which is moving towards political engagement and away from the all-out revolutionary violence that he favours, and while he admires the hardline South Armagh IRA for its military professionalism, he regards its members as political primitives. On February 28, 1985, he is arrested after an IRA mortar attack in which nine Royal Ulster Constabulary (RUC) members are killed. He breaks down after six days of interrogation and is recruited as a “supergrass,” but retracts his evidence a fortnight later and is held on remand on the basis of his confessions.

In January–February 1987 Collins is tried for murder but acquitted after the judge rules his statements inadmissible. He completes an Open University degree while awaiting trial. After his release he is ostracised and is interrogated by the IRA, which in July 1987 orders him to leave Northern Ireland. He engages in youth work in Dublin from 1987 to 1990, taking a diploma in community work at Maynooth. His wife and children remain in Newry and he visits them regularly in defiance of the expulsion order. In 1990 he returns to live in Newry and teaches at the Ulster People’s College in Belfast. From 1992–94 he is a community worker in Edinburgh. His wife and children continue to live on the Barcroft Park estate in Newry.

In 1994 Collins returns permanently to Northern Ireland after securing a job at a youth club in Armagh. In April 1995 he describes his career in a television documentary, admitting the murders for which he had been tried. In 1997 he publishes a memoir, Killing Rage, a powerful account of life as a paramilitary, although it is not entirely reliable. After the 1995 documentary he experiences verbal and physical harassment. This intensifies after May 1998 when he testifies for The Sunday Times in a libel action by Thomas Murphy, whom the paper accuses of being a leading IRA member. Four months after Murphy loses the case, the family farmhouse in Camlough, which Collins is renovating, is burned down. After the Omagh bombing he publishes several articles denouncing the Real IRA, several of whose activists he had recruited into the IRA from the Irish National Liberation Army (INLA) in the early 1980s. Graffiti regularly appears outside his home in Newry denouncing him as a British agent.

Early in the morning of January 27, 1999, Collins paints out the latest graffiti, and is walking his dogs near the Barcroft Park Estate in Newry along a quiet stretch of country lane at Doran’s Hill, just within sight of Sliabh gCuircin (Camlough Mountain). His body also bears marks of having been struck by a car moving at speed. The subsequent police investigation and Coroner’s Inquest comments upon the extremity of weaponed violence to Collins’ head and face used during the attack.

Rumoured reasons behind the murder are that Collins had returned to Northern Ireland in breach of the IRA’s banning order, and further he had detailed IRA activities and publicly criticized in the media a multiplicity of Irish Republican paramilitary splinter groups that had appeared after the Provisional IRA’s 1994 ceasefire, and that he had testified in court against Murphy. Gerry Adams states the murder was “regrettable,” but adds that Collins had “many enemies in many places.”

After a traditional Irish wake, with a closed coffin necessitated due to the damage to his face, and a funeral service at St. Catherine’s Dominican Church in Newry, Collins’ body is buried at the city’s Monkshill Cemetery, not far from the grave of Albert White, a Catholic former Royal Ulster Constabulary Inspector, whose assassination he helped to organise in 1982.

In January 2014 the Police Service of Northern Ireland (PSNI) releases a statement that a re-examination of the evidence from the scene of the 1999 murder had revealed new DNA material of a potential perpetrator’s presence, and makes a public appeal for information, detailing the involvement of a specific car model, a white coloured Hyundai Pony, and a compass pommel that had broken off a hunting knife during the attack and had been left behind at the scene. In February 2014 detectives from the Serious Crime Branch arrest a 59-year-old man at an address in Newry in relation to the murder, but he is subsequently released without charge. In September 2014 the police arrest three men, aged 56, 55 and 42, in County Armagh in relation to inquiries into the murder, all of whom are subsequently released without charges after questioning. In January 2019 the police release a statement regarding the murder that one of the assailants had been seriously injured by an accidentally sustained knife wound during the attack, and had left traces of his own blood at the scene, and that recent scientific advances in DNA evidence had increased the possibility of his identification. In May 2019, three men aged 60 to 62 are arrested and questioned, but then released unconditionally.


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Death of George Moore, Novelist, Poet & Critic

George Augustus Moore, novelist, short story writer, poet, art critic, memoirist, and dramatist, dies at his home in London on January 21, 1933. He is considered an innovator in fiction in his day.

