seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Cork (County Cork)


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Death of Patrick Hennessy, Irish Realist Painter

Patrick Anthony Hennessy RHA, Irish realist painter known for his highly finished still lifes, landscapes and trompe-l’œil paintings, dies in London on December 30, 1980. The hallmark of his style is his carefully observed realism and his highly finished surfaces, the result of a virtuoso painting technique.

Hennessy is born in Cork, County Cork, on August 28, 1915. The son of John Hennessy an army sergeant major from County Kerry and Bridget Hennessy from Cork. His father is killed in World War I at the Battle of Passchendaele in 1917. In 1921, when he is five years old, his mother remarries in Cork. Her second husband is a Scot named John Duncan and shortly afterwards the whole family moves to Arbroath, Scotland, where Duncan has relatives.

Hennessy is educated in Arbroath at St. Thomas RC Primary School followed by secondary education at Arbroath High School, where he begins to show an aptitude for art, leaving in 1933 with the Dux for Art and an accompanying medal. In the autumn of 1933 he enrolls at the Dundee of Jordanstone College of Art & Design, for a four-year Diploma course in Drawing and Painting under James McIntosh Patrick and Edward Baird. Here he meets Harry Robertson Craig who becomes his lifelong companion. He plays a full part in the social activities of the college, winning a fancy dress award at the Christmas revels in 1935 and producing a ballet “Paradise Lost” the following year. He gains a First Class Pass in each year of the course along with winning first prize in 1934 and 1936 for work done during the summer vacation. He graduates with a First Class Distinction in 1937.

Having gained a scholarship, Hennessy continues his studies at the Dundee of Jordanstone College of Art & Design for a further year by doing a Post-Graduate Diploma course in Drawing and Painting. Within a month of gaining his Post-Graduate Diploma he holds his first joint exhibition at the Art Galleries in Arbroath. In June 1938 he is awarded the Annual Travelling Scholarship for further studies in Paris and Italy. In Paris he meets up with the artists Robert Colquhoun and Robert MacBryde, whom he had met the previous year, the three travelling south together to Marseilles towards the end of that year. On his return to Scotland he is selected for the residential summer school course at Hospitalfield House near Arbroath under James Cowie. Two of his paintings, a still life and a self-portrait, are accepted that year by the Royal Scottish Academy for their Annual Exhibition. However, by the autumn of 1939 with war looming and feeling somewhat disenchanted on his return to Scotland, he decides to return to Ireland.

On arrival in Dublin Hennessy is offered an exhibition in December 1939 at the Country Shop on St. Stephen’s Green which is opened by Mainie Jellett. This attracts favourable attention. During the early 1940s he lives at various addresses in and around Dublin with frequent trips to Cork. In 1940 he is invited to join the Society of Dublin Painters and holds regular annual exhibitions of his work there during the 1940s and early 1950s. These exhibitions are supplemented by an eclectic mix of commissions, mostly portraits which he undertakes during this period. In 1941 he has three of his paintings accepted by the Royal Hibernian Academy (RHA) for their annual exhibition. This is the beginning of a long relationship with the RHA. He exhibits there virtually every year from 1941 until 1979, the year before his death.

From the early 1940s onwards, Hennessey’s work sometimes incorporates a homosexual visual subtext. He re-unites with Harry Robertson Craig in 1946 and soon after they move to Crosshaven, County Cork, and later to Cobh. In 1947, Time magazine selects him as one of Ireland’s outstanding painters, in recognition of the important position he has then attained in the art world. In 1948 he has an exhibition at the Victor Waddington Gallery, Dublin, and that same year is elected an associate of the Royal Hibernian Academy and a full member the following year. In 1950 his painting De Profundis is selected for the Contemporary Irish Painting exhibition that tours North America. As a result of this tour, the American public and critics begin to take notice of his work. In 1951 he visits Italy, taking in Venice and Sicily and returning to Dublin with many of his canvases painted abroad. One of these paintings, Bronze Horses of St. Marks, is exhibited at the Royal Academy of Arts in London in 1954.

In 1956, a friend of Hennessy, David Hendriks, opens the Ritchie Hendriks Gallery on St. Stephen’s Green, Dublin and it is this gallery that is to be the main outlet for his work over the following 22 years. In October 1956 the Thomas Agnew Gallery in London holds an exhibition of his work comprising 38 of his paintings. However, during the winter of 1959 he becomes seriously ill with pneumonia. As a consequence of this, in the autumn of that year he and Craig decide to winter in Morocco. This is the beginning of a new era in both their lives. They would never again spend a full year in Ireland. His exhibitions at the Ritchie Hendriks Gallery had for many years enjoyed favourable reviews from the art critics but in the 1960s this changes with critics claiming his paintings to be dull, repetitive and suggest he needs to explore new areas. Despite the barrage of criticism, in 1965 the Guildhall Gallery in Chicago offers him a major exhibition. Shortly after this exhibition takes place in 1966 he becomes one of the artists on permanent display at the gallery with an annual exhibition. The North American market is extremely lucrative for him and by the end of the decade he is selling more of his work in the United States than in Ireland. In 1968 he finally moves to Tangier, Morocco on a permanent basis and in 1970 sells his studio on Raglan Lane, Dublin.

In Morocco, Hennessy paints prolifically for nine years to keep up with demand from the Hendriks Gallery and Guildhall Gallery along with the RHA. In 1975 the Guildhall Gallery mounts a highly successful Retrospective of his work. In 1978 he has his last exhibition in Dublin at the Hendriks Gallery. By this time he has moved to the Algarve, Portugal and is beginning to have health problems.

