seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: County Kildare


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Birth of John Oxx, Thoroughbred Trainer

John M. Oxx, retired Irish trainer of thoroughbred racehorses, is born on July 14, 1950. By the end of the 2009 season he had trained thirty-five Group One winners over his career, including the winners of eleven Classic races. He is best known as the trainer of Sinndar and Sea The Stars.

Oxx has been widely praised for the care and undemonstrative authority with which he approaches the training and racing of his horses. He is particularly known for being highly selective when choosing when and where his horses will run.

Oxx is the son of John Oxx Sr., who is himself a successful trainer, winning eight Irish classic races. In 1950, his father purchases Currabeg, at the southwestern end of the Curragh in County Kildare, where Oxx Jr. takes over training. He graduates from University College, Dublin, as a veterinary surgeon in 1973, and works as his father’s assistant before taking over the stable in 1979. In that year he has his first win and his first Group win with Orchestra.

Oxx’s first Classic win comes with Eurobird in the Irish St. Leger of 1987. He has further success in the same race with Petite Ile two years later. In 1995, he trains Ridgewood Pearl, bred and owned by Sean and Anne Coughlan, to victories in the Irish 1,000 Guineas, the Coronation Stakes at Ascot Racecourse, the Prix du Moulin de Longchamp, and the Breeders’ Cup Mile at Belmont Park, in the United States, meaning that the filly has six wins in eight races and that she wins Group One races in four different countries in the same season.

The Aga Khan begins to support Oxx’s yard with a number of yearlings after Eurobird’s win in 1987. When he decides to withdraw his racehorses from England following Aliysa’s disqualification in the Epsom Oaks of 1989, he establishes a significant presence in Oxx’s yard. Without a budget of his own to spend on yearlings, Oxx continues to be reliant on horses bred by owners with whom he has an association. In some years, he concedes, “you wouldn’t have anything remotely near Group One standard.”

Many of Oxx’s major race wins have come from Aga Khan-owned horses, beginning with Manntari’s victory in the Vincent O’Brien National Stakes at the Curragh in 1993, and continuing with Timarida’s win in the Irish Champion Stakes at Leopardstown Racecourse in 1996, followed by Ebadiyla’s victory in the 1997 Irish Oaks. He also wins that race with Winona the following year. In 2000, he trains the Aga Khan’s brilliant Sinndar to wins in the Epsom Derby, the Irish Derby, and the Prix de l’Arc de Triomphe, making the colt the only horse ever to win that trio of races and at the time one of only three Irish-based horses to ever win the Arc.

The partnership also has successes with Alamshar, who wins the Irish Derby and the King George VI and Queen Elizabeth Stakes at Ascot Racecourse; with Azamour, winner of the St. James’s Palace Stakes, the Irish Champion Stakes, the Prince of Wales Stakes and the King George VI and Queen Elizabeth Stakes in 2004 and 2005; and with Kastoria, whose 2006 season includes a win in the Irish St. Leger.

Oxx comes to wider public attention when guiding Sea The Stars through a famous 2009 season in which he wins Group One races in England, Ireland and France, his six consecutive triumphs including the 2000 Guineas Stakes, the Epsom Derby and the Prix de l’Arc de Triomphe. He is typically understated when assessing the role of the trainer in the career of a great horse like Sea The Stars. “You can’t give them ability they don’t have,” he tells The Independent newspaper. “Really, it’s just a case of not messing it up – not to overtax the horse too soon, or ask it to do stupid things as a two-year-old. If you mind him sufficiently when he’s young, hopefully his ability will blossom.”

In an interview with The Observer, Oxx says of Sea The Stars: “I was always reading about racing and great horses of the past. So when you grow up with the history of racing and the history of breeding, the landmark horses that come along over a century, and more – to train one that’s in that league gives you the greatest satisfaction.”

Oxx serves as chairman of the Irish National Stud from 1985 to 1990. He is chairman of the Irish Racehorse Trainers’ Association from 1986 to 1991 and from 1993 to 1996. He serves on numerous other racing bodies and is chairman of the Racing Academy and Centre of Education. In 2008, he is given the Irish Racehorse Trainers’ Association Hall of Fame award.

Oxx marries Caitriona O’Sullivan in 1974. They have three children.


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Death of Charles Kendal Bushe, Lawyer & Judge

Charles Kendal Bushe, Irish lawyer and judge, dies in County Dublin on July 10, 1843. Known as “silver-tongued Bushe” because of his eloquence, he is Solicitor-General for Ireland from 1805 to 1822 and Lord Chief Justice of the King’s Bench for Ireland from 1822 to 1841.

