Ireland formally applies for European Economic Committee (EEC) membership in July 1961. Ó Móráin, as Minister for Lands and the Gaeltacht, delivers a widely reported address to the Castlebar Chamber of Commerce in 1962. In the speech, he argues that Ireland is “ready to subscribe to the political aims of the EEC” and that Ireland does not want to be seen as “committed” to its policy of neutrality. In the ensuing controversy, he and Lemass deny that there is any suggestion Ireland might or should abandon neutrality. Outside the country, foreign governments see this episode as a deliberately provoked debate to evaluate the government’s domestic room for manoeuvre on neutrality.
Ó Móráin is appointed Minister for Justice by Taoiseach Jack Lynch in 1968. It is in this role that he is most remembered. While he is still Minister, the Arms Crisis in Ireland erupts in 1970. This political scandal sees Government ministers Charles Haughey and Neil Blaney dismissed by the Taoiseach for alleged involvement in a conspiracy to smuggle arms to the Irish Republican Army (IRA) in Northern Ireland. Ó Móráin continually suffers from ill health, which is accentuated by his alcoholism. When the Arms Crisis erupts, Lynch comes to see him in a hospital in Galway and asks for his resignation. Ó Móráin is a witness at the subsequent Arms Trial. He testifies that he had passed on Garda intelligence reports about the involvement of ministers with the IRA to the Taoiseach before the arms were seized at Dublin Airport. Hus evidence at the trial has been described as “erratic.”
Ó Móráin loses his Dáil seat at the 1973 Irish general election and retires from politics. He dies at his home in Sutton, Dublin, in on May 6, 1983. With a Fianna Fáil guard of honour, he is buried in Castlebar. With his wife, Madge, he has one daughter, Sorcha, and two sons, John, and Michael, who dies in a road accident in 1972.
Macardle is born in Dundalk, County Louth, on March 7, 1889, into a wealthy brewing family famous for producing Macardle’s Ale. Her father, Sir Thomas Callan Macardle, is a Catholic who supports John Redmond and the Irish Home Rule movement, while her mother, Lucy “Minnie” Macardle, comes from an English Anglican background and is politically a unionist. Lucy converts to Catholicism upon her marriage to Thomas. Macardle and her siblings are raised as Catholics, but Lucy, who is politically isolated in Ireland, “inculcated in her children an idealised view of England and an enthusiasm for the British empire“. She receives her secondary education in Alexandra College, Dublin—a school under the management of the Church of Ireland—and later attends University College Dublin (UCD). Upon graduating, she returns to teach English at Alexandra where she had first encountered Irish nationalism as a student. This is further developed by her first experiences of Dublin’s slums, which “convinced her that an autonomous Ireland might be better able to look after its own affairs” than the Dublin Castle administration could.
Between 1914 and 1916, Macardle lives and works in Stratford-upon-Avon in Warwickshire, England. There, her encounters with upper-class English people who express anti-Irish sentiment and support keeping Ireland in the British Empire by force further weakens her Anglophilia. Upon the outbreak of World War I, she supports the Allies, as does the rest of her family. Her father leads the County Louth recruiting committee while two of her brothers volunteer for the British Army. Her brother, Lieutenant Kenneth Callan Macardle, is killed at the Battle of the Somme, while another brother, Major John Ross Macardle, survives the war and earns the Military Cross. While Macardle is a student, the Easter Rising occurs, an experience credited for a further divergence of her views regarding republicanism and her family.
On January 19, 1919, Macardle is in the public gallery for the inaugural meeting of the First Dáil and witnesses it declare unilateral independence from the United Kingdom, which is ultimately the catalyst for the Irish War of Independence.
By 1919 Macardle has befriended Maud Gonne MacBride, the widow of the 1916 Easter Rising participant John MacBride, and together the two work at the Irish White Cross, attending to those injured in the war. It is during this period she also becomes a propagandist for the nationalist side.
Following the signing of the Anglo-Irish Treaty in December 1921, Macardle takes the anti-treaty side in the ensuing Irish Civil War. Alongside Gonne MacBride and Despard, she helps found the Women Prisoners’ Defence League, which campaigns and advocates for republicans imprisoned by the newly established Irish Free State government. It is also during this same time that she begins working alongside Erskine Childers in writing for anti-treaty publications An Phoblacht and Irish Freedom.
