Drew is the son of the Rev. Thomas Drew, son of a Limerick grocer, and Isabella Drew (née Dalton), daughter of a Dublin attorney. He is one of four sons and eight daughters of the couple, although most of the children die young. His sister, Catherine Drew, is a prominent Londonjournalist and an early champion of women’s rights.
Drew is trained under Sir Charles Lanyon before moving to work in Dublin, where he becomes principal assistant to William George Murray. In 1865, he becomes the diocesan architect of the united dioceses of Down, Connor and Dromore, and from that point forward Church architecture is his principal activity. He is consulting architect for both St. Patrick’s Cathedral and Christ Church Cathedral in Dublin.
Drew marries Adelaide Anne, sister of William George Murray, in 1871.
From 1885 to 1892, Richard Orpen works with Drew as a managing assistant. Drew’s most significant work in Belfast is St. Anne’s Cathedral, completed in 1899.
Following his exit from politics in 1957, having lost his Dáil seat, Finlay resumes practicing as a barrister. He successfully defends Captain James Kelly in the infamous 1970 arms trial.
In 1971, Finlay is tasked by the Fianna Fáil government with representing Ireland before the European Commission of Human Rights, when, in response to the ill treatment of detainees by security forces in Northern Ireland, they charge the British government with torture. Despite the notional recourse such prisoners would have within the British legal system, the Commission rules the complaint admissible.
During this period Finlay presides over a number of landmark cases, including Attorney General v X in 1992, when he overturns a High Court injunction preventing a pregnant teenage rape victim travelling to the UK for an abortion.
When, in the same year, Judge Liam Hamilton of the High Court, chair of the Beef Tribunal, seeks disclosure of the cabinet’s minutes for a particular meeting, Chief Justice Finlay along with the majority of the Supreme Court deny the request ruling that the concept of collective government responsibility in the Constitution takes precedence.
Finlay announces his resignation as Chief Justice of Ireland and retirement as a judge in 1994.
After his retirement, Finlay presides over a number of public inquiries.
In 1996, Finlay oversees the inquiry into the violence by English fans at the aborted 1995 friendly soccer match versus the Republic of Ireland at Lansdowne Road. His report to Bernard Allen, Minister for Sport, is critical of security arrangements on the night and recommends improvements to ticketing, seat-allocation, fan-vetting and policing arrangements. The Irish Government shares his report with the British Home Office.
After the collapse of The Irish Press group in 1995, the Minister for Enterprise and Employment, John Bruton, receives a damming report from the Competition Authority that Independent Newspapers has abused its dominant position and acted in an anti-competitive manner by purchasing a shareholding in The Irish Press. In September 1995, Bruton announces the Commission on the Newspaper Industry with an extremely wide remit to examine diversity and ownership, competitiveness, editorial freedom and standards of coverage in Irish newspapers as well as the impact of the sales of the British press in Ireland. Minister Bruton appoints 21 people to the commission and appoints Finlay chair. Due to the wide remit and huge number of submissions, the commission’s report is delayed but is eventually published at the end of July recommending widespread reforms.
Following the discovery of the BTSB anti-D scandal, in 1996, Finlay is appointed the chair and singular member of the Tribunal of Inquiry into the Blood Transfusion Service Board. The speed and efficiency with which his BTSB Tribunal conducts its business, restores confidence in the Tribunal as a mechanism of resolving great controversies in the public interest.
Finlay also sits on an Irish Rugby Football Union (IRFU) panel to adjudicate on the cases of Rugby players accused of using banned performance-enhancing substances.
Finlay is married to Alice Blayney, who predeceases him in 2012. They have five children, two of whom follow in his family’s legal tradition: his son John being a Senior Counsel and his daughter Mary Finlay Geoghegan a former judge of the High Court, Court of Appeal and Supreme Court. Whenever his work schedule allows, he escapes to County Mayo where he indulges his passion for fishing.
Thomas Finlay dies at the age of 95 in Irishtown, Dublin, on December 3, 2017.
