Campbell is born in Belfast on July 15, 1879, into a Catholic and Irish nationalist family from County Down. He is educated at St. Malachy’s College, Belfast. After working for his father he teaches for a while. He travels to Dublin in 1902, meeting leading nationalist figures. His literary activities begin with songs, as a collector in Antrim, County Antrim and working with the composer Herbert Hughes. He is then a founder of the Ulster Literary Theatre in 1904. He contributes a play, The Little Cowherd of Slainge, and several articles to its journal Uladh edited by Bulmer Hobson. The Little Cowherd of Slainge is performed by the Ulster Literary Theatre at the Clarence Place Hall in Belfast on May 4, 1905, along with Lewis Purcell’s The Enthusiast.
Campbell moves to Dublin in 1905 and, failing to find work, moves to London the following year where he is involved in Irish literary activities while working as a teacher. He marries Nancy Maude in 1910, and they move shortly thereafter to Dublin, and then later to County Wicklow. His play Judgement is performed at the Abbey Theatre in April 1912.
Campbell takes part as a supporter in the Easter Rising of 1916, doing rescue work. The following year he publishes a translation from Irish of the short stories of Patrick Pearse, one of the leaders of the Rising.
Campbell becomes a Sinn FéinCouncillor in Wicklow in 1921. Later in the Irish Civil War he is on the Republican side, and is interned in 1922-23. His marriage breaks up, and he emigrates to the United States in 1925 where he settles in New York City. He lectures at Fordham University, and works in academic Irish studies, founding the University’s School of Irish Studies in 1928, which lasts four years. He is the editor of The Irish Review (1934), a short lived “magazine of Irish expression.” The business manager is George Lennon, former Officer Commanding of the County WaterfordFlying Column during the Irish War of Independence. The managing editor is Lennon’s brother-in-law, George H. Sherwood.
Campbell returns to Ireland in 1939, settling at Glencree, County Wicklow. He dies at Lacken Daragh, Enniskerry, County Wicklow on June 6, 1944.
In 1977, Tullio takes over Armstrong’s Barn, serving food in a traditional Irish style. The restaurant closes in 1988. He does not sell the building when he closes the restaurant, instead he changes it into a recording studio. It is not a big hit so he holds several other jobs to pay the bills such as acting as a voice-over artist for commercials. After the demise of the studio, he renovates the building and turns it into a house.
Tullio sells “Annaglen,” the dwelling house attached to Armstrong’s Barn, and moves into Armstrong’s Barn itself. Before selling off Armstrong’s Barn in 2003, he builds a smaller house in a field close by.
Tullio receives several culinary awards for his cooking. In 1978, Armstrong’s Barn is awarded one Michelin star. The Michelin Guide awards the restaurant the “Red M,” indicating “good food at a reasonable price,” in 1980 and 1981.
He marries watercolour artist Susan Morley in 1975 after they meet each other at Trinity College Dublin. They have two children, but separate in 2004.
Tullio becomes a familiar face on television and even movies, acting as a guest critic on the popular RTÉ series The Restaurant. He writes restaurant reviews for the Irish Independent up until late 2014.
As an author, he pens North of Naples, South of Rome (1994), a book about where he is from in Italy and Mushroom Man (1998). He is also a frequent guest on Newstalk radio with Seán Moncrieff.
Tullio’s press manager, Noel Kelly, speaks of his passing: “The world is missing an incredible chef and culinary expert. He was one of life’s true gentlemen, a word overused but not in this case as Paolo was a gentleman to the core.”
Owen is first elected to Dublin County Council in 1979 for the Malahide local electoral area. She is later elected as a Fine Gael TD for the first time in 1981, serving until the 1987 Irish general election when she loses her seat. That year she becomes a member of the executive of Trócaire, an International Non-Governmental Organisation (INGO) which is based in Ireland. She returns to Dáil Éireann following the 1989 Irish general election. In 1993, she becomes Deputy leader of Fine Gael. The following year she becomes Minister for Justice, remaining in that post until 1997. She undertakes a significant programme of criminal law reform. Among the major changes she implements is the referendum on bail in 1996, leading to the Bail Act of 1997, which allows a court to refuse bail to those charged with a serious offence where it is considered necessary to prevent them committing a serious offence. Journalist Veronica Guerin was murdered in 1996 and in its aftermath, Owen introduces the highly successful Criminal Assets Bureau to crack down on organised crime. In 2002, she becomes the first high-profile Fine Gael TD to lose her seat in Dublin North in the party’s disastrous general election result.
