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Birth of Colin Middleton, Northern Irish Artist & Surrealist

Colin Middleton MBE, Northern Irish landscape artist, figure painter, and surrealist, is born on January 29, 1910, in Victoria Gardens in north Belfast. Hus prolific output in an eclectic variety of modernist styles is characterised by an intense inner vision, augmented by his lifelong interest in documenting the lives of ordinary people. He has been described as “Ireland’s greatest surrealist.”

Middleton is the only child of damask designer Charles Middleton. He attends the nearby Belfast Royal Academy until 1927 and then continues his studies with night classes at Belfast School of Art where he trains in design under the Cornish artist Newton Penprase. However, he finds the college too traditional in outlook, as his first influence, his father, had been a follower of European Modernism, particularly the Impressionists.

Middleton shows his first works with the Ulster Academy of Arts in 1931, where he exhibits frequently until the late nineteen-forties. He first comes to public attention with the inclusion of his works in the groundbreaking inaugural exhibition of the Ulster Unit at Locksley Hall, Belfast, in December 1933. The Ulster Unit is a short-lived grouping of Ulster artists who take their inspiration from Paul Nash’s Unit One formed earlier in the same year. Just two years thereafter in the same year, he marries Maye McLain, also an artist and a domestic science teacher, who unfortunately dies four years later. He is also a poet and writer, whom along with his wife, is an active member of the Northern Drama League in the 1930s, with whom he designs sets. After the death of his first wife he destroys all of his early paintings and enters a period of seclusion at his mother’s home outside Belfast. He becomes a follower of Vincent van Gogh and James Ensor after viewing exhibitions in London and Belgium respectively. On his return to Ulster he begins to experiment with styles derived from European Modernism, the antithesis to traditional academism. Throughout the 1930s he is also a keen follower of Paul Nash, Tristam Hillier and Edward Wadsworth. After exposure to the works of Salvador Dalí, he declares himself “the only surrealist painter working in Ireland.”

Middleton’s work first appears at the Royal Hibernian Academy in 1938 where he shows intermittently until the final year of his life. He participates in an exhibition at 36 Arthur Street, Belfast, with the Czech artist Otakar Gregor, Joan Loewenthal and Sidney Smith in aid of the war effort at the end of 1940. He completes three paintings immediately after the Belfast Blitz and the trauma of the events prevent him from working for six months before his work is included in a portfolio of lithographs published by the Ulster Academy in December 1941 to raise money for rebuilding the Ulster Children’s and Women’s Hospital which had been destroyed in the Blitz earlier in the year.

Middleton’s first solo exhibition is given by the Belfast Municipal Museum and Art Gallery in 1943. It is the first exhibition staged at the gallery when it re-opens after the Belfast Blitz. At the time it is the largest one-person show the gallery has staged comprising one hundred fifteen works and it is also the first solo exhibition accorded to a local contemporary artist by the gallery. In an interview with Patrick Murphy in 1980, he says that the paintings represent “a first endeavour to harmonize the seemingly opposed and conflicting tendencies in human nature.” Dickon Hall says of this period that “Middleton’s painting is dominated by the female form; it is only rarely that men appear in his work. In part these women reflect his experience of Belfast and the difficult conditions that so many lived through.” This can be seen in the three female figures of The Poet’s Garden (1943), and even more so in The Conspirators (1942), both of which are featured in the 1943 exhibition. “The female form, pictorially and symbolically, becomes the landscape and the life force.”

The Belfast exhibition is followed by his first one-man show at the Grafton Galleries, Dublin, in 1944. In the following year he debuts at the Irish Exhibition of Living Art where he returns on a number of occasions, particularly in the periods 1949–55 and 1963–71. In 1945, he is married for the second time, to Kate Giddens, after both are named co-respondents at the Belfast High Court a few months earlier, in civil servant Lionel P. Barr’s application for a decree nisi. The suit is undefended and the couple has costs awarded against them. In the same year Middleton returns to the Belfast Museum for a solo exhibition arranged by the Council for the Encouragement of Music and the Arts. He is a founding member of the Northern Ireland branch of the Artists’ International Association, who show at the Belfast Municipal Gallery in spring 1945. Other members include Joan Loewenthal, Kathleen Crozier, Pat Hicking, Trude Neu, Sidney Smith, Nevill Johnston, George Campbell and Gerard Dillon.

Middleton’s work is displayed in New York‘s Associated American Artists gallery in 1947 with a selection of works chosen by Dublin art critic Theodore Goodman that includes paintings by his Northern contemporaries Daniel O’Neill, George Campbell, Gerard Dillon and Patrick Scott. He also retires from the family business that year to devote his time to painting, having worked at the business since his father’s death in 1933. He then takes his wife and child to live and work on John Middleton Murry’s Suffolk commune for a short period, before returning to Belfast in 1948. Their life in Suffolk is not a success as the family suffers from ill health, but the experience of working the land is to prove a profound influence on his future work.

In 1949, Middleton shows his first works at the Oireachtas na Gaeilge, where he returns periodically until 1977. Upon their return from Suffolk, his wife sends Victor Waddington photos of his work whereupon Waddington comes to represent him for a period of five years, until the Waddington Galleries face financial hardship in 1958. It is Waddington’s patronage that enables the Middleton family to live and work in Ardglass, County Down, for four years from 1949, which Middleton later describes as the happiest time of his life. When his works are displayed at Victor Waddington’s Dublin gallery in that same year, it acts as a springboard that opens Middleton’s work to an international audience. Group exhibitions in Boston and London follow in 1950 and 1951 respectively.

Middleton’s first solo show at London’s Tooth Gallery takes place in 1952, where his work had been shown in the previous year.

