A portrait of Guinness is held at the National Portrait Gallery in London. She has modeled for various perfume and make-up campaigns, including Armani and Shu Uemura. She is the face of the Goffs Million horse races at the Curragh Racecourse in September 2007, an event that pays the highest winnings of any race meeting in Europe.
In 2009, Guinness is the face of the Arthur’s Day event celebrating her ancestor Arthur Guinness. In March and December 2011 she is again the subject of articles in Hello! magazine.
The year 2014 marks a revival of Guinness’s modeling career as she leads Jaeger‘s AW14 campaign alongside her mother Liz and fellow models Kirsty Hume and Jodie Kidd. Her range largely includes knitwear, including cardigans, skirts and sweater dresses.
Guinness is the great-granddaughter of Diana Mitford (later Lady Mosley), who is one of the Mitford sisters, and her first husband Bryan Guinness, later the 2nd Lord Moyne. Her paternal grandfather, Desmond Guinness, is a conservationist specialising in Georgian and classical architecture, while her paternal grandmother, Mariga Guinness, is born Marie-Gabrielle, Princess of Urach. Desmond and Mariga Guinness are co-founders of the Irish Georgian Society. Guinness’s maternal family is researched in the RTÉ programme Where Was Your Family During the Famine?
Brayton is born Teresa Coca Boulanger in Kilbrook, the youngest daughter and fifth child of Hugh Boylan and Elizabeth Boylan (née Downes). Her family are long-time nationalists, with her great grandfather previously leading a battalion of pikesmen at the Battle of Prosperous.
Brayton is educated from the age of 5 in Newtown National School. She writes her first poem at the age of twelve, and soon after wins her first literary award. Later on, she trains to be a teacher, and then becomes an assistant teacher to her older sister Elizabeth in the same school she received her education.
Brayton’s father is a tenant farmer, and from a young age she witnesses the effects of the land wars in Ireland. She is a supporter of Parnell, the Irish National Land League and the Irish Home Rule movement. Her work is largely influenced by her family history and Irish nationalism.
In September 1895, Brayton emigrates to the United States at the age of 27. She first lives in Boston, Chicago, and later moves to New York City. She meets Richard H. Brayton, a French-Canadian who works as an executive in the Municipal Revenue Department, who she then marries. She looks after their home and focuses on her career as a freelance journalist. She lives in the United States for 40 years and becomes well known in Irish American circles as a prominent figure in the Celtic Fellowship. It was in the United States that her reputation is established.
In the 1880s, Brayton begins her career as a poet, writing poetry for both national and provincial Irish newspapers, including Young Ireland and the King’s County Chronicle. She uses the pseudonym “T. B. Kilbrook” while contributing to these papers.
Brayton continues writing under the pseudonym until moving to the United States, where she becomes an acclaimed writer and continues to contribute to papers including the Boston newspaper The Pilot, New York Monitor and Rosary Magazine. Her target audience is the Irish immigrant population of the United States. After establishing herself she releases her poetry in collections including Songs of Dawn (1913) and The Flame of Ireland (1926).
Brayton makes return trips to Ireland regularly and develops a relationship with nationalist peers, and the leaders of the Easter Rising. Upon returning to the United States, she becomes an activist for the Irish Republic and participates in organising the distribution of information to the Irish population through pamphlets and public speaking. Her contribution is acknowledged by Constance Markievicz. Her patriotism to Ireland admit her to the Celtic Fellowship in America, where she shares her poetry at events.
Brayton’s best-known poem is “The Old Bog Road,” which is later set to music by Madeline King O’Farrelly. It has since been recorded and released by many Irish musicians including Finbar Furey, Daniel O’Donnell and Eileen Donaghy, among many others. Many more of her best-known ballads include, The Cuckoo’s Call, By the Old Fireside and Takin’ Tea in Reilly’s.
