Trevor wins the 2008 International Nonino Prize in Italy. In 2014, he is bestowed with the title of Saoi within Aosdána. He resides in England from 1954 until his death in 2016, at the age of 88.
Trevor is educated at a succession of schools including St Columba’s College, Dublin (where he is taught by Oisín Kelly) and at Trinity College Dublin (TCD), from which he receives a degree in history. He works as a sculptor under the name Trevor Cox following his graduation from TCD, supplementing his income by teaching.
Trevor marries Jane Ryan in 1952 and emigrates to England, working as a teacher, a sculptor and then as a copywriter for an advertising agency. During this time he and his wife have their first son. In 1952, he becomes an art teacher at Bilton Grange, a prep school near Rugby. He is commissioned to carve reliefs for several churches, including All Saints’ Church, Braunston, Northamptonshire. In 1956, he moves to Somerset to work as a sculptor and carries out commissions for churches. He stops wood carving in 1960.
Trevor’s first novel, A Standard of Behaviour, is published in 1958 by Hutchinson & Co. of London, but receives little critical success. He later disowns this work, and, according to his obituary in The Irish Times, “refused to have it republished.” It is, in fact, republished in 1982 and in 1989.
In 1964, at the age of 36, Trevor is awarded the Hawthornden Prize for The Old Boys. This success encourages him to become a full-time writer.
In 1971, he and his family move from London to Devon in South West England, first to Dunkeswell, then in 1980 to Shobrooke, where he lives until his death. Despite having spent most of his life in England, he considers himself to be “Irish in every vein”.
Trevor dies peacefully in his sleep, at the age of 88, at Crediton, Devon, England, on November 20, 2016.
Following the sudden death of his father in 1918, Bell is brought at the age of seven to live near Raffery in the Strangford Lough area of County Down. He lives with his mother and two brothers in a cottage with no electricity or running water. This is the setting of his acclaimed novel of Ulster rural life, December Bride (1951). He moves to Belfast in 1921, where he works at a variety of manual jobs before securing a post with the BBC in 1945. He is a co-founder of the left-leaning literary journal, Lagan, in 1943.
Bel’s first collection of short stories, Summer Loanen and Other Stories, is published in 1943. His novels include December Bride (1951), The Hollow Ball (1961), A Man Flourishing (1973) and Across the Narrow Sea (1987).
Bell is recruited to the BBC in 1946, along with fellow writer, W. R. Rodgers, by poet and radio producer, Louis MacNeice. Some of his work as a radio producer is highly innovative. This is Northern Ireland, An Ulster Journey (1949) is a classic radio feature incorporating actuality, poetry, music and narration. In later work, Bell incorporates the voices of “ordinary people” in his attempt to paint a picture of Ulster as rooted in the lives and traditions of its people. His collaboration with W. R. Rodgers, The Return Room (1955), is one of the most important post-war Irish radio features and shows the influence of Dylan Thomas on Rodgers, the poet.
In 1977, Bell is honoured with an MBE in recognition of his contribution to the cultural life of Northern Ireland.
December Bride is made into an acclaimed film in 1990. Reviewing the film, The Irish Times columnist and literary critic Fintan O’Toole says it is “not just a remarkable artistic achievement, but also a remarkable political one…restoring a richness and complexity to a history that has been deliberately narrowed.” In April 1999, December Bride is selected by award-winning novelist and critic Colm Tóibín and publisher, writer and critic Dame Carmen Callil, for inclusion in The Modern Library: The 200 Best Novels in English Since 1950 (Picador).
Bell dies on February 9, 1990, at 190 King’s Road, Knock, Belfast, aged 80, shortly before the premiere of the film of December Bride. On October 15, 2009, the eve of what would have been Bell’s centenary, a blue plaque is unveiled by Northern Ireland Minister of Culture, Arts and Leisure Nelson McCausland on the Belfast house where Bell had written December Bride. Such plaques are erected to commemorate and honour notable people.