In 1953, Middleton moves to Bangor, County Down, where he designs for Marjery Mason‘s The Repertory Theatre. He later designs sets for the Circle Theatre and the Lyric Theatre, including the sets for a series of W. B. Yeats’s plays in 1970, and Seán O’Casey‘s Red Roses for Me in 1972, both at the latter. In 1952, he exhibits alongside Daniel O’Neill, Nevill Johnson, Gerard Dillon and Thurloe Connolly at the Tooth Galleries in London. He begins his career as an art teacher by the invitation of James Warwick who offers him a one year part-time post at the Belfast College of Art in 1954. That year he shows forty-two works at the Belfast Municipal Gallery under the auspices of the Council for the Encouragement of Music and the Arts. In the following year he delivers full-time classes at the Coleraine Technical School, before becoming head of art at Friends’ School, Lisburn in 1961 where he remains until 1970. He lives on Plantation Avenue in Lisburn for nine years next door to fellow artist and pedagogue Dennis Osborne, who presents a portrait of Middleton at the annual exhibition of the Royal Ulster Academy in 1965.

A poet and musician, Middleton also produces murals, mosaics and posters. One such mural is commissioned for a house in Ballymena designed by the architect Noel Campbell in an international modernist style in 1951, and other works include a mosaic for a school in Lisburn, and a mural in a health clinic. He shows in many group shows throughout the fifties including the Royal Academy of Arts in 1955, in addition to more solo exhibitions at the Waddington Galleries in 1955, and his first showing at the Richie Hendricks Gallery in 1958. Of the Waddington exhibition The Dublin Magazine writes: “Apart from the brilliance of his paint, he has one rare quality in his inexhaustible capacity for wonder.”

Middleton shows in the Arts Council of Northern Ireland‘s gallery in 1965 with additional works at the Bell Gallery and his Bruges Series is shown at Alice Berger Hammerschlag’s New Gallery upon his return from a Belgian trip in 1966. The Arts Council of Northern Ireland suffers an extensive fire at their storage facility in south Belfast in autumn 1967 which decimates their collection of contemporary art and theatre costumes. Losses include several of Middleton’s paintings, in addition to the works of many other leading Ulster artists such as William Conor and T. P. Flanagan. He Is among the prizewinners at the Arts Council of Northern Ireland’s 4th Open Painting Exhibition in 1968. In the same year, John Hewitt curatea a joint exhibition of his paintings with T. P. Flanagan at the Herbert Art Gallery and Museum in Coventry.

The Arts Council hosts a joint retrospective of Middleton’s work in co-operation with the Scottish Arts Council in 1970. A major retrospective is to follow at the Ulster Museum and the Hugh Lane Municipal Gallery of Modern Art in Dublin in 1976. Comprising almost three hundred exhibits, the show is accompanied by a monograph written by Middleton’s lifelong friend, the patron and poet John Hewitt. Hewitt later bequeaths his art collection, including several of Middleton’s paintings to the Ulster Museum.

The Royal Mail uses Middleton’s painting of Slieve na Brock in the Mourne Mountains to commemorate the Ulster ’71 exhibition in a series of postage stamps that also feature the work of Thomas Carr and T. P. Flanagan. In 1972, Middleton tours extensively with his wife visiting Australia for two months and shows his works from the trip at the McClelland International Galleries on Belfast’s Lisburn Road the following year. In 1973 he also visits Barcelona and later shows a series of surrealist works inspired by the two trips at the Tom Caldwell Gallery in Belfast.

Middleton lives the last twelve years of his life in Bangor, County Down.

Middleton dies of leukemia in Belfast City Hospital on December 23, 1983. He is survived by his wife Kate, their daughter and a step-daughter. His son predeceases him by a year. Christie’s of London is entrusted with the sale of his studio works in 1985. The works are displayed before auction in both Dublin and Belfast during August 1985. In 2005, the Ulster History Circle unveils a commemorative blue plaque at his former home on Victoria Road in Bangor.

In the 1970s, the Arts Council of Northern Ireland commissions a documentary film portrait of Middleton entitled Trace of a Thorn, which is written and narrated by the Belfast poet Michael Longley. Hus works can be seen in many private and public collections including the Ulster Museum, Irish Museum of Modern Art, the Hugh Lane Municipal Gallery, National Gallery of Ireland, National Gallery of Victoria, Herbert Art Gallery and University of Oxford.

In September 2023, eighty years since the ground-breaking exhibition Middleton held at the Belfast Museum and Art Gallery, now the Ulster Museum, and forty years after his death, the Ulster Museum holds a new exhibition of his works, celebrating his association with Belfast, the city of which he says, “I belong here as I never belonged anywhere else in the country.” This exhibition brings together works held in the public collection with those from private lenders to provide a full picture of the artist’s talent and life.

Middleton wins the Royal Dublin Society‘s Taylor Scholarship worth £50 in 1932, and two further awards of £10 in 1933. In 1935, he is elected associate of the Ulster Academy, inducted alongside Helen Brett, Kathleen Bridle, Patrick Marrinan, Maurice Wilks, Romeo Toogood and William St. John Glenn, and in 1948 he becomes an elected Academician at the same.

In 1968, Middleton is appointed MBE in the Queen’s birthday honours list, and in 1969 he is elected an associate at the Royal Hibernian Academy with full membership conferred just a year later. He is awarded an honorary Master of Arts degree from Queen’s University Belfast in 1972. The Arts Council of Northern Ireland grants him a substantial subsistence award in 1970 which covers two years enabling him to retire from teaching to concentrate on painting full-time. In the same year, the Arts Council of Northern Ireland also commissions him to paint a portrait of their director, Kenneth Jamison.


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Death of Pearse Hutchinson, Poet, Broadcaster & Translator

Pearse Hutchinson, Irish poet, broadcaster and translator, dies of pneumonia in Dublin on January 14, 2012.

Hutchinson is born in Glasgow, Scotland, on February 16, 1927. His father, Harry Hutchinson, a Scottish printer whose own father had left Dublin to find work in Scotland, is Sinn Féin treasurer in Glasgow and is interned in Frongoch internment camp in 1919–21. His mother, Cathleen Sara, is born in Cowcaddens, Glasgow, of emigrant parents from County Donegal. She is a friend of Constance Markievicz. In response to a letter from Cathleen, Éamon de Valera finds work in Dublin for Harry as a clerk in the Labour Exchange, and later he holds a post in Stationery Office.