Bushe is born at Kilmurry House, near Thomastown, County Kilkenny, the only son of the Reverend Thomas Bushe, rector of Mitchelstown, and his wife Katherine Doyle, daughter of Charles Doyle of Bramblestown, near Gowran. Kilmurry House had been built by the Bushe family in the 1690s. His father is forced to sell it to pay his debts, but he is able to repurchase it in 1814. He goes to the celebrated Quaker academy, Shackleton’s School in Ballitore, County Kildare, then graduates from Trinity College Dublin (TCD), where his eloquence makes him a star of the College Historical Society. He is called to the Bar in 1790.

Bushe is a member of the Irish Parliament for Callan from 1796 to 1799, and for Donegal Borough from 1799 to 1800. He is Escheator of Leinster in 1799. By this time the office is a sinecure. He is vehemently opposed to the Acts of Union 1800, referring emotionally to Britain’s subjection of Ireland as “six hundred years of uniform oppression and injustice,” a phrase which quickly became a proverb. Although he refuses an offer of a place on the Bench as a bribe for supporting the Union, cynics note that his staunch opposition to the Union does not prevent him accepting high office under the British Crown afterwards. He is appointed Solicitor-General for Ireland in 1805 and holds the office for 17 years until in 1822 he is appointed Lord Chief Justice of the King’s Bench for Ireland, although only after William Saurin, the equally long-serving Attorney-General, refuses the position. He retire in 1841.

As an advocate “silver-tongued Bushe” is legendary for his eloquence, and as a politician, he is admired by his English contemporaries like Sir Robert Peel and Lord Brougham. As a judge, according to F. Elrington Ball, he does not live up to expectations, although, if not an outstanding judge, he is an impressive and dignified one. As a statesman he is often accused of double-dealing: having opposed the Acts of Union, he has few scruples about accepting office under the new regime; and while himself supporting Catholic Emancipation, he prosecutes members of the Catholic Association for sedition, merely for advocating the same cause.

In Dublin, Bushe is a member of Daly’s Club.

Bushe dies in County Dublin on July 10, 1843, and is buried at Mount Jerome Cemetery and Crematorium in Harold’s Cross, County Dublin.


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Birth of Catherine O’Brien, Irish Stained Glass Artist

Catherine Amelia “Kitty” O’Brien, Irish stained glass artist and a member and director of An Túr Gloine, is born in Durra House, Spancill Hill, County Clare, on June 19, 1881.

O’Brien is one of five children of Pierce O’Brien, a gentleman landowner, and Sophia Angel St John O’Brien. Her first cousin is woodcarver Sophia St John Whitty. She attends the Mercy Convent in Ennis, going on to win a scholarship to the Dublin Metropolitan School of Art. While there she studies under William Orpen and Alfred E. Child who teach her the art of stained glass.

Among O’Brien’s first commissions is the St. Ita window for St. Brendan’s cathedral in Loughrea, County Galway, in 1904, which is designed by Sarah Purser. She joins An Túr Gloine in 1906, beginning her career there by designing Angel of the Annunciation window in the Enniskillen convent chapel. For a window in the Wilson private chapel at Coolcarrigan House, Naas, County Kildare, in 1912, she incorporates Celtic design, some drawing on the Book of Durrow. In 1914, she tours the cathedrals of Paris, Rouen, and Chartres with Purser and Wilhelmina Geddes. She designs three windows depicting St. John, St. Flannan, and St. Munchin, for the Honan Chapel at University College Cork in 1916. Her 1923 design of the centenary memorial window in St. Andrew’s church, Lucan, represents the parable of the Good Shepherd. When in 1925 An Túr Gloine becomes a cooperative society, she becomes a shareholder along with Ethel Rhind, Evie Hone, and Michael Healy.

O’Brien’s 1926 lunette The Spirit of Night represents night, twilight, and dawn, and is for the private home of Keng Chee in Singapore, which is later demolished. The window of St. Catherine of Siena for the Sacred Heart convent chapel in Newton, Massachusetts dates from 1927. Her 1931 St. Patrick window, for the De La Salle school, East Coast Rd., Singapore, commissioned by architect Denis Santry, is the only extant stained-glass work by an Irish artist in that country. Much like Rhind, O’Brien also employs opus sectile, such as in her 1936 Mass in Penal Days in the Franciscan friary, Athlone, County Westmeath. She contributes two windows, Pelican and Lamb and Host and Chalice: Wheat and Grapes, to the ten windows An Túr Gloine produces for Brophy College Chapel, Phoenix, Arizona in 1937. From 1937 until 1947, she works on 22 opus sectile panels for the Protestant Church in Ennis.

