McLynn grows up with two younger brothers in Galway. She studies History of Art and Modern English at Trinity College Dublin but is more heavily involved in the college’s drama society. She graduates with an MA.
Although McLynn is in her early thirties when playing Mrs. Doyle in Father Ted, makeup is used to make her look far older to fit the character’s elderly profile. She receives a British Comedy Award for her performances in 1996. The award is presented to her by Tony Blair.
McLynn is critically acclaimed for her performance in the 2005 film Gypo, receiving an Irish Film & Television Academy award nomination for Best Actress.
McLynn appears as Libby Croker in Shameless, which is produced by the British broadcaster Channel 4. In January 2011 it is announced that she has left the show, reportedly after a “difficult year.” She also plays the role of Alice’s mother in the Comedy Central show Threesome. She stars in Samuel Beckett’s Happy Days at the Crucible Theatre, Sheffield, in 2011. She plays Mary Whyte in the BBC’s 2013 sitcom Father Figure.
In 2014, McLynn plays the part of Evelyn in “Kiss for the Camera”, a series three episode of the BBC comedy Pramface. On May 12, 2014, she joins the cast of EastEnders as Yvonne Cotton, the mother of Charlie Cotton (Declan Bennett) and ex-daughter-in-law of Dot Branning (June Brown). After starting as a recurring character, she quickly becomes a regular when her character’s storylines escalate. She makes her final appearance on January 13, 2015, at the end of her contract. However, she returns to the soap opera on May 14, 2015 for one single episode to give evidence against Dot during Nick Cotton‘s (John Altman) murder trial.
In 2017, McLynn appears as the mother of lead character Marcella in Roisin Conaty‘s E4 comedy GameFace, and in April 2018 she portrays Sister Mary in the BBC Two biopic Dave Allen At Peace. She appears as a minor character named Mrs. Trattner in the 2018 film Johnny English Strikes Again.
In 2021 McLynn appears as Oona in the E4 S6 of Inside No. 9. She also appears as Carol, a bar landlady, in the film Last Night in Soho, which is released in October 2021. She also appears in Doctor Who, as Mary in the New Year’s special “Eve of the Daleks.”
McLynn is married to theatrical agent Richard Cook. She is a patron of the children’s charity World Vision Ireland and is president of Friends of Innisfree Housing Association. She is also a patron for Littlehill Animal Rescue, Sanctuary in Ireland and Birmingham Greyhound Protection.
Stapleton is a distinguished centre-forward, once touted as being among the best in the world in his position, and an exceptionally strong header of the ball. He starts his career with Arsenal, joining them in 1972 as an apprentice, after being turned down by Manchester United. He makes his first-team debut in March 1975, at home to Stoke City, and goes on to form a potent striking partnership with Malcolm Macdonald. The two score 46 goals between them in 1976–77. He is Arsenal’s top scorer for the three following seasons and helps the Gunners reach a trio of FA Cup finals. He scores one of the goals in Arsenal’s 1979 FA Cup Final 3–2 win over Manchester United, and scores 108 goals in 300 appearances in total for the Gunners.
Stapleton moves on to Manchester United in the summer of 1981 for £900,000 as new manager Ron Atkinson begins building a team capable of challenging for silverware after a disappointing 1980–81 season under Dave Sexton. He helps United win the 1983 and 1985 FA Cups. It is in the first of those finals, when he scores against Brighton & Hove Albion, in which he makes history by becoming the first man to score for two different clubs in FA Cup Finals. United finishes in the top four of the league in each of Stapleton’s first five seasons at Old Trafford, and comes close to winning a league title medal in the 1985–86 season after United wins their first ten league games of the season before their form slumps and they finished fourth. Atkinson is sacked and replaced by Alex Ferguson in November 1986, and Stapleton remains a regular member of the first team under the new manager, but he leaves at the end of the season to sign for Ajax. There, he makes just six appearances and scores one goal before quickly being moved to Belgian side Anderlecht at the end of 1987, followed by a three-month loan back to England with Derby County. He then plays for French club Le Havre for a season, before returning to England with Blackburn Rovers in 1989, followed by moves to Aldershot, Huddersfield Town (as player-coach) and Bradford City.