In November 1980, with his health deteriorating, Craig brings Hennessy to a hospital in London for treatment. However, on December 30, 1980 he dies from cancer. Following cremation his ashes are buried in nearby Golders Green Crematorium. He leaves his entire estate to Harry Robertson Craig with the proviso that on Craig’s death the Royal Hibernian Academy should be the beneficiary. This legacy has been used to set up the annual Hennessy Craig Scholarship for aspiring artists.

Hennessy falls into the category of painter who develops a distinctive personal style, labelled at various times in his life as a Traditional Realist, Romantic, Photo Realist, Illusionary and Surrealist. However, he always remains intrinsically himself. His subjects range from still life and interiors to landscapes and portraits.

Examples of Hennessy’s work can be found in the public collections of the Crawford Art Gallery, the Dublin City Gallery The Hugh Lane, the Irish Museum of Modern Art (IMMA), the Limerick City Gallery of Art (LCGA), the National Gallery of Ireland (NGI), the National Self-Portrait Collection of Ireland (NSPCI) at the University of Limerick (UL), and in the collections of University College Cork (UCC) and University College Dublin (UCD).


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Birth of Diarmuid O’Hegarty, Civil Servant & Revolutionary

Diarmuid O’Hegarty (Ó hÉigeartuigh), civil servant and revolutionary, is born Jeremiah Stephen Hegarty on December 26, 1892, in Lowertown, Skibbereen, County Cork, the eldest of seven children of Jeremiah Hegarty (1856–1934) and his wife Eileen (née Barry), both teachers. He is educated at the Christian Brothers school, St. Patrick’s Place, Cork, joins the civil service in 1910 and is posted to the Department of Agriculture and Technical Instruction, acquiring invaluable administrative experience as private secretary to T. P. Gill, secretary of the department.

O’Hegarty is a member of the Keating branch of the Gaelic League and the closely associated Teeling circle of the Irish Republican Brotherhood (IRB). In 1913 he becomes secretary and stage manager of a troupe of Gaelic players, Na hAisteoirí, which includes several who later become prominent revolutionaries: Piaras Béaslaí, Gearóid O’Sullivan, Fionán Lynch, and Con Collins. As second lieutenant of F Company, 1st Battalion, Dublin Brigade, Irish Volunteers, during the Easter Rising, he is in charge of barricades in Church Street, Mary Lane, Mary’s Abbey, and Jameson Distillery, an area which sees fierce fighting. Imprisoned in Knutsford (May 1-18), he is released in error and returns to his post in the civil service. On his return he is a key figure in the reorganisation of the Volunteers and IRB, becoming a member of the executive of the IRB’s supreme council along with Michael Collins and Seán Ó Murthuile. He also becomes a central figure in Kathleen Clarke‘s prisoner support group, the Irish Volunteer Dependents Fund, and when it amalgamates with the more moderate Irish National Aid Association to form the INA&VDF in August 1916, he helps to ensure that it is dominated by republicans.

O’Hegarty is very close to Michael Collins and Harry Boland and in 1918 this IRB triumvirate exercises considerable control in the nomination of Sinn Féin candidates for the 1918 Irish general election. In the same year he is dismissed from the civil service for refusing to take the oath of allegiance, but his administrative talents find ample outlet in the secretariat of the revolutionary Dáil and later in the service of the Irish Free State to such an extent that he has been called ‘the civil servant of the revolution’ and ‘the Grey Eminence of the Free State Government.’ As clerk of the First Dáil and secretary to the Dáil cabinet (1919–21), he is largely responsible for its success, organising meetings of the clandestine parliament and coordinating the work of various departments from his offices on the corner of O’Connell Street and Abbey Street and later in Middle Abbey Street. He is determined that the Dáil will demonstrate its worth by ‘functioning as any progressive government would be expected to function.’ He records the minutes and handles all correspondence of the Dáil cabinet. As the conduit through which the Dáil’s ministers communicate, his role is central to the effective operation of government on the run. The influence this gives him within the revolutionary movement is bolstered by his senior role within the IRB and the positions of military significance which he occupies. He is a member of the Volunteer Executive (Jun 1916–Nov 1921), Irish Republican Army (IRA) Director of Communications (Jul 1918–Mar 1920), and Director of Organisation (Mar 1920–Apr 1921). When convicted of illegal assembly and jailed in Mountjoy Prison (Nov 1919–Feb 1920), he immediately wields power within the prison, ordering Noel Lemass off a hunger strike.

O’Hegarty resigns his military duties in April 1921 to concentrate on his work in the Dáil secretariat and serves as secretary to the Irish delegation during the Anglo–Irish Treaty negotiations in London (Oct–Dec 1921). He is a vital voice for the Treaty within the IRB and is appointed secretary to the cabinet of the Provisional Government in 1922, participating in the unsuccessful army unification talks of May 1922. During the Irish Civil War, he is briefly seconded from his civil service post to serve as military governor of Mountjoy Prison (Jul-Aug 1922), where he threatens that prisoners who persist in leaning out of windows and talking to the public outside the prison will be shot. Peadar O’Donnell, who is a prisoner there at the time, remembers him as the focus of much ‘republican bitterness.’ A member of the army council during the Irish Civil War, he serves as Director of Organisation (Jul–Dec 1922) and Director of Intelligence (Dec 1922–May 1923), leaving the army with the rank of lieutenant general on May 1, 1923, to resume his civil service career.

O’Hegarty is secretary to the Executive Council of the Irish Free State (1923–32) and principal private secretary to its president, W. T. Cosgrave. Again, he records the cabinet minutes and is the administrative pivot upon which government turns. He serves as secretary to numerous governmental delegations and is widely praised for his work in this role at the 1926 Imperial Conference and the 1930 Imperial Conference. In 1927 he goes to New York to represent the government at a hearing into the fate of republican funds in the United States. His career is the prime example of the influence of revolutionary veterans within the higher civil service in the early years of the state. After the change of government following the 1932 Irish general election, he is one of the very few senior civil servants who is effectively removed from his position. He is appointed to be a commissioner of public works, becoming chairman in 1949, a position he holds until his retirement in 1957. In 1939–40 he serves on the Economy Committee established by the government to advise on wartime spending, and in 1941 is a member of a tribunal of inquiry into public transport, which is principally concerned with the poor financial state of Great Southern Railways.

