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Birth of William Randall Roberts, Fenian & U.S. Representative

William Randall Roberts, Fenian Brotherhood member, United States Representative from New York (1871–1875), and a United States Ambassador to Chile, is born on February 6, 1830, in Mitchelstown, County Cork.

Roberts is the son of Randall Roberts, a baker, and Mary Roberts (née Bishop). He is educated locally and in July 1849 leaves with his family for the United States. For several years he works as a clerk for a dry goods company in New York City. In 1857, he sets up his own dry goods business, the Crystal Palace, which becomes successful. He retires in 1869 as a very wealthy man.

Having joined the American Fenian Brotherhood in 1863, Roberts gives it strong financial support for the remainder of the decade. He also supports several Irish American charitable organisations, including the Knights of St. Patrick, of which he is president. In October 1865, he is responsible for a change in the constitution of the Fenian Brotherhood, which results in a split in the movement. The majority of the Brotherhood supports his proposal to elect a “senate” to govern the organisation, with himself as president, in place of the autocratic leader, John O’Mahony. After the suppression of the Irish People and the arrest of the Irish Republican Brotherhood (IRB) leaders in Dublin in September 1865, he believes that it to be foolish to send American Fenian troops to Ireland.

Seeking to capitalise on the bad relations that develop between the United States and Britain during the American Civil War, Roberts hopes that a Fenian Brotherhood invasion Canada might provoke a war between Britain and the United States and thereby make a successful insurrection in Ireland more possible. Once the invasion takes place (May 31 – June 3, 1866), however, the American government seizes the Fenians’ supplies and reinforcements, thereby prompting him to abandon the attack. He is arrested in New York on June 7 and detained in prison but escapes prosecution and is released on June 15. Three days later, with the support of Irish American politicians, he is allowed to deliver an address to the United States Senate appealing for support for the cause of the amnesty of IRB prisoners in Ireland. Thereafter he goes on a lecture tour and argues that American politicians cannot hope to receive Irish American electoral support if they do not support the Fenian cause. In response to demands from Irish American politicians, in September 1866, President Andrew Johnson orders that the arms seized by the United States army be returned to the Fenian Brotherhood.

After the failure of the March 1867 rising in Ireland, Roberts sends men to Ireland to assume command of the IRB on his behalf. A significant number of IRB men follow his lead, and in June 1867 a convention is held in Paris over which he presides. At this he proposes the establishment of a Supreme Council to govern the IRB, a proposal that is soon accepted. He seeks to be appointed president of the new Supreme Council, but the IRB refuses owing to his being such a divisive figure within American Fenianism. In dismay he resigns as president of the Senate wing of the Fenian Brotherhood on December 31, 1867, and becomes less active in the revolutionary movement. In 1870, he opposes the attempt of Fenians to invade Canada once more, and in January 1871 organises a welcoming committee in New York for five recently released IRB leaders who had been banished from Ireland.

By that time, however, Roberts is more concerned with American politics. During 1870, he is elected to Congress as a Democratic Party candidate for New York, a seat he holds until 1874 when, due to financial difficulties, he decides not to run for reelection. As a congressman, he criticises the Republican government for its policy towards the former Confederate states, opposes the increasing power of railroad companies, demands greater protection for American citizens living in foreign countries (including the Fenians imprisoned in Canada), and supports civil rights for black people. He also attracts much praise for his strong criticism of British foreign policy.

After leaving Congress, Roberts becomes a member of the Tammany Society and attains prominence in New York municipal politics, being elected president of the New York City Board of Aldermen in 1878. The following year, he runs for the position of sheriff of New York but is defeated. Thereafter, he leaves the Tammany Society and establishes a rival organisation, the New York County Democracy. In 1882, he supports Grover Cleveland for the governorship of New York and in 1884 as the Democratic candidate for the United States presidency. He is rewarded on April 2, 1885, when President Cleveland appoints him Envoy Extraordinary and Minister Plenipotentiary to Chile.

