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Tag Archives: St. Patrick’s Cathedral (Dublin)


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Death of Isaac Corry, Lawyer & Member of Parliament

Isaac Corry FRS, PC (I), PC, an Irish and British Member of Parliament and lawyer, dies in Merrion Square, Dublin, on May 15, 1813, his 60th birthday.

Corry is born on May 15, 1753, in Newry, County Down, the son of Edward Corry, sometime Member of Parliament, and Catharine Bristow. His cousin is the writer Catherine Dorothea Burdett. He is educated at The Royal School, Armagh, where his contemporaries include Robert Stewart, Viscount Castlereagh, and later at Trinity College, Dublin, from which he graduates in 1773. On October 18, 1771, he is admitted to the Middle Temple and called to the bar at King’s Inns in 1779.

Corry succeeds his father as Member of Parliament for Newry in 1776, sitting in the Irish House of Commons until the Acts of Union 1800. From 1782 to 1789 he serves as equerry to Prince Henry, Duke of Cumberland, being described in 1794 by Rt. Hon. Sylvester Douglas as “a well-bred man…He has no brogue…He once acted as a sort of groom of the bedchamber to the late Duke of Cumberland.” In 1798, he is also elected for Randalstown, but chooses not to sit and, in 1802, he is returned to the British House of Commons for Newry. He serves as a Whig at Westminster until 1806. It is written in 1783 that he would expect to enter high office, given that “he lives expensively and does not pursue his profession, which is the law.” In 1788 he becomes Clerk of the Irish Board of Ordnance. The following year he is appointed a commissioner of the revenue. Finally in 1799 he is appointed Chancellor of the Exchequer of Ireland and a Lord High Treasurer of Ireland in place of Sir John Parnell, who quarreled violently with William Pitt the Younger over the projected union, which he categorically refuses to support. In 1795 he becomes a Privy Councillor.

In 1802 Corry is dismissed from the Exchequer and replaced by John Foster (later Lord Oriel), he is awarded, however, £2,000 p.a. in compensation. In 1806 the changes in ownership of the Newry estates alters his position. The lands pass to a senior line of the Needham family and they support General Francis Needham, 1st Earl of Kilmorey, at the general election. Corry does not have the funds needed, in excess of £5000, to purchase a seat elsewhere. However, Lady Downshire is inclined to support the Grenville ministry and comes to a formal agreement with Corry to give him £1000 towards his expenses should he be successful in Newry, and, if not, to bring him in for another borough. He fails against the Needham interest in Newry, but a seat at Newport, Isle of Wight, is purchased for him, with £4000 from Lady Downshire, and he is appointed to the Board of Trade. Six months later Grenville’s ministry has fallen and there is another general election. Corry stands, again unsuccessfully, for Newry.

Corry is unmarried but has a long-term relationship with Jane Symms. They have three sons and three daughters. His daughter Ann marries Lt. Col. Henry Westenra, the brother of Robert Cuninghame, 1st Baron Rossmore. His residence in Newry is the Abbey Yard, now a school, and Derrymore House, Bessbrook, County Armagh, which he had inherited from his father and sold in 1810. It is now the property of the National Trust. During his life, a road is constructed from near the main entrance of Derrymore House around Newry and links up with the Dublin Road on the southern side of the town primarily for his use. This road subsequently becomes known as “The Chancellor’s Road,” as a result of his term as the Irish Chancellor of the Exchequer. A local legend has it that the road is constructed after an incident in which Corry’s stagecoach is stoned while passing through Newry by people angry at an unpopular window tax he had introduced. The road has retained this name, but it is cut in half by the Newry by-pass in the mid-1990s, however, as a result of works associated with the new A1 dual carriageway, the two-halves of the road are now reconnected.

Corry dies at his house in Merrion Square, Dublin, on May 15, 1813, his 60th birthday. He is buried in St. Patrick’s Cathedral, Dublin.


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Death of Sir Robert Prescott Stewart, Organist, Conductor & Composer

Sir Robert Prescott Stewart, organist, conductor, composer, teacher, and academic, dies in Dublin on March 24, 1894. He is one of the most influential (classical) musicians in 19th-century Ireland.

Stewart is born on December 16, 1825, the second of two sons of Charles Frederick Stewart of 6 Pitt Street (now Balfe Street), Dublin, librarian of King’s Inns. Nothing is known of his mother other than that she studies music with one of the Logier family, presumably the noted military musician and piano teacher Johann Bernhard Logier, a resident of Dublin from 1809.

Stewart is educated at Christ Church Cathedral school in Dublin, where he is a chorister. He begins to accompany choral services in his early teens, and in 1844 is appointed organist of Christ Church Cathedral and the Trinity College Dublin (TCD) chapel. In addition, in 1852 he becomes de facto organist of St. Patrick’s Cathedral, and holds all three positions concurrently for the rest of his life.

