O’Connor is the eldest of five children and brother of singer Sinéad O’Connor. He is from the Glenageary area of south Dublin. His parents are Sean O’Connor, a structural engineer who later turns barrister, and Marie O’Connor.
O’Connor’s novel Cowboys and Indians (1991) is on the shortlist for the Whitbread Book Award.
On February 10, 1985, O’Connor’s mother is killed in a car accident. The mother of his character Sweeney in The Salesman (1998) dies in the same manner.
In 2002, O’Connor writes the novel Star of the Sea, which The Economist lists as one of the top books of 2003. His 2010 novel Ghost Light is loosely based on the life of the actress Maire O’Neill, born Mary “Molly” Allgood, and her relationship with the Irish playwrightJohn Millington Synge. It is published by Harvill Secker of London in 2010.
In 2014, O’Connor is announced as the inaugural Frank McCourt Chair in Creative Writing at the University of Limerick, where he teaches on the MA in Creative Writing.
O’Connor is a regular contributor to Drivetime, an evening news and current affairs programme on RTÉ Radio 1.
O’Connor’s Shadowplay, published in 2019, is shortlisted for the2019 Costa Book Award in the Novel category.
O’Connor is married to television and film writer Anne-Marie Casey. They have two sons. He and his family have lived in London and Dublin, and occasionally reside in New York City.
In the 19th century, association football outside of Ulster is largely confined to Dublin and a few provincial towns. The British Army teams play a role in the spread of the game to these areas, especially in Munster, as local clubs are initially reliant on them to form opposition teams, leading to the nickname “the garrison game.” Association football is played in relatively few Catholic schools as middle-class schools favour rugby union while others favour Gaelic games. The Irish Football Association (IFA) had been founded in 1880 in Belfast as the football governing body for the whole of Ireland, which was then a part of the United Kingdom and considered a Home Nation. The Leinster Football Association was an affiliate, founded in 1892 to foster the game in Leinster, outside of the Ulster heartlands. This was followed by the establishment of the Munster Football Association in 1901.
By 1913, the Leinster FA becomes the largest divisional association within the IFA, displacing the North East Ulster Football Association, yet all but two clubs in the 1913–14 Irish League are based in Ulster. While this largely reflects the balance of footballing strength within Ireland, southern members feel the IFA is doing little to promote the game outside of the professional clubs in its northern province. In the other provinces, association football is also under pressure from the Gaelic Athletic Association (GAA), which has banned members from playing or watching the sport as it is considered a “foreign” game. Furthermore, there is a growing feeling in Dublin of alleged Belfast bias when it comes to hosting matches and player selection for internationals. This view is not helped by the composition of the IFA’s sub-committees, with over half of the membership consisting of delegates hailing from the North-East, and the International Committee, who chooses the national team, containing just one member from Leinster. The Belfast members are mainly unionist, while the Dublin members are largely nationalist. World War I increases the gulf between the northern teams and the clubs in the south as the Irish League is suspended and replaced by regional leagues, foreshadowing the ultimate split. Tensions are then exacerbated by the Irish War of Independence of 1919–21, which disrupts contact between northern and southern clubs further and prevents resumption of the Irish League. The security situation prompts the IFA to order the March 1920-21 Irish Cup semi-final replay between Glenavon and Shelbourne to be replayed in Belfast, rather than in Dublin as convention dictates. This proves to be the final straw and the Leinster FA confirms their decision to disaffiliate from the IFA at a meeting on June 8, 1921.