In October 1922, Despard, Gonne MacBride and Macardle are speaking at a protest on O’Connell Street, Dublin against the arrest of Mary MacSwiney, a sitting Teachta Dála, by the Free State when Free State authorities move to break it up. Rioting follows and Free State forces open fire, resulting in 14 people being seriously wounded while hundreds of others are harmed in the subsequent stampede to flee. Following the event, Macardle announces she is going to pursue support of the Anti-treaty side full-time in a letter to Alexandra College, which ultimately leads to her dismissal on November 15, 1922. In the following days Macardle is captured and imprisoned by the Free State government and subsequently serves time in both Mountjoy Prison and Kilmainham Gaol, with Rosamond Jacob as her cellmate. During one point at her time in Kilmainham, Macardle is beaten unconscious by male wardens. She becomes close friends with Jacob and shares a flat with her in Rathmines later in the 1920s.
The Irish Civil War concludes in the spring of 1923, and Macardle is released from prison on May 9.
Following the Irish Civil War, Macardle remains active in Sinn Féin and is drawn into the camp of its leader Éamon de Valera and his wife Sinéad. She travels alongside the de Valeras as they tour the country and she is a frequent visitor to their home. As the trust between Macardle and de Valera develops, de Valera asks her to travel to County Kerry to investigate and document what later becomes known as the Ballyseedy massacre of March 1923, in which a number of unarmed republican prisoners are reportedly killed in reprisals. She obliges, and by May 1924 she has compiled a report that is released under the title of The Tragedies of Kerry.” Immediately upon the release of the report, the Minister for DefenceRichard Mulcahy sets up an inquiry in June 1924 to carry out a separate investigation by the government. However, the government’s inquiry comes to the conclusion there had been no wrongdoing committed. Her book The Tragedies of Kerry remains in print and is the first journalistic historical account of the Irish Civil War from those on the republican side detailing Ballyseedy, Countess Bridge and various other incidents that occur in Kerry during this time.
In 1926, Éamon de Valera resigns as President of Sinn Féin and walks out of the party following a vote against his motion that members of the party should end their policy of abstentionism against Dáil Éireann. De Valera and his supporters, including Macardle, form the new political party Fianna Fáil in May 1926, with Macardle immediately elected to the party’s National Executive|Ard Chomhairle, one of six female members out of twelve on the original party National Executive, the others being Hanna Sheehy-Skeffington, Kathleen Clarke, Countess Constance Markievicz and Linda Kearns. Macardle is made the party’s director of publicity. However, she resigns from Fianna Fáil in 1927 when the new party endorses taking their seats in Dáil Eireann. Nevertheless, her views remain relatively pro-Fianna Fáil and pro-de Valera.
Macardle recounts her civil war experiences in Earthbound: Nine Stories of Ireland (1924). She continues as a playwright for the next two decades. In her dramatic writing, she uses the pseudonymMargaret Callan. In many of her plays a domineering female character is always present. This is thought to be symbolic of her own relationship with her own mother. Her parents’ marriage had broken up as her mother returned to England and her father raised the children with servants in Cambrickville and they were sent away for school. This female character holds back the growth and development of the younger female character in Dorothy’s plays and writings.
By 1931, Macardle takes up work as a writer for The Irish Press, which is owned by de Valera and leans heavily toward supporting Fianna Fáil and Irish republicanism in general. In addition to being a theatre and literary critic for the paper, she also occasionally writes pieces of investigative journalism such as reports on Dublin’s slums. In the mid-1930s she also becomes a broadcaster for the newly created national radio station Radio Éireann.
In 1937, Macardle writes and publishes the work by which she is best known, The Irish Republic, an in-depth account of the history of Ireland between 1919 until 1923. Because of the book, political opponents and some modern historians consider her to have been a hagiographer toward de Valera’s political views. In 1939 she admits, “I am a propagandist, unrepentant and unashamed.” Overall, however, the book is well-received, with reviews ranging from “glowing” to measured praise. She is widely praised for her research, thorough documentation, range of sources and narration of dramatic events, alongside reservations about the book’s political slant. The book is reprinted several times, most recently in 2005. Éamon de Valera considers The Irish Republic the only authoritative account of the period from 1916 to 1926, and the book is widely used by de Valera and Fianna Fáil over the years and by history and political students. She spends seven years writing the book in a cottage in Delgany, County Wicklow, and it is a day-by-day account of the history of the events in Ireland from 1919 to 1923 recorded in painstaking detail together with voluminous source material.