Stewart’s first conducting appointment is with the Dublin University Choral Society in 1846, to which he later adds similar appointments in Dublin, Bray, and Belfast. He is active as a teacher, both privately and from 1869 at the Royal Irish Academy of Music (RIAM), and as a critic with the Dublin Daily Express. On occupying the University of Dublin‘s chair of music in 1862, he takes steps to formalise requirements for the music baccalaureate, introducing examinations in a modern language, Latin (or a second modern language), English (literature and composition), arithmetic, and music history. As a result, though not until 1878, similar examinations are introduced at the University of Oxford and the University of Cambridge. In his professorial capacity he delivers in the 1870s public lectures on Bach, Handel, Wagner, church music, music education, organology, and, most notably, Irish music, in which he reveals an uncanny knowledge of the wire-strung harp and the uilleann pipes. He also contributes entries on Irish music and musicians to the first edition of George Grove‘s A Dictionary of Music and Musicians.

By all accounts, Stewart is a very adept musician, having perfect pitch, a formidable memory, and astonishing facility in transposition. Apparently an autodidact, he is the first Irish organist to cultivate pedal technique, while in the art of improvisation both Joseph Robinson and Sir John Stainer hold him to be the equal of Mendelssohn.

Intent on broadening his musical horizons, Stewart travels widely. From 1851 he is a regular visitor to London, and from 1857 makes frequent trips to Continental Europe, attending the Beethoven and Schumann festivals at Bonn in 1871 and 1873 respectively and Wagner’s first Bayreuth Festival in 1876. On the initiative of the Dublin University Choral Society, he is conferred with the simultaneous degrees of Mus.B. and Mus.D. at a special ceremony on April 9, 1851. On February 28, 1872, he is knighted at Dublin Castle by John Poyntz Spencer, 5th Earl Spencer, a social climb that Stewart, who has no independent income, can afford only by accumulating professional appointments and by relentless private teaching. In addition to successive townhouses in the vicinity of Merrion Square, he owns a smaller property on Bray Esplanade, named Holyrood.

Among Stewart’s compositions, his disciple James Culwick lists about forty part songs (of which several win prizes), more than twenty solo songs, fifteen anthems, several church services, a quantity of shorter liturgical music, and sixteen choral cantatas with orchestra. Three of the cantatas set texts by John Francis Waller: the 24-movement A Winter Night’s Wake (1858), The Eve of St. John (1860) and Inauguration Ode for the Opening of the National Exhibition of Cork (1852) for the opening of the Irish Industrial Exhibition in Cork. Other occasional pieces are Who Shall Raise the Bell? (The Belfry Cantata) for the inauguration of Trinity College campanile in 1854, Ode to Shakespeare (1870) for the Birmingham Triennial Music Festival, Orchestral Fantasia (1872) for the Boston Peace Festival, How Shall We Close Our Gates? (1873) for the Dublin Exhibition and Tercentenary Ode (1892) for the tercentenary of Trinity College Dublin.

Though Stewart destroys many of his works, his surviving music is consistently well crafted, and the rapid decline in the popularity of the odes is at least partly attributable to the tawdry and ephemeral character of their texts. Yet despite his esteem for Wagner, he never shakes off the conservative stylistic influences of Handel, Beethoven, and Mendelssohn, and the posthumous performance of his music has been restricted almost entirely to the Dublin cathedrals.

In August 1846 Stewart marries Mary Emily Browne, the daughter of Peter Browne of Rahins House, Castlebar, County Mayo. They have four daughters, of whom the eldest dies in 1858. Following Mary’s death on August 7, 1887, he marries on August 9, 1888, Marie Wheeler of Hyde, Isle of Wight, the daughter of Joseph Wheeler of Westlands, Queenstown (now Cobh).

Stewart dies in Dublin on March 24, 1894, and is buried at Mount Jerome Cemetery alongside his first wife and eldest daughter. Portraits of him are in the possession of the Dublin University Choral Society and the Royal Irish Academy of Music (RIAM), and his statue, erected on Leinster Lawn in 1898, still stands.

(From: “Stewart, Sir Robert Prescott” by Andrew Johnstone, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of Sir Thomas Drew, Architect & Antiquarian

Sir Thomas Drew, Anglo-Irish architect and antiquarian, dies in Dublin on March 13, 1910.

Drew is born on September 18, 1838, in Victoria Place, Belfast, into the large family of Rev. Thomas Drew, son of a Limerick grocer, and Isabella Drew (née Dalton). He is one of four sons and eight daughters of the couple, although most of the children die young. His sister, Catherine Drew, is a prominent London journalist and an early champion of women’s rights.