Brayton makes her permanent return to Ireland at the age of 64 following the death of her husband in 1932 and continues her career as a journalist writing for Irish newspapers and publishes religious poetry in the volume Christmas Verses in 1934. A short story called The New Lodger written by Brayton is published by the Catholic Trust Society in 1933. She dedicates much of her work to the exiled Irish living in the United States, incorporating themes of nostalgia, the familiarity of home and religion throughout her poetry.
Initially upon moving back to Ireland, she lives for a few years with her sister in Bray, County Wicklow. She then moves to Waterloo Avenue, North Strand, County Dublin. Here, she witnesses the bombing of the North Strand on May 31, 1941 during World War II. Shortly after the bombing, she eventually settles back in Kilbrook, where she was born, and lives there for the rest of her life. She spends a brief period of time in the Edenderry Hospital before her death. During her stay there she becomes a good friend with Padraig O’Kennedy, the “Leinster Leader,” who is able to reveal to her something that is linked to a family member of his. A copy of her The Old Bog Road which had been set to music and autographed by her while she was living in the United States. She had it sent to O’Kennedy’s eldest son and on it she wrote the words: “To the boy who sings the Old Bog Road so sweetly.”
Two years after her return to Kilbrook, on August 19, 1943, Brayton dies in the same room where her mother had given birth to her over 75 years previously. She is buried at the Cloncurry cemetery in County Kildare. Her funeral is attended by many, including the then Taoiseach, Éamon de Valera.
From the vivid imagery she speaks of in her poetry, Brayton, both a poet and a novelist, is described by some as “the poet of the homes of Ireland.” Such scenes include the vivid imagery of the fireside chats, the sound of her latch lifting as neighbours in to visit at night from her poem “The Old Boreen” and about her home cooking and work from “When the Leaves Begin to Fall.” Such images can be compared to most Irish households and can depict a vivid picture to those reading her poetry.
Brayton’s poetry leaves a lasting sense of Irish beauty and community. This can be seen in such poems as “A Christmas Blessing” where she speaks of “taking and giving in friendship” during Christmas. Since her passing she has continued to keep an audience from overseas from Boston and New York primarily, this as a result of the reminder her poems give to Irish exiles of Irish traditions and music which was close to them. While her poems are more often serious, some portray an almost comical undertone tone. In an article in The Irish Times, her poetry is also said to have a racy feel to them.
Christened as William O’Brien, Ó Briain is born at 10 Church Street, North Wall, Dublin, on September 16, 1888, the seventh child of Arthur O’Brien, clerk, and Mary O’Brien (née Christie), who is from County Meath. He takes an interest in the Irish language from an early age and begins learning Irish by himself from a grammar book, as it is not encouraged by his teachers at the Christian Brothers’ O’Connell School nor spoken by his parents. While still at the O’Connell School, he starts using the Irish version of his name. He also attends meetings of the Gaelic League, then attends University College Dublin (UCD) on a scholarship, where he studies French, English and Irish, receiving a BA (1909) and an MA (1910).
UCD decides to start awarding one annual scholarship for overseas travel in 1911, and Ó Briain wins the first one, using it to visit Germany and study under Kuno Meyer and Rudolf Thurneysen. After three years, he returns home, where he rejoins the Gaelic League and begins teaching French at UCD. He also joins the Irish Volunteers then, the following year, Seán T. O’Kelly convinces him to join the Irish Republican Brotherhood (IRB).
Around this time, Ó Briain joins Sinn Féin, and he stands unsuccessfully for the party in Mid Armagh at the 1918 United Kingdom general election in Ireland, taking 5,689 votes. His campaign leads, indirectly, to his arrest and three months in jail in Belfast. In 1920, following his release, he is appointed a judge in the then-illegal republican court system in Galway, and visits both France and Italy to try to source weapons for the Irish Republican Army (IRA). In November 1920, he is arrested in the UCG dining room by Black and Tans, and is imprisoned for thirteen months, first in Galway and then in the Curragh camp in County Kildare, thereby missing the conclusion of the Irish War of Independence. By the time he is released, the Anglo-Irish Treaty has been signed. He supports the treaty and takes no further part in militant activity.