Roberts’s term of office is cut short, however, when he suffers a paralytic stroke in May 1888. He is sent back to New York and to hospital, where he remains for nine years. He never regains his mental or physical health and dies on August 9, 1897. His funeral takes place on hospital grounds with few people in attendance. He had been separated from his wife, of whom nothing is known, except that they had at least one son, prior to being admitted to hospital. He is buried at Calvary Cemetery, Queens, New York City.

(From: “Roberts, William Randall” by Owen McGee, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Founding of the Irish White Cross

The Irish White Cross is established during a meeting in Dublin’s Mansion House on February 1, 1921, as a mechanism for distributing funds raised by the American Committee for Relief in Ireland for the purpose of assisting with relief and reconstruction in the country.

It is envisaged that the Irish White Cross will act in cooperation with similar relief committees that have been established in the United States.

The meeting, presided over by the Lord Mayor of Dublin, Laurence O’Neill, hears that the Society of Friends in New York has already contributed $50,000 to help launch the initiative.

Among those to welcome the new organisation is Sinn Féin President, Éamon de Valera, who promises all the support he can offer. Cardinal Michael Logue, Catholic Primate of Ireland, also offers his assistance: “Even if peace were restored, of which there seems little prospect at present, all the help which can be obtained shall be necessary, to restore the country from the wreck to which it has been reduced, and to help those who have been left destitute by the murder of those on whom they depended, or ruined by the destruction of their property.”

Cardinal Logue becomes president of the new organisation, the trustees of which include William Walsh, Archbishop of Dublin, Arthur Griffith, Sinn Féin TD, Molly Childers, Jennie Wyse Power and Tom Johnston. The Executive Committee includes Hanna Sheehy Skeffington, Kathleen Clarke and Mary Kettle.

Barry Egan, deputy Lord Mayor of Cork, says that the moral effect of the organisation will be incalculable.

The Irish White Cross is managed by the Quaker businessman, and later Irish Free State senator, James G. Douglas. The organisation continues to operate until the Irish Civil War and its books are officially closed in 1928. From 1922, its activities are essentially wound down and remaining funds divested to subsidiary organisations. The longest running of these aid committees is the Children’s Relief Association which distributes aid to child victims of this troubled period, north and south of the border, until 1947. The head of the Children’s Relief Association is Áine Ceannt, the widow of Éamonn Ceannt who is perhaps one of the least known signatories of the 1916 Proclamation of the Irish Republic.


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Death of Donal Donnelly, Irish Theatre & Film Actor

Donal Donnelly, Irish theatre and film actor, dies in Chicago, Illinois, on January 4, 2010. Perhaps best known for his work in the plays of Brian Friel, he has a long and varied career in film, on television and in the theatre. He lives in Ireland, the United Kingdom and the United States at various times, and his travels lead him to describe himself as “an itinerant Irish actor.”

Donnelly is born to Irish parents in Bradford, West Yorkshire, England, on July 6, 1931. His father James is a doctor from County Tyrone, and his mother Nora O’Connor is a teacher from County Kerry.

Donnelly is raised in Dublin where he attends Synge Street CBS, where he acts in school plays with Milo O’Shea, Eamonn Andrews, Jack MacGowran, Bernard Frawley (Seattle Repertory Co.) and Jimmy Fitzsimons (brother of Maureen O’Hara), under the direction of elocution teacher, Ena Burke.

Donnelly gets his start in an amateur group calling itself the Globe Theatre Players. It is organised and run by Jim Fitzgerald and Monica Brophy. He then later tours with Anew McMaster‘s Irish repertory company before moving to England where he stars with Rita Tushingham in the film The Knack …and How to Get It.

Donnelly’s breakthrough role comes when he is cast as Gar Private in the world premiere of Brian Friel’s Philadelphia, Here I Come! directed by Hilton Edwards for the Gate Theatre at the Dublin Theatre Festival in 1964. The production subsequently transfers to Broadway where it plays for over 300 performances and establishes Donnelly and Patrick Bedford, who plays his alter-ego Gar Public, as formidable new talents to be reckoned with. They are jointly nominated for the Tony Award for Best Performance by a Leading Actor in a Play in 1966.