Drew is educated in Belfast and in 1854 articled to the Antrim county surveyor and architect Sir Charles Lanyon, before moving to work in Dublin in 1862, where he becomes principal assistant to William George Murray. In 1865, he becomes the diocesan architect of the united dioceses of Down, Connor and Dromore. From this point forward, church architecture is his principal activity. He is consulting architect for both St. Patrick’s Cathedral and Christ Church Cathedral in Dublin.

Drew marries Adelaide Anne, sister of William George Murray, in 1871.

Among other projects, Drew is responsible for the design of the Ulster Bank on Dame Street, Rathmines Town Hall and the Graduates’ Building at Trinity College Dublin (TCD). He takes an interest in historic buildings and is the first to draw serious attention to the architectural and historic importance of the St. Audoen’s Church, Dublin’s oldest parish church, in 1866. He produces detailed plans of the church for which he wins the Fitzgerald medal from the Royal Institute of the Architects of Ireland (RIAI), carries out excavations and draws up a paper on the church and its history.

From 1885 to 1892, Richard Orpen works with Drew as a managing assistant. Drew’s most significant work in Belfast is St. Anne’s Cathedral, completed in 1899.

Drew is knighted in the 1900 Birthday Honours and is the inaugural president of the Royal Society of Ulster Architects (RSUA), serving from 1901 to 1903. In addition, he is president of the Royal Institute of the Architects of Ireland (RIAI), the Royal Society of Antiquaries of Ireland (RSAI) and the Royal Hibernian Academy (RHA) and holds the chair in architecture at the National University of Ireland (NUI).

From 1879 onward Drew lives in Gortnadrew, one half of a pair of semi-detached houses of his own design, on Alma Road in Monkstown, County Dublin. For many years he serves as a commissioner of the local township of Blackrock, Dublin. He dies on March 13, 1910, a month after an unsuccessful operation for appendicitis. He is buried in Dean’s Grange Cemetery in the suburban area of Deansgrange in Dún Laoghaire–Rathdown, County Dublin.

Drew is commemorated in a memorial brass in Christ Church Cathedral, Dublin. His wife survives him by three years and in her will bequeaths back to the RIAI the loving cup presented to her husband in commemoration of his knighthood, and to the Belfast Municipal Museum and Art Gallery (Ulster Museum since 1962) an 1852 portrait of his father Thomas. A portrait of Drew by Walter Osborne is held in the National Gallery of Ireland (NGI) in Dublin.


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Birth of Richard Orpen, Architect, Painter & Illustrator

Richard Francis Caulfield Orpen, Irish architect, painter, illustrator and designer, is born on December 24, 1863.

Orpen is born to Anne (née Caulfield) and Arthur Herbert Orpen, a solicitor of Oriel, Blackrock, Dublin. His maternal grandfather is the Bishop of Nassau, Charles Caulfield. He is the eldest of four brothers and two sisters. His youngest brother is William, the painter. He attends St. Columba’s College in Whitechurch, Dublin, and graduates from Trinity College Dublin (TCD) with a BA in 1885. While attending St. Columba’s, he publishes an Irish comic alphabet for the present times in 1881, which is a mix of cartoons and verse mocking Charles Stewart Parnell and the home rule movement.

Orpen wants to pursue painting, but “for family reasons” he becomes an architect. He spends eleven years with Thomas Drew, initially as a pupil, and later as a managing assistant from 1885 to 1892. From around 1884, he attends the annual excursions of the English Architectural Association. Around 1890, he establishes his own architectural practice in Drew’s offices at 22 Clare Street, Dublin. In 1896, he moves his office to 7 Leinster Street. In 1888 he is elected as a member of the Royal Institute of the Architects of Ireland (RIAI), serving as a council member from 1902 to 1910, as honorary secretary from 1903 to 1905, and as president from 1914 to 1917. He designs the institute’s official seal in 1909. In 1904, the Irish Builder describes him as the “originator of the bungalow in Ireland.”

From 1888, Orpen exhibits with the Royal Hibernian Academy (RHA), with watercolours and architectural drawings. He continues to exhibit with them until 1936. He collaborates with Percy French on a number of projects, including illustrating Racquetry Rhymes (1888) and The First Lord Liftinant and Other Tales (1890). He provides cartoons for French’s periodical, The Jarvey. His architectural illustrations are included in H. Goldsmith Whitton’s Handbook of the Irish Parliament Houses… (1891). He is one of the original members of the Architectural Association of Ireland, serving as its first president in 1896, and as vice-president in 1910.

Orpen is appointed the architect to St. Columba’s from 1897 to 1938, following a fire at the college in 1896. He becomes a fellow of the college, and the sanatorium becomes known as the Orpen building. He is an active member of the Arts and Crafts Society of Ireland, serving as secretary in 1895, on the committee in 1904, and in 1917 sits on the organising committee for the fifth exhibition. In 1906, he is a founding member of the Arts Club. In 1906 he moves his architectural practice to 13 South Frederick Street, and moves into a house he designed, Coologe, Carrickmines, County Dublin.