In 1937, de Valera’s Fianna Fáil government is able to create a new Constitution of Ireland following a successful referendum. However, there is widespread criticism of the new Constitution from women, particularly republican women, as the language of the new Constitution emphasises that a woman’s place should be in the home. Macardle is among them, deploring what she sees as the reduced status of women in this new Constitution. Furthermore, she notes that the new Constitution drops the commitment of the 1916 Proclamation of the Irish Republic to guarantee equal rights and opportunities “without distinction of sex” and writes to de Valera questioning how anyone “with advanced views on the rights of women” can support it. DeValera also finds her criticising compulsory Irish language teaching in schools.
While working as a journalist with the League of Nations in the late 1930s, Macardle acquires a considerable affinity with the plight of Czechoslovakia being pressed to make territorial concessions to Nazi Germany. Believing that “Hitler‘s war should be everybody’s war,” she disagrees with de Valera’s policy of neutrality. She goes to work for the BBC in London, develops her fiction and, in the war’s aftermath, campaigns for refugee children – a crisis described in her book Children of Europe (1949). In 1951, she becomes the first president of the Irish Society of Civil Liberties.
Macardle dies of cancer on December 23, 1958, in a hospital in Drogheda, at the age of 69. Though she is somewhat disillusioned with the new Irish State, she leaves the royalties from The Irish Republic to her close friend Éamon de Valera, who had written the foreword to the book. De Valera visits her when she is dying. She is accorded a state funeral, with de Valera giving the oration. She is buried in Sutton, Dublin.
Mac Liammóir is born Alfred Willmore on October 25, 1899. He is born to a Protestant family living in the Kensal Green district of London.
As Alfred Willmore, he is one of the leading child actors on the English stage, in the company of Noël Coward. He appears for several seasons in Peter Pan. He studies painting at London’s Slade School of Fine Art, continuing to paint throughout his lifetime. In the 1920s he travels all over Europe. He is captivated by Irish culture and learns the Irish language which he speaks and writes fluently. He changes his name to an Irish version, presenting himself in Ireland as a descendant of Irish Catholics from Cork. Later in his life, he writes three autobiographies in Irish and translates them into English.
While acting in Ireland with the touring company of his brother-in-law Anew MacMaster, Mac Liammóir meets the man who becomes his partner and lover, Hilton Edwards. Their first meeting takes place in the Athenaeum, Enniscorthy, County Wexford. Deciding to remain in Dublin, where they live at Harcourt Terrace, the pair assists with the inaugural production of Galway‘s Irish language theatre, An Taibhdhearc. The play is Mac Liammóir’s version of the mythical story Diarmuid agus Gráinne, in which Mac Liammóir plays the lead role as Diarmuid.
Mac Liammóir and Edwards then throw themselves into their own venture, co-founding the Gate Theatre in Dublin in 1928. The Gate becomes a showcase for modern plays and design. Mac Liammóir’s set and costume designs are key elements of the Gate’s success. His many notable acting roles include Robert Emmet/The Speaker in Denis Johnston‘s The Old Lady Says “No!” and the title role in Hamlet.
In 1948, Mac Liammóir appears in the NBC television production of Great Catherine with Gertrude Lawrence. In 1951, during a break in the making of Othello, he produces Orson Welles‘s ghost-story Return to Glennascaul which is directed by Hilton Edwards. He plays Iago in Welles’s film version of Othello (1951). The following year, he goes on to play ‘Poor Tom’ in another Welles project, the TV film of King Lear (1953) for CBS.
Mac Liammóir claims when talking to Irish playwright Mary Manning, to have had a homosexual relationship with General Eoin O’Duffy, former Garda Síochána Commissioner and head of the paramilitary Blueshirts in Ireland, during the 1930s. The claim is revealed publicly by RTÉ in a documentary, The Odd Couple, broadcast in 1999. However, Mac Liammóir’s claims have not been substantiated.
