French attends Trinity College Dublin, and trains in acting. She settles in Ireland and has lived in Dublin since 1990. She and her husband have two daughters.
French is enthralled by both acting and writing since her childhood but eventually focuses more on acting. She grows up reading mystery and crime novels. She trains as a professional actor at Trinity, and she works in theatre, film, and voice-over.
In her later 30s, her passion for writing is rekindled. She begins writing her debut novel in the months-long lulls between castings. In the Woods is published in 2007 to international acclaim and receives rave reviews from many publications. Publishers Weekly praises her, saying she “expertly walks the line between police procedural and psychological thriller in her debut” and that “Ryan and Maddox are empathetic and flawed heroes, whose partnership and friendship elevate the narrative beyond a gory tale of murdered children and repressed childhood trauma.” It receives several literary prizes, is a bestseller in hardcover and paperback, and has been termed a “dream debut.” In 2014, Flavorwire includes it in their 50 of the Greatest Debut Novels Since 1950. As of 2015 more than one million copies of In the Woods have been sold.
French’s second novel, The Likeness (2008), presents the story of the first novel’s co-lead, Cassie Maddox. It quickly achieves high positions on bestseller lists in various countries and stays on The New York Times Best Seller list for several months. In its reviews of the novel, Kirkus Reviews praises its mix of “police procedures, psychological thrills and gothic romance beautifully woven into one stunning story.” In an interview with The Guardian, French states that Donna Tartt‘s The Secret History was an influence on The Likeness, opening up the “landscape of friendship as something worthy of exploration and something that could be powerful enough to trigger a murder.”
French’s first six novels are part of the Dublin Murder Squad series. After publishing The Trespasser in 2016, she publishes two standalone novels. Both The Witch Elm and The Searcher also take place in Ireland.
In 2015, Euston Films & Veritas acquire TV production rights. Sarah Phelps writes the screenplay, which she bases on both In the Woods and The Likeness, for the eight-episode series of Dublin Murders, commissioned by the BBC for BBC One and Starz, with RTÉ later joining the project. Filming commences in 2018 in Belfast and Dublin and continues in Dublin to late February 2019. Broadcast begins on BBC One on October 14, 2019, on RTÉ One on October 16, 2019, and on Starz on November 10, 2019.
O’Brien is the eldest child of a Roman Catholic church musician. In 1885, he first appears in a public piano recital and, later in the year, becomes the organist of Rathmines parish church, a position he holds until 1888. He holds another organist’s position at the Dublin Carmelite church from 1897 to 1899 but is chiefly known as organist and choir director of Dublin’s largest Roman Catholic Church, St. Mary’s Pro-Cathedral, between 1903 and 1946. In 1898, he is the founder and first director of the Palestrina Choir, originally all-male, which is still active, and which is financed for many years by Edward Martyn.
O’Brien studies with Robert Prescott Stewart at the Royal Irish Academy of Music (1888-90), where he is the first winner of the Coulson Scholarship and frequently performs as both tenor singer, piano accompanist, and organist in many public concerts during the 1890s. As a church musician, he becomes particularly involved in the Cecilian Movement, conducting works by Michael Haller and others, and also pursuing their artistic ideals in his own sacred choral compositions.
O’Brien is the founding conductor of the Dublin Oratorio Society (1906), the Brisan Opera Company (1916) and conducts at many ad hoc events. In 1925, he becomes the first music director of Radio Éireann (originally called 2RN), a position he holds until 1941. He singles out his work as music director for the 31st International Eucharistic Congress in Dublin (1932) as his most prized personal achievement. As late as 1945, he founds Our Lady’s Choral Society, a large oratorio choir still in existence, which originally is recruited mainly from the various Roman Catholic church choirs in Dublin.
Among his teaching positions, O’Brien teaches at the diocesan seminary at Holy Cross College, is Professor of Gregorian Chant at the missionary seminary of All Hallows College from 1903, and Professor of Music at the Ladies’ Teacher-Training College at Carysfort Park, Blackrock, County Dublin, from 1908 until his death in Dublin on June 21, 1948. As a much-demanded vocal coach, he teaches at his home, his best-known pupils including John McCormack, Margaret Burke Sheridan and James Joyce. He performs the piano accompaniments for McCormack’s first gramophone recordings and accompanies him during his 1913–14 Australasian tour of 60 performances in three months, during which he also gives organ recitals at the Irish-dominated Catholic cathedrals of Sydney and Melbourne.