Donnelly returns to Broadway a number of times, replacing Albert Finney in A Day in the Death of Joe Egg in 1968, playing Milo Tindle in Anthony Shaffer‘s Sleuth and appearing as Frederick Treves opposite David Bowie as The Elephant Man. He also renews his relationship with Brian Friel, appearing in the world premieres of Volunteers at the Abbey Theatre in 1975 and Faith Healer with James Mason at the Longacre Theatre in New York City in 1979, as well as the Broadway premieres of Dancing at Lughnasa in 1991 and Translations in 1995.

For many years, Donnelly tours a one-man performance of the writings of George Bernard Shaw, adapted and directed by Michael Voysey and entitled My Astonishing Self.

Donnelly’s film roles include Archbishop Gilday in The Godfather Part III and as Freddy Malins in John Huston‘s final work, The Dead, based on the short story by James Joyce, where he gains particular acclaim for his performance.

On television, Donnelly plays the lead role of Matthew Browne in the 1970s ITV sitcom Yes, Honestly, opposite Liza Goddard. But from the late 1950s onwards, he often appears in such British TV programs as The Avengers, Z-Cars and The Wednesday Play.

Donnelly is an acclaimed audiobook reader whose catalogue includes Pinocchio, Peter Pan, Voltaire‘s Philosophical Dictionary, and several audio versions of the works of James Joyce.

In 1968, Donnelly records an album of Irish songs, Take the Name of Donnelly, which is arranged, produced and conducted by Tony Meehan formerly of the Shadows.

Donnelly, who is a heavy smoker all his life, dies from cancer at the age of 78 in Chicago, Illinois, on January 4, 2010. He is survived by his wife, Patricia ‘Patsy’ Porter, a former dancer he met working on Finian’s Rainbow, and two sons, Jonathan and Damian. Their only daughter, Maryanne, predeceases him after being killed in a riding accident. A brother, Michael Donnelly, is a Fianna Fáil senator and councillor, and Lord Mayor of Dublin (1990–91).


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Birth of Composer Ian Wilson

Irish composer Ian Wilson is born in Belfast, Northern Ireland, on December 26, 1964. He has written over one hundred and fifty works, including chamber operas, concertos, string quartets, a range of orchestral and chamber music and multi-media pieces.

Wilson studies violin and piano, graduating with a Doctor of Philosophy (DPhil) in composition from Ulster University at Jordanstown in 1990, where he is a research fellow from 2000 to 2003. He is a composer-in-residence with Leitrim County Council and is music director of the Sligo New Music Festival from 2003 to 2011. He receives the Macaulay Fellowship from the Arts Council of Ireland in 1992. In 1998, he is elected to Aosdána, Ireland’s academy of creative artists. Since 2009, he has been a post-doctoral research fellow at Dundalk Institute of Technology, investigating aspects of traditional (ethnic) Irish performance practice as basis for new works of art music.

Wilson’s compositions have been performed and broadcast on six continents, and presented at festivals including the BBC Proms, Venice Biennale, ISCM World Music Days, Frankfort Book Fair and the Ultima Oslo Contemporary Music Festival and at venues such as New York City’s Carnegie Hall, London’s Royal Albert Hall and Wigmore Hall, Amsterdam’s Royal Concertgebouw and Muziekgebouw aan ‘t IJ, Vienna’s Wiener Musikverein and Tokyo’s Suntory Hall. His music has been performed by such diverse groups as the RTÉ National Symphony Orchestra, the London Mozart Players, the Irish Chamber Orchestra (ICO), the pianist Hugh Tinney and many others.

There are commercially available recordings of over fifty of Wilson’s works on labels including Diatribe Records, Riverrun, RTÉ Lyric fm, Black Box, Timbre, Guild, Meridian and Chandos Records. His music is published by Ricordi (London) and Universal Edition.


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Éamon de Valera’s Trip to the United States Ends

Éamon de Valera returns to Ireland on December 23, 1920, ending his trip to the United States.

