Holmes appears to be a stern judge, who does not suffer fools gladly and often imposes exceptionally severe sentences in criminal cases. Although the story is often thought to be apocryphal, Maurice Healy maintains that Holmes did once sentence a man of great age to 15 years in prison, and when the prisoner pleaded that he could not do 15 years, replied “Do as much of it as you can.” His judgments do however display some good humour and humanity, and the sentences he imposes often turned out to be less severe in practice than those he announces in Court.
The quality of his judgments is very high and Holmes, together with Christopher Palles and Gerald FitzGibbon, is credited with earning for the Irish Court of Appeal its reputation as perhaps the strongest tribunal in Irish legal history. His retirement, followed by that of Palles (FitzGibbon had died in 1909), causes a loss of expertise in the Court of Appeal from which its reputation never recovers. Among his more celebrated remarks is that the Irish “have too much of a sense of humour to dance around a maypole.” His judgment in The SS Gairloch remains the authoritative statement in Irish law on the circumstances in which an appellate court can overturn findings of fact made by the trial judge.
Morrissey is the only son among eight children of Timothy Morrissey, factory worker, and Julia (or Mary) Morrissey. In 1834 the family emigrates to Canada and then the United States, settling at Troy, New York. From the age of ten he works, first in a mill, and then as an iron worker due to his size and strength. He becomes involved in various street gangs, developing a reputation as a pugilist of great strength and resolve. As leader of the Down-Town gang, he defeats six members of the rival Up-Town gang in a single afternoon in 1848. He takes work on a Hudson River steamer and marries Sarah Smith, daughter of the ship’s captain, around 1849. They have one child who dies before reaching adulthood.
In a New York saloon Morrissey challenges Charley ‘Dutch’ Duane to a prize fight and, when he is not to be found, with typical bravado he extends the challenge to everyone present. This impresses the owner, Isaiah Rynders, the Tammany Hall politician, and he employs Morrissey to help the Democratic Party, which involves intimidating voters at election time. A fistfight with gang rival Tom McCann earns him the nickname ‘Old Smoke.’ Mid-fight he is forced onto a bed of coals, but despite having his flesh burned, refuses to concede defeat. He fights his way back and beats McCann into unconsciousness. Stowing away to California to challenge other fighters, he begins a gambling house to raise money and embarks on a privateering expedition to the Queen Charlotte Islands in a quixotic attempt to make his fortune.
In his first professional prize fight on August 21, 1852, Morrissey defeats George Thompson at Mare Island, California, in dubious circumstances, and begins calling himself the ‘champion of America.’ However, it is only on October 12, 1853, that he officially earns this title, when he wins the heavyweight championship of America in a bout at Boston Corner, New York, against Yankee Sullivan. The fight lasts thirty-seven rounds, and Morrissey has the worst of most of them, but he is awarded the contest after a free-for-all in the ring.
Increasingly involved in New York politics, Morrissey and his supporters fight street battles against the rival gang of William Poole, known as ‘Bill the Butcher,’ a Know Nothing politician later fictionalised in the film Gangs of New York (2002). On July 26, 1854, the two men fight on the docks, but Morrissey is beaten badly and forced to surrender. This marks the beginning of a bitter feud between the two parties, with heavy casualties on both sides, which climaxes on March 8, 1855, when Poole is murdered. Morrissey is indicted as a conspirator in the crime but is soon released because of his political connections.
On October 20, 1858, Morrissey fights John C. Heenan (1835–73) in another heavyweight championship bout. Heenan breaks his hand early in the fight and is always at a disadvantage. After taking much punishment Morrissey finally makes his dominance count. There is a rematch on April 4, 1859, which Morrissey again wins, and after this he retires from the ring. Investing his prize money, he runs two saloons and a gambling house in New York. With the huge profits from his gambling empire, he invests in real estate in Saratoga Springs, New York, opening the Saratoga Race Course there in 1863 which has endured to become America’s oldest major sports venue.
A political career beckons as a reward for Morrissey’s consistent support for the Democratic Party. He is elected to the United States House of Representatives in 1866 representing New York’s fifth district, is re-elected the following year, and serves until March 3, 1871. He supports PresidentAndrew Johnson against demands for his impeachment and is skeptical about the Radicals’ plans for reconstruction in the south. In his final years he serves in the New York State Senate (1875–78).
