Norman Derek Mahon, Irish poet, is born in Belfast, Northern Ireland, on November 23, 1941, but lives in a number of cities around the world. At his death it is noted that his “influence in the Irish poetry community, literary world and society at large, and his legacy, is immense.” President of IrelandMichael D. Higgins says of Mahon, “he shared with his northern peers the capacity to link the classical and the contemporary but he brought also an edge that was unsparing of cruelty and wickedness.”
At Inst Mahon encounters fellow students who share his interest in literature and poetry. The school produces a magazine in which he produces some of his early poems. According to the critic Hugh Haughton, his early poems are highly fluent and extraordinary for a person so young. His parents cannot see the point of poetry, but he sets out to prove them wrong after he wins his school’s Forrest Reid Memorial Prize for the poem ”The power that gives the water breath.”
At times expressing anti-establishment values, Mahon describes himself as an “aesthete” with a penchant “for left-wingery […] to which, perhaps naively, I adhere.”
In March 2020, at the beginning of the COVID-19 pandemic, RTÉ News ends its evening broadcast with Mahon reading his poem Everything Is Going to Be All Right.
Mahon dies in Cork, County Cork, on October 1, 2020, after a short illness, aged 78. He is survived by his partner, Sarah Iremonger, and his three children, Rory, Katy, and Maisie. His papers are held at Emory University.
Mahon features on the Irish Leaving Certificate course with ten of his poems (Grandfather, Day Trip to Donegal, Ecclesiastes, After the Titanic, As It Should Be, A Disused Shed in Co. Wexford, Rathlin, The Chinese Restaurant in Portrush, Kinsale and Antarctica)
Mary Carryl, an Irish-born loyal servant and friend of the celebrated Ladies of Llangollen, dies on November 22, 1809. She serves them up to her death. When the Ladies die, they share the same grave.
Carryl is brought up in a poor family in Ross, County Wexford. Little is known about her until she is employed by Lady Elizabeth “Betty” and Sir William Fownes, 2nd Baronet, at the Woodstock Estate near Inistioge, County Kilkenny. He inherits the baronetcy from his father Sir William Fownes, 1st Baronet, the Lord Mayor of Dublin, and over 21,000 acres from his grandfather. When Fownes marries Elizabeth Ponsonby, he receives £4,000 as a dowry and the couple builds the six-bayed, three-story Woodstock House in County Kilkenny in 1745-47. In 1769, the Fownes have a thirteen-year-old guest to stay for some time named Sarah Ponsonby, who is Elizabeth’s cousin and the orphaned daughter of Chambré Brabazon Ponsonby. She attends school at Kilkenny.
Sarah develops a friendship with Eleanor Butler, which is not approved of by the Fownes nor by Eleanor’s family guardians. When the friendship begins, Sarah is an unhappy thirteen-year-old orphan. She is captivated by the well-educated Eleanor Butler, a 30-year-old spinster no longer considered marriageable. Sarah is also receiving unwanted attention from Sir William, her guardian.
When Eleanor Butler runs away from home, she is hidden in Sarah’s room and Carryl smuggles in food for her stowaway. Eventually Butler and Ponsonby agree that they can leave Ireland together. They go to Llangollen in Wales where they set up home in a cottage called Plas Newydd. Meanwhile Carryl, who is known as Mary the Bruiser, has been fired after throwing a candlestick that wounds another servant. Her prospects are saved when Eleanor and Sarah send for her to come to Llangollen.
In time Eleanor and Sarah become notorious as “The Ladies of Llangollen,” and Carryl becomes both their servant and the head of the household. She is loyal to her employers. She is said to have “masculine qualities” and Lady Eleanor’s diary records how she gives as good as she gets as she bargains loudly with the fishermen, the butchers and the inebriated.