On April 27, 1922, with Michael Collins as his best man, O’Hegarty marries Claire Archer, daughter of Edward Archer, a post office telegraph inspector from Dublin, and Susan Archer (née Matthews). Her brother is William (Liam) Archer. They live at 9 Brendan Road, Donnybrook, Dublin.

O’Hegarty dies on March 14, 1958, in Dublin, leaving an estate of £5,441. His papers are in the University College Dublin (UCD) Archives.


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Birth of Anew McMaster, Anglo-Irish Stage Actor

Anew McMaster, Anglo-Irish stage actor, is born in Birkenhead, England, on December 24, 1891. During his nearly 45 year acting career he tours Ireland, Britain, Australia and the United States. For almost 35 years he tours as actor-manager of his own theatrical company performing the works of Shakespeare and other playwrights.

McMaster is born as Andrew McMaster, the son of Liverpool-born Andrew McMaster (1855–1940), a master stevedore, and Alice Maude née Thompson (1865–1895). A number of sources make the erroneous claims, based on details supplied by McMaster himself, that he is born in 1893 or 1894 or even 1895 in County Monaghan in Ireland but, according to the Birth Register and the 1901 United Kingdom Census, he is actually born in 1891 in Birkenhead, England. Like his future brother-in-law Micheál Mac Liammóir, who is born in London as Alfred Willmore but claims to have been born in Cork to Gaelic-speaking parents, McMaster reinvents himself as Irish and claims for himself the town of Monaghan as his birthplace, and Warrenpoint, County Down, as the scene of his earliest memories.

At the age of nineteen McMaster gives up a career in banking to pursue one on the stage. He moves to Ireland and tours the country with the O’Brien-Ireland theatrical company from 1910 to 1914. Success quickly follows with his appearance as Jack O’Hara in Paddy the Next Best Thing at the Savoy Theatre (1920). From 1921 he tours Australia in this and other plays, and in 1925 forms his own company, the McMaster Intimate Theatre Company, a ‘fit-up‘ company to tour in the works of Shakespeare, mainly in Ireland but also in Britain and Australia, touring with his theatrical company until 1959. One of the last actor-managers “of the old school – and an epitome of the type,” on occasions he persuades a ‘big name’ to act with his company as a draw for audiences. Frank Benson (1928), Sara Allgood (1929) and Mrs. Patrick Campbell appear with him.

In 1933 at the Shakespeare Memorial Theatre in Stratford-upon-Avon McMaster appears as Hamlet opposite Esme Church as Gertrude, Coriolanus, Macduff in Macbeth, Leonato in Much Ado About Nothing, Prince Escalus in Romeo and Juliet, and Petruchio in The Taming of the Shrew. His greatest roles are as Othello and as Shylock in The Merchant of Venice, to which he adds King Lear in 1952. Just before World War II he and his company appear at the Chiswick Empire in a Shakespeare season. He tours the United States as James Tyrone in Eugene O’Neill‘s Long Day’s Journey into Night in 1956. Having ‘a great organ voice,’ Harold Pinter, who acts in his company in Ireland from 1951 to 1953 and calls him ‘perhaps the greatest actor-manager of his time,’ later describes McMaster as ‘evasive, proud, affectionate, shrewd, merry.’ In his brief biography Mac (1968), Pinter recalls, “Mac gave about a half dozen magnificent performances of Othello while I was with him… At his best he was the finest Othello I have seen. [He] stood dead in the centre of the role, and the great sweeping symphonic playing would begin, the rare tension and release within him, the arrest, the swoop, the savagery, the majesty and repose.”

McMaster’s only film role is an uncredited appearance as the Judge in Sword of Sherwood Forest (1960).

In 1924 McMaster marries the actress and designer Marjorie Willmore (1894–1970), the sister of Micheál Mac Liammóir. They have two children, the actors John Christopher McMaster (1925–1995) and Mary-Rose McMaster (1926–2018).

Anew McMaster dies at the age of 70 at his home in Dublin on August 24, 1962. He is buried with his wife in Deans Grange Cemetery in County Dublin.

McMaster trains a generation of actors who tour with his company and go on to achieve success as actors. These include Pauline Flanagan, Milo O’Shea, T. P. McKenna, Kenneth Haigh, Henry Woolf, Harold Pinter, Donal Donnelly and Patrick Magee. It is while they are touring with McMaster’s company that the actor and dramatist Micheál Mac Liammóir and the actor and producer Hilton Edwards first meet and begin their lifelong partnership.

McMaster’s biography, A Life Remembered: A Memoir of Anew McMaster by his daughter Mary-Rose McMaster, is published in 2017. Harold Pinter also publishes a short biography, Mac, in 1968.


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Birth of Jeremiah Joseph “Ginger” O’Connell, Irish Revolutionary

Jeremiah Joseph “Ginger” O’Connell, Irish revolutionary, active in the Irish War of Independence, and later a senior officer in the Defence Forces, is born in Ballina, County Mayo, on December 21, 1887.

O’Connell is born to Jeremiah Ambrose and Winifred O’Connell. He is nicknamed “Ginger” because of his red hair. His father is a national school inspector, so the family lives in Sligo, Derry, Longford and Belfast, and he attends a succession of primary schools. He studies at University College Dublin (UCD) where he receives a BA and a first-class MA. He is a member of the Literary and Historical Society at UCD and has an interest in boxing.