In June 1919, de Valera arrives in the United States for what is to be an 18-month visit. He has recently escaped from Lincoln Gaol in England in sensational fashion, after a duplicate key is smuggled into the jail in a cake and he escapes dressed as a woman. A few months later he is a stowaway aboard the SS Lapland from Liverpool bound for America.

De Valera’s plan is to secure recognition for the emerging Irish nation, tap into the huge Irish American community for funds, and to pressurize the U.S. government to take a stance on Irish independence. Playing on his mind is the upcoming Versailles conference where the nascent League of Nations is preparing to guarantee “existing international borders” – a provision that will imply Ireland remaining within the United Kingdom.

De Valera also has a challenge in winning over President Woodrow Wilson, who is less than sympathetic to Ireland’s cause.

De Valera’s interest in America is of course personal. He is born in New York City on October 14, 1882, and his U.S. citizenship is one of the reasons he is spared execution after the 1916 Easter Rising.

At first de Valera keeps a low profile in America. Though he is greeted by Harry Boland and others when he docks in New York City, he first goes to Philadelphia and stays with Joseph McGarrity, the County Tyrone-born leader of Clan na Gael and a well-known figure in Irish America. He also quietly pays a visit to his mother in Rochester, New York.

De Valera’s first major engagement is on June 23, 1919, when he is unveiled to the American public at a press conference in the Waldorf-Astoria hotel in New York City. Crowds throng the streets around the hotel, and de Valera proclaims, “I am in America as the official head of the Republic established by the will of the Irish people in accordance with the principle of self-determination.”

De Valera then embarks upon a tour across America. Vast crowds turn out to see the self-proclaimed “president of the Irish republic.” In Boston an estimated crowd of 70,000 people hear him talk in Fenway Park. In San Francisco he unveils a statute of Irish revolutionary hero Robert Emmet in Golden Gate Park.

Later in the year, de Valera holds a huge rally in Philadelphia, where he is welcomed by the mayor at Independence Hall. He also visits smaller towns and cities across the United States, and his trip garners huge press coverage – an invaluable boon for his campaign to heighten awareness of the Irish issue in America.

But difficulties soon emerged during de Valera’s visit. He becomes embroiled in a bitter split among Irish Americans. He finds himself at odds with Judge Daniel Cohalan and John Devoy, central figures in the Friends of Irish Freedom (FOIF) association. Part of the dispute centers around money. De Valera had settled on an idea for a bond sale as a way of raising money for the cause – investors would be given bond certificates that would be exchangeable for bonds of the Irish Republic once it gets international recognition. But Cohalan and Devoy, who have already raised thousands through the Friends of Irish Freedom, are opposed, concerned about the scheme’s legality for one.

De Valera’s claim in an interview that Irish-British relations can be analogous to the relationship between Cuba and America also enrages the Cohalan-Devoy camp, who accuse him of surrendering the idea of full Irish sovereignty.

De Valera’s increasingly acrimonious relationship with Cohalan and Devoy spills over into the 1920 Republican and Democratic conventions. Against the advice of Cohalan and Devoy, he advances a resolution about Irish independence which is rejected 12-1 at the Republican convention in June of that year. A rival resolution by Cohalan squeezes through but ultimately is overturned. Similarly, he fails to secure the inclusion of the Irish issue in the Democratic Party’s policy platform during the Democrats’ convention in San Francisco.

De Valera leaves the United States in December 1920 with mixed results. Though he has raised millions of dollars through the bond sale, he has made little progress in co-opting official America to Ireland’s cause. Much as division is to characterise the next chapter of his political career in Ireland, de Valera’s sojourn in America leaves Irish America more divided than it has ever been.

(From: “Éamon de Valera’s US trip that left Irish America divided” by Suzanne Lynch, The Irish Times, http://www.irishtimes.com, June 1, 2019 | Pictured: Éamon de Valera (center) in New York with Friends of Irish Freedom’s Judge Daniel Cohalan and John Devoy in July 1919, Topical Press Agency/Getty)


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Birth of Daniel F. Cohalan, Irish American Lawyer & Politician

Daniel Florence Cohalan, American lawyer and politician of Irish descent, is born December 21, 1867, in Middletown, Orange County, New York, the eldest of five sons of Timothy E. Cohalan and Ellen Cohalan (née O’Leary), both Irish immigrants.