Of his two sons, Oliver O’Brien (1922–2001) largely follows in his father’s footsteps, as organist and director of the Palestrina Choir, of Our Lady’s Choral Society, music teacher at Carysfort College and as teacher in various Dublin schools. His other son, Colum O’Brien, is organist in the Pro-Cathedral.
Before his work for the Palestrina Choir, O’Brien’s musical interests are very broad, culminating in 1893 in the composition of the full-scale opera Hester. As a church music composer, he follows Cecilian ideals, with a number of hymns, motets and other choral works. He also composes a number of songs for voice and piano, with The Fairy Tree (1930) being a particular favourite of John McCormack’s.
Máire Nic Shiubhlaigh, Irish actress and republican activist, is born Mary Elizabeth Walker in Charlemont Street, Dublin, on May 8, 1883. She starts acting in her teens and appears in the first Irish language play performed in Ireland. She is a founder-member of the Abbey Theatre and is leading lady on its opening night in 1904, when she plays the title role in W. B. Yeats‘s Cathleen ni Houlihan. She later joins the Theatre of Ireland, which she helps to found.
Nic Shiubhlaigh is born into a nationalist and Irish-speaking family. Her father, Matthew, comes from County Carlow and is a printer and publisher who becomes proprietor of the Gaelic Press. Her mother, Mary, is a dressmaker from Dublin. She grows up in 56 High Street in the Dublin Liberties.
Nic Shiubhlaigh joins the Gaelic League about 1898 and comes into contact with Arthur Griffith and William Rooney. She joins the cultural and revolutionary women’s group Inghinidhe na hÉireann in 1900. With the help of drama enthusiasts William and Frank Fay, she starts acting with the drama group of Inghinidhe na hÉireann. In 1901, the drama group takes part in a feis with two plays, Tobar Draoidheachta by Patrick S. Dinneen and Red Hugh by Alice Milligan. George Russell and W.B. Yeats, who are in attendance at the performance, are moved by the dedication of the amateur players. Russell, who had already offered the Fays his mythic play Deirdre, persuades Yeats to offer them his patriotic play, Cathleen ni Houlihan.
In 1902, Nic Shiubhlaigh joins W. G. Fay’s Irish National Dramatic Company, along with others such as Maire Quinn, Brian Callender, Charles Caulfield, James H. Cousins, P. J. Kelly, Dudley Digges and Frederick Ryan. Their first production of the two one-act plays, Cathleen ni Houlihan, with Maud Gonne in the lead role, and Deirdre, is on April 2, 1902. The company, which has no funds to speak of, acquires a couple of bare rooms at 34 Lower Camden Street, which with the help of friends from Irish-revival societies, they turn into a tiny theatre. They rehearse at the Coffee Palace and also use the Molesworth Hall for productions. In March 1903, with other members of her family, she appears in the first production of Yeats’ morality play, The Hour-Glass, in which she plays the part of the Angel.
In 1903, the playwrights and most of the actors and staff from these productions go on to form the Irish National Theatre Society, which has its registered offices in the Camden Street theatre. Nic Shiubhlaigh is a founder member and on the management committee of the society. Yeats is president, while Russell, Maud Gonne and Douglas Hyde are vice-presidents. William Fay is stage manager. The society founds the Abbey Theatre.
Nic Shiubhlaigh acts in the Abbey Theatre from the time of its founding. On its opening night on December 27, 1904, she plays the name part in Cathleen ni Houlihan. Her portrait is painted by John Butler Yeats for the occasion and hangs in the vestibule. She is the principal actress of the company after Máire Quinn’s departure to the United States, and when she leaves, the burden of the chief women’s rôles falls upon Sara Allgood.