Christened as William O’Brien, the seventh child of Arthur O’Brien, clerk, and Mary O’Brien (née Christie), who is from County Meath, Ó Briain takes an interest in the Irish language from an early age and begins learning Irish by himself from a grammar book, as it is not encouraged by his teachers at the Christian Brothers’ O’Connell School nor spoken by his parents. While still at the O’Connell School, he starts using the Irish version of his name. He also attends meetings of the Gaelic League, then attends University College Dublin (UCD) on a scholarship, where he studies French, English and Irish, receiving a BA (1909) and an MA (1910).
UCD decides to start awarding one annual scholarship for overseas travel in 1911, and Ó Briain wins the first one, using it to visit Germany and study under Kuno Meyer and Rudolf Thurneysen. After three years, he returns home, where he rejoins the Gaelic League and begins teaching French at UCD. He also joins the Irish Volunteers then, the following year, Seán T. O’Kelly convinces him to join the Irish Republican Brotherhood (IRB).
Around this time, Ó Briain joins Sinn Féin, and he stands unsuccessfully for the party in Mid Armagh at the 1918 United Kingdom general election in Ireland, taking 5,689 votes. His campaign leads, indirectly, to his arrest and three months in jail in Belfast. In 1920, following his release, he is appointed a judge in the then-illegal republican court system in Galway, and visits both France and Italy to try to source weapons for the Irish Republican Army (IRA). In November 1920, he is arrested in the UCG dining room by Black and Tans, and is imprisoned for thirteen months, first in Galway and then in the Curragh camp in County Kildare, thereby missing the conclusion of the Irish War of Independence. By the time he is released, the Anglo-Irish Treaty has been signed. He supports the treaty and takes no further part in militant activity.
In the newly independent Ireland, Ó Briain remains a professor at Galway. He also stands in the 1925 Seanad election, although he is not successful. He is the founding secretary of the Taibhdhearc na Gaillimhe theatre, also acting in many of its productions, and spends much time translating works from English and the Romance languages into Irish. He stands to become president of UCG in 1945, but is not elected, and in the 1940s and 1950s is best known for his many appearances on television and radio.
From his retirement in 1959, Ó Briain lives in Dublin. In 1974, the National University of Ireland (NUI) confers an honorary doctorate on him. He dies on August 12, 1974, at St. Gabriel’s Hospital, Cabinteely, County Dublin. His funeral to Glasnevin Cemetery is almost a state occasion, with a huge attendance of public figures, and a military firing party at the graveside, where the oration is given by Micheál Mac Líammóir and a lesson is read by Siobhán McKenna. For days after his death, the newspapers carry tributes to his many-sided career and personality. On the one hundredth anniversary of his birth, Proinsias Mac Aonghusa and Art Ó Beoláin write commemorative articles in Feasta.
On September 1, 1921, Ó Briain marries Helen Lawlor, of Dublin, who dies two years before him. The couple’s only child is Eibhlín Ní Bhriain, who is a journalist for The Irish Times and other periodicals.
O’Flynn is acknowledged as Ireland’s foremost exponent of the uilleann pipes and brings the music of the instrument to a worldwide audience. In 2007, he is named TG4 Musician of the Year at the Gradam Ceoil TG4, considered to be the foremost recognition given to traditional Irish musicians.
O’Flynn is born to musical parents. His father, Liam, is a teacher and fiddle player. His mother, Maisie (née Scanlan), who comes from a family of musicians from County Clare, plays and teaches piano. From an early age, he shows musical talent, and is encouraged to pursue his interest in the uilleann pipes by the piper Tom Armstrong. At the age of 11, he begins taking classes with Leo Rowsome. He is also influenced by Willie Clancy and Séamus Ennis. In the 1960s, he begins to receive recognition of his talent, winning prizes at the Oireachtas na Gaeilge and the Fleadh Cheoil. During his early years, he is sometimes billed as Liam Óg Ó Flynn.
In 1972, O’Flynn co-founds the Irish traditional music group Planxty, alongside Christy Moore, Andy Irvine and Dónal Lunny and remains a member throughout the band’s various incarnations. While Seán Ó Riada and The Chieftains had reinvigorated Irish traditional instrumental music in an ensemble format during the 1960s, Planxty builds on that foundation and takes it one step further. They bring a punch and vitality to acoustic music that draws heavily on O’Flynn’s piping virtuosity.
