seamus dubhghaill

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Ian Paisley Announces Retirement as Northern Ireland’s First Minister

In a March 4, 2008, announcement, the Rev. Ian Paisley signals the end of an era by announcing he will retire as First Minister of Northern Ireland. He also confirms he is stepping down as leader of the Democratic Unionist Party (DUP), the party he founded in the early 1970s. The news represents a huge moment in the politics and recent history of Northern Ireland, removing from the scene as it does one of its most striking figures.

The 81-year-old announces he will quit both posts following an international investment conference in Belfast in May 2008 but will remain as an MP and Assembly member.

“I came to this decision a few weeks ago when I was thinking very much about the conference and what was going come after the conference,” Paisley tells Ulster Television. “I thought that it is a marker, a very big marker and it would be a very appropriate time for me to bow out.”

Paisley denies he is leaving in part over allegations that his son, Ian Paisley Jr., lobbied Downing Street on behalf of a wealthy party member. He says his son has been “wrongly accused.” He is also weakened over defeat in a recent by-election – an indication that a section of the DUP’s electorate is uneasy about his historic decision to share power with Sinn Féin.

Significantly, Paisley does not back any contender in the DUP leadership contest to succeed him. “This is not the Church of Rome. I have no right to say who will succeed me. I will not be like Putin in Russia saying to the president – ‘this is the way you have to go.’ When I make a break it will be [a] break.”

Paisley defends his decision to enter into government with Sinn Féin. “It was the right thing to do because it was the only thing to do to save us from a united Ireland. We were threatened that we would be more Irish in our rulership, that there would be more Dublin say in government. That was what the British government threatened. We managed to put that to a rest.”

“We have laid to rest that and republicans have come to see that they have to put up with Paisley and his clan. We took what was meant for our destruction and turned it into our salvation.”

Speaking from Dubai the previous night, the deputy First Minister, Martin McGuinness, says, “It wasn’t unexpected. It was the right decision to go into sharing power with Sinn Féin which changed the politics of Ireland forever.”

The Sinn Féin MP describes Paisley as “courageous” for agreeing to enter into the power-sharing government. “We have had a positive and constructive working relationship,” McGuinness said.

Paisley’s fiercest critic within unionism, the ex-DUP MEP, Jim Allister, claims opposition to his power-sharing with Sinn Féin and his relationship with McGuinness means that Paisley “jumped before he was pushed.”

Allister’s new party, Traditional Unionist Voice (TUV), split the DUP vote in a by-election in February 2008 and cost the party a council seat in County Down. It was Paisley’s first electoral test since he agreed to share power with Sinn Féin following the St. Andrews Agreement at the end of 2006.

In April 2008, Peter Robinson is chosen to succeed Paisley as leader of the Democratic Unionist Party. The 36 DUP members of the Northern Ireland Assembly unanimously select Robinson, who has been MP for Belfast East since 1979 and Paisley’s deputy since 1980. He is the Minister of Finance and Personnel in the Northern Ireland Executive – Northern Ireland’s power-sharing government – for the previous year.

(From: “Paisley to step down as Ulster’s first minister” by Henry McDonald, Ireland correspondent, The Guardian, March 4, 2008)


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Birth of Playwright Michael Joseph Molloy

Michael Joseph Molloy, Irish playwright, is born March 3, 1914, in Milltown, County Galway, the son of William Molloy, originally of Glenamaddy, County Galway, who runs a shop at Milltown, and Maria Molloy (née Tucker), a native of Claremorris, County Mayo, and a teacher at Milltown girls’ school.

Molloy is the fifth in a family of five boys and three girls. Two other children die at birth. He is educated at Milltown national school and St. Jarlath’s College, Tuam, County Galway, from 1927 to 1931. His father dies when he is six years old and his uncle, Sonny Tucker, becomes an important influence, encouraging his life-long habit of extensive reading. In 1931 he goes to St. Columba’s Seminary at Dalgan Park, Shrule, County Mayo, but discontinues his studies for the priesthood when he contracts tuberculosis. He undergoes several operations, has to use crutches for three years, and is left with a permanent limp. While under the care of the sanatorium in Newcastle, County Wicklow, in the late 1930s, he is encouraged by a friend to attend a performance of two plays by George Bernard Shaw, Candida and Village Wooing, at the Abbey Theatre, Dublin. He becomes a regular playgoer and is inspired to begin a career as a dramatist.