James NesbittMBE, a Royal Ulster Constabulary (RUC) Detective Chief Inspector who is best known for heading the Murder Squad team investigating the notorious Shankill Butchers‘ killings in the mid-1970s, dies on August 27, 2014, following a brief illness.
Nesbitt is born on September 29, 1934, in Belfast, Northern Ireland, the son of James, an electrician, and Ellen. He is brought up in the Church of Ireland religion and lives with his parents and elder sister, Maureen, in a terraced house in Cavehill Road, North Belfast, which is considered to be a middle class area at the time. Having first attended the Model Primary School in Ballysillan Road, in 1946 he moves on to Belfast Technical High School where he excels as a pupil. From an early age, he is fascinated by detective stories and dreams about becoming a detective himself.
As a child, Nesbitt avidly reads about all the celebrated murder trials in the newspapers. At the age of 16, he opts to leave school and goes to work as a sales representative for a linen company where he remains for seven years.
At the age of 23, Nesbitt seeks a more exciting career and realises his childhood dream by joining the Royal Ulster Constabulary as a uniformed constable. He applies at the York Road station in Belfast and passes his entry exams. His first duty station is at Swatragh, County Londonderry. During this period, the Irish Republican Army‘s Border Campaign is being waged. He earns two commendations during the twelve months he spends at the Swatragh station, having fought off two separate IRA gun attacks which had seen an Ulster Special Constabulary man shot. In 1958, he is transferred to the Coleraine RUC station where his superiors grant him the opportunity to assist in detective work. Three years later he is promoted to the rank of detective.
Nesbitt marries Marion Wilson in 1967 and begins to raise a family. By 1971 he is back in his native Belfast and holds the rank of Detective Sergeant. He enters the RUC’s Criminal Investigation Department (CID) section and is based at Musgrave Street station. Many members of the RUC find themselves targeted by both republican and loyalistparamilitaries as the conflict known as The Troubles grows in intensity during the late 1960s and early 1970s.
In September 1973, Nesbitt is promoted to Detective Inspector and moves to head up the RUC’s C or “Charlie” Division based in Tennent Street, off the Shankill Road, the heartland of loyalism and home of many loyalist paramilitaries. C Division covers not only the Shankill but also the republican Ardoyne and “The Bone” areas. Although he encounters considerable suspicion from his subordinates when he arrives at Tennent Street, he manages to eventually create much camaraderie within the ranks of those under his command when before there had been rivalry and discord. C Division loses a total of twelve men as a result of IRA attacks. During his tenure as Detective Chief Inspector at Tennent Street, he and his team investigate a total of 311 killings and solve around 250 of the cases.
By 1975, Nesbitt is encountering death and serious injury on a daily basis as the violence in Northern Ireland shows no signs of abating. However, toward the end of the year, he is faced with the first of a series of brutal killings that add a new dimension to the relentless tit-for-tat killings between Catholics and Protestants that has already made 1975 “one of the bloodiest years of the conflict.”
The Shankill Butchers are an Ulster loyalist paramilitary gang, many of whom are members of the Ulster Volunteer Force (UVF), that is active between 1975 and 1982 in Belfast. It is based in the Shankill area and is responsible for the deaths of at least 23 people, most of whom are killed in sectarian attacks.
The gang kidnaps, tortures and murders random civilians suspected of being Catholics. Each is beaten ferociously and has their throat slashed with a butcher knife. Some are also tortured and attacked with a hatchet. The gang also kills six Ulster Protestants over personal disputes and two other Protestants mistaken for Catholics.
Most of the gang are eventually caught by Nesbitt and his Murder Squad and, in February 1979, receive the longest combined prison sentences in United Kingdom legal history.
In 1991, after Channel 4 broadcasts a documentary claiming that the Ulster Loyalist Central Co-ordinating Committee had been reorganised as an alliance between loyalist paramilitaries, senior RUC members and leader figures in Northern Irish business and finance, Nesbitt and Detective Inspector Chris Webster are appointed by Chief Constable Hugh Annesley to head up an internal inquiry into the collusion allegations. The investigation delivers its verdict in February 1993 and exonerates all those named as Committee members who did not have previous terrorist convictions arguing that they are “respectable members of the community” and in some cases “the aristocracy of the country.”