Carryl dies at Plas Newydd on November 22, 1809, and is buried in the churchyard of St. Collen’s Church, Llangollen. She leaves a shilling to her brother and sister, but leaves the field she owns to Sarah. When in time the Ladies of Llangollen die, they are buried beside their faithful servant.
The memorial monument to Mary Carryl, Eleanor Butler and Sarah Ponsonby in the churchyard of St. Collen’s Church is erected in 1810. The inscription on Carryl’s part of the monument reads: “In Memory of / Mrs Mary Carryl / Deceased 22 November 1809 / This monument is erected by Eleanor Butler, / and Sarah Ponsonby, of Plasnewydd in this Parish. / Released from Earth and all its transient woes, / She whose remains beneath this stone repose, / Stedfast in Faith resigned her parting breath, / Looked up with Christian joy, and smiled in Death! / Patient, Industrious, Faithful, Generous, Kind, / Her Conduct left the proudest far behind, / Her Virtues dignified her humble birth, / And raised her mind above this sordid earth, / Attachment (Sacred bond of grateful breasts) / Extinguished but with life, this Tomb attests, / Reared by Two Friends who will her loss bemoan, / ‘Till with Her Ashes…Here shall rest, Their own.”
(Pictured: A portrait of Mary Carryl from the Welsh Portrait Collection at the National Library of Wales)
Shanahan is born in Hollyford on October 27, 1874. At some point he moves to Dublin, where he is a licensed vintner, maintaining an Irish pub in the notorious Montored-light district.
Shanahan is involved in the Easter Rising in Dublin in April 1916. This leads to him having legal difficulties over the licence of his public house. He consults the lawyer and politician Tim Healy who comments:
“I had with me today a solicitor with his client, a Dublin publican named Phil Shanahan, whose licence is being opposed, and whose house was closed by the military because he was in Jacob’s during Easter week. I was astonished at the type of man – about 40 years of age, jolly and respectable. He said he ‘rose out’ to have a ‘crack at the English’ and seemed not at all concerned at the question of success or failure. He was a Tipperary hurler in the old days. For such a man to join the Rebellion and sacrifice the splendid trade he enjoyed makes one think there are disinterested Nationalists to be found. I thought a publican was the last man in the world to join a rising! Alfred Byrne, MP, was with him, and is bitter against the Party. I think I can save Shanahan’s property.”
Shanahan is elected for Dublin Harbour at the 1918 United Kingdom general election in Ireland, defeating Alfred Byrne. Like other Sinn Féin MPs, he does not take his seat at Westminster, but becomes a member of the revolutionary Dáil. He represents Dublin Harbour in the First Dáil from 1919 to 1921. He is arrested and detained in custody by the British government in April 1920 but is released in time to attend the next meeting of the Dáil on June 29, 1920.
During the Irish War of Independence, Billy Dunleavy recalls, “The IRA were the best men we ever had at that time. The Tans used to go around in the tenders with a wire over the top and if it was going by up there in Talbot Street they’d (IRA) say, ‘Get out of the way, quick!’ and they’d throw a hand grenade into the car. Now Phil Shanahan, he owned a pub over there on the corner, he was a great man and he used to hide them after they’d been out on a job. He had cellars and all the IRA men used to go there and hide their stuff.”
Trevor wins the 2008 International Nonino Prize in Italy. In 2014, he is bestowed with the title of Saoi within Aosdána. He resides in England from 1954 until his death in 2016, at the age of 88.
Trevor is educated at a succession of schools including St Columba’s College, Dublin (where he is taught by Oisín Kelly) and at Trinity College Dublin (TCD), from which he receives a degree in history. He works as a sculptor under the name Trevor Cox following his graduation from TCD, supplementing his income by teaching.
Trevor marries Jane Ryan in 1952 and emigrates to England, working as a teacher, a sculptor and then as a copywriter for an advertising agency. During this time he and his wife have their first son. In 1952, he becomes an art teacher at Bilton Grange, a prep school near Rugby. He is commissioned to carve reliefs for several churches, including All Saints’ Church, Braunston, Northamptonshire. In 1956, he moves to Somerset to work as a sculptor and carries out commissions for churches. He stops wood carving in 1960.