Owen is the patron of the Collins 22 Society, which works to keep the memory and legacy of Michael Collins in living memory. She occasionally works as an election pundit. In August 2011, it is announced she is to present the Irish version of Mastermind on TV3.
Brewster is the son of William Bagenal Brewster, of Ballinulta, County Wicklow, by his wife Mary, daughter of Thomas Bates. He receives his earlier education at Kilkenny College, then proceeds to Trinity College Dublin (TCD) in 1812, taking his B.A. degree in 1817, and long after, in 1847, his M.A. degree.
Brewster is very active in almost all branches of his profession after his resignation, and his reputation as an advocate may be gathered from the pages of the Irish Law and Equity Reports, and in the later series of the Irish Common Law Reports, the Irish Chancery Reports, and the Irish Jurist, in all of which his name very frequently appears. Among the most important cases in which he takes part are the Mountgarrett case in 1854, involving a peerage and an estate of £10,000 a year, the Carden abduction case in July of the same year, the Yelverton case in 1861, the Egmont will case in 1863, the Marquess of Donegall‘s ejectment action and lastly, the great will cause of Fitzgerald v. Fitzgerald, in which Brewster’s statement for the plaintiff is said to be one of his most successful efforts.
On Edward Smith-Stanley becoming prime minister, Brewster succeeds Francis Blackburne as Lord Justice of Appeal in Ireland in July 1866, and Lord Chancellor of Ireland the following March. As Lord Chancellor, he sits in his court for the last time on December 17, 1868, when Benjamin Disraeli‘s government resigns. He then retires from public life.
There are only three or four judgments delivered by him in print, either in the Court of Appeal or the Court of Chancery (Ireland). His judicial manner is quiet, but with what is called “a touch of serviceable fierceness” which keeps order in Court. He is highly regarded by his colleagues. Even the bitter-tongued Jonathan Christian, who despises most of his fellow judges, defers to Brewster.
Brewster dies at his residence, 26 Merrion Square South, Dublin, on July 26, 1874, and is buried in the family vault at Tullow, County Carlow, on July 30. By his marriage in 1819 with Mary Ann, daughter of Robert Gray of Upton House, County Carlow, who dies in Dublin on November 24, 1862, he has issue one son, Colonel William Bagenal Brewster, and one daughter, Elizabeth Mary, wife of Mr. Henry French, both of whom die in the lifetime of their father. His estates are inherited by Elizabeth’s son, Robert French-Brewster, who adopts his grandfather’s surname. A nephew, Edward Brewster, studies under Abraham Brewster and becomes a lawyer and politician in New South Wales. Edward’s brother, John Grey Brewster, also emigrates to Australia, where he becomes a prosperous grazier and company director, retiring to England in later years where he dies in 1897.
(Pictured: Right Honourable Abraham Brewster photographed by Thomas Cranfield, 1861)
William Richard English-Murphy, DSOMC, Irish soldier and policeman known as W. R. E. Murphy, dies on March 5, 1975, in Ardee, County Louth. He serves as an officer with the British Army in World War I and later in the National Army. In the Irish Civil War, he is second in overall command of the National Army from January to May 1923. He is first Irish Commissioner of the Dublin Metropolitan Police (DMP) and the last Commissioner of the force before its merger with the Garda Síochána in 1925. Thereafter he is the Deputy Commissioner of the Gardaí until his retirement in 1955.
Murphy is born in Danecastle, Bannow, County Wexford, on January 26, 1890. His parents die when he is four years old. His grandparents also die during his childhood. He and his sister Mae (Mary Sarah) are separately raised by relatives in Belfast and Waterford. He is completing his master’s degree at Queens University Belfast (QUB) when he follows the call of John Redmond to join the war effort and ensure Irish independence. Ulster regiments reject him because he is Catholic. Seeking a regiment that treats Irish volunteers with respect, he joins the British Army in Belfast in 1915 as an officer cadet in the South Staffordshire Regiment.