Cohalan graduates from Manhattan College in 1885, takes a master’s degree in 1894, and is given an honorary LL.D. in 1911. He is admitted to the bar in 1888, and practices law in New York City. In September 1889, he removes to the Bronx, practices law there, and enters politics, joining Tammany Hall, becoming an adviser to party boss Charles F. Murphy and later to John F. Curry. He is Grand Sachem of the Tammany Society from 1908 to 1911.

Cohalan is active in Democratic Party politics by 1900, drafting state party platforms and serving as a delegate to the national conventions in 1904 and 1908.

On May 18, 1911, Cohalan is appointed by Gov. John Alden Dix to the New York Supreme Court, to fill the vacancy caused by the election of James Aloysius O’Gorman as U.S. Senator from New York. In November 1911, he is elected to succeed himself. On December 28, 1923, he tenders his resignation, to become effective on January 12, 1924, claiming that the annual salary of $17,500 is not enough to provide for his large family.

Cohalan is a close associate of Irish revolutionary leader John Devoy and is influential in many Irish American societies including Clan na Gael. He helps to form the Sinn Féin League in 1907 and is a key organiser of the Irish Race Convention and the Friends of Irish Freedom (FOIF) on March 4-5, 1916. He is involved with the financing and planning of the Easter Rising in Dublin and is instrumental in sending Roger Casement to Germany in 1914. He is Chairman of the Irish Race Convention held in Philadelphia on February 22-23, 1919, and active in the Friends of Irish Freedom (1916–34).

When the United States enters World War I, Cohalan’s earlier work to obtain German assistance for Ireland becomes a liability, but he urges Irish Americans to support the war effort and to insist that self-determination for Ireland be included among the war aims. He opposes the peace treaty and the League of Nations and leads an Irish American delegation to the United States Senate Committee on Foreign Relations hearings, contributing to the defeat of the treaty in the Senate.

Cohalan strongly opposes President Woodrow Wilson‘s proposals for the League of Nations, on the basis that the Irish Republic had been denied a policy of self-determination at the Paris Peace Conference in 1919. In 1920, he works for the nomination of Hiram W. Johnson as the Republican Party candidate for president. His quarrels with Franklin D. Roosevelt begin in 1910, and he fights Roosevelt’s nomination for president in 1932 and 1936. He breaks with both Éamon de Valera and Irish American leader Joseph McGarrity in late 1919 on Irish American political direction.

In the aftermath of the Anglo–Irish Treaty, Cohalan and the FOIF back Arthur Griffith, Michael Collins and the Irish Free State. He visits Ireland in 1923 and supports William T. Cosgrave in the election of that year.

Cohalan dies at his home in Manhattan, New York, on November 12, 1946, and is buried on November 15 at the Calvary Cemetery in Woodside, Queens, New York. The Daniel F. Cohalan papers are in the possession of the American Irish Historical Society, New York.

State Senator John P. Cohalan (1873–1950) is one of Cohalan’s eleven siblings, and church historian Monsignor Florence Daniel Cohalan (1908–2001) is one of his nine children.


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Birth of Edna O’Brien, Novelist, Playwright & Poet

Edna O’Brien, novelist, memoirist, playwright, poet and short story writer, is born in Tuamgraney, County Clare on December 15, 1930. Philip Roth describes her as “the most gifted woman now writing in English,” while the former President of Ireland Mary Robinson cites her as “one of the great creative writers of her generation.” Her works often revolve around the inner feelings of women, and their problems in relating to men, and to society as a whole.

O’Brien is the youngest child of “a strict, religious family.” From 1941 to 1946 she is educated by the Sisters of Mercy, a circumstance that contributes to a “suffocating” childhood. “I rebelled against the coercive and stifling religion into which I was born and bred. It was very frightening and all pervasive. I’m glad it has gone.” She is fond of a nun as she deeply misses her mum and tries to identify the nun with her mother.