Trevor’s first novel, A Standard of Behaviour, is published in 1958 by Hutchinson & Co. of London, but receives little critical success. He later disowns this work, and, according to his obituary in The Irish Times, “refused to have it republished.” It is, in fact, republished in 1982 and in 1989.
In 1964, at the age of 36, Trevor is awarded the Hawthornden Prize for The Old Boys. This success encourages him to become a full-time writer.
In 1971, he and his family move from London to Devon in South West England, first to Dunkeswell, then in 1980 to Shobrooke, where he lives until his death. Despite having spent most of his life in England, he considers himself to be “Irish in every vein”.
Trevor dies peacefully in his sleep, at the age of 88, at Crediton, Devon, England, on November 20, 2016.
Josephine McNeill, Irish diplomat, dies in Dublin on November 19, 1969. She is the first Irish female diplomat appointed to represent Ireland abroad in a ministerial capacity.
McNeill is born Josephine Ahearne on March 31, 1895, in Fermoy, County Cork, the daughter of shopkeeper and hotelier, James Ahearne, and his wife Ellen Ahearne (née O’Brien). She attends the Loretto Convent, Fermoy, and goes on to graduate from University College Dublin (UCD) with a BA, H.Dip.Ed. in French and German. With this she begins a teaching career, at St. Louis’ Convent, Kiltimagh, at the Ursuline Convent, Thurles, and at Scoil Íde. Scoil Íde, the female counterpart to St. Enda’s School, had been established by her friend, Louise Gavan Duffy. She is fluent in the Irish language and takes an active part in the cultural elements of the Irish independence movement, such as literature and music. She is a member of Cumann na mBan, serving as a member of the executive committee in 1921.
After the death of her husband in 1938, McNeill becomes the honorary secretary of the council of the Friends of the National Collections, as well as serving as chair of the executive committee of the Irish Countrywomen’s Association until 1950. As a member of the Department of External Affairs advisory committee on cultural relations, she writes on economic, social and cultural issues. She represents Ireland at the UNESCO general assembly in Paris in 1949.
McNeill is an active member of Clann na Poblachta from its foundation in 1946. She is appointed the minister to the Netherlands in 1950 by Seán MacBride, making her the first Irish female diplomat to represent the Republic of Ireland abroad in a ministerial capacity. This appointment is not well received by diplomats in the Department of External Affairs. Her reports from The Hague focus on the issues the Netherlands faces with decolonisation. In 1955, she becomes the minister to Sweden, going on to hold the joint appointment to Austria and Switzerland from 1956 to 1960, after which she retires. While serving in Switzerland she puts aside the resentment she feels towards Éamon de Valera based on how he had treated her husband, to sit with him during a convalescence while de Valera recovers from an eye operation.
McNeill is an amateur pianist and collects paintings and porcelains. In 1933, she publishes the Irish language book, Finnsgéalta ó India.
On November 18, 1926, George Bernard Shaw refuses to accept the Nobel Prize in Literature prize money of £7,000 awarded to him a year earlier. He says, “I can forgive Alfred Nobel for his invention of the explosive but only the devil can think of the Nobel Prize.”
Shaw is born in Dublin on July 26, 1856, the third child of George Carr Shaw, a civil servant who later turns to a failed grain business to become an alcoholic, and Lucinda Elizabeth Shaw, a professional singer and sister of the famous opera singer Lucinda Frances. He is initially poor but is gifted with music and soon understands and loves the work of famous musicians and learns more about painting in Dublin. At the age of 15, he works as an apprentice and cashier for a real estate firm.