Prior to his retirement, Nesbitt has received a total of 67 commendations, which is the highest number ever given to a policeman in the history of the United Kingdom. In 1980, he is awarded the MBE “in recognition of his courage and success in combating terrorism.”
Nesbitt dies on August 27, 2014, after a brief illness.
Murdoch is the daughter of Irene Alice (née Richardson) and Wills John Hughes Murdoch. Her father, a civil servant, comes from a mainly Presbyterian sheep farming family from Hillhall, County Down. In 1915, he enlists as a soldier in King Edward’s Horse and serves in France during World War I before being commissioned as a second lieutenant. Her mother trains as a singer before Iris is born and is from a middle-class Church of Ireland family in Dublin. Her parents first meet in Dublin when her father is on leave and are married in 1918. Iris is the couple’s only child. When she is a few weeks old the family moves to London, where her father had joined the Ministry of Health as a second-class clerk. She is a second cousin of the Irish mathematician Brian Murdoch.
From 1947 to 1948 Murdoch studies philosophy as a postgraduate at Newnham College, Cambridge. She meets Ludwig Wittgenstein at Cambridge but does not hear him lecture, as he had left his Trinity College professorship before she arrives. In 1948 she becomes a fellow of St. Anne’s College, Oxford, where she teaches philosophy until 1963. From 1963 to 1967 she teaches one day a week in the General Studies department at the Royal College of Art.
In 1956 Murdoch marries John Bayley, a literary critic, novelist, and from 1974 to 1992 Warton Professor of English at Oxford University, whom she had met in Oxford in 1954. The unusual romantic partnership lasts more than forty years until Murdoch’s death. Bayley thinks that sex is “inescapably ridiculous.” She in contrast has “multiple affairs with both men and women which, on discomposing occasions, Bayley witnesses for himself.”
Murdoch’s first novel, Under the Net, is published in 1954 and is selected in 1998 as one of Modern Library’s 100 best English-language novels of the 20th century. She had previously published essays on philosophy, and the first monograph about Jean-Paul Sartre published in English. She goes on to produce 25 more novels and additional works of philosophy, as well as poetry and drama.
Murdoch’s last novel, Jackson’s Dilemma, is published in 1995. She is diagnosed with Alzheimer’s disease in 1997 and dies on February 8, 1999, in Oxford, England. There is a bench dedicated to her in the grounds of Lady Margaret Hall, Oxford, where she enjoyed walking.
Dickey is the son of Edward O’Rorke Dickey. He later marries Eunice Emmeline Howard and they have one son, Daniel. He is educated at Wellington College and Trinity College, Cambridge. He studies painting under Harold Gilman at the Westminster School of Art.
Dickey becomes the first curator of The Minories in Colchester, Essex, a post he holds for five years from 1957 to 1962.
Dickey is a founder member of the Society of Wood Engravers in 1920, and exhibits with them from 1920 to 1924. He is at his most active in the early 1920s and virtually all his engravings date from this period.
In 1922 Dickey contributes a wood engraving to Contemporary English Woodcuts, an anthology of wood engravings produced by Thomas Balston, a director at Gerald Duckworth and Company and an enthusiast for the new style of wood engravings. Campbell Dodgson, Keeper of Prints and Drawings at the British Museum, writes about him in his introduction to the book Mr. Hagreen and Mr. Dickey are among the engravers who rely very much upon the effective use of white lines and spaces. This is a limited edition of 550 copies, as is the only book that he illustrates with wood engravings, Workers by the Irish writer Richard Rowley, published by Balston at Duckworth in 1923.
McParland holds a unique place in English football history as the first player in the game to score in and win both English major domestic knockout Finals. One of the finest headers and strikers of the ball of the past fifty years, he is regarded as one of the greatest players to represent both Aston Villa and Northern Ireland.