Hutchinson is five years old when the family moves to Dublin and is the last to be enrolled in St. Enda’s School before it closes. He then goes to school at Synge Street CBS where he learns Irish and Latin. One of his close friends there is the poet and literary critic John Jordan. In 1948 he attends University College Dublin (UCD) where he spends a year and a half, learning Spanish and Italian.

Having published some poems in The Bell in 1945, Hutchinson’s poetic development is greatly influenced by a 1950 holiday in Spain and Portugal. A short stop en route at Vigo brings him into contact for the first time with the culture of Galicia. Later, in Andalusia, he is entranced by the landscape and by the works of the Spanish poets Federico García Lorca, Emilio Prados and Luis Cernuda.

In 1951 Hutchinson leaves Ireland again, determined to live in Spain. Unable to get work in Madrid, as he had hoped, he travels instead to Geneva, where he gets a job as a translator with the International Labour Organization, which brings him into contact with Catalan exiles, speaking a language then largely suppressed in Spain. An invitation by a Dutch friend leads to a visit to the Netherlands, in preparation for which he teaches himself the Dutch language.

Hutchinson returns to Ireland in 1953 and becomes interested in the Irish language poetry of writers such as Piaras Feiritéar and Aonghus Fionn Ó Dálaigh and publishes a number of poems in Irish in the magazine Comhar in 1954. The same year he travels again to Spain, this time to Barcelona, where he learns the Catalan and Galician languages, and gets to know Catalan poets such as Salvador Espriu and Carles Riba. With the British poet P. J. Kavanagh, he organises a reading of Catalan poetry in the British Institute.

Hutchinson goes home to Ireland in 1957 but returns to Barcelona in 1961 and continues to support Catalan poets. An invitation by the publisher Joan Gili to translate some poems by Josep Carner leads to the publication of his first book, a collection of thirty of Carner’s poems in Catalan and English, in 1962. A project to publish his translation of Espriu’s La Pell de brau (The Bull-skin), falls through some years later. Some of the poems from this project are included in the collection Done into English.

In 1963, Hutchinson’s first collection of original poems in English, Tongue Without Hands, is published by Dolmen Press in Ireland. In 1967, having spent nearly ten years altogether in Spain, he returns to Ireland, making a living as a poet and journalist writing in both Irish and English. In 1968, a collection of poems in Irish, Faoistin Bhacach (A Lame Confession), is published. Expansions, a collection in English, follows in 1969. Friend Songs (1970) is a new collection of translations, this time of medieval poems originally written in Galician-Portuguese. In 1972 Watching the Morning Grow, a new collection of original poems in English, comes out, followed in 1975 by another, The Frost Is All Over.

In October 1971, Hutchinson takes up the Gregory Fellowship in Poetry at the University of Leeds, on the recommendation of Professor A. Norman Jeffares. There is some controversy around the appointment following accusations, later retracted, that Jeffares had been guilty of bias in the selection because of their joint Irish heritage. He holds tenure at the University for three years, and during that time contributes to the University’s influential poetry magazine Poetry & Audience.

From 1977 to 1978 Hutchinsonn compiles and presents Oró Domhnaigh, a weekly radio programme of Irish poetry, music and folklore for Ireland’s national network, RTÉ. He also contributes a weekly column on the Irish language to the station’s magazine RTÉ Guide for over ten years. A collaboration with Melita Cataldi of Old Irish lyrics into Italian is published in 1981. Another collection in English, Climbing the Light (1985), which also includes translations from Irish, Italian and Galician, is followed in 1989 by his last Irish collection, Le Cead na Gréine (By Leave of the Sun). The Soul that Kissed the Body (1990) is a selection of his Irish poems translated into English. His most recent English collection is Barnsley Main Seam (1995). His Collected Poems is published in 2002 to mark his 75th birthday. This is followed in 2003 by Done into English, a selection of many of the translated works he produced over the years.

A co-editor and founder of the literary journal Cyphers, Hutchinson receives the Butler Award for Irish writing in 1969. He is a member of Aosdána, the state-supported association of artists, from which he receives a cnuas (stipend) to allow him to continue writing. He describes this as “a miracle and a godsend” as he is fifty-four when invited to become a member and is at the end of his tether. A two-day symposium of events is held at Trinity College Dublin, to celebrate his 80th birthday in 2007, with readings from his works by writers including Macdara Woods, Eiléan Ní Chuilleanáin, Paul Durcan and Sujata Bhatt. His most recent collection, At Least for a While (2008), is shortlisted for the Poetry Now Award.

Hutchinson lives in Rathgar, Dublin, and dies of pneumonia in Dublin on January 14, 2012. His extensive archive is in the library of Maynooth University. Its opening on May 24, 2015, is accompanied by the inauguration of an annual Pearse Hutchinson seminar and the launch of a collection of unpublished Hutchinson poems, Listening to Bach.

Some critics argue that Hutchinson’s concern with simplicity and Ireland’s place in the comparative history of human oppression too often deteriorates into banality, didacticism, and regurgitation of sentimental revivalist tropes. Even these, however, acknowledge his occasional greatness, while his champions argue that his achievement has not yet been fully recognised and absorbed.


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Irish Regiments Fight with Spain in the Battle of Villaviciosa

Three Irish regiments in the service of Spain fight in the Battle of Villaviciosa on December 10, 1710, during the War of the Spanish Succession. The regiments are commanded by Colonel Don Demetrio MacAuliffe, Colonel Don John de Comerford, and Colonel Don Reynaldo Mac Donnell. This last becomes known as the Hibernia Regiment.

The Battle of Villaviciosa is a battle between a Franco-Spanish army led by Louis Joseph, Duke of Vendôme, and Philip V of Spain and a Habsburg-allied army commanded by Austrian Guido Starhemberg. The battle takes place one day after a Franco-Spanish victory at Brihuega against a British army under James Stanhope, 1st Earl Stanhope. Both Philip V of Spain and the Archduke Charles of Austria claim victory, but the number of dead and wounded, the number of artillery and other weapons abandoned by the Allied army and the battle’s strategic consequences for the war confirm victory for Philip.