In 1876, Shaw follows his mother and two sisters to London. There he writes music reviews for newspapers to earn money, self-studies and actively participates in social activities. In 1884, he joins the founding of Fabian Society, an organization of British intellectuals advocating transition from capitalism to socialism by way of peace. From 1879 to 1883, he writes his first novel, Immaturity, and five other works that are not printed. An Unsocial Socialist is the first novel to be printed in 1887. Considered the father of “conceptual drama,” he begins writing plays in 1885, but achieves initial fame with Widowers’ Houses (1892). By 1903, his drama takes over the American and German stage, and in 1904 dominates the domestic stage. He becomes even more famous when Edward VII, the King of England, attends the performance of John Bull’s Other Island (1904), after which his drama spreads to European countries.
In addition, Shaw is also considered the best playwright in Britain at the time. He wants to use art to awaken people first to require changing the bourgeoisie order with all its institutions and customs. He emphasizes the educational function of the theater, but seeing the function of education is not an imposition from the playwright but arousing the aesthetic needs of the audience. The harsh problems of contemporary society such as the island’s predominant power, exploitative patterns, and the poverty of the people lead to social evils clearly reflected in his drama. His drama style tends to be satirical, sarcastic, finding its way to truth through paradoxes.
Shaw’s youngest dream is to earn a sum of money, then marry a wealthy wife. However, before becoming so wealthy that he can spend $ 35,000 on charity and enough money to travel around the world, he goes through many years of hardship. In the first nine years of his career, he receives only $30 USD in royalties. He is so poor that he does not even have the toll to get his manuscript to publishers. His clothes are tattered, his shoes open. All of his spending comes from his mother’s allowance. When he gets his name and remembers the miserable days, he often frowns, “I should have supported my family, the results are the opposite. I have never done anything for my family, and my mother has to work, raising me even though I was an adult.” Shaw, however, decides not to give up writing.
Realizing that, Shaw looks at the real royalties by publishing novels and the journey to the desired destination seems far away. He then turns to writing plays. He calculates that if the script is made public, the author will have revenue through the number of tickets issued and the number of shows. At the same time, the name of the author is also quickly known to the public. On the other hand, he says, only theater can “awaken people before the change of modern social order with all its institutions and customs.” He also judges that in addition to entertainment functions, the drama also contains the function of education, through arousing the aesthetic needs of the audience. He does not hesitate to bring to the stage all the most pressing issues of contemporary society such as the money’s inertia, the poverty of the people, and the social evils.
Saint Joan (1923) is judged to be the culmination of Shaw’s writing career. It is performed throughout European stages and is very popular. Two years after the release of Saint Joan, he is awarded the Nobel Prize for “the ideological and highly humanistic compositions, especially the spectacular satirical plays, combined with looks. Strange beauty of poetry.” When notified of his winning of the Nobel Prize, he humorously says, “The Nobel Prize for literature is like a float thrown to a swimmer.” Although he thinks he is the “swimmer to the shore,” he never leaves the pen. Thirteen years after receiving the Nobel Prize, Pygmalion, a script he wrote in 1912, is made into a film and receives the Academy Award for Best Adapted Screenplay.
In terms of scenario remuneration, Shaw receives an average of $100,000 a year, enough to spend on life, “reproduce” writing and traveling. It is only possible to marry a wealthy wife until the age of 40 years old. He always thinks that he “has no marriage status because he always worries others.” In terms of form, he is not very attractive because of his skinny body, but watching as the sisters do not allow him to carry out his intention to preserve his “absolute freedom.” Many beautiful female actors actively proclaim marriage proposal to Shaw, but he always uses humorous sentences to refuse.
Describing the George Bernard Shaw, Albert Einstein‘s physical genius after having met him has to say, “There are rare people who are so independent that they can see the weaknesses and absurdities of contemporaries. and at the same time do not let me get into it, but even so, when I encounter the hardships of life, these lonely people often lose their courage in helping humanity, with subtle humor and gentleness, can enthrall contemporaries and deserve to be torchbearers on the way of art’s unfavorable ways, today, with a passionate affection, I salute celebrate the biggest teacher on that path – the one who taught us and made us all feel happy.” It is a rare meeting of two great people in London in the fall of 1930.
