In 1962 Jordan re-founds and edits the literary magazine Poetry Ireland in hopes of contributing towards the recreation of Dublin as a literary centre. In this journal, he introduces a number of poets who are to become quite famous later, including Paul Durcan, Michael Hartnett and Seamus Heaney. This series of Poetry Ireland lasts until 1968–69.
In 1981 Jordan becomes the first editor of the new magazine published by the Poetry Ireland Society, called Poetry Ireland Review. He serves as a reviewer of novels for The Irish Times, writes a column for Hibernia, contributes to Envoy, A Review of Literature and Art and The Irish Press among others, and serves as a TV presenter and arts interviewer. He is a defender of Gaelic literature, translates Pádraic Ó Conaire, edits The Pleasures of Gaelic Literature (Mercier Press, 1977), and champions the later plays of Seán O’Casey. His translation of one of Aogán Ó Rathaille‘s essays is published in The Pleasures of Gaelic Poetry (London: Allen Lane, 1982).
Jordan’s Collected Poems (Dedalus Press) and Collected Stories (Poolbeg Press) are edited by his literary executor, Hugh McFadden, and published in Dublin in 1991. His Selected Prose, Crystal Clear, also edited by McFadden, is published by The Lilliput Press in Dublin in 2006. His Selected Poems, edited with an introduction by McFadden, is published in February 2008 by Dedalus Press. Uncollected stories appear in Penguin Book of Irish Short Stories, Cyphers, and The Irish Press, among other places.
Jordan’s literary papers and letters are held in the National Library of Ireland. In 1953 the young Irish artist Reginald Gray is commissioned by University College Dublin to design the decor and costumes for their production of “The Kings Threshold” by William Butler Yeats. The leading role is given to Jordan. During the preparations for the production, Gray starts a portrait of Jordan, which he never finishes. This work now hangs in the Dublin Writers Museum.
(Pictured: John Jordan, by Patrick Swift, c. 1950)
At the start of the twentieth century, the people of Ireland are divided into two mutually hostile factions. Nationalists, the much larger group, are mostly Roman Catholic, identify primarily as Irish, and want some form of Irish home rule or independence from Britain. Unionists, the smaller group, concentrates primarily in the province of Ulster, are mostly Protestant, identify primarily as British (although many see themselves as Irish and British), and are committed to remaining within the United Kingdom.
Partition is formally established with the Government of Ireland Act 1920. This also establishes the Parliament of Northern Ireland, which comes into being the following year. Partition is followed by high levels of inter-communal violence, especially in Belfast. The Irish Republican Army (IRA), although it spends most of these years fighting in the Irish Civil War, aims to use armed force to end partition and compel the United Kingdom to withdraw sovereignty from Northern Ireland.
The Act is presented as being necessary to re-establish peace and law and order in Northern Ireland and enables the government to “take all such steps and issue all such orders as may be necessary for preserving the peace and maintaining order,” although it is specified that the ordinary course of law should be interfered with as little as possible. Because it is presented as emergency legislation, the Act is initially current only for one year and has to be renewed annually. In 1928, however, it is renewed for five years and when this period expires in 1933 the Act is made permanent.
Despite rhetoric accompanying the Act which asserts that it is for the purpose of restoring public order, its provisions continue to be used for the entire period of the Northern Irish parliament’s existence. Because the Ulster Unionist Party is the only party ever to form a government in this parliament, the Act is used “almost exclusively on the minority population.” Initially, regulations under the Act are used mostly to curb immediate violence and disorder. One of the most controversial of these is internment without trial.
After the troubles of the early 1920s dies down, the provision for internment is not used until the IRA’s Border Campaign of the 1950s, in which several hundred republicans are interned. Following the outbreak of The Troubles in 1968, many within the Protestant community call for the reintroduction of internment. This occurs in 1971 and authorises internment of those suspected to be involved in terrorism. Although there are loyalist as well as republican terrorists at this time, of the 1,981 men interned, only 107 are loyalists. Due to inadequate intelligence-gathering, many of the interned republicans are members of the Official Irish Republican Army rather than the recently formed Provisional Irish Republican Army (PIRA), which is much more heavily involved in terrorist activity at the time.
Internment ends in 1975 but is credited with increasing support and sympathy for the PIRA amongst the Catholic community and outside of Northern Ireland. It helps to create political tensions which culminate in the 1981 Irish Hunger Strike and the death of MPBobby Sands. Imprisonment under anti-terrorism laws specific to Northern Ireland continue until the 1998 Good Friday Agreement, but these laws require the right to a fair trial be respected.