As O’Flynn grows in his skill as a musician and as he begins to meet pipers like Willie Clancy and Séamus Ennis, he becomes acutely aware of his position in the tradition of piping. His subsequent close friendship with Ennis, which starts as a master/pupil relationship, teaches him that there is much more to being a piper than playing tunes. He notes, “Seamus Ennis gave me much more than a bag of notes.”
“When I’m playing, I’m certainly lost within it. The only way to describe it, is that it’s like looking inwards. I think when a performer engages with the audience, and vice versa, it’s like a spell is cast and a terrific passage of feelings moves from the musician to the audience and back again.”
Following the break-up of Planxty in 1983, O’Flynn finds work as a session musician with such prominent artists as The Everly Brothers, Enya, Kate Bush, Nigel Kennedy, Rita Connolly, and Mark Knopfler. He also works on film scores, including Kidnapped (1979) and A River Runs Through It (1992). He is adventurous enough to work with avant-garde composer John Cage, but his most natural alliance is with neo-romantic composer Shaun Davey.
The Bothy Band are natural successors to the original Planxty, and one of its members, Matt Molloy, who subsequently joins The Chieftains, plays with The Chieftains’ fiddler Seán Keane on O’Flynn’s album, The Piper’s Call, which is performed in the 1999 BBC Proms season at the Royal Albert Hall. He also works on projects with Seamus Heaney, mixing poetry with music.
O’Flynn’s name is mentioned in Christy Moore’s song “Lisdoonvarna.”
O’Flynn dies in a Dublin hospital on March 14, 2018, following a long illness. His cremated remains rest at Newlands Cross Cemetery and Crematorium in Dublin.
The Liam O’Flynn Award is awarded each year by the Arts Council and the National Concert Hall to recognise individual creativity in Traditional Irish music. Awardees include Úna Monaghan, Barry Kerr, Jack Talty, Louise Mulcahy and Strange Boy (aka Jordan Kelly).
Janet McNeill, prolific Irish novelist and playwright, is born on September 14, 1907, in Dublin. Author of more than 20 children’s books, as well as adult novels, plays, and two opera libretti, she is best known for her children’s comic fantasy series My Friend Specs McCann.
McNeill is born to Rev. William McNeill, a minister at Adelaide Road Presbyterian Church, and Jeannie Patterson (Hogg) McNeill. In 1913, the family moves to Birkenhead, Merseyside, England, where her father becomes minister at Trinity Road Church. She attends public school in Birkenhead and studies classics at the University of St. Andrews in St. Andrews, Scotland, completing a MA degree in 1929. While at university, she is involved in writing and acting with the College Players. In 1924, the family returns to Ireland due to her father’s failing health, and Rev. McNeill becomes the minister of a village church in Rostrevor, County Down, Northern Ireland, while Janet joins the Belfast Telegraph as a secretary.
In 1933, McNeill marries Robert Alexander, the chief engineer in the Belfast city surveyor’s department, and the couple settles in Lisburn, where they raise their four sons. One son is the zoologist Professor Robert McNeill Alexander, CBE, FRS. Though she plans to write her first novel early on, she finds it impossible to write seriously until the children grow up, saying, “It was four years before I had a baby and twenty-five before I produced the book.”
In 1946, McNeill wins a prize in a BBC competition for her play Gospel Truth. She begins writing radio dramas, which are broadcast by the BBC. She suffers an intracerebral hemorrhage in 1953. During her recovery, she begins writing novels both for adults and children, producing a large body of work between 1955 and 1964. Her popular children’s character, Specs McCann, who debuts in a 1955 book and makes several reappearances, also inspires a newspaper cartoon strip by Rowel Friers, a Belfast artist and friend of hers.
Her 1944 novel The Maiden Dinosaur is her first to be published in the United States, twenty-two years later. She also has three writing credits on television with series and plays. Several of her plays are staged at the Ulster Group Theatre.