In September 1905, the Abbey administrator and financial backer, an English theatre impresario called Annie Horniman, in hopes of improving the artistic quality of the productions at the Abbey, offers to guarantee salaries (a sum of £500 per year) for the actors and for Willie Fay as producer. To her mind, this will allow the actors and Fay to dispense with their day jobs and concentrate wholly upon their acting. The more nationally-minded members of the staff disagree. Nic Shiubhlaigh writes, “It was pointed out that the old Irish National Theatre Society had been founded in 1902 on the understanding that its independence as a national movement was to be secured only through the efforts of its members. It would be contrary to these ideals to accept a subsidy from an independent source.” For them it would mean a choice between a national theatre and an artistic theatre. At a meeting of the society, supported by Yeats, Gregory and Synge, the motion to accept Miss Horniman’s proposition is passed by a majority of shareholdings rather than a majority of votes. Nic Shiubhlaigh along with others resign, but they agree to remain until the end of the year, as part of an upcoming tour of England.
Nic Shiubhlaigh remains with the Abbey until December 1905, when along with Honor Lavelle (also known as Helen Laird), Emma Vernon, Máire Garvey, Frank Walker, Seumas O’Sullivan, Padraic Colum and George Roberts, she leaves. She joins the Theatre of Ireland, which she helps to found. This is formed in June 1906 with aims similar to the Irish National Theatre Society. She returns to the Abbey in 1910.
At the time of the 1916 Easter Rising, Nic Shiubhlaigh is living in Glasthule, a suburb of Dublin. She cycles into the city and, along with other members of Cumann na mBan, makes her way to Jacob’s Biscuit Factory, whose garrison under the command of Thomas MacDonagh guards the city against the troops of Portobello Barracks, and acts as an information and supplies hub for other garrisons around the city. She commands the women of the garrison. They remain there until the surrender, cooking and rendering first aid to the garrison, and bringing despatches through the city.
Nic Shiubhlaigh had retired from professional acting in 1912, and seldom works in professional theatre again. In 1929, she marries former IRA Director of Organisation, Major General Eamon “Bob” Price, and they move to Laytown, County Meath.
Nic Shiubhlaigh’s last stage appearance, alongside her sister Gypsy, is in a production of Gaol Gate at the Olympia Theatre, Dublin, on November 21, 1948, staged to mark the 150th anniversary of the death of Theobald Wolfe Tone.
Nic Shiubhlaigh dies on September 9, 1958, in the Drogheda cottage hospital.
Her book, The Splendid Years, written with the help of her nephew Edward Kenny, recalls the years of the national revival and the Easter Rising.
Lehane is the only surviving child of Denis Lehane, an excise officer originally from County Cork, and his wife Mary (née Connolly), a native of the Falls Road, Belfast. He grows up in an Irish-speaking household. Joseph Connolly, the senator, is his uncle on his mother’s side, while Michael O’Lehane, the trade unionist, is his uncle on his father’s side. His family emigrates to Hartlepool, in County Durham, England, in 1912, and then to Dublin in 1920. He is educated at Synge Street CBS and University College Dublin (UCD), where he studies Law and qualifies as a solicitor. He marries Marie O’Neill in 1937, and they have a son and two daughters.
As a solicitor, Lehane takes to defending members of the Irish Republican Army (IRA) in the Irish Courts. In 1927 he obtains permission for IRA prisoners to speak privately to their solicitors from the Irish High Court. He is active in other republican and nationalist circles. He is a member of the Moibhí Branch of Conradh na Gaeilge, and by the 1930s appears to become active in the IRA itself. In 1931 he is involved in Saor Éire, an attempt by the Irish left-wing to create a communist political party that would be linked to the IRA.
Lehane is a member of the IRA’s arms committee and in 1935 he is sentenced to 18-months’ imprisonment by the Military Tribunal for his membership of the IRA.
Lehane is an actor and has a keen interest in Irish language theatre. A committed Irish speaker, Lehane is at home in it, whether on radio, stage or in street conversation. He is one of the leading actors of the Irish Language Theatre Company between 1943 and 1958. He is a member of Dublin City Council and of the Citizens for Civil Liberties committee.
