seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Category Archives: Arts & Music


by Leave a comment

Birth of Bill Naughton, Playwright & Author

William John Francis Naughton, Irish-born British playwright and author, is born on June 12, 1910, in Ballyhaunis, County Mayo. He is best known for his play Alfie.

Born into relative poverty, Naughton moves to Bolton, Lancashire, England, in 1914 as a child. There he attends Saint Peter and Paul’s School, and works as a weaver, coal-bagger and lorry driver before he starts writing with his wife, Erna.

Naughton’s stage play, Alfie, adapted for the 1966 film starring Michael Caine in the eponymous role, originates in a radio play, Alfie Elkins and His Little Life, first broadcast on the BBC Third Programme in 1962, which becomes a production at the Mermaid Theatre in 1963. It transfers to the West End theatre before a very brief run on Broadway. He is a prolific writer of plays, novels, short stories and children’s books. His preferred environment is working class society, which is reflected in much of his written work.

In addition to Alfie, two of Naughton’s other plays have been made into feature films, All in Good Time (1963), filmed as The Family Way (1966), starring John Mills, and Spring and Port Wine (1970), starring James Mason in the role of Rafe Crompton, an adaptation of a play first performed in 1959.

Naughton’s novel Alfie Darling, the sequel to his earlier novel and play, was also filmed, with Alan Price succeeding Michael Caine in the lead role. Both Alfie and Alfie Darling are drawn upon for the 2004 film with Jude Law in the eponymous role.

Naughton’s work also includes the novel One Small Boy (1957), and the collection of short stories The Goalkeeper’s Revenge And Other Stories (1961). His 1977 children’s novel My Pal Spadger is an account of his childhood in 1920s Bolton. His wife dies in 2014 ant the age of 85.

Many of Naughton’s plays are performed at the Octagon Theatre, Bolton. An 85-seat adaptable studio theatre within the Octagon is named after him.

During his lifetime, Naughton receives the following awards: Screenwriters Guide Award (1967 and 1968), Italia Prize for Radio Play (1974), Children’s Rights Workshop Other Award (1978), Portico Literary Prize (1987) and The Hon. Fellowship, Bolton Institute of Higher Education (1988).

Naughton dies on January 9, 1992, aged 81, in Ballasalla on the Isle of Man. A “Bill Naughton Short Story Competition,” administered by The Kenny/Naughton Autumn School, is named in his honour.


by Leave a comment

Birth of Dudley Digges, Irish Stage Actor, Director & Producer

John Dudley Digges, Irish stage actor, director, and producer as well as a film actor, is born in Ranelagh, Dublin, on June 9, 1879. Although he gains his initial theatre training and acting experience in Ireland, the vast majority of his career is spent in the United States, where over the span of 43 years he works in hundreds of stage productions and performs in over 50 films.

Digges is the child of James Digges and Catherine Forsythe. He becomes acquainted with theatre directors William and Frank Fay and takes an interest in acting. He joins W. G. Fay’s Irish National Dramatic Company, along with others including Máire Nic Shiubhlaigh, James H. Cousins, Frederick Ryan and Maire Quinn (who becomes his wife). Their first production, Cathleen Ni Houlihan, with Maud Gonne in the lead role, and Déirdre, is on April 2, 1902. The company, which has no funds to speak of, acquires a couple of bare rooms at 34 Lower Camden Street, which with the help of friends from Irish-revival societies they turn into a small theatre. However, this proves too small for the plays they are planning to stage. They rehearse at the Coffee Palace in Westmoreland Street and also use the Molesworth Hall for productions.

In 1903, the playwrights and most of the actors and staff from these productions go on to form the Irish National Theatre Society, which has its registered offices in Camden Street. The society founds the Abbey Theatre.

Digges goes to the United States with a group of fellow-actors in 1904, and becomes successful as both actor and producer. He is stage manager for a time to both Charles Frohman and George Arliss, and by the 1920s he has become a notable performer on Broadway. One of his best-known roles there is as Ficsur in the original 1921 production of Ferenc Molnár‘s Liliom (later adapted into the musical Carousel by Rodgers and Hammerstein). In 1924, in Woodstock, New York, he founds the Maverick Theater with the assistance of Hervey White, who had established the Maverick Arts Colony. He is also artistic director of a company that includes Helen Hayes and Edward G. Robinson.