The Football Association of Ireland (FAI) is formed in Dublin on September 2, 1921, by the Leinster FA. The Free State League (originally the Football League of Ireland and now the League of Ireland) is founded in June of that year when the Leinster FA withdraws from the IFA. This is the climax of a series of disputes about the alleged Belfast bias of the IFA. Both bodies initially claim to represent the entire island. The split between Southern Ireland (which becomes the Irish Free State in December 1922) and Northern Ireland (which comes into existence as a jurisdiction in 1921) does not produce a split in the governing bodies of other sports, such as the Irish Rugby Football Union (IRFU). The Munster Football Association, originally dominated by British Army regiments, falls into abeyance on the outbreak of World War I, and is re-established in 1922 with the help of the FAI, to which it affiliates. The Falls League, based in the Falls Road of nationalist West Belfast, affiliates to the FAI, and from there Alton United wins the FAI Cup in 1923. However, when the FAI applies to join FIFA in 1923, it is admitted as the Football Association of the Irish Free State (FAIFS) based on a 26-county jurisdiction. (This jurisdiction remains, although Derry City, from Northern Ireland, are given an exemption, by agreement of FIFA and the IFA, to join the League of Ireland in 1985.) Attempts at reconciliation followed. At a 1923 meeting, the IFA rejects an FAIFS proposal for it to be an autonomous subsidiary of the FAIFS. A 1924 meeting in Liverpool, brokered by the English FA, almost reaches agreement on a federated solution, but the IFA insists on providing the chairman of the International team selection committee. A 1932 meeting agrees on sharing this role, but founders when the FAIFS demands one of the IFA’s two places on the International Football Association Board (IFAB). Further efforts to reach agreement are made through a series of conferences between the IFA and FAI from 1973 to 1980 during the height of the Troubles in Northern Ireland.
The IFA does not feel obliged to refrain from selecting Free State players for its international team. The name Football Association of Ireland is readopted by the FAIFS in 1936, in anticipation of the change of the state’s name in the pending Constitution of Ireland, and the FAI begins to select players from Northern Ireland based on the Constitution’s claim to sovereignty there. A number of players play for both the FAI “Ireland” (against FIFA members from mainland Europe) and the IFA “Ireland” (in the British Home Championship, whose members had withdrawn from FIFA in 1920). Shortly after the IFA rejoins FIFA in 1946, the FAI stops selecting Northern players. The IFA stops selecting southern players after the FAI complains to FIFA in 1950.
From the late 1960s, association football begins to achieve more widespread popularity. Donogh O’Malley, TD and then Minister for Education, begins a new programme of state-funded schools in 1966, many with association football pitches and teams. The Gaelic Athletic Association’s ban on members playing “foreign” games is lifted in 1971. RTÉ television, founded in 1962, and British television (available nearly everywhere on cable or microwave relay from the 1970s), broadcast association football regularly. Above all, the increasing success of the international side from the late 1980s gives increased television exposure, more fans, and more funds to the FAI.
However, increased media exposure also highlights some inadequacies of its hitherto largely amateur organisation. In January 1999, the FAI announces a planned national association football stadium, to be called Eircom Park after primary sponsors Eircom. This is to be a 45,000-seat stadium in City West, modeled on the GelreDome in Arnhem. It gradually becomes apparent that the initial forecasts of cost and revenue have been very optimistic. FAI and public support for the project is also undermined by the announcement of the Stadium Ireland in Abbotstown, which would have 65,000 seats and be available free to the FAI, being funded by the state. The Eircom Park project is finally abandoned in March 2001, amid much rancour within the FAI.
During preparation for the 2002 FIFA World Cup, the captain of the senior football team, Roy Keane, leaves the training camp and returns to his home. He is critical of many aspects of the organisation and preparation of the team for the upcoming games, and public opinion in Ireland is divided. As a result of the incident, the FAI commissions a report from consultants Genesis into its World Cup preparations. The “Genesis Report” makes a number of damning criticisms regarding corruption and cronyism within the association, but is largely ignored. The complete report is never published for legal reasons. The FAI subsequently produces its own report of itself titled “Genesis II” and implements a number of its recommendations.
In 2002, the FAI announces a deal with British Sky Broadcasting to sell broadcasting rights to Ireland’s international matches, as well as domestic association football, to be televised on its satellite subscription service. The general public feels it should be on RTÉ, the free-to-air terrestrial service, in spite of their offering much lower rates. Faced with the prospect of the government legislating to prevent any deal, the FAI agrees to accept an improved, but still lower, offer from RTÉ.
Following the respectable performance of the national team in the 2002 FIFA World Cup, the team’s fortunes decline under the management of Mick McCarthy, Brian Kerr and Steve Staunton.