In the newly independent Ireland, Ó Briain remains a professor at Galway. He also stands in the 1925 Seanad election, although he is not successful. He is the founding secretary of the Taibhdhearc na Gaillimhe theatre, also acting in many of its productions, and spends much time translating works from English and the Romance languages into Irish. He stands to become president of UCG in 1945, but is not elected, and in the 1940s and 1950s is best known for his many appearances on television and radio.
From his retirement in 1959, Ó Briain lives in Dublin. In 1974, the National University of Ireland (NUI) confers an honorary doctorate on him. He dies on August 12, 1974, at St. Gabriel’s Hospital, Cabinteely, County Dublin. His funeral to Glasnevin Cemetery is almost a state occasion, with a huge attendance of public figures, and a military firing party at the graveside, where the oration is given by Micheál Mac Líammóir and a lesson is read by Siobhán McKenna. For days after his death, the newspapers carry tributes to his many-sided career and personality. On the one hundredth anniversary of his birth, Proinsias Mac Aonghusa and Art Ó Beoláin write commemorative articles in Feasta.
On September 1, 1921, Ó Briain marries Helen Lawlor, of Dublin, who dies two years before him. The couple’s only child is Eibhlín Ní Bhriain, who is a journalist for The Irish Times and other periodicals.
John M. Oxx, retired Irish trainer of thoroughbred racehorses, is born on July 14, 1950. By the end of the 2009 season he had trained thirty-five Group One winners over his career, including the winners of eleven Classic races. He is best known as the trainer of Sinndar and Sea The Stars.
Oxx has been widely praised for the care and undemonstrative authority with which he approaches the training and racing of his horses. He is particularly known for being highly selective when choosing when and where his horses will run.
Oxx is the son of John Oxx Sr., who is himself a successful trainer, winning eight Irish classic races. In 1950, his father purchases Currabeg, at the southwestern end of the Curragh in County Kildare, where Oxx Jr. takes over training. He graduates from University College, Dublin, as a veterinary surgeon in 1973, and works as his father’s assistant before taking over the stable in 1979. In that year he has his first win and his first Group win with Orchestra.
The Aga Khan begins to support Oxx’s yard with a number of yearlings after Eurobird’s win in 1987. When he decides to withdraw his racehorses from England following Aliysa’s disqualification in the Epsom Oaks of 1989, he establishes a significant presence in Oxx’s yard. Without a budget of his own to spend on yearlings, Oxx continues to be reliant on horses bred by owners with whom he has an association. In some years, he concedes, “you wouldn’t have anything remotely near Group One standard.”
Many of Oxx’s major race wins have come from Aga Khan-owned horses, beginning with Manntari’s victory in the Vincent O’Brien National Stakes at the Curragh in 1993, and continuing with Timarida’s win in the Irish Champion Stakes at Leopardstown Racecourse in 1996, followed by Ebadiyla’s victory in the 1997 Irish Oaks. He also wins that race with Winona the following year. In 2000, he trains the Aga Khan’s brilliant Sinndar to wins in the Epsom Derby, the Irish Derby, and the Prix de l’Arc de Triomphe, making the colt the only horse ever to win that trio of races and at the time one of only three Irish-based horses to ever win the Arc.
Oxx comes to wider public attention when guiding Sea The Stars through a famous 2009 season in which he wins Group One races in England, Ireland and France, his six consecutive triumphs including the 2000 Guineas Stakes, the Epsom Derby and the Prix de l’Arc de Triomphe. He is typically understated when assessing the role of the trainer in the career of a great horse like Sea The Stars. “You can’t give them ability they don’t have,” he tells The Independent newspaper. “Really, it’s just a case of not messing it up – not to overtax the horse too soon, or ask it to do stupid things as a two-year-old. If you mind him sufficiently when he’s young, hopefully his ability will blossom.”