Mac Liammóir’s life and artistic development are the subject of a major study by Tom Madden, The Making of an Artist. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christopher Fitz-Simon.
Micheál Mac Liammóir dies at his and Edwards’s Dublin home, 4 Harcourt Terrace, at the age of 78 on March 6, 1978. Edwards and Mac Liammóir are buried alongside each other at St. Fintan’s Cemetery, Sutton, Dublin.
Harry Bradshaw, a leading Irish professional golfer of the 1940s and 1950s, dies on December 22, 1990, in St. Vincent’s hospital, County Dublin.
Bradshaw is born on October 9, 1913, in Killincarrig, County Wicklow, eldest among four sons and two daughters of Edward ‘Ned’ Bradshaw, golf caddie and later golf professional, and Elizabeth Bradshaw (née Walsh) of Killincarrig. He is educated locally. A golf prodigy, he has a hole-in-one at the age of ten on an 80-yard par three at Delgany Golf Club, County Wicklow. He joins Delgany Golf Club, where he progresses from caddie to assisting his father, who is the club’s professional. As a teenager, he tends to hook the ball wildly, before he develops a grip that allows him to hit with great accuracy. Thereafter, he concentrates on honing his peerless approach play from within 100 yards of the hole. Another feature of his game is what is called his “hit and hark” approach to putting: he never lifts his head to follow the ball until he hears it drop.
Bradshaw plays in his first tournament as a professional in 1932, the same year he shoots a course record 68 at Delgany. In 1938, he wins his first professional tournament, the Bromford-Adgey Cup at Skerries Golf Club, County Dublin. In 1941, he is appointed golf professional at Kilcroney, County Wicklow, and in 1950 he begins his long association with Portmarnock Golf Club, County Dublin, when he is appointed golf professional there. By then he has already made his mark on domestic Irish golf, having won the Irish Open in 1947 and 1949. In Ireland he wins the Irish Dunlop Trophy three times, the Willie Nolan Trophy eleven times, the Moran Cup twelve times and the Irish Professional Championship ten times, the last a record later equaled by Christy O’Connor Snr.
Bradshaw is not well known outside of Ireland prior to the famous “bottle” incident at the 1949 Open Championship at Royal St. George’s Golf Club in Sandwich, Kent, England. Having headed the qualifiers and shooting an opening 68, he continues his good form into the second round when his drive at the par four fifth hole just misses the fairway and lands in a beer bottle that is standing upright with the neck and shoulder broken off. The rules are unclear on whether the bottle constitutes a hazard, and he elects to play the ball where it lay, judging (correctly) that he is not entitled to a free drop. Closing his eyes and turning his head away, he swings, shattering the bottle and advancing the ball about twenty-five yards. He is shaken and records a lacklustre round of 77. Back to his best in the next two rounds, he would win the title had his putt on the last not stopped just short. Instead, he ties with the South AfricanBobby Locke who defeats him by twelve strokes in the thirty-six-hole play-off with superlative rounds of 67 and 68. As a result of his experience with the broken bottle, the rules are changed to cater for the possibility of such an incident recurring. It is the closest a golfer from the Republic of Ireland comes to winning the Open Championship until Pádraig Harrington’s victory in 2007.
Bradshaw subsequently revenges himself on Locke by narrowly beating him to the Irish Open title the following month. He is then one of four British and Irish golfers to participate in a sixteen-week tour of South Africa from December 1950 to March 1951 during which he engages in further jousts with Locke, deepening their new-found friendship.
Establishing himself on the international golf circuit, Bradshaw goes on to win the DunlopBritish Masters on two occasions (1953, 1955), and in 1958 he becomes the first Irishman to win the PGA Close Championship. He had also won the Dunbar Open Tournament in Scotland in 1953 and the Gleneagles Hotel Foursomes Tournament pro-am with Joe Carr in 1955. The highlight of his career comes in Mexico City in 1958, when, in partnership with Christy O’Connor Snr, he wins the Canada Cup, later known as the World Cup, for Ireland, also losing a play-off for the individual title. His performance is particularly impressive, given that he is forty-five and carrying weight while competing at altitude in oppressive heat. He and O’Connor are fêted upon their return home, and their victory is considered to play the determining role in popularising golf in Ireland. He caps a memorable year by receiving the Association of Golf Writers’ Trophy for 1958.