O’Connell is living in Cavan with his father, his sister Mary Margaret, his brother John Aloysius and two servants, Mary Burke and Rose Anne O’Reilly, at the time of the 1911 census, when he is 23. He is working as a Solicitor’s Apprentice, can read and write as well as speak both English and Irish, and is single. His mother is not living as it is recorded that his father is a widower.

O’Connell spends some time in the United States Army, serving with the 69th New York Infantry Regiment between 1912 and 1914. He returns to Ireland in 1914 and joins the Irish Volunteers, becoming Chief of Inspection in 1915. He travels the country organising volunteer corps, as well as contributing to the Irish Volunteer’s journal and delivering lectures on military tactics to both the Volunteers and Fianna Éireann. He also delivers a series of lectures about the famous Irish battles to the Gaelic League in Dublin. He is not a member of the Irish Republican Brotherhood (IRB) as he believes that soldiers should not be a part of secret societies.

At the time the 1916 Easter Rising, O’Connell is operating in Dublin under instruction from Joseph Plunkett. He is dispatched to Cork by Eoin MacNeill to try to prevent the Rising. Following the Rising, he is arrested and held in Frongoch internment camp from April to July 1916. In 1918 he is again arrested and interned, spending time in Wandsworth Prison with Arthur Griffith for the alleged involvement in the fabricated German Plot.

During the Irish War of Independence, O’Connell is a member of the Irish Republican Army (IRA) headquarters staff, as Assistant Director of Training and, after the killing of Dick McKee in 1920, as Director of Training. He coordinates, and is the principal lecturer, for a training course for military officers. The course is run clandestinely in the premises of the Topographical Society on Gardiner Street in Dublin. A sympathetic doorkeeper allows the group in at night when the society is not present. Topics delivered by O’Connell include tactics, ordinance and engineering.

In the IRA split after Dáil Éireann ratifies the Anglo-Irish Treaty, O’Connell takes the pro-Treaty side. He is made Deputy Chief of Staff in the National Army. On June 26, 1922, he is kidnapped by anti-treaty forces in reprisal for the arrest of an anti-treaty officer. His kidnapping is a precipitating factor in the formal outbreak of the Irish Civil War, when government pro-treaty forces two days later attack anti-treaty forces occupying the Four Courts. He survives the fighting and spends the rest of the civil war as General Officer Commanding the Curragh Command.

Following the Irish Civil War, the National Army is reorganised, and as part of that O’Connell is demoted from general to colonel. He subsequently holds a variety of positions: chief lecturer in the army school of instruction (1924–1929); director of no. 2 (intelligence) bureau (1929–1932); OC Irish Army Equitation School (March–June 1932); quartermaster-general (1932–1935) and director of the military archives (1935–1944). He also publishes articles on Irish and foreign military history and tactics in his time as a military historian. He marries Gertrude McGilligan, and they have two children together – one son and one daughter.

O’Connell dies of a heart attack at the age of 56 on February 19, 1944.


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Birth of Richard Barrett, Irish Republican Army Volunteer

Richard Barrett, commonly called Dick Barrett, a prominent Irish Republican Army (IRA) volunteer, is born on December 17, 1889, in Knockacullen (Hollyhill), Ballineen, County Cork. He fights in the Irish War of Independence and on the Anti-Treaty side in the Irish Civil War, during which he is captured and later executed on December 8, 1922.

Barrett is the son of Richard Barrett, farmer, and Ellen Barrett (née Henigan). Educated at Knocks and Knockskagh national schools, he enters the De La Salle College, Waterford, where he trains to be a teacher. Obtaining a first-class diploma, he first teaches at Ballinamult, County Waterford but then returns to Cork in early 1914 to take up a position at the St. Patrick’s Industrial School, Upton. Within months he is appointed principal of Gurrane National School. Devoted to the Irish language and honorary secretary of Knockavilla GAA club, he does much to popularise both movements in the southern and western districts of Cork. He appears to have been a member of the Cork Young Ireland Society.

From 1917, inspired by the Easter Rising, Barrett takes a prominent part in the organisation and operation of the Irish Volunteers and Irish Republican Brotherhood (IRB). By this time, he is also involved with Sinn Féin, in which role he attends the ardfheis at the Mansion House in October 1917 and the convention of the Irish Volunteers at Croke Park immediately afterwards.

Through planning and participating in raids and gunrunning episodes, Barrett comes into close contact with many GHQ staff during the Irish War of Independence, thereby ensuring his own rapid promotion. He is an active Irish Republican Army (IRA) brigade staff officer and occasionally acts as commandant of the West Cork III Brigade. He also organises fundraising activities for the purchase of weapons and for comrades on the run. In July 1920, following the arrest of the Cork III Brigade commander Tom Hales and quartermaster Pat Harte, he is appointed its quartermaster. He is arrested on March 22, 1921, and imprisoned in Cork jail, later being sent to Spike Island, County Cork.

As one of the senior officers held in Spike Island, Barrett is involved in many of the incidents that occur during his time there. After the truce is declared on July 11, 1921, some prisoners go on hunger strike, but he calls it off after a number of days on instructions from outside as a decision had been made that able-bodied men are more important to the cause. In November, Barrett escapes by rowboat alongside Moss (Maurice) Twomey, Henry O’Mahoney, Tom Crofts, Bill Quirke, Dick Eddy and Paddy Buckley.