Digges expands his career into films by 1929, and over nearly two decades he performs in more than 50 films, including the original pre-Hays Code adaptation of The Maltese Falcon (1931). He Is cast in that feature as Casper Gutman, the character later portrayed by Sydney Greenstreet in the 1941 version. In The Invisible Man (1933) he plays the Chief Detective who plots to capture the title character, opposite the unseen Claude Rains. He plays the role of the Heavenly Examiner in both the original Broadway production and the 1930 screen version of Sutton Vane‘s Outward Bound. He also works as a director on Broadway.

Digges marries only once, to Irish actress Maire Quinn. The couple wed on August 27, 1907, in New York City and remain together until Maire’s death in August 1947. On October 24, 1947, just two months after his wife’s death, he dies of a stroke in his Manhattan apartment at 1 West 64th Street. He is survived by three siblings, all living in Ireland: a sister, Mrs. Mai Gannen, and two brothers, James and Ernst. Following a requiem mass at Blessed Sacrament Roman Catholic Church on October 28, he is buried next to his wife at Gate of Heaven Cemetery in Hawthorne, New York.

(Pictured: Digges as Boss Mangan in the 1920 Broadway production Heartbreak House, which he also directs)


by Leave a comment

Birth of Andrew O’Connor, American-Irish Sculptor

Andrew O’Connor, an American-Irish sculptor, is born in Worcester, Massachusetts, on June 7, 1874. His work is represented in museums in the United States, Ireland, Britain, and France.

O’Connor’s father, Andrew O’Connor (1846–1924), of Lanarkshire, Scotland, is a stonecutter who becones a professional sculptor. As a teenager, he apprentices to his father, helping him to design monuments for cemeteries.

For a time, O’Connor is in the London studio of the painter John Singer Sargent, and later works for the architects McKim, Mead & White in America and with the sculptor Daniel Chester French. Settling in Paris in the early years of the 20th century, he exhibits annually at the Paris Salon. In 1906 he is the first foreign sculptor to win the Second Class medal for his statue of General Henry Ware Lawton, now in Garfield Park in Indianapolis, Indiana. In 1928 he achieves a similar distinction by being awarded the Gold Medal for his Tristan and Iseult, a marble group now in the Brooklyn Museum. His work is also part of the sculpture event in the art competition at the 1928 Summer Olympics in Amsterdam.

A number of his plaster casts are in the Hugh Lane Gallery, Dublin, and there are works in Tate Britain, the Walters Art Museum, Baltimore, the Corcoran Gallery of Art, the Metropolitan Museum of Art and the Musée d’Art Moderne, Paris.

O’Connor is involved in a minor controversy in 1909 when he is commissioned to design a statue for Commodore John Barry, of the American Revolutionary-era navy. His first design is heatedly attacked by Irish American groups. He submits a second version, but it too is ultimately rejected, and the sculptor John J. Boyle received the commission.

O’Connor dies in Dublin on June 9, 1941.


by Leave a comment

Birth of Frank McKelvey, Northern Irish Painter

Francis Baird McKelvey, also known as Frank McKelvey, Northern Irish painter, is born at 31 Woodvale Road, Belfast, on June 3, 1895.

McKelvey is second among six children and second of three sons of William McKelvey, painter and decorator, originally from Roseville, Craigavad, County Down, and his wife Mary, daughter of Frank Baird, farmer, from Ballywee, County Antrim. He is baptised at Saint Matthew’s Parish Church.

McKelvey attends Mayo Street national school in Belfast. When he is sixteen he became a lithographer apprentice to the firm David Allen & Sons. They produce postcards, posters and notices. He enrolls in the Belfast School of Art part-time by attending evening classes until he leaves his employment in 1911 to study full-time. Alfred Rawlings Baker, his art master, has great influence on him during his time at art college. He receives numerous awards for his artwork including the Sir Charles Brett Prize, the Fitzpatrick Prize, and the Taylor Art Competition.

McKelvey returns to David Allen & Sons in 1917 for a short period of time before he begins to focus on painting and opens his own studio in 1920. The studio is located in Rea’s Building, Royal Avenue, Belfast.