Born in Magherafelt, County Londonderry on June 5, 1913, Doherty begins his career with Glentoran F.C. in the Irish League. After helping Glentoran to the 1933 Irish Cup, early in the 1933–1934 season he joins English club Blackpool F.C., at the age of 19. He then joins Manchester City on February 19, 1936 for a then-club record of £10,000. Blackpool needs the money urgently, and Doherty is summoned from his lunch to report to Bloomfield Road. He tries hard to persuade Blackpool directors that he does not wish to leave the club, for he is due to marry a local girl and has just bought a new house in the town. The fee is an exceptionally high transfer fee for the period, coming within £1,000 of the British record. Doherty’s Manchester City debut, against Preston North End F.C., is not a successful one. Tightly man-marked by Bill Shankly throughout, he fails to make an impact. He later describes the remainder of his first Manchester City season as “uneventful,” however his second is anything but.
Manchester City starts the 1936–1937 season poorly and are in the bottom half of the table until December. Occasional big wins, including a 6–2 defeat of West Bromwich Albion F.C. and a 4–1 defeat of Everton F.C., are mixed with extended barren runs. At one point the club gains just one win in twelve matches. However, Doherty scores goals regularly. A goal in a 5–3 Christmas day loss to Grimsby Town F.C. is his twelfth of the season. Christmas proves to be a turning point for the club, as a win against Middlesbrough F.C. the following day is the start of a long unbeaten run. By April, Manchester City is second in the table and faces a fixture against Arsenal F.C., league leaders and the dominant club of the period. Doherty scores the first goal in a 2–0 win, and City reaches the top of the table. The unbeaten run continues until the end of the season, and City secures their first league championship with a 4–1 win over Sheffield Wednesday F.C.. Doherty, with 30 league goals, is the club’s leading scorer, helped by a run of eleven goals in seven games as the season draws to a close.
Doherty scores 79 goals in 130 appearances during his time at Maine Road. During the World War II years of 1939–1945, Doherty serves in the Royal Air Force. He remains registered as a Manchester City player, scoring 60 goals in 89 wartime matches, though wartime games are not generally included in official records. He also guests for numerous clubs across the country. During a guest appearance for Port Vale F.C. in 1945, he famously goes to take a penalty but instead of shooting he lays it off to a teammate who scores.
After the conclusion of the war, Doherty transfers to Derby County F.C., with whom he wins the FA Cup, scoring a goal in the final itself. He also goes on to play for Huddersfield Town A.F.C., scoring 33 goals in 83 league appearances.
Doherty’s coaching techniques are revolutionary at the time. He emphasises ball practice and instead of endless laps of the pitch, suggests volleyball “to promote jumping, timing and judgement,” basketball “to encourage split-second decision-making and finding space,” and walking football “to build up calf muscles.”
Peck’s parents divorce when he is five years old. An only child, he is sent to live with his grandmother. He never feels as though he has a stable childhood. His fondest memories are of his grandmother taking him to the movies every week and of his dog, which follows him everywhere.
At the age of ten Peck is sent to a Catholic military school, St. John’s Military Academy in Los Angeles. While he is a student there, his grandmother dies. At 14, he moves back to San Diego to live with his father and attends San Diego High School. After graduating he enrolls for one year at San Diego State Teacher’s College (now known as San Diego State University).
With a string of hits to his credit, Peck makes the decision to only work in films that interest him. He continues to appear as the heroic, larger-than-life figures in such films as Captain Horatio Hornblower R.N. (1951) and Moby Dick (1956). He works with Audrey Hepburn in her debut film, Roman Holiday (1953).
Peck finally wins the Oscar, after four nominations, for his performance as lawyer Atticus Finch in To Kill a Mockingbird (1962). In the early 1960s, he appears in two darker films than he usually makes, Cape Fear (1962) and Captain Newman, M.D. (1963), which deal with the way people live. He also gives a powerful performance as Captain Keith Mallory in The Guns of Navarone (1961), one of the biggest box-office hits of that year.
In the early 1970s, Peck produces two films, The Trial of the Catonsville Nine (1972) and The Dove (1974), when his film career stalled. He makes a comeback playing, somewhat woodenly, Robert Thorn in the horror film The Omen (1976). After that, he returns to the bigger-than-life roles he is best known for, such as MacArthur (1977) and the monstrous Nazi Dr. Josef Mengele in the huge hit The Boys from Brazil (1978). In the 1980s, he moves into television with the miniseriesThe Blue and the Gray (1982) and The Scarlet and the Black (1983). In 1991, he appears in the remake of his 1962 film, playing a different role, in Martin Scorsese‘s Cape Fear (1991). He is also cast as the progressive-thinking owner of a wire and cable business in Other People’s Money (1991).