After three seasons as player-manager at Bradford, Stapleton is sacked following their narrow failure to qualify for the Division Two playoffs at the end of the 1993-94 season. He then has a brief spell at Brighton & Hove Albion in the 1994–95 season, playing two games before finally announcing his retirement as a player.
Stapleton also wins 71 caps for the Republic of Ireland national team, scoring a then record 20 goals. He makes his international debut under then player-manager Johnny Giles in a friendly against Turkey in Ankara in 1976 at 20 years of age. He scores after only three minutes of his debut when he heads home a Giles free-kick at the near post. That friendly international finishes 3–3 and marks the start of a magnificent international career for the quiet and reserved Stapleton.
Stapleton is committed to international football insisting that an “international release clause” be inserted to all of his contracts so that he can be released to play in international games for Ireland.
Stapleton plays a significant role in Ireland’s attempt to qualify for the 1982 FIFA World Cup in Spain in 1982. Goals against Cyprus, the Netherlands and France by him in the qualifying matches are not enough as Ireland is denied a place at the World Cup by a superior French goal difference. He is made captain of the national team for the qualifying campaign for the 1986 FIFA World Cup though Ireland fails to emulate their fine performance in the 1982 qualifiers.
Jack Charlton takes over as the Irish manager in 1986 and he keeps Stapleton as captain despite a sometimes uneasy relationship between the two men. Stapleton scores a magnificent diving header in the opening UEFA Euro 1988 qualifier against Belgium in the 2–2 draw at the Heysel Stadium, Brussels, that September. He also scores in the 2–1 defeat by Bulgaria in Sofia on April 1, 1987, with another goal against Luxembourg in the 2–1 victory at Lansdowne Road the following September.
Stapleton captains the Irish team to the 1988 Euro finals and plays in all of their matches during the competition including Ireland’s famous victory against England.
After the 1988 European Championships Stapleton remains on the fringe of the national team during qualification for 1990 FIFA World Cup in Italy making just two appearances late in the campaign. By then, his 20 goals for the Republic had made him the national side’s all-time leading goalscorer, a record which is broken ten years later by Niall Quinn, who is in the early stages of his own international career when Stapleton bows out of the international scene. He does, however, score an 87th-minute goal against Malta in a 3–0 friendly in Valletta just prior to those finals in Italy.
Stapleton moves to the United States to manage Major League Soccer side New England Revolution in 1996. In the 2003–04 season he briefly returns to English football as a specialist coach of Bolton Wanderers. The Bolton manager, Sam Allardyce, wants Stapleton to enhance the skills of the strikers at the club and sees the Irishman as an ideal candidate, given his successful playing career.
Stapleton is appointed assistant manager to former teammate Ray Wilkins with Jordan on September 3, 2014.
Salkeld works in tempera and oil, as well as etching and wood engraving. In 1921 he travels to Germany to study under Ewald Dulberg at the Kassell Kunstschule. He attends the Union of Progressive International Artists in Düsseldorf in May 1922, and is exhibited at the Internationale Kunstausstellung. Upon his return to Dublin in 1924, he holds his first solo exhibition in the Society of Dublin Painters gallery. He becomes a member of the Dublin Painters in 1927. With Francis Stuart, he co-edits the first two issues of To-morrow in 1924. His studio is in a converted labourer’s cottage at Glencree, County Wicklow. He also exhibits with the New Irish Salon and the Radical Painters’ Group.