By 1918 McKelvey’s work is exhibited at the Royal Hibernian Academy (RHA) and in 1921 he is elected a member of the Belfast Art Society. He is appointed an associate of the RHA in 1923, being granted full membership in 1930. During his career he is considered on a par with Paul Henry and James Humbert Craig, two of the most successful Irish landscape painters of the time. He is elected as one of the first academicians of the Ulster Academy of Arts when it is founded in 1930. He dies in Belfast on June 30, 1974.


by Leave a comment

Birth of Irish Actor F. J. McCormick

F. J. McCormick (real name Peter Christopher Judge), an Irish actor who becomes known for his work at Dublin‘s Abbey Theatre, is born in Skerries, County Dublin, on June 1, 1890. He acquires the stage name “F.J. McCormick” to disguise his identity from his current and future employers, and to avoid parental disapproval. He joins the Abbey at age 19, and acts in some 500 productions there. He is especially remembered for his work in the plays of Seán O’Casey.

After living in Skerries in his early years, at age ten McCormick moves to Dublin and proceeds to live there for the majority of the duration of his life. He is educated locally in Skerries. His father, Michael Judge, is a maltser and later becomes a brewery manager. He is of medium height, with “expressive eyes” and thick brown hair. As a young man, he begins writing by contributing articles to the press. He works briefly as a post office clerk in London but returns to Dublin to work as a junior clerk in the Civil Service. He resigns from his public service career in 1918 and decides to embrace acting as a full-time career as a member of the Abbey Theatre at age 19.

McCormick’s mother dies when he is 2 years old. He and his family move to Dublin when he is 10 or 12 years old. He is raised in Skerries and attends the Holy Faith Convent for primary education. He describes his childhood in Skerries “as a very happy one.” He marries Eileen Crowe on December 2, 1925, in Rathdown. They meet at the Abbey where Crowe is also an actor. In describing their performances together, Seamus De Burca writes, “F. J. McCormick and Eileen Crowe lived a life together of perfect bliss.” The couple has two children, a son, David, and a daughter, Marie.

After moving briefly to London, McCormick returns to Dublin, where he works in the Civil Service. He also takes acting roles in the Workmen’s Club on York Street, and for the first time under the pseudonym by which he becomes known for roles with the Queen’s Theatre, Dublin. By May 1919, he has a leading role in an independent production of The Curate of St. Chad’s by Constance Powell Anderson at the Abbey Theatre. An attack on Irish acting by Edward Martyn is answered by McCormick in the pages of the journal Banba in June 1921.

McCormick acts in over 500 plays at the Abbey Theatre, becoming particularly associated with the plays of Sean O’Casey staged there. From 1923 to 1925, he is also stage manager at the Abbey. Of his performance as Seumus Sheilds in The Shadow of a Gunman, O’Casey says that the actor created a character greater than that which he had written. He plays Capt. Brennan in the filmed version of O’Casey’s The Plough and the Stars but it is his return to film in Carol Reed‘s Odd Man Out (1947) that sees him singled out for praise in contemporaneous reviews. The Irish Times writes that “the acting of the Irish players was unremittingly professional, and, in the case of F. J. McCormick, as Shell, a weak-minded and elderly corner-boy, quite outstanding.” The Times of London finds “it is Mr. F. J. McCormick as a sly, bird-like creature, who stops just the right side of informing, who catches most surely at the imagination.”

In their review of the film Hungry Hill (1947), The New York Times writes, “As the butler who served John Brodrick, his sons, and their sons in turn, the late F. J. McCormick is truly magnificent, giving an even more subtle portrayal of Irish character than he did as the wily tramp in Odd Man Out.”

In the last five years of McCormick’s life he continues to work in the Abbey where he acts in over 70 plays before his death. He only stars in one play in the theatre in the final year of his life, the play They Got What They Wanted playing the role of Bartley Murnaghan. He secures more leading roles in the film industry. He dies in Dublin at the age of 56 from a brain tumour on April 24, 1947. He is buried in Dean’s Grange Cemetery, Deansgrange, County Dublin. He continues to work right up until his death.

It is said that people regarded McCormick as one of the greatest actors in his era. This comes from his work in 500 plays and 4 films over his career. A year after his death, Barry Fitzgerald says he only knew of two actors with the gift that McCormick had and they were Charles Laughton and Charlie Chaplin.

There are many popular plays and films that McCormick is part of which are still remembered to this day by many, some of them include the original The Plough and the Stars in 1926 where he originates the role of Commandant Jack Clitheroe. He also plays the role of Captain Brennan in the John Ford film version of the play in 1936. In his appreciation for McCormick, Gabriel Fallon remembers him as both a great actor and a great man.