Purser retires from An Túr Gloine in 1940, and O’Brien succeeds her as director, going on to purchase it and the contents in 1944. She rents a section of the premises to fellow stained-glass artist Patrick Pollen from 1954 onwards. She exhibits at the 1953 Irish Exhibition of Living Art, and the 1958 exhibition of the Arts and Crafts Society of Ireland. When the An Túr Gloine studios are damaged by fire in 1958, she rebuilds them and reopens by 1959. She is an active member of the Soroptimists and the Guild of Irish Art Workers. The last work she completes is a three-light window for the Church of St. Multose, Kinsale, County Cork, in 1962. A commission for two windows for the private chapel of Áras an Uachtaráin for President Éamon de Valera is left unfinished at her death.

O’Brien dies in Dublin on July 18, 1963, and is buried in Whitechurch Parish Graveyard, County Dublin. She is commemorated in a window designed by Pollen in St. Laurence O’Toole chapel, Christ Church Cathedral, Dublin, where for forty years she made floral arrangements. Over 150 of her An Túr Gloine drawings from notebooks are now in the National Gallery of Ireland.

(Pictured: Stained glass window in the south wall of Ferns Cathedral, Ferns, County Wexford)


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Death of Esther Vanhomrigh, Lover & Correspondent of Jonathan Swift

Esther Vanhomrigh, Irish woman of Dutch descent and a longtime lover and correspondent of Jonathan Swift, dies in Celbridge, County Kildare, on June 2, 1723. Swift’s letters to her are published after her death. Her fictional name “Vanessa” is created by Swift by taking Van from her surname, Vanhomrigh, and adding Esse, a pet form of her first name, Esther.

Vanhomrigh is born in Dublin on February 14, 1688, the eldest of four children of Bartholomew Van Homrigh, a merchant of Amsterdam and afterwards of Dublin, who is appointed commissary of the stores by King William III upon his expedition into Ireland. He serves as Lord Mayor of Dublin from 1697–98. Her mother, also named Esther, is the daughter of John Stone, an Irish commissioner of revenue. She grows up at Celbridge Abbey in County Kildare.

Vanhomrigh’s father dies in 1703, and his widow moves her family to London in 1707. She becomes acquainted with Swift in December of that year while the family is en route for London, at Dunstable, and it is here that their intense 17-year relationship begins. She is 22 years younger than Swift, and it is obvious from the beginning that he admires her for her rugged qualities, as he does not admire very delicate women. She is said “not to be a beauty,” although it is difficult to be sure about this since no contemporary portrait of her exists (the famous 1868 Millais portrait is a work of artistic imagination). Swift later serves as her tutor. After her mother dies in 1714, she follows Swift to Ireland, and returns to Celbridge Abbey, but she is desperately miserable there.

Their relationship is fraught. It is broken up after 17 years by Swift’s relationship with another woman, Esther Johnson, whom he calls “Stella,” in 1723. Swift has known Stella since about 1690, when she is a little girl in the household of his employer Sir William Temple; their relationship is intense and it is possible that they secretly married in 1716. Vanhomrigh is thought to have asked Swift not to see Stella again, and he apparently refuses, thus putting an end to their relationship.

Vanhomrigh never recovers from his rejection and dies on June 2, 1723, likely from tuberculosis contracted from nursing her sister Mary, who had died of the same disease in 1720, as had their mother before her. Some accuse Swift of inadvertently causing her death.

Vanhomrigh’s father had left her well provided for, but she is burdened by debts accumulated by her mother and her spendthrift brother Bartholomew. In her will, she names the barrister Robert Marshall and George Berkeley, the celebrated philosopher and future Bishop of Cloyne, executors and joint residuary legatees of her estate, although she knew neither man well. Due to the debts, a protracted lawsuit ensues and a large part of the estate is lost in legal costs. It is widely reported that she had made it a condition of the inheritance that her executors publish all her correspondence with Swift, but in fact, no such stipulation seems to have been made.

Swift, whose letters to her are published after her death, is not mentioned in her will, perhaps a final retaliation against a man whose neglect made her “live a life like a languishing death.”


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The Gibbet Rath Executions

The Gibbet Rath executions, sometimes called the Gibbet Rath massacre, refers to the execution of several hundred surrendering rebels by government forces during the Irish Rebellion of 1798 at the Curragh of Kildare on May 29, 1798.