Murphy serves in the Battle of Loos in 1915 and is wounded but returns to action for the start of the Battle of the Somme in July 1916. He becomes commanding officer of the 1st Battalion, the South Staffordshire Regiment in August 1918, reaching the rank of temporary lieutenant colonel. In 1918, his regiment is posted to the Italian Front, at the Piave River, where they are when the armistice is declared on November 4, 1918. He is granted the rank of substantive lieutenant colonel on the retired list on May 16, 1922.
After he returns to Ireland, Murphy resumes his career as a teacher. At some point, he joins the Irish Republican Army (IRA), an organisation fighting to end British rule in Ireland.
In December 1921, the Anglo-Irish Treaty is signed between British and Irish leaders, resulting in the setting up of the Irish Free State. Conflict over the Treaty among Irish nationalists ultimately leads to the outbreak of the Irish Civil War in June 1922. Murphy enlists as a general in the new National Army of the Irish Free State. After the start of the Irish Civil War, he is put in command of troops charged with taking posts held by the anti-Treaty IRA in Limerick.
At the Battle of Kilmallock in July–August 1922, Murphy is second in command to Eoin O’Duffy. His troops successfully dislodge the anti-Treaty IRA from positions around Kilmallock in County Limerick, but he is criticised for his tendency to “dig in” and resort to trench warfare rather than rapid offensive action.
Afterward, Murphy is put in overall command of Free State forces in County Kerry until January 1923. He lobbies Richard Mulcahy, commander in chief, for 250 extra troops, to bring his command up to 1,500 and help to put down the guerrilla resistance there. In the early stages of the guerrilla war, he organises large-scale “sweeps” to break up the republican concentrations in west Cork and east Kerry. These meet with little success, however. He exercises overall command in the county, but day-to-day operations are largely run by Brigadier Paddy Daly, of the Dublin Guard.
In October, in response to continuing guerrilla attacks on his troops, Murphy orders a nightly curfew to be put into place in Tralee.
In December, Murphy writes to Mulcahy that the “Irregular [Anti-Treaty] organisation here is well-nigh broken up,” and suggests the end of the war in the county is in sight. His optimistic prediction, however, proves premature.
On December 20, Murphy sentences four captured republican fighters to death under the fictitious “Public Safety Act” for possession of arms and ammunition. However, the sentences are to be called off if local guerrilla activity ceases. Humphrey Murphy, the local IRA Brigade commander, threatens to shoot eight named government supporters in reprisal if the men are executed. Eventually, their sentence is commuted to penal servitude.
In January 1923, Murphy is promoted from his command in Kerry to “responsibility for operations and organisation at the national level” in the army. Paddy Daly takes over as commanding officer in Kerry. Murphy later voices the opinion that Daly had been a bad choice, given his implication in the Ballyseedy massacre and other events of March 1923, in which up to 30 anti-Treaty prisoners were killed in the county.
Murphy leaves the National Army after the end of the Irish Civil War in May 1923 and becomes the first Irish commissioner of the Dublin Metropolitan Police. He later becomes deputy commissioner of the Garda Síochána, when DMP is merged with the new national police force in 1925. He holds this post until his retirement in 1955.
Murphy is at the forefront of efforts to close down Dublin’s red-light district, the Monto, in the early 1920s. Between 1923 and 1925, religious missions led by Frank Duff of the Legion of Mary, a Roman Catholic organisation, and Fr. R.S. Devane work to close down the brothels. They receive the cooperation of Murphy in his role as Dublin Police Commissioner, and the campaign ends with 120 arrests and the closure of the brothels following a police raid on March 12, 1925.
Murphy lives with his daughter, Joan McMahon, in Ardee, County Louth, after his wife, Mary Agnes Fortune, dies on July 31, 1958. He dies on March 5, 1975, and is buried in St. Peter’s Churchyard, Bray, County Wicklow.
(Pictured: Major-General W. R. E. Murphy, as depicted on a Wills’ Irish Sportsmen cigarette card, from their boxing series)
Duggan is the son of William Duggan, a Royal Irish Constabulary (RIC) officer, and Margaret Dunne. He is a cousin of revolutionaries Thomas Burke and Christopher Burke through his mother. His parents meet when his father, a native of County Wicklow, is stationed in Longwood, County Meath, where they marry on October 19, 1874. His father is transferred to County Armagh the following year as officers cannot serve in their wife’s native county.