In September 2006, Lars-Christer Olsson, CEO of UEFA, is quoted as anticipating that Lansdowne Road in Dublin (actually owned by the Irish Rugby Football Union) will stage the UEFA Cup Final in 2010, and that the FAI and the IFA will co-host the 2011 UEFA European Under-21 Championship. The 2010 final is ultimately awarded to Hamburg, but in January 2009, UEFA nameS Lansdowne Road as the host stadium for the renamed 2011 UEFA Europa League Final. In August 2010, an FAI spokesman says they will have repaid all of their stadium debt of €46 million within 10 years despite the disastrous sale of 10-year tickets for premium seats at the Aviva Stadium.
In November 2007, the FAI moves to new headquarters at the National Sports Campus in Abbotstown. Its headquarters since the 1930s had been a Georgian terraced house at 80 Merrion Square, which is sold for a sum variously reported as “in excess of €6m” and “almost €9m.”
Born Leslie Yodaiken into a Russian–Jewish family in Portobello, Dublin, Daiken is the son of Samuel and Rosa Yodaiken. His father is a dealer in rubber and scrap metal, with premises in Dublin and Glasgow, and he is educated at two independent fee-paying schools, St. Andrew’s College and Wesley College, and then in 1930 he enters Trinity College Dublin. In his first year, one of his lecturers in French literature was Samuel Beckett. He is an active member of the Dublin University Socialist Society and a founding member of the college’s Gaelic Society.
In 1933, Daiken is present at the house of Charlotte Despard in Eccles Street, Dublin, also used as a Workers’ College, when it is attacked by a mob of Blueshirts. He leads the immediate defence of the building, which is saved on that occasion by the intervention of Irish Republican Army (IRA) men posing as the police.
In 1934, as Yodaiken, he graduates with a BA from Trinity in English and French Literature, with a Second Class degree. After graduating, Daiken works briefly as a schoolteacher in Dublin. In April 1935, his short story “Angela” is published in The New English Weekly under the pen name of Ned Kiernan. That year, he migrates to London.
Soon after his arrival in London, Daiken is one of the three founders of a duplicated publication called Irish Front, together with two other poets, Charles Donnelly and Ewart Milne.
In England, Daiken starts to shorten his surname from Yodaiken to Daiken, for his publications, but he does not make this change formally until doing so by deed poll in 1943.
In December 1935, The Irish Times reviews a production in Camden Town of Ireland Unfree, a stage version by Daiken of Patrick Pearse’s poem “The Rebel.” It states that “Mr. Daiken carries Pearse’s theme beyond his idealistic conclusion to the revolutionary viewpoint of the Irish workers.”
Daiken keeps up his links with leftist Irish writers and dissidents and edits the collection of working-class political verse Goodbye Twilight: songs of the struggle in Ireland (1936), illustrated by Harry Kernoff. The Irish Press describes this as “forty young poets with blazing eyes and clenched fists.” In another review, Louis MacNeice calls the book a “collection of proletarian poems – some communist, some Irish republican, and all written in a defiant spirit of opposition … a violent reaction against Yeats and all that he stood for.”
In 1939, Mairin Mitchell is highly critical of the Irish leftists, and in particular Daiken, for their views on the Molotov–Ribbentrop Pact, and writes to Desmond Ryan in September, “Brian O’Neill, Bloomsbury, and Daiken will sing Russia right or wrong.”
In October 1939, at the time of the wartime National Registration Act, Daiken is living in a studio at Old Castle Wharf, Twickenham, and describes himself as “Script-writer and advertising copywriter.”
During World War II, Daiken enlists in the Corps of Signals of the Irish Army, a neutral force, and also works for Reuters as a correspondent on education. In 1944, he edits They Go, the Irish, a collection of essays, including one from Seán O’Casey. In 1945, a collection of his verse is published under the title Signatures of All Things. In the summer of that year, Samuel Beckett gives Daiken his unpublished novel Watt, in the hope that he can find a publisher for it, but he fails to do so. They continue to write to each other and meet in London and Paris in the 1950s. He also keeps up with another friend from Trinity, Con Leventhal.
After he becomes a father in 1945, Daiken’s main interest moves on from political activism to children’s games and toys, and by 1951 the basement of his London home has become a toy museum. He writes on the subject and makes television and radio programmes for the BBC about it. His film One potato, two potato, a compilation of children’s street rhymes, wins the Festival Mondial du Film prize in 1958. His radio play The Circular Road is about a Jewish-Irish child.