Moore is born in Moore Hall, near Lough Carra, County Mayo on February 24, 1852. He comes from a distinguished Catholic family of Irish landholders. When he is 21, he leaves Ireland for Paris to become a painter. His Reminiscences of the Impressionist Painters (1906) vividly describes the Café Nouvelle-Athènes and the circle of Impressionist painters who frequent it. He is particularly friendly with Édouard Manet, who sketches three portraits of him. Another account of the years in Paris, in which he introduces the younger generation in England to his version of fin de siècle decadence, is his first autobiography, Confessions of a Young Man (1888).

Deciding that he has no talent for painting, Moore returns to London in 1882 to write. His first novels, A Modern Lover (1883) and A Mummer’s Wife (1885), introduce a new note of French Naturalism into the English scene, and he later adopts the realistic techniques of Gustave Flaubert and Honoré de Balzac. Esther Waters (1894), his best novel, deals with the plight of a servant girl who has a baby out of wedlock. It is a story of hardship and humiliation illumined by the novelist’s compassion. It is an immediate success, and he follows it with works in a similar vein: Evelyn Innes (1898) and Sister Teresa (1901).

In 1901 Moore moves to Dublin, partly because of his loathing for the South African War and partly because of the Irish Literary Revival spearheaded by his friend, the poet William Butler Yeats. In Dublin he contributes notably to the planning of the Abbey Theatre. He also produces The Untilled Field (1903), a volume of fine short stories reminiscent of Ivan Turgenev’s writing that focuses on the drudgery of Irish rural life, and a short poetic novel, The Lake (1905). The real fruits of his life in Ireland, however, come with the trilogy Hail and Farewell (Ave, 1911; Salve, 1912; Vale, 1914). Discursive, affectionate, and satirical by turns, it reads like a sustained monologue that is both a carefully studied piece of self-revelation and an acute, though not always reliable, portrait gallery of his Irish acquaintance, which included Yeats, George William Russell, and Lady Gregory. Above all it is a perfectly modulated display of the comic spirit.

The increasing narrowness of the Irish mind, politics, and clericalism sends Moore back to England in 1911. After Hail and Farewell, he makes another literary departure. Aiming at epic effect he produces The Brook Kerith (1916), an elaborate and stylish retelling of the Gospel story that is surprisingly effective despite some dull patches. He continues his attempts to find a prose style worthy of epic theme in Héloïse and Abélard (1921). His other works include A Story-Teller’s Holiday (1918), a blend of autobiography, anecdote, Irish legend, and satire, Conversations in Ebury Street (1924), autobiography, The Pastoral Loves of Daphnis and Chloe (1924) and Ulick and Soracha (1926), an Irish legendary romance.

George Moore dies at his home at Ebury Street in the London district of Belgravia on January 21, 1933, leaving a fortune of £70,000. He is cremated in London at a service attended by Ramsay MacDonald among others. An urn containing his ashes is interred on Castle Island in Lough Carra in view of the ruins of Moore Hall, which had been burned by anti-treaty forces in 1923, during the final months of the Irish Civil War.


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Edna O’Brien Receives the Irish PEN Award for Literature

Josephine Edna O’Brien, novelist, memoirist, playwright, poet and short story writer, receives a lifetime achievement award from the society for Irish writers, the Irish PEN Award for Literature, on February 2, 2001, in recognition of her work which spans 25 years. Philip Roth describes her as “the most gifted woman now writing in English,” while Mary Robinson, former President of Ireland, cites her as “one of the great creative writers of her generation.”

O’Brien is born on December 15, 1930, the youngest child of farmer Michael O’Brien and Lena Cleary at Tuamgraney, County Clare, a place she would later describe as “fervid” and “enclosed.” Her father inherits a “thousand acres or more” and “a fortune from rich uncles,” but is a “profligate” hard drinker who gambles away his inheritance, the land sold off or bartered to pay debts. From 1941 to 1946 she is educated by the Sisters of Mercy at the Convent of Mercy boarding school at Loughrea, County Galway – a circumstance that contributes to a “suffocating” childhood. In 1950, having studied at night at pharmaceutical college and worked in a Dublin pharmacy during the day, she is awarded a licence as a pharmacist. She reads such writers as Leo Tolstoy, William Makepeace Thackeray, and F. Scott Fitzgerald.