It is said that McCormick was one of the most versatile actors of his generation, his early death was a huge loss to the Irish arts and more specifically the Abbey Theatre where he carried most of his work.


by Leave a comment

Death of Cathal Gannon, Harpsichord Maher & Fortepiano Restorer

Cathal Gannon, harpsichord maker, a fortepiano restorer and an amateur horologist, dies on May 23, 1999.

Gannon is born on August 1, 1910, in Harold’s Cross, Dublin, into a craftsmen family of carpenters, many of whom worked in the famous Guinness Brewery. His education, in two local schools, is rudimentary and at the age of fifteen he starts working as an apprentice carpenter in the Guinness Brewery. His apprenticeship involves learning to make office furniture and attending evening classes in nearby colleges, where he is able to improve his education in a more congenial atmosphere. A love of music and the arts had been encouraged by two maiden aunts. His parents subsequently purchase an upright piano and he learns to play it at the Read Pianoforte School. When his apprenticeship is completed and he is on the dole for some years, he spends much of his spare time buying pictures, books, antiques and old clocks and watches in the various auction rooms and antique shops in Dublin.

During the mid-1930s, Gannon becomes a member of several Dublin-based societies, most notably the Old Dublin Society, and there befriends well-known people such as Grace Plunkett (née Gifford), the widow of Joseph Mary Plunkett, who had been executed following the Easter Rising of 1916. At around this time, he is also introduced to Carl Hardebeck, an arranger of Irish traditional music. At a later stage in his life, he meets Desmond Guinness and his wife Mariga, founders of the Irish Georgian Society, which he subsequently joins.

While reading a series of articles about Tibet in a magazine, Gannon stumbles across an article, which, he believes, is by Violet Gordon-Woodhouse, a British harpsichordist and clavichord player of the period. The article is about the revival of the harpsichord, which interests him. He asks permission to examine the harpsichords on display in the National Museum of Ireland, Dublin, but is given no encouragement by the staff. He is finally allowed to see the instruments when he is in his early twenties. Dismayed, he concludes that they are too expensive to buy and too complicated to make.

While on holidays in Glengarriff in the Beara Peninsula of County Cork during August 1936, Gannon meets his future wife, Margaret Key from Harrow, London. They marry in 1942.

In London with Margaret, who is visiting her parents, Gannon goes to the Benton Fletcher collection of keyboard instruments, which is then in Chelsea, and measures a harpsichord by Jacob and Abraham Kirckman. Back home, he makes a copy of the instrument in a tiny conservatory at the back of his house in the Dublin suburb of Rialto. The harpsichord is played by John S. Beckett for the first time in public in 1959 as the continuo for Johann Sebastian Bach‘s St. Matthew Passion and is praised in the national press. Beckett subsequently persuades the authorities in the Guinness Brewery to provide Gannon with a special workshop, in which he makes five harpsichords and restores several antique pianos. The first harpsichord made in the Brewery is donated to the Royal Irish Academy of Music in Dublin. The second is sold to Harrods of London, and the third is sold to Ireland’s national radio and television station RTÉ. This third instrument is used regularly by the RTÉ Symphony and Concert orchestras and also by the well-known composer and performer of Irish traditional music, Seán Ó Riada.

Gannon continues to make many more harpsichords and restore more pianos during the years to come. In all, he completes twenty harpsichords during his lifetime – the final four are completed by a friend, Patrick Horsley, in England. One of the harpsichords made by Gannon-Horsley returns to Ireland and is presented to NUI Maynooth. A piano of note that he restores is a Broadwood square piano owned by the poet and composer, Thomas Moore, which belonged to Lord and Lady Elveden (later Iveagh).

Gannon is the subject of several RTÉ radio programmes, three RTÉ television programmes (including The Late Late Show) and a television programme, Gallery, made by BBC Northern Ireland. He befriends a great many people, including the artist, writer and conservationist Peter Pearson, and regular musical evenings are held at the family home in Bryan Guinness‘s grounds in the suburbs of Dublin. Because of his interest in antique clocks and watches, he becomes a member of the Irish branch of the Antiquarian Horological Society, founded by his friend William Stuart.

In 1978, Trinity College Dublin (TCD) gives Gannon an honorary MA degree for his contribution to the authentic performance of early music in Ireland. Two years later, he is invited to travel with the New Irish Chamber Orchestra to China, where he tunes and maintains one of his harpsichords and celebrates his seventieth birthday. In 1989, a second honorary MA is given to him, this time by NUI Maynooth.