At the 1907 Irish International Exhibition, Dublin, Orpen exhibits a number of chalk drawings. The same year he designs the cover of a satirical pamphlet, The Abbey row, not edited by W. B. Yeats, which mocks The Arrow and the riots at the first production of The Playboy of the Western World. He unveils a bust of Hugh Lane at the opening of the Municipal Gallery of Modern Art on Harcourt Street in 1908. He is appointed secretary to the municipal gallery committee by Lane. In 1910, he is appointed architect to Christ Church Cathedral, as well as architect to St. Canice’s Cathedral, Kilkenny, and St. Patrick’s Cathedral, Dublin. In 1911 he is elected an associate of the Royal Hibernian Academy, a full member in 1912, and was the academy’s secretary from 1925 to 1937.

From 1910 to 1914, Orpen is in an architectural partnership with Page Dickinson, with the two collaborating on plans for the new Dublin municipal gallery and conversion of the Turkish Baths, Lincoln Place. Lane rejects his and Dickinson’s gallery plans, leading to him refusing to work with Lane’s choice of architect, Sir Edwin Lutyens. In 1914, he is appointed a guardian of the National Gallery of Ireland, and lectures at the Dublin Metropolitan School of Art on architectural history in 1914 and 1915. He is involved in the design of a number of memorials including the setting for a bronze relief by Beatrice Campbell for the members of the Royal Irish Regiment killed in the Second Boer War and the war memorial at the Rathgar Methodist church. He serves as president of the arts and crafts section of the Royal Dublin Society (RDS). He is also a governor of the Royal National Hospital for Consumption for Ireland in Newcastle, County Wicklow.

Orpen marries Violet Caulfield in 1900. They are both descended from William Caulfeild, 1st Viscount Charlemont. He dies on March 27, 1938, at his home, Coologe, and is buried in Dean’s Grange Cemetery.

Orpen features as one of the many portraits in Seán Keating‘s Homage to Sir Hugh Lane. St. Columba’s College holds a portrait of Orpen by his brother, William, as well as a memorial stained-glass window to him by Catherine O’Brien.


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Birth of Sir Thomas Drew, Anglo-Irish Architect

Sir Thomas Drew, Anglo-Irish architect, is born in Victoria Place, Belfast, on September 18, 1838.

Drew is the son of the Rev. Thomas Drew, son of a Limerick grocer, and Isabella Drew (née Dalton), daughter of a Dublin attorney. He is one of four sons and eight daughters of the couple, although most of the children die young. His sister, Catherine Drew, is a prominent London journalist and an early champion of women’s rights.

Drew is trained under Sir Charles Lanyon before moving to work in Dublin, where he becomes principal assistant to William George Murray. In 1865, he becomes the diocesan architect of the united dioceses of Down, Connor and Dromore, and from that point forward Church architecture is his principal activity. He is consulting architect for both St. Patrick’s Cathedral and Christ Church Cathedral in Dublin.

Drew marries Adelaide Anne, sister of William George Murray, in 1871.

Among other projects, Drew is responsible for the design of the Ulster Bank on Dame Street, Rathmines Town Hall (completed 1899) and the Graduates Memorial Building at Trinity College Dublin (TCD). He takes an interest in historic buildings and is the first to draw serious attention to the architectural and historic importance of the St. Audoen’s Church, Dublin’s oldest parish church, in 1866. He produces detailed plans of the church for which he wins an award from the Royal Institute of the Architects of Ireland (RIAI), carries out excavations and draws up a paper on the church and its history.

From 1885 to 1892, Richard Orpen works with Drew as a managing assistant. Drew’s most significant work in Belfast is St. Anne’s Cathedral, completed in 1899.

Drew is knighted in the 1900 Birthday Honours and is inaugural president of the Royal Society of Ulster Architects, serving from 1901 to 1903. In addition, he is president of the Royal Institute of the Architects of Ireland (RIAI), the Royal Society of Antiquaries of Ireland (RSAI) and the Royal Hibernian Academy (RHA) and holds the chair in architecture at the National University of Ireland. He lives in Gortnadrew, Monkstown, County Dublin.

Drew dies on March 13, 1910, a month after an unsuccessful operation for appendicitis. He is buried in Dean’s Grange Cemetery.

Selected works:


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Death of Sir Thomas Farrell, Irish Sculptor

Sir Thomas Farrell, Irish sculptor, dies at his home, Redesdale House, Stillorgan, County Dublin, on July 2, 1900.