Having lived in the family home at Milltown until 1955, he takes up residence at a nearby farmhouse on the marriage of his brother Christy. Despite his handicap, he works the small farm for the rest of his life to supplement the irregular income from his plays. He never marries and is attended by his housekeeper, Agnes Johnston. He is a familiar sight as he travels around his local area on the high bicycle he had fitted with one fixed pedal. The purpose of these journeys is to collect folklore, which provides a rich body of material for his plays and which he gathers into a prose volume, though this remains unpublished and privately held.

Molloy has nine of his thirteen plays produced at the Abbey Theatre, from Old Road in 1943 to Petticoat Loose in 1979. His plays reveal him as a folklorist in the line of John Millington Synge and draw on the same mixture of Christian and pagan beliefs, but with a more sympathetic understanding of his characters’ Catholicism. There is also the same strong vein of grotesque physical humour. His accomplished one-act play The Paddy Pedlar (1953) is based on a folk tale about a man carrying the body of his dead mother around in a sack and takes its bearings from an extraordinary amalgam of beliefs about the afterlife.

Molloy’s history plays re-create a world that shows the oppressions of colonialism on a subject race who respond with a wild anarchy mixed with subdued acceptance. His plays with a contemporary setting most often take emigration as their theme and are prophetic of later work by John B. Keane and Brian Friel. He writes in a heightened folk idiom, which only rarely loses touch with natural speech. Old Road wins an Abbey Prize and is staged in 1943 with Cyril Cusack as the young farm labourer trying to decide whether to emigrate to England or to stay in Ireland. Joseph Holloway gives a touching account of the shy author taking his curtain at this first production, who, though his lips move, is unable to say anything. The Visiting House follows in 1946, and dramatises a night of singing, dancing, and storytelling, peopled by a richly diverse cast of characters.

Molloy’s first masterpiece, The King of Friday’s Men, is launched in 1948. It takes the uncompromising theme of the droit du seigneur exercised by an eighteenth-century Anglo-Irish landlord on the most beautiful young women on his estate. His latest prey seeks to evade her fate by enticing the aged faction fighter, Bartley Dowd, to fight the landlord on her behalf. The play recreates that eighteenth-century world with colour, immediacy, and a strong sense of how the colonial system envelops all of the characters save the marginalised Bartley, who in the first production is played by the actor and author Walter Macken.

Molloy’s even greater The Wood of the Whispering follows in 1953 at the Queen’s Theatre, where the Abbey company is now playing. It is his most probing treatment of the effects of emigration, an issue of which Molloy, living in Galway, is only too aware. It is the most Beckettian of Irish plays, with its old tramp, Sanbatch Daly, and a host of older characters who are not so much eccentric as damaged in some profound way. At the play’s close Sanbatch feigns madness to gain entry to the asylum, though he is not in truth far from genuine madness. The various younger couples agree to stay and marry in Ireland rather than go their separate ways back to England. This idea of cultural renewal also underscores the importance Molloy places on the staging of his plays by amateur drama companies.

From the 1960s onwards Molloy’s plays are less readily accepted by the Abbey Theatre and a Dublin audience, but they still find a ready reception in his native place. In later works, such as Daughter from Over the Water (1963), the older characters retain their exuberance, but the younger ones seem beyond his reach. His last play, The Bachelor’s Daughter, is given its first performance by the Tuam Theatre Guild on March 3, 1985. The revival by Galway’s Druid Theatre of The Wood of the Whispering in 1983, which Molloy lives to see, is a revelation, and a reminder to the wider theatrical and academic world of the continuing importance of this playwright, not just as the ‘missing link’ between Synge and Keane but as an original in his own right.

In later years Molloy is a member of Aosdána. He dies of aortic aneurysms at Galway Hospital on May 27, 1994. He remains a committed Catholic all his life and his tombstone reads: “Woe to those who call evil good and who call good evil” (Isaiah, 5: 20).

