seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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The Execution of Fenian Michael Barrett

Michael Barrett, Irish activist and a member of the Fenians, is executed on May 26, 1868, for his part in the Clerkenwell Gaol explosion in December 1867. From all the evidence, it is likely he is not guilty. He is the last man to be publicly hanged in England.

Barrett is born in 1841 in Drumnagreshial in the Ederney area of County Fermanagh. As a young man and in search of work, he moves to Glasgow where, at the age of 27, he joins the Irish Republican Brotherhood (IRB), often referred to as Fenians. In the 1860s, the IRB is a political movement that dominates Irish Republican politics and defies the Catholic Church, middle-class nationalists who advocate milder approaches and Irish Unionists. Tens of thousands of Irishmen in both Ireland and Great Britain are recruited into its ranks.

The Clerkenwell bombing is the most infamous action carried out by the Fenians in mainland Britain. It results in a long-lived backlash that foments much hostility against the Irish community in Britain.

The events that lead up to the bombing start with the arrest in November 1867 of Ricard O’Sullivan Burke, a senior Fenian arms agent who planned the “prison-van escape” in Manchester a few months earlier. O’Sullivan-Burke is subsequently imprisoned on remand in the Middlesex House of Detention, Clerkenwell. On December 13, an attempt to rescue him is made by blowing a hole in the prison wall. The explosion is seriously misjudged. It demolishes not only a large section of the wall, but also a number of tenement houses opposite in Corporation Lane (now Corporation Row), killing 12 people and wounding up to 120 more.

The bombing has a traumatic effect on British working-class opinion. The radical, Charles Bradlaugh, condemns the incident in his newspaper, the National Reformer, as an act “calculated to destroy all sympathy, and to evoke the opposition of all classes.”

The day before the explosion, Prime Minister Benjamin Disraeli bans all political demonstrations in London in an attempt to put a stop to the weekly meetings and marches that are being held in support of the Fenians. He fears that the ban might be challenged, but the explosion has the effect of turning public opinion in his favour.

Months earlier, Barrett had been arrested in Glasgow for illegally discharging a firearm and allegedly false evidence is used to implicate him in the Clerkenwell Prison explosion. In court, he produces witnesses who testify that he had been in Scotland on the date of the incident. The main case against him rests on the evidence of Patrick Mullany, a Dubliner known to have given false testimony before and whose price is a free passage to Australia, who tells the court that Barrett had informed him that he had carried out the explosion with an accomplice by the name of Murphy. After two hours of deliberation the jury pronounces Barrett guilty. On being asked if he has anything to say before sentence is passed, he delivers an emotional speech from the dock.

Many people, including a number of radical MPs, press for clemency. In Fermanagh, Barrett’s aged mother walks several miles in the snow to appeal to the local Irish Conservative Party MP, Captain Mervyn Edward Archdale, a staunch Orangeman, who rejects her.

Barrett is executed outside the walls of Newgate Prison on May 26, 1868, before a crowd of two thousand who boo, jeer and sing “Rule, Britannia!” and “Champagne Charlie” as his body drops. His execution is the last public hanging to take place in England. The hangman is William Calcraft.

Until their transfer to the City of London Cemetery, Barrett’s remains lay for 35 years in a lime grave inside the walls of Newgate Prison. When the prison is demolished in 1903 his remains are taken to their present resting place. Today the grave is a place of Fenian pilgrimage and is marked by a small plaque.

After the explosion, the Prime Minister Disraeli advocates the suspension of the Habeas Corpus Act 1862 in Great Britain, as is already the case in Ireland. Greater security measures are quickly introduced. Thousands of special constables are enrolled to aid the police and at Scotland Yard a special secret service department is established to meet the Fenian threat. Although a number of people are arrested and brought to trial, Barrett is the only one to receive the death sentence.

Within days of the explosion, the Liberal Party leader, William Ewart Gladstone, then in opposition, announces his concern about Irish Nationalist grievances and says that it is the duty of the British people to remove them. Later, he says that it is the Fenian action at Clerkenwell that turned his mind towards Home Rule. When Gladstone discovers at Hawarden later that year that Queen Victoria had invited him to form a government, he famously states, “my mission is to pacify Ireland.”