Farrell is born in 1827 in Mecklenburgh Street (later called Railway Street) in Summerhill, Dublin, one of six sons of Terence Farrell, sculptor, and Maria Farrell (née Ruxton). He trains as a sculptor in his father’s workshops. In 1842 he enters the modelling school of the Royal Dublin Society, where he is awarded the prize for “Original design in clay” the following year. He is awarded premiums by the Royal Irish Art Union in 1844 and 1846. As a student he becomes acquainted with the neoclassical sculpture of John Flaxman and John Hogan. His first commission is a monument to Archbishop Daniel Murray in St. Mary’s Pro-Cathedral in Dublin.

One of the first works that make Farrell prominent is the bas-relief representing the last charge at Waterloo, designed for the Wellington Monument in the Phoenix Park. His work is accepted after public competition. Another of his early works is his memorial to Captain John McNeil Boyd in St. Patrick’s Cathedral, Dublin. He enters the competition for the monument to Daniel O’Connell in 1864, but the commission is awarded to John Henry Foley.

His statue of William Smith O’Brien, the Young Ireland leader, formerly at the head of D’Olier Street, is now in O’Connell Street, as is another statue by him, that of Sir John Gray, the surgeon and politician who is instrumental in giving Dublin its water supply.

Throughout his career, Farrell remains actively involved in the Royal Hibernian Academy (RHA). He is elected directly as a full member in 1860 rather than undergoing an initial phase of associate membership. He exhibits almost annually with the academy until his death. He holds a number of posts, including professor of sculpture and treasurer, before being elected president in 1893, being the first sculptor to be so honoured. His achievements are recognised with a knighthood in May 1894.

Farrell dies at his residence, Redesdale House, in Stillorgan, County Dublin, on July 2, 1900. He is a shy, retiring man, and his death is not announced to the public for three days, in keeping with his wishes to avoid any sort of elaborate display on his behalf. Intensely private, he never marries and lives a life immersed in his work. Contemporary accounts describe him as constantly dissatisfied with his work despite consistent public approval for it.


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Death of Actress Betty Chancellor

Betty Chancellor, Irish actress, dies in Dún Laoghaire, County Dublin, at the age of 74 on April 27, 1984.

Chancellor is born at 8 Fitzwilliam Place, Dublin, on January 9, 1910. Her parents are John William Chancellor, a Dublin clockmaker, jeweler, and photographer, and Cicely Chancellor (née Granger). They marry in Billericay, Essex, in 1904. She has an elder sister, Joyce Fanny, who also becomes an actress. She attends Nightingale Hall and Alexandra College, going on to train as a secretary.

Chancellor’s first appearance on stage is as a fairy in a benefit performance at the Gaiety Theatre in 1914. She appears again at the Gaiety in 1922 as Gwennie in F. Anstey‘s The Man from Blankley’s, and then studies drama under Frank Fay. In the 1920s, she acts in the Dublin Drama League’s productions in the Abbey Theatre. Once she joins the Gate Theatre her career progresses, establishing her as one of the principal actresses in the Gate by the early 1930s.

Chancellor plays Naomi alongside Orson Welles in a production of Jud Süss in October 1931. Welles becomes infatuated with her and later describes her as “the sexiest thing that ever lived.” In 1931, she debuts in J. B. Fagan‘s production of The New Gossoon by George Shiels as Biddy Henley at the Apollo Theatre. Her most noted roles are as Toots in Youth’s the Season in 1932 by Mary Manning, Laura in a production of Carmilla in 1932, based on the Gothic novella by Sheridan Le Fanu, Ophelia in 1932 and Cicely in The Importance of Being Earnest in 1933. Touring with the Gate company in 1935, she plays Stella in its production of Lord Longford‘s Yahoo performed in the Westminster Theatre, London. She stars with James Mason in the Gate’s production of Pride and Prejudice in 1937. Disappointed with the parts she is getting at the Gate after that and much to the annoyance of Micheál Mac Liammóir and Hilton Edwards, she joins Lord Longford’s first provincial tour in 1937.

In the late 1930s, Chancellor works more often in London. Following her appearance as Baby Furze in the 1938 production of Spring Meeting by Molly Keane and John Perry, she is nominated as “Star of the Future” by the Daily Mail. She acts alongside Alec Guinness and Peggy Ashcroft in 1940 in Clemence Dane‘s Cousin Muriel at the Globe Theatre, directed by John Gielgud.

Chancellor returns to the Gaiety Theatre in 1941 to act with Hilton Edwards in a production of Caesar and Cleopatra by George Bernard Shaw, a production that marks the 75th anniversary of the Gaiety. The press welcomes her return to the company, but her fellow actors are disturbed by the fact she is then living with Denis Johnston, the husband of fellow actress Shelah Richards. After Johnston’s divorce, they marry in March 1945 in Dungannon, County Tyrone. She partly retires from acting to raise their sons, but also due to her increasing deafness that had begun in her teens.