News of the outbreak of the rebellion prompts Major-General Sir James Duff, Military Commander in Limerick, to gather a force of about 600 men, mainly Dublin militia members, backed up by seven artillery pieces, and sets out on a forced march to Dublin on May 27. His twin objectives are to restore communications between the two cities and to crush any resistance encountered on the way. As the soldiers enter County Kildare, they discover the bodies of several rebel victims, among them Lieutenant William Giffard, the son of the commander of the Dublin militia, Captain John Giffard, which reportedly inflames the soldiers.

However, by the time Duff’s column arrives in Monasterevin in County Kildare, at 7:00 a.m. on May 29, the bulk of the rebel forces have already accepted a government amnesty from Generals Gerard Lake and Ralph Dundas, following their defeat at the Battle of Kilcullen and had surrendered at Knockaulin Hill, several kilometres to the east of the Curragh on May 27. Not aware that the rebels are gathering to surrender on the Curragh plain, Duff reinforces his column and marches to the nearby town of Kildare, and on to the adjacent southwest corner of the Curragh.

Duff’s force had by now grown to 700 militia, dragoons and yeomanry with four pieces of artillery, three having been presumably left at Monasterevin. The designated place of surrender, the ancient fort of Gibbet Rath, is a wide expanse of plain with little or no cover for several kilometres around but neither the rebels nor Duff’s force have seemingly any reason to fear treachery as a separate peaceful surrender to General Dundas at Knockaulin Hill, who is accompanied only by two dragoons, has been successfully accomplished without bloodshed.

By the time of Duff’s arrival at Gibbet Rath on the morning of May 29, an army of between 1,000 and 2,000 rebels is waiting to surrender in return for the promised amnesty. They are subjected to an angry tirade for their treason by Duff who orders them to kneel for pardon and then to stack their arms. Shortly after the weapons are stacked, an infantry and cavalry assault results in the death of about 350 men. Accounts of why the massacre began differ. Rebel claims that Duff orders his troops to attack the disarmed and surrounded men are denied by Duff himself who claims that the rebels fired on his men, while another source records “one man in the crowd, saying he would not hand over his fire-lock loaded, blazed it off in the air”.

However, Duff redrafts his own official report of the engagement before submission to Dublin Castle, his final draft is transmitted without references to his knowledge of the surrender preparations. The original report reads as follows with the items in brackets excised from his final report:

“My Dear Genl. (I have witnessed a melancholy scene) We found the Rebels retiring from this Town on our arrival armed. We followed them with Dragoons; I sent on some of the Yeomen to tell them, on laying down their arms, they should not be hurt. Unfortunately some of them Fired on the Troops; from that moment they were attacked on all sides, nothing could stop the Rage of the Troops. I believe from Two to Three hundred of the Rebels were killed. (They intended, we are told, to lay down their arms to General Dundas). We have 3 men killed & several wounded. I am too fatigued to enlarge. I have forwarded the mails to Dublin.”

The grieving Captain John Giffard expresses his own satisfaction as follows:

“My troops did not leave my hero unavenged – 500 rebels bleaching on the Curragh of Kildare—that Curragh over which my sweet innocent girls walked with me last Summer, that Curragh was strewed with the vile carcasses of popish rebels and the accursed town of Kildare has been reduced to a heap of ashes by our hands.”

General Duff receives no censure for the massacre and, upon his arrival in Dublin the following day, is feted as a hero by the population who honour him with a victory parade. General Dundas, by contrast, is denounced for having shown clemency toward the rebels. However, because of the massacre, wavering rebels are discouraged from surrendering and there are no further capitulations in County Kildare until the final surrender of William Aylmer in July. Dr. Chambers considers that Lake and Duff are not in communication about the surrenders, being on opposite sides of the Curragh. Duff and his 500 men arrive in Kildare after a forced march from Limerick and find it sacked by the rebels, along with the piked body of Duff’s nephew.

Duff is later involved in an unsuccessful campaign after the Battle of Vinegar Hill to trap and destroy a surviving rebel column in Wexford led by Anthony Perry who fights and eludes Duff’s forces at the battle of Ballygullen/Whiteheaps on 5 July.

(Pictured: The statue of Saint Brigid at the Market Square of Kildare which is dedicated to the memory of the victims at Gibbet Rath)


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Death of Charlotte Brooke, Poet, Dramatist & Author

Charlotte Brooke, author of Reliques of Irish Poetry, a pioneering volume of poems collected by her in the Irish language, with facing translations, dies in Longford, County Longford, on March 29, 1793, of a malignant fever.