(From: “Molloy, Michael Joseph” by Anthony Roche, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Bethel Solomons, Medical Doctor & Rugby Player

Bethel Albert Herbert Solomons, gynaecologist and international rugby player for the Ireland national rugby union team, is born into a prominent Jewish family, one of the oldest continuous Jewish families in Ireland, at 32 Waterloo Road, Dublin, on February 27, 1885. He is also a supporter of the 1916 Easter Rising.

The Solomons come to Ireland from England in 1824. Solomons is the son of Maurice Solomons (1832–1922), an optician whose practice is mentioned in James Joyce‘s Ulysses. His grandmother, Rosa Jacobs Solomons (1833–1926), is born in Hull in England. His elder brother Edwin (1879–1964) is a stockbroker and prominent member of the Dublin Jewish community. His sister Estella Solomons (1882–1968) is a leading artist, and a member of Cumann na mBan during the 1916 Easter Rising. She marries poet and publisher Seumas O’Sullivan. His younger sister Sophie is a trained opera singer.

Solomons attends St. Andrew’s College, Dublin, where he is very interested in rugby. He earns ten international rugby caps for Ireland between 1908 and 1910. He studies medicine at Trinity College, Dublin, becomes a medical doctor, and is Master of the Rotunda Hospital in Dublin from 1926 to 1933, surprising those who felt that a Jew would never hold the post. When his term ends in 1933, his name is intimately linked with that of the hospital when James Joyce writes in Finnegans Wake, “in my bethel of Solyman’s I accouched my rotundaties.” He serves as president of the Royal College of Physicians of Ireland (RCPI) in the late 1940s and practices from No. 30 Lower Baggot Street.

In a biography of Solomons he is described as “World famous obstetrician & gynaecologist, Rugby international, horseman, leader of Liberal Jewry & of Irish literary & artistic renaissance.”

Following a brief courtship, Solomons marries Gertrude Levy, who had studied with his sister Sophie at the Royal Academy of Music, London, in the liberal synagogue in London in 1916. His second son, Dr. Michael Solomons (1919–2007), is a distinguished gynaecologist, a pioneer of family planning in Ireland, and a veteran of the bitter and divisive 1983 constitutional amendment campaign.

Solomons is a friend of the founder of Sinn Féin and TD, Arthur Griffith. He contributes to the purchase of a house for Griffith. He is a founding member and the first president of the Liberal Synagogue in Dublin. He establishes a dispensary for Jewish women with Ada Shillman. In retirement he is inspector of qualifying examinations and visitor of medical schools in midwifery for the general medical council. A volume of memoirs is published in 1956. He is an art collector, including the works of Jean Cooke.

Solomons dies on September 11, 1965, at his home, Laughton Beg, Rochestown Avenue, Dún Laoghaire. The Bethel Solomons medal is awarded annually to an outstanding student in midwifery at the hospital.


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Death of Daniel Murray, Roman Catholic Archbishop of Dublin

Daniel Murray, Roman Catholic Archbishop of Dublin, dies in Dublin on February 26, 1852.

Murray is born on April 18, 1768, at Sheepwalk, near Arklow, County Wicklow, the son of Thomas and Judith Murray, who are farmers. At the age of eight he goes to Thomas Betagh‘s school at Saul’s Court, near Christ Church Cathedral, Dublin. At sixteen, Archbishop John Carpenter sends him to the Irish College at Salamanca, completing his studies at the University of Salamanca. He is ordained priest in 1792 at the age of twenty-four.

After some years as curate at St. Paul’s Church, Dublin, Murray is transferred to Arklow and is there in 1798 when the rebellion breaks out. The yeomanry shoots the parish priest in bed and Murray, to escape a similar fate, flees to the city where for two years he serves as curate at St. Andrew’s Chapel on Hawkins Street. As a preacher, he is said to be particularly effective, especially in appeals for charitable causes, such as the schools. He is then assigned to the Chapel of St. Mary in Upper Liffey Street where Archbishop John Troy is the parish priest.

In 1809, at the request of Archbishop Troy, Murray is appointed coadjutor bishop and consecrated on November 30, 1809. In 1811 he is made Administrator of St. Andrew’s. That same year he helps Mary Aikenhead establish the Religious Sisters of Charity. While coadjutor he fills for one year the position of president of St. Patrick’s College, Maynooth.

Murray is an uncompromising opponent of a proposal granting the British government a “veto” over Catholic ecclesiastical appointments in Ireland, and in 1814 and 1815, makes two separate trips to Rome concerning the controversy.