Following the Irish War of Independence, Barrett supports the Anti-Treaty IRA‘s refusal to submit to the authority of Dáil Éireann (civil government of the Irish Republic declared in 1919). He is opposed to the Anglo-Irish Treaty and calls for the total elimination of English influence in Ireland. In April 1922, under the command of Rory O’Connor, he, along with 200 other hardline anti-treaty men, take over the Four Courts building in the centre of Dublin in defiance of the new Irish government. They want to provoke British troops, who are still in the country, into attacking them. They hope this will restart the war with Britain and reunite the IRA against their common enemy. Michael Collins tries desperately to persuade O’Connor and his men to vacate the building. However, on June 28, 1922, after the Four Courts garrison had kidnapped J. J. O’Connell, a general in the new National Army, Collins’s soldiers shell the Four Courts with British artillery to spark off what becomes known as the Battle of Dublin. O’Connor surrenders following two days of fighting, and Barrett, with most of his comrades, is arrested and held in Mountjoy Gaol. This incident marks the official outbreak of the Irish Civil War, as fighting escalates around the country between pro- and anti-treaty factions.

After the death of Michael Collins in an ambush, a period of tit-for-tat revenge killings ensues. The government implements martial law and enacts the necessary legislation to set up military courts. In November, the government begins to execute Anti-Treaty prisoners, including Erskine Childers. In response, Liam Lynch, the Anti-Treaty Chief of Staff, gives an order that any member of the Dáil who had voted for the ‘murder legislation’ is to be shot on sight.

On December 7, 1922, Teachta Dála (TD) Sean Hales is killed by anti-Treaty IRA men as he leaves the Dáil. Another TD, Pádraic Ó Máille, is also shot and badly wounded in the incident. An emergency cabinet meeting is allegedly held the next day to discuss the assassination of Hales. It is proposed that four prominent members of the Anti-Treaty side currently held as prisoners be executed as a reprisal and deterrent. The names put forward were Barrett, O’Connor, Liam Mellows and Joe McKelvey. It is alleged that the four are chosen to represent each of the four provinces – Munster, Connacht, Leinster and Ulster respectively, but none of the four is actually from Connacht. The executions are ordered by Minister for Justice Kevin O’Higgins. At 2:00 AM on the morning of December 8, 1922, Barrett is awoken along with the other three and informed that they are all to be executed at 8:00 that morning.

Ironies stack one upon the other. Barrett is a member of the same IRA brigade as Hales during the Anglo-Irish War, and they were childhood friends. O’Connor had been best man at O’Higgins’ wedding a year earlier. The rest of Sean Hales’ family remains staunchly anti-Treaty, and publicly denounces the executions. In reprisal for O’Higgins’ role in the executions, the Anti-Treaty IRA kills his father and burns his family home in Stradbally, County Laois. O’Higgins himself dies by an assassin’s hand on July 10, 1927.

The executions stun Ireland, but in terms of halting the Anti-Treaty assassination policy, they have the desired effect. The Free State government continues to execute enemy prisoners, and 77 official executions take place by the end of the war.

Barrett is now buried in his home county, Cork, following exhumation and reinternment by a later government. A monument is erected by old comrades of the West Cork Brigade, the First Southern Division, IRA, and of the Four Courts, Dublin, garrison in 1922 which is unveiled on December 13, 1952, by the Tánaiste Seán Lemass.

A poem about the execution is written by County Galway clergyman Pádraig de Brún.


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Death of Confederate General Patrick Cleburne at the Battle of Franklin

Patrick Ronayne Cleburne, native Irishman called the “Stonewall of the West” and one of the finest generals produced by either side during the American Civil War, is killed at the Battle of Franklin on November 30, 1864.

Cleburne is born on March 17, 1828 at Bride Park Cottage in Ovens, County Cork, just outside Cork city. He is extremely loyal to his adopted country, saying, “if this [Confederacy] that is so dear to my heart is doomed to fail, I pray heaven may let me fall with it, while my face is toward the enemy and my arm battling for that which I know to be right.” Sadly, he ultimately receives his wish.

Cleburne begins his military career in an unlikely manner. When he fails the entrance exam at Trinity College, Dublin, he cannot face his family. He enlists in the 41st Regiment of Foot in the British Army. In 1849 he purchases his discharge and leaves for the United States, eventually settling in Helena, Arkansas in June 1850 and earning his citizenship in 1855. He loves his new country, taking part in many community projects, and even being one of the few volunteers to care for the sick during a yellow fever outbreak.

In January 1861 Cleburne joins the local militia company, the Yell Rifles.  He leads the company in the seizure of the U.S. Arsenal in Little Rock in January 1861. When Arkansas secedes from the Union, the Yell Rifles become part of the 1st Arkansas Infantry Regiment. By fall of 1861 he has risen to command the 2nd Brigade, Hardee’s Division, in the Army of Central Kentucky. His first major battle is at the Battle of Shiloh, April 6-7, 1862. At the Battle of Richmond (Kentucky) in August 1862, he is wounded in the mouth and loses several of his teeth. Still, he earns the thanks of the Confederate States Congress for his actions there. During the October 1862 Battle of Perryville he is wounded again – twice, yet stays in command during the battle. In December 1862 he is promoted to Major General.

At the December 1862 Battle of Stones River, Cleburne and his division earn the praise of General Braxton Bragg for their incredible skill and valor. Cleburne’s actions and character play a large role in his men’s determination during battle.

In 1863 Cleburne faces off against Union General George Henry Thomas at the Battle of Chickamauga. His and General John C. Breckinridge’s assaults force General Thomas to call repeatedly for reinforcements. In November 1863 the Confederate army is forced to retreat after the Chattanooga Campaign. However, Cleburne has defeated every assault against his men eventually charging his attackers. After the battle, he and his men are charged with covering the retreat.

On January 2, 1864, Cleburne makes his most controversial decision ever. He gathers the corps and division commanders in the Army of Tennessee to present his proposal. The Confederacy is unable to fill its ranks due to a lack of manpower. He states that slavery is their “most vulnerable point, a continued embarrassment, and in some respects an insidious weakness.” His proposed solution is for the Confederacy to arm slaves to fight in the army. In time, these soldiers would receive their freedom. The proposal is not well received at all. In fact, Jefferson Davis, President of the Confederate States of America, directs that the proposal be suppressed.