In 1967, Peck receives the Academy’s Jean Hersholt Humanitarian Award. He has also been awarded the Presidential Medal of Freedom. Always politically progressive, he is active in such causes as anti-war protests, workers’ rights and civil rights. In 2003, Peck’s portrayal of Atticus Finch is named the greatest film hero of the past 100 years by the American Film Institute.
Gregory Peck dies in his sleep at his home in Los Angeles, California from bronchopneumonia at the age of 87 on June 12, 2003. He is entombed in the Cathedral of Our Lady of the Angels mausoleum in Los Angeles. His eulogy is read by Brock Peters, whose character, Tom Robinson, was defended by Peck’s Atticus Finch in To Kill a Mockingbird.
On April 4, 2001, former employees and staff join three generations of the Barry family in a celebration of 100 years in business for Barry’s Tea which has become an Irish institution.
Barry’s Tea is an Irish tea company founded in 1901 by James J. Barry in Cork, County Cork. In 1934, Anthony Barry, son of the founder, is awarded the Empire Cup for Tea Blending, confirming his expertise in the tea trade. Until the 1960s, the tea is only sold from a shop in Prince’s Street, but thereafter the company expands its wholesaling and distribution operations.
In 1960, Peter Barry, Anthony’s son, pioneers the concept of wholesaling tea and begins sourcing tea from East Africa. There is an incredible reaction to these new blends, and they become something of a Barry’s Tea signature.
By the mid-1980s Barry’s Tea has become a national brand. According to their website, www.barrystea.ie, they are currently responsible for 38% of all tea sales in the Irish market, which is worth an estimated €85 million annually. Today, Barry’s Tea is also available in the United Kingdom, Spain, and in some areas of Canada, Australia, France, Luxembourg and the United States where there are significant Irish immigrant communities.
Members of the Barry family have been elected representatives for Fine Gael: the founder’s son Anthony Barry (TD 1954–1957 and 1961–1965), Anthony’s son Peter Barry (TD 1969–1997) and Peter’s daughter Deirdre Clune (TD 1997–2001 and 2007–2011, and MEP since 2014).
In May 2018, it was revealed that many of Barry’s Tea teabags are made with polypropylene and are not compostable.
The Bloody Sunday Inquiry, also known as the Saville Inquiry or the Saville Report after its chairman, Mark Saville, Baron Saville of Newdigate, is launched on April 3, 1998, by British Prime MinisterTony Blair. The inquiry follows campaigns for a second inquiry by families of those killed and injured in Derry on Bloody Sunday during the peak of ethno-political violence known as The Troubles. The inquiry is set up to establish a definitive version of the events of Sunday, January 30, 1972, superseding the tribunal set up under John Widgery, Baron Widgery that had reported on April 19, 1972, eleven weeks after the events, and to resolve the accusations of a whitewash that had surrounded it.
The judges finish hearing evidence on November 23, 2004, and reconvene once again on December 16 to listen to testimony from another witness, known as Witness X, who had been unavailable earlier.
The report is published on June 15, 2010. That morning thousands of people walk the path that the civil rights marchers had taken on Bloody Sunday before fourteen were killed, holding photos of those who had been shot. The families of the victims receive advance copies of the report inside the Guildhall.
Then British prime minister David Cameron addresses the House of Commons that afternoon where he describes what British soldiers had done as “both unjustified and unjustifiable, it was wrong.” He acknowledges, among other things, that the paratroopers had fired the first shot, had fired on fleeing unarmed civilians, and shot and killed one man who was already wounded. He then apologises on behalf of the British Government by saying he is “deeply sorry.”
(Pictured: Lord Saville and his colleagues visit the Bogside during their first day in the city on April 3, 1998. Credit: Derry Journal)
The play centers on the Irish Rebellion of 1798. The play is startlingly nationalistic, in its last pages encouraging young men to sacrifice their lives for the heroine Cathleen ni Houlihan, who represents an independent and separate Irish state. The title character first appears as an old woman at the door of a family celebrating their son’s wedding. She describes her four “beautiful green fields,” representing the four provinces of Ireland, that have been unjustly taken from her. With little subtlety, she requests a blood sacrifice, declaring that “many a child will be born and there will be no father at the christening” and that “they that have red cheeks will have pale cheeks for my sake, and for all that, they will think they are well paid.” She convinces the future groom, Michael, to give up the wedding and go fight.