In the 1950s Daiken founds the National Toy Museum and Institute of Play, today part of the Toy Collection at Hove Museum of Creativity.
Daiken returns to Ireland many times as a visitor. In the early 1960s he completes a radio play about the Jewish community of Dublin in the 1920s, which is broadcast on RTÉ.
In October 1963, Conor Cruise O’Brien, Vice Chancellor of the University of Ghana, recruits Daiken as a lecturer in education, and not long before his death he makes a film called The Piano about teaching white and black children in a school in Africa. He dies on August 15, 1964, while spending the summer vacation at home in London, leaving an estate valued at £3,865. He is cremated. His widow survives him until 1981.
In a tribute to Daiken, his 1930s communist associate Brian O’Neill writes, “He was always busy, always with a half dozen irons in the fire, always trying to give a hand to some Irish writer who needed it.”
In the early 1990s, Katrina Goldstone interviews Daiken’s brother, Aubrey Yodaiken, and later reports: “I was left with a faint sense of melancholy, as my interviewee had become distressed speaking about his brother, Leslie Daiken, and recalling his irrepressible and exasperating personality, his many projects, half-started novels…”
Aubrey Yodaiken is distressed by the lack of appreciation of his brother’s many cultural efforts and by the fact that his “scattershot literary endeavours” seem to have come to naught.
The National Library of Ireland holds a collection of Daiken’s papers, in particular his publications and correspondence, presented to it in 1995 by his elder daughter, by then Melanie Cuming, and his younger brother, Aubrey Yodaiken. The papers are mostly in English, French, German, Dutch, Italian, Hebrew, and Irish.
The newly unveiled Abbey Theatre opens its doors for the first time on July 18, 1966.
Fifteen years earlier, in 1951, the original buildings of the theatre are destroyed by fire during the run of The Plough and the Stars. Ironically, the play closes to the strains of “Keep the Home Fires Burning.” The fire forces the theatre company to find a new home.
They relocate to the Queen’s Theater on Pearse Street for what is intended to be a temporary stay but instead lasts for a decade and a half. A week before the brand new premises on Abbey Street are opened, the company has its final performance at the Queen’s Theatre in what is a bittersweet evening. For the Abbey Theatre it signals the end of an era and the beginning a new one, but the future of the Queen’s Theatre is far less bright.
After the final performances from the Abbey, Never the Time and the Place by Lennox Robinson and The Irishwoman of the Year by John Power, uncertainty shrouds the fate of the theatre with the Irish Independent reporting that “It will be used for variety performances up to the end of September, but after that it is just a matter for speculation.” It is ultimately closed in 1969 and is demolished in 1975.
The jubilee year of the 1916 Easter Rising, the 1966 Abbey opening recalls memories of the events that had taken place fifty years earlier.
In an article published the day after opening night, the Irish Independent recalls that “Thomas MacDonagh, one of the executed leaders of the Rising was himself an Abbey playwright and when news of the seizure of the General Post Office reached the theatre at a rehearsal, members of the Abbey players and other hands made a hurried exit to join the fighting. And by then others of the company were already at the barricades.”
A world away from the battleground of the Rising, the opening of the new Abbey Theatre is attended by a who’s who of arts, culture and politics.
The Abbey’s new home is opened by President Éamon de Valera, who once graced the Abbey Stage as an amateur actor.
The new building is designed by Irish architectMichael Scott, who also designed the nearby Busáras building. He is considered one of the great modern architects and his vision for the new Abbey is thought to be the last word in modern-day design.
McCann’s career includes parts in many plays from the Irish literary canon, including Tarry Flynn, The Shaughran, and the Gate Theatre‘s highly acclaimed production of Seán O’Casey‘s classic Juno and the Paycock in the 1980s (McCann plays the “Paycock” (Captain Boyle) opposite Geraldine Plunkett as Juno and John Kavanagh as Joxer Daly) as well as a subsequent production of O’Casey’s The Plough and the Stars.
McCann develops a particularly fruitful relationship with the playwright Brian Friel. He plays the role of Gar O’Donnell, the public figure, in a film adaptation of Philadelphia, Here I Come! in 1970 and, despite popular belief, he never plays either public or private Gar on stage. He gives a landmark performance as Frank Hardy, the title character, in Faith Healer in 1980 (a role he reprised in 1994), continuing his relationship with Friel through productions of Translations (1988) and Wonderful Tennessee (1993).