Bradshaw appears on three Ryder Cup teams. At the Wentworth Club in 1953, he wins his foursomes match partnering Fred Daly and his singles match against Fred Haas, but in 1955 he loses both his foursomes and singles matches at the Thunderbird Country Club in California. In 1957, he is a member of the side that defeats the American team 7–4 at Lindrick Golf Club in South Yorkshire, only the third victory by the Britain and Ireland side in the twelve matches played up to that time. He holes a five-footer to tie his match with U.S. Open champion Dick Mayer after a classic encounter. In 1963, he takes on Billy Casper, one of America’s top golfers, in a match at Portmarnock televised as part of the prestigious Shell’s Wonderful World of Golf series. Bradshaw’s three-stroke victory earns him $3,000, which is then considered a bonanza in golfing terms.
Bradshaw remains the golf professional at Portmarnock until 1983, latterly spending most of his day in the club shop. Even after his formal retirement, he remains on the payroll at Portmarnock as an informal ambassador for the club. Nicknamed “the Brad,” he is extremely popular with amateur and professional alike, is a great raconteur and tremendous company, and is noted for his lack of rancor towards, or criticism of, other players.
Bradshaw marries Elizabeth Foley from Carlow in 1944 and they have four children. His three brothers, Eddie, Hughie and Jimmy, are all professional golfers.
(From: “Bradshaw, Harry” by Jim Shanahan, Dictionary of Irish Biography, http://www.dib.ie, November 2022)
Lehane is the only surviving child of Denis Lehane, an excise officer originally from County Cork, and his wife Mary (née Connolly), a native of the Falls Road, Belfast. He grows up in an Irish-speaking household. Joseph Connolly, the senator, is his uncle on his mother’s side, while Michael O’Lehane, the trade unionist, is his uncle on his father’s side. His family emigrates to Hartlepool, in County Durham, England, in 1912, and then to Dublin in 1920. He is educated at Synge Street CBS and University College Dublin (UCD), where he studies Law and qualifies as a solicitor. He marries Marie O’Neill in 1937, and they have a son and two daughters.
As a solicitor, Lehane takes to defending members of the Irish Republican Army (IRA) in the Irish Courts. In 1927 he obtains permission for IRA prisoners to speak privately to their solicitors from the Irish High Court. He is active in other republican and nationalist circles. He is a member of the Moibhí Branch of Conradh na Gaeilge, and by the 1930s appears to become active in the IRA itself. In 1931 he is involved in Saor Éire, an attempt by the Irish left-wing to create a communist political party that would be linked to the IRA.
Lehane is a member of the IRA’s arms committee and in 1935 he is sentenced to 18-months’ imprisonment by the Military Tribunal for his membership of the IRA.
Lehane is an actor and has a keen interest in Irish language theatre. A committed Irish speaker, Lehane is at home in it, whether on radio, stage or in street conversation. He is one of the leading actors of the Irish Language Theatre Company between 1943 and 1958. He is a member of Dublin City Council and of the Citizens for Civil Liberties committee.
In 1977, the remains of Frank Ryan, one of the leading left-wing Republicans of the 1930s, are repatriated from East Germany, and Lehane delivers the eulogy.
Quinn founds the national supermarket chain Superquinn (originally Quinn’s Supermarkets), of which he remains non-executive president for some years after his family sells out their interest in August 2005 for over €400 million. Superquinn is known for its focus on customer service and pioneers a number of innovations, including Ireland’s first supermarket loyalty card in 1993, SuperClub. It also introduces self-scanning of goods by customers in a number of its outlets. Superquinn becomes the first supermarket in the world to guarantee the absolute traceability of all its beef from pasture to plate, using DNA TraceBack, a system developed at Trinity College, Dublin by IdentiGEN.
Quinn becomes the chairman of the Interim Board for Posts and serves as chairman of its successor An Post (the Irish postal administration) until 1989. He also serves on several other public authorities and boards. From 1993 to 1998, he chairs the steering committee which oversees the development of the Leaving Certificate Applied. In 2006, he is appointed an Adjunct Professor in Marketing at National University of Ireland Galway. He is also chairman of Springboard Ireland.