After contracting pneumonia, Morrissey dies at the Adelphi Hotel, Saratoga Springs, on May 1, 1878, and is buried at Saint Peter’s Cemetery, Troy. On the day of his funeral, flags at New York City Hall are lowered to half-mast, while the National Police Gazette declares on May 4, 1878, that “few men of our day have arisen from beginnings so discouraging to a place so high in the general esteem of the community.” His name is included in the list of ‘pioneer’ inductees in the International Boxing Hall of Fame in Canastota, New York, and each year the John Morrissey Stakes are held at Saratoga Race Course in honour of its founder.
(Pictured: John Morrissey, U.S. Representative from New York, circa 1870s, source Library of Congress)
Hope is born in Templepatrick, County Antrim, on August 25, 1764 to a Presbyterian family originally of Covenanter stock. He is apprenticed as a linen weaver but attends night school in his spare time. Influenced by the American Revolution, he joins the Irish Volunteers, but upon the demise of that organisation and further influenced by the French Revolution, he joins the Society of the United Irishmen in 1795.
Hope quickly establishes himself as a prominent organiser and is elected to the central committee in Belfast, becoming close to leaders such as Samuel Neilson, Thomas Russell, and Henry Joy McCracken. He is almost alone among the United Irish leaders in targeting manufacturers as well as landowners as the enemies of all radicals. In 1796, he is sent to Dublin to assist the United Irish organisation there to mobilise support among the working classes, and he is successful in establishing several branches throughout the city and especially in The Liberties area. He also travels to counties in Ulster and Connacht, disseminating literature and organizing localities.
Upon the outbreak of the 1798 rebellion in Leinster, Hope is sent on a failed mission to Belfast by Henry Joy McCracken to brief the leader of the County Down United Irishmen, Rev. William Steel Dickson, with news of the planned rising in County Antrim, unaware that Dickson had been arrested only a couple of days before. He manages to escape from Belfast in time to take part in the Battle of Antrim where he plays a skillful and courageous role with his “Spartan Band,” in covering the retreat of the fleeing rebels after their defeat.
Hope manages to rejoin McCracken and his remaining forces after the battle at their camp upon Slemish mountain, but the camp gradually disperses, and the dwindling band of insurgents are then forced to go on the run. He successfully eludes capture, but his friend McCracken is captured and executed on July 17. Upon the collapse of the general rising, he refuses to avail of the terms of an amnesty offered by Charles Cornwallis, 1st Marquess Cornwallis on the grounds that to do so would be “not only a recantation of one’s principles, but a tacit acquiescence in the justice of the punishment which had been inflicted on thousands of my unfortunate associates.”
Hope lives the years following 1798 on the move between counties Dublin, Meath and Westmeath but is finally forced to flee Dublin following the failure of Robert Emmet‘s rebellion in 1803. He returns to the north and evades the authorities attentions in the ensuing repression by securing employment with a sympathetic friend from England. He is today regarded as the most egalitarian and socialist of all the United Irish leadership.
After suffering poor health for some years, Hope dies on February 10, 1847 at his son Henry’s home, 1 Lancaster St., Belfast. He is buried in the Mallusk Cemetery, Newtownabbey, County Antrim. The headstone is raised by his friends, Henry Joy McCracken’s sister Mary Ann, and the Shankill Road United Irishman Isreal Milliken. The historian Richard Robert Madden, who had encouraged Hope to write his memoirs, supplies the inscription. The headstone features the outline of a large dog, which supposedly brought provisions to him and his compatriots when they were hiding following the Battle of Antrim.
From an early age Ford has an interest in painting and sailing, and in July 1914 moves to California, where his older brother Francis is an actor with a small film company. Adopting the name ‘Jack Ford,’ he learns his trade as a filmmaker and acts in a number of silent pictures. Reveling in his Irish heritage, he makes his director’s debut with The Tornado (1917) and follows it with more than forty movies over the next six years. On July 3, 1920, he marries Mary McBryde Smith, a former officer in the army medical corps. They meet at a party thrown by the director Rex Ingram and have one son and one daughter.
In 1921 Ford visits Ireland for the first time and later claims to have travelled on the same boat that brought Michael Collins back from the treaty negotiations. He meets his relatives at Spiddal, falls in love with the countryside, and becomes a fervent Irish nationalist. It is later claimed that he brought over funds for his cousin Martin Feeney, a member of an Irish Republican Army (IRA) flying column.