In 1947, Chancellor appears in Johnston’s The Moon in the Yellow River at the Arts Theatre in London with Jack Hawkins. The family moves to the United States in November 1948, where she has the lead role in Shaw’s Candida at Amherst College, Massachusetts in 1950.

In 1969, Chancellor returns to Ireland with her family and settles in Dalkey, County Dublin. She dies in Dún Laoghaire on April 27, 1984, and is buried in the close of St. Patrick’s Cathedral, Dublin.


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Death of Brendan McGahon, Fine Gael Politician

Brendan McGahon, Irish Fine Gael politician who serves as a Teachta Dála (TD) for the Louth constituency from 1982 to 2002, dies on February 8, 2017, following a brief illness. Often described as “colourful,” with a reputation as a social conservative, he is first elected to Dáil Éireann at the November 1982 Irish general election and retains his seat until retiring at the 2002 Irish general election.

McGahon is born in Dundalk, County Louth, on November 22, 1936, and is educated at St. Mary’s College, Dundalk. His grandfather, T.F. McGahon, is one of the inaugural members of Dundalk Urban District Council when it is created along with other Irish local authorities by the British Government in 1898. T.F. McGahon is a leading member of the Irish Parliamentary Party (IPP). He starts a local newspaper, the Dundalk Democrat, which is supportive of the IPP. He is a critic of the Irish War of Independence campaign, of Sinn Féin, and of the then Irish Republican Army (IRA), arguing that the campaign will result in the partition of Ireland. He is later succeeded on the council by his son, O.B. McGahon, who in turn is followed by his nephew, Hugh McGahon. The family subsequently supports the National League Party and the Independent TD James Coburn and joins Fine Gael when Coburn joins the party. They are also prominent members of the Ancient Order of Hibernians.

McGahon marries Celine Lundy, a widow from Newry, County Down, and takes over the running of the family newspaper business in the 1960s. He plays soccer for Dundalk F.C. in the League of Ireland Premier Division for a number of years.

McGahon succeeds his cousin Hugh on Dundalk Town Council and on Louth County Council at the 1979 Irish local elections. He is an unsuccessful candidate at the 1981 Irish general election and at the February 1982 Irish general election. He is first elected to Dáil Éireann for Louth at the November 1982 Irish general election, defeating incumbent Fine Gael TD, Bernard Markey. He is re-elected at the next five general elections.

A notable aspect of McGahon’s political career is his stand against the Provisional IRA when that organisation’s campaign of violence is at its height. At great personal risk, he refuses to close his newsagents shop in Dundalk during the funerals of the hunger strikers in 1981. He takes another huge risk a few years later when he gives evidence in the High Court in support of The Sunday Times, which is being sued for libel by Thomas Murphy for accusing him of directing an IRA bombing campaign in Britain. Local Gardaí are ordered not to get involved in the case, but McGahon is not deterred from giving evidence that helps the newspaper to defend the claims being made against it by Murphy.

A maverick and outspoken TD, McGahon is known to speak his mind on many issues including divorce, crime, and single mothers. He once advocates that pedophiles should be castrated as part of their prison sentence and is the only TD to oppose the referendum to abolish the death penalty from the Constitution. He also argues that those under 21 years of age should not be able to drive or drink. He is a member of the World Anti-Communist League and opposes the decriminalisation of homosexuality. In 1993, he is the only TD to oppose the decriminalisation of homosexuality and says in the Dáil that:

“I regard homosexuals as being in a sad category, but I believe homosexuality to be an abnormality, some type of psycho-sexual problem that has defied explanation over the years. I do not believe that the Irish people desire this normalisation of what is clearly an abnormality. Homosexuality is a departure from normality and while homosexuals deserve our compassion, they do not deserve our tolerance. That is how the man in the street thinks. I know of no homosexual who has been discriminated against. Such people have a persecution complex because they know they are different from the masses or normal society. They endure inner torment, and it is not a question of the way others view them. The lord provided us with sexual organs for a specific purpose. Homosexuals are like left-hand drivers driving on the right-hand side of the road.”

On the other hand, McGahon speaks out strongly against the influence of the drink industry and defies his own party whip to vote with his left-wing friend Tony Gregory in favour of banning of hare coursing. He is also on good personal terms with members of the Oireachtas such as Michael D. Higgins and David Norris despite holding fundamentally opposed views to them.

McGahon does not contest the 2002 Irish general election and retires from politics.

McGahon lives in Ravensdale, County Louth. His son Conor is a Louth County Councillor from 1991 to 1999 and his brother Johnny is a Louth County Councillor from 1995 to 2004. Johnny’s nephew, John McGahon, is elected to Louth County Council at the 2014 Irish local elections and to Seanad Éireann in 2020.