In an interview with The Observer, Oxx says of Sea The Stars: “I was always reading about racing and great horses of the past. So when you grow up with the history of racing and the history of breeding, the landmark horses that come along over a century, and more – to train one that’s in that league gives you the greatest satisfaction.”
Oxx serves as chairman of the Irish National Stud from 1985 to 1990. He is chairman of the Irish Racehorse Trainers’ Association from 1986 to 1991 and from 1993 to 1996. He serves on numerous other racing bodies and is chairman of the Racing Academy and Centre of Education. In 2008, he is given the Irish Racehorse Trainers’ Association Hall of Fame award.
Oxx marries Caitriona O’Sullivan in 1974. They have three children.
Bushe is born at Kilmurry House, near Thomastown, County Kilkenny, the only son of the Reverend Thomas Bushe, rector of Mitchelstown, and his wife Katherine Doyle, daughter of Charles Doyle of Bramblestown, near Gowran. Kilmurry House had been built by the Bushe family in the 1690s. His father is forced to sell it to pay his debts, but he is able to repurchase it in 1814. He goes to the celebrated Quaker academy, Shackleton’s School in Ballitore, County Kildare, then graduates from Trinity College Dublin (TCD), where his eloquence makes him a star of the College Historical Society. He is called to the Bar in 1790.
Bushe is a member of the Irish Parliament for Callan from 1796 to 1799, and for Donegal Borough from 1799 to 1800. He is Escheator of Leinster in 1799. By this time the office is a sinecure. He is vehemently opposed to the Acts of Union 1800, referring emotionally to Britain’s subjection of Ireland as “six hundred years of uniform oppression and injustice,” a phrase which quickly became a proverb. Although he refuses an offer of a place on the Bench as a bribe for supporting the Union, cynics note that his staunch opposition to the Union does not prevent him accepting high office under the British Crown afterwards. He is appointed Solicitor-General for Ireland in 1805 and holds the office for 17 years until in 1822 he is appointed Lord Chief Justice of the King’s Bench for Ireland, although only after William Saurin, the equally long-serving Attorney-General, refuses the position. He retire in 1841.
As an advocate “silver-tongued Bushe” is legendary for his eloquence, and as a politician, he is admired by his English contemporaries like Sir Robert Peel and Lord Brougham. As a judge, according to F. Elrington Ball, he does not live up to expectations, although, if not an outstanding judge, he is an impressive and dignified one. As a statesman he is often accused of double-dealing: having opposed the Acts of Union, he has few scruples about accepting office under the new regime; and while himself supporting Catholic Emancipation, he prosecutes members of the Catholic Association for sedition, merely for advocating the same cause.
O’Brien is one of five children of Pierce O’Brien, a gentleman landowner, and Sophia Angel St John O’Brien. Her first cousin is woodcarver Sophia St John Whitty. She attends the Mercy Convent in Ennis, going on to win a scholarship to the Dublin Metropolitan School of Art. While there she studies under William Orpen and Alfred E. Child who teach her the art of stained glass.
Among O’Brien’s first commissions is the St. Ita window for St. Brendan’s cathedral in Loughrea, County Galway, in 1904, which is designed by Sarah Purser. She joins An Túr Gloine in 1906, beginning her career there by designing Angel of the Annunciation window in the Enniskillen convent chapel. For a window in the Wilson private chapel at Coolcarrigan House, Naas, County Kildare, in 1912, she incorporates Celtic design, some drawing on the Book of Durrow. In 1914, she tours the cathedrals of Paris, Rouen, and Chartres with Purser and Wilhelmina Geddes. She designs three windows depicting St. John, St. Flannan, and St. Munchin, for the Honan Chapel at University College Cork in 1916. Her 1923 design of the centenary memorial window in St. Andrew’s church, Lucan, represents the parable of the Good Shepherd. When in 1925 An Túr Gloine becomes a cooperative society, she becomes a shareholder along with Ethel Rhind, Evie Hone, and Michael Healy.