Murray becomes Archbishop of Dublin in 1825 and on November 14, 1825, celebrates the completion of St. Mary’s Pro-Cathedral. He enjoys the confidence of successive popes and is held in high respect by the British government. His life is mainly devoted to ecclesiastical affairs, the establishment and organisation of religious associations for the education and relief of the poor. With the outbreak of cholera in the 1830s, in 1834 he and Mother Aikenhead found St. Vincent’s Hospital. He persuades Edmund Rice to send members of the Christian Brothers to Dublin to start a school for boys. The first is opened in a lumber yard on the city-quay. He assists Catherine McAuley in founding the Sisters of Mercy, and in 1831 professes the first three members.

Edward Bouverie Pusey has an interview with Murray in 1841, and bears testimony to his moderation, and John Henry Newman has some correspondence with him prior to Newman’s conversion from the Anglican Church to the Roman Catholic Church in 1845. A seat in the privy council at Dublin, officially offered to him in 1846, is not accepted. He takes part in the synod of the Roman Catholic clergy at Thurles in 1850.

Towards the end of his life, Murray’s eyesight is impaired, and he reads and writes with difficulty. Among his last priestly functions is a funeral service for Richard Lalor Sheil who had died in Italy, and whose body had been brought back to Ireland for burial. Murray dies in Dublin on February 26, 1852, at the age of eighty-four. He is interred in the St. Mary’s Pro-Cathedral, Dublin, where a marble statue of him has been erected in connection with a monument to his memory, executed by James Farrell, president of the Royal Hibernian Academy of Fine Arts.

(Pictured: Portrait of Daniel Murray, Archbishop of Dublin, by unknown 19th century Irish portrait painter)


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Birth of Leland Bardwell, Poet, Novelist & Playwright

Constan Olive Leland Bardwell, Irish poet, novelist, and playwright, is born Leland Hone in India on February 25, 1922. She was part of the literary scene in London and later Dublin, where she was an editor of literary magazines Hibernia and Cyphers.

Bardwell is born to Irish parents William Hone and Mary Collise and moves to Ireland at the age of two. Her father’s family are of the Anglo-Irish Hone family. She has a difficult childhood growing up in Leixlip, County Kildare. She is educated at Alexandra College and briefly studies in Switzerland. She works in a variety of jobs in Ireland and later Scotland, where, in 1948, she meets poet Michael Bardwell. The couple has two children and later separate.

Bardwell becomes a part of the literary scene of Soho in London, where she socialises with fellow writers, including Anthony Cronin, Francis Bacon, Patrick Kavanagh and Anthony Burgess. In the 1950s, she meets Fintan McLachlan, with whom she has three children, including the composer, John McLachlan. The family moves back to Dublin, where she works as a reviewer for Hibernia magazine and as a poetry editor.

From 1970 onward, Bardwell’s work is published regularly, starting with her first volume of poetry, The Mad Cyclist, which is later followed by her first novel, Girl on a Bicycle. She writes a number of plays and short stories, such as Outpatients, and her works are produced for RTÉ and the BBC. In 1984, she writes a musical play, No Regrets, based on the life of Édith Piaf. It opens at the Gaiety Theatre starring Anne Bushnell, and later tours across Ireland.

Bardwell’s work is heavily influenced by her difficult upbringing and her experiences in London and Dublin. In her memoir, A Restless Life, she describes her life as “a crescendo of madness.” She is considered an important poet by her contemporaries, who include Patrick Kavanagh, John Jordan, Paul Durcan, Macdara Woods and Michael Hartnett. On the publication of her fourth collection of poetry, The White Beach, Eilean Ni Chuilleanain states “it is good to see her work of the decades collected – it has inspired many Irish poets, male and female, and should be much more widely known,” adding that her work is “witty, full of sharp intimate honesty, full of truth and surprises.”

In 1975, Bardwell co-founds the long running literary magazine Cyphers with Eiléan Ní Chuilleanáin and Macdara Woods, and acts as a co-editor until 2012. She is the recipient of the Marten Toonder Award in 1993, and the Dede Korkut Short Story Award from Turkish PEN in 2010.