In 1977, the remains of Frank Ryan, one of the leading left-wing Republicans of the 1930s, are repatriated from East Germany, and Lehane delivers the eulogy.
Archer is the eldest son of Rev. Richard Archer (1796? – 1849), perpetual curate of Maghera hamlet, County Down, and his wife, Jane Matilda (née Campbell). Nothing is known of his education, though his two younger brothers attend Trinity College Dublin (TCD). At some point, he apparently appears to become estranged from his family.
Archer moves to Dublin around 1846, where for many years he pursues a business career. He achieves fame as a naturalist, and in 1849, is one of the twelve founder members of the Dublin Microscopical Club, of which he is the secretary and moving spirit for many years. Between 1858 and 1885 he writes over 230 scientific papers on Irish fauna and flora in the Quarterly Journal of Microscopical Science, the vast majority of which are short notes on desmids collected in Ireland. Sometimes the same article is published in two or more journals.
Archer is a member of the Dublin University Zoological Association and is elected a member of the Royal Irish Academy (MRIA) on January 10, 1870, and Fellow of the Royal Society (FRS) in 1875, on which occasion it is stated that he has “a knowledge of the minute freshwater organisms unparalleled among British naturalists and perhaps not surpassed for any other country.”
Archer begins a new career when he becomes librarian of the Royal Dublin Society (RDS) in January 1877. The bulk of the society’s library is being taken over by the state to form the National Library of Ireland. He becomes the chief librarian of the new institution and has the task of overseeing the changes. Most of the ideas put forward in his pamphlet, Suggestions as to public library buildings . . . with especial reference to the National Library of Ireland (Dublin, 1881), are used by Sir Thomas Newenham Deane in his design for its new building, which opens in August 1890. His adoption of the Dewey Decimal Classification system and the inception of a dictionary catalogue, both novel in the day, are to prove of lasting value to users of the library.
In poor health, Archer retires in 1895. He dies, unmarried, at his home, 52 Mount Street Lower, Dublin, on August 14, 1897. He is a shy, modest man, who declines professorships at the Royal College of Science for Ireland and at Trinity College Dublin (TCD), and who is nominated for membership of the Royal Irish Academy (RIA) and the Royal Society without his knowledge.
Nicholas “Nicky” Rackard, Irish hurler whose league and championship career with the Wexford senior team spans seventeen years from 1940 to 1957, is born on April 28, 1922, in Killanne, County Wexford. He establishes many championship scoring records, including being the top championship goal-scorer of all time with 59 goals. He is widely regarded as one of the greatest hurlers in the history of the game.
Rackard is the eldest son of five boys and four girls born to Robert (Bob) Rackard and Anastasia Doran, who had been married in 1918. He is introduced to sport by his father who had hoped he would become a cricketer. His uncle, John Doran, won an All-Ireland medal as a Gaelic footballer with Wexford in 1918 and it is hurling and Gaelic football that Rackard develops a talent for.
Rackard plays his club hurling with his local Rathnure club and enjoys much success. He wins his first senior county title in 1948. It was Rathnure’s first ever championship triumph. Two years later in 1950 he captures a second county title, a victory which allows him to take over the captaincy of the county senior team for the following year. He wins his third and final county medal in 1955.
Rackard makes his debut on the inter-county scene when he is selected for the Wexford minor panel. He is just out of the minor grade when he is selected for the Wexford senior team in 1940. Over the course of the next seventeen years, he wins two All-Ireland medals as part of the Wexford hurling breakthrough in 1955 and 1956. He also wins four Leinster Senior Hurling Championship medals, one National Hurling League medal and one Leinster Senior Football Championship medal as a Gaelic footballer. He plays his last game for Wexford in August 1957.
By the late 1940s, Rackard is a regular in the full-forward line on the Leinster inter-provincial team. Success comes in the twilight of his career and he claims his sole Railway Cup medal in 1956.
Rackard’s brothers, Billy and Bobby, also experience All-Ireland success with Wexford.
In retirement from playing Rackard becomes involved in team management and coaching. It is with the Wexford senior team that he enjoys his greatest successes as a selector when he helps the team secure the 1968 All-Ireland Senior Hurling Championship title.