During his time with Aston Villa, McParland is influenced by Jimmy Hogan. He later wins the FA Cup in 1957, scoring twice in the final against Manchester United but also becoming involved in a controversial incident in which he shoulder-charges (at the time a legitimate form of challenge) the Manchester United keeper after only six minutes. This leaves United’s goalkeeper, Ray Wood, unconscious with a broken cheekbone. McParland’s two-goal haul is remembered fondly as an example of his all-round abilities as a player showcasing his diving header and volleying techniques.
McParland also wins the Second Division title in 1960 and the League Cup in 1961 while with Aston Villa. He is on the scoresheet for the second leg of the 1961 League Cup final, when Aston Villa overturns a 2–0 deficit against Rotherham United to win the second leg 3–0 at Villa Park, becoming the winners of the first Football League Cup.
Following Aston Villa, McParland joins local rivals Wolverhampton Wanderers for a brief period in 1962. Although he is only there for one season, he manages to score 10 goals in 21 games. The following season he moves on to Plymouth Argyle, his final English league club before hanging up his boots. In 1965, he is recruited to play for Toronto Inter-Roma FC of the Eastern Canada Professional Soccer League. He scores many memorable goals, especially one against the Hamilton Steelers to give his side the victory.
McParland represents Northern Ireland 34 times and scores twice in his debut against Wales in the 1953–54 season. He also stars for Northern Ireland in the 1958 FIFA World Cup in which he scores five goals and helps his team to the quarterfinals. France defeats Northern Ireland 4–0 in their quarterfinal match.
McParland holds the record for being the highest-scoring Northern Irish player in World Cup finals history.
In April 2015, the feature-length documentary Spirit of ’58 is screened as part of the Belfast Film Festival. It features McParland prominently alongside Billy Bingham, Billy Simpson, Jimmy McIlroy and Harry Gregg, the other surviving players at the time, as it tells the story of Northern Ireland’s journey throughout the 1950s under the managership of Peter Doherty, culminating in the 1958 World Cup.
McParland is the last surviving player from the 1957 FA Cup Final following the death of Bobby Charlton on October 21, 2023. Following the death of Billy Bingham on June 9, 2022, McParland is the last surviving member of the Northern Ireland squad from the 1958 World Cup campaign. He is one of the last surviving members of the 1958 FIFA World Cup.
Orpen is the fourth and youngest son of Arthur Herbert Orpen (1830–1926), a solicitor, and his wife, Anne Caulfield (1834–1912), the eldest daughter of the Right Rev. Charles Caulfield (1804–1862), the Bishop of Nassau. Both his parents are amateur painters, and his eldest brother, Richard Caulfield Orpen, becomes a notable architect. His nieces are Bea Orpen and Kathleen Delap. The historian Goddard Henry Orpen is his second cousin. The family lives at “Oriel,” a large house with extensive grounds containing stables and a tennis court. He appears to have a happy childhood there.
Orpen is a naturally talented painter, and six weeks before his thirteenth birthday is enrolled at the Dublin Metropolitan School of Art. During his six years at the college, he wins every major prize there, plus the British Isles gold medal for life drawing, before leaving to study at the Slade School of Fine Art in London between 1897 and 1899. At the Slade he masters oil painting and begins to experiment with different painting techniques and effects.
While at the Slade, Orpen becomes engaged to Emily Scobel, a model and the subject of his painting The Mirror (1900). She ends their relationship in 1901, and he marries Grace Knewstub, the sister-in-law of Sir William Rothenstein. He and Knewstub have three daughters together, but the marriage is not a happy one. By 1908, he has begun a long-running affair with Evelyn Saint-George, a well-connected American millionairess based in London, with whom he also has a child.
Orpen first exhibits at the New English Art Club (NEAC) in 1899, becoming a member in 1900. In 1901, he holds a solo exhibition at the Carfax Gallery in central London. His portraits, which establish his reputation, show the influence of the Realist artist Édouard Manet. He also becomes known as a painter of group portraits such as Homage to Manet (1909), in which he portrays members of the contemporary English art world sitting in conversation beneath a famous portrait by that artist.