In 1964, McNeill’s husband retires, and the couple moves to Bristol, South West England. She writes one more novel after she leaves Northern Ireland but continues to write children’s books for another decade. During this time, she writes her only children’s play, published as Switch On, Switch Off, and other plays (1968), which presents different moral themes in scenes set in “domestic and workplace settings in contemporary England.” Her children’s book The Battle of St. George Without is televised by the BBC in 1969.
In her adult fiction, McNeill focuses on the lifestyle and social mores of Belfast and Ulster in the mid-twentieth century. Her characters are primarily “menopausal, middle-aged, middle-class Protestants.” She depicts the “dreary, Ulster religiosity” of ministers and laymen alike, and the class conventions and sexual repression of middle-aged, upper-middle-class women. The theme of suppressing self-identity and goals, both by wives in deference to their husbands and parents on behalf of their children, pervades her adult novels.
McNeill has a number of health problems and dies in Bristol in October 1994.
Harty is born on August 11, 1867, in Knocknagurteeny, Murroe, County Limerick, the son of Francis Harty and his wife, Johana (née Ryan). He is educated locally and at the Jesuits‘ Crescent College, Limerick. In 1884, he goes to St. Patrick’s College, Thurles, and two years later proceeds to Maynooth College, where he trains for the priesthood. After ordination at Clonliffe College, Dublin, on May 20, 1894, he returns to Maynooth. The following year he is appointed to the chair of philosophy and theology there. However, he defers this for a year while he attends lectures at the Ecclesiastical university in Rome, as one of two professors who has been granted the new privilege of leave of absence on full salary to study abroad.
Back at Maynooth Harty is a prominent member of staff. In 1906, he co-founds the Irish Theological Quarterly, of which he is for many years editor, and is also editor for a time of the Irish Ecclesiastical Record. His contributions to these and other periodicals are numerous and include an essay on the “Sacredness of fetal life” for the Irish Theological Quarterly in 1906. As a founder member of the Maynooth manuscripts publication committee, which runs from 1906 to 1915, he helps oversee the publication of the edition of the Black Book of Limerick (1907) by his colleague James MacCaffrey and of some impressive student publications, including Gadaidhe Géar na Geamh-oidche (1915), a volume of tales from the Fenian cycle from manuscripts in the library. He is appointed senior professor of moral theology but ceases teaching after he is consecrated Archbishop of Cashel on January 18, 1914.
Harty is early involved with the Gaelic Athletic Association – he had been a hurler in his youth – and is a strong supporter of the Irish Parliamentary Party (IPP). In late 1915 he furnishes John Redmond with a letter of support, and a few months later is denouncing the Easter Rising and congratulating the people of Cashel for abstaining from insurrection. Later that year he is involved in a French propaganda drive to boost the war effort in Ireland. As one of the four bishop delegates to the 1917 Irish Convention, he speaks against a Methodist delegate’s call for mixed education. Criticising the Protestant educational system in Belfast, he claims the Catholic church has a right to teach its own children, and effectively closes down the discussion. By April 1918 he has moved toward tacit acceptance of Sinn Féin and is at the forefront of the anti-conscription campaign. In a speech he calls conscription unjust and hypocritical and calls for “every man with a drop of Irish blood in his veins” to sign the protest against it.
On the establishment of the Free State, Harty preaches support for Cumann na nGaedheal, but by the 1930s is closer to Éamon de Valera, and is a strong advocate of protectionism, which he feels will ensure a self-sufficient Ireland of traditional values. In 1933, he applauds the tax set on imported daily papers, as he believes English papers are corrupting the young. At the golden jubilee of the GAA the following year he makes a speech in Cashel calling for Irish industries, Irish music, and Irish dances. As president of the congress committee, he is a key organiser of the massive Eucharistic Congress of 1932. His other great concerns are the foreign missions and the promotion of Catholic literature – he is president of the Catholic Truth Society of Ireland. His practical work for his diocese includes heading a deputation to the minister for agriculture in October 1932 to press Thurles’s claims for the new sugar beet factory. It opens there in December 1934.
Although tall, athletic, and fond of open air, Harty is for many years in poor health and from about 1933 petitions the Holy See for a coadjutor-archbishop. This finally comes about in 1942 when Bishop Jeremiah Kissane of Waterford comes to Cashel as his dean and coadjutor. Four years later Harty dies at his residence in Thurles on September 11, 1946, and is buried at the Cathedral of the Assumption, Thurles. He is survived by a brother and a sister. The GAA ground in his native Murroe is named after him.