Returning to Hollywood, Ford becomes friends with the retired marshal Wyatt Earp and makes a number of commercially successful films, now as ‘John Ford’. In 1926 he directs The Shamrock Handicap, a horse-racing yarn partly set in Ireland. In 1928 he shoots Mother Machree, a movie about Irish emigration, starring Victor McLaglen, a regular collaborator. McLaglen also stars in Hangman’s House, made the same year, Ford’s first major movie about Ireland.
In 1934 Ford purchases a luxury yacht which he names the Araner after the Aran Islands. He also begins shooting The Informer, a film set in Ireland during the Irish War of Independence, and based on a short novel by Liam O’Flaherty. The picture is a major box office success and wins four Academy Awards, including Best Director. O’Flaherty is so impressed with the film that he dedicates his next book, Famine, to Ford.
In 1934 Ford visits Ireland for the second time, and approaches Seán O’Casey about directing a version of The Plough and the Stars. Released in 1936, the film stars Barry Fitzgerald as Fluther, but it is reedited by the studio, much to Ford’s fury, and is a commercial and critical flop.
In 1952 Ford returns to Ireland to film The Quiet Man, starring Wayne, McLaglen, and Maureen O’Hara. Shot at Ashford Castle, County Mayo, the picture becomes one of the most popular Irish films of all time. He is immensely proud of the work and is in tears leaving Ireland. The following year he makes Mogambo, with Clark Gable, Grace Kelly and a young English actor, Donald Sinden, who later recalls that Ford berated him personally for all the problems of Ireland from the time of William of Orange. Ford’s strong sense of Irishness is central to his character and is crucial for any understanding of his work. Back in Ireland in 1956, he shoots The Rising of the Moon, a portmanteau film for which he takes no salary, starring Tyrone Power, Cyril Cusack, and Noel Purcell. A minor film, it makes no impact at the box office.
Two of Ford’s finest movies are made in his later years. The Searchers (1956) is a powerful study of vengeance, while The Man Who Shot Liberty Valance (1962) is an elegiac revisionist western which concludes with the famous line, “When the legend becomes fact, print the legend.”
Struck with cancer in his final years, Ford dies on August 31, 1973 at his home in Palm Desert, California, and is buried at Holy Cross Cemetery, Culver City. His will disinherits his son, Michael Patrick Roper, and leaves everything to his wife, daughter, and grandchildren.
When asked to name the finest American directors, Orson Welles replies simply, “John Ford, John Ford, and John Ford.” An alcoholic, Ford is a difficult and often tyrannical director, but he makes films of extraordinary power and vision. He ranks as one of the greatest film-makers of the twentieth century. As Frank Capra concludes, “John is half-tyrant, half-revolutionary; half-saint, half-Satan; half-possible, half-impossible; half-genius, half-Irish.”
(From: “Ford, John,” contributed by Patrick M. Geoghegan, Dictionary of Irish Biography, http://www.dib.ie)
Ganly also studies painting in the Royal Hibernian Academy School where she has Margaret Clarke and Seán O’Sullivan as teachers. She is made an associate of the Royal Hibernian Academy (RHA) in 1928 and becomes a member in 1935 though, in 1969, resigns her membership in protest of the lack of young artists being given the opportunity to exhibit. In 1972 she is made an honorary member and returns.
Ganly is a representational artist and while known as a portrait artist, she also paints landscapes, interiors and may be best known for her still lifes. Some of her best works are portraits of her husband, her sister Ethel, her father, and her friend Sheila Pim. She illustrates the book-jackets of Sheila Pim’s works. She has many exhibitions, with the RHA and the Water Colour Society of Ireland. There is a retrospective of her life in 1998 at the Hugh Lane Gallery and her works are in the collections there. She is also in the collections of the Waterford Municipal Gallery, Crawford Art Gallery, Cork and in The National Self-Portrait Collection of Ireland. She is part of the 2014 exhibition ‘Irish Women Artists: 1870-1970.’
Ganly’s sister-in-law is Kitty Wilmer O’Brien with whom she often exhibits. She marries Andrew Ganly, a dental surgeon and writer with a strong involvement in theatre, in 1936. He dies in 1982. They have two children, Eoghan and Phillida.
Brigid Ganly dies on March 25,2002.