In 1911, Duggan is living with his parents on St. Brigid’s Road Upper in Drumcondra, Dublin. After his school education, he begins work as a law clerk. During his early years, he becomes heavily involved in politics after he qualifies as a solicitor and sets up a practice at 66 Dame Street in Dublin. He marries Evelyn Kavanagh, and they have one son.
In 1916, as a keen supporter of Irish independence, Duggan is serving in the North Dublin Union in the days approaching the 1916 Easter Rising. One of his close friends, Thomas Allen, is shot while Duggan is at the Four Courts. His efforts to get medical assistance are unsuccessful at Richmond Hospital as the British officer who responds to the call declines the message and does not allow it to go through. Eventually medical assistance is received but it is too late for Allen. In Duggan’s region, the volunteers suffer very few injuries with the most violent fighting taking place on Friday night and Saturday morning.
Duggan suffers the consequences and is subject to court-martial and then sentenced to three years penal servitude. He is interned in Maidstone, Portland and Lewes prisons. Under the general amnesty of 1917, he is released after fourteen months in prison and returns to Dublin where he goes back to studying law.
Duggan retains numerous ministerial posts in the Cumann na nGaedheal government. In 1921, he plays a role in the Irish delegation throughout the Anglo-Irish discussions, then playing a dominant role in liaising with British officials.
After the post-treaty government, Duggan is appointed the Minister for Home Affairs and shortly afterward he becomes the Parliamentary Secretary for the Executive Council and the Minister for Defence. He continues in various roles as a TD until 1933. These include Government Chief Whip from 1927 to 1932. Until 1933, he is a Cumann na nGaedheal TD for Meath. In 1933, he declines to go forward for the general election but is elected to Seanad in April 1933. He also is involved in local politics in Dún Laoghaire as the chairman of the borough council until his death in 1936.
Duggan writes papers which reflect on his engagement in the Easter Rising. In his letters, he writes about the tough times of imprisonment. He also writes about his participation in Sinn Féin and his triumph in being a candidate for the South Meath constituency. Most of his papers consist of letters to his fiancée and later wife, May Duggan, which are written while in prison. His time as a TD is also included. In one letter, which he writes on April 25, 1916, he references “the whole damn family” consisting of information as to how his volunteers and he are being “treated as princes” by the nuns in the nearby convent, receiving help from the children in the area and building barricades. In his letter, he also writes about morale among his comrades and hearing of rumours about a German who had landed in County Kerry. In the note, he states that the letter should be sent to May Duggan who is his fiancée at the time. At the end of the letter he refers to himself as “Edmund” by which he is also known.
Duggan dies suddenly at his home in Dún Laoghaire, Dublin, on June 6, 1936, at the age of 58, and is buried in Glasnevin Cemetery on the north side of Dublin.
Davidson is the sixth of ten children of clerk of petty session, Edward Ellice Davidson, and Lucy Rising Davidson (née Doe). Her mother dies in 1888, and it is presumed that she receives a private education but as the family are not affluent, the details are unclear. She goes on to attend the Dublin Metropolitan School of Art (DMSA) from 1895 to 1905. While at the DMSA, she wins prizes in 1895 and 1896 and is awarded a scholarship and free studentship at the Royal Dublin Society (RDS) in 1897, the same year her father dies. She completes her studies in 1905. In the early 1910s, she is living in Rathmines and spends some time in England and Wales.
Davidson is commissioned by Switzer’s department store on Grafton Street to draw costumes in 1899. In 1909, her painting After Rain is exhibited by the Dublin Sketching Club, with her continuing to show work there until 1920. She exhibits The Bonfire with the Water Colour Society of Ireland in 1912, becoming a committee member in 1934 and continuing to exhibit with them until 1954. In 1914, she is one of the artists included in a sale of paintings to aid Belgian refugees. She is first exhibited at the Royal Hibernian Academy (RHA) in 1914, with The Student. Her painting exhibited by the RHA in 1916, The Harbour, St. Ives, demonstrates an influence from Stanhope Forbes and the Newlyn School, with a bright palette and contrasting illumination, which become characteristic of her work. She illustrates C. H. Bretherton’s collection of humorous poems and recollections about London Zoo, A Zoovenir (1919).