In 1950, O’Brien is awarded a licence as a pharmacist. In Ireland, she reads such writers as Leo Tolstoy, William Makepeace Thackeray, and F. Scott Fitzgerald. In 1954, she marries, against her parents’ wishes, the Irish writer Ernest Gébler and the couple moves to London. They have two sons, but the marriage is dissolved in 1964. Gébler dies in 1998.

In London, O’Brien purchases Introducing James Joyce, with an introduction written by T. S. Eliot. When she learns that James Joyce‘s A Portrait of the Artist as a Young Man is autobiographical, it makes her realise where she might turn, should she decide to write herself. In London she starts work as a reader for Hutchinson, where on the basis of her reports she is commissioned, for £50, to write a novel. Her first novel, The Country Girls (1960), is often credited with breaking silence on sexual matters and social issues during a repressive period in Ireland following World War II.

This novel is the first part of a trilogy of novels which includes The Lonely Girl (1962) and Girls in Their Married Bliss (1964). Shortly after their publication, these books are banned and, in some cases burned, in her native country due to their frank portrayals of the sex lives of their characters. Her novel A Pagan Place (1970) is about her repressive childhood. Her parents are vehemently against all things related to literature and her mother strongly disapproves of her daughter’s career as a writer.

O’Brien is a panel member for the first edition of the BBC‘s Question Time in 1979. In 2017, she becomes the sole surviving member.

In 1980, she writes a play, Virginia, about Virginia Woolf, and it is staged originally in June 1980 at the Stratford Festival, Ontario, Canada and subsequently in the West End of London at the Theatre Royal Haymarket with Maggie Smith and directed by Robin Phillips. It is staged at The Public Theater in New York City in 1985.

Other works include a biography of James Joyce, published in 1999, and one of the poet Lord Byron, Byron in Love (2009). House of Splendid Isolation (1994), her novel about a terrorist who goes on the run, marks a new phase in her writing career. Down by the River (1996) concerns an under-age rape victim who seeks an abortion in England, the “Miss X case.” In the Forest (2002) deals with the real-life case of Brendan O’Donnell, who abducts and murders a woman, her three-year-old son, and a priest, in rural Ireland.

O’Brien now lives in London. She receives the Irish PEN Award in 2001. Saints and Sinners wins the 2011 Frank O’Connor International Short Story Award, the world’s richest prize for a short story collection. Faber and Faber publishes her memoir, Country Girl, in 2012. In 2015, she is bestowed Saoi by Aosdána.


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Death of Thomas Clarke Luby, Author, Journalist & Founding Member of the IRB

Thomas Clarke Luby, Irish revolutionary, author, journalist and one of the founding members of the Irish Republican Brotherhood, dies in Jersey City, New Jersey, on November 29, 1901.

Luby is born in Dublin on January 16, 1822, the son of a Church of Ireland clergyman from Templemore, County Tipperary, his mother being a Catholic. He is educated at Trinity College Dublin where he studies law and puts in the necessary number of terms in London and Dublin where he acquires a reputation as a scholar and takes his degree. He goes on to teach at the college for a time.

Luby supports the Repeal Association and contributes to The Nation newspaper. After the breach with Daniel O’Connell, he joins the Young Irelanders in the Irish Confederation. He is deeply influenced by James Fintan Lalor at this time. Following the suppression of the Young Irelander Rebellion of 1848, he with Lalor and Philip Gray attempt to revive the fighting in 1849 as members of the secret Irish Democratic Association. This, however, ends in failure.

In 1851 Luby travels to France, where he hopes to join the French Foreign Legion to learn infantry tactics but finds the recruiting temporarily suspended. From France he goes to Australia for a year before returning to Ireland. From the end of 1855 he edits the Tribune newspaper founded by John E. Pigot who had been a member of The Nation group. During this time, he remains in touch with the small group of ’49 men including Philip Gray and attempts to start a new revolutionary movement. Luby’s views on social issues grow more conservative after 1848 which he makes clear to James Stephens whom he meets in 1856.