In later life, Bardwell moves to Annamakarraig in County Monaghan and later to Cloonagh in County Sligo, where in 1993 she co-founds the Scríobh Literary Festival. She is a member of the Irish artists’ association Aosdána and acts as one of Patrick Kavanagh’s literary executors.

Bardwell dies at the age of 94 in Sligo, County Sligo, on June 28, 2016.

(Photo by Pat Boran)


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Death of Edmund Pery, 1st Viscount Pery

Edmund Sexton Pery, 1st Viscount Pery, Irish politician who serves as Speaker of the Irish House of Commons between 1771 and 1785, dies on February 24, 1806, at his home at Park Street, London.

Pery is born in Limerick, County Limerick on April 8, 1719, into one of Limerick’s most politically influential families, the elder son of the Rev. Stackpole Pery and Jane Twigge. His maternal grandfather is William Twigge, Archdeacon of Limerick.

A trained barrister, Pery becomes a member of the Irish House of Commons for the Wicklow Borough constituency in 1751. On the dissolution of the house following the death of George II, he is elected for the constituency of Limerick City and serves from 1761 until 1785, becoming Speaker of the House in 1771. In 1783, he stands also for Dungannon, however chooses to sit for Limerick City. He is considered one of the most powerful politicians in Ireland in his time, leading a faction which includes his nephew, the future Earl of Limerick, and his relatives by marriage, the Hartstonges. Following his resignation, he is created Viscount Pery, of Newtown Pery, near the City of Limerick, in the Peerage of Ireland, entitling him to a seat in the Irish House of Lords. As he has no male heirs, his title becomes extinct on his death in 1806.

Pery is also noted for his part in the history of the architecture of Limerick. In 1765, he commissions the engineer Davis Ducart to design a town plan for land that he owns on the southern edge of the existing city, which leads to the construction of the Georgian area of the city later known as Newtown Pery. He is also commemorated in the naming of Pery Square.

Pery marries Patricia (Patty) Martin of Dublin in 1756, who dies a year later, and secondly Elizabeth Vesey, daughter of John Vesey, 1st Baron Knapton, and Elizabeth Brownlow. He and Elizabeth have two daughters:

Pery dies on February 24, 1806, at his home at Park Street, London, and is buried at Furnam, Pelham, Hertfordshire, England.

Pery’s younger brother, William, is a leading figure in the Church of Ireland, becoming Bishop of Killala and Achonry and subsequently Bishop of Limerick, Ardfert and Aghadoe, and also ennobled as Baron Glentworth. William’s son, Edmund, is made Earl of Limerick in 1803 as a result of his support for the Act of Union. Pery’s younger sister is Lucy Hartstonge, the founder of what is now St. John’s Hospital, Limerick.

(Pictured: “Portrait of Edmund Sexton, later 1st Viscount Pery” by Gilbert Stuart, oil on canvas, circa 1790, National Gallery of Ireland)


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Birth of Cecil King, Painter & Collector

Cecil King, painter and collector, is born on February 22, 1921, at Rathdrum, County Wicklow.

King is the son of Henry King, businessman, of Rathdrum, and Susan King (née Crowe). He is educated at the Church of Ireland Ranelagh School, Athlone, and at Mountjoy School, Clontarf, Dublin (1936–39). Subsequently he joins the printing firm of W. & S. McGowan in Dundalk, where he goes on to become a director. During the 1940s his interest in amateur drama leads him to take classes at the Gaiety School of Acting in Dublin, where his fellow students include Milo O’Shea and Eamonn Andrews. Around this time, he is also involved in An Óige (the Irish Youth Hostel Association), in which he serves as honorary national secretary and honorary treasurer. This involvement leads him to travel extensively from the late 1940s around Europe, where he visits many major art museums and galleries.