Davidson holds a joint exhibition with Mainie Jellett in 1920, at Mill’s Hall, Merrion Row, Dublin. Jellett produces a pencil portrait of Davison (pictured above), which shows her in a straw hat she frequently wears. The RHA exhibits Davidson’s oil painting, The Flax Pullers, in 1921. This work shows an influence from Paul Henry and French Impressionism in her use of colour-blocking. In the early 1920s, she travels to Switzerland, Belgium, and France, producing works such as Fish Market, Bruges. She lives in Paris in the late 1920s, exhibiting at the Salon de la Societé Nationale in 1924 and 1930. She places a self-portrait in her depiction of a peasant gathering, The Country Races. Reproductions of her drawing of Leinster House and Christ Church Cathedral by Bulmer Hobson are included in A Book of Dublin (1929). Her landscape, Low Tide, Wicklow, which is exhibited at the RHA in 1934, and Boats at Wicklow, Dusk show her ability to depict reflections in water. She continues to paint scenes of rural life, including Cottages – Keel, Achill, which shows an influence from Jack Butler Yeats in her use of space and colour. The fact that her family is not wealthy likely influences her choice of poorer people as her subjects, depicting them in a sympathetic manner. Her work is part of the painting event in the art competitions at the 1928 Summer Olympics.
Davidson’s paintings are exhibited at the Contemporary Picture Galleries, Dublin in 1930, alongside Yeats, Evie Hone, and Harry Kernoff. She is a member of the Picture Hire Club, 24 Molesworth Street, Dublin from 1941 to 1942, and is a frequent contributor to the Munster Fine Arts Club. Her work is exhibited at the Salon des Beaux Arts, Paris, the Royal Academy of Arts, London, and in Amsterdam. A large number of her works from the 1930s show the Irish-speaking area of Galway, Claddagh, such as Night in Claddagh, exhibited with the RHA in 1933. Her Irish landscapes, such as Claddagh Cottages, are included in the Oireachtas Art Exhibitions from 1932 to 1946. From around 1934, she is a member of the Society of Dublin Painters, exhibiting with them from 1939 to 1954. She influences the Society’s move toward the avant-garde in the 1940s. She is elected associate to the RHA in 1940 and continues to exhibit there until her death. Her 1946 work, Gorta, shows influence from Zola, Rilke, Dostoyevsky and Picasso.
Davidson teaches drawing at her studio at 1 Earlsfort Terrace, Dublin. Her pupils include Bea Orpen, Anne Yeats, and Mo Irwin. She also is a teacher at a number of Dublin schools, such as Belgrave school, Rathmines, Wesley College, St. Stephen’s Green, and Castle Park School, Dalkey. She travels to Abbeyleix, County Laois, once a week to teach at Glenbawn boarding school.
As well as painting, Davidson writes a number of plays, short stories, and monologues under a pseudonym, “Ulick Burke.” In 1927, a collection of her poems and Donegal rhymes is published. In 1931, Hilton Edwards directs her stage play Bride, at the Gate Theatre. Her short story, Her Only Son, is published in The Bell under a pseudonym in 1942. In 1935, she is a founder-member of the Torch Theatre, Dublin. She designs scenery, and is the co-director with Hugh Hyland in 1936, under the stage name “Jennifer Maude.”
Davidson dies at her home at 4 Wilton Terrace, Dublin on March 29, 1954. She is buried in an unmarked grave in Mount Jerome Cemetery. The National Gallery of Ireland (NGI) holds her 1938 portrait of Yeats, as well as her crayon drawing of Sarah Purser. She is a regular attendee at Purser’s “Second Tuesdays” gatherings. The Abbey Theatre holds her portrait of Joseph Holloway. She bequeaths The Golden Shawl to the Hugh Lane Gallery, which is a large self-portrait. Two of her works are included in the NGI’s 1987 exhibition, Irish Women Artists from the Eighteenth Century to the Present Day.