O’Brien’s 1926 lunetteThe Spirit of Night represents night, twilight, and dawn, and is for the private home of Keng Chee in Singapore, which is later demolished. The window of St. Catherine of Siena for the Sacred Heart convent chapel in Newton, Massachusetts dates from 1927. Her 1931 St. Patrick window, for the De La Salle school, East Coast Rd., Singapore, commissioned by architect Denis Santry, is the only extant stained-glass work by an Irish artist in that country. Much like Rhind, O’Brien also employs opus sectile, such as in her 1936 Mass in Penal Days in the Franciscan friary, Athlone, County Westmeath. She contributes two windows, Pelican and Lamb and Host and Chalice: Wheat and Grapes, to the ten windows An Túr Gloine produces for Brophy College Chapel, Phoenix, Arizona in 1937. From 1937 until 1947, she works on 22 opus sectile panels for the Protestant Church in Ennis.
Purser retires from An Túr Gloine in 1940, and O’Brien succeeds her as director, going on to purchase it and the contents in 1944. She rents a section of the premises to fellow stained-glass artist Patrick Pollen from 1954 onwards. She exhibits at the 1953 Irish Exhibition of Living Art, and the 1958 exhibition of the Arts and Crafts Society of Ireland. When the An Túr Gloine studios are damaged by fire in 1958, she rebuilds them and reopens by 1959. She is an active member of the Soroptimists and the Guild of Irish Art Workers. The last work she completes is a three-light window for the Church of St. Multose, Kinsale, County Cork, in 1962. A commission for two windows for the private chapel of Áras an Uachtaráin for PresidentÉamon de Valera is left unfinished at her death.
O’Brien dies in Dublin on July 18, 1963, and is buried in Whitechurch Parish Graveyard, County Dublin. She is commemorated in a window designed by Pollen in St. Laurence O’Toole chapel, Christ Church Cathedral, Dublin, where for forty years she made floral arrangements. Over 150 of her An Túr Gloine drawings from notebooks are now in the National Gallery of Ireland.
(Pictured: Stained glass window in the south wall of Ferns Cathedral, Ferns, County Wexford)
Esther Vanhomrigh, Irish woman of Dutch descent and a longtime lover and correspondent of Jonathan Swift, dies in Celbridge, County Kildare, on June 2, 1723. Swift’s letters to her are published after her death. Her fictional name “Vanessa” is created by Swift by taking Van from her surname, Vanhomrigh, and adding Esse, a pet form of her first name, Esther.
Vanhomrigh is born in Dublin on February 14, 1688, the eldest of four children of Bartholomew Van Homrigh, a merchant of Amsterdam and afterwards of Dublin, who is appointed commissary of the stores by King William III upon his expedition into Ireland. He serves as Lord Mayor of Dublin from 1697–98. Her mother, also named Esther, is the daughter of John Stone, an Irish commissioner of revenue. She grows up at Celbridge Abbey in County Kildare.
Vanhomrigh’s father dies in 1703, and his widow moves her family to London in 1707. She becomes acquainted with Swift in December of that year while the family is en route for London, at Dunstable, and it is here that their intense 17-year relationship begins. She is 22 years younger than Swift, and it is obvious from the beginning that he admires her for her rugged qualities, as he does not admire very delicate women. She is said “not to be a beauty,” although it is difficult to be sure about this since no contemporary portrait of her exists (the famous 1868 Millais portrait is a work of artistic imagination). Swift later serves as her tutor. After her mother dies in 1714, she follows Swift to Ireland, and returns to Celbridge Abbey, but she is desperately miserable there.