In the spring of 1864 the Army of Tennessee moves towards Atlanta, Georgia. Cleburne and his men fight at Dalton, Tunnel Hill, Resaca, Pickett’s Mill, Ringgold and Kennesaw. The Atlanta Campaign begins in the summer and lasts until September, when General John Bell Hood evacuates Atlanta. Hood had taken command from General Joseph E. Johnston, which Cleburne felt to be a disaster for the Confederacy.

General Hood hopes to stop Union General John Schofield and his men before they can reach Nashville to reinforce General Thomas. Due to poor communications and nightfall, Schofield slips past the Army of Tennessee into Franklin.

The November 30, 1864 Battle of Franklin is a tragic loss for the Confederacy. Hood throws his men into well-fortified Union troops. The results are disastrous. About 6,000 men are killed or wounded including six generals who are killed or mortally wounded. Cleburne is one of these six, killed while attacking Union breastworks. He is last seen advancing on foot toward the Union line with his sword raised, after his horse had been shot out from under him. Accounts later say that he is found just inside the Federal line and his body is carried back to an aid station along the Columbia Turnpike. Confederate war records indicate he died of a shot to the abdomen, or possibly a bullet that went through his heart. When Confederates find his body, he has been picked clean of any valuable items, including his sword, boots and pocket watch.

Cleburne’s remains are first laid to rest at Rose Hill Cemetery in Columbia, Tennessee. At the urging of Army Chaplain Bishop Quintard, Judge Mangum, staff officer to Cleburne and his law partner in Helena, his remains are moved to St. John’s Episcopal Church near Mount Pleasant, Tennessee, where they remain for six years. In 1870, he is disinterred and returned to his adopted hometown of Helena, Arkansas, with much fanfare, and buried in the Helena Confederate Cemetery located in the southwest corner of the Maple Hill Cemetery, overlooking the Mississippi River.

Several geographic features are named after Patrick Cleburne, including Cleburne County in Alabama and Arkansas, and the city of Cleburne, Texas. The Patrick R. Cleburne Confederate Cemetery is a memorial cemetery in Jonesboro, Georgia that is named in honor of General Patrick Cleburne.


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The Battle of Knocknanauss

The Battle of Knocknanauss is fought on November 13, 1647, during the Irish Confederate Wars, part of the Wars of the Three Kingdoms, between Confederate Ireland’s Munster army and an English Parliamentarian army under Murrough O’Brien, 1st Earl of Inchiquin. The battle results in a crushing defeat for the Irish Confederates.

In the summer of 1647, Murrough O’Brien (later created the Earl of Inchiquin), commander of the English Parliamentarian forces in Cork, ravages and burns the Confederate territory in Munster. This causes severe food shortages and earns O’Brien the Irish nickname, Murchadh na d’Tóiteán (Murrough the Burner). In addition, Inchiquinn takes the Rock of Cashel, which is garrisoned by Confederate troops and rich in emotive religious symbolism. In the sack of the castle, O’Brien’s troops massacre the garrison and all the clergy they find there.

The Confederates’ Munster army is incapable of stopping O’Brien because of political infighting between officers who support a deal with the English Royalists and those who reject such a deal. Eventually, in reaction to the sack of Cashel and famine conditions, the Confederate Supreme Council replaces Donough MacCarthy, 2nd Viscount Muskerry, as commander of the Munster army with Theobald Taaffe, 1st Earl of Carlingford, and order him to bring O’Brien to battle.

Taaffe is an English Catholic and not an experienced soldier. Although he has an excellent contingent of veteran troops under Alasdair Mac Colla, most of his men are similarly inexperienced. Furthermore, the Irish troops are demoralised by the internal factionalism in their ranks and most of them have little loyalty to Taafe. O’Brien, on the other hand, has been commanding his force since 1642 and is well experienced in battle. His troops are a mixture of well trained Parliamentarian soldiers from England and British settlers who have been driven from their homes in the Irish Rebellion of 1641. The two armies meet at Knocknanuss near Mallow, approximately 29 kilometers north of Cork.

The battle that follows is essentially an uncoordinated rout of the Irish forces. Taaffe positions his men on either side of a hill, so that they cannot see one another. The result is that one wing of the Confederate army has no idea of what the other wing is doing. Mac Colla’s men charge the Parliamentarians opposite them putting them to flight and killing a large number of them. Thinking the battle is over, they then take to looting the enemy’s baggage train.

However, on the other wing, O’Brien’s cavalry has charged the raw Irish horsemen, causing them to run away. Despite Taaffe’s desperate attempt to rally them, the Irish infantry follow suit, many of them being cut down by the pursuing roundheads. The pursuit continues for miles and not only results in heavy casualties among the Irish, but also in the loss of most of their equipment and supplies. Inchiquin loses several senior officers, including the Judge-Advocate, Sir Robert Travers. Mac Colla and his men surrender when they realise what has happened but are subsequently killed by their captors. Around 3,000 Confederates die at Knocknanauss, and up to 1,000 English Parliamentarians. The carnage does not stop after the fighting is finished. The next day a couple of hundred Irish soldiers are found sheltering in a nearby wood. These are promptly put to the sword.

When combined with the Battle of Dungan‘s Hill in County Meath, the defeat leads to the collapse of the Confederate Catholic cause and forces them to make a deal with the English Royalists.