(From: “November 18, 1926 – George Bernard Shaw refuses to receive a Nobel prize,” ScienceInfo.net, updated December 17, 2018)
Craig, known as Jim, grows up in an Ulster Protestant family on the Shankill Road. In the early 1970s, he, a former boxer, is sent to the HM Prison Maze for a criminal offence unrelated to paramilitary activities. While serving his sentence at the Maze he joins the Ulster Defence Association (UDA), and is asked by the organisation’s commander at the time, Charles Harding Smith, to take control of the UDA prisoners inside, on account of his reputation as a “hard man.”
After his release in 1976, Craig sets up a large protection racket and becomes the UDA’s chief fundraiser. By 1985, he has managed to blackmail and extort money from a number of construction firms, building sites, as well as pubs, clubs, and shops in Belfast and elsewhere in Northern Ireland, whose intimidated owners pay protection money out of fear of Craig and his associates. It is alleged that the UDA receives hundreds of thousands of pounds, some of which also find their way inside Craig’s pockets as part of his “commission.” He is acquitted on a firearm charge and Ulster Freedom Fighters (a cover name for the UDA) membership on March 18, 1982. In 1985, he is brought to court after a number of businessmen decide to testify against him, with the condition that their identities remained hidden. The case falls apart when Craig’s defence argues that his client’s rights were violated by the concealment of the witnesses’ identities.
Craig allegedly is involved in the double killing of a Catholic man and a Protestant man on the Shankill Road in 1977. The men, both colleagues, had entered a loyalist club and were later stabbed, shot and put into a car which was set on fire. By this time the UDA West Belfast Brigade no longer wants him in their ranks, as they claim they can no longer “afford him.” Craig, who is ordered to leave the Shankill Road, goes on to join forces with John McMichael’sSouth Belfast Brigade. In addition to being the principal fundraiser, he also sits on the UDA’s Inner Council. He usually travels in the company of his bodyguard, Artie Fee, a UDA member from the Shankill Road.
The rival Ulster Volunteer Force (UVF) carries out an investigation after it is rumoured Craig has been involved in the death of UVF major William Marchant, who is gunned down by Provisional Irish Republican Army gunmen from a passing car on the Shankill Road on April 28, 1987. Marchant is the third high-ranking UVF man to be killed by the IRA during the 1980s. Although their inquiries reveal that Craig had quarrelled with Marchant as well as Lenny Murphy and John Bingham prior to their killings, the UVF feel that there is not enough evidence to warrant an attack on such a powerful UDA figure as Craig.
In December 1987, when UDA South Belfast brigadier John McMichael is blown up by an IRA booby-trap car bomb outside his home in Lisburn‘s Hilden estate, it is believed that Craig had organised his death with the IRA. Allegedly Craig fears McMichael is about to expose his racketeering business, thus putting an end to his lucrative operation. McMichael reportedly sets up an inquiry and discovers that Craig is spending money on a lavish scale, going on holidays at least twice a year and indulging in a “champagne lifestyle.” At the same time, it is suggested that Craig has made certain deals with Irish republican paramilitary groups, dividing up the rackets in west Belfast, and he would be doing the IRA a favour by helping them to eliminate a high-profile loyalist such as McMichael. Craig has established links with republicans during his time in prison, and the profitable deals and exchanges of information between them ensures he will most likely not be a target for IRA assassination.
Craig is named as an extortionist in Central Television’s 1987 programme The Cook Report. He plans to sue the programme’s producers for libel. In January 1988, Jack Kielty (father of future television presenter Patrick Kielty), a building contractor from County Down who had promised to testify as a key witness against Craig, is murdered by the UDA. This killing is attributed to Craig, although it is never proven.