In the autumn of 1857 Owen Considine arrives with a message signed by four Irish exiles in the United States, two of whom are John O’Mahony and Michael Doheny. The message conveys the confidence they have in Stephens and asks him to establish an organisation in Ireland to win national independence. Considine also carries a private letter from O’Mahony to Stephens which is a warning, and which is overlooked by Luby and Stephens at the time. Both believe that there is a strong organisation behind the letter, only later to find it is rather a number of loosely linked groups. On December 23, Stephens dispatches Joseph Denieffe to America with his reply which is disguised as a business letter dated and addressed from Paris. In his reply, Stephen’s outlines his conditions and his requirements from the organisation in America.

On March 17, 1858, Denieffe arrives in Dublin with the acceptance of Stephens’s terms by the New York Committee and the eighty pounds. On that very evening the Irish Republican Brotherhood is established in Peter Langan’s timberyard in Lombard Street.

In mid-1863 Stephens informs his colleagues he wishes to start a newspaper, with financial aid from O’Mahony and the Fenian Brotherhood in America. The offices are established at 12 Parliament Street, almost at the gates of Dublin Castle. The first issue of the Irish People appears on November 28, 1863. The staff of the paper along with Luby are Charles J. Kickham and Denis Dowling Mulcahy as the editorial staff. Jeremiah O’Donovan Rossa and James O’Connor have charge of the business office, with John Haltigan being the printer. John O’Leary is brought from London to take charge in the role of Editor.

On July 15, 1865, American-made plans for a rising in Ireland are discovered. Superintendent Daniel Ryan, head of the G Division of the Dublin Metropolitan Police at Dublin Castle, has an informer within the offices of the Irish People who supplies him with an “action this year” message on its way to the IRB unit in Tipperary. With this information, Ryan raids the offices of the Irish People on Thursday, September 15, followed by the arrests of Luby, O’Leary and O’Donovan Rossa. Kickham is caught after a month on the run. Stephens is also caught with the support of Fenian prison warders. The last number of the paper is dated September 16, 1865.

After his arrest and the suppression of the Irish People, Luby is sentenced to twenty years of penal servitude. He is released in January 1871, but is compelled to remain away from Ireland until the expiration of his sentence.

Upon his release Luby goes first to the Continent and later settles in New York City. He lectures all over the country for years and writes for a number of Irish newspapers on political topics. At the memorial meeting on the death of John Mitchel, he delivers the principal address in Madison Square Garden.

Thomas Clarke Luby dies at 109½ Oak Street, Jersey City, New Jersey of paralysis, on November 29, 1901, and is buried in a grave shared with his wife in Bayview Cemetery in Jersey City. His epitaph reads: “Thomas Clarke Luby 1822–1901 He devoted his life to love of Ireland and quest of truth.”


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Death of Theatrical Producer Hilton Edwards

Hilton Edwards, an English-born Irish actor, lighting designer, and theatrical producer, dies in a Dublin hospital on November 18, 1982, following a short illness.

Edwards is born in London on February 2, 1903. He begins his career acting with the Charles Doran Shakespeare Company in 1920 in Windsor and then joins The Old Vic in London, playing in all but two of Shakespeare‘s plays before leaving the company a few years later. Trained in music, he also sings baritone roles with the Old Vic Opera company.

After touring with various companies in Britain and South Africa, Edwards goes to Ireland in 1927 for a season with Anew McMaster‘s company and meets McMaster’s brother-in-law, Micheál Mac Liammóir. As he tells an interviewer once, both men want a theater of their own. Mac Liammóir wants it to be in Ireland and Edwards does not care. “I don’t care about nationalism, I care about the theater,” he says.

Edwards and Mac Liammóir co-found the Gate Theatre in Dublin in 1928. The two men’s talents are complementary. Mac Liammóir is an actor, designer, and writer. Edwards is a director, actor, producer, and lighting designer. Edwards produces and directs more than 300 plays at the Gate, ranging from the works of Aeschylus and Sophocles, Johann Wolfgang von Goethe and Henrik Ibsen to the comedies of George Bernard Shaw and Richard Brinsley Sheridan and new Irish plays, by such authors as W. B. Yeats, Brian Friel, and Mac Liammóir.