Brooke is born around 1740 in Rantavan House, Mullagh, County Cavan. She is one of twenty-two children of the writer Henry Brooke, author of the play Gustavus Vasa, and Catherine Brooke (née Meares) of County Westmeath. Only she and her brother Arthur survive childhood.

Brooke is educated by her father and immerses herself in reading history and literature at an early age. While the rest of her family is sleeping, she often goes down to the study where she spends hours reading.

Brooke is part of the first generation of the Protestant Anglo-Irish settler class who take a strong interest in the Irish language and Gaelic history. Her primary interest in Irish language and literature is generated by her hearing it being spoken and recited by the labourers in County Cavan and on the County Kildare estates where her family moves around 1758. She is led to the study of the Irish language, and in less than two years she finds herself in love with it. From reading Irish poetry and admiring its beauties, she proceeds to translate it into English, one of her earliest efforts being a song and monody by Turlough O’Carolan, which appears in Joseph Cooper Walker‘s Historical Memoirs of Irish Bards (1786).

Brooke, who is frail herself, takes care of her father after her mother dies in 1773. Meanwhile, the family has moved back to County Cavan, where they begin living in a house they name Longfield which has been built near the Rantavan Estate. A few years after her father dies in 1783, she runs into financial troubles, after a model industrial village set up in County Kildare by her cousin Captain Robert Brooke goes bankrupt in 1787. Walker and other members of the recently created Royal Irish Academy (RIA) seek to make an income for her, but she realises she has to rely on her writings and translations.

In 1792, though in declining health and poor circumstances, Brooke publishes a selection of her father’s writings in three volumes, prefacing the work with a memoir of her father and a defence of his reputation as a writer. She also publishes a direct and simple presentation of Christian doctrine for children using her father’s didactic method, The school for Christians in dialogue for the use of children (1791). She dies of a malignant fever on March 29, 1793, at Longford, County Longford, in the home of the Brownes, friends with whom she has lived for some years.


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Birth of Rob Kearney, Former Rugby Union Player

Robert Kearney, former rugby union player, is born on a dairy farm on March 26, 1986, on the Cooley Peninsula in County Louth. He plays for 15 years for Leinster followed by a six-month stint in Australia, playing for Perth based side Western Force. He also plays over a decade for the Ireland national rugby union team with whom he earns 95 caps and goes on two British & Irish Lions tours in 2009 and 2013. As a youth he also plays rugby union for Clongowes Wood College and Gaelic football for Louth in the All-Ireland Minor Football Championship.

Kearney is the third of five children. He has an older brother, Richard, a younger brother Dave (who plays for Leinster) and a sister, Sara, the youngest of the five children. His elder brother Ross dies at the age of six following an accident in 1988. He is a seventh cousin of former U.S. President Joe Biden.

Like many of his peers, Kearney gets involved in athletics at an early age. The dominant sport in the area is Gaelic football. As a youth, he plays Gaelic for Naomh Muire, and in the Cooley Kickhams underage setup, before graduating to the Cooley senior football team at the age of 17 in 2004 and also Louth at minor level.

Kearney attends Clongowes Wood College in County Kildare for his secondary education. After his Leaving Certificate he moves to University College Dublin (UCD) on a sports scholarship, where he plays for the rugby team. He graduates in April 2010 with a Bachelor of Arts degree in economics. In 2005 he helps the U-20s team win the McCorry Cup, beating Dublin University Football Club (DUFC) in the final. In 2018, he is awarded the UCD Alumni Award in Sport.

Kearney plays for Leinster at both schoolboy and U-19 level before going on to represent them as a senior. He scores a hat-trick of tries on his debut for Leinster in a pre-season friendly win over Parma.

Kearney makes his Celtic League debut for Leinster in 2005 in a 22–20 defeat away to the Ospreys. He makes 32 appearances in the competition, scoring eight tries, with three penalties during a period in September 2006, when usual place kicker, Felipe Contepomi, is injured. He plays in his first Heineken Cup game in a 19–22 defeat against Bath at the Royal Dublin Society (RDS) on October 22, 2005. It is the first of ten appearances scoring ten tries in the process. He is part of Leinster’s Heineken Cup winning team in 2009 but misses the 2011 final due to injury. On May 21, 2012, the day after Leinster wins their second straight Heineken Cup, he is announced as the ERC Player of the Year for 2012. During the 2011–12 campaign he starts all nine European matches scoring six tries. He is crowned Leinster player of the year for the 2011–12 season. He confirms his departure from Leinster on September 24, 2020.