Salkeld wins the 1926 Royal Dublin Society‘s Taylor scholarship, and has his first exhibited work with the Royal Hibernian Academy (RHA) in 1929. He lives in Berlin for a year in 1932. He exhibits in Daniel Egan’s Gallery in Dublin in 1935. He has a wide circle of literary friends, including Samuel Beckett and Flann O’Brien. In O’Brien’s At Swim-Two-Birds, the character of Michael Byrne is designed for Salkeld, reflecting his debilitating alcoholism. He also teaches at the Dublin Metropolitan School of Art, teaching artists such as Reginald Gray.
From 1937 to 1946 Salkeld runs a private press called Gayfield Press. This is co-founded with his mother, and operates from a garden shed at their home, 43 Morehampton Road. The press is a small Adana wooden hand press. He illustrates her 1938 The Engine Left Running, as well as Ewart Milne‘s Forty North Fifty West (1938) and Liam O’Flaherty‘s Red Barbara and Other Stories (1928). In 1951, he loans the press to Liam and Josephine Miller to found the Dolmen Press.
Salkeld’s most famous public work is his 1942 three-part mural in Davy Byrne’s pub. He is a co-founder of the Irish National Ballet School in the 1940s in his capacity as a pianist. In 1946 he is appointed an associate member of the RHA. In 1953 his play Berlin Dusk is staged at 37 Theatre Club, Dublin. During the 1950s he is a broadcaster with Radio Éireann as well as a director of cultural events for An Tóstal. He dies on May 11, 1969, in St. Laurence’s Hospital, Dublin.
Hughes is brought up as a devout Roman Catholic and speaks both Irish and English fluently. He starts working at age 12 as a baker’s boy in Armagh and around 1822 tries unsuccessfully to set up his own bakery. To enhance his career prospects, he moves to Belfast in the mid-1820s and becomes a journeyman baker. He soon proves to be a highly skilled and reliable worker and in 1833 is appointed operations manager at the Public Bakery, Church Street.
Hughes is a great admirer of Daniel O’Connell and is part of the delegation that meets him when he visits Belfast in 1840. However, his employer does not share his views on liberal reform, and strained relations lead to Hughes setting up his own bakery in December 1840. At this point he must have already gained a reputation as a highly respected citizen in Belfast, as he is able to borrow £1,400 for the new factory that is built at 71 Donegall Street. This proves a wise investment, as within two years his factory produces more bread than any other bakery in the town. Demand for his loaves and his famous “Belfast bap” is fueled by the thousands of poor Catholics who migrate to the city in search of employment in the two decades before the famine.
Hughes is probably the first entrepreneur in Ireland to appreciate how machinery can create economies of scale in food production. He keeps enlarging his factory by adding ovens (using his own patent design) and dough‐mixing machines, and in 1847 opens another bakery on Donegall Place, which becomes known as the “railway bakery” on account of the rails that are used to transport raw materials by cart between various parts of the site. By using new technology, he is able to produce large quantities of consistently high‐quality bread at prices that are up to 20% cheaper than his local competitors. By 1851 he employs up to a third of those in the Belfast baking trade. He removes much of the human drudgery in the baking process, and higher productivity means that his employees can sleep at home rather than on the bakery floor. The population growth of Belfast continues to increase steeply after the famine years, and in 1858 he opens a third bakery on Divis Street, in the Falls area of the town. Distribution problems during the 1840s had convinced Hughes that he needs tighter control over all elements of the food production chain. By the 1870s his empire includes flour mills, ships to import grain, a brewery, shops, and a fleet of horse‐drawn vans.
Hughes is an enlightened employer and throughout his life he gives generously to the poor in Belfast. During the famine years of the 1840s he keeps the price of bread as low as possible, and on special days such as Christmas gives away thousands of loaves. In July 1842 he confronts a mob of up to 2,000 hungry and agitated weavers who are intent on causing damage to his bakery. He convinces them that he is a friend of the people. This is borne out by the fact that he is the largest single donor to both the Belfast Relief Committee and the Belfast Relief Fund for Ireland during the great famine. Though he is not politically ambitious, he does feel that he can use his status as one of the largest employers in Belfast and the wealthiest Catholic layman to promote the liberal cause. He is particularly appalled by the way in which the members of the conservative‐dominated council are able to indemnify themselves against the £84,000 debt which they had accrued while in office during the 1840s and 1850s.