In New York City in 1948 Edwards plays in and directs John Bull’s Other Island and directs The Old Lady Says No and Where Stars Walk. In 1961, Edwards takes a two-year leave from the Gate to become the first Head of Drama at Telefís Éireann. A year later, he wins a Jacob’s Award for his television series Self Portrait.

Edwards appears in 15 films, including Captain Lightfoot (1955), David and Goliath (1960), Victim (1961), and Half a Sixpence (1967). He also writes and directs Orson Welles‘s Return to Glennascaul (1951). However, he is primarily known for his theatre work. He is nominated for a Tony Award in 1966 for Best Director of a Drama for Philadelphia, Here I Come!

Hilton Edwards dies in a Dublin hospital on November 18, 1982. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christophor Fitz-Simon.


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“The Siege of Rochelle” First Performed at Drury Lane Theatre

Irish composer Michael William Balfe‘s opera The Siege of Rochelle is first performed at the Drury Lane Theatre in London on October 29, 1835.

The opera is originally prepared for the English Opera House but for some reason the theatrical manager, Samuel James Arnold, does not want it. Instead, Alfred Bunn, the manager of Drury Lane Theatre, seizes the opportunity and begins what is a very fruitful collaboration with Balfe that lasts a decade. Balfe is to become the mainstay of English Opera for almost the next 30 years with a succession of popular operas.

The opera runs for 70 nights on its initial run and is revived in the following three seasons with Balfe singing the role of Michel. Queen Victoria sees the opera on November 15, 1837, her first state visit to a theatre during her reign. In 1836, the opera is reported as staged in Leeds, York, Sheffield, Manchester, Liverpool, Bath and Dublin with Abigail Betts as Clara. John Wilson, who sings in the initial run of the opera, also sings in, at least, some of these. Madame Balfe chooses the opera for her benefit in 1841, and Bunn opens his 1843 season with it on September 30. Emma Romer uses it to open her 1853 season at the Surrey Theatre, although it is being described by then as “somewhat hacknied.”

October 1875 sees a revival of the opera by the Carl Rosa Opera Company at the Princess’s Theatre, and it is then included in the company’s repertoire that tours to Manchester in 1875, Liverpool in 1876, Birmingham in 1877 and Dublin in 1879. The Turner Company tours it in 1893. This is possibly the opera’s last performance until the Wexford Festival Opera performances in 1963. The overture and songs from the opera, such as “When I beheld the anchor weigh’d” continue to retain a place in the concert hall and the home into the 20th century.

In 1838, the opera is performed by the Caradori-Allan troupe at the Park Theatre in New York but fails although it appears to be retained in the repertory. In 1839, it is performed again in Dublin with Balfe as Michel and in Sydney in 1848.

The opera’s production sparks an acrimonious argument between a correspondent in The Examiner accusing Balfe of plagiarism from Luigi Ricci‘s 1832 opera, Chiara di Rosemberg, and, in defence, Frederick Beale, from Balfe’s publishers, and Balfe. The matter seems to be settled in Balfe’s favour when the score of Chiara di Rosemberg is displayed at music publisher Cramer, Beale and Co. so that people can compare the two for themselves. While Edward Fitzball probably uses Ricci’s libretto as the basis for his, it does not seem to have been a straight translation, as some allege, but similarities would help to feed the accusations of plagiarism, bolstered by the Italian training and approach of both composers and the fact that Balfe had sung in Chiara di Rosemberg in Italy in 1834.

Balfe is said to have been paid £5 a night by Bunn and 400 guineas for the score by the publishers Cramer, Beale and Co. In 1871, the Bury and Norwich Post (April 11, 1871) report that the copyright has sold for £156 and just over ten years later the Aberdeen Evening Express (May 8, 1883) notes that the copyright has been sold again for approximately £20, adding “So much for Balfe’s ‘popularity.”