At the start of World War I, a number of Irish people living in England return to Ireland to avoid conscription. Among them is Orpen’s studio assistant and former pupil, Seán Keating. Keating encourages him to do likewise, but he refuses and commits himself to supporting the British war effort. In December 1915, he is commissioned into the Royal Army Service Corps and reports for clerical duty at London’s Kensington Barracks in March 1916. Throughout 1916 he continues painting portraits, most notably one of a despondent Winston Churchill, but soon starts using both his own contacts and those of Evelyn Saint-George, to secure a war artist posting.
He is the official painter of the Paris Peace Conference after World War I. Throughout 1919 he paints individual portraits of the delegates to the Conference and these form the basis of his two large paintings, A Peace Conference at the Quai d’Orsay and The Signing of Peace in the Hall of Mirrors. In both pictures, the architecture overwhelms the gathered politicians and statesmen who’s political wranglings and vainglory diminish them in Orpen’s eyes.
Orpen becomes seriously ill in May 1931, and, after suffering periods of memory loss, dies at the age of 52 on September 29, 1931, in South Kensington, London, of liver and heart failure. He is buried at Putney Vale Cemetery in southwest London. A stone tablet in the Island of Ireland Peace Park Memorial at Mesen, Belgium, commemorates him. He is posthumously regarded as a facile and prolific, but somewhat superficial, artist who nevertheless achieves great popularity in his day.
(Pictured: “Self-portrait” (1913), oil on canvas by William Orpen, Saint Louis Art Museum)
Stoney is born in Dublin on February 4, 1870, to George and Margaret Sophia Stoney. Her father is a mathematical physicist who later serves as Secretary of Queen’s University of Ireland and is an advocate for women’s right to higher education in Ireland. His efforts are considered to be among the principal reasons that women can qualify for a medical license. Of weak health as a child, she is at first privately educated in the home but then attends the Royal College for Science of Ireland with her sister Edith. In 1883, the Stoney family moves to London in order to provide higher education for the daughters since this is unavailable for women in Ireland at the time. She attends the London School of Medicine for Women where she is a distinguished student with great academic achievements in subjects such as anatomy and physiology. She obtains her MBBS with honours in 1895 and a Doctor of Medicine in 1898, going on to specialise in radiology.
Stoney works as an ENT clinical assistant at the Royal Free Hospital as well as spending six years as a demonstrator in anatomy at the London School of Medicine for Women.
After this she spends a short amount of time in the Victoria Hospital for Sick Children in Kingston upon Hull and then goes on to establish an X-ray department in the Elizabeth Garret Anderson Hospital for Women in London in 1902. At the hospital she carries out a variety of work but mainly deals with X-rays, often developing the radiographic plates at her own house. She is the first female radiologist to work in the United Kingdom at a time when knowledge on radiology and the equipment involved is still in its developmental stages. She is forced to work in poor conditions with badly ventilated rooms and a lack of space for X-ray work. She is given no assistance and has to do the majority of the work on her own. Furthermore, she is excluded as a member of the medical staff and from the X-ray department committee. In 1906 she sets up a practice in Harley Street.
Stoney leaves the hospital at the start of the war. She has 13 years of experience in her field when World War I breaks out in August 1914. She and her sister Edith, a medical physicist, volunteer to assist the British Red Cross, but both are refused by surgeon Frederick Treves since they were women. Despite the refusal, Stoney prepares an X-ray installation and helps to organise a unit of women volunteers alongside Mrs. St. Clair Stobart, Women’s Imperial Service League and the Belgian Red Cross to aid the Belgian soldiers in Antwerp. The team converts an abandoned music hall into a makeshift hospital where she manages the surgical unit as head of the medical staff and radiologist. The hospital comes under fire and after enduring ongoing shellfire for 18 hours, the hospital is evacuated. The team walks to Holland, where they manage to cross the Scheldt River on buses carrying ammunition, twenty minutes before the bridge is blown up. She and her unit earn the 1914 Star for bravery.