Barry is the fourth of seven children born to Thomas Barry, dairyman, and Mary Barry (née Dowling), both originally from northeast County Carlow. His father dies of heart disease on February 8, 1908, at the age of 56. His mother then moves the family to the family’s farm at Tombeagh, Hacketstown, County Carlow, while retaining the family’s townhouse on Fleet Street. As a child he goes to the National School in Rathvilly. In 1915, he is sent to live in Dublin and attends the O’Connell Schools for three months, before enrolling in the Preparatory Grade at St. Mary’s College, Rathmines, in September 1915. He remains at that school until May 31, 1916, when it is closed by its clerical sponsors. With the closure of St. Mary’s College, he transfers to Belvedere College, a Jesuit school in Dublin. He joins the Irish Volunteers, the forerunner of the IRA, while still at Belvedere College, and enters University College Dublin (UCD) in 1919 to study medicine.
As a member of 1st Battalion, Dublin Brigade of the Irish Volunteers, he takes part in a successful raid for arms on the military post in King’s Inns, Dublin, on June 1, 1920. Within only six minutes the raiders secure rifles, light machine guns, and large quantities of ammunition, and depart the site with no casualties. He also takes part in an abortive attempt to burn Aughavanagh House, Aughrim, County Wicklow in July 1920, and an attack on a British ration party in Church Street, Dublin, on September 20, with the aim of seizing arms. The final operation fails. Gunfire breaks out, three soldiers of around Barry’s own age are killed or fatally wounded, and he becomes the first Volunteer to be captured in an armed attack since 1916.
During interrogation, Barry is threatened with a bayonet and is mistreated. A general court-martial on October 20, which he refuses to recognise, condemns him to death for murdering the three soldiers, although one of the bullets taken from Private Marshall Whitehead’s body is a .45 calibre, while all witnesses state that Barry was armed with a .38 Mauser Parabellum. Despite widespread appeals on grounds of both clemency and expediency, the cabinet in London and officials in Dublin decide separately against a reprieve, probably because of its likely effect on the morale of soldiers and police.
On October 28, the Irish Bulletin, the official propaganda newspaper produced by Dáil Éireann‘s Department of Publicity, publishes Barry’s statement alleging torture. The headline reads English Military Government Torture a Prisoner of War and are about to Hang him. The Irish Bulletin declares Barry to be a prisoner of war, suggesting a conflict of principles is at the heart of the conflict. The British do not recognise a war and treat all killings by the Irish Republican Army (IRA) as murder. The public learns on this day that the date of execution has been fixed for November 1.
He was hanged in Mountjoy Prison, Dublin, on November 1, after hearing two Masses in his cell. The timing of the execution, only seven days after the death by hunger strike of Terence MacSwiney, the republican Lord Mayor of Cork, brings public opinion to a fever-pitch. He is buried in unconsecrated ground on the jail property. His comrade and fellow student Frank Flood is buried alongside him four months later. A plain cross marks their graves and those of Patrick Moran, Thomas Whelan, Thomas Traynor, Patrick Doyle, Thomas Bryan, Bernard Ryan, Edmond Foley and Patrick Maher who are hanged in the same prison before the Anglo-Irish Treaty of July 1921 which ends hostilities between Irish republicans and the British. The graves go unidentified until 1934. They become known as the Forgotten Ten by republicans campaigning for the bodies to be reburied with honour and proper rites. On October 14, 2001, the remains of the ten men are given a state funeral and moved from Mountjoy Prison to be re-interred at Glasnevin Cemetery in Dublin.
Barry is the first person to be tried and executed for a capital offence under the Restoration of Order in Ireland Act 1920, passed twelve weeks earlier. Together with his youth, this makes him a republican martyr celebrated in many ballads and verses. The best-known, set to a tune popular with British servicemen, is recorded by the American singer Paul Robeson, among others. A memorial stained-glass window by Richard King of the Harry Clarke Studio is later installed in the former UCD council chamber (afterward called the Kevin Barry Room), Earlsfort Terrace, Dublin.
Orpen wants to pursue painting, but “for family reasons” he becomes an architect. He spends eleven years with Thomas Drew, initially as a pupil, and later as a managing assistant from 1885 to 1892. From around 1884, he attends the annual excursions of the English Architectural Association. Around 1890, he establishes his own architectural practice in Drew’s offices at 22 Clare Street, Dublin. In 1896, he moves his office to 7 Leinster Street. In 1888 he is elected as a member of the Royal Institute of the Architects of Ireland (RIAI), serving as a council member from 1902 to 1910, as honorary secretary from 1903 to 1905, and as president from 1914 to 1917. He designs the institute’s official seal in 1909. In 1904, the Irish Builder describes him as the “originator of the bungalow in Ireland.”