King begins to acquire works of art, by both European and Irish artists, and by the mid-1950s he has amassed one of the most important collections of modern art in Ireland. Around 1954 he himself begins to paint, under the guidance of Barbara Warren and the English artist Neville Johnson. In his early work he focuses on urban scenes, often based on the area of Ringsend, Dublin, where he uses subdued tones to produce poetic images of a sombre mood. Even here his interest in the formal qualities of painting – such as the flatness of the picture surface and the juxtaposition of areas of colour on it, which becomes a defining feature of his art – is evident. In 1964 he leaves his successful business career behind in order to devote himself entirely to art, a bold move considering the limited audience for modern art that exists in Ireland at the time. In his own words he recalls how “Painting was what I wanted to do, I realised I didn’t need a car. I could do without an awful lot of things.” (Sunday Independent, November 7, 1982)

By this time, King is working in a fully abstract style. However, he still draws his inspiration from the external world, particularly the milieu of the circus. A painting such as Trapeze (1976; Allied Irish Bank collection) shows how he responds to acrobatic performance, not in any literal or figurative sense, but to the tensions and balances inherent within it. The overall effect is to convey to the viewer the essence of anticipation of the performance. Indeed, his works can create an almost physical sense of involvement on the part of the viewer. This is especially true of his Berlin Suite, a series of screen-prints produced as a result of a visit to East Berlin and published by Editions Alecto of London (1970). He is also inspired to produce a number of paintings on this theme of the claustrophobia of the divided city. Ultimately, he aspires to create works which, with their economy and restraint, achieve a meticulously balanced harmony. This concern leads him, in such works as the Baggot Street Series, to move away from even the most veiled figurative references, evidence for the fact that he constantly strives to further his artistic explorations.

King often works seven days a week. This quiet determination contributes in no small part to the international standing he soon achieves, as does his prolific record as an exhibitor. Writing a foreword to an exhibition of his work at Kilkenny in 1975, the critic William Packer finds that King’s art “confounds the expectations we might have of Irish art, for it is far from local in ambition, accomplishment, and seriousness.” He mounts over twenty-five one-man exhibitions and contributes to a large number of group shows in Ireland and abroad. A significant proportion of his output is to be found in galleries in Europe and the United States, including the Museum of Modern Art, New York, and the Tate Gallery, London. He is also represented in the major public and corporate collections in Ireland, such as the Irish Museum of Modern Art, Ulster Museum, Trinity College Dublin (TCD), Crawford Municipal Gallery, Dublin City Gallery The Hugh Lane, Arts Council, Aer Lingus, Bank of Ireland, Allied Irish Bank, and ESB. In fact, King, with his hard-edge abstract style, is one of the very few artists working in Ireland at the time whose work is comparable to that of the major (principally American) international exponents of abstraction. The term “hard-edge,” applied to King’s style, may however belie the subtlety he could achieve in terms of his handling of colour and texture. This is particularly true of his works in the media of pastel and tapestry, while his last paintings show a tendency towards more expressive brushwork and a more complex approach to colour.

King enjoys a happy relationship with Oliver Dowling from 1960 to the time of his death, at Dún Laoghaire, County Dublin, on April 7, 1986, having suffered a heart attack just three days before an exhibition of his work is due to open in Dublin at the Oliver Dowling Gallery. His legacy is not alone artistic: he also makes a significant contribution to the promotion of modern art in Ireland in his capacity as a member of the organising committee for the Rosc exhibition since its inception in the 1960s, where his wide knowledge of international art is much respected. A member of Aosdána, he twice serves as commissioner for the Department of Foreign Affairs cultural committee. He is also generous in his encouragement of young artists, whose work he regularly adds to his own collection.

(From: “King, Cecil” by Rebecca Minch, Dictionary of Irish Biography, http://www.dib.ie, May 2012 | Pictured: Abstract, Oil on Canvas by Cecil King)


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Death of Dermot Ryan, Roman Catholic Archbishop of Dublin

Dermot Joseph Ryan, the Roman Catholic Archbishop of Dublin from 1972 until 1984, dies in Rome, Italy, on February 21, 1985.

Ryan is born on June 26, 1924, to Andrew Ryan, a medical doctor, and Therese (née McKenna), in Clondalkin, Dublin. In 1932 he goes to Belvedere College, Dublin. In 1942 he enters Holy Cross College, Drumcondra, and graduates with a first in Hebrew and Aramaic at University College Dublin in 1945. He spends a year at St. Patrick’s College, Maynooth before attending the Pontifical Irish College in Rome gaining his BD in 1948 at the Pontifical Lateran University, Rome. He returns to Clonliffe to complete his formation, and where he is ordained a priest on May 28, 1950. He returns to Rome to study at the Pontifical Gregorian University, gaining a Licentiate in Sacred Theology in 1952. In 1954 he is awarded an MA in Semitic Languages from the National University of Ireland (NUI), followed by a licentiate in sacred scripture at the Pontifical Biblical Institute.

Ryan is Professor of Oriental Languages at University College Dublin before his appointment by Pope Paul VI as Archbishop of Dublin and Primate of Ireland on December 29, 1971. Maintaining his connection and interest in oriental studies, he serves as chairman of the trustees of the Chester Beatty Library from 1978 to 1984.

Ryan is ordained a bishop by Pope Paul VI in Rome, assisted by Cardinals Bernardus Johannes Alfrink and William Conway (Archbishop of Armagh and Primate of All Ireland), on February 13, 1972. At the time of his appointment, he is seen as a liberal and a reformer in the Church.

During his term, Ryan consolidates much of the expansion of the archdiocese which had taken place during the term of his predecessor. He also oversees the fuller implementation of the reforms of Vatican II. He is particularly interested in liturgical reform.

Seen as a Liberal, following the episcopacy of John Charles McQuaid, in November 1972, Ryan becomes the first Roman Catholic archbishop to attend a Church of Ireland service in Christ Church Cathedral, Dublin, and holds an interdenominational service in St. Mary’s Pro-Cathedral. He also supports “Ballymascanlon talks,” an inter-church initiative to try to bring communities together and bring peace to Northern Ireland.

Ryan also takes a traditional stand on social issues, including poverty, family life and opposition to abortion. He strongly promotes the Eighth Amendment of the Constitution of Ireland in 1983, granting the equal right to life to mother and unborn.

As Archbishop, Ryan gives the people of Dublin a public park on a site earmarked by his predecessors for a proposed cathedral. It is named “Archbishop Ryan Park” in his honour. The land, at Merrion Square, is a gift from the archbishop to the city of Dublin.

Ryan also serves as Pro-Prefect of Congregation for the Evangelization of Peoples from April 8, 1984, until his death in Rome on February 21, 1985, following a heart attack at the age of sixty.

Ryan is named in the Murphy Report, released in 2009, on sexual abuse of children in Dublin. His actions in respect of complaints against priest Fr. McNamee are described in the report as “an example of how, throughout the 1970s, the church authorities were more concerned with the scandal that would be created by revealing Fr. McNamee’s abuse rather than any concern for the abused.” He also does not act on complaints against other priests who are also subsequently confirmed to be abusers.

In January 2010, after Ryan has been criticised in the Murphy Report the previous year, Dublin City Council seeks public views on renaming “Archbishop Ryan Park.” Later that same year it is renamed “Merrion Square Park” by the City Council.


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Death of Thekla Beere, Irish Civil Servant

Thekla Beere, an Irish civil servant who chairs Ireland’s Commission on the Status of Women in 1970 and is secretary of the Department of Transport and Power, dies on February 19, 1991, in Killiney, County Dublin. She is the first woman to lead a government department in Ireland.

Beere is born on June 20, 1901, in Kilmore, Columbkille, near Granard, County Longford, one of two daughters of the Rev. Francis John Armstrong Beere, Church of Ireland vicar of Streete, County Westmeath, and Lucie Beere (née Potterton). She attends Alexandra College in Milltown, Dublin, and does a moderatorship in Legal and Political Sciences and an LL.B. at Trinity College Dublin.

Beere joins the Civil Service of the Republic of Ireland in 1924 and works initially in the Statistics Branch. In 1925, she wins a Rockefeller Foundation scholarship and travels extensively in the United States before resuming her Civil Service career. From 1939, she works in the Department of Industry and Commerce where during The Emergency, as World War II is known in Ireland, she works in the area of supply with Minister Seán Lemass. She becomes Assistant Secretary of that Department in 1953. She is the first woman to achieve the rank of Department Secretary, the highest-ranking post in a government department, doing so at the Department of Transport and Power in 1959. President Mary McAleese calls her the “ultimate civil servant.”

Trinity College Dublin confers an honorary doctorate of Doctor of Laws upon her in 1960. After her retirement in 1967 she is active in public life, serving as a governor of Alexandra College and as a director of The Irish Times. She is requested by the Government to chair the Commission on the Status of Women in 1970, and the Beere Report is presented to the Minister for Finance in December 1972. The report provides a model for change in equal pay, the Civil Service marriage bar (which requires female civil servants to resign from their position upon marriage) and the widow’s pension. Her name is mentioned as a possible candidate for the Irish presidency in 1976.