Quinn is a former President of EuroCommerce, the Brussels-based organisation which represents the retail, wholesale and international trade sectors in Europe. He also serves on the board of directors of CIES, the Food Business Forum based in Paris, as well as the American-based Food Marketing Institute.
In 2009, Quinn works with independent shops and helps them to revamp, modernise and stave off stiff competition from multi-national retailers. It airs as RTÉ‘s six-part television series, Feargal Quinn’s Retail Therapy. A second series airs in 2011, and a third series airs in 2012. In 2011, he fronts RTÉ’s Local Heroes campaign in Drogheda, County Louth, which is an assembled team of experts to kick-start the local economy. It airs as RTÉ One‘s six-part television series, Local Heroes – A Town Fights Back.
Quinn is first elected as a senator in 1993 from the National University of Ireland constituency and is re-elected in 1997, 2002, 2007 and 2011. He is a member of the Joint Oireachtas Committee on European Affairs, the Joint Committee on Finance and Public Service and is an Oireachtas member of the National Economic and Social Forum, along with the Joint Committee on Jobs and Innovation.
Quinn is one of the co-founders and is a driving force behind Democracy Matters – a civil society group that is formed to oppose the Government’s plans to abolish Seanad Éireann. In May 2013, with Senators Katherine Zappone and Mary Ann O’Brien, he introduces the Seanad Bill 2013 to reform the system of electing the elected members of Seanad Éireann (as provided for in Article 18.10 of the Constitution of Ireland) through a one-person, one vote franchise. The Seanad Bill 2013 succeeds in being passed at Second Stage in the Seanad. During the Seanad abolition referendum campaign, the Bill demonstrates to the electorate, in a very palpable way, that reform of the Seanad is achievable if they vote for its retention. In a referendum held in October 2013 on the Abolition of Seanad Éireann, the people vote to retain the Seanad by 51.7%.
In 2014, Quinn reveals that since being first elected to Seanad Éireann, he has donated his entire salary to charity and in more recent years he has refused to accept any salary. In March 2015, he opposes the Marriage Equality bill in the Seanad, and votes ‘No’ in the referendum. He serves as Chairman of the Independent Alliance. He does not contest the 2016 Seanad election.
Quinn dies peacefully at his home in Howth, County Dublin, on April 24, 2019, following a short illness. His funeral Mass takes place at St. Fintan’s Church in Sutton, north County Dublin. In attendance is PresidentMichael D. Higgins, a representative for TaoiseachLeo Varadkar, Minister for Children Katherine Zappone, Senator Michael McDowell, and a host of other current and former politicians, business figures, and past colleagues of the “Superquinn family.” Fittingly, the coffin is carried from the church to the tune of Frank Sinatra’s “My Way.”
Sheppard is based in Dublin for almost all of his life, having traveled widely across Europe. His wife Rosie dies in 1931, with whom he has several children. They live at Howth and 30 Pembroke Road in central Dublin.
From 1902 to 1937 Sheppard teaches sculpture at the Dublin Metropolitan School of Art. His annual stipend is £250 but for this he only has to lecture three mornings a week, allowing him plenty of time for work on commissioned projects. One of his most famous students is the sculptor, Kathleen Cox.
The Dying Cuchulain is considered Sheppard’s masterpiece and an important work of Irish art. It is a bronze figure of the mythological warrior-hero Cuchulain, who continued to fight against his enemies while gravely wounded and tied to a tree. It is created in 1911 and later chosen by Éamon de Valera in 1935 as the national memorial to the 1916 Easter Rising. It can still be viewed today in the General Post Office (GPO), O’Connell Street, Dublin.
Sheppard is generally critical of the low standards of sculpture in Ireland: “For the last sixty years or so thousands of figures and groups have been executed in Dublin for ecclesiastical purposes, and, with one or two exceptions … was not up to a reasonable standard. The making of a work of art hardly entered into it at all. The sculptor, well trained and properly encouraged, should collaborate with the architect.”
Sheppard is in the minority of Irish Protestants who support independence, starting with support for the Irish Parliamentary Party in the 1880s, when he is an art student.