The battle is largely determined by the Spanish dragoons commanded by the Marquis of Valdecañas and the Count of Aguilar, which far exceeds the opposing forces. The Austrian forces retreat, pursued by Spanish cavalry, and the allied army is reduced to 6,000 or 7,000 men when it reaches Barcelona, one of the few places in Spain still recognizing Charles’ authority, on January 6.

After victories in the Battle of Almenar on July 27 and the Battle of Saragossa on August 20, the Habsburg allies supporting Archduke Charles capture Madrid for the second time and Charles enters Madrid on September 21. The 1710 invasion is a repetition of the one in 1706, and the 23,000-strong allied army is reduced at Almenara and Saragossa and in skirmishes with the Spanish-Bourbon militia. The allied troops are unable to maintain an occupation.

The allied position in Madrid is dangerous. On November 9, the city is evacuated and the retreat to Catalonia begins, pursued by Spanish cavalry led by the Marquis of Valdecañas. The archduke leaves the army with 2,000 cavalry and rushes back to Barcelona, while the rest of the army marches in two detachments. Austrian general Starhemberg and the main body of 12,000 men are a day’s march ahead of the 5,000 British troops under Lord Stanhope. The British force, surprised, is defeated at Brihuega on December 9, 1710. The British are taken prisoner, including Stanhope, who finally surrenders.

When General Starhemberg is informed of the attack on the British column, he moves his troops to help Stanhope’s army, unaware that the latter had capitulated. The next morning, December 10, the Franco-Spanish army is waiting on the plain of Villaviciosa. Compared to the Austrian general’s 14,000 troops, the Duke of Vendôme deploys about 20,000 men, including King Philip and other troops who had joined the duke that morning. The armies deploy in two lines on parallel ridges.

The battle begins during the afternoon, lasting until midnight. Each army has 23 pieces of artillery, deployed in three batteries. The artillery fire begins simultaneously, damaging both armies. The Marquis de Valdecañas, commanding the cavalry in the Bourbon right wing, begins the attack. Valdecañas sends his cavalry against the allied left wing, composed of German infantry and Portuguese and Spanish cavalry under Imperial General von Frankenberg. The German infantry and Portuguese cavalry try to stop the Bourbon charge before yielding, and the left wing is destroyed. The Spanish capture the artillery pieces, killing the Anglo-Dutch troops sent to aid the left wing. With the allied left wing defeated, the archduke’s infantry advances toward the Franco-Spanish center and drives back the Bourbon infantry. The Marquis of Toy tries to prevent losses in the center and avoid the division of the army, but most of his men are taken prisoner by the Portuguese.

Although the Bourbons in the center are in difficulty, the Count of Aguilar throws his cavalry against the archduke’s right wing, commanded by General Starhemberg and comprising the best grenadiers and cavalry squadrons of the allied army. The allies are unable to stop the Count of Aguilar’s cavalry. The archduke’s right wing is saved from disaster by support from the center, led by the Spanish general Antoni de Villarroel. Starhemberg regroups his forces, repulses the Count of Aguilar’s cavalry and charges the Bourbon left wing. After capturing the left-wing cannons, Starhemberg launches his army against the center.

The Bourbon center and left wing begin to retreat, and the right-wing cavalry pursues the allied left wing. The Count of Aguilar then attacks against the archduke’s right wing with his dragoons. Although the German and Portuguese cavalry, under Pedro Manuel de Ataíde, 5th Count of Atalaya, resist the first charge, Aguilar’s cavalry breaks the allied right wing. Valdecañas’ cavalry also deals a severe blow to the allied army, and Lt. Gen. Mahony and Field Marshal Amezaga’s troops charge from the right wing. Starhemberg in return launches three cavalry charges against them. During the fighting, Amezaga is wounded in the face. Starhemberg’s forces retreat to a nearby forest to escape the Franco-Spanish cavalry, and the allied forces begin their withdrawal under cover of night. The British regiments suffer heavy losses. Brigadier-General Lepell, the senior British officer, reports two regiments have been cut off while over 107 men are missing from his own and he has only two squadrons still available.

Although Philip V of Spain and the Archduke Charles both claim victory, the number of dead and wounded, the weapons abandoned by the allied army, and the strategic consequences in the war confirm French domination.

Starhemberg continues his retreat, harassed by Spanish cavalry. His army is reduced to 6,000 or 7,000 men by the time he reaches Barcelona. The Spanish throne is finally secured for Philip when Charles leaves Spain in April 1711 to become Holy Roman Emperor after the death of his older brother.

(Pictured: “Battle of Villaviciosa, December 10, 1710,” oil on canvas by Jean Alaux, Museum of the History of France)


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Birth of George McWhirter, Writer, Teacher & Vancouver’s First Poet Laureate

George McWhirter, Irish-Canadian writer, translator, editor, teacher and Vancouver‘s first Poet Laureate, is born in Belfast, Northern Ireland, on September 26, 1939.

The son of a shipyard worker, McWhirter is raised in a large extended family on the Shankill Road in Belfast. He and his extended family spend the war years and then weekends and the summers at their seaside bungalow in Carnalea, now a suburb of Bangor, County Down. In 1957 he begins a “combined scholarship” studying English and Spanish at Queen’s University Belfast, and education at Stranmillis University College, Belfast. His tutor at Queen’s is the poet Laurence Lerner, and he is a classmate with the future literary critic Robert Dunbar and the poets Seamus Heaney and Seamus Deane.

After graduating, McWhirter teaches in Kilkeel and Bangor, County Down, and in Barcelona, Spain, before moving to Port Alberni, British Columbia, Canada. After receiving his M.A. from the University of British Columbia (UBC), where he studies under Michael Bullock and J. Michael Yates, he stays on to become a full professor in 1982 and head of the Creative Writing Department from 1983 to 1993. He retires as a Professor Emeritus in 2005.

McWhirter is associated with PRISM International magazine from 1968 to 2005. He is the author and editor of numerous books and the recipient of many awards. His first book of poetry, Catalan Poems, is a joint winner of the first Commonwealth Poetry Prize with Chinua Achebe‘s Beware, Soul Brother. He is made a life member of the League of Canadian Poets in 2005 and is also a member of the Writers’ Union of Canada and PEN International. In March 2007, he is named Vancouver’s inaugural Poet Laureate for a two-year term.

McWhirter currently writes full-time and lives in Vancouver with his wife. They have two children and three grandchildren.


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Birth of Michael Carruth, Olympic Boxing Gold Medalist

Michael Carruth, a southpaw Irish Olympic boxer, is born in Dublin on July 9, 1967. He is best known for winning the welterweight gold medal at the 1992 Summer Olympics in Barcelona, Spain. He turns Pro in 1994 but retires in 2000.

Boxing as a lightweight at the 1988 Summer Olympics in Seoul, South Korea, following a bye in the first round, Carruth defeats Satoru Higashi of Japan before being defeated by George Scott of Sweden.

In the 1992 Summer Olympics in Barcelona, Carruth steps up to the welterweight class. Following a bye in the round of 32, he defeats Mikaele Masoe of American Samoa on points in the round of 16. He defeats Andreas Otto of Germany on points in the quarterfinals and Arkhom Chenglai of Thailand in the semi-final. In the final he defeats Juan Hernández Sierra of Cuba on points.

Carruth’s medal is Ireland’s first ever gold medal in boxing, only a couple of hours after teammate Wayne McCullough has to settle for the silver in bantamweight. It is also the first Olympic gold medal for Ireland since Ron Delany won the Men’s 1500m event at the 1956 Summer Olympics in Melbourne, Australia.

Within a few days of Carruth winning his Olympic medal the Government of Ireland announces that he has been instantly promoted to sergeant within the Irish Army in recognition of his achievement at the Olympics. And, on the day of his return to Ireland, local pubs drop the price of beer to that of 1956.

Carruth turns pro in 1994 after taking leave from his job as a soldier in the Irish Army. He is trained by former Irish boxing great Steve Collins. He has limited success as a pro, losing in both of his defining pro bouts: in 1997 against Mihai Leu for the World Boxing Organization (WBO) Welterweight title and in 2000 against Adrian Stone for the International Boxing Organization (IBO) Light Middleweight title. He retires in 2000, after the loss to Stone, with a career professional record of 18-3-0.

In 2006, Carruth competes on the TV series Celebrity Jigs ‘n’ Reels. He serves as an expert boxing analyst for RTÉ‘s Olympic coverage in 2008, 2012 and 2016. In 2020, he appears in the fourth season of the Irish edition of Dancing with the Stars. He and his professional partner, Karen Byrne, are eliminated on February 3, 2020.

During his short spell as senior Westmeath county football team manager, Brendan Hackett appoints Carruth as masseur in 2009.


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Birth of John Treacy, Olympian & Former Athlete

John Treacy, Irish Olympian and former athlete, now a sporting administrator, is born in Villierstown, County Waterford, on June 4, 1957.

Treacy attends St. Anne’s Post-Primary School in Cappoquin, County Waterford, running more than seven miles to school every morning. He graduates from Providence College in Providence, Rhode Island. In 1978 and 1979 he wins the IAAF World Cross Country Championships in Glasgow, Scotland and Limerick respectively.

Treacy is known as a tenacious runner who does not have an especially sharp final kick in track races. In the 1978 European Athletics Championships in Prague, he places 11th in the fast 10,000-metre race and fourth in the slow and tactical 5,000-metre race, losing to Italy‘s Venanzio Ortis by just three tenths of a second. In the 5,000-metre final, he lingers behind Great Britain‘s Nick Rose on the final back straight just after Rose drops from the lead group.

In the 1980 Summer Olympics in Moscow, Treacy collapses in his 10,000-metre heat with only 200 metres left, a victim of heat paralysis and dehydration. Because he was running in fourth place when he collapses and because only the top four runners qualify directly for the final from the three heats, his collapse allows Finnish four-time Olympic champion Lasse Virén, who had been trailing him, to qualify directly for the final. Having recovered from his heat-induced collapse, Treacy places seventh in the 5,000-metre final of those Olympics.

In the 1983 World Championships in Athletics in Helsinki, Finland, Treacy is eliminated in the 10,000-metre heats.

In the 1984 Summer Olympics in Los Angeles, California, Treacy places ninth in the 10,000-metre final before crowning his athletics career with a silver medal in the men’s marathon. Winner Carlos Lopes of Portugal is largely unchallenged for much of the race, with Treacy down the field until entering the top six around the 20-kilometre mark. He continues to work his way up the rankings until entering Los Angeles Memorial Coliseum just behind second-place English athlete Charlie Spedding. He overtakes Spedding with 150m to go, during which the Irish television commentary of Jimmy Magee lists the previous Irish Olympic medal winners up to that time, before culminating, “And for the 13th time, an Olympic medal goes to John Treacy from Villierstown in Waterford, the little man with the big heart.” His silver medal places Ireland 33rd on the medals table.

After the Los Angeles Olympics, Treacy runs competitively until 1995, retiring following a road race held in his honour in Waterford, attended by the other two medalists from the 1984 Olympic marathon, Carlos Lopes and Charlie Spedding. While he does not win any more major international championships medals, he does win the 1992 Los Angeles Marathon. At the 1986 European Athletics Championships in Stuttgart, he places sixth in the 10,000-metre race. In the 1987 World Championships in Athletics in Rome, he places twenty-sixth in the 10,000-metre race and thirteenth in the 5,000-metre final. He fails to finish the marathon at the 1988 Summer Olympics in Seoul and places 51st in his final Olympic games, the 1992 Summer Olympics in Barcelona in 1992. He wins the 1993 Dublin Marathon.