Following Gannon’s 80th birthday, which is attended by fifty people, he finally settles down to retirement. A series of minor strokes follow, which eventually lead to dementia and ultimately to his death, aged 88, on May 23, 1999.

The Cathal Gannon Early Music Room is opened in the Royal Irish Academy of Music in May 2003. It contains a harpsichord and clavichord made by Gannon, a Broadwood grand piano restored by him, and a square piano.

Part of a transmitted RTÉ programme, Nationwide (January 17, 2007), features archive footage of Gannon and his instruments. Three RTÉ radio programmes, Bowman: Sunday Morning, broadcast in November 2006, feature a 1983 interview with Gannon.


by Leave a comment

Death of Dorothy Kay, Irish-born South African Artist

Dorothy Moss Kay (née Elvery), an Irish-born South African artist, dies in Port Elizabeth, South Africa, on May 13, 1964.

Elvery is born on December 3, 1886, in Greystones, County Wicklow. Her father is William Elvery, whose family owns Elverys Sports store in Dublin. Her sister, Beatrice Elvery, also known as Beatrice, Lady Glenavy, is a painter, stained glass artist and sculptor. Elvery trains at Dublin Metropolitan School of Art in 1900 and at the Royal Hibernian Academy school, but promotes the notion that she was “self-taught.”

In 1910, Elvery moves to South Africa to marry Hobart Kay, FRCS. By 1916 they have settled in Port Elizabeth.

Kay is a founder member of the Eastern Province Society of Arts and Crafts. In 1924 she is elected a member of the Royal British Colonial Society of Artists. She paints and makes etchings, and in 1926 her etching Romance is bought by Mary of Teck, Queen of the United Kingdom, at the Dominion Artists’ Exhibition in London. She travels widely in South Africa and sketches as she goes, and is also commissioned to make many portraits of mayors of Port Elizabeth, many of them lost when the City Hall burns down in 1977. During World War II she is commissioned by the government to record the war on the home front, and some of her work is held in the South African National Museum of Military History. From 1927 to 1945 she produces two to four illustrations each week for The Outspan.

Kay’s largest painting is the 1937 work Surgery, showing a patient undergoing abdominal surgery (a cholecystectomy). She portrays herself as the scrub nurse and her husband Hobart as the surgeon. In preparation for this painting she visits three hospitals and observes at least two operations, making 27 pages of preliminary sketches of people and equipment used in surgery. During World War II she paints further medical paintings: Operation in a Base Hospital and Blood to Save Lives.

Kay holds one-woman exhibitions from 1922 to 1955, and retrospective exhibitions of her work are held at the Iziko South African National Gallery in 1965 and 1982.

In her early days at Port Elizabeth, Kay is a keen sailor and is described as “for a time the fastest spinnaker-hand in South Africa.”

Kay has three daughters and one son. Her daughter Joan Wright (1911-91) teaches painting at the Port Elizabeth Technical College School of Art and Design, and her daughter Marjorie Reynolds writes and publishes a biography of her mother in 1989, and a further book about the Elvery family in 1991, and also donates her mother’s collection of works and archives to the Iziko South African National Gallery as “The Kay Bequest” in 1992.

Kay dies at Port Elizabeth on May 13, 1964.


by Leave a comment

Birth of Mannix Flynn, Politician, Author & Playwright

Gerard Mannix Flynn, an Irish Independent politician, author and playwright, is born in Dublin on May 4, 1957. He is serving as a Dublin City Councillor since May 2009. In addition to his work on Dublin City Council, he has also written the novel Nothing To Say in 1983 and the play James X in 2002.

At the age of eleven, Flynn is sent to St. Joseph’s Industrial School in Letterfrack, County Galway, for eighteen months. He is subjected to sexual and physical abuse there. He also spends time in Marlborough House Detention Centre, Daingean, County Offaly, St. Patrick’s Institution, Dublin, and is given five years at the age of fifteen and sent to Mountjoy Prison.

Flynn publishes the novel Nothing To Say in 1983. It is subsequently translated into German, Italian, and Polish. He founds his arts company, Farcry Productions, in 2004, which produces visual art, performance and installation work around taboo issues such as child sexual abuse, violence, and addiction.

In 2004, James X performed by Flynn wins The Irish Times Irish Theatre Award. An earlier version of this play entitled Talking to the Wall previously wins the Edinburgh Fringe award.

Flynn appears in the films Cal, When the Sky Falls and Excalibur and works as an actor in Scotland, London, Austria, and Dublin for twenty years.