McGahon dies at the age of 80 on February 8, 2017, following a short illness. Following a Mass at St. Patrick’s Cathedral on February 11, he is buried afterwards in St. Patrick’s Cemetery.


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Death of Esther Johnson, Close Friend of Jonathan Swift

Esther Johnson, an Englishwoman known as “Stella” and known to be a close friend of Jonathan Swift, dies on January 28, 1728. Whether or not she and Swift are secretly married, and if so, why the marriage is never made public, is a subject of debate.

Johnson is born in Richmond, Surrey, England, on March 13, 1681, and spends her early years at Moor Park, Farnham, home of Sir William Temple, 1st Baronet. Here, when she is about eight, she meets Swift, who is Temple’s secretary. He takes a friendly interest in her from the beginning and apparently supervises her education.

Johnson’s parentage has been the subject of much speculation. The weight of evidence is that her mother acts as companion to Temple’s widowed sister, Martha, Lady Giffard, and that Johnson, her mother and her sister Anne are regarded as part of the family. Her father is said to have been a merchant who died young. Gossip that she is Temple’s illegitimate daughter seems to rest on nothing more solid than the friendly interest he shows in her. There are similar rumours about his supposed relationship with Swift.

When Swift sees Johnson again in 1696, he considers that she has grown into the “most beautiful, graceful and agreeable young woman in London.” Temple, at his death in 1699, leaves her some property in Ireland, and it is at Swift’s suggestion that she move to Ireland in 1702 to protect her interests, but her long residence there is probably due to a desire to be close to Swift. She generally lives in Swift’s house, though always with female companions like Rebecca Dingley, a cousin of Temple whom she has known since childhood. She becomes extremely popular in Dublin and an intellectual circle grows up around her, although it was said that she finds the company of other women tedious and only enjoys the conversation of men.

In 1704, their mutual friend, the Reverend William Tisdall, tells Swift that he wishes to marry Johnson, much to Swift’s private disgust, although his letter to Tisdall, which outlines his objections to the marriage, is courteous enough, making the practical point that Tisdall is not in a position to support a wife financially. Little is known about this episode, other than Swift’s letter to Tisdall. It is unclear if Tisdall actually proposes to her. If he does, he seems to have been met with a firm rejection, and he marries Eleanor Morgan two years later. He and Swift, after a long estrangement, become friends once more after Johnson’s death.

Johnson’s friendship with Swift becomes fraught after 1707 when he meets Esther Vanhomrigh, daughter of the Dutch-born Lord Mayor of Dublin, Bartholomew Van Homrigh. Swift becomes deeply attached to her and invents for her the name “Vanessa.” She in turn becomes infatuated with him and after his return to Ireland follows him there. The uneasy relationship between the three of them continues until 1723 when Vanessa, who is by now seriously ill from tuberculosis, apparently asks Swift not to see Johnson again. This leads to a violent quarrel between them, and Vanessa, before her death in June 1723, destroys the will she had made in Swift’s favour, leaving her property to two men, George Berkeley and Robert Marshall, who though eminent in their respective callings are almost strangers to her.

Whether Swift and Johnson are married has always been a subject of intense debate. The marriage ceremony is allegedly performed in 1716 by St. George Ashe, Bishop of Clogher, with no witnesses present, and it is said that the parties agree to keep it secret and live apart. Johnson always describes herself as a “spinster” and Swift always refers to himself as unmarried. Rebecca Dingley, who lives with Johnson throughout her years in Ireland, says that Johnson and Swift were never alone together. Those who know the couple best are divided on whether a marriage ever took place. Some, like Mrs. Dingley and Swift’s housekeeper Mrs. Brent laugh at the idea as “absurd.” On the other hand, Thomas Sheridan, one of Swift’s oldest friends, believes that the story of the marriage is true. He reportedly gives Johnson herself as his source. Historians have been unable to reach a definite conclusion on the truth of the matter. Bishop Ashe dies before the story first becomes public, and there are no other witnesses to the supposed marriage.

A collection of Johnson’s witticisms is published by Swift under the titles of “Bon Mots de Stella” as an appendix to some editions of Gulliver’s Travels. A Journal to Stella, a collection of 65 letters from Swift to Johnson, is published posthumously.

In 1722, Martha, Lady Giffard, dies and leaves money to Johnson and Swift’s sister, Mrs. Fenton, who had been her companion in 1711.

Johnson’s health begins to fail in her mid-forties. In 1726, she is thought to be dying and Swift rushes back from London to be with her but finds her better. The following year it becomes clear that she is gravely ill. After sinking slowly for months, she dies on January 28, 1728, and is buried in St. Patrick’s Cathedral, Dublin. Swift is inconsolable at her death and writes The Death of Mrs. Johnson in tribute to her. When Swift dies in October 1745, he is buried beside her at his own request. A ward in St. Patrick’s University Hospital is named “Stella” in her memory.