Friel says that McCann’s work “contains extraordinary characteristics that go beyond acting … it is deeply spiritual.” Perhaps McCann’s most renowned role is as Thomas Dunne in Sebastian Barry‘s The Steward of Christendom. He wins the London Critics’ Circle Theatre Award (Drama Theatre) as best actor for this role in 1995. He reprises this role in a 1996 production at the Gate Theatre, Dublin and, following a twelve-week run at the Brooklyn Academy of Music in 1997, his “performance of unarguable greatness” (The New York Observer) had Newsweekhailing him as “a world-class star,” and The New York Times referring to this “astonishing Irish actor…widely regarded as the finest of them all.”
On the London stage, McCann plays in Prayer for My Daughter opposite Antony Sher (1978), and is Jean to Dame Helen Mirren‘s Julie in Miss Julie (1971). This is filmed for the BBC, and he much later plays Judge Brack with Fiona Shaw in the title role of Henrik Ibsen‘s Hedda Gabler, a production filmed for the BBC in 1993.
His best-known film role is as Gabriel Conroy in The Dead (1987), starring opposite Anjelica Huston and directed by her father, John Huston. Significant late roles include Bernardo Bertolucci‘s Stealing Beauty (1996) and in John Turturro‘s Illuminata (released in 1999, after McCann’s death).
McCann’s television work includes the featured role of Phineas Finn in the BBC’s serialised adaptation of Anthony Trollope‘s The Pallisers, Willie Burke in RTÉ‘s Prix Italia drama entry The Burke Enigma (1979) and Barney Mulhall in RTÉ’s Strumpet City (1980), as well as many one-off parts.
McCann plays in Bob Quinn‘s Irish language film Poitín (1979) and in Quinn’s somewhat experimental The Bishop’s Story (1995). After hearing that McCann is ill, Tom Collins asks Quinn to make a TV documentary about McCann for RTÉ called It Must Be Done Right (1999), after a remark by McCann on his craft. The film airs on RTÉ a week before McCann’s death.
In his private life, McCann is a quiet and unassuming man, but he battles both depression and alcoholism all his life. He has many friends in Irish theatre and artistic circles but also across all strata of life. His hobbies include sketching and he is passionate about horse racing.
Remembering McCann on the 25th anniversary of his death, Gerald Smyth writes, “In the melancholy of that life-worn voice could be heard the cadences of a lyric heart.”
In 1977, Tullio takes over Armstrong’s Barn, serving food in a traditional Irish style. The restaurant closes in 1988. He does not sell the building when he closes the restaurant, instead he changes it into a recording studio. It is not a big hit so he holds several other jobs to pay the bills such as acting as a voice-over artist for commercials. After the demise of the studio, he renovates the building and turns it into a house.
Tullio sells “Annaglen,” the dwelling house attached to Armstrong’s Barn, and moves into Armstrong’s Barn itself. Before selling off Armstrong’s Barn in 2003, he builds a smaller house in a field close by.
Tullio receives several culinary awards for his cooking. In 1978, Armstrong’s Barn is awarded one Michelin star. The Michelin Guide awards the restaurant the “Red M,” indicating “good food at a reasonable price,” in 1980 and 1981.
He marries watercolour artist Susan Morley in 1975 after they meet each other at Trinity College Dublin. They have two children, but separate in 2004.
Tullio becomes a familiar face on television and even movies, acting as a guest critic on the popular RTÉ series The Restaurant. He writes restaurant reviews for the Irish Independent up until late 2014.
As an author, he pens North of Naples, South of Rome (1994), a book about where he is from in Italy and Mushroom Man (1998). He is also a frequent guest on Newstalk radio with Seán Moncrieff.
Tullio’s press manager, Noel Kelly, speaks of his passing: “The world is missing an incredible chef and culinary expert. He was one of life’s true gentlemen, a word overused but not in this case as Paolo was a gentleman to the core.”
In 2004, Bacik’s book Kicking and Screaming: Dragging Ireland into the 21st Century, is published by The O’Brien Press.
In 2007, she contested the Seanad Éireann elections for the third time in the Dublin University constituency, and is elected to the third seat, behind sitting Independent senators Shane Ross and David Norris. She initially sits as an Independent senator.