In late September 2020, it is confirmed that Kearney has signed a one-year contract with Australian side Western Force. He makes his Force debut in an 11–27 defeat to the Brumbies on February 19, 2021. He announces his retirement from rugby after one season with Western Force in Super Rugby AU and Super Rugby Trans-Tasman. Following his retirement, he returns to Louth GAA club Cooley Kickhams where he begins training in August 2021 for the first time since 2005.

Kearney represents Ireland at schoolboy and U-19 level, and tours with Ireland A in the 2006 Churchill Cup. He is first called into the Irish training squad for 2005’s autumn internationals but does not play. He is named in the Irish squad to the 2007 summer tour of Argentina and earns his first cap against Argentina on June 2, 2007, in a 16–0 defeat. During the 2008 Six Nations Championship he scores two tries, one against Scotland and one against England. He is a member of the victorious Ireland team that wins the 2009 Six Nations Championship, Triple Crown and Grand Slam. One of the most famous incidents in his career is a high tackle incident involving Italy‘s Andrea Masi in the first minute of a game. The incident is taken as an indication of the danger posed by Kearney in attack. He misses almost a year – from November 2010 until August 2011 – due to a knee injury that requires surgery.

In the 2011 Rugby World Cup, Kearney is selected but is injured for the first game against the United States. However, he plays in all the other matches which take Ireland through to the quarterfinals, in which they are knocked out by Wales, 22–10. He is selected in the Ireland squad for the 2012 Six Nations Championship and named in the starting team to play Wales in the opening match. He plays in all the other games, which see Ireland finish third in the table. He is also in the first Irish rugby team in 39 years to beat Australia on Australian soil, in the 2018 summer series. He is named in the Ireland squad for the 2019 Rugby World Cup in Japan, starting three of Ireland’s five matches and splitting time at fullback with Jordan Larmour.

Kearney is named in the British & Irish Lions squad for the 2009 tour to South Africa. He makes his Lions test debut as a substitute in the 26–21 first test defeat in Durban. Due to an injury to Lee Byrne, he is selected again for the second test in Pretoria. He scores the only try for the Lions in a 28–25 defeat. He then plays in the final test in Johannesburg which the Lions win 28–9. On April 30, 2013, he is named in his second British & Irish Lions squad.

Kearney marries Jess Redden in 2021, and their son is born in 2023.


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Birth of Irish Tenor Josef Locke

Joseph McLaughlin, Irish tenor known professionally as Josef Locke, is born in Derry, County Londonderry, on March 23, 1917. He is successful in the United Kingdom and Ireland in the 1940s and 1950s.

McLaughlin is one of ten children of Patrick McLaughlin, butcher and cattle dealer, and Annie McLaughlin (née Doherty). He starts singing in local churches in the Bogside at the age of seven, and as a teenager adds two years to his age to enlist in the Irish Guards, later serving abroad with the Palestine Police Force, before returning in the late 1930s to join the Royal Ulster Constabulary (RUC).

Known as The Singing Bobby, McLaughlin becomes a local celebrity before starting to work in the UK variety circuit, where he also plays summer seasons in English seaside resorts. The renowned Irish tenor John McCormack (1884–1945) advises him that his voice is better suited to a lighter repertoire than the operatic one he has in mind and urges him to find an agent. He finds the noted impresario Jack Hylton (1892–1965) who books him but is unable to fit his full name on the bill, thus Joseph McLaughlin becomes Josef Locke.

Locke makes an immediate impact when featured in “Starry Way,” a twenty-week summer show at the Opera House Theatre in Blackpool, Lancashire, England in 1946 and is rebooked for the following summer, then starring for three seasons at the Blackpool Hippodrome. He appears in ten Blackpool seasons from 1946 to 1969, not the nineteen seasons he later claims.

Locke makes his first radio broadcast in 1949 and subsequently appears on television programmes such as Rooftop Rendezvous, Top of the Town, All-star Bill and The Frankie Howerd Show. He is signed to the Columbia label in 1947, and his first releases are the two Italian songs “Santa Lucia” and “Come Back to Sorrento.”

In 1947, Locke releases “Hear My Song, Violetta,” which becomes forever associated with him. It is based on a 1936 tango “Hör’ mein Lied, Violetta” by Othmar Klose and Rudolf Lukesch. The song “Hör’ mein Lied, Violetta” is often covered, including by Peter Alexander and is itself based on Giuseppe Verdi‘s La traviata. His other songs are mostly a mixture of ballads associated with Ireland, excerpts from operettas, and familiar favourites.

In 1948, Locke appears in several films produced by Mancunian Films, usually as versions of himself. He plays himself in the film Holidays with Pay. He also appears as “Sergeant Locke” in the 1949 comedy What a Carry On!