Their relationship is fraught. It is broken up after 17 years by Swift’s relationship with another woman, Esther Johnson, whom he calls “Stella,” in 1723. Swift has known Stella since about 1690, when she is a little girl in the household of his employer Sir William Temple; their relationship is intense and it is possible that they secretly married in 1716. Vanhomrigh is thought to have asked Swift not to see Stella again, and he apparently refuses, thus putting an end to their relationship.
Vanhomrigh never recovers from his rejection and dies on June 2, 1723, likely from tuberculosis contracted from nursing her sister Mary, who had died of the same disease in 1720, as had their mother before her. Some accuse Swift of inadvertently causing her death.
Vanhomrigh’s father had left her well provided for, but she is burdened by debts accumulated by her mother and her spendthrift brother Bartholomew. In her will, she names the barristerRobert Marshall and George Berkeley, the celebrated philosopher and future Bishop of Cloyne, executors and joint residuary legatees of her estate, although she knew neither man well. Due to the debts, a protracted lawsuit ensues and a large part of the estate is lost in legal costs. It is widely reported that she had made it a condition of the inheritance that her executors publish all her correspondence with Swift, but in fact, no such stipulation seems to have been made.
Swift, whose letters to her are published after her death, is not mentioned in her will, perhaps a final retaliation against a man whose neglect made her “live a life like a languishing death.”
News of the outbreak of the rebellion prompts Major-General Sir James Duff, Military Commander in Limerick, to gather a force of about 600 men, mainly Dublinmilitia members, backed up by seven artillery pieces, and sets out on a forced march to Dublin on May 27. His twin objectives are to restore communications between the two cities and to crush any resistance encountered on the way. As the soldiers enter County Kildare, they discover the bodies of several rebel victims, among them Lieutenant William Giffard, the son of the commander of the Dublin militia, Captain John Giffard, which reportedly inflames the soldiers.
However, by the time Duff’s column arrives in Monasterevin in County Kildare, at 7:00 a.m. on May 29, the bulk of the rebel forces have already accepted a government amnesty from Generals Gerard Lake and Ralph Dundas, following their defeat at the Battle of Kilcullen and had surrendered at Knockaulin Hill, several kilometres to the east of the Curragh on May 27. Not aware that the rebels are gathering to surrender on the Curragh plain, Duff reinforces his column and marches to the nearby town of Kildare, and on to the adjacent southwest corner of the Curragh.
Duff’s force had by now grown to 700 militia, dragoons and yeomanry with four pieces of artillery, three having been presumably left at Monasterevin. The designated place of surrender, the ancient fort of Gibbet Rath, is a wide expanse of plain with little or no cover for several kilometres around but neither the rebels nor Duff’s force have seemingly any reason to fear treachery as a separate peaceful surrender to General Dundas at Knockaulin Hill, who is accompanied only by two dragoons, has been successfully accomplished without bloodshed.
By the time of Duff’s arrival at Gibbet Rath on the morning of May 29, an army of between 1,000 and 2,000 rebels is waiting to surrender in return for the promised amnesty. They are subjected to an angry tirade for their treason by Duff who orders them to kneel for pardon and then to stack their arms. Shortly after the weapons are stacked, an infantry and cavalry assault results in the death of about 350 men. Accounts of why the massacre began differ. Rebel claims that Duff orders his troops to attack the disarmed and surrounded men are denied by Duff himself who claims that the rebels fired on his men, while another source records “one man in the crowd, saying he would not hand over his fire-lock loaded, blazed it off in the air”.
However, Duff redrafts his own official report of the engagement before submission to Dublin Castle, his final draft is transmitted without references to his knowledge of the surrender preparations. The original report reads as follows with the items in brackets excised from his final report:
“My Dear Genl. (I have witnessed a melancholy scene) We found the Rebels retiring from this Town on our arrival armed. We followed them with Dragoons; I sent on some of the Yeomen to tell them, on laying down their arms, they should not be hurt. Unfortunately some of them Fired on the Troops; from that moment they were attacked on all sides, nothing could stop the Rage of the Troops. I believe from Two to Three hundred of the Rebels were killed. (They intended, we are told, to lay down their arms to General Dundas). We have 3 men killed & several wounded. I am too fatigued to enlarge. I have forwarded the mails to Dublin.”