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Death of Sister Catherine McAuley, Founder of the Sisters of Mercy

Catherine Elizabeth McAuley, Irish religious sister who founds the Sisters of Mercy in 1831, dies in Dublin on November 11, 1841. The Sisters of Mercy has always been associated with teaching, especially in Ireland, where the sisters teach Catholics, and at times Protestants, at a time when education is mainly reserved for members of the established Church of Ireland.

McAuley is born on September 29, 1778, at Stormestown House in Dublin to James and Elinor (née Conway) McAuley. Her father dies in 1783 when she is five and her mother dies in 1798. She first goes to live with a maternal uncle, Owen Conway, and later joins her brother James and sister Mary at the home of William Armstrong, a Protestant relative on her mother’s side. In 1803, she becomes the household manager and companion of William and Catherine Callaghan, an elderly, childless, and wealthy Protestant couple and friends of the Armstrongs, at their estate in Coolock, a village northeast of Dublin. For 20 years she gives catechetical instruction to the household servants and the poor village children. Catherine Callaghan, who is raised in the Quaker tradition, dies in 1819. When William Callaghan dies in 1822, McAuley becomes the sole residuary legatee of their estate.

McAuley inherits a considerable fortune and chooses to use it to build a house where she and other compassionate women can take in homeless women and children to provide care and education for them. A location is selected at the junction of Lower Baggot Street and Herbert Street in Dublin, and in June 1824, the cornerstone is laid by the Rev. Dr Blake. As it is being refurbished, she studies current educational methods in preparation for her new endeavour. On the feast of Our Lady of Mercy, September 24, 1827, the new institution for destitute women, orphans, and schools for the poor is opened and McAuley, with two companions, undertake its management.

For three years, McAuley and her companions continue their work as lay women. She never intends to found a community of religious women. Her initial intention is to assemble a lay corps of Catholic social workers. In 1828 Archbishop of Dublin Daniel Murray permits the staff of the institute to assume a distinctive dress and to publicly visit the sick. The uniform adopted is a black dress and cape of the same material reaching to the belt, a white collar and a lace cap and veil – such a costume as is now worn by the postulants of the congregation. In the same year the archbishop desires McAuley to choose some name by which the little community might be known, and she chooses that of “Sisters of Mercy,” having the design of making the works of mercy the distinctive feature of the institute.

McAuley is desirous that the members should combine with the silence and prayer of the Carmelites, with the active labours of a Sister of Charity. The position of the institute is anomalous, its members are not bound by vows nor are they restrained by rules. The clergy and people of the church of the time, however, are not supportive of groups of laywomen working independently of church structures. The main concern is for the stability and continuity of the works of mercy which the women had taken on. Should any of them get married or lose interest, the poor and the orphans whom they are caring for would then be at a loss.

McAuley’s clerical mentor urges her to form a religious institute. Along with two other women, Mary Ann Doyle and Mary Elizabeth Harley, she enters the novitiate of the Presentation Sisters to formally prepare for life as women religious in September 1830. On December 12, 1831, they profess vows and return to the House of Mercy. The Sisters of Mercy consider December 12, 1831, as the day of their founding as a religious community. Archbishop Murray assists McAuley in founding the Sisters of Mercy and professes the first three members. He then appoints her Mother Superior.

Between 1831 and 1841 McAuley founds additional Convents in Tullamore, Charleville, Cork, Carlow, Galway, Limerick, Birr, Bermondsey and Birmingham and branch houses in Kingstown and Booterstown. A cholera epidemic hits Dublin in 1832, and she agrees to staff a cholera hospital on Townsend Street.

The rule of the Sisters of Mercy is formally confirmed by Pope Gregory XVI on June 6, 1841. McAuley lives only ten years as a Sister of Mercy, Sister Mary Catherine.

McAuley dies of tuberculosis at the age of sixty-three on November 11, 1841, at Baggot Street. She is buried at Baggot Street Cemetery. At the time of her death, there are 100 Sisters of Mercy in ten foundations. Shortly thereafter, small groups of sisters leave Ireland to establish new foundations on the east and west coasts of the United States, in Newfoundland, Australia, New Zealand, and Argentina.

Total worldwide membership consists of about 5,500 Sisters of Mercy, 5,000 Associates, and close to half a million partners in ministry. The Mercy International Centre in Dublin is the international “home” of Mercy worldwide and the mercyworld.org website is the virtual home.

In 1978, the cause for the beatification of the Servant of God Catherine McAuley is opened by Pope Paul VI. In 1990, upon recognition of her heroic virtues, Pope John Paul II declares her Venerable.


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Death of Tom Clancy of the Irish Folk Group The Clancy Brothers

Thomas Joseph Clancy, a member of the Irish folk group the Clancy Brothers, dies in Cork, County Cork, on November 7, 1990. He has the most powerful voice of the brothers and has previously been an actor in numerous stage productions, appearing with Orson Welles in King Lear. He also performs often on television and occasionally in the movies.

Clancy is born on October 29, 1924, one of eleven children born to Johanna McGrath and Bob Clancy in Carrick-on-Suir, County Tipperary. After being apprenticed as a baker, he follows his older brother Patrick “Paddy” Clancy into the Royal Air Force (RAF) in 1943 during World War II, despite both having been members of the Irish Republican Army. In the RAF, he works as a radio operator on bombing runs over Germany.

Discharged from the RAF at the end of the war, Clancy tours with a British repertory company. In 1947 he and his brother Paddy emigrate to Canada. They then move to New York where he meets his first wife and his oldest daughter is born in 1950. They then soon move to Cleveland, Ohio, to live with relatives. He works for a while as a repertory actor at the Cleveland Play House, before returning temporarily to Ireland. While in Ireland, Clancy works for the Shakespeareana Internationale company run by English actor and manager Geoffrey Kendal. After Paddy sends him extra money, he returns to the United States. The brothers plan to move to California, but their car breaks down. They decide to try New York City instead and find work as actors, both on and off Broadway.