In the 1994 film Words Upon the Window Pane, based on the play by William Butler Yeats, Johnson is played by Bríd Brennan. The plot turns on a séance in Dublin in the 1920s, where the ghosts of Swift, Johnson and Vanessa appear to resume their ancient quarrel.

In the 1982 Soviet film The House That Swift Built, Johnson is played by Aleksandra Zakharova.


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Death of Musicologist Francis Llewellyn Harrison

Francis Llewellyn Harrison, better known as “Frank Harrison” or “Frank Ll. Harrison” and one of the leading musicologists of his time and a pioneering ethnomusicologist, dies in Canterbury, England, on December 29, 1987.

Initially trained as an organist and composer, he turns to musicology in the early 1950s, first specialising in English and Irish music of the Middle Ages and increasingly turning to ethnomusicological subjects in the course of his career. His Music in Medieval Britain (1958) is still a standard work on the subject, and Time, Place and Music (1973) is a key textbook on ethnomusicology.

Harrison is born in Dublin on September 29, 1905, the second son of Alfred Francis Harrison and Florence May (née Nash). He becomes a chorister at St. Patrick’s Cathedral, Dublin in 1912 and is educated at the cathedral grammar school and Mountjoy School. A competent organist, he is deputy organist at St. Patrick’s from 1925 to 1928. In 1920, he also begins musical studies at the Royal Irish Academy of Music, where he studies with John Francis Larchet (composition), George Hewson (organ) and Michele Esposito (piano). In 1926, he graduates Bachelor of Music at Trinity College Dublin and is awarded a doctorate (MusD) in 1929 for a musical setting of Psalm 19. He then works in Kilkenny for one year, serving as organist at St. Canice’s Cathedral and music teacher at Kilkenny College.

In 1930, Harrison emigrates to Canada to become organist at Westminster Presbyterian Church in New Glasgow, Nova Scotia. In 1933, he studies briefly with Marcel Dupré in France but returns to Canada in 1934 to become organist at Knox Presbyterian Church in Ottawa. In 1935, he takes a position as organist and choirmaster at St. George’s Cathedral in Kingston, Ontario, as well as taking up the newly created post of “resident musician” at Queen’s University at Kingston. His duties include giving lectures, running a choir and an orchestra, and conducting concerts himself. His course in the history and appreciation of music is the first music course to be given for full credit at Queen’s. He resigns from St. George’s in 1941 to become assistant professor of music at Queen’s in 1942. During his years in Canada he still pursues the idea of remaining a performing musician and composer, winning three national composition competitions: for Winter’s Poem (1931), Baroque Suite (1943) and Night Hymns on Lake Nipigon (1945).

On a year’s leave of absence from Queen’s, Harrison studies composition with Paul Hindemith at Yale University, also taking courses in musicology with Leo Schrade. In 1946, he takes up a position at Colgate University in Hamilton, New York, and then moves on to Washington University in St. Louis as head of the new Department of Music (1947–1950).

In 1951, Harrison takes the degrees of Master of Arts (M.A.) and Doctor of Music (DMus) at Jesus College, Oxford, and becomes lecturer (1952), senior lecturer (1956), and reader in the history of music (1962–1970) there. In 1965, he is elected Fellow the British Academy and Senior Research Fellow at Oxford. From 1970 to 1980, he is Professor of Ethnomusicology at the University of Amsterdam in the Netherlands, retiring to part-time teaching in 1976.

Harrison also holds Visiting Professorships in musicology at Yale University (1958–1959), Princeton University (spring 1961 and 1968–1969), and Dartmouth College (winter 1968 and spring 1972). He also briefly returns to Queen’s University at Kingston as Queen’s Quest Visiting Professor in the fall of 1980 and is Visiting Andrew W. Mellon Professor of Music at the University of Pittsburgh for the calendar year 1981.

Harrison’s honorary titles also include Doctor of Laws at Queen’s University, Kingston (1974), Corresponding Member of the American Musicological Society (1981), and Vice President and Chairman of the Plainsong and Medieval Music Society (1985). At Queen’s also, the new Harrison-LeCaine Hall (1974) is partly named in his honour.

Harrison dies in Canterbury, England on December 29, 1987.

In 1989, Harry White appreciates Harrison as “an Irish musicologist of international standing and of seminal influence, whose scholarly achievement, astonishingly, encompassed virtually the complete scope of the discipline which he espoused.” David F. L. Chadd writes of him “He was above all things an explorer, tirelessly curious and boyishly delighted in the pursuit of knowledge, experience and ideas, and totally heedless of artificially imposed constraints and boundaries.”

Since 2004, the Society for Musicology in Ireland (SMI) awards a bi-annual Irish Research Council Harrison Medal in his honour to distinguished international musicologists.