Craig is shot dead by two gunmen from the UDA in “The Castle Inn” (later called “The Bunch of Grapes”), a pub in Beersbridge Road, east Belfast on October 15, 1988, where he has been lured in the belief that there is to be a UDA meeting. He is playing pool in the pub at the time of his fatal shooting by the two men, both of whom are wearing boilersuits and ski masks and carrying automatic weapons. Upon spotting Craig they open fire, spraying the room with gunfire. Craig dies instantly. A bystander pensioner is also murdered in the attack, and four other bystanders are wounded by stray bullets. The UDA claims the killing is carried out due to Craig’s “treason” and involvement in John McMichael’s murder as they know he had provided the IRA with information to successfully carry out the assassination. They apologise for the unintentional death of the pensioner. Craig is not given a paramilitary funeral, and none of the UDA’s command attend it.
Power is born to Henry Power, a watchmaker, and Mary (née Atkins), an embroideress. He has one older brother, and one younger sister. He attends a Christian Brothersnational school in North Brunswick Street. As a child he plays in local clay brickyards and sculpts busts of his friends. After finishing his primary school education, he trains with a firm of sculptors run by Edward Smyth. In 1884, he enrolls as an evening pupil at the Dublin Metropolitan School of Art (DMSA), later attending as a full-time student from 1906 to 1911. During his time at the DMSA he is taught and strongly influenced by John Hughes, Oliver Sheppard and William Orpen. He wins a number of prizes during his time at the DMSA, including medals, three scholarships, book prizes, and the national gold medal for the best modeling of a nude figure, in Ireland, Scotland, and the Channel Islands in 1911.
Power marries Agnes Kelly in 1903. The couple has ten children, four daughters and six sons, including May and James who also become sculptors.
Power establishes his own stone-carving business in 1912 from his new home at 18 Geraldine Street, Phibsborough, Dublin. As the firm grows, it moves to premises nearby at 15 Berkeley Street from 1930. He executes a wide range of works, including monuments and architectural features in bronze, marble, and stone. Among his notable works are the figure of “Science” designed by Sheppard from the façade of the new Royal College of Science for Ireland (later Government Buildings) on Merrion Street, Dublin, carved motifs and sphinxes for the Gresham Hotel, O’Connell Street, and four statues on the dome of Christ the King church, Carndonagh, County Donegal.
Power is considered the leading Irish sculptor of the 1920s and 1930s. He is a nationalist and promotes the use of Irish materials such as limestone from Durrow and Connemara marble. He is noted for his academic realist style. He exhibits regularly with the Royal Hibernian Academy from 1906, becoming an associate member in 1911, and a full member in 1919. Among those he models sculptures for are James Stephens (1913), W. B. Yeats (1918), and Lord Dunsany (1920). Among his patrons are Oliver St. John Gogarty, and through Gogarty he is commissioned to model a number of prominent Irish nationalists. Gogarty asks him to carve a portrait of Terence MacSwiney in 1920, while MacSwiney is on hunger strike in HM Prison Brixton, London. Smuggled into the prison to do a thumbnail sketch, Power then carves a portrait in the form of a life mask.
On Gogarty’s recommendation, Power is commissioned by the Irish Free State government to create portraits of a number of leading politicians including Arthur Griffith (1922), Michael Collins (1936), and Austin Stack (1939). He is also privately commissioned to execute a portrait of Éamon de Valera in 1944. Among his monumental works are sculptures of Tom Kettle (1919) at St. Stephen’s Green, Dublin, Christ the King in Gort, County Galway, (1933), Pádraic Ó Conaire (1935) at Eyre Square, Galway, and W. B. Yeats (1939) at Sandymount Green, Dublin. He is one of the artists invited to submit designs for the new coinage of the Irish Free State in 1928.
Power dies in Dublin on July 10, 1945, following complications from a double hernia. His is buried in Glasnevin Cemetery, Dublin.