Rackard is most famous for his scoring prowess and is the all-time top championship scorer at the time of his retirement from hurling. His private life is marred by periods of excessive drinking, which had started during his university studies, and eventually develops into alcoholism. After quitting drinking completely in 1970, he travels the country as a counsellor with Alcoholics Anonymous. In an interview in The Irish Press in 1975, he details his life as a recovering alcoholic and becomes one of the first sportspeople to break the taboo of alcoholism in Ireland.
Rackard death from cancer at St. Vincent’s Hospital in Dublin on April 10, 1976, sees a huge outpouring of grief amongst the hurling community. He is posthumously honoured by being named on the Hurling Team of the Century in 1984, however, he is sensationally omitted from the Hurling Team of the Millennium in favour of Ray Cummins. His scoring prowess has also earned him a place on the top ten list of all-time scoring greats. In 2005 the GAA further honours him by naming the Nicky Rackard Cup, the hurling competition for Division 3 teams, in his honour.
In 2006, a Wexford author, Tom Williams, writes a long-overdue biography of Rackard entitled Cuchulainn’s Son – The Story of Nickey Rackard. The same author also pens a now well-known song about Rackard many years earlier. It too is called Cuchulainn’s Son and has been recorded by various artists over the last 20 years and is a lament for the great sportsman.
In Wexford town, there is a statue to commemorate Rackard, erected in 2012.
Boland is the son of Irish Republican Brotherhood member James Boland and Kate Woods. He was active in GAA circles in early life and referees the 1914 All-Ireland Senior Football Championship Final. He joins the IRB at the same time as his older brother Gerald in 1904, following in the footsteps of his father, uncle and probably grandfather. He is educated at the Synge Street CBS, but hads a personality clash with one of the brothers so he refuses to carry on his attendance at the school. He then goes to De la Salle College, County Laois, as a novice.
Boland later joins the Irish Volunteers along with Gerry and his younger brother Ned. They take an active part in the Easter Rising of 1916.
At the 1918 Irish general election, Boland is elected as an MP for South Roscommon. In line with all the Sinn Féin MPs elected at that election, he does not take his seat in the British House of Commons but withdraws to sit in the declared independent Dáil Éireann (the First Dáil) and is named by Éamon de Valera as special envoy to the United States, a role his uncle Jack had played 25 years earlier. He leaves Ireland for the United States along with de Valera as part of a campaign to raise awareness and support for their cause in America. He negotiates a loan of $20,000 from the Irish Republic to the Russian Soviet Federative Socialist Republic through the head of the Soviet Bureau, Ludwig Martens, using some Russian jewelry as collateral. These jewels are transferred to Ireland when he returns. His sister Kathleen and her mother are entrusted with the safekeeping of jewels.
In the 1922 Irish general election, Boland is re-elected to the Dáil representing Mayo South–Roscommon South. Six weeks later, on July 31, he is shot by soldiers of the National Army when they attempt to arrest him at the Skerries Grand Hotel. Two officers enter his room and, although unarmed, he is shot and mortally wounded during a struggle.
Boland’s death affects Collins and possibly spurs him toward peace negotiations with Éamon de Valera.
Boland’s brother, Gerald Boland, is a prominent member of Fianna Fáil and later serves as Minister for Justice. His nephew, Kevin Boland, serves as a Minister until he resigns in solidarity with the two ministers, Charles Haughey and Neil Blaney, who are sacked from the government in May 1970 during the Arms Crisis. Kevin Boland’s resignation from Fianna Fáil and the subsequent loss of his seat marks the end of an era for the Boland political dynasty.
In the 1991 TV movie The Treaty, Boland is portrayed by Malcolm Douglas. In the 1996 film Michael Collins, he is portrayed by American actor Aidan Quinn. The film is criticised for fictionalising both Boland’s death and Collins’ life.