After the youth leaves the safety of his home to fight for her, she appears as an image of youth with “the walk of a queen,” professing of those who fight for her: “They shall be remembered forever, They shall be alive forever, They shall be speaking forever, The people shall hear them forever.”
Death is common during the time around the rising, but becoming a martyr is somethings that is admirable, so oftentimes people welcome death so they can create themselves a heroic memory. The martyrs will be remembered forever, which is why this theme is so ingrained into this play.
Cathleen ni Houlihan is such a simple play that contains many symbols and has the goal of convincing men to fight for Ireland. While the play is written about the rising of 1798, it is meant to inspire people for the 1916 Easter Rising. Throughout the whole play, there is constant reference to memory and its influence on the public. The men that die while fighting for Ireland are considered heroes, which is why memory and martyrdom are such important themes that are incorporated into works about revolution.
Cathleen ni Houlihan is about Irish Independence, but there are themes of martyrdom in other works, like the musicals about American Independence, Hamilton and 1776.
(Pictured: Scene from a production of “Cathleen ni Houlihan,” circa 1912)
Although Mulholland later claims that at the Battle of Gettysburg on July 2, 1863, he personally took command of the 140th Pennsylvania Infantry and led it into action, this fact is mentioned in neither his own official report of the battle, nor that of the lieutenant colonel commanding the 140th. When the 116th is returned to full strength in early 1864, he is promoted to colonel. He is wounded a second time at the Battle of the Wilderness on May 5, 1864. At the Battle of Spotsylvania Court House, he is wounded a third time but remains in the hospital only ten days. Resuming his command, he is dangerously wounded again at the Battle of Totopotomoy Creek. He recovers rapidly and commands his brigade in all the actions around the Siege of Petersburg, particularly distinguishing himself by storming a fort on the Boydton Plank Road. He is mustered out of the volunteer service on June 3, 1865.
On May 4, 1866, PresidentAndrew Johnson nominates Mulholland for the brevet grade of brigadier general of volunteers to rank from March 13, 1865, for his conduct at the Battle of the Wilderness and the U.S. Senate confirms the appointment on May 18, 1866. On January 13, 1869, President Johnson nominates Mulholland for appointment to the brevet grade of major general of volunteers, to rank from March 13, 1865, for his actions on the Boydton Plank Road and the Senate confirms the appointment on February 16, 1869. The brevet is issued February 20, 1869. It is the last brevet of major general issued for service during the Civil War.
Returning to civilian life after the war, Mulholland is appointed Chief of Police in Philadelphia in 1868 and signalizes his administration by the good order in which he keeps both the force and the city. President Grover Cleveland appoints him United States Pension Agent, in which office he is continued by Presidents William McKinley and Theodore Roosevelt. He is considered an authority on the science of penology and also devotes much of his leisure time to art studies, and as a lecturer and writer on the Civil War and its records. He compiles a history of the 116th Regiment, and another of those to whom Congress voted the Medal of Honor. In the Catholic affairs of Philadelphia, he is always active and a leader among the best-known laymen.
St. Clair Augustin Mulholland dies on February 17, 1910, in Philadelphia, Pennsylvania. He is buried at Old Cathedral Cemetery, Philadelphia.
Arthur Joseph Griffith, writer, newspaper editor and politician who founded the political party Sinn Féin, is born in Dublin on March 31, 1871. He leads the Irish delegation at the negotiations that produce the 1921 Anglo-Irish Treaty and serves as President of Dáil Éireann from January 1922 until his death in August 1922.
After a short spell in South Africa, Griffith founds and edits the Irish nationalist newspaper The United Irishman in 1899. In 1904, he writes The Resurrection of Hungary: A Parallel for Ireland, which advocates the withdrawal of Irish members from the Parliament of the United Kingdom and the setting up of the institutions of government at home, a policy that becomes known as Sinn Féin (ourselves). On November 28, 1905, he presents “The Sinn Féin Policy” at the first annual Convention of the National Council. The occasion is marked as the founding date of the Sinn Féin party. Although the organization is still small at the time, Griffith takes over as president of Sinn Féin in 1911.