Flynn is first elected to Dublin City Council in the 2009 Irish local elections as an independent candidate representing the South-East Inner City electoral area. He is re-elected to the revised Pembroke-South Dock electoral area in the 2014 Irish local elections.

Flynn tables a motion to move the Temple Bar Cultural Trust, a State company set up in 1991 as a regeneration agency for Temple Bar, under the direct control of Dublin City Council. The trust is subsequently found to be in breach of corporate governance and accountability in a number of public reports. He also expresses critical views of the way public money is spent as part of a Grafton Street regeneration project in Dublin.

Flynn supports tougher regulation around the amplification of busking on public streets, which leads to his office being vandalised in February 2015. He is involved in a number of challenges to cycle lane provision, with a High Court challenge against the Strand Road cycle lane COVID-19 mobility trial and is a spokesperson for a group opposed to this cycle lane trial. Critics accuse him of consistently voting against policies that would provide more active travel infrastructure and in favour of policies which negatively impact pedestrians and cyclists. His legal challenges to cycling provision have the potential to revert a number of cycle lanes which have been created back to servicing predominantly cars.

In 2015, Flynn resigns from the Dublin City Council Arts SPC over what he perceives as a lack of cohesive overall policy, strategy, and vision.

In 2016, Flynn protests against the Artane Band, due to its association with the Artane Industrial School. The band responds saying it has had no association with the former industrial school. His peaceful protest, which includes him protesting on a window sill in his Dublin City Council office, is criticised by some as “attention seeking” and a “publicity stunt full stop.”

In 2019, Flynn is involved in a protest march against plans to open the state’s largest homeless shelter in his ward. Protesters march northbound on Aungier Street blocking traffic and shouting slogans against the Peter McVerry trust for providing the services in conjunction with Dublin City Council. In 2020, he takes further legal action against the council, who are working in conjunction with the Peter McVerry Trust, so that he can ensure the homeless facilities will not be built in the area.

Flynn contests the 2011, 2016 and 2020 Irish general elections to Dáil Éireann unsuccessfully. He stands unsuccessfully as an independent candidate at the 2021 Dublin Bay South by-election, getting 879 first-preference votes (3.3%).

A 2019 documentary by Flynn, Land Without God, about the effects of clerical abuse on Flynn and his family, receives special mention for the Dublin Human Rights Film Award at the Dublin International Film Festival.


by Leave a comment

Birth of James Morrison, Irish Fiddler

James Morrison, a notable south Sligo-style Irish fiddler known as “The Professor,” is born on May 3, 1893, near Riverstown, County Sligo, at the townland of Drumfin.

Morrison grows up in a community steeped in traditional Irish culture especially music and at the age of seventeen he is employed by the Gaelic League to tutor the Connacht style of step dancing at the Gaelic League school in County Mayo.

In 1915, at the age of 21, Morrison immigrates to the United States and settles in New York City. In 1918, he wins the fiddle competition at the New York Feis. He becomes associated with other leading Irish musicians such as Michael Coleman and Paddy Killoran, who are also from County Sligo.

Morrison is one of the leading Irish music teachers in New York in the 1930s and 1940s. In addition to the fiddle, he can play the flute, tenor banjo and button accordion, and teaches hundreds of young Irish American students to play traditional music.

The Sligo style of fiddle music Morrison plays is typically highly ornamented and fast, with a fluid bowing style. Recordings of his playing are imported to Ireland in great numbers, and have an extraordinary impact. In many areas, local playing styles fall into disuse because of the popularity of the style and repertoire of Morrison and Michael Coleman. This repertoire includes predominantly reels, rather than jigs and hornpipes, and are often played by Irish musicians in the same order as on the original recordings. According to Séamus Mac Mathúna, “More than thirty years after Coleman’s death … one seldom hears ‘Bonny Kate’ without ‘Jenny’s Chickens.’ ‘Tarbolton’ is inevitably followed by ‘The Longford Collector’ and the ‘Sailor’s Bonnet.'” The great Canadian fiddler Jean Carignan was is influenced by Morrison. Morrison is well regarded by Frankie Gavin: “the approach he had to fiddle playing and the approach he had to any tune he touched just…can’t be beaten…nobody can play like that today.”

Morrison dies on November 11, 1947, and is interred, like many of his great musical contemporaries, in Saint Raymond’s Cemetery in the Bronx.