Donleavy grows up in the Bronx. His father is a firefighter, and his mother comes from a wealthy background. He has a sister, Mary Rita, and a younger brother. He declares himself to be an atheist at the age of fourteen. He receives his education at various schools in the United States, then serves in the United States Navy during World War II. After the war ends, he moves to Ireland and becomes an Irish citizen. In 1946 he begins studying bacteriology at Trinity College Dublin but leaves in 1949 before taking a degree.
Donleavy’s first published work is a short story entitled A Party on Saturday Afternoon, which appears in the Dublin literary periodical Envoy, A Review of Literature and Art in 1950. He gains critical acclaim with his first novel, The Ginger Man (1955), which is one of the Modern Library 100 best novels. The novel, of which his friend and fellow writer Brendan Behan is the first person to read the completed manuscript, is banned in Ireland and the United States by reason of obscenity. The lead character, Sebastian Dangerfield, is in part based on Trinity College companion Gainor Crist, an American Navy veteran also studying at Trinity College on the G.I. Bill, whom Donleavy once describes in an interview as a “saint,” though of a Rabelaisian kind.
In 1946, Donleavy marries Valerie Heron. The couple has two children: Philip (born in 1951) and Karen (born in 1955). They divorce in 1969, and he remarries in 1970 to Mary Wilson Price. That union ends in divorce in 1989. In 2011, it is reported that he had not fathered his two children with Price. A DNA test in the early 1990s confirms that Rebecca is the daughter of brewing scion Kieran Guinness, and Rory is the son of Kieran’s older brother Finn, whom Price marries after her divorce from Donleavy. “My interest is only to look after the welfare of the child,” Donleavy tells The Times, “and after a certain stage, you can’t worry about their parentage.”
Donleavy lives at Levington Park, a country house on 200 acres directly on Lough Owel, near Mullingar, County Westmeath, from 1972. Throughout much of his life, he is known as Mike by close friends, though the origins of this nickname are unclear.
Donleavy dies in Mullingar at the age of 91 on September 11, 2017.
Cooney is the second of three children of John Cooney and Mary Ann Cooney (née Gleeson), middling farmers. While his grandfather, Patrick Cooney, from nearby Garrykennedy, is reputed to have been a member of the Irish Republican Brotherhood (IRB) and an Irish National Land League activist, his father does not have any inclination towards radical politics. He is educated at Lissenhall national school and St. Joseph’s CBS, Nenagh. In October 1916, he commences studies in medicine at University College Dublin (UCD) just as the Irish War of Independence is getting underway. He plays briefly with the College’s hurling club.
In 1917, Cooney joins the Third Battalion of the Dublin Brigade of the Irish Republican Army (IRA). A year later he is jailed for two months in Mountjoy Prison and Crumlin Road Gaol, Belfast, for illegal drilling. Joining the IRB at the end of 1918, he assists in the December 1918 election by protecting candidates and acts as a guard at sittings of the First Dáil. On June 26, 1920, he plays a major role in the attack on BorrisokaneRoyal Irish Constabulary (RIC) barracks. He takes part in the Bloody Sunday operations of November 21, 1920, at 28 Upper Pembroke Street where a number of British agents are killed and attends Croke Park afterwards. He then goes on the run as a full-time Volunteer and serves with the Dublin Brigade active service unit (ASU).
After the Anglo-Irish truce of July 1921, Cooney is appointed Officer Commanding (O/C) of the 1st Kerry Brigade, IRA, reorganising it and forming a flying column. Opposing the Anglo-Irish Treaty of 1921, he does not immediately break with GHQ, who sends him to organise the 1st Eastern Division. Later in January 1922, the Chief of Staff, Eoin O’Duffy, asks him to become O/C of the 3rd Eastern Division, but later rescinds the appointment. In March 1922 he is appointed O/C of the 1st Eastern Division of the anti-Treaty IRA during the Irish Civil War.
That same year he is captured by Free State forces and interned in Mountjoy Prison, where he becomes O/C of the prisoners in C Wing. He accepts responsibility for an attempted escape bid on October 10, 1922, in which a fellow prisoner, Peadar Breslin, is killed and another man is wounded. After sojourns in Newbridge and Arbour Hill Prison, he is moved with the other leaders to Kilmainham Gaol, where he spends forty-one days on hunger strike. Removed to Harepark Camp, the Curragh, on January 1, 1924, he is among the last to be released on May 29, 1924.