Treacy is currently chief executive of Sport Ireland, a statutory authority that oversees, and partly funds, the development of sport within Ireland . He is married to Fionnuala and they have four children: Caoimhe, Deirdre, Sean, and Conor.


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Birth of Pearse Hutchinson, Poet, Broadcaster & Translator

Pearse Hutchinson, Irish poet, broadcaster and translator, is born in Glasgow, Scotland, on February 16, 1927.

Hutchinson’s father, Harry Hutchinson, a Scottish printer whose own father had left Dublin to find work in Scotland, is Sinn Féin treasurer in Glasgow and is interned in Frongoch internment camp in 1919–21. His mother, Cathleen Sara, is born in Cowcaddens, Glasgow, of emigrant parents from County Donegal. She is a friend of Constance Markievicz. In response to a letter from Cathleen, Éamon de Valera finds work in Dublin for Harry as a clerk in the Labour Exchange, and later he holds a post in Stationery Office.

Hutchinson is five years old when the family moves to Dublin and is the last to be enrolled in St. Enda’s School before it closes. He then goes to school at Synge Street CBS where he learns Irish and Latin. One of his close friends there is the poet and literary critic John Jordan. In 1948 he attends University College Dublin (UCD) where he spends a year and a half, learning Spanish and Italian.

Having published some poems in The Bell in 1945, Hutchinson’s poetic development is greatly influenced by a 1950 holiday in Spain and Portugal. A short stop en route at Vigo brings him into contact for the first time with the culture of Galicia. Later, in Andalusia, he is entranced by the landscape and by the works of the Spanish poets Federico García Lorca, Emilio Prados and Luis Cernuda.

In 1951 Hutchinson leaves Ireland again, determined to live in Spain. Unable to get work in Madrid, as he had hoped, he travels instead to Geneva, where he gets a job as a translator with the International Labour Organization, which brings him into contact with Catalan exiles, speaking a language then largely suppressed in Spain. An invitation by a Dutch friend leads to a visit to the Netherlands, in preparation for which he teaches himself the Dutch language.

Hutchinson returns to Ireland in 1953 and becomes interested in the Irish language poetry of writers such as Piaras Feiritéar and Aonghus Fionn Ó Dálaigh and publishes a number of poems in Irish in the magazine Comhar in 1954. The same year he travels again to Spain, this time to Barcelona, where he learns the Catalan and Galician languages, and gets to know Catalan poets such as Salvador Espriu and Carles Riba. With the British poet P. J. Kavanagh, he organises a reading of Catalan poetry in the British Institute.

Hutchinson goes home to Ireland in 1957 but returns to Barcelona in 1961 and continues to support Catalan poets. An invitation by the publisher Joan Gili to translate some poems by Josep Carner leads to the publication of his first book, a collection of thirty of Carner’s poems in Catalan and English, in 1962. A project to publish his translation of Espriu’s La Pell de brau (The Bull-skin), falls through some years later. Some of the poems from this project are included in the collection Done into English.

In 1963, Hutchinson’s first collection of original poems in English, Tongue Without Hands, is published by Dolmen Press in Ireland. In 1967, having spent nearly ten years altogether in Spain, he returns to Ireland, making a living as a poet and journalist writing in both Irish and English. In 1968, a collection of poems in Irish, Faoistin Bhacach (A Lame Confession), is published. Expansions, a collection in English, follows in 1969. Friend Songs (1970) is a new collection of translations, this time of medieval poems originally written in Galician-Portuguese. In 1972 Watching the Morning Grow, a new collection of original poems in English, comes out, followed in 1975 by another, The Frost Is All Over.

In October 1971, Hutchinson takes up the Gregory Fellowship in Poetry at the University of Leeds, on the recommendation of Professor A. Norman Jeffares. There is some controversy around the appointment following accusations, later retracted, that Jeffares had been guilty of bias in the selection because of their joint Irish heritage. He holds tenure at the University for three years, and during that time contributes to the University’s influential poetry magazine Poetry & Audience.

From 1977 to 1978 Hutchinsonn compiles and presents Oró Domhnaigh, a weekly radio programme of Irish poetry, music and folklore for Ireland’s national network, RTÉ. He also contributes a weekly column on the Irish language to the station’s magazine RTÉ Guide for over ten years. A collaboration with Melita Cataldi of Old Irish lyrics into Italian is published in 1981. Another collection in English, Climbing the Light (1985), which also includes translations from Irish, Italian and Galician, is followed in 1989 by his last Irish collection, Le Cead na Gréine (By Leave of the Sun). The Soul that Kissed the Body (1990) is a selection of his Irish poems translated into English. His most recent English collection is Barnsley Main Seam (1995). His Collected Poems is published in 2002 to mark his 75th birthday. This is followed in 2003 by Done into English, a selection of many of the translated works he produced over the years.

A co-editor and founder of the literary journal Cyphers, Hutchinson receives the Butler Award for Irish writing in 1969. He is a member of Aosdána, the state-supported association of artists, from which he receives a cnuas (stipend) to allow him to continue writing. He describes this as “a miracle and a godsend” as he is fifty-four when invited to become a member and is at the end of his tether. A two-day symposium of events is held at Trinity College Dublin, to celebrate his 80th birthday in 2007, with readings from his works by writers including Macdara Woods, Eiléan Ní Chuilleanáin, Paul Durcan and Sujata Bhatt. His most recent collection, At Least for a While (2008), is shortlisted for the Poetry Now Award.

Hutchinson lives in Rathgar, Dublin, and dies of pneumonia in Dublin on January 14, 2012.

(Pictured: Pearse Hutchinson in 1976, photographed by Eve Holmes, © RTÉ Archives 2032/078)


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Birth of Luis de Lacy, Spanish Soldier of Irish Descent

Luis Roberto de Lacy, a Spanish professional soldier of Irish descent who serves in the Spanish and French Imperial armies, is born on January 11, 1775, in San Roque, Cádiz, Spain.