Ó Muirthile is educated at cork, taking a BA in Irish and French at UCC. His Irish is acquired at school and from sojourns in the Gaeltacht of West Kerry. He is a member of a group of poets at UCC in the late 1960s who choose Irish as a creative medium and are closely associated with the modernist poetry journal Innti, founded by fellow poet Michael Davitt. They are influenced by the work of Cork poet Seán Ó Ríordáin, by the musician and composer Seán Ó Riada, and by popular American culture.
Greg Delanty, writing for Poetry International, claims that a fundamental achievement of Ó Muirthile and other members of the Innti group was to adapt the language to a contemporary urban landscape in a way that reflected the counterculture of the sixties.
Ó Muirthile has been described as a poet of immense formal and musical mastery who reads deeply into the classical and neo-classical poetry of the Irish language. He studies French literature as a student and this influences his work. He translates poetry by Guillaume Apollinaire, François Villon, Jacques Prévert and Anne Hébert.
Ó Muirthile’s first collection of poetry is Tine Chnámh (1984). This receives the Irish American Cultural Institute’s literary award and an Oireachtas prize for poetry. He subsequently publishes a number of other collections. In 1996, he receives the Butler Award for his novel Ar Bhruach na Laoi. Several plays by him have been staged. From 1989 to 2003 he writes a weekly column, “An Peann Coitianta,” for The Irish Times. Poems by him have been translated into English, German, French, Italian, Hungarian and Romanian.
Two of Ó Muirthile‘s poems, Meachán Rudaí and Áthas, have been put to music by the Irish/American group The Gloaming and featured on their third studio album The Gloaming 3.
The gunmen, who are wearing workmen’s overalls, escape in a car afterward, killing Ken Campbell, a caretaker, as they leave. The people with whom Bradford had been meeting, most of them elderly, dive under tables for cover, and dozens of teenagers dancing nearby break into hysterical tears, but there are no injuries.
The killing is part of an escalation of IRA violence, both in London and in Northern Ireland, after the collapse of the prison hunger strike the previous month. The previous night an IRA bomb damages the London home of Britain’s Attorney General for Northern Ireland, Michael Havers. The home is empty and no one is seriously injured.
Bradford, a 40-year-old Methodist minister who is married and has a 6-year-old daughter, is shot several times, according to witnesses, and he dies almost immediately. His brother, Roy, who lives near the scene of the killing, in South Belfast, is at his side within moments. “But he was unconscious when I reached him, and he only lived for about a minute,” Roy Bradford says. News of the killing arouses fears of a Protestant reaction that could lead to serious civil unrest in Northern Ireland.
John “Jack” Hermon, the Chief Constable of the Royal Ulster Constabulary, issues an appeal to both the Protestant majority and the Roman Catholics to show “good sense and restraint.” He says security is being tightened in the province as a precautionary measure. He orders a wide-ranging search for the gunmen, who number at least three and possibly four, a point upon which the witnesses differ.
Bradford, who has been in Parliament since 1974, is an outspoken critic of the Irish nationalist guerrillas. He repeatedly calls for the reimposition of capital punishment in the province and for other strong deterrent measures.
With the Rev. Ian Paisley, another hard-line Member of Parliament, Bradford had planned to visit the United States In early 1982 to counteract the publicity of the IRA, which depends heavily on the money it receives from its American sympathizers. “There is a need for Americans to recognize that Ulster is not an occupied country,” Bradford says the previous month, “and that our political history is one of which we can be proud.”
The IRA, in a statement claiming responsibility for the killing, calls Bradford “one of the key people responsible for winding up the loyalistparamilitarysectarian machine in the North.” All twelve of Northern Ireland’s Members of Parliament – ten Protestants and two Catholics – are considered likely targets in the sectarian struggle that has claimed 2,100 lives in the province since 1969.
seamus dubhghaill 