In 1956 their brother Liam Clancy joins them, accompanied by his friend Tommy Makem. Liam and Tommy begin singing together, and in 1959 are joined by the older Clancy brothers as The Clancy Brothers and Tommy Makem. The group performs together until Liam leaves in 1976. Makem had left in 1969 to be replaced for a brief time by Bobby Clancy and later Louis Killen.

Clancy continues singing with The Clancy Brothers until 1976, when the group is disbanded. The group reforms in 1977 with a new line-up. Clancy performs with his brothers Paddy and Bobby and their nephew Robbie O’Connell until his death. He also performs with Paddy, Liam, and Tommy Makem during their reunion tour from 1984 to 1985.

Clancy takes the lead vocals on many of the group’s songs, such as “The Rising of the Moon,” “The Moonshiner,” “Haul Away Joe,” “Red Haired Mary,” “The Barnyards of Delgaty,” “Carrickfergus,” “I Once Loved a Lass,” “The Bold Fenian Men,” among others.

Clancy continues to act during his singing career, appearing in the movies The Killer Elite (1975) and Swashbuckler (1976). He also appears on episodes of Little House on the Prairie, Starsky and Hutch, and The Incredible Hulk, among others. He acts in several TV movies as well.

After an absence of fifteen years, Clancy returns to Broadway in May 1974 in Eugene O’Neill‘s A Moon for the Misbegotten. The Irish Times reviews his performance of Phil Hogan: “In ‘Moon’ he deftly measures up to the formidable company in which he finds himself – a wily, sly rogue with a whimsical humour and a genuine concern for his daughter.” The play is a hit and wins three Tony Awards.

Clancy dies from stomach cancer at the age of 66 on November 7, 1990 at Mercy University Hospital in Cork, County Cork. He is survived by his wife Joan and their three daughters, Rayleen, Blawneen and Rosie. Prior to his marriage to Joan, he has children, Eileen and Thomas, with Yvonne Marcus, in Cleveland, Ohio. He also has a daughter, Cait, with his second wife Laine, in the mid-1950s.

Clancy’s last recording is made in 1988 with Robbie O’Connell, Bobby Clancy, and Paddy Clancy at Saint Anselm College in Goffstown, New Hampshire. Unfortunately, the recording is marred by unevenly mixed instruments and voices. After his death, Liam returns to the Clancy Brothers to fill in his place.


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Birth of Sir William Basil Goulding, Art Collector, Businessman & Cricketer

Sir William Basil Goulding, Irish cricketer, squash player, art collector and prominent businessman, is born in Dublin on November 4, 1909. He is an important art collector of contemporary art in Ireland and is renowned for his extensive collection which is dispersed posthumously. He is an adept businessman and sits on the boards of many companies.

Goulding is educated at Winchester College and Christ Church, Oxford. He inherits the family business W & HM Goulding Ltd. and succeeds his father as Chairperson in 1935. Goulding Ltd. is a well-established fertiliser manufacturer based in Dublin and Cork. The factory closes and is demolished in the mid-20th century and very little of it remains today. The land is donated to the people of Cork by Goulding in the late 1960s and is subsequently developed as an amenity park.

In 1939 Goulding marries Valerie Hamilton Monckton, daughter of Sir Walter Monckton, a lawyer, the UK Attorney General during the Edward VIII abdication crisis, and later a Member of Parliament (MP) for Bristol West. She is an Irish campaigner for disabled people, founder of the Central Remedial Clinic and senator. Together, they have three sons, Hamilton, Timothy and Lingard. The family lives in Enniskerry, County Wicklow, where he has the significant ‘Goulding Summer House’ built by Scott Tallon Walker architects.

During World War II, Goulding is commissioned as a pilot officer in the Royal Air Force. By the end of 1942 he has reached the rank of wing commander.

The Arts Act of 1951 establishes the Arts Council in response to the Bodkin Report which outlines the sad condition of the arts in Ireland. Goulding is a co-opted member of the Council from its formative years and is instrumental in acting on many of its policies.

Goulding is the founding Chairperson of the Contemporary Irish Art Society in 1962, along with Gordon Lambert, Cecil King, Stanley Mosse, James White and Michael Scott. The enthusiasm and vision of these founding members of the society is the catalyst which leads to the development of many important art collections in Ireland. The purpose of the society is to encourage a greater level of patronage of living Irish artists which, at the time, is extremely low. This is mainly achieved by raising funds to purchase artworks by living artists, which are then donated to public collections. The first purchase in 1962 is an important painting by Patrick Scott, donated to the Municipal Gallery of Modern Art (now the Hugh Lane Gallery). Over the following 12 years the society purchases 37 works for the gallery, until in 1974, Dublin Corporation starts to provide an annual purchasing fund for the gallery.

Following completion of the report ‘Design in Ireland,’ the Kilkenny Design Workshops (KDW) is set up in 1963. It endeavours to nurture native Irish crafts particularly textiles, metalwork, ceramics, glass and furniture to have a modern yet distinctly Irish sensibility. The KDW is the first State sponsored design agency in the world and is held as a model of governmental intervention in design. Goulding sits on the board of the KDW from its origination and occupies the role of Chairperson from 1977 until 1981.

A right-handed batsman and wicket-keeper, Goulding plays twice for the Ireland cricket team against the Marylebone Cricket Club (MCC) in 1934, the year in which his father is president of the Irish Cricket Union. He makes his debut in July in a two-day match, scoring seven runs in the Ireland second innings and taking one catch in the MCC first innings. The following month, he plays his only first-class match, not scoring in either inning. In addition to playing cricket, he also represents Ireland at squash, and captains Oxford University at football.

(Photo: Basil Goulding from Tim Goulding’s website, http://www.timgoulding.com)