Griffith is arrested following the Easter Rising of 1916, despite not having taken any part in it. On his release, he works to build up Sinn Féin, which wins a string of by-election victories. At the party’s Ardfheis (annual convention) in October 1917, Sinn Féin becomes an unambiguously republican party, and Griffith resigns the presidency in favour of the 1916 leader Éamon de Valera, becoming vice-president instead. Griffith is elected as a member of parliament (MP) in June 1918, and is re-elected in the 1918 general election, when Sinn Féin wins a huge electoral victory over the Irish Parliamentary Party and refusing to take their seats at Westminster, set up their own constituent assembly, Dáil Éireann.
In the Dáil, Griffith serves as Minister for Home Affairs from 1919 to 1921, and Minister for Foreign Affairs from 1921 to 1922. In September 1921, he is appointed chairman of the Irish delegation to negotiate a treaty with the British government. After months of negotiations, he and the other four delegates sign the Anglo-Irish Treaty, which creates the Irish Free State, but not as a republic. This leads to a split in the Dáil. After the Treaty is narrowly approved by the Dáil, de Valera resigns as president and Griffith is elected in his place. The split leads to the Irish Civil War.
Griffith enters St. Vincent’s Nursing Home, Leeson Street, Dublin, during the first week of August 1922, following an acute attack of tonsillitis. He is confined to his room by his doctors, who had observed signs of what they thought might be a subarachnoid hemorrhage. It is difficult to keep him quiet and he resumes his daily work in the government building. When about to leave for his office shortly before 10:00 AM on August 12, 1922, he pauses to retie his shoelace and falls down unconscious. He regains consciousness but collapses again with blood coming from his mouth. Three doctors render assistance, but to no avail. Father John Lee of the Marist Fathers administers extreme unction, and Griffith expires as the priest recites the concluding prayer. The cause of death, cerebral hemorrhage, is also reported as being due to heart failure. He dies at the age of 51, ten days before Michael Collins‘ assassination in County Cork and two months after the outbreak of the Irish Civil War. He is buried in Glasnevin Cemetery four days later.
John McGahern, regarded as one of the most important Irish writers of the latter half of the twentieth century, dies in Dublin on March 30, 2006. Known for the detailed dissection of Irish life found in works such as The Barracks, The Dark and Amongst Women, The Observer hails him as “the greatest living Irish novelist” before his death and in its obituary The Guardian describes him as “arguably the most important Irish novelist since Samuel Beckett.”
Born in Knockanroe about half a mile from Ballinamore, County Leitrim, McGahern is the eldest child of seven. Raised alongside his six young siblings on a small farm in Knockanroe, his mother runs the farm (with some local help) while maintaining a job as a primary school teacher in the local school. His father, a Garda sergeant, lives in the Garda barracks at Cootehall in County Roscommon, a somewhat sizeable distant away from his family at the time. His mother subsequently dies of cancer in 1944, when the young McGahern is ten years old resulting in the unrooting of the McGahern children to their new home with their father in the aforementioned Garda barracks, Cootehall.
In the years following his mother’s death, McGahern completes his primary schooling in the local primary school, and ultimately wins a scholarship to the Presentation Brothers secondary school in Carrick-on-Shannon. Having traveled daily to complete his second level education, he continues to accumulate academic accolades by winning the county scholarship in his Leaving Certificate enabling him to continue his education to third level.
Following on from his second level success, McGahern is offered a place at St. Patrick’s College of Education in Drumcondra where he trains to be a teacher. Upon graduation from third level education, he begins his career as a primary schoolteacher at Scoil Eoin Báiste (Belgrove) primary school in Clontarf where, for a period, he teaches the eminent academic Declan Kiberd. He is dismissed from Scoil Eoin Báiste on the order of the Archbishop of Dublin, John Charles McQuaid. He is first published by the London literary and arts review, X magazine, which publishes in 1961 an extract from his abandoned first novel, The End or Beginning of Love.
McGahern marries his first wife, Finnish-born Annikki Laaksi, in 1965 and in the same year publishes his second novel, The Dark, which is banned by the Censorship of Publications Board for its alleged pornographic content along with its implied sexual abuse by the protagonist’s father. Due to the controversy which is stirred by the book’s publication McGahern is dismissed from his teaching post and forced to move to England where he works in a variety of jobs before returning to Ireland to live and work on a small farm near Fenagh in County Leitrim.
John McGahern dies from cancer in the Mater Misericordiae University Hospital in Dublin on March 30, 2006, at the age of 71. He is buried in St. Patrick’s Church, Aughawillan alongside his mother.
seamus dubhghaill 