In Dublin, O’Brien purchases Introducing James Joyce, with an introduction written by T. S. Eliot, and says that when she learned that James Joyce‘s A Portrait of the Artist as a Young Man was autobiographical, it made her realise where she might turn, should she want to write herself. “Unhappy houses are a very good incubation for stories”, she says. In London she starts work as a reader for Hutchinson, a publishing firm, where on the basis of her reports she is commissioned, for £50, to write a novel. She publishes her first book, The Country Girls, in 1960. This is the first part of a trilogy of novels (later collected as The Country Girls Trilogy), which includes The Lonely Girl (1962) and Girls in Their Married Bliss (1964). Shortly after their publication, these books are banned and, in some cases, burned in her native country due to their frank portrayals of the sex lives of their characters. She is accused of “corrupting the minds of young women.” She later says, “I felt no fame. I was married. I had young children. All I could hear out of Ireland from my mother and anonymous letters was bile and odium and outrage.”

In the 1960s, O’Brien is a patient of R. D. Laing. “I thought he might be able to help me. He couldn’t do that – he was too mad himself – but he opened doors,” she later says. Her novel A Pagan Place (1970) is about her repressive childhood. Her parents were vehemently against all things related to literature. Her mother strongly disapproved of her daughter’s career as a writer. Once when her mother found a Seán O’Casey book in her daughter’s possession, she tried to burn it.

O’Brien is a panel member for the first edition of BBC One‘s Question Time in 1979. In 2017 she becomes the sole surviving member.

In 1980, O’Brien writes a play, Virginia, about Virginia Woolf, and it is staged originally in June 1980 at the Stratford Festival, Ontario, Canada and subsequently in the West End of London at the Theatre Royal Haymarket with Maggie Smith and directed by Robin Phillips. It is staged at The Public Theater in New York City in 1985. Other works include a biography of James Joyce, published in 1999, and one of the poet Lord Byron, Byron in Love (2009). House of Splendid Isolation (1994), her novel about a terrorist who goes on the run and whose research involves visiting Irish republican Dominic McGlinchey who is later killed and whom she calls “a grave and reflective man,” marks a new phase in her writing career. Down by the River (1996) concerns an under-age rape victim who seeks an abortion in England, the “Miss X case.” In the Forest (2002) deals with the real-life case of Brendan O’Donnell, who abducts and murders a woman, her three-year-old son, and a priest, in rural Ireland.

In addition to the Irish PEN Award, O’Brien’s awards include The Yorkshire Post Book Award in 1970 for A Pagan Place, and the Los Angeles Times Book Prize in 1990 for Lantern Slides. In 2006, she is appointed adjunct professor of English Literature at University College Dublin.

In 2009, O’Brien is honoured with the Bob Hughes Lifetime Achievement Award during a special ceremony at the year’s Irish Book Awards in Dublin. Her collection Saints and Sinners wins the 2011 Frank O’Connor International Short Story Award, with judge Thomas McCarthy referring to her as “the Solzhenitsyn of Irish life.” RTÉ airs a documentary on her as part of its Arts strand in early 2012. For her contributions to literature, she is appointed an honorary Dame of the Order of the British Empire on April 10, 2018.

In 2019, O’Brien is awarded the David Cohen Prize for Literature at a ceremony in London. The £40,000 prize, awarded every two years in recognition of a living writer’s lifetime achievement in literature, has been described as the “UK and Ireland Nobel in literature.” Judge David Park says, “In winning the David Cohen Prize, Edna O’Brien adds her name to a literary roll call of honour.”

(Pictured: Edna O’Brien speaking at the 2016 Hay Festival, photo by Andrew Lih and licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license)


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Birth of George Moore, Writer, Poet & Dramatist

george-augustus-moore

George Augustus Moore, novelist, short story writer, poet, art critic, memoirist, and dramatist, is born in Moore Hall, near Lough Carra, County Mayo on February 24, 1852. He is considered an innovator in fiction in his day.

Moore comes from a distinguished Catholic family of Irish landholders. When he is 21, he leaves Ireland for Paris to become a painter. His Reminiscences of the Impressionist Painters (1906) vividly describes the Café Nouvelle-Athènes and the circle of Impressionist painters who frequent it. He is particularly friendly with Édouard Manet, who sketches three portraits of him. Another account of the years in Paris, in which he introduces the younger generation in England to his version of fin de siècle decadence, is his first autobiography, Confessions of a Young Man (1888).

Deciding that he has no talent for painting, Moore returns to London in 1882 to write. His first novels, A Modern Lover (1883) and A Mummer’s Wife (1885), introduce a new note of French Naturalism into the English scene, and he later adopts the realistic techniques of Gustave Flaubert and Honoré de Balzac. Esther Waters (1894), his best novel, deals with the plight of a servant girl who has a baby out of wedlock. It is a story of hardship and humiliation illumined by the novelist’s compassion. It is an immediate success, and he follows it with works in a similar vein: Evelyn Innes (1898) and Sister Teresa (1901).