The grieving Captain John Giffard expresses his own satisfaction as follows:
“My troops did not leave my hero unavenged – 500 rebels bleaching on the Curragh of Kildare—that Curragh over which my sweet innocent girls walked with me last Summer, that Curragh was strewed with the vile carcasses of popish rebels and the accursed town of Kildare has been reduced to a heap of ashes by our hands.”
General Duff receives no censure for the massacre and, upon his arrival in Dublin the following day, is feted as a hero by the population who honour him with a victory parade. General Dundas, by contrast, is denounced for having shown clemency toward the rebels. However, because of the massacre, wavering rebels are discouraged from surrendering and there are no further capitulations in County Kildare until the final surrender of William Aylmer in July. Dr. Chambers considers that Lake and Duff are not in communication about the surrenders, being on opposite sides of the Curragh. Duff and his 500 men arrive in Kildare after a forced march from Limerick and find it sacked by the rebels, along with the piked body of Duff’s nephew.
Duff is later involved in an unsuccessful campaign after the Battle of Vinegar Hill to trap and destroy a surviving rebel column in Wexford led by Anthony Perry who fights and eludes Duff’s forces at the battle of Ballygullen/Whiteheaps on 5 July.
(Pictured: The statue of Saint Brigid at the Market Square of Kildare which is dedicated to the memory of the victims at Gibbet Rath)
Charlotte Brooke, author of Reliques of Irish Poetry, a pioneering volume of poems collected by her in the Irish language, with facing translations, dies in Longford, County Longford, on March 29, 1793, of a malignant fever.
Brooke is born around 1740 in Rantavan House, Mullagh, County Cavan. She is one of twenty-two children of the writer Henry Brooke, author of the play Gustavus Vasa, and Catherine Brooke (née Meares) of County Westmeath. Only she and her brother Arthur survive childhood.
Brooke is educated by her father and immerses herself in reading history and literature at an early age. While the rest of her family is sleeping, she often goes down to the study where she spends hours reading.
Brooke is part of the first generation of the ProtestantAnglo-Irish settler class who take a strong interest in the Irish language and Gaelic history. Her primary interest in Irish language and literature is generated by her hearing it being spoken and recited by the labourers in County Cavan and on the County Kildare estates where her family moves around 1758. She is led to the study of the Irish language, and in less than two years she finds herself in love with it. From reading Irish poetry and admiring its beauties, she proceeds to translate it into English, one of her earliest efforts being a song and monody by Turlough O’Carolan, which appears in Joseph Cooper Walker‘s Historical Memoirs of Irish Bards (1786).
Brooke, who is frail herself, takes care of her father after her mother dies in 1773. Meanwhile, the family has moved back to County Cavan, where they begin living in a house they name Longfield which has been built near the Rantavan Estate. A few years after her father dies in 1783, she runs into financial troubles, after a model industrial village set up in County Kildare by her cousin Captain Robert Brooke goes bankrupt in 1787. Walker and other members of the recently created Royal Irish Academy (RIA) seek to make an income for her, but she realises she has to rely on her writings and translations.
In 1792, though in declining health and poor circumstances, Brooke publishes a selection of her father’s writings in three volumes, prefacing the work with a memoir of her father and a defence of his reputation as a writer. She also publishes a direct and simple presentation of Christian doctrine for children using her father’s didactic method, The school for Christians in dialogue for the use of children (1791). She dies of a malignant fever on March 29, 1793, at Longford, County Longford, in the home of the Brownes, friends with whom she has lived for some years.
seamus dubhghaill 