Cooney succeeds Frank Aiken as Chief of Staff of the IRA on November 18, 1925. Central to the reorganisation scheme he puts in place is the need to secure American funds for the IRA and to combat Frank Aiken’s fundraising work in the United States since December 1925 on behalf of the embryo Fianna Fáil organisation. Receiving permission on April 21, 1926, he departs on a fund-raising trip to the United States but returns to Ireland in October. He resigns as chief of staff in favour of Maurice Twomey but retains his position as chairman of the IRA executive until November 21, 1927, when he obtains leave to complete his medical studies.
After internship in the Mater Hospital, Dublin, Cooney finds temporary employment in London, but remains in touch with GHQ. On September 27, 1929, he marries the German-educated Frances (‘Frank’) Brady, daughter of a wealthy Belfast linen family and former Cumann na mBan activist and hunger-striker. The marriage is not a success. Failing to secure employment due to police harassment and the loyalty test then in force, he and his wife are obliged to emigrate to London, where he practises as a GP, still maintaining his IRA links. Their only child, Seán, is born there in 1931. He returns to Ireland in August 1932, after Fianna Fáil’s accession to power.
An intimate friend of Maurice Twomey, who is still Chief of Staff, Cooney remains in the upper echelons of the IRA and attends its conventions. Signifying his standing in republican circles, he is chosen to unveil, inter alia, the Fenian memorial in Glasnevin Cemetery and the Seán Treacy plaque in Talbot Street, Dublin, and is a regular speaker at commemorations. In March 1940, he attempts to intercede with Éamon de Valera on behalf of hunger-striking republicans, and is later arrested, but released.
After the discovery of a German spy ring in the hospitals commission’s subsidiary, the Dublin Hospitals Bureau, Cooney is forced to resign in April 1942 on refusing to take a loyalty pledge to the state. He returns to private practice. He becomes active in the unsuccessful campaign to save Charlie Kerins, Chief of Staff, from being hanged in 1944. In anticipation of emigrating, he finally resigns from the IRA in 1944, though military and police surveillance continue until March 1945.
In August 1945, Cooney joins the United Nations Relief and Rehabilitation Administration, working with displaced persons in the American zone in Germany, and gains rapid promotion. After joining the International Refugee Organisation (UNRRA’s successor) on July 1, 1947, he becomes the chief medical officer of an area including the American sector of Berlin and containing 150,000 displaced persons. He later holds a similar post in Bavaria.
Appointed a part-time member of the hospitals commission by the inter-party government in September 1949 and in severe financial straits, Cooney emigrates alone to the United States on December 2, 1950, and never returns. While employed in a tuberculosissanatorium in New Jersey, he obtains by examination his licence to practise medicine in Maryland on January 14, 1954. Admitted a member of the American College of Chest Physicians, again by examination, on November 23, 1954, he secures, at the age of 57, his first ever permanent post in medicine, in a similar hospital in Pikesville, Maryland. His republican activities continue through Clan na Gael during his U.S. years, and he is a frequent speaker at commemorative events.
(Pictured: Liam Lynch with some of his Divisional Staff and Officers of the Brigades, including the 1st Southern Division, who attend as delegates to the Army Convention at the Mansion House, Dublin, on April 9, 1922. Cooney is first on the right in the 3rd row back.)