In 1901 Moore moves to Dublin, partly because of his loathing for the South African War and partly because of the Irish Literary Revival spearheaded by his friend, the poet William Butler Yeats. In Dublin he contributes notably to the planning of the Abbey Theatre. He also produces The Untilled Field (1903), a volume of fine short stories reminiscent of Ivan Turgenev’s writing that focuses on the drudgery of Irish rural life, and a short poetic novel, The Lake (1905). The real fruits of his life in Ireland, however, come with the trilogy Hail and Farewell (Ave, 1911; Salve, 1912; Vale, 1914). Discursive, affectionate, and satirical by turns, it reads like a sustained monologue that is both a carefully studied piece of self-revelation and an acute, though not always reliable, portrait gallery of his Irish acquaintance, which included Yeats, George William Russell, and Lady Gregory. Above all it is a perfectly modulated display of the comic spirit.

The increasing narrowness of the Irish mind, politics, and clericalism sends Moore back to England in 1911. After Hail and Farewell, he makes another literary departure. Aiming at epic effect he produces The Brook Kerith (1916), an elaborate and stylish retelling of the Gospel story that is surprisingly effective despite some dull patches. He continues his attempts to find a prose style worthy of epic theme in Héloïse and Abélard (1921). His other works include A Story-Teller’s Holiday (1918), a blend of autobiography, anecdote, Irish legend, and satire, Conversations in Ebury Street (1924), autobiography, The Pastoral Loves of Daphnis and Chloe (1924) and Ulick and Soracha (1926), an Irish legendary romance.

George Moore dies at his home at Ebury Street in the London district of Belgravia on January 21, 1933, leaving a fortune of £70,000. He is cremated in London at a service attended by Ramsay MacDonald among others. An urn containing his ashes is interred on Castle Island in Lough Carra in view of the ruins of Moore Hall, which had been burned by anti-treaty forces in 1923, during the final months of the Irish Civil War.


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Birth of Edna O’Brien, Novelist, Playwright & Poet

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Edna O’Brien, novelist, memoirist, playwright, poet and short story writer, is born in Tuamgraney, County Clare on December 15, 1930. Philip Roth describes her as “the most gifted woman now writing in English,” while the former President of Ireland Mary Robinson cites her as “one of the great creative writers of her generation.” Her works often revolve around the inner feelings of women, and their problems in relating to men, and to society as a whole.

O’Brien is the youngest child of “a strict, religious family.” From 1941 to 1946 she is educated by the Sisters of Mercy, a circumstance that contributes to a “suffocating” childhood. “I rebelled against the coercive and stifling religion into which I was born and bred. It was very frightening and all pervasive. I’m glad it has gone.” She is fond of a nun as she deeply misses her mum and tries to identify the nun with her mother.

In 1950, O’Brien is awarded a licence as a pharmacist. In Ireland, she reads such writers as Leo Tolstoy, William Makepeace Thackeray, and F. Scott Fitzgerald. In 1954, she marries, against her parents’ wishes, the Irish writer Ernest Gébler and the couple moves to London. They have two sons, but the marriage is dissolved in 1964. Gébler dies in 1998.

In London, O’Brien purchases Introducing James Joyce, with an introduction written by T. S. Eliot. When she learns that James Joyce‘s A Portrait of the Artist as a Young Man is autobiographical, it makes her realise where she might turn, should she decide to write herself. In London she starts work as a reader for Hutchinson, where on the basis of her reports she is commissioned, for £50, to write a novel. Her first novel, The Country Girls (1960), is often credited with breaking silence on sexual matters and social issues during a repressive period in Ireland following World War II.

This novel is the first part of a trilogy of novels which includes The Lonely Girl (1962) and Girls in Their Married Bliss (1964). Shortly after their publication, these books are banned and, in some cases burned, in her native country due to their frank portrayals of the sex lives of their characters. Her novel A Pagan Place (1970) is about her repressive childhood. Her parents are vehemently against all things related to literature and her mother strongly disapproves of her daughter’s career as a writer.

O’Brien is a panel member for the first edition of the BBC‘s Question Time in 1979. In 2017, she becomes the sole surviving member.