Hughes is the first Catholic to be elected to the Belfast town council (1855–58, 1871–72) and the first Catholic alderman (1872–78). There are numerous attempts to smear his reputation, and articles in the Belfast News Letter lampoon his thick Armagh accent. As councillor he imprudently remarks on one public occasion that Belfast is “governed by Protestants, but the bone and sinew of the town is Roman Catholic.” This is seized upon by his conservative adversaries as evidence of an anti‐Protestant stance. In reality, he is always even‐handed and against any form of violent action. In his Smithfield ward there are large groups of poor Catholics and Protestants in close proximity to each other and this leads to regular disturbances. As a JP (1867–78) he urges fellow members of the Belfast Home Rule Association to avoid the tactics of the Fenians. In 1878 he is one of a group of magistrates who upholds the right of the Protestant shipyard workers to hold processions in Belfast.
Hughes’s fair mindedness sometimes brings him into collision with his more zealous Catholic friends. In 1876 he is heavily criticised for supporting the campaign to have a statue of the Rev. Henry Cooke, the Presbyterian preacher with strong anti‐Catholic views, erected in a prominent position in Belfast. He contributes funds to the Catholic Institute in Belfast, donates the site for St. Peter’s Church in 1858, and pays for the Lady Chapel. Despite his generosity, Patrick Dorrian, the coadjutor bishop of Down and Connor, vetoes a plan by the Vatican to award him a papal honour.
Hughes dies on September 23, 1878, and is buried privately at Friar’s Bush Graveyard. His son Edward, later appointed the first chairman of The Irish News at its launch in 1891, takes over the business and builds a large “model bakery” on a two‐acre site on the Springfield Road which is one of the largest and most technically sophisticated factories of its kind in Europe.
(From: “Hughes, Bernard (‘Barney’)” by Daniel Beaumont, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Born to Irish emigrants in Scotland, McCabe moves with his family to Ireland in the early 1940s. He lives on a farm near Lackey Bridge, just outside Clones, County Monaghan. He is educated at Castleknock College.
McCabe’s play King of the Castle causes a minor scandal when first staged in 1964, and is protested by the League of Decency. He writes his award-winning trilogy of television plays, consisting of Cancer, Heritage and Siege, because he feels he has to make a statement about the Troubles. His 1992 novel Death and Nightingales is hailed by Irish writer Colm Tóibín as “one of the great Irish masterpieces of the century” and a “classic of our times” by Kirkus Reviews.
McCabe defends fellow novelist Dermot Healy, who had been negatively reviewed by Eileen Battersby in The Irish Times in 2011, using the Joycean invective “shite and onions”, provoking controversy in the Irish literary community.
Fintan O’Toole notes how living in Monaghan, just across the border from County Fermanagh, informed McCabe’s writing, and described him as “the great laureate of…indeterminacy, charting its inevitably tragic outcomes while holding somehow to the notion that it might someday become a blessing.”
McCabe dies at the age of 90 on August 27, 2020, in Cavan, County Cavan. He is survived by his wife Margot, his four children, Ruth, Marcus, Patrick and Stephen, and thirteen grandchildren.
On July 3, Father John Patrick Dunn of the Church of St. Philip Neri in the Southwark District is warned that the church might be attacked during an upcoming parade held by the Native American Party. The Native American Party, a nativist political party, plans to hold a large parade the next day on Independence Day.