Stoney continues working in a hospital near Cherbourg in France, mainly dealing with cases relating to compound fractures and locating bullet fragments in wounds. During this time, she becomes experienced in recognizing dead bone and discovers that removing it will speed up recovery.
In March 1915, the Cherbourg hospital is no longer needed, and Stoney moves back London. She begins full-time work at the 1,000-bed Fulham Military Hospital. She is one of the first female physicians granted to serve as a full-time worker under the British War Office and goes on to receive the Order of the British Empire in June 1919. She works as the Head of the X-ray and Electrical Department and remains there until 1918.
In her later years, Stoney suffers from ill health, largely attributed to her over-exposure to radiation in her work. It is reported that she has X-ray dermatitis of her left hand, a painful skin condition associated in modern times with radiation therapy as a treatment for cancer. She moves to the south coastal town of Bournemouth in England where she is on the staff of two hospitals, practicing radiology part-time. She occupies the position of Honorary Medical Officer to the Electrical Department of the Royal Victoria and West Hants Hospital in Bournemouth. She is the founder and president of the Wessex branch of the British Institute of Radiology. She serves as the consulting actinotherapist at the Victoria Cripples Home. During retirement she pens a number of articles in contribution to the medical literature of the time. She publishes research on topics such as fibroids, goitre, Graves’ disease, soldier’s heart, rickets and osteomalacia.
Stoney retires from all of her hospital positions in 1928 at the age of 58. She, along with her older sister Edith, travel in retirement. One trip is to India, where she writes her final scientific paper, the subject of which is osteomalacia (bone softening), in particular in relation to pelvic deformities in childbirth. She studies and investigates this topic overseas, and specifically the association between UV exposure, vitamin D and skeletal development. In India, she also uses her expertise to advise on the use of UV light in hospitals.
Stoney dies at the age of 62, on October 7, 1932. She is suffering from a long and painful illness, vertebral cancer, again largely attributed to her work in the presence of high levels of radiation. Her funeral takes place on October 11 at Golders Green Crematorium, London. The British Journal of Radiology publishes her official obituary which spans five pages, containing many warm personal testimonials. After her sister’s death, Edith Stoney continues to travel and research.
Janet McNeill, prolific Irish novelist and playwright, is born on September 14, 1907, in Dublin. Author of more than 20 children’s books, as well as adult novels, plays, and two opera libretti, she is best known for her children’s comic fantasy series My Friend Specs McCann.
McNeill is born to Rev. William McNeill, a minister at Adelaide Road Presbyterian Church, and Jeannie Patterson (Hogg) McNeill. In 1913, the family moves to Birkenhead, Merseyside, England, where her father becomes minister at Trinity Road Church. She attends public school in Birkenhead and studies classics at the University of St. Andrews in St. Andrews, Scotland, completing a MA degree in 1929. While at university, she is involved in writing and acting with the College Players. In 1924, the family returns to Ireland due to her father’s failing health, and Rev. McNeill becomes the minister of a village church in Rostrevor, County Down, Northern Ireland, while Janet joins the Belfast Telegraph as a secretary.
In 1933, McNeill marries Robert Alexander, the chief engineer in the Belfast city surveyor’s department, and the couple settles in Lisburn, where they raise their four sons. One son is the zoologist Professor Robert McNeill Alexander, CBE, FRS. Though she plans to write her first novel early on, she finds it impossible to write seriously until the children grow up, saying, “It was four years before I had a baby and twenty-five before I produced the book.”
In 1946, McNeill wins a prize in a BBC competition for her play Gospel Truth. She begins writing radio dramas, which are broadcast by the BBC. She suffers an intracerebral hemorrhage in 1953. During her recovery, she begins writing novels both for adults and children, producing a large body of work between 1955 and 1964. Her popular children’s character, Specs McCann, who debuts in a 1955 book and makes several reappearances, also inspires a newspaper cartoon strip by Rowel Friers, a Belfast artist and friend of hers.
Her 1944 novel The Maiden Dinosaur is her first to be published in the United States, twenty-two years later. She also has three writing credits on television with series and plays. Several of her plays are staged at the Ulster Group Theatre.