In 1980, she writes a play, Virginia, about Virginia Woolf, and it is staged originally in June 1980 at the Stratford Festival, Ontario, Canada and subsequently in the West End of London at the Theatre Royal Haymarket with Maggie Smith and directed by Robin Phillips. It is staged at The Public Theater in New York City in 1985.

Other works include a biography of James Joyce, published in 1999, and one of the poet Lord Byron, Byron in Love (2009). House of Splendid Isolation (1994), her novel about a terrorist who goes on the run, marks a new phase in her writing career. Down by the River (1996) concerns an under-age rape victim who seeks an abortion in England, the “Miss X case.” In the Forest (2002) deals with the real-life case of Brendan O’Donnell, who abducts and murders a woman, her three-year-old son, and a priest, in rural Ireland.

O’Brien now lives in London. She receives the Irish PEN Award in 2001. Saints and Sinners wins the 2011 Frank O’Connor International Short Story Award, the world’s richest prize for a short story collection. Faber and Faber publish her memoir, Country Girl, in 2012. In 2015, she is bestowed Saoi by Aosdána.


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Birth of Irish Writer Frank O’Connor

Frank O’Connor, Irish writer of over 150 works and best known for his short stories and memoirs, is born Michael Francis O’Donovan in Cork, County Cork, on September 17, 1903. The Frank O’Connor International Short Story Award is named in his honour.

Raised in Cork, the only child of Minnie (née O’Connor) and Michael O’Donovan, O’Connor attends Saint Patrick’s School on Gardiner’s Hill and North Monastery CBS. His early life is marked by his father’s alcoholism, debt, and ill-treatment of his mother. His childhood is shaped in part by his mother, who supplies much of the family’s income by cleaning houses, because his father is unable to keep steady employment due to his drunkenness. He adores his mother and is bitterly resentful of his father. In his memoirs, he recalls his childhood as “those terrible years,” and admits that he has never been able to forgive his father for his abuse of himself and his mother. When his mother is seventy, O’Connor is horrified to learn from his own doctor that she has suffered for years from chronic appendicitis, which she has endured with great stoicism, as she has never had the time nor the money to see a doctor.

In 1918 O’Connor joins the First Brigade of the Irish Republican Army and serves in combat during the Irish War of Independence. He opposes the Anglo-Irish Treaty of 1921 and joins the Anti-Treaty IRA during the Irish Civil War, working in a small propaganda unit in Cork City. He is one of twelve thousand Anti-Treaty combatants who are interned by the government of the new Irish Free State. Between 1922 and 1923 he is imprisoned in Cork City Gaol and in Gormanston, County Meath.

Following his release, O’Connor takes various positions including that of teacher of Irish, theatre director, and librarian. He begins to move in literary circles and is befriended by George William Russell (Æ), through whom he comes to know most of the well-known Irish writers of the day, including William Butler Yeats, Lennox Robinson, F. R. Higgins and Lady Gregory. In his memoirs, he pays tribute to both Yeats and Russell for the help and encouragement they gave him.

In 1935, O’Connor becomes a member of the board of directors of the Abbey Theatre in Dublin, founded by Yeats and other members of the Irish National Theatre Society. In 1937, he becomes managing director of the Abbey. Following Yeats’s death in 1939, O’Connor’s long-standing conflict with other board members comes to a head and he leaves the Abbey later that year. In 1950, he accepts invitations to teach in the United States, where many of his short stories have been published in The New Yorker and have won great acclaim. He spends much of the 1950s in the United States, although it is always his intention to return eventually to Ireland.

From the 1930s to the 1960s O’Connor is a prolific writer of short stories, poems, plays, and novellas. His work as an Irish teacher complements his plethora of translations into English of Irish poetry, including his initially banned translation of Brian Merriman‘s Cúirt an Mheán Oíche (The Midnight Court). Many of O’Connor’s writings are based on his own life experiences – notably his well-known The Man of the House in which he reveals childhood details concerning his early life in County Cork. The Sullivan family in this short story, like his own boyhood family, is lacking a proper father figure.

O’Connor’s early years are recounted in An Only Child, a memoir published in 1961 which has the immediacy of a precocious diary. He continues his autobiography through his time with the Abbey Theatre in Dublin in his book My Father’s Son, which is published posthumously in 1968. It contains valuable character sketches of many of the leading Irish literary figures of the 1930s, in particular Yeats and Æ.

Frank O’Connor has a stroke while teaching at Stanford University in 1961, and he later dies from a heart attack in Dublin on March 10, 1966. He is buried in Deans Grange Cemetery two days later.