Five of the muskets placed in St. Philip Neri’s Church are discovered to be defective and are sent back to the Frankford Arsenal to be repaired. No violence occurs before or during the parade, but on July 5, a nativist mob numbering in the thousands gathers at the church after some observe five defective muskets being returned to the church. They then demand that the sheriff remove the weapons, while Father Dunn and volunteers rally to protect the church. Sheriff Morton McMichael and two aldermen search the church and remove twelve muskets. After leaving the church, the sheriff urges the crowd to disperse and leaves a volunteer posse to guard the church. The mob remains, and a man injured in the May riots makes a speech to the crowd, calling for a second search of the church. The sheriff, an alderman, and seventeen nativists enter the church and find three armed men, fifty-three muskets, ten pistols, a keg of gunpowder and ammunition. To avoid inciting the mob, the sheriff decides not to remove the armaments, and the search party stays in the church. Just after midnight, July 6, Major General Patterson orders a company of city guards to clear the streets. After the crowd disperses, the arms found within the church are removed.
By midday, the crowds return around St. Philip Neri’s Church. GeneralGeorge Cadwalader orders the crowds to disperse, but they do not. By the evening, the sheriff arrives with a 150-strong posse. Throughout the evening, the military presence grows, and three cannons are stationed on the streets. The soldiers clear the streets near the church, despite being pelted with rocks by the mob. Responding to the rock throwers, General Cadwalader orders a cannon to be fired at the crowd on Third Street. Former U.S. CongressmanCharles Naylor begs the general not to fire. He and several others are arrested and held within the church. By the morning of July 7, most of the soldiers have left, but the crowds, led by an alderman and the sheriff, return and demand that the remaining guard release Naylor. Everyone except Naylor is released. The crowds grow, and a cannon is brought from a nearby wharf and used to threaten the church. After further negotiations, Naylor is released and carried home to cheers on people’s shoulders.
After Naylor is brought home, the mob attacks the church, damaging a wall with the cannon. A second cannon is brought from the wharfs and fired at the church, after which the mob pelts the building with rocks and break in through a side door. The soldiers fire on the men breaking into the church, who promptly retreat. After retreating, the nativists negotiate with the guard, who agrees to withdraw, allowing the nativists to guard the church. The crowd pelts the soldiers with rocks and some soldiers fire back, which only incites the mob further. The mob forces its way into the church, causing extensive damage to the interior. After about an hour, a group of twenty men organizes themselves to guard St. Philip Neri’s, and the mob leaves the church.
By the evening, a large number of soldiers arrive with orders to clear the streets, only to be stoned in the process. After a captain is attacked, the order is given to fire on the mob, which results in seven fatalities and nine injuries. Not long after, people with muskets and cannons arrive and fierce fighting breaks out between the soldiers and the mob. The fighting lasts for several hours, with the soldiers being fired upon from alleyways and the windows of nearby buildings. The soldiers bring in two cannons of their own and fire on the mob. The mob returns fire using their own cannons, armed with items such as nails, chains, knives and broken bottles. In an attempt to capture the mob’s cannons, soldiers charge one cannon’s position, only to be knocked off their horses by a rope tied across the street. The cannons are all eventually captured, and by early morning on July 8, the fighting has ended.
At least fifteen people, including rioters and soldiers, are killed in the riot, and at least fifty people are injured. Under Governor Porter’s orders, state troops continue to arrive in the city in the days afterward, but no further violence takes place. An estimated 5,000 militia are used to stop violence. Troops begin to withdraw from the city on July 10, and the church takes over responsibility from the district of Southwark of protecting the church on July 11. As with the May riots, a grand jury blames the Irish Catholics for the riots but supports the military’s response to the violence.
The riots gain national attention and condemnation. The riots are used as an issue in the 1844 U.S. Presidential election, the Democratic Party condemning the growing Native American Party and the Whig Party, which the Democrats accuse of involvement in the nativist movement. In Philadelphia, the Native American Party ends up making a strong showing in the city’s October election.