(From: “Harty, John” by Bridget Hourican, Dictionary of Irish Biography, www. dib.ie, October 2009)
Frederick May, Irish composer and arranger, dies in Dublin on September 8, 1985. His musical career is seriously hindered by a lifelong hearing problem, and he produces relatively few compositions.
May is born on June 9, 1911, into a Dublin Protestant family who lives in the suburb of Donnybrook. His father, also named Frederick, is employed at the Guinness Brewery. He pursues his musical studies at the Royal Irish Academy of Music, where he is taught composition by John Larchet. In 1930, McCullough Pigott and Co. publishes his Irish Love Song. That same year he is awarded the Esposito Cup at the Feis Ceoil and as a result of this he is nominated as the first recipient of a new scholarship prize worth £100 to be spent on the further study of piano. In July 1930, he takes his preliminary examination for the Bachelor of Music at Trinity College Dublin (TCD) before departing Dublin to utilise his scholarship in London. In September he enrolls at the Royal College of Music (RCM) where his teachers include Charles Kitson, Ralph Vaughan Williams, R. O. Morris and Gordon Jacob. He takes his final TCD examination in December 1931 submitting a string quartet and on December 10 his degree is conferred. During 1932 his study is funded by the RCM’s Foli Scholarship and in October he is awarded the Octavia Travelling Scholarship.
May’s compositions are few in number and he produces most of his small output in the 1930s and early 1940s. His first significant work is the Scherzo for Orchestra, written while he is still a student in London. The first orchestral run through of Scherzo for Orchestra takes place on March 17, 1933, and it receives its first public performance on December 1 when it is heard as part of the Patron’s Concert. Between the months of May and October he composes his Four Romantic Songs, which receive their premiere in London at a Macnaghten-Lemare concert on January 22, 1934. At some point, probably in the second half of 1933, he follows in the footsteps of other Octavia Scholarship winners and travels to Vienna to study with Egon Wellesz.
On January 1, 1936, May takes up the position of Director of Music at the Abbey Theatre in Dublin, a position he retains until he is fired in 1948. His duties mainly consist of leading the piano trio which bears the title “The Abbey Orchestra” in music during the intervals of productions. In 1936, he composes what is today his best-known composition, the String Quartet in C Minor, described in the Grove’s Dictionary of Music and Musicians as “one of the most individual statements from an Irish composer in the first half of the 20th century.” He composes the quartet as his hearing is beginning to deteriorate and he later describes it as “an appeal for release.” String Quartet in C Minor is not premiered until 1948 when it is performed by the Martin Quartet in the Wigmore Hall, London. This is followed by Symphonic Ballad (1937), Suite of Irish Airs (1937), Spring Nocturne (1938), Songs from Prison (1941) and Lyric Movement for Strings (1942). He effectively ceases original composition at this point.
Following a long break from composition, May produces what is to be his valedictory work in 1955, the nine-minute orchestral piece Sunlight and Shadows. It is given its first performance on January 22, 1956, by the Radio Éireann Symphony Orchestra at Dublin’s Gaiety Theatre. Although this is his last original work, he does not abandon music completely. He produces arrangements of Irish music for Radio Éireann, which while not perhaps rewarding artistically, does help to alleviate his always precarious financial situation. He also composes a number of songs for voice and piano and a short piece entitled Idyll for violin and piano. The latter is chosen as a set work for the junior violin competition at the Feis Ceoil in 2017.
Throughout his life May suffers from significant mental health issues which result in hospitalisation. He also experiences otosclerosis, as a result of which he gradually becomes increasingly deaf. In addition, he suffers from severe tinnitus with constant ringing noises in his head. In later life he becomes homeless for a time due to alcoholism and sleeps at night in Grangegorman Asylum, Dublin. He is rescued by some friends led by Garech Browne whose record company, Claddagh Records, records the String Quartet in 1974.