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Death of Bill O’Herlihy, Broadcaster & Public Relations Executive

Bill O’Herlihy, Irish television broadcaster and public relations executive, dies in Dublin on May 25, 2015. He is best known for his broadcasts for Raidió Teilifís Éireann (RTÉ), primarily in the sporting arena.

Born and raised in Glasheen in Cork, County Cork, O’Herlihy is the son of a local government official and the grandson of William O’Herlihy, a news editor for The Cork Examiner. He is educated at Glasheen boys’ national school and later at St. Finbarr’s College, Farranferris.

After finishing his schooling at fifteen, O’Herlihy follows his grandfather into journalism and secures a job in the reading room of The Cork Examiner. He is only seventeen years-old when he subsequently becomes sub-editor of the Evening Echo, a position he holds for five years. He also graduates to the positions of news, features and sports reporter.

In the early 1960s O’Herlihy begins his broadcasting career when he starts to do local association football reports from Cork for Radio Éireann. In 1965, he makes his first television broadcast in a programme commemorating the sinking of the RMS Lusitania off the Cork coast. After three years O’Herlihy is asked to join RTÉ’s current affairs programme 7 Days to add the required field-reporting skills to the studio-based interviews. The programme has a reputation for its hard-hitting investigative reporting, and he reports on many varying stories from illegal fishing in Cork to the outbreak of the crisis in Northern Ireland. In November 1970, the 7 Days programme comes into controversy when O’Herlihy reports a story on illegal money lending. The report is unconventional as it is one of the first television pieces to use hidden cameras, it claims the government is not responding to illegal moneylending. A tribunal of inquiry follows, and O’Herlihy is forced to move away from current affairs.

Following this controversy, while O’Herlihy is not sacked as he has fifteen months left on his contract with RTÉ, he is moved to the RTÉ Sports department. There he works under Michael O’Hehir, who dislikes him and his broadcasting style. In spite of this O’Herlihy fronts RTÉ’s television coverage of the Olympic Games that year. He also becomes involved in the production of various sports programmes.

O’Herlihy is not long in the RTÉ Sports department when he becomes a regular presenter for such programmes as Sunday Sport and Sports Stadium. In 1978 he becomes RTÉ Soccer host alongside Eamon Dunphy and, in 1984, Johnny Giles joins the panel and Liam Brady follows in 1998. Since 1974 O’Herlihy becomes RTÉ’s chief sports presenter for such events as all Olympic Games until 2012, FIFA World Cups until 2014, UEFA European Football Championships until 2012 and European and World Track and Field Championships. He hosts RTÉ highlights of the Ryder Cup in 2006 when it is at the K Club in County Kildare and continues to present coverage of Ireland’s soccer internationals for RTÉ, along with Dunphy, Giles and Brady.

O’Herlihy hosts RTÉ’s coverage of rugby union in the 1980s and early 1990s. However, when RTÉ attains the rights to cover the English Premier League in 1992, Tom McGurk takes over as host of RTÉ’s coverage of rugby union. O’Herlihy covers the Premier League, Irish Internationals and The Champions League before dropping the Premier League in 2008. He continues to cover the Olympic Games and International Athletic Championships such as the European and World Athletics. He presents the first Rugby World Cup on RTÉ television in 1987 and, with Jim Carney, co-presents the first edition of The Sunday Game in 1979.

In 2012, while covering Chloe Magee‘s progress at the 2012 Summer Olympics O’Herlihy remarks that badminton was once considered “a mainly Protestant sport.” RTÉ subsequently receives a number of complaints, and while Magee criticises the remarks, the argument is made that the incident inadvertently reflected a complex historical reality.

O’Herlihy presents RTÉ Sport‘s coverage of the 2010 FIFA World Cup, his ninth FIFA World Cup. He fronts 18 European Championships and FIFA World Cups for RTÉ, the last of which comes in 2014. This proves to be the final tournament with O’Herlihy at the helm. He retires at its conclusion and dies the following year.

O’Herlihy attends the 12th Irish Film & Television Awards on Sunday, May 24, 2015. He dies peacefully in his sleep at his home the following day at the age of 76 nearly a year after his retirement. He is survived by wife Hillary and daughters Jill and Sally. Giles, Brady and Dunphy appear on The Late Late Show in tribute later that week. At the time of his death O’Herlihy is working on a sports version of Reeling in the Years, which RTÉ immediately cancels.


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The Battle of Prosperous

The Battle of Prosperous, