seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Cork (County Cork)


by Leave a comment

The Upton Train Ambush

The Upton train ambush takes place on February 15, 1921, during the Irish War of Independence. The Irish Republican Army (IRA) mounts an attack on a train carrying British soldiers at Upton, County Cork. The action is a disaster for the IRA with three of its volunteers killed and two wounded. Six British soldiers are wounded, three seriously. Six civilian passengers are killed and ten wounded in the crossfire.

According to a study of the region, Cork is “by far the most violent county in Ireland” during the War of Independence and has several active guerrilla brigades. Of these, the 3rd Cork Brigade is one of the most effective and it is a unit from this Brigade that carries out the Upton ambush.

Up until the end of 1920, the British had been unable to move troops by train, due to a nationwide boycott by railway workers of trains carrying the British military. However, the strike is lifted in December 1920. While this helps the British military’s mobility, it also gives the IRA a new target: trains carrying soldiers. A week before the Upton ambush, the local IRA had made a successful attack on a train travelling from Killarney to Millstreet near Drishanbeg, killing one sergeant and wounding five more soldiers.

Five days after the Drishanbeg ambush, plans are made for an attack at Upton and Innishannon railway station on a train traveling between Cork city and Bandon. The ambushers, led by Charlie Hurley, are thirteen strong. Seven are armed with rifles and the remainder with revolvers or semi-automatic pistols. They take up position at the station ten minutes before the train pulls in, imprisoning the station master, clearing the station and taking cover behind sacks of grain and flour taken from a store.

The train is carrying approximately 50 British soldiers of the Essex Regiment, who are mingled with civilian passengers throughout the train’s carriages. The IRA party is therefore quite heavily outnumbered and out-gunned, but are unaware of this, as two IRA scouts, who were supposed to have been on the train and signaled to them the British numbers, never turn up. They also wrongly believe that the British troops are all in the central carriage. As a result, when the IRA opens fire on the train, there are heavy civilian casualties, including two commercial travelers killed by the first volley. The New York Times reports that “a shower of bullets was rained on the train, practically every compartment being swept.”

The firefight lasts only ten minutes, but in that time six civilian passengers are killed and ten wounded. Six British soldiers are injured, three of them seriously. Two IRA volunteers are killed outright and another is fatally wounded. Two more are badly wounded but survive. Charlie Hurley, who had led the ambush, is struck in the face by a bullet. IRA leader Tom Barry later writes, “Through some miracle, the nine unwounded and two wounded got away across country, in small parties, with the British following close behind.” Three civilian passengers, one unwounded and two wounded, are detained by the British on suspicion of belonging to the ambush party.

The Upton ambush is part of what Tom Barry describes as “twelve dark days” for the 3rd Cork Brigade of the IRA. Between February 4 and February 16, eleven members of the Brigade are killed. One is shot dead by British troops when they raid a safehouse on February 4, another dies in an accidental shooting on February 7, two more (brothers James and Timothy Coffey) are assassinated in their beds on February 14 by Black and Tans or Auxiliaries, three die at Upton on February 15 and four are killed on February 16 when they are arrested by the Essex Regiment in Kilbrittain while digging a trench and shot dead. Of the eleven dead, only those at Upton are killed in combat.

The Upton attack also highlights the dangers, and particularly the risk to civilians, of attacking trains carrying troops. Only a month later at the Headford Ambush in neighbouring County Kerry, an IRA column successfully attacks a train-load of troops, but again, there are civilian casualties alongside the IRA and British Army losses. One of the three men captured by the British at Upton is reported to give information leading to the 3rd Cork Brigade’s main column of over 100 fighters almost being encircled at the Crossbarry Ambush. Hurley is killed in this action.

The Upton ambush is later made famous in a popular 1960s Irish ballad titled “The Lonely Woods of Upton.”

(Pictured: A portion of the cover of an Italian magazine from 1921 that reported on the Upton ambush)


by Leave a comment

Birth of Albert Rosen, Czech/Irish-Naturalized Conductor

Albert Rosen, Austrian-born and Czech/Irish-naturalised conductor associated with the National Symphony Orchestra of Ireland, the Wexford Festival Opera, the National Theatre in Prague and J. K. Tyl Theatre in Plzeň (Pilsen), is born in Vienna on February 14, 1924. He has a strong affinity with the works of Czech composers such as Bedřich Smetana, Antonín Dvořák, Bohuslav Martinů, and Leoš Janáček.

Rosen’s mother is Czech, while his father’s family is Austrian-Jewish. After Anschluss of Austria in 1938 they move to Bratislava, and after the Slovak version of Nuremberg Laws comes to force in September 1941, he escapes discrimination and genocide via the Danube and the sea to Israel (then Mandatory Palestine). There he works in the Shaʽar_HaGolan kibbutz, manually and as an amateur chorus master, until 1945, when he returns to Bratislava.

In 1946–47 Rosen studies piano, composition and conducting at the Vienna Academy of Music with Joseph Marx and Hans Swarowsky, and continues to study conducting at the Prague Conservatory under Pavel Dědeček and Alois Klíma (1947–48). He starts his career in J. K. Tyl Theatre in Plzeň (Pilsen) as a correpetiteur, assistant conductor and chorus master (1949–52) and conductor (1953–59), participating on the production of 11 operas, 19 ballets and, as the composer of stage music, 17 dramas. In 1960 he is engaged by National Theatre in Prague, to be appointed in 1964 the chief conductor of Smetana Theatre, the National Theatre’s opera stage. He holds this position until 1971, conducting 11 ballets and 9 opera productions.

In 1965 Rosen comes to Ireland for the first time to conduct the National Symphony Orchestra (under its former name, the Radio Telefís Éireann Symphony Orchestra) at the Wexford Festival. This leads to regular appearances at the festival until 1994, conducting 18 Wexford productions, more than anyone else. In 1969 he becomes the orchestra’s chief conductor, until he becomes principal guest conductor in 1981. In 1994 he is honoured with the title Conductor Laureate of the orchestra.

Rosen’s operatic repertoire includes standard works such as Carmen (Bizet), Tosca and Madama Butterfly (Puccini), Il trovatore and Don Carlos (Verdi), Lohengrin (Wagner), Lucrezia Borgia (Donizetti), Otello and L’italiana in Algeri (Rossini), Káťa Kabanová (Janáček), La Wally (Catalani), The Bartered Bride (Smetana), and Salome (Richard Strauss). He also conducted unusual works such as Smetana’s The Two Widows and The Kiss, and Dvořák’s Rusalka, The Devil and Kate and The Jacobin.

In October 1978, in Dublin and Cork, Rosen conducts the National Symphony Orchestra in only the second and third performances of André Tchaikowsky‘s 2nd Piano Concerto, Op. 4, which are the first performances with the composer as soloist. He is to record the work in 1982, again with Tchaikowsky at the piano, but the composer becomes ill, and the recording is cancelled. His other work with the NSO includes standard orchestral repertoire as well as major pieces such as Olivier Messiaen‘s Turangalîla-Symphonie and Gustav Mahler‘s Symphony No. 8 (Symphony of a Thousand). In 1992, the orchestra tours ten cities in Germany, having a major success with Die Fledermaus in Stuttgart.

Rosen makes his American debut at the San Francisco Opera in 1980, in Janáček’s Jenůfa. In Australia, he is chief conductor of the West Australian Symphony Orchestra from 1983 until 1985, and the Adelaide Symphony Orchestra in 1986. He conducts the British premiere of Nikolai Rimsky-Korsakov‘s opera Christmas Eve with English National Opera in 1988. He becomes music director of the Irish National Opera in 1993.

Rosen often conducts the National Youth Orchestra of Ireland during the 1990s, in challenging works such as the tone poems and An Alpine Symphony of Richard Strauss. Other opera orchestras he conducts included those of the Welsh National Opera, Scottish Opera, Vancouver Opera, San Diego Opera, and the Dublin Grand Opera Society.

Rosen becomes an Irish citizen by naturalisation. His own conducting students include John Finucane.

Rosen dies at the age of 73 in Dublin on May 23, 1997, of lung cancer.

(Pictured: Albert Rosen conducts the RTÉ Symphony Orchestra in St. Patrick’s Training College in Drumcondra, Dublin, in 1972)


by Leave a comment

Birth of Rosaleen Brigid Ganly, Painter & Sculptor

Brigid Ganly HRHA, Irish painter and sculptor, is born Rosaleen Brigid O’Brien on January 29, 1909, in Dublin.

Ganly is one of five children born to Dermod O’Brien, a painter, and his wife Mabel Smiley. Her great-grandfather is the Irish Republican William Smith O’Brien. She grows up on a farm in Cahirmoyle, County Limerick, until the family moves to Fitzwilliam Square in Dublin. She goes on to attend the Metropolitan School of Art where she has the opportunity to study under Patrick Tuohy, Seán Keating and Oliver Sheppard. She is a talented sculptor and wins several awards, including the Taylor scholarship in 1929, for her allegorical male nude, Pity. She spends time in Paris in 1951 where she trains with André Lhote. She travels to Greece where Lhote continues to influence her work.

Ganly also studies painting in the Royal Hibernian Academy School where she has Margaret Clarke and Seán O’Sullivan as teachers. She is made an associate of the Royal Hibernian Academy (RHA) in 1928 and becomes a member in 1935 though, in 1969, resigns her membership in protest of the lack of young artists being given the opportunity to exhibit. In 1972 she is made an honorary member and returns.

Ganly is a representational artist and while known as a portrait artist, she also paints landscapes, interiors and may be best known for her still lifes. Some of her best works are portraits of her husband, her sister Ethel, her father, and her friend Sheila Pim. She illustrates the book-jackets of Sheila Pim’s works. She has many exhibitions, with the RHA and the Water Colour Society of Ireland. There is a retrospective of her life in 1998 at the Hugh Lane Gallery and her works are in the collections there. She is also in the collections of the Waterford Municipal Gallery, Crawford Art Gallery, Cork and in The National Self-Portrait Collection of Ireland. She is part of the 2014 exhibition ‘Irish Women Artists: 1870-1970.’

Ganly’s sister-in-law is Kitty Wilmer O’Brien with whom she often exhibits. She marries Andrew Ganly, a dental surgeon and writer with a strong involvement in theatre, in 1936. He dies in 1982. They have two children, Eoghan and Phillida.

Brigid Ganly dies on March 25,2002.

(Pictured: “Storm Over Poros” (1964) by Rosaleen Brigid Ganly, HRHA)


by Leave a comment

Birth of Charles McCarthy, Trade Unionist & Academic

Charles McCarthy, trade unionist and academic, is born on January 25, 1924, at 12 Annmount, Friars Walk, Cork, County Cork.

McCarthy is the second child of John George McCarthy of Cork, plumber, and Agnes Abina McCarthy (née O’Donoghue). He is educated at Presentation Brothers College, Cork, University College Dublin (UCD), and King’s Inns, where he enrolls in 1948. He is called to the bar in 1956.

On June 7, 1951, McCarthy marries Muriel, daughter of Liam Breslin. She becomes (1989) keeper of Marsh’s Library, Dublin, receives an honorary LL.D from National University of Ireland (NUI), and is also made an honorary lay canon of St. Patrick’s Cathedral, Armagh. They live at 367 Howth Road, Raheny, Dublin, and have one son and two daughters.

After graduating from UCD McCarthy briefly works as a clerk on a building site and as an insurance agent before becoming an actor with the Radio Éireann Repertory in 1947. During his time with Radio Éireann he also writes four plays, one of which, entitled Jericho’s trumpets, is based on his experiences in the insurance industry. He is later employed as a speech and drama teacher by Cork vocational educational committee. At the same time, he develops an interest in industrial relations as treasurer of the actors’ trade union Equity and then as secretary of the Civil Service Alliance. In 1956 he becomes full-time general secretary of the Vocational Teacher’s Association, which later becomes the Teachers’ Union of Ireland (TUI). Through this post he eventually becomes president (1963–64) of the Irish Congress of Trade Unions (ICTU) and sits on the executive committee for ten years. As secretary to the International Committee of Technical Teachers he organises conferences around the world and develops countless international contacts.

In 1968 McCarthy publishes his first book, The distasteful challenge. A damning indictment of the static nature of Irish society at the time, it stresses the need to face up to change, particularly in the areas of education, the civil service, and local government. This is followed in 1971 by Industrial democracy. The following year he takes a leave of absence from the TUI to become a research fellow at Trinity College Dublin (TCD). In 1973 his dedication to the arts is rewarded with a seat (1973–76) on the RTÉ Authority and in the same year he publishes Decade of upheaval, which documents the experiences of the trade union movement during the turbulent era of the 1960s. In 1977 he becomes a lecturer in industrial relations at TCD and his 670-page magnum opus, Trade unions in Ireland, 1894–1960, is published to critical acclaim. In 1979 he is appointed to the chair in industrial relations at TCD and becomes head of the school of business and administrative studies. He is later appointed dean of the faculty of economic and social studies and made a fellow of TCD.

McCarthy is a firm believer in resolving industrial relations problems through negotiation. Both unions and management alike respect his views and abilities and he is frequently called on by the private and public sectors, as well as governments, to use his expertise to bring an end to protracted disputes. He sits on numerous public bodies including the National Industrial & Economic Council and the Irish National Productivity Committee. In 1985 his ability to bridge the divide between management and unions is recognised with his election to the council of the Irish Management Institute. Despite his career in industrial relations he maintains his interest in drama and is an original shareholder in the new Abbey Theatre. In 1973 he is appointed to the board of the theatre, serving as chairman from 1982–85. He is also a member of the board of governors and guardians of Dr. Steevens’ Hospital, Dublin.

McCarthy dies on September 8, 1986 in Dublin of atherosclerosis of the coronary arteries.

(From: “McCarthy, Charles” contributed by Shaun Boylan, Dictionary of Irish Biography, http://www.dib.ie)


by Leave a comment

Death of Patrick Hennessy, Irish Realist Painter

Patrick Anthony Hennessy RHA, Irish realist painter known for his highly finished still lifes, landscapes and trompe-l’œil paintings, dies in London on December 30, 1980. The hallmark of his style is his carefully observed realism and his highly finished surfaces, the result of a virtuoso painting technique.

Hennessy is born in Cork, County Cork, on August 28, 1915. The son of John Hennessy an army sergeant major from County Kerry and Bridget Hennessy from Cork. His father is killed in World War I at the Battle of Passchendaele in 1917. In 1921, when he is five years old, his mother remarries in Cork. Her second husband is a Scot named John Duncan and shortly afterwards the whole family moves to Arbroath, Scotland, where Duncan has relatives.

Hennessy is educated in Arbroath at St. Thomas RC Primary School followed by secondary education at Arbroath High School, where he begins to show an aptitude for art, leaving in 1933 with the Dux for Art and an accompanying medal. In the autumn of 1933 he enrolls at the Dundee of Jordanstone College of Art & Design, for a four-year Diploma course in Drawing and Painting under James McIntosh Patrick and Edward Baird. Here he meets Harry Robertson Craig who becomes his lifelong companion. He plays a full part in the social activities of the college, winning a fancy dress award at the Christmas revels in 1935 and producing a ballet “Paradise Lost” the following year. He gains a First Class Pass in each year of the course along with winning first prize in 1934 and 1936 for work done during the summer vacation. He graduates with a First Class Distinction in 1937.

Having gained a scholarship, Hennessy continues his studies at the Dundee of Jordanstone College of Art & Design for a further year by doing a Post-Graduate Diploma course in Drawing and Painting. Within a month of gaining his Post-Graduate Diploma he holds his first joint exhibition at the Art Galleries in Arbroath. In June 1938 he is awarded the Annual Travelling Scholarship for further studies in Paris and Italy. In Paris he meets up with the artists Robert Colquhoun and Robert MacBryde, whom he had met the previous year, the three travelling south together to Marseilles towards the end of that year. On his return to Scotland he is selected for the residential summer school course at Hospitalfield House near Arbroath under James Cowie. Two of his paintings, a still life and a self-portrait, are accepted that year by the Royal Scottish Academy for their Annual Exhibition. However, by the autumn of 1939 with war looming and feeling somewhat disenchanted on his return to Scotland, he decides to return to Ireland.

On arrival in Dublin Hennessy is offered an exhibition in December 1939 at the Country Shop on St. Stephen’s Green which is opened by Mainie Jellett. This attracts favourable attention. During the early 1940s he lives at various addresses in and around Dublin with frequent trips to Cork. In 1940 he is invited to join the Society of Dublin Painters and holds regular annual exhibitions of his work there during the 1940s and early 1950s. These exhibitions are supplemented by an eclectic mix of commissions, mostly portraits which he undertakes during this period. In 1941 he has three of his paintings accepted by the Royal Hibernian Academy (RHA) for their annual exhibition. This is the beginning of a long relationship with the RHA. He exhibits there virtually every year from 1941 until 1979, the year before his death.

From the early 1940s onwards, Hennessey’s work sometimes incorporates a homosexual visual subtext. He re-unites with Harry Robertson Craig in 1946 and soon after they move to Crosshaven, County Cork, and later to Cobh. In 1947, Time magazine selects him as one of Ireland’s outstanding painters, in recognition of the important position he has then attained in the art world. In 1948 he has an exhibition at the Victor Waddington Gallery, Dublin, and that same year is elected an associate of the Royal Hibernian Academy and a full member the following year. In 1950 his painting De Profundis is selected for the Contemporary Irish Painting exhibition that tours North America. As a result of this tour, the American public and critics begin to take notice of his work. In 1951 he visits Italy, taking in Venice and Sicily and returning to Dublin with many of his canvases painted abroad. One of these paintings, Bronze Horses of St. Marks, is exhibited at the Royal Academy of Arts in London in 1954.

In 1956, a friend of Hennessy, David Hendriks, opens the Ritchie Hendriks Gallery on St. Stephen’s Green, Dublin and it is this gallery that is to be the main outlet for his work over the following 22 years. In October 1956 the Thomas Agnew Gallery in London holds an exhibition of his work comprising 38 of his paintings. However, during the winter of 1959 he becomes seriously ill with pneumonia. As a consequence of this, in the autumn of that year he and Craig decide to winter in Morocco. This is the beginning of a new era in both their lives. They would never again spend a full year in Ireland. His exhibitions at the Ritchie Hendriks Gallery had for many years enjoyed favourable reviews from the art critics but in the 1960s this changes with critics claiming his paintings to be dull, repetitive and suggest he needs to explore new areas. Despite the barrage of criticism, in 1965 the Guildhall Gallery in Chicago offers him a major exhibition. Shortly after this exhibition takes place in 1966 he becomes one of the artists on permanent display at the gallery with an annual exhibition. The North American market is extremely lucrative for him and by the end of the decade he is selling more of his work in the United States than in Ireland. In 1968 he finally moves to Tangier, Morocco on a permanent basis and in 1970 sells his studio on Raglan Lane, Dublin.

In Morocco, Hennessy paints prolifically for nine years to keep up with demand from the Hendriks Gallery and Guildhall Gallery along with the RHA. In 1975 the Guildhall Gallery mounts a highly successful Retrospective of his work. In 1978 he has his last exhibition in Dublin at the Hendriks Gallery. By this time he has moved to the Algarve, Portugal and is beginning to have health problems.

In November 1980, with his health deteriorating, Craig brings Hennessy to a hospital in London for treatment. However, on December 30, 1980 he dies from cancer. Following cremation his ashes are buried in nearby Golders Green Crematorium. He leaves his entire estate to Harry Robertson Craig with the proviso that on Craig’s death the Royal Hibernian Academy should be the beneficiary. This legacy has been used to set up the annual Hennessy Craig Scholarship for aspiring artists.

Hennessy falls into the category of painter who develops a distinctive personal style, labelled at various times in his life as a Traditional Realist, Romantic, Photo Realist, Illusionary and Surrealist. However, he always remains intrinsically himself. His subjects range from still life and interiors to landscapes and portraits.

Examples of Hennessy’s work can be found in the public collections of the Crawford Art Gallery, the Dublin City Gallery The Hugh Lane, the Irish Museum of Modern Art (IMMA), the Limerick City Gallery of Art (LCGA), the National Gallery of Ireland (NGI), the National Self-Portrait Collection of Ireland (NSPCI) at the University of Limerick (UL), and in the collections of University College Cork (UCC) and University College Dublin (UCD).


by Leave a comment

Birth of Diarmuid O’Hegarty, Civil Servant & Revolutionary

Diarmuid O’Hegarty (Ó hÉigeartuigh), civil servant and revolutionary, is born Jeremiah Stephen Hegarty on December 26, 1892, in Lowertown, Skibbereen, County Cork, the eldest of seven children of Jeremiah Hegarty (1856–1934) and his wife Eileen (née Barry), both teachers. He is educated at the Christian Brothers school, St. Patrick’s Place, Cork, joins the civil service in 1910 and is posted to the Department of Agriculture and Technical Instruction, acquiring invaluable administrative experience as private secretary to T. P. Gill, secretary of the department.

O’Hegarty is a member of the Keating branch of the Gaelic League and the closely associated Teeling circle of the Irish Republican Brotherhood (IRB). In 1913 he becomes secretary and stage manager of a troupe of Gaelic players, Na hAisteoirí, which includes several who later become prominent revolutionaries: Piaras Béaslaí, Gearóid O’Sullivan, Fionán Lynch, and Con Collins. As second lieutenant of F Company, 1st Battalion, Dublin Brigade, Irish Volunteers, during the Easter Rising, he is in charge of barricades in Church Street, Mary Lane, Mary’s Abbey, and Jameson Distillery, an area which sees fierce fighting. Imprisoned in Knutsford (May 1-18), he is released in error and returns to his post in the civil service. On his return he is a key figure in the reorganisation of the Volunteers and IRB, becoming a member of the executive of the IRB’s supreme council along with Michael Collins and Seán Ó Murthuile. He also becomes a central figure in Kathleen Clarke‘s prisoner support group, the Irish Volunteer Dependents Fund, and when it amalgamates with the more moderate Irish National Aid Association to form the INA&VDF in August 1916, he helps to ensure that it is dominated by republicans.

O’Hegarty is very close to Michael Collins and Harry Boland and in 1918 this IRB triumvirate exercises considerable control in the nomination of Sinn Féin candidates for the 1918 Irish general election. In the same year he is dismissed from the civil service for refusing to take the oath of allegiance, but his administrative talents find ample outlet in the secretariat of the revolutionary Dáil and later in the service of the Irish Free State to such an extent that he has been called ‘the civil servant of the revolution’ and ‘the Grey Eminence of the Free State Government.’ As clerk of the First Dáil and secretary to the Dáil cabinet (1919–21), he is largely responsible for its success, organising meetings of the clandestine parliament and coordinating the work of various departments from his offices on the corner of O’Connell Street and Abbey Street and later in Middle Abbey Street. He is determined that the Dáil will demonstrate its worth by ‘functioning as any progressive government would be expected to function.’ He records the minutes and handles all correspondence of the Dáil cabinet. As the conduit through which the Dáil’s ministers communicate, his role is central to the effective operation of government on the run. The influence this gives him within the revolutionary movement is bolstered by his senior role within the IRB and the positions of military significance which he occupies. He is a member of the Volunteer Executive (Jun 1916–Nov 1921), Irish Republican Army (IRA) Director of Communications (Jul 1918–Mar 1920), and Director of Organisation (Mar 1920–Apr 1921). When convicted of illegal assembly and jailed in Mountjoy Prison (Nov 1919–Feb 1920), he immediately wields power within the prison, ordering Noel Lemass off a hunger strike.

O’Hegarty resigns his military duties in April 1921 to concentrate on his work in the Dáil secretariat and serves as secretary to the Irish delegation during the Anglo–Irish Treaty negotiations in London (Oct–Dec 1921). He is a vital voice for the Treaty within the IRB and is appointed secretary to the cabinet of the Provisional Government in 1922, participating in the unsuccessful army unification talks of May 1922. During the Irish Civil War, he is briefly seconded from his civil service post to serve as military governor of Mountjoy Prison (Jul-Aug 1922), where he threatens that prisoners who persist in leaning out of windows and talking to the public outside the prison will be shot. Peadar O’Donnell, who is a prisoner there at the time, remembers him as the focus of much ‘republican bitterness.’ A member of the army council during the Irish Civil War, he serves as Director of Organisation (Jul–Dec 1922) and Director of Intelligence (Dec 1922–May 1923), leaving the army with the rank of lieutenant general on May 1, 1923, to resume his civil service career.

O’Hegarty is secretary to the Executive Council of the Irish Free State (1923–32) and principal private secretary to its president, W. T. Cosgrave. Again, he records the cabinet minutes and is the administrative pivot upon which government turns. He serves as secretary to numerous governmental delegations and is widely praised for his work in this role at the 1926 Imperial Conference and the 1930 Imperial Conference. In 1927 he goes to New York to represent the government at a hearing into the fate of republican funds in the United States. His career is the prime example of the influence of revolutionary veterans within the higher civil service in the early years of the state. After the change of government following the 1932 Irish general election, he is one of the very few senior civil servants who is effectively removed from his position. He is appointed to be a commissioner of public works, becoming chairman in 1949, a position he holds until his retirement in 1957. In 1939–40 he serves on the Economy Committee established by the government to advise on wartime spending, and in 1941 is a member of a tribunal of inquiry into public transport, which is principally concerned with the poor financial state of Great Southern Railways.

On April 27, 1922, with Michael Collins as his best man, O’Hegarty marries Claire Archer, daughter of Edward Archer, a post office telegraph inspector from Dublin, and Susan Archer (née Matthews). Her brother is William (Liam) Archer. They live at 9 Brendan Road, Donnybrook, Dublin.

O’Hegarty dies on March 14, 1958, in Dublin, leaving an estate of £5,441. His papers are in the University College Dublin (UCD) Archives.


by Leave a comment

Birth of Anew McMaster, Anglo-Irish Stage Actor

Anew McMaster, Anglo-Irish stage actor, is born in Birkenhead, England, on December 24, 1891. During his nearly 45 year acting career he tours Ireland, Britain, Australia and the United States. For almost 35 years he tours as actor-manager of his own theatrical company performing the works of Shakespeare and other playwrights.

McMaster is born as Andrew McMaster, the son of Liverpool-born Andrew McMaster (1855–1940), a master stevedore, and Alice Maude née Thompson (1865–1895). A number of sources make the erroneous claims, based on details supplied by McMaster himself, that he is born in 1893 or 1894 or even 1895 in County Monaghan in Ireland but, according to the Birth Register and the 1901 United Kingdom Census, he is actually born in 1891 in Birkenhead, England. Like his future brother-in-law Micheál Mac Liammóir, who is born in London as Alfred Willmore but claims to have been born in Cork to Gaelic-speaking parents, McMaster reinvents himself as Irish and claims for himself the town of Monaghan as his birthplace, and Warrenpoint, County Down, as the scene of his earliest memories.

At the age of nineteen McMaster gives up a career in banking to pursue one on the stage. He moves to Ireland and tours the country with the O’Brien-Ireland theatrical company from 1910 to 1914. Success quickly follows with his appearance as Jack O’Hara in Paddy the Next Best Thing at the Savoy Theatre (1920). From 1921 he tours Australia in this and other plays, and in 1925 forms his own company, the McMaster Intimate Theatre Company, a ‘fit-up‘ company to tour in the works of Shakespeare, mainly in Ireland but also in Britain and Australia, touring with his theatrical company until 1959. One of the last actor-managers “of the old school – and an epitome of the type,” on occasions he persuades a ‘big name’ to act with his company as a draw for audiences. Frank Benson (1928), Sara Allgood (1929) and Mrs. Patrick Campbell appear with him.

In 1933 at the Shakespeare Memorial Theatre in Stratford-upon-Avon McMaster appears as Hamlet opposite Esme Church as Gertrude, Coriolanus, Macduff in Macbeth, Leonato in Much Ado About Nothing, Prince Escalus in Romeo and Juliet, and Petruchio in The Taming of the Shrew. His greatest roles are as Othello and as Shylock in The Merchant of Venice, to which he adds King Lear in 1952. Just before World War II he and his company appear at the Chiswick Empire in a Shakespeare season. He tours the United States as James Tyrone in Eugene O’Neill‘s Long Day’s Journey into Night in 1956. Having ‘a great organ voice,’ Harold Pinter, who acts in his company in Ireland from 1951 to 1953 and calls him ‘perhaps the greatest actor-manager of his time,’ later describes McMaster as ‘evasive, proud, affectionate, shrewd, merry.’ In his brief biography Mac (1968), Pinter recalls, “Mac gave about a half dozen magnificent performances of Othello while I was with him… At his best he was the finest Othello I have seen. [He] stood dead in the centre of the role, and the great sweeping symphonic playing would begin, the rare tension and release within him, the arrest, the swoop, the savagery, the majesty and repose.”

McMaster’s only film role is an uncredited appearance as the Judge in Sword of Sherwood Forest (1960).

In 1924 McMaster marries the actress and designer Marjorie Willmore (1894–1970), the sister of Micheál Mac Liammóir. They have two children, the actors John Christopher McMaster (1925–1995) and Mary-Rose McMaster (1926–2018).

Anew McMaster dies at the age of 70 at his home in Dublin on August 24, 1962. He is buried with his wife in Deans Grange Cemetery in County Dublin.

McMaster trains a generation of actors who tour with his company and go on to achieve success as actors. These include Pauline Flanagan, Milo O’Shea, T. P. McKenna, Kenneth Haigh, Henry Woolf, Harold Pinter, Donal Donnelly and Patrick Magee. It is while they are touring with McMaster’s company that the actor and dramatist Micheál Mac Liammóir and the actor and producer Hilton Edwards first meet and begin their lifelong partnership.

McMaster’s biography, A Life Remembered: A Memoir of Anew McMaster by his daughter Mary-Rose McMaster, is published in 2017. Harold Pinter also publishes a short biography, Mac, in 1968.


by Leave a comment

Birth of Jeremiah Joseph “Ginger” O’Connell, Irish Revolutionary

Jeremiah Joseph “Ginger” O’Connell, Irish revolutionary, active in the Irish War of Independence, and later a senior officer in the Defence Forces, is born in Ballina, County Mayo, on December 21, 1887.

O’Connell is born to Jeremiah Ambrose and Winifred O’Connell. He is nicknamed “Ginger” because of his red hair. His father is a national school inspector, so the family lives in Sligo, Derry, Longford and Belfast, and he attends a succession of primary schools. He studies at University College Dublin (UCD) where he receives a BA and a first-class MA. He is a member of the Literary and Historical Society at UCD and has an interest in boxing.

O’Connell is living in Cavan with his father, his sister Mary Margaret, his brother John Aloysius and two servants, Mary Burke and Rose Anne O’Reilly, at the time of the 1911 census, when he is 23. He is working as a Solicitor’s Apprentice, can read and write as well as speak both English and Irish, and is single. His mother is not living as it is recorded that his father is a widower.

O’Connell spends some time in the United States Army, serving with the 69th New York Infantry Regiment between 1912 and 1914. He returns to Ireland in 1914 and joins the Irish Volunteers, becoming Chief of Inspection in 1915. He travels the country organising volunteer corps, as well as contributing to the Irish Volunteer’s journal and delivering lectures on military tactics to both the Volunteers and Fianna Éireann. He also delivers a series of lectures about the famous Irish battles to the Gaelic League in Dublin. He is not a member of the Irish Republican Brotherhood (IRB) as he believes that soldiers should not be a part of secret societies.

At the time the 1916 Easter Rising, O’Connell is operating in Dublin under instruction from Joseph Plunkett. He is dispatched to Cork by Eoin MacNeill to try to prevent the Rising. Following the Rising, he is arrested and held in Frongoch internment camp from April to July 1916. In 1918 he is again arrested and interned, spending time in Wandsworth Prison with Arthur Griffith for the alleged involvement in the fabricated German Plot.

During the Irish War of Independence, O’Connell is a member of the Irish Republican Army (IRA) headquarters staff, as Assistant Director of Training and, after the killing of Dick McKee in 1920, as Director of Training. He coordinates, and is the principal lecturer, for a training course for military officers. The course is run clandestinely in the premises of the Topographical Society on Gardiner Street in Dublin. A sympathetic doorkeeper allows the group in at night when the society is not present. Topics delivered by O’Connell include tactics, ordinance and engineering.

In the IRA split after Dáil Éireann ratifies the Anglo-Irish Treaty, O’Connell takes the pro-Treaty side. He is made Deputy Chief of Staff in the National Army. On June 26, 1922, he is kidnapped by anti-treaty forces in reprisal for the arrest of an anti-treaty officer. His kidnapping is a precipitating factor in the formal outbreak of the Irish Civil War, when government pro-treaty forces two days later attack anti-treaty forces occupying the Four Courts. He survives the fighting and spends the rest of the civil war as General Officer Commanding the Curragh Command.

Following the Irish Civil War, the National Army is reorganised, and as part of that O’Connell is demoted from general to colonel. He subsequently holds a variety of positions: chief lecturer in the army school of instruction (1924–1929); director of no. 2 (intelligence) bureau (1929–1932); OC Irish Army Equitation School (March–June 1932); quartermaster-general (1932–1935) and director of the military archives (1935–1944). He also publishes articles on Irish and foreign military history and tactics in his time as a military historian. He marries Gertrude McGilligan, and they have two children together – one son and one daughter.

O’Connell dies of a heart attack at the age of 56 on February 19, 1944.


by Leave a comment

Birth of Richard Barrett, Irish Republican Army Volunteer

Richard Barrett, commonly called Dick Barrett, a prominent Irish Republican Army (IRA) volunteer, is born on December 17, 1889, in Knockacullen (Hollyhill), Ballineen, County Cork. He fights in the Irish War of Independence and on the Anti-Treaty side in the Irish Civil War, during which he is captured and later executed on December 8, 1922.

Barrett is the son of Richard Barrett, farmer, and Ellen Barrett (née Henigan). Educated at Knocks and Knockskagh national schools, he enters the De La Salle College, Waterford, where he trains to be a teacher. Obtaining a first-class diploma, he first teaches at Ballinamult, County Waterford but then returns to Cork in early 1914 to take up a position at the St. Patrick’s Industrial School, Upton. Within months he is appointed principal of Gurrane National School. Devoted to the Irish language and honorary secretary of Knockavilla GAA club, he does much to popularise both movements in the southern and western districts of Cork. He appears to have been a member of the Cork Young Ireland Society.

From 1917, inspired by the Easter Rising, Barrett takes a prominent part in the organisation and operation of the Irish Volunteers and Irish Republican Brotherhood (IRB). By this time, he is also involved with Sinn Féin, in which role he attends the ardfheis at the Mansion House in October 1917 and the convention of the Irish Volunteers at Croke Park immediately afterwards.

Through planning and participating in raids and gunrunning episodes, Barrett comes into close contact with many GHQ staff during the Irish War of Independence, thereby ensuring his own rapid promotion. He is an active Irish Republican Army (IRA) brigade staff officer and occasionally acts as commandant of the West Cork III Brigade. He also organises fundraising activities for the purchase of weapons and for comrades on the run. In July 1920, following the arrest of the Cork III Brigade commander Tom Hales and quartermaster Pat Harte, he is appointed its quartermaster. He is arrested on March 22, 1921, and imprisoned in Cork jail, later being sent to Spike Island, County Cork.

As one of the senior officers held in Spike Island, Barrett is involved in many of the incidents that occur during his time there. After the truce is declared on July 11, 1921, some prisoners go on hunger strike, but he calls it off after a number of days on instructions from outside as a decision had been made that able-bodied men are more important to the cause. In November, Barrett escapes by rowboat alongside Moss (Maurice) Twomey, Henry O’Mahoney, Tom Crofts, Bill Quirke, Dick Eddy and Paddy Buckley.

Following the Irish War of Independence, Barrett supports the Anti-Treaty IRA‘s refusal to submit to the authority of Dáil Éireann (civil government of the Irish Republic declared in 1919). He is opposed to the Anglo-Irish Treaty and calls for the total elimination of English influence in Ireland. In April 1922, under the command of Rory O’Connor, he, along with 200 other hardline anti-treaty men, take over the Four Courts building in the centre of Dublin in defiance of the new Irish government. They want to provoke British troops, who are still in the country, into attacking them. They hope this will restart the war with Britain and reunite the IRA against their common enemy. Michael Collins tries desperately to persuade O’Connor and his men to vacate the building. However, on June 28, 1922, after the Four Courts garrison had kidnapped J. J. O’Connell, a general in the new National Army, Collins’s soldiers shell the Four Courts with British artillery to spark off what becomes known as the Battle of Dublin. O’Connor surrenders following two days of fighting, and Barrett, with most of his comrades, is arrested and held in Mountjoy Gaol. This incident marks the official outbreak of the Irish Civil War, as fighting escalates around the country between pro- and anti-treaty factions.

After the death of Michael Collins in an ambush, a period of tit-for-tat revenge killings ensues. The government implements martial law and enacts the necessary legislation to set up military courts. In November, the government begins to execute Anti-Treaty prisoners, including Erskine Childers. In response, Liam Lynch, the Anti-Treaty Chief of Staff, gives an order that any member of the Dáil who had voted for the ‘murder legislation’ is to be shot on sight.

On December 7, 1922, Teachta Dála (TD) Sean Hales is killed by anti-Treaty IRA men as he leaves the Dáil. Another TD, Pádraic Ó Máille, is also shot and badly wounded in the incident. An emergency cabinet meeting is allegedly held the next day to discuss the assassination of Hales. It is proposed that four prominent members of the Anti-Treaty side currently held as prisoners be executed as a reprisal and deterrent. The names put forward were Barrett, O’Connor, Liam Mellows and Joe McKelvey. It is alleged that the four are chosen to represent each of the four provinces – Munster, Connacht, Leinster and Ulster respectively, but none of the four is actually from Connacht. The executions are ordered by Minister for Justice Kevin O’Higgins. At 2:00 AM on the morning of December 8, 1922, Barrett is awoken along with the other three and informed that they are all to be executed at 8:00 that morning.

Ironies stack one upon the other. Barrett is a member of the same IRA brigade as Hales during the Anglo-Irish War, and they were childhood friends. O’Connor had been best man at O’Higgins’ wedding a year earlier. The rest of Sean Hales’ family remains staunchly anti-Treaty, and publicly denounces the executions. In reprisal for O’Higgins’ role in the executions, the Anti-Treaty IRA kills his father and burns his family home in Stradbally, County Laois. O’Higgins himself dies by an assassin’s hand on July 10, 1927.

The executions stun Ireland, but in terms of halting the Anti-Treaty assassination policy, they have the desired effect. The Free State government continues to execute enemy prisoners, and 77 official executions take place by the end of the war.

Barrett is now buried in his home county, Cork, following exhumation and reinternment by a later government. A monument is erected by old comrades of the West Cork Brigade, the First Southern Division, IRA, and of the Four Courts, Dublin, garrison in 1922 which is unveiled on December 13, 1952, by the Tánaiste Seán Lemass.

A poem about the execution is written by County Galway clergyman Pádraig de Brún.


by Leave a comment

Death of Confederate General Patrick Cleburne at the Battle of Franklin

Patrick Ronayne Cleburne, native Irishman called the “Stonewall of the West” and one of the finest generals produced by either side during the American Civil War, is killed at the Battle of Franklin on November 30, 1864.

Cleburne is born on March 17, 1828 at Bride Park Cottage in Ovens, County Cork, just outside Cork city. He is extremely loyal to his adopted country, saying, “if this [Confederacy] that is so dear to my heart is doomed to fail, I pray heaven may let me fall with it, while my face is toward the enemy and my arm battling for that which I know to be right.” Sadly, he ultimately receives his wish.

Cleburne begins his military career in an unlikely manner. When he fails the entrance exam at Trinity College, Dublin, he cannot face his family. He enlists in the 41st Regiment of Foot in the British Army. In 1849 he purchases his discharge and leaves for the United States, eventually settling in Helena, Arkansas in June 1850 and earning his citizenship in 1855. He loves his new country, taking part in many community projects, and even being one of the few volunteers to care for the sick during a yellow fever outbreak.

In January 1861 Cleburne joins the local militia company, the Yell Rifles.  He leads the company in the seizure of the U.S. Arsenal in Little Rock in January 1861. When Arkansas secedes from the Union, the Yell Rifles become part of the 1st Arkansas Infantry Regiment. By fall of 1861 he has risen to command the 2nd Brigade, Hardee’s Division, in the Army of Central Kentucky. His first major battle is at the Battle of Shiloh, April 6-7, 1862. At the Battle of Richmond (Kentucky) in August 1862, he is wounded in the mouth and loses several of his teeth. Still, he earns the thanks of the Confederate States Congress for his actions there. During the October 1862 Battle of Perryville he is wounded again – twice, yet stays in command during the battle. In December 1862 he is promoted to Major General.

At the December 1862 Battle of Stones River, Cleburne and his division earn the praise of General Braxton Bragg for their incredible skill and valor. Cleburne’s actions and character play a large role in his men’s determination during battle.

In 1863 Cleburne faces off against Union General George Henry Thomas at the Battle of Chickamauga. His and General John C. Breckinridge’s assaults force General Thomas to call repeatedly for reinforcements. In November 1863 the Confederate army is forced to retreat after the Chattanooga Campaign. However, Cleburne has defeated every assault against his men eventually charging his attackers. After the battle, he and his men are charged with covering the retreat.

On January 2, 1864, Cleburne makes his most controversial decision ever. He gathers the corps and division commanders in the Army of Tennessee to present his proposal. The Confederacy is unable to fill its ranks due to a lack of manpower. He states that slavery is their “most vulnerable point, a continued embarrassment, and in some respects an insidious weakness.” His proposed solution is for the Confederacy to arm slaves to fight in the army. In time, these soldiers would receive their freedom. The proposal is not well received at all. In fact, Jefferson Davis, President of the Confederate States of America, directs that the proposal be suppressed.

In the spring of 1864 the Army of Tennessee moves towards Atlanta, Georgia. Cleburne and his men fight at Dalton, Tunnel Hill, Resaca, Pickett’s Mill, Ringgold and Kennesaw. The Atlanta Campaign begins in the summer and lasts until September, when General John Bell Hood evacuates Atlanta. Hood had taken command from General Joseph E. Johnston, which Cleburne felt to be a disaster for the Confederacy.

General Hood hopes to stop Union General John Schofield and his men before they can reach Nashville to reinforce General Thomas. Due to poor communications and nightfall, Schofield slips past the Army of Tennessee into Franklin.

The November 30, 1864 Battle of Franklin is a tragic loss for the Confederacy. Hood throws his men into well-fortified Union troops. The results are disastrous. About 6,000 men are killed or wounded including six generals who are killed or mortally wounded. Cleburne is one of these six, killed while attacking Union breastworks. He is last seen advancing on foot toward the Union line with his sword raised, after his horse had been shot out from under him. Accounts later say that he is found just inside the Federal line and his body is carried back to an aid station along the Columbia Turnpike. Confederate war records indicate he died of a shot to the abdomen, or possibly a bullet that went through his heart. When Confederates find his body, he has been picked clean of any valuable items, including his sword, boots and pocket watch.

Cleburne’s remains are first laid to rest at Rose Hill Cemetery in Columbia, Tennessee. At the urging of Army Chaplain Bishop Quintard, Judge Mangum, staff officer to Cleburne and his law partner in Helena, his remains are moved to St. John’s Episcopal Church near Mount Pleasant, Tennessee, where they remain for six years. In 1870, he is disinterred and returned to his adopted hometown of Helena, Arkansas, with much fanfare, and buried in the Helena Confederate Cemetery located in the southwest corner of the Maple Hill Cemetery, overlooking the Mississippi River.

Several geographic features are named after Patrick Cleburne, including Cleburne County in Alabama and Arkansas, and the city of Cleburne, Texas. The Patrick R. Cleburne Confederate Cemetery is a memorial cemetery in Jonesboro, Georgia that is named in honor of General Patrick Cleburne.