On July 11, 1844, Philadelphia passes an ordinance that gives the city a battalion of artillery, a regiment of infantry, and at least one full troop of cavalry to preserve peace within the city when necessary. The difficulty of quelling the riots and other crime leads the Pennsylvania General Assembly to pass an 1845 act that requires Philadelphia, the township of Moyamensing and the unincorporated districts of Spring Garden, Northern Liberties, and Penn to maintain a police force of one man per 150 taxable inhabitants. In 1850, another act is passed that establishes that the Philadelphia police force will police the city and seven surrounding districts. The inability to maintain order effectively in Philadelphia’s suburbs is an important argument for the consolidation of the city in 1854.
After the riots, Bishop Kenrick ends his efforts to influence the public education system and begins encouraging the creation of Catholic schools, with 17 being founded by 1860. The friars of the Church of St. Augustine sue the city of Philadelphia for not providing the church with adequate protection, claiming $80,000 in damages. The city argues that the friars cannot claim their civil rights were violated, as the Order of Saint Augustine is a foreign organization under the Pope. Furthermore, the city argues that the friars took a vow of poverty and cannot be property owners. The Augustinians end up proving the Order is incorporated in 1804 and is awarded $45,000. The church is rebuilt in 1848.
(Pictured: “Riot in Philadelphia,” lithograph by H. Bucholzer, 1844, Library of Congress)
Following an early career as an economist, working with the Irish Sugar Company until 1967, Halligan becomes involved in politics. In that year, he becomes General Secretary of the Labour Party.
The party leader, Brendan Corish, relies on Halligan’s intellectual and political skills in his new role. Under Halligan, the party undergoes an energetic reorganisation. New structures and policies are put in place, coinciding with the party’s leftward policy shift and an acute anti-coalition stance. He strongly supports both approaches, but is instrumental in securing the party’s eventual, somewhat unwilling, reversal of its anti-coalition stance after its disappointing result in the 1969 Irish general election. The 1973 Irish general election results in a Fine Gael-Labour Party coalition government coming to power.
Halligan continues to serve as General Secretary of the party until 1980, and is appointed a Member of the European Parliament (MEP) from 1983 until 1984, replacing Frank Cluskey, where he specialises in economic affairs and energy policy.
In 1980, Halligan sets up CIPA, his own public affairs consultancy based in Dublin, and becomes a lecturer in Economics at the University of Limerick. He is also chairman of European Movement Ireland during the late 1980s. In 1985, he is appointed as Chairman of Bord na Móna, the Irish Peat Development Authority, a position he holds for ten years. In 1989 he founds the Institute of European Affairs (IEA), which later becomes the IIEA. He is Director of CIPA until 2014.
Resulting from his keen interest and experience in energy policy and renewable energy, Halligan serves as Chair of the Sustainable Energy Authority of Ireland from 2007 until 2014. He is President of the IIEA, and he is also a Board Member of Mainstream Renewable Energy.
In later years Halligan also works on the foundation and development of the Ireland China Institute (ICI), which, with its maxim bridging the gap between knowledge and understanding, seeks to strengthen Irish-Chinese diplomatic relations, developing cultural links and fostering a deeper understanding of the respective cultural norms and values between the two nations. He is also President of ICI.
Halligan dies on August 9, 2020, after a long illness. On his death, TaoiseachMicheál Martin describes him as “a man who gave his life to politics and the public service with a deep commitment to the institutions of the state.” European Commissioner for TradePhil Hogan states that “Brendan was a committed European to his fingertips. He was a pragmatic European intellectual, in the tradition of Spinelli, Monnet and Schuman.”
Duffy is born in 1809 probably in County Cavan, at either Shercock or Kingscourt, and is educated locally at a hedge school. He has at least two brothers and two sisters. He first makes a living as a pedlar in County Cavan and County Meath, dealing with Bryan Geraghty, a bookseller in Anglesea Street, Dublin, with whom he exchanges Irish manuscripts for Catholicprayer books. He also buys up Bibles distributed in Ireland by Protestant missionaries for resale in Great Britain. When aged about thirty he sets up in business in Anglesea Street as a publisher, printer and bookseller, specialising in low-priced Catholic books, such as A pocket missal for the use of the laity (1838) and a new edition of the Catechism (1848) by Andrew Donlevy, made possible by the invention of the stereotype. He moves his business to Wellington Quay in 1846. He also prints and distributes public statements by Catholic prelates, and is able to call himself “bookseller to the cardinal archbishop of Dublin.”