In February 2009, Bacik is included in an ‘All Star Women’s Cabinet’ in the Irish Independent. In March 2009, she confirmed claims made on a TV programme that she had taken two voluntary pay cuts of 10% in addition to a pension levy. In June 2009, she is the Labour Party candidate for the Dublin Central by-election. She comes in third with 17% of the first preference votes. She joins the Labour Party group in the Seanad in September 2009, and becomes Labour Party Seanad spokesperson for both Justice and Arts, Sports and Tourism. In November 2009, a feature by Mary Kenny of the Irish Independent includes Bacik in a list of women who “well deserved their iconic status.”
In May 2010, Bacik seeks Labour’s nomination to contest the next election in the Dublin South-East constituency but is not selected. In December 2010, she is added to the ticket as the second candidate beside Labour Party leader, Eamon Gilmore, in the Dún Laoghaire constituency for the 2011 Irish general election. Gilmore tops the poll, with Bacik receiving 10.1% of first preference votes but she is not elected. She is re-elected to Seanad Éireann at the subsequent election, after which she becomes Deputy Leader of the Seanad. She holds her seat in the Seanad in 2016 and in 2020.
On April 27, 2021, after the resignation of Eoghan Murphy from his Dáil seat in Dublin Bay South, Bacik announces her intention to stand in the upcoming by-election. She campaigns with an emphasis on providing affordable housing, as well as improving healthcare and childcare, tackling climate change, and achieving “a true republic in which church and state are separated.” During the campaign, she describes herself as having “more bills passed into law than any other Senator, on issues such as workers’ conditions, women’s health rights, and LGBT equality”. She also campaigns on increasing the number of sports amenities for children in the area, calling for unused Defence Forces football fields at the Cathal Brugha Barracks to be freed up for local sports, with the suggestion rejected by Fine GaelMinister for DefenceSimon Coveney. Fine Gael complains to RTÉ after she features prominently on National Treasures, a prime-time TV show broadcast by RTÉ during the campaign. RTÉ has strict rules about fair coverage of candidates during campaigns. The national broadcaster blames an “inadvertent error” for the programme being shown three days before the election. A steering group within the broadcaster tells Fine Gael that “the broadcast should not have happened.” Consequentially, RTÉ has to show a special report on the by-election on Prime Time to “ensure fair coverage is given to all candidates.”
Bacik wins this election, receiving 8,131 (30.2%) first-preference votes. It is her fourth attempt as a Labour candidate, and she expresses her delight at the success at the count centre in the RDS. Following the election, she is described by The Irish Times as “a formidable activist and public intellectual” and that Fine Gael’s perceived antipathy towards their former TD, Kate O’Connell, may have contributed to the surge in support to Bacik from women voters. The newspaper claims that her election is “a long overdue morale boost” for Labour.
In March 2022, Bacik confirms she will run to succeed Alan Kelly as Labour Party leader. Kelly states that he believes that Bacik will succeed him. On March 24, 2022, she is confirmed as Labour Party leader unopposed at a party conference in Dublin. In a speech, she says she will focus on the rising cost of living and the serious and global problems facing the country. She pledges that Labour will fight the next election as a “standalone party” rather than joining any left-wing alliance.
The son of a local school teacher, Noonan is raised in Loughill, County Limerick. He is educated at the local National School and St. Patrick’s Secondary School in Glin, before studying to be a primary school teacher at St. Patrick’s College, Drumcondra, Dublin. He subsequently completes a BA and H.Dip. in English and Economics at University College Dublin (UCD). He begins to work as a secondary school teacher in Dublin. He develops an interest in politics from his mother, whose family had been heavily involved in Fine Gael at the local level in Limerick, and joins the Dublin branch of the party after graduating from university.
Having been involved in the local Fine Gael organisation in Limerick since the late 1960s, Noonan first holds political office in 1974, when he is elected as a member of Limerick County Council. Having built up a local profile he contests the 1981 Irish general election for the party and secures a seat in Limerick East. Upon taking his Dáil seat, he becomes a full-time politician, giving up his teaching post and resigning his seat on Limerick County Council. Though Fine Gael forms a coalition government with the Labour Party, as a first time Teachta Dála (TD), he remains on the backbenches. He serves as a TD from 1981 to 2020.