In 1958, after Locke has appeared in five Royal Variety Performance telecasts, and while he is still at the peak of his career, the British tax authorities begin to make substantial demands that he declines to meet. Eventually he flees the country for Ireland, where he lays low for several years. When his differences with the taxman are eventually settled, he relaunches his career in England with tours of the northern variety clubs and summer seasons at Blackpool’s Queen’s Theatre in 1968 and 1969, before retiring to County Kildare, emerging for the occasional concert in England. He later appears on British and Irish television, and in November 1984 is given a lengthy 90-minute tribute in honour of the award he is to receive at the Olympia Theatre commentating his career in show business on Gay Byrne‘s The Late Late Show. He also makes many appearances on the BBC Television‘s long running variety show The Good Old Days.

In 1991, the Peter Chelsom film Hear My Song is released. It is a fantasy based on the notion of Locke returning from his Irish exile in the 1960s to complete an old love affair and save a Liverpool-based Irish night-club from ruination. Locke is played by Ned Beatty, with the singing voice of Vernon Midgley. The film leads to a revival in Locke’s career. A compilation CD is released, and he appears on This Is Your Life in March 1992. He performs in front of the Prince and Princess of Wales at the 1992 Royal Variety Performance, singing “Goodbye,” the final song performed by his character in the film. He announces prior to the song that this will be his final public appearance.

Locke dies at the age of 82 at a nursing home in Clane, County Kildare on October 15, 1999, and is cremated at Glasnevin Cemetery. He is survived by his wife, Carmel, and a son.

On March 22, 2005, a bronze memorial to Locke is unveiled outside the City Hotel on Queen’s Quay in Derry by Phil Coulter and John Hume. The memorial is designed by Terry Quigley. It takes the form of a spiraling scroll divided by lines, representing a musical stave. The spiral suggests the flowing melody of a song and is punctuated by images illustrating episodes in his life, including Locke in police uniform, Blackpool Tower, Carnegie Hall, and the musical notes of the opening lines of “Hear My Song.”

A biography of the singer, entitled Josef Locke: The People’s Tenor, by Nuala McAllister Hart is published in March 2017, the centenary of his birth. The book corrects many myths that the charismatic Locke circulated about his career.


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Birth of Piers Butler, 3rd Viscount Galmoye

Piers Butler, 3rd Viscount Galmoye, otherwise Viscount Galmoy, an Anglo-Irish nobleman, is born on March 21, 1652. He is descended from Thomas Butler, 10th Earl of Ormond, and is the son of Edward Butler, 2nd Viscount Galmoye, and Eleanor (née Whyte), daughter of Sir Nicholas Whyte of Leixlip, County Kildare.

Butler succeeds to the title at the age of fifteen and was educated at the University of Oxford, taking the degree of LL.D. in 1677. In 1678, he is commissioned as a captain in Colonel Thomas Dongan‘s regiment, which is disbanded before he takes up his post.

Under James II of England Butler is Privy Councillor of Ireland, Lieutenant of the County of Kilkenny, and Colonel of the 2nd Regiment of Irish Horse. Serving as part of the Jacobite Irish Army, he commands a regiment at the Battle of the Boyne and serves with distinction in the Battle of Aughrim. He is one of the signatories of the Treaty of Limerick. At the Glorious Revolution, he might have been able to secure his old estates of 10,000 acres in Kilkenny and 5,000 in Wexford, had he consented to give his allegiance to William III of England rather than following Patrick Sarsfield and James II into exile in France. Instead, the English Parliament attaints him and declares his titles forfeited in 1697 by the statute 9 Will. 3. c. 4.

In 1692, Butler is created Earl of Newcastle in County Limerick in the Jacobite peerage of Ireland. In France he is named Colonel of the 2nd Queen’s Regiment of Irish Horse in the service of that country and serves with distinction in various battles of the War of the Spanish Succession, also becoming a Lieutenant-General in the Spanish army. He is at the Siege of Roses in 1693, and in 1694 is a Brigadier attached to the army of Germany. He serves in Italy and other parts of Continental Europe from 1701 to 1703, sharing all the fortunes of the Irish Brigade. He later serves in the French army as a Lieutenant-General. He is created Brigadier of Cavalry in 1694.

Butler marries Anne Mathew and with her has one son, Colonel Edward Butler, who is killed at the Battle of Malplaquet in 1709. After the death of his first wife, he marries Henrietta FitzJames, the illegitimate daughter of King James II and Arabella Churchill and the widow of Henry Waldegrave, 1st Baron Waldegrave, on April 3, 1695. She deserts him and returns to England.