Wilde is born in March 1815 at Kilkeevin, near Castlerea, County Roscommon, the youngest of the three sons and two daughters of a prominent local medical practitioner, Thomas Wills Wilde, and his wife, Amelia Flynne. His family are members of the Church of Ireland, and he is descended from a Dutchman, Colonel de Wilde, who came to Ireland with King William of Orange‘s invading army in 1690, and numerous Anglo-Irish ancestors. He receives his initial education at the Elphin Diocesan School in Elphin, County Roscommon. In 1832, he is bound as an apprentice to Abraham Colles, the pre-eminent Irish surgeon of the day, at Dr. Steevens’ Hospital in Dublin. He is also taught by the surgeons James Cusack and Sir Philip Crampton and the physician Sir Henry Marsh. He also studies at the private and highly respected school of anatomy, medicine, and surgery in Park Street (later Lincoln Place), Dublin. In 1837, he earns his medical degree from the Royal College of Surgeons in Ireland. In the same year, he embarks on an eight-month-cruise to the Holy Land with a recovering patient, visiting various cities and islands throughout the Mediterranean. Porpoises are flung on board the ship, Crusader, and Wilde dissects them. Taking notes, he eventually composes a two-volume book on the nursing habits of the creatures. Among the places he visits on this tour is Egypt. In a tomb he finds the mummified remains of a dwarf and salvages the torso to bring back to Ireland. He also collects embalmed ibises.
Wilde runs his own hospital, St. Mark’s Ophthalmic Hospital for Diseases of the Eye and Ear, in Dublin and is appointed to serve as Oculist-in-ordinary to Queen Victoria. At one point, he performs surgery on the father of another famous Irish dramatist, George Bernard Shaw.
Wilde had a very successful medical practice and is assisted in it by his natural son, Henry Wilson, who had been trained in Dublin, Vienna, Heidelberg, Berlin, and Paris. Wilson’s presence enables him to travel, and he visits Scandinavia, where he receives an honorary degree from Uppsala University, and is welcomed in Stockholm by Anders Retzius, among others. King Charles XV of Sweden confers on him the Nordstjärneorden (Order of the Polar Star). In 1853, he is appointed Surgeon Occulist in Ordinary to the Queen in Ireland, the first position of its kind, probably created for him.
Wilde is awarded a knighthood in a ceremony at Dublin Castle on January 28, 1864, more for his involvement with the Irish census than for his medical contributions, although he had been appointed medical commissioner to the Irish census in 1841. In 1845, he becomes editor of the Dublin Journal of Medical & Chemical Science, to which he contributes many articles.
Wilde marries the poet Jane Francesca Agnes Elgee on November 12, 1851, who writes and publishes under the pen name of Speranza. The couple has two sons, William (Willie) and Oscar, and a daughter, Isola Francesca, who dies in childhood.
In addition to his children with his wife, Wilde is the father of three children born out of wedlock before his marriage: Henry Wilson, born in 1838, and Emily and Mary Wilde, born in 1847 and 1849, respectively, of different parentage to Henry. He acknowledges paternity of his illegitimate children and provides for their education, but they are reared by his relatives rather than with his wife and legitimate children. Emily and Mary both die in 1871 following a Halloween party at which their dresses accidentally catch fire.
From 1855 until his death in 1876, Wilde lives at 1 Merrion Square, now the headquarters of American College Dublin. The building is named Oscar Wilde House after William Wilde’s son, who also lives at the address from 1855 until 1878. There is a plaque at 1 Merrion Square dedicated to him.
Wilde’s reputation suffers when Mary Travers, a long-term patient of his and the daughter of a colleague, claims that he had seduced her two years earlier. She writes a pamphlet crudely parodying Wilde and Lady Wilde as Dr. and Mrs. Quilp, and portraying Dr. Quilp as the rapist of a female patient anaesthetised under chloroform. She distributes the pamphlets outside the building where Wilde is about to give a public lecture. Lady Wilde complains to Mary’s father, Robert Travers, which results in Mary bringing a libel case against her. Mary Travers wins her case but is awarded a mere farthing in damages by the jury. Legal costs of £2,000 are awarded against Lady Wilde. The case is the talk of all Dublin, and Wilde’s refusal to enter the witness box during the trial is widely held against him as ungentlemanly behaviour.
From this time onwards, Wilde begins to withdraw from Dublin to the west of Ireland, where he had started in 1864 to build what becomes Moytura, his house overlooking Lough Corrib in Connemara, County Galway. His health deteriorates in 1875. He dies, likely of cancer, at the age of 61 on April 19, 1876. He is buried in Mount Jerome Cemetery in Dublin.
(Pictured: Sketch of William Wilde by J.H. Maguire, 1847)
seamus dubhghaill 