Noonan marries Florence Knightley, a native of Castlemaine, County Kerry and a primary school teacher, in 1969. They have three sons (Tim, John and Michael) and two daughters (Orla and Deirdre). In May 2010, Noonan appears on RTÉ‘s The Frontline to talk about his wife’s battle with Alzheimer’s disease. Florence Noonan dies on February 23, 2012 of pneumonia.
Goan is an Irish language speaker. He studies Celtic studies at University College Dublin (UCD). He joins RTÉ in 1979 as an archivist with RTÉ Radio. He becomes a producer and senior producer on RTÉ Radio. In 1988, he moves to RTÉ Television and works on Today Tonight. Remaining in current affairs, he becomes editor of Cúrsaí, an Irish language television programme about arts and current affairs. He becomes Editor of Irish Language Programming in 1990.
Four years after being appointed Editor, Goan is approached to become “Ceannasaí” of the new Teilifís na Gaeilge. From August 1994, he manages the commencement of the new television channel. After a successful launch of the channel, where award-winning programming is produced during his tenure, he returns to RTÉ in 2000. He is appointed Director of Television and becomes a member of the RTÉ Executive Board.
Bob Collins retires as Director-General of RTÉ in 2003 to pursue a career elsewhere. It is announced in July 2003 that Goan will fill this position. He becomes the Director-General in October 2003. In 2008, he has a salary of €280,000, but it is reduced by €35,000. In 2006, he is announced as member of the board of National Concert Hall and serves there until May 2011. After the broadcast of a news item on nude pictures of TaoiseachBrian Cowen, Minister Michael Kennedy calls for Goan to “consider his position” as Director-General of RTÉ. He also receives criticism from Minister Éamon Ó Cuív in February 2010, when Sunday Mass is reduced to being broadcast just once a month on RTÉ Raidió na Gaeltachta.
Goan announces in July 2010 that he intends to step down at the end of his seven-year term. His resignation is accepted by the RTÉ Board.
McKeown is ordained to the priesthood on July 3, 1977.
Following ordination, McKeown’s first pastoral assignment is as chaplain at Mater Infirmorum Hospital, before returning to Rome to complete his licentiate. He returns to the Diocese of Down and Connor in 1978, where he is appointed as a teacher at Our Lady and St. Patrick’s College, Knock, while also serving as assistant priest in Derriaghy. He returns to St. MacNissi’s College in 1983, where he continues his involvement with youth ministry and is given responsibility for organising the annual diocesan pilgrimage to Lourdes.
McKeown subsequently returns to St. Malachy’s College in 1987, where he teaches and serves as dean of the adjoining seminary, before succeeding Canon Noel Conway as president in 1995. During his presidency, he completes a Master of Business Administration at the University of Leicester in 2000, specialising in educational management.
McKeown has completed the Belfast Marathon on two occasions: as a priest with a team of 48 from Derriaghy in 1982, and as a bishop fundraising for a minibus for St. Malachy’s College in 2001.
In response to a 2007 decision by Amnesty International to campaign for the legalisation of abortion in certain circumstances, McKeown supports the decision of Catholic schools in the diocese to disband their Amnesty International support groups, on the grounds that it is no longer appropriate to promote the organisation in their schools.
It is reported in an article in The Irish News that the mention of McKeown as a possible successor to Walsh as Bishop of Down and Connor is actively opposed by some priests in the diocese, who regard him as being “too soft” on the issue of integrated education. This opposition is branded a “Stop Donal” campaign.
McKeown also serves as a member of the Irish Catholic Bishops’ Conference and its committee on education and chairs its committees on vocations and youth. He leads the youth of the diocese to World Youth Day in 2002 and 2005 and also travels to Rome with his brother bishops for their quinquennial visit ad limina in 2006. He is also a regular contributor on Thought for the Day on BBC Radio Ulster.
McKeown starts a 33-day journey of prayer toward the Consecration to Jesus Christ through Mary on January 9, 2025. The prayer takes place online each evening at 7:00 p.m. The 33 days of prayer take place the week following the Baptism of the Lord until the Feast of Our Lady of Lourdes on February 11.
seamus dubhghaill 