At the request of the editor of The Nation, Charles Gavan Duffy (to whom he is not related), he republishes an anthology of nationalistic ballads, The spirit of the nation (1843; 59th ed., 1934), a successful venture that links him to the Young Ireland movement and expands into the publication of numerous popular historical writings, beginning with Gavan Duffy’s Library of Ireland series. He publishes several periodicals for Catholic readers, which combine pietism and patriotism with hagiography: Duffy’s Irish Catholic Magazine (1847–8), Duffy’s Fireside Magazine (1850–54), and Duffy’s Hibernian Magazine (1860–64).
Judged by the distinction of his authors (who include William Carleton, Thomas Davis, John Mitchel, James Clarence Mangan and Richard Robert Madden, the number and popularity of his productions, and their formative influence on Catholic popular opinion, he can be considered the most important Irish publisher in the middle decades of the nineteenth century. He is particularly significant in providing the Young Ireland movement with a cheap and reliable publisher for the dissemination of their writings. Charles Gavan Duffy describes him as “a man of shrewd sense and sly humour but without cultivation or judgment in literature.” He never takes a holiday and, though a kindly employer, never allows his staff to take holidays. The Irish American newspaper Irish American Weekly credits him with providing employment for 500 people and with having bought enough land to give him an income of £5,000 a year. It also notes that his ruthlessness had made him unpopular within his trade.
In 1840 Duffy marries Frances Lynch in Kingscourt, County Cavan. They have five sons and five daughters. The family susceptibility to pulmonary illnesses takes a dreadful toll: none of the sons live beyond the age of twenty-three, three dying from tuberculosis, while one of his daughters dies of pneumonia at the age of fourteen and another two daughters succumb as relatively young adults to tuberculosis.
Duffy dies at the age of 62 on July 4, 1871, at his home at Clontarf, Dublin. He is buried at Glasnevin Cemetery. His will, which disposes of an estate worth almost £25,000, is contested unsuccessfully in court by the younger of his two surviving sons. His son-in-law, Edmund Burke, becomes managing director of James Duffy and Company Limited, but after his death in 1901 the company passes out of the control of its founder’s family.
(From: “Duffy, James” by C. J. Woods, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Seán MacManus, Sinn Féin politician, is elected Mayor of Sligo on July 3, 2000. He is the national chairperson of the party from 1984 to 1990.
MacManus is born in 1950 near Blacklion, County Cavan, and moves to London in the 1960s to find work. There he meets and marries Helen McGovern, a native of Glenfarne, County Leitrim. In 1976, he returns to Ireland and settled in the Maugheraboy area of Sligo, County Sligo, so that their family of two boys can be educated in Ireland.
Still based in Maugheraboy, MacManus is involved in Irish Republican politics since the early 1970s and is secretary of the County Sligo Anti-H-Block Committee which campaigns in support of the republican prisoners hunger strikes of 1980/81. He becomes a member of the Sinn Féin Ard Comhairle (National Executive) in 1982 and remains there for over twenty years. He is elected as the first Sinn Féin National Chairperson from 1984 until 1990. After the Irish Republican Army (IRA) ceasefire in 1994 he is part of the first Sinn Féin delegation to meet with the British government in over seventy years. He is also involved in the protracted negotiations leading to the Good Friday Agreement.
First elected to Sligo Corporation (now Sligo Borough Council) in 1994, MacManus remains until its abolition in May 2014. He is also elected to Sligo County Council in 1999 and is re-elected in 2004, 2009 and 2014. He steps down from elected politics in February 2017 being replaced by his son, Chris MacManus.