Beere has a lifelong interest in the proceedings of the Statistical and Social Inquiry Society of Ireland and serves as its President. She is a Governor of The Irish Times Trust and chairwoman of the International Labour Organization office in Geneva, Switzerland. She is a member of the organising committee, which on May 7, 1931, sets up An Óige (the Irish Youth Hostel Association), of which she is President from 1968 to 1974. She also has an extensive interest in the arts, in particular the paintings of Cecil King.

Beere dies on February 19, 1991, in Killiney, County Dublin. She never marries but has a 40-year companionship with businessman JJ O’Leary.


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Death of Maurice Walsh, Author of “The Quiet Man”

Maurice Walsh, Irish novelist best known for the short story The Quiet Man which is later made into an Oscar-winning movie, dies on February 18, 1964, in Blackrock, Dublin.

Walsh is born on April 21, 1879, in Ballydonoghue near Listowel, County Kerry, the third child of ten and the first son born to John Walsh, a local farmer, and his wife Elizabeth Buckley who live in a three-room thatched farmhouse. John Walsh’s main interests are books and horses and he himself does little work about the farm, preferring to have a hired man. The most famous of these hired men is Paddy Bawn Enright, whose name is immortalised by Walsh in his story The Quiet Man, although the name is not used in the later motion picture. John Walsh passes on to his son not only a love of books but also legends and folk tales that are later featured of many of Walsh’s books.

Walsh goes to school in Lisselton, a mile or so up the road from Ballydonoghue, and later goes to St. Michael’s College in Listowel to prepare for the Civil Service entrance examination. He enters the service on July 2, 1901, as an Assistant Revenue Officer in the Customs and Excise Service. He is posted to Scotland before the year is out and, although he subsequently has a number of postings outside Scotland, he spends most of his time there while in the British service.

Walsh has a life-long interest in writing and, during his early years in Scotland, this interest starts to bear fruit. He submits some of his stories and has two published in the Irish Emerald in 1908. Later that year, on August 8, 1908, Walsh marries Caroline Begg in Dufftown, Banffshire, Scotland.

When the Irish Free State is formed in 1922, Walsh transfers to its excise service and moves to Dublin. Fighting is still going on there at the time, and he leaves his family in Scotland until it is safe for them to join him in 1923. The story The Key Above the Door is written during the months of separation although it is not published until some years later, appearing first in Chambers’ Edinburgh Journal as a serial between December 1925 and May 1926 and then in book form, published by W & R Chambers Ltd., in July 1926.

Sales of Walsh’s books grow steadily, especially in the wake of an unsolicited and generous letter from J. M. Barrie, the creator of Peter Pan, praising The Key Above the Door, which Chambers is subsequently able to use on dust covers of Walsh’s books.

Walsh retires from government service in 1933 but his success as a writer continues. In that same year he sells a story to The Saturday Evening Post, then a well-known weekly magazine published in the United States. That story, later to be incorporated in the collection of stories published under the title Green Rushes, is The Quiet Man.

Director John Ford reads the story in 1933 and soon purchases the rights to it for $10. Walsh is paid another $2,500 when Republic Pictures buys the idea and receives a final payment of $3,750 when the film is actually made. Filming commences on June 7, 1951, with John Wayne and Maureen O’Hara in the leading roles. All of the outdoor scenes are shot on location in County Mayo and County Galway. The inside scenes are filmed in late July at the Republic Studios in Hollywood. The Quiet Man wins the Academy Award for Best Director for John Ford, his fourth, and for Best Cinematography.

Walsh becomes President of the Irish branch of PEN International in 1938 and visits the United States for an international meeting that year as the Irish delegate. His wife Caroline is able to accompany him although she has been in failing health for some years and ultimately dies in January 1941. Walsh himself dies on February 18, 1964, in Blackrock, a suburb of Dublin, and is buried in the Esker cemetery at Lucan, County Dublin. President Éamon de Valera attended Walsh’s funeral Mass.

In 2013, The Quiet Man is selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.”