In 1964, McNeill’s husband retires, and the couple moves to Bristol, South West England. She writes one more novel after she leaves Northern Ireland but continues to write children’s books for another decade. During this time, she writes her only children’s play, published as Switch On, Switch Off, and other plays (1968), which presents different moral themes in scenes set in “domestic and workplace settings in contemporary England.” Her children’s book The Battle of St. George Without is televised by the BBC in 1969.
In her adult fiction, McNeill focuses on the lifestyle and social mores of Belfast and Ulster in the mid-twentieth century. Her characters are primarily “menopausal, middle-aged, middle-class Protestants.” She depicts the “dreary, Ulster religiosity” of ministers and laymen alike, and the class conventions and sexual repression of middle-aged, upper-middle-class women. The theme of suppressing self-identity and goals, both by wives in deference to their husbands and parents on behalf of their children, pervades her adult novels.
McNeill has a number of health problems and dies in Bristol in October 1994.
Peters is born on July 6, 1939, in Halewood, Lancashire, England, later living at 5 Mere Avenue in Alkrington, where she goes to primary school. She moves to Ballymena (and later Belfast) at the age of eleven when her father’s job is relocated to Northern Ireland. As a teenager, her father encourages her athletic career by building her home practice facilities as birthday gifts. She qualifies as a teacher and works while training.
After Ballymena, the family moves to Portadown where she attends Portadown College. The headmaster, Donald Woodman, and the PE teacher, Kenneth McClelland, introduce her to athletics, McClelland being her first coach. She is head girl of the school in 1956.
At the 1972 Summer Olympics in Munich, competing for Great Britain and Northern Ireland, Peters wins the gold medal in the women’s pentathlon. She had finished 4th in 1964 and 9th in 1968. To win the gold medal, she narrowly beats the local favourite, West Germany’s Heide Rosendahl, by 10 points, setting a world record score. After her victory, death threats are phoned into the BBC: “Mary Peters is a Protestant and has won a medal for Britain. An attempt will be made on her life, and it will be blamed on the IRA … Her home will be going up in the near future.” But Peters insists she will return home to Belfast. She is greeted by fans and a band at the airport and paraded through the city streets but is not allowed back in her flat for three months. Turning down jobs in the United States and Australia, where her father lives, she insists on remaining in Northern Ireland.
In 1972, Peters wins the BBC Sports Personality of the Year award: “Peters, a 33-year-old secretary from Belfast, won Britain’s only athletics gold at the Munich Olympics. The pentathlon competition was decided on the final event, the 200m, and Peters claimed the title by one-tenth of a second.”
She represents Northern Ireland at every Commonwealth Games between 1958 and 1974. In these games she wins two gold medals for the pentathlon, plus a gold and silver medal for the shot put.
In May 2001, following her athletic career, Peters becomes a Trustee of The Outward Bound Trust and is Vice-President of the Northern Ireland Outward Bound Association. She is also Patron of Springhill Hospice in Rochdale, Greater Manchester.
Peters is appointed a Member of the Order of the British Empire (MBE) for services to athletics in the 1973 New Year Honours. For services to sport, she is promoted in the same Order to Commander (CBE) in the 1990 Birthday Honours and again to Dame Commander (DBE) in the 2000 Birthday Honours. In the 2015 New Year Honours, she is awarded as Member of the Order of the Companions of Honour (CH), also for services to sport and the community in Northern Ireland, and in 2017, she is made a Dame of the Order of Saint John (DStJ). She is appointed a Lady Companion of the Order of the Garter (LG) on February 27, 2019, and therefore granted the title Lady. She represents the Order at the 2023 coronation.
Northern Ireland’s premier athletics track, on the outskirts of Belfast, is named after Peters. A statue of her stands within it.
In April 2009, Peters is named the Lord Lieutenant of the City of Belfast; she retires from the post in 2014, being succeeded by Fionnuala Jay-O’Boyle. She is a Freeman of the Cities of Lisburn and Belfast.
seamus dubhghaill 