On July 3, 2000, MacManus is elected Mayor of Sligo, the first Sinn Féin Mayor in the Republic of Ireland since the beginning of the Troubles in 1969. He is also elected mayor in 2003. Sinn Féin PresidentGerry Adams says the election of McManus is a sign of “Sinn Féin’s rise as an active campaigning alternative in politics in the 26 counties”.
MacManus has two sons. Chris MacManus, the youngest, is also an elected member of Sligo Borough Council (1999–2014) and Sligo County Council (2017–2020) and is an MEP since March 2020. His eldest son, Joseph MacManus, was an IRA volunteer who was killed in a firefight against an off-duty Ulster Defence Regiment (UDR) soldier in Belleek, County Fermanagh, in February 1992.
Kathleen Cox, Irish artist, sculptor, and mystic, is born Christina Mary Kathleen Cox in Wo-Sung, China, on July 2, 1904. Cox is considered a pioneer of contemporary Irish pottery.
Cox is the eldest daughter of Dr. R. H. Cox, originally from Dundalk, County Louth, and the port health officer in Shanghai. He is also an amateur geologist and models in clay. In his retirement, he invents a periscope later used during World War I by the Royal Navy. The years living in China leave an impression on the young Cox, visually and culturally. The family returns to Ireland in 1911, first moving to Listowel, County Kerry, and later to Howth, County Dublin. She attends Alexandra College, and later the Dublin Metropolitan School of Art in 1921. While there she studies sculpture under Oliver Sheppard and is considered one of his most talented students, winning the Royal Dublin Society Taylor prize for modelling in 1925, 1926, and 1927. The money from these prizes allows Cox to travel to Paris in 1929.
Cox exhibits in 1924 at the Tailteann exhibitions, and in 1925 submits textile designs to the Arts and Crafts Society of Ireland. She establishes a pottery studio at 7 Schoolhouse Lane, Dublin, with college friend Stella Rayner in 1929. The studio has the first electric kiln in Ireland. The first exhibited piece by Cox shown by the Royal Hibernian Academy (RHA) is in 1930, with a pair of Madonna bookends, and portrait masks of the daughter of Dermod O’Brien, Brigid O’Brien, and writer Norris Davidson. Davidson is a friend and neighbour, who commissions her to design the poster for his 1929 film, Suicide. She exhibits with the RHA from 1931 to 1933, and the Tailteann 1932, while also holding exhibitions in her studio. During this period Hilda Roberts paints her portrait, Strange Spirit. Kathleen Cox in her studio. The theme of womanhood is prominent in her work, including in the sign of her studio.
In 1932, Cox begins producing a line of more commercial figurines, drawing influence from the Royal Doulton Burslem factory, where she works for a time. One such figurine is The Lavender Man (pictured), modelled on Michael Clifford, a Dublin street trader. In the mid 1930s, she develops a frustration with her work and with her lack of impact on the wider world. In attending the Chinese exhibition in London in 1935, it is confirmed to her that pottery should be practical rather than ornamental. It spurs her to destroy all her moulds and sell her kiln upon her return to Dublin.
Cox marries Alan Palmer in 1937, the couple has two daughters and relocate to England. Palmer is a conscientious objector during World War II, with the couple running a farm at Meopham, Kent, returning to London after the war.
Cox dies in early September 1972 in London. Some of her work is held in the collections of the National Museum of Ireland and with four works featured in the exhibition Not Just Pots: Contemporary Irish Ceramics of the 21st Century.
It is during the 1920s that Cox begins to question mainstream religion and becomes a vegetarian. Finding that her personal philosophy is similar to that of theosophy, she joins the movement and speaks at meetings. She is heavily influenced by the founder of the Order of the Great Companions, the Rev. William Hayes, who is living in Dublin in the 1930s. She writes and illustrates a children’s book on world religions, A story of stories, which she publishes under the pseudonym C.M. Kay in 1970.
seamus dubhghaill 