(Pictured: “Storm Over Poros” (1964) by Rosaleen Brigid Ganly, HRHA)
Gearóid O’Sullivan, soldier and politician, is born on January 28, 1891, at Coolnagrane, near Skibbereen, County Cork, fourth son among six sons and three daughters of Michael O’Sullivan, farmer, of Loughine, and Margaret Sullivan (née McCarthy) of Coolnagrane.
Christened Jeremiah but known in later life as Gearóid, O’Sullivan is an outstanding pupil at national school and secondary school in Skibbereen. Encouraged by his teachers, he acquires a love of the Irish language. Not yet ten, he joins the Gaelic League in Skibbereen in October 1900. He takes part in the Oireachtas debates of 1909. In 1911 he qualifies at St. Patrick’s College, Dublin, as a national schoolteacher and teaches at Kildorrery, County Cork, but returns to Dublin in 1912 to take up a post at St. Peter’s National School, Phibsborough. He takes an honours degree in Celtic studies at University College Dublin (UCD) (1913), an H.Dip.Ed. (1914), and an M.Ed. (1915). At the same time, he is an organiser and teacher with the Gaelic League, a member of its Keating branch at Parnell Square, Dublin, and a founder of the League’s “fáinne” proficiency badge.
O’Sullivan joins the F Company, 1st Battalion, Dublin Brigade of the Irish Volunteers at their foundation in November 1913, is aide-de-camp to Seán Mac Diarmada during the 1916 Easter Rising and is ordered by Patrick Pearse to raise the flag of rebellion over the General Post Office (GPO) stronghold in Dublin. Interned at Frongoch internment camp in Wales after the rising, he belongs to the Irish Republican Brotherhood (IRB) group of prisoners closely linked with Michael Collins, a proximity that continues throughout the crisis years to follow. Released in the amnesty of December 1916, he intensifies his Volunteer activity, playing a prominent role in Carlow Brigade, for which he is briefly detained while working as a teacher at St. Mary’s Knockbeg College, County Carlow. When the Irish Volunteers become the Irish Republican Army (IRA) in 1919, he is arrested again and goes on hunger strike at Mountjoy Prison, which leads to his release. Active throughout the Irish War of Independence (1919–21) and narrowly avoiding recapture during meetings with Collins, he joins the supreme council of the IRB in November 1921, remaining there for the remainder of his military career.
From February 1920, O’Sullivan replaces Collins as adjutant general of the IRA, a position he retains until the Anglo–Irish Treaty of December 1921 (which he supports), resuming it a month later as a lieutenant general of the new National Army, responsible for personnel and promotions. He is also elected to Dáil Éireann for Carlow–Kilkenny in 1921 and again in 1922, retiring in 1923. His intellectual and organisational abilities guarantee that his position within the army is safe after the death in August 1922 of Collins, to whom he owes much for his initial rise to prominence. On August 28 he is appointed to the newly created army council, whose most draconian prerogative becomes the military execution of republican prisoners.
After the Irish Civil War (1922–23), wholesale demobilisation of officers and other ranks takes place, but O’Sullivan and his council colleagues Richard Mulcahy, Seán Mac Mahon, and Seán Ó Murthuile survive the fiscal axe. Their privileged position angers some officers, led by Major GeneralLiam Tobin, alarmed at the rate of demobilisation and the state’s apparent abandonment of Collins’s republican ideals. Through the Irish Republican Army Organisation, they deplore the devaluation of their pre-treaty IRA service and the retention of certain former British Army officers and instructors. O’Sullivan’s brief time as adjutant general places him in the role of personnel manager. As the Defence Forces (Temporary Provisions) Act, 1923, transforms the National Army into the defence forces of an Irish dominion, he is clearly in the sights of those who disagree with how these forces took shape.
As demobilisation continues and former British personnel become more evident, O’Sullivan and his colleagues become targets of suspicion that a hostile IRB clique had controlled the army council since its formation after the death of Collins. Exaggerated or not, such claims precipitate the army crisis of March 1924, in which O’Sullivan personally orders a raiding party under Colonel Hugo MacNeill to arrest its leaders. To defuse the crisis, he and his army council colleagues are forced to stand down, while the arrested dissidents are summarily retired. The subsequent army inquiry (April–June 1924) absolves him and his colleagues of any wrongdoing, but their active military careers are over. O’Sullivan, however, is for some time secretary of the military service pensions board.
Civilian life treats O’Sullivan well, as he enters a legal career and in 1926 is called to the bar. In 1927 he is appointed Judge Advocate General and remains so until 1932. After the assassination of Minister for JusticeKevin O’Higgins in July 1927, he fills the vacated Dublin County seat in a by-election in August, retaining it at subsequent elections until 1937. In August 1928 he is a Free State delegate to the Empire Parliamentary Association conference in Canada. Openly supporting Gen. Eoin O’Duffy and the short-lived ‘Blueshirts’ vanguard of the fledgling Fine Gael party during 1933–34, he pointedly refuses to surrender his legally held revolver when gardaí demand it as a precaution against a feared Blueshirt coup d’étât. In 1937 he becomes a barrister on the western circuit, and in 1940 commissioner for special purposes of the income tax acts, a post he holds for life.
O’Sullivan lives at St. Kevin’s Park, Dartry, Dublin, where he dies at the age of 57 on March 26, 1948. His military funeral to Glasnevin Cemetery, with his coffin draped in the same flag that had covered the coffin of Michael Collins, reflects his high national profile.
In 1922, O’Sullivan marries Maude Kiernan, sister of Kitty Kiernan and daughter of Peter and Bridget Kiernan, whose family is closely involved with the Irish political leadership, notably Michael Collins and Harry Boland. After Maude’s death he marries Mary Brennan of Belfast. They have three daughters and a son, all of whom survive him. O’Sullivan is commemorated in County Cork by a plaque at Skibbereen town hall.
Brady leaves little record of his life before photography. Speaking to the press in the last years of his life, he states that he was born between 1822 and 1824 in Warren County, New York, near Lake George. He is the youngest of three children to Irish immigrant parents, Andrew and Samantha Julia Brady. In official documents before and during the war, however, he claims to have been born in Ireland.
At age 16, Brady moves to Saratoga, New York, where he meets portrait painter William Page and becomes Page’s student. In 1839, the two travel to Albany, New York, and then to New York City, where he continues to study painting with Page, and also with Page’s former teacher, Samuel F. B. Morse. Morse had met Louis-Jacques-Mandé Daguerre in France in 1839 and returned to the United States to enthusiastically push the new daguerreotype invention of capturing images. At first, Brady’s involvement was limited to manufacturing leather cases that hold daguerreotypes. But soon he becomes the center of the New York artistic colony that wishes to study photography. Morse opens a studio and offers classes. Brady is one of the first students.
In 1844, Brady opens his own photography studio at the corner of Broadway and Fulton Street in New York, and by 1845, he begins to exhibit his portraits of famous Americans, including the likes of Senator Daniel Webster and poet Edgar Allan Poe. In 1849, he opens a studio at 625 Pennsylvania Avenue in Washington, D.C., where he meets Juliet Handy, whom he marries in 1850 and lives with on Staten Island. His early images are daguerreotypes, and he wins many awards for his work. In the 1850s ambrotype photography becomes popular, which gives way to the albumen print, a paper photograph produced from large glass negatives most commonly used in American Civil War photography.
In 1850, Brady produces The Gallery of Illustrious Americans, a portrait collection of prominent contemporary figures. The album, which features noteworthy images including the elderly Andrew Jackson at the Hermitage, is not financially rewarding but invites increased attention to his work and artistry. In 1854, Parisian photographer André-Adolphe-Eugène Disdéri popularizes the carte de visite and these small pictures rapidly become a popular novelty, with thousands being created and sold in the United States and Europe.
At first, the effect of the American Civil War on Brady’s business is a brisk increase in sales of cartes de visite to departing soldiers. He readily markets to parents the idea of capturing their young soldiers’ images before they might be lost to war by running an ad in The New York Daily Tribune. However, he is soon taken with the idea of documenting the war itself. He first applies to an old friend, General Winfield Scott, for permission to have his photographers travel to the battle sites, and eventually, he makes his application to President Abraham Lincoln himself. Lincoln grants permission in 1861, with the proviso that Brady finances the project himself.
His efforts to document the American Civil War on a grand scale by bringing his photographic studio onto the battlefields earns Brady his place in history. His first popular photographs of the conflict are at the First Battle of Bull Run, in which he gets so close to the action that he barely avoids capture. While most of the time the battle has ceased before pictures are taken, he comes under direct fire at the First Battle of Bull Run, Petersburg, and Fredericksburg.
Brady also employs Alexander Gardner, James Gardner, Timothy H. O’Sullivan, William Pywell, George N. Barnard, Thomas C. Roche, and seventeen other men, each of whom is given a traveling darkroom, to go out and photograph scenes from the American Civil War. He generally stays in Washington, D.C., organizing his assistants and rarely visiting battlefields personally.
This may be due, at least in part, to the fact that Brady’s eyesight has begun to deteriorate in the 1850s. Many of the images in Brady’s collection are, in reality, thought to be the work of his assistants. He is criticized for failing to document the work, though it is unclear whether it is intentional or due simply to a lack of inclination to document the photographer of a specific image. Because so much of his photography is missing information, it is difficult to know not only who took the picture, but also exactly when or where it was taken.
In October 1862 Brady opens an exhibition of photographs from the Battle of Antietam in his New York gallery, titled The Dead of Antietam. Many images in this presentation are graphic photographs of corpses, a presentation new to America. This is the first time that many Americans see the realities of war in photographs, as distinct from previous “artists’ impressions.”
Brady, through his many paid assistants, takes thousands of photos of American Civil War scenes. Much of the popular understanding of the Civil War comes from these photos. There are thousands of photos in the U.S. National Archives and Records Administration and the Library of Congress taken by him and his associates. The photographs include Lincoln, Ulysses S. Grant, and soldiers in camps and battlefields. The images provide a pictorial cross reference of American Civil War history. He is not able to photograph actual battle scenes, as the photographic equipment in the day is still in the infancy of its technical development and requires that a subject be still for a clear photo to be produced.
Following the conflict, a war-weary public loses interest in seeing photos of the war, and Brady’s popularity and practice decline drastically.
During the war, Brady spends over $100,000 (equivalent to $1,691,000 in 2020) to create over 10,000 plates. He expects the U.S. government to buy the photographs when the war ends. When the government refuses to do so he is forced to sell his New York City studio and go into bankruptcy. The United States Congress grants Brady $25,000 in 1875, but he remains deeply in debt. The public was unwilling to dwell on the gruesomeness of the war after it has ended, and so private collectors are scarce.
Depressed by his financial situation and loss of eyesight and devastated by the death of his wife in 1887, Brady dies penniless in the charity ward of Presbyterian Hospital in New York City on January 15, 1896, from complications following a streetcar accident. His funeral is financed by veterans of the 7th New York Infantry Regiment. He is buried in the Congressional Cemetery, which is located in Barney Circle, a neighborhood in the Southeast quadrant of Washington, D.C.
Brady photographs 18 of the 19 American presidents from John Quincy Adams to William McKinley. The exception is the 9th President, William Henry Harrison, who dies in office three years before Brady starts his photographic collection. He photographs Abraham Lincoln on many occasions. His Lincoln photographs have been used for the $5 bill and the Lincoln penny. One of his Lincoln photos is used by the National Bank Note Company as a model for the engraving on the 90c Lincoln Postage issue of 1869.
(Pictured: “Mathew B. Brady,” oil on canvas by Charles Loring Elliott, 1857, Metropolitan Museum of Art, New York)
Lynch is born in Dublin on March 25, 1859. Her father, who is a committed, non-violent Fenian, dies when she is young. Her mother, Anna Theresa Calderwood, is married twice. She grows up in a very female house with her mother and ten sisters and half-sisters. Her stepfather is James Cantwell, also a Fenian, who runs the Star and Garter Hotel. After finishing school, she works as a sub-editor for a provincial paper and as a governess in Europe.
A nationalist like her father and stepfather, Lynch is an executive member of the Ladies’ Land League and as a result closely associates with Fanny Parnell. She writes extensively, producing short stories and satirical sketches, as well as Land War fiction, travel writing, translations and literary criticism. Her satirical pieces include “A Dublin Literary Coterie Sketched by a Non-Pretentious Observer” (1888) and “My Friend Arcanieva” (1895). She publishes William O’Brien‘s paper United Ireland from France, after it is suppressed in Ireland. She disagrees with William Butler Yeats on the literary merit of Emily Lawless, calling her work “highly polished literary stories.”
Lynch also writes fiction on the subject of political and cultural affairs in Ireland, sometimes meeting controversy. Her first novel, Through Troubled Waters (1885), is a fictionalised version of a real-life incident in Galway in which the daughters of a prosperous landowning family are murdered to make way for the sons to inherit the land. The novel also depicts the rural clergy as complicit, by denouncing the victims from the pulpit. The newspaper United Ireland strongly criticises the novel, claiming it peddles in anti-Irish stereotypes for a British audience. She responds by stating that she had intended the book for an Irish publisher and audience, and that she should not be asked “to prove my patriotism at the expense of truth.”
Lynch publishes across Ireland, the United Kingdom and from Paris. By 1896, she has settled in Paris, having also lived in both Spain and Greece. She speaks Greek and French. She then returns to lecture in Ireland and is a part of the salons of Paris in the Belle Époque as well as the Irish Literary Revival in Dublin. She is friends with the historian, biographer and literary critic Arvède Barine (pseudonym of Louise-Cécile Vincens), the writers Mabel and Mary Robinson, and the medievalist Gaston Paris. Her work however does not bring significant income, and she is forced to apply to the Royal Literary Fund for help on multiple occasions. Eventually it takes a toll on her health. She spends time in hospital in Margate, England in 1903.
Craig is the seventh of nine children of James Craig (1828–1900), a wealthy whiskey distiller who had entered the firm of Dunville & Co. as a clerk and by age 40 is a millionaire and a partner in the firm. Craig Snr. owns a large house called Craigavon, overlooking Belfast Lough. His mother, Eleanor Gilmore Browne, is the daughter of Robert Browne, a prosperous man who owned property in Belfast and a farm outside Lisburn. Craig is educated at Merchiston Castle School in Edinburgh, Scotland. After school he begins work as a stockbroker, eventually opening his own firm in Belfast.
Craig enlists in the 3rd (Militia) battalion of the Royal Irish Rifles on January 17, 1900, to serve in the Second Boer War. He is seconded to the Imperial Yeomanry, a cavalry force created for service during the war, as a lieutenant in the 13th battalion on February 24, 1900, and leaves Liverpool for South Africa on the SS Cymric in March 1900. After arrival he is soon sent to the front and is taken prisoner in May 1900, but released by the Boers because of a perforated colon. On his recovery he becomes deputy assistant director of the Imperial Military Railways, showing the qualities of organisation that are to mark his involvement in both British and Ulster politics. In June 1901 he is sent home suffering from dysentery, and by the time he is fit for service again the war is over. He is promoted to captain in the 3rd Royal Irish Rifles on September 20, 1902, while still seconded to South Africa.
On June 7, 1921, Craig is appointed the first Prime Minister of Northern Ireland by the Lord Lieutenant of Ireland. The House of Commons of Northern Ireland assembles for the first time later that day.
Craig had made his career in British as well as Northern Irish politics, but his premiership shows little sign of his earlier close acquaintance with the British political world. He becomes intensely parochial and suffers from his loss of intimacy with British politicians in 1938, when the British government concludes agreements with Dublin to end the Anglo-Irish trade war between the two countries. He never tries to persuade Westminster to protect Northern Ireland‘s industries, especially the linen industry, which is central to its economy. He is anxious not to provoke Westminster, given the precarious state of Northern Ireland’s position. In April 1939, and again in May 1940 during World War II, he calls for conscription to be introduced in Northern Ireland (which the British government, fearing a backlash from nationalists, refuses). He also calls for Winston Churchill to invade Ireland using Scottish and Welsh troops in order to seize the valuable ports and install a Governor-General at Dublin.
While still prime minister, Craig dies peacefully at his home at Glencraig, County Down at the age of 69 on November 24, 1940. He is buried on the Stormont Estate on December 5, 1940, and is succeeded as the Prime Minister of Northern Ireland by the Minister of Finance, J. M. Andrews.
(Pictured: James Craig, 1st Viscount Craigavon, bromide print by Olive Edis, National Portrait Gallery, London)
Plant is the second eldest child and son in a family of six children. His parents are John William Albert Plant, a farmer, and Catherine Hayden.
One Sunday in 1916 George and his older brother Jimmy are arrested by the Royal Irish Constabulary (RIC) after being seen speaking to two well-known republicans, Seán Hayes and Dan Breen. In custody the two brothers are beaten and mistreated resulting in a hatred of the RIC. He serves with the Irish Republican Army during the Irish War of Independence and with the Anti-Treaty IRA in the Irish Civil War.
In 1923 George and Jimmy leave Ireland for Canada and the United States but continue as active IRA members. In 1929 they return to Ireland and carry out a bank raid in Tipperary on behalf of the IRA. They are arrested two days later at the family farm and subsequently sentenced to 7 years in prison. They are released in a general amnesty after the Fianna Fáil and Éamon de Valera election victory in 1932. He is a strong supporter of Seán Russell. In 1939 following the outbreak of World War II, known in Ireland as The Emergency, de Valera is determined to maintain Irish neutrality and is not going to allow the IRA to jeopardize this. The IRA links with Germany and campaign in Britain are severely straining Anglo-Irish relations so emergency legislation is introduced.
Russell, the IRA Chief of Staff, dies in August 1940 after taking ill on board a U-boat and Stephen Hayes from County Wexford becomes IRA Chief of Staff. In late August 1940 an address on Lansdowne Road Dublin is raided by the Garda Síochána. Among the men arrested is Michael Devereux, a 24-year-old married truck driver from County Wexford who is also Quartermaster of the IRAs Wexford Brigade. He is released after three days without charge. Shortly afterwards Gardaí in County Wexford find an IRA arms dump. Many in the IRA suspect that Devereux had turned informer, so Stephen Hayes orders Devereux’s execution. George Plant and another man, Michael Walsh from County Kilkenny, are ordered to carry out the order. Devereux meets Plant and Walsh who tell Devereux that Tom Cullimore, the Wexford Brigade’s OC is blamed for the arms dump and that they have shot him. They order Devereux to drive them to an IRA safe house at Grangemockler in south County Tipperary. Devereux, believing he is the prime suspect in a murder, stays willingly at the safe house. A week later, on September 27, 1940, Devereux is invited to go for a walk with Plant and Paddy Davern, the owner of the safe house. Somewhere along the walk Plant accuses Devereux of being an informer and shoots him dead. Plant is arrested nine weeks later on suspicion of IRA membership and brought before the Special Criminal Court in Dublin. On February 10, 1941, Radio Éireann broadcasts a radio appeal for Michael Devereux on behalf of his wife.
In September 1941 Stephen Hayes is accused of being an informer by a group of Northern IRA members led by Seán McCaughey. He manages to escape to a garda station. Shortly afterwards a large force of Garda Síochána and Irish Army descend on the area around the Davern farmhouse where they find Devereux’s car buried under an onion bed and eventually discover Devereux’s body, a year to the day after his death. Two weeks later, Plant, already in prison on IRA membership charges, is charged with Devereux’s murder. A trial is held with a senior IRA officer, Joseph o’Connor, also charged with Devereux’s murder. The first trial collapses after two days when Paddy Davern and Micheal Walsh, two of the prosecution witnesses, refuse to give evidence. This result leads to the court issuing a nolle prosequi order which should have meant the end of the affair, however both men are rearrested and recharged with the same offence, under Emergency Order 41f. Minister for JusticeGerald Boland transfers the case to a Special Military Court with army officers acting as judges. In addition to Plant, Paddy Davern and Michael Walsh are also now charged with Devereux’s murder. The second trial begins at Collins Barracks, Dublin in February 1942 with Seán MacBride, a former IRA Chief of Staff and future government minister as the defendant’s barrister. Davern states his original statement was given at gunpoint but under the new order even statements given under duress are admissible. The court only has two sentencing options – death or acquittal. Joseph O’Connor is acquitted and despite MacBride’s best efforts the other three are sentenced to death. Davern and Walsh have their sentences commuted to life imprisonment and are both released in 1946.
Just one week after sentence is passed, Plant is executed in Portlaoise Prison by a six-man firing squad drawn from the Irish Army. Much bitterness is caused by the treatment of Plant’s relatives. Neither his wife or mother or infant son are allowed to visit him in the week before his execution. Censorship ensures there is little mention in the newspapers, so his family only learns of his execution from a brief radio broadcast shortly before they receive a telegram. He is buried in the grounds of Portlaoise Prison, but is reinterred in 1948, when he is buried with full IRA military honours in his local church St. Johnstown in County Tipperary, and a Celtic cross is erected over his grave.
Plant’s wife moves to the United States where she remarries. His brother Jimmy dies in London in 1978. The Plant’s family farm is now part of the Coolmore Estate.
seamus dubhghaill 