De Lacy is born to Lieutenant-Colonel Patrick de Lacy, an officer in the Ultonia or Ulster Regiment, a foreign unit or Infantería de línea extranjera of the Spanish army. Patrick dies sometime before 1785 and his wife, Antonia, remarries Jean Gautier, another Ultonia officer. His grandfather, General Patrick de Lacy y Gould, came from Limerick. Along with many relatives, he was part of the post-1691 Irish diaspora known as the Flight of the Wild Geese.

De Lacy is commissioned into the Ultonia regiment when he is ten, although his age is recorded as thirteen to satisfy minimum requirements. Issuing commissions to children is not unusual, as they are considered private investments and often used to provide pensions for orphans. Although by now the Ultonia is no longer “Irish,” many of the officers are Spanish-born descendants of the original Irish emigrants, including his uncle Francis and various cousins.

In 1789, de Lacy joins an expedition to Puerto Rico, accompanied by his stepfather. They apparently quarrel and, on their return, de Lacy walks to Porto, in Portugal, intending to take ship to the Maluku Islands, before his stepfather brings him home.

Promoted captain, de Lacy takes part in the War of the Pyrenees against France, which ends with the April 1795 Peace of Basel. He is posted to the Canary Islands in 1799, where he fights a duel with the local Capitán-General. Despite being transferred to El Hierro, he continues their feud. He is court-martialed as a result and sentenced to one year in the Royal Prison at the Concepción Arsenal at Cádiz.

De Lacy’s jailers allegedly consider him mentally unbalanced. As a result, he is stripped of his commission and barred from re-enlisting in the Spanish army. He moves to France in order to continue his career and is appointed captain in the Irish Legion, a French army unit formed in Brittany and intended to support an Irish rising. Although many of its officers are Irish exiles or of Irish descent, the rank and file are mostly Polish.

When the proposed rebellion fails to materialise, the Legion is posted to the Netherlands, where it remains until the War of the Third Coalition ends in 1806. De Lacy is appointed commandant of the second battalion, which participates in the 1807 Invasion of Portugal. In March 1808, Charles IV of Spain abdicates in favour of his son, Ferdinand, who is replaced in May by Joseph Bonaparte and held in France.

De Lacy arrives in Madrid shortly before the May 1808 revolt known as the Dos de Mayo. He deserts and is reinstated in the Spanish army as colonel of the Burgos regiment.

In July 1809, de Lacy is given command of the Isla de León, an important defensive position in Cádiz, home of the Regency Council that rules Spain in Ferdinand’s absence. He leads the 1st Division at the Battle of Ocaña on November 19, 1809. The collapse of the Spanish cavalry under Manuel Freire de Andrade exposes him to a flank attack that practically annihilates his division. A second defeat at Alba de Tormes on November 29 leaves the Spanish unable to confront the French in open battle and they resort to guerrilla tactics.

Although Cádiz is besieged by the French from February 1810 to August 1812, support from the Royal Navy allows the Council to send small amphibious expeditions intended to bolster resistance elsewhere. De Lacy leads landings in Algeciras, Ronda, Marbella and Huelva and although unable to hold them, this absorbs French resources. In March 1811, his troops support an Anglo-Spanish attempt to break the siege of Cádiz. The resulting Battle of Barrosa is a significant victory, although command failures mean the siege continues.

After the loss of Tarragona in June 1811, de Lacy replaces the Marquess of Campoverde as Capitán-General of Catalonia, a position held by his uncle Francis from 1789 to 1792. French efforts to capture Valencia weaken them elsewhere and provide the Spanish opportunities for partisan warfare. He leads a series of incursions into the French departments of Haute-Garonne and Ariège. These restore local morale and force the French to send reinforcements.

Most major towns, including Barcelona, Tarragona and Lleida, remain in French hands and in early 1812, Napoleon makes Catalonia part of France. The focus on guerrilla tactics lead to an increasingly bitter war of reprisals and executions by both sides, which severely impact the civilian population. Many of the partisan bands are beyond central control and their operations often indistinguishable from simple brigandage. This leads to conflict between de Lacy and local Catalan leaders and in January 1813, he moves to Santiago de Compostela as Captain General of the Kingdom of Galicia. He assumes command of the Reserva de Galicia, which he focuses on disciplining and reorganising. Following Allied victory at Vitoria in June 1813, the French withdraw from Spain and Ferdinand returns to Madrid in April 1814.

Ferdinand rejects a previous commitment to accept the Spanish Constitution of 1812 and establishes an absolutist regime. Spain also faces colonial wars in the Americas, which begin in 1810 and continue until 1833. This destabilises the regime and leads to a series of attempted coups, by military officers like de Lacy backed by progressive civilian elements, often linked by Freemasonry.

Following failed attempts in 1815 and 1816, de Lacy returns to Barcelona and assisted by a former subordinate, Francisco Milans del Bosch, plan another. This begins on April 5, 1817, but quickly collapses. De Lacy is captured, court-martialed, and sentenced to death. Following public protests against the sentence, he is secretly taken to Palma de Mallorca, held at Bellver Castle and executed there by firing squad on July 5, 1817.

In 1820, a revolt led by Colonel Rafael del Riego forces Ferdinand to restore the 1812 Constitution. This begins the Trienio Liberal, a period of liberalisation that ends in 1823, when a French army allows Ferdinand to re-assert control. However, in 1820 the reconstituted Cortes Generales declares de Lacy a martyr. Along with others including Riego, he is commemorated on a plaque in the Palacio de las Cortes, Madrid, which can still be seen today. De Lacy is buried at the Cementiri de Sant Andreu, in Barcelona.


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Birth of James Matthew Dillon, Fine Gael Politician

James Matthew Dillon, Fine Gael politician who serves as Leader of the Opposition and Leader of Fine Gael from 1959 to 1965 and Minister for Agriculture from 1948 to 1951 and 1954 to 1957, is born in Drumcondra, Dublin on September 26, 1902. He also serves as a Teachta Dála (TD) from 1932 to 1969.