Butler dies at the age of eighty-eight in Paris on June 18, 1740, and is buried at St. Paul’s there. John C. O’Callaghan writes in Irish Brigades in the Service of France (Glasgow, 1870): “The successive claimants of the title of Galmoy were officers in France down to the Revolution; in whose armies, as well as in others, various gentlemen have honourably represented a name, of which the illustrious General Lafayette is related to have said, in the war for the independence of the United States of America, that ‘whenever he wanted anything well done, he got a Butler to do it.'”

Notwithstanding the attainder, the viscountcy is assumed by his nephew, James Butler of the Irish Brigade in France, the son of the Viscount’s brother, Richard Butler of Galmoye.


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Death of James Bernard Fagan, Actor, Producer & Playwright

James Bernard Fagan, Irish-born actor, theatre manager, producer and playwright in England, dies of a heart attack in Hollywood, Los Angeles, California, on February 17, 1933, following a bout of influenza.

Fagan is born in Belfast on May 18, 1873, the eldest of the five children of Sir James Fagan, a surgeon at the Belfast Royal Hospital and an inspector of Irish reformatories, and Mary Catherine Fagan (née Hughes). He attends Clongowes Wood College near Clane, County Kildare and then moves to England. Initially interested in a career in the church, he begins studying law at Trinity College, Oxford in 1892 but leaves in 1893 without a degree. He works for a time in the Indian Civil Service but abandons this career for the stage.

Fagan begins his career as an actor with the company of Sir Frank Benson for two years, then joining, from 1895 to 1899, the company of Herbert Beerbohm Tree at Her Majesty’s Theatre. There he appears in Katherine and Petruchio, A Man’s Shadow, Julius Caesar, The Musketeers and Carnac Sahib. He starts writing plays in 1899, with The Rebels, for the time forsaking acting. In 1913, he returns to the stage touring as the Rt. Hon. Denzil Trevena in his own play, The Earth. He next writes The Fourth of August (1914) and Doctor O’Toole (1917). In 1917 he produces his first play, his own adaptation of the Eugène Brieux play Damaged Goods at St. Martin’s Theatre. He next produces The Wonder Tales and The Little Brother at the Ambassadors Theatre in London.

Fagan takes over the Court Theatre in London’s Sloane Square as a Shakespearean playhouse in 1920. The Times calls his revivals of Twelfth Night, The Merchant of Venice, Henry the Fourth (Part Two) and A Midsummer Night’s Dream “memorable for their freshness, sanity and distinction, and [deserving of] a place in theatrical history.” At the Court, he revives Damaged Goods and, in 1921, with the assistance of the author, produces George Bernard Shaw‘s Heartbreak House, with Edith Evans as “Lady Utterwood.” In 1922 he produces his play The Wheel at the Apollo Theatre. Its success allows him to repay his creditors. Even more successful is his adaptation of Treasure Island at the Savoy Theatre with Arthur Bourchier as “Long John Silver,” which opens December 26, 1922. It is revived every Christmas until the outbreak of World War II.

Fagan is persuaded by Jane Ellis, the actress who with Alfred Ballard founds the Oxford Playhouse “Red Barn” in 1923, to be its first manager. His first production at the Oxford Playhouse is a restaging of Shaw’s Heartbreak House and numbered Shaw among the audience. He produces The Cherry Orchard, at various theatres, to favourable reviews, popularising Anton Chekhov in Britain. From November 16, 1925, with Dennis Eadie, he presents Juno and the Paycock at the Royalty Theatre, thus bringing Seán O’Casey to the attention of London’s theatre-going public. O’Casey’s The Plough and the Stars follows the next year.

Fagan receives little support from the University of Oxford or the play-going public and resigns in 1929. His successor is Stanford Holme, who broadens its appeal and, despite the straitened times, makes it financially viable. In 1929, he is a director of the Festival Theatre, Cambridge, where his friend Terence Gray is director. He also produces many works for the Irish Players.

Beginning in the 1920s, several of Fagan’s plays are adapted for film. He moves to Hollywood in 1929 for the filming by Paramount Pictures of his play The Wheel as The Wheel of Life. Other film work includes his co-adaptation of the screenplay for the 1932 film Smilin’ Through, and he co-writes Paramount’s Forgotten Commandments the same year. His play Bella Donna is filmed four times, including posthumously in 1946, and a 1936 film, The Improper Duchess is based on his 1931 play of the same name.

James Bernard Fagan dies in Hollywood, California, on February 17, 1933, at the age of 59 of a heart attack following a bout of influenza.