From 1888, Orpen exhibits with the Royal Hibernian Academy (RHA), with watercolours and architectural drawings. He continues to exhibit with them until 1936. He collaborates with Percy French on a number of projects, including illustrating Racquetry Rhymes (1888) and The First Lord Liftinant and Other Tales (1890). He provides cartoons for French’s periodical, The Jarvey. His architectural illustrations are included in H. Goldsmith Whitton’s Handbook of the Irish Parliament Houses… (1891). He is one of the original members of the Architectural Association of Ireland, serving as its first president in 1896, and as vice-president in 1910.
Orpen is appointed the architect to St. Columba’s from 1897 to 1938, following a fire at the college in 1896. He becomes a fellow of the college, and the sanatorium becomes known as the Orpen building. He is an active member of the Arts and Crafts Society of Ireland, serving as secretary in 1895, on the committee in 1904, and in 1917 sits on the organising committee for the fifth exhibition. In 1906, he is a founding member of the Arts Club. In 1906 he moves his architectural practice to 13 South Frederick Street, and moves into a house he designed, Coologe, Carrickmines, County Dublin.
From 1910 to 1914, Orpen is in an architectural partnership with Page Dickinson, with the two collaborating on plans for the new Dublin municipal gallery and conversion of the Turkish Baths, Lincoln Place. Lane rejects his and Dickinson’s gallery plans, leading to him refusing to work with Lane’s choice of architect, Sir Edwin Lutyens. In 1914, he is appointed a guardian of the National Gallery of Ireland, and lectures at the Dublin Metropolitan School of Art on architectural history in 1914 and 1915. He is involved in the design of a number of memorials including the setting for a bronze relief by Beatrice Campbell for the members of the Royal Irish Regiment killed in the Second Boer War and the war memorial at the Rathgar Methodist church. He serves as president of the arts and crafts section of the Royal Dublin Society (RDS). He is also a governor of the Royal National Hospital for Consumption for Ireland in Newcastle, County Wicklow.
Orpen features as one of the many portraits in Seán Keating‘s Homage to Sir Hugh Lane. St. Columba’s College holds a portrait of Orpen by his brother, William, as well as a memorial stained-glass window to him by Catherine O’Brien.
Pim is born in Dublin on September 21, 1909, to a Quaker father and English mother. She is a twin, but her brother dies. She is sent to the French School in Bray, County Wicklow, before being sent to Lausanne, Switzerland to finishing school. She then goes on to Girton College, Cambridge to study modern languages, intending to graduate with a degree in French and Italian. Her mother’s ill health and ultimate death in 1940, causes her to return to Ireland to look after her and she remains there taking care of her father, who dies in 1958, and an older incapacitated brother, Tom.
But these are good years for Pim with time to write, and during the 1950s and early 1960s she writes no fewer than seven novels, mostly crime fiction in a lighthearted style. During this time, she is a member of Irish PEN. She is also an avid amateur horticulturalist and writes for the magazine My Garden. Her more serious undertaking is a biography of the Irish plant collector Augustine Henry, The Wood and the Trees: A Biography of Augustine Henry (Macdonald, London). Her brother Tom dies in an accident in 1964 leaving Pim with no further responsibilities. This allows her to spend significant time researching through Henry’s papers. The book is published in 1966.
When Pim has completed the biography, she focuses on philanthropy. She dedicates her time to the Friends Historical Society and is particularly interested in helping out in the traveller community. She supports a young group of children and their grandfather. They bring her considerable joy. The Royal Horticultural Society of Ireland awards her the Society’s Medal of Honour and makes her an honorary life member for her services to the study of horticulture.
In Pim’s later years increasing deafness makes socialising difficult for her, but she still keeps up with the world of books, the theatre and painting. She reads The Irish Times from cover to cover every day, and her reading includes the Bible, Marcel Proust (in French) and the stories of Roddy Doyle.
Pim’s deafness finally forces her to move into sheltered housing in Dublin where she dies on December 16, 1995.
seamus dubhghaill 