In 1890–1910 Sheppard is a part of the Celtic Revival movement, and, from his works such as Inis Fáil, is admired by his student William Pearse. Through him he meets his brother Patrick Pearse who later helps launch the Easter Rising in 1916. While most of the Revival’s artists are writers, playwrights and poets, Sheppard can claim to be the main sculptor working on themes similar to theirs.
After the Irish War of Independence (1919–21) Sheppard says, “They thought me too old to fight but I have tried to help in other ways. My politics are simple. I have always thought that this country should be a free country.” His opinions are not overly dogmatic, considering his work on the war memorials in 1920.
In the mid-1920s the first series of Irish Free State coinage is planned and is finally launched in 1928. Sheppard is one of the designers short-listed but his designs are not accepted.
After his retirement in 1937 from the National College of Art, the now renamed Dublin Metropolitan School of Art, he is appointed in 1938 by the Minister for Education to the College’s standing committee. He is also made a judge in the Royal Dublin Society art competition in 1939 and 1940.
In 1970 Haughey is twice tried for conspiracy to use government funds to procure arms for the outlawed IRA. The first trial is aborted, and he wins acquittal in the second. Dismissed from the government, he remains in the Dáil and gains strong support among his party’s grass roots. When Fianna Fáil is returned to office in 1977, he is made Minister for Health and Minister for Social Welfare. On the resignation of party leader Jack Lynch in 1979, he is elected party leader and becomes Taoiseach. In June 1981 his government falls, but he returns to power briefly in 1982. He becomes Taoiseach again after the 1987 Irish general election in February 1987, though his government lacks a majority in the Dáil. When Fianna Fáil forms a government with the Progressive Democrats in July 1989, thereby eschewing the party’s traditional rejection of coalition rule, he is made Taoiseach for a fourth time.
Haughey’s first two terms in office are marked by deteriorating relations with Great Britain, a declining economy, and deep divisions within Fianna Fáil. Despite the controversies that plague his government, the charismatic Haughey remains party leader after losing office for a second time in late 1982. During his later terms, he successfully mounts a fiscal austerity program to address Ireland’s financial crisis. In 1992 he resigns and retires after being implicated in a phone tapping scandal of two journalists. He denies the allegations. He remains out of public life until 1997, when an official tribunal of inquiry determines that he had received large sums of money from a prominent businessman while Taoiseach. The Dáil then establishes another tribunal to investigate his financial affairs, and many other irregularities are uncovered. He eventually agrees to pay €6.5 million in back taxes and penalties.
Haughey dies at the age of 80 from prostate cancer, from which he had suffered for a decade, on June 13, 2006, at his home in Kinsealy, County Dublin. He receives a state funeral on June 16. He is buried in St. Fintan’s Cemetery, Sutton, Dublin, following mass at Donnycarney. The then Taoiseach Bertie Ahern delivers the graveside oration. The funeral rites are screened live on RTÉ One and watched by a quarter of a million people. The funeral is attended by PresidentMary McAleese, the Taoiseach, Bertie Ahern, members of the Oireachtas, many from the world of politics, industry and business. The chief celebrant is Haughey’s brother, Father Eoghan Haughey.
Quinn founds the national supermarket chain Superquinn (originally Quinn’s Supermarkets), of which he remains non-executive president for some years after his family sells out their interest in August 2005 for over €400 million. Superquinn is known for its focus on customer service and pioneers a number of innovations, including Ireland’s first supermarket loyalty card in 1993, SuperClub. It also introduces self-scanning of goods by customers in a number of its outlets. Superquinn becomes the first supermarket in the world to guarantee the absolute traceability of all its beef from pasture to plate, using DNA TraceBack, a system developed at Trinity College, Dublin by IdentiGEN.
Quinn becomes the chairman of the Interim Board for Posts and serves as chairman of its successor An Post (the Irish postal administration) until 1989. He also serves on several other public authorities and boards. From 1993 to 1998, he chairs the steering committee which oversees the development of the Leaving Certificate Applied. In 2006, he is appointed an Adjunct Professor in Marketing at National University of Ireland Galway. He is also chairman of Springboard Ireland.
Quinn is a former President of EuroCommerce, the Brussels-based organisation which represents the retail, wholesale and international trade sectors in Europe. He also serves on the board of directors of CIES, the Food Business Forum based in Paris, as well as the American-based Food Marketing Institute.