Throughout his career May is an advocate of better musical education in Ireland and expresses his views on this and other musical matters through the medium of The Bell, a monthly journal dealing with the arts. He is a co-founder, along with Brian Boydell and Aloys Fleischmann, of the Music Association of Ireland (now “Friends of Classical Music”), set up in 1948 to promote art music as an integral part of the cultural life of Ireland. Later he becomes a member of Aosdána. He lives the last years of his life at Orthopaedic Hospital of Ireland, Clontarf, Dublin. He dies on September 8, 1985, at the age of 74 and is buried in Mount Jerome Cemetery.
On December 5, 2011, Pringle delivers a televised address to the nation, representing the technical group of TDs in Dáil Éireann. He does so in response to TaoiseachEnda Kenny‘s address to the nation of the previous evening. Later that month, he calls on people for support in a campaign not to pay a new household charge brought in as part of the latest austerity budget and announces that he will not register for the tax or pay it.
In February 2012, Pringle publishes his expenses online. He is elected leader of the technical group in Dáil Éireann in March 2012.
In May 2012, Pringle brings an unsuccessful High Court challenge over the 2012 European Fiscal Compact referendum and the European Stability Mechanism (ESM) Treaty which is appealed to the Supreme Court in July 2012. In July 2012, the Irish Supreme Court decides to refer three questions to the Court of Justice of the European Union (CJEU) arising out of his challenge of the European Stability Mechanism Treaty and doubts about the ESM’s legality under the Treaties of the European Union. The CJEU holds an oral hearing on the referral on October 23, 2012. It is the first time that the full court sits to hear a reference from a member state of the Union. The 27 judges hear oral arguments from the counsel for Pringle, Ireland, nine other member states, the Commission, the Council, and the European Parliament. On November 27, 2012, the EU Court of Justice dismisses Pringle’s arguments and rules that the ESM is in accordance with the Treaties.
In the 2016 Irish general election, after a re-drawing of constituency boundaries, Pringle campaigns in the new five-seater Donegal constituency. He is re-elected to the final seat by a margin of just 184 votes over Sinn Féin’s Pádraig Mac Lochlainn. During negotiations to form a government, Pringle says he is glad not to have signed up to the Independent Alliance, after that group enters talks with Taoiseach Enda Kenny. He says that unless Kenny or Fianna Fáil leader Micheál Martin sign up to Right2Change, he will not support either as Taoiseach.
As of April 2016, Pringle had become a member of the Independents 4 Change technical group in the Dáil.
In May 2016, Pringle introduces legislation designed to retain water in public ownership and avoid further privatisation.
Pringle puts forward a bill calling on the government to end public spending from fossil fuels, which passes, making Ireland the first country to fully divest public money from fossil fuels. In June 2022, he puts forward a bill proposing a referendum on lowering the voting age to sixteen.
Best known as a centre half-forward, Purcell plays in most outfield positions during his career. In 2009, he is named in the Sunday Tribune‘s list of the “125 Most Influential People in GAA History.”
Purcell’s footballing career spans three decades, from the 1940s to the 1960s. He forms a successful on-field partnership with Frank Stockwell at Galway, culminating in the team winning their fourth All-Ireland championship in 1956 and leading to their nickname as the “Terrible Twins.”
Further successes in which Purcell is involved include winning the National Football League title in 1957, three Railway Cups, one of which he captains, the 1950 Sigerson Cup, appearances with the Combined Universities side and ten county titles with the Tuam Stars, including seven in a row from 1954 to 1960.
Purcell’s involvement in the GAA continues long after his playing days as he serves in a number of positions as team mentor and administrator in Galway.
Purcell dies on August 27, 2005, at the age of 76, following a short illness at the Blackrock Clinic, County Dublin. He is buried in the Athenry Road graveyard at Tuam.
Purcell marries Rita Shannon in 1961. They have four daughters and two sons before the marriage ends. His son, Robert Purcell, marries Tessa Robinson, daughter of former Irish PresidentMary Robinson, in 2005. His grandson, Simon Carr, is a professional tennis player. Another grandson, Sam McCartan, has played Gaelic football at senior level for Westmeath. His teenage grandson, Rory Purcell, dies in 2022.
seamus dubhghaill 