Dillon is the son of John Dillon, the last leader of the Irish Parliamentary Party, and Elizabeth Mathew. He is educated at Mount St. Benedict’s, in Gorey, County Wexford, University College Galway and King’s Inns. He qualifies as a barrister and is called to the Bar of Ireland in 1931. He studies business methods at Selfridges in London. After some time at Marshall Field’s in Chicago he returns to Ireland where he becomes manager of the family business known as Monica Duff’s in Ballaghaderreen, County Roscommon.

Between 1932 and 1937, Dillon serves as a TD for the Donegal constituency for the National Centre Party and after its merger with Cumann na nGaedheal, for the new party of Fine Gael. He plays a key role in instigating the creation of Fine Gael and becomes a key member of the party in later years. He remains as TD for Monaghan from 1937 to 1969. He becomes deputy leader of Fine Gael under W. T. Cosgrave.

Dillon temporarily resigns from Fine Gael in 1942 over its stance on Irish neutrality during World War II. While Fine Gael supports the government’s decision to stay out of the war, he urges the government to side with the Allies. A passionate anti-Nazi, he describes the Nazi creed as “the devil himself with twentieth-century efficiency.” His zeal against Adolf Hitler draws him the ire of the German Minister to Ireland Eduard Hempel, who denounces him as a “Jew” and “German-hater.” Even Éamon de Valera, then Taoiseach, is not spared the fierceness of Dillon’s rhetoric. When the Taoiseach ridicules his stark support for the Allies, noting this means he has to adopt a Pro-British stance, Dillon defiantly retorts, “My ancestors fought for Ireland down the centuries on the continent of Europe while yours were banging banjos and bartering budgies in the backstreets of Barcelona.”

In 1942, while holidaying in Carna, County Galway, Dillon meets Maura Phelan of Clonmel on a Friday. By that Monday the two are engaged and six weeks after that the pair are married. He is 40 and Maura is 22 years of age.

Dillon is one of the independents who supports the first inter-party government (1948–1951) and is appointed Minister for Agriculture. As Minister, he is responsible for huge improvements in Irish agriculture. Money is spent on land reclamation projects in the areas of less fertile land while the overall quality of Irish agricultural produce increases.

Dillon rejoins Fine Gael in 1953. He becomes Minister for Agriculture again in the second inter-party government (1954–1957). In 1959, he becomes leader of Fine Gael, succeeding Richard Mulcahy. He becomes president of the party in 1960. In 1965, Fine Gael loses the general election to Seán Lemass and Fianna Fáil. The non-Fianna Fáil parties win 69 seats to Fianna Fáil’s 72. Had the other parties won four more seats between them, they would have been able to form a government. Having narrowly failed to become Taoiseach, Dillon stands down as Fine Gael leader after the election.

On Northern Ireland, while Dillon stands against Partition, he equally opposes any “armed solution” or militant nationalist policy, stating, “We have got to win, not only the barren acres of Ulster, but the hearts of the people who live in it.”

Dillon is a colourful contributor to Dáil proceedings and is noted for his high standard of oratory. He remains a TD until 1969, when he retires from politics. He dies in Malahide, Dublin on February 10, 1986, at the age of 83.


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Sonia O’Sullivan Wins 10,000m at European Championships

Sonia O’Sullivan, track and field athlete, wins the 10,000 metres at the European Athletics Championships in Budapest, Hungary on August 19, 1998.

Born on November 28, 1969, in Cobh, County Cork, O’Sullivan is educated in Cobh Community College. She completes her leaving certificate in 1987. Her first major international competition is the 1990 European Athletics Championships at Split, Yugoslavia where she finishes 11th in the 3,000 metres.

O’Sullivan first comes to prominence when winning the 1,500 metres at the 1991 Summer Universiade, before going on to finish fourth in the 3,000 metres final at the 1992 Summer Olympics in Barcelona. She then wins a silver medal in the 1,500 metres at the 1993 World Championships and a gold medal in the 5,000 metres at the 1995 World Championships. She is the favourite for the 5,000 metres title at the 1996 Summer Olympics in Atlanta but drops out of the final due to illness. Her 2,000 metres world record of 5:25.36, set in 1994, stands until 2017.

After a disappointing end to her 1997 season, O’Sullivan makes an impressive comeback in 1998. At the World Athletics Cross Country Championships at Marrakesh in March, she enters both the short course (4 km) and long course (8 km) events. On successive days, she wins both events, and her 4 km time of 12:20 is 14 seconds ahead of her nearest rival. She continues this form into the track season, where her performances in the 1,500 metres, 3,000 metres and 5,000 metres are close to those she had produced at her peak in 1994 and 1995.

At the European Athletics Championships in Budapest, the 1,500 metres and 5,000 metres finals, events at which O’Sullivan usually doubles at major championships, are scheduled to be run on the same day, thus denying her the opportunity of competing in both events. Undeterred, she enters the 5,000 metres and 10,000 metres, having never run the latter event before on the track. In the 10,000 metres final, on August 19, she shadows the leaders and then produces an astonishing 28.1 second final 200 metres to win the gold medal in 31:29.33 in her debut at the distance. Four days later, in the more familiar territory of the 5,000 metres, the pace is set by Romanian Gabriela Szabo, but again, O’Sullivan produces an explosive finishing sprint to defeat Szabo in 15:06.50.

At the IAAF World Cup held the following month in Johannesburg, South Africa, O’Sullivan wins her second major international 5,000 metres competition of the year, again sprinting clear of the opposition following a very slow pace. She concludes her year by winning the Bupa Great North Run.

At the 2000 Summer Olympics in Sydney, O’Sullivan wins a silver medal in the 5,000 metres. She wins silver medals in the 5,000 metres and 10,000 metres at the 2002 European Athletics Championships, and competes at her fourth Olympic Games in 2004. She is known for her dramatic kick, clocking 28-second final 200 metre splits in some of her races.

O’Sullivan is only one of two women (the other being Tirunesh Dibaba) who have won the short and long course World Cross Country title at the same championship (1998 in Marrakesh).