In 2009, Quinn works with independent shops and helps them to revamp, modernise and stave off stiff competition from multi-national retailers. It airs as RTÉ‘s six-part television series, Feargal Quinn’s Retail Therapy. A second series airs in 2011, and a third series airs in 2012. In 2011, he fronts RTÉ’s Local Heroes campaign in Drogheda, County Louth, which is an assembled team of experts to kick-start the local economy. It airs as RTÉ One‘s six-part television series, Local Heroes – A Town Fights Back.
Quinn is first elected as a senator in 1993 from the National University of Ireland constituency and is re-elected in 1997, 2002, 2007 and 2011. He is a member of the Joint Oireachtas Committee on European Affairs, the Joint Committee on Finance and Public Service and is an Oireachtas member of the National Economic and Social Forum, along with the Joint Committee on Jobs and Innovation.
Quinn is one of the co-founders and is a driving force behind Democracy Matters – a civil society group that is formed to oppose the Government’s plans to abolish Seanad Éireann. In May 2013, with Senators Katherine Zappone and Mary Ann O’Brien, he introduces the Seanad Bill 2013 to reform the system of electing the elected members of Seanad Éireann (as provided for in Article 18.10 of the Constitution of Ireland) through a one-person, one vote franchise. The Seanad Bill 2013 succeeds in being passed at Second Stage in the Seanad. During the Seanad abolition referendum campaign, the Bill demonstrates to the electorate, in a very palpable way, that reform of the Seanad is achievable if they vote for its retention. In a referendum held in October 2013 on the Abolition of Seanad Éireann, the people vote to retain the Seanad by 51.7%.
In 2014, Quinn reveals that since being first elected to Seanad Éireann, he has donated his entire salary to charity and in more recent years he has refused to accept any salary. In March 2015, he opposes the Marriage Equality bill in the Seanad, and votes ‘No’ in the referendum. He serves as Chairman of the Independent Alliance. He does not contest the 2016 Seanad election.
Quinn dies peacefully at his home in Howth, County Dublin, on April 24, 2019, following a short illness. His funeral Mass takes place at St. Fintan’s Church in Sutton, Dublin. In attendance is PresidentMichael D. Higgins, a representative for TaoiseachLeo Varadkar, Minister for Children Katherine Zappone, Senator Michael McDowell, and a host of other current and former politicians, business figures, and past colleagues of the “Superquinn family.” Fittingly, the coffin is carried from the church to the tune of Frank Sinatra’s “My Way.”
Colum was born on December 8, 1881, in Columcille, County Longford, the first of eight children born to Patrick and Susan Columb. In 1892, the family moves to Glasthule, near Dublin and he attends the local national school. He starts writing after he finishes school and meets a number of the leading Irish writers of the time, including W. B. Yeats, Lady Gregory and Æ. He also joins the Gaelic League and is a member of the first board of the Abbey Theatre. He becomes a regular user of the National Library of Ireland, where he meets James Joyce and the two become lifelong friends.
Influenced by the literary activity of the Celtic revival centered in Dublin at the turn of the century, Colum publishes the collection of poetry Wild Earth (1907). He co-founds The Irish Review in 1911, then three years later settles permanently in the United States. His varied literary output includes volumes of poetry including Dramatic Legends (1922) and Creatures (1927), plays such as Broken Soil (first performed 1903) and The Land (1905), novels, anthologies of folklore and children’s books. The reminiscence Our Friend James Joyce (1959) is written with his wife Mary (Maguire), a well-known literary critic.
The Colums spent the years from 1930 to 1933 living in Paris and Nice, where Padraic renews his friendship with James Joyce and becomes involved in the transcription of Finnegans Wake. After their time in France, the couple moves to New York City, where they do some teaching at Columbia University and City College of New York. He is a prolific author and publishes a total of 61 books, not counting his plays. While in New York, he writes the screenplay for the 1954 stop-motion animated film Hansel and Gretel: An Opera Fantasy. It is his only screenplay.
Mary dies in 1957, and Colum completes Our Friend James Joyce, which they had worked on together. It is published in 1958. He divides his later years between the United States and Ireland. In 1961 the Catholic Library Association awards him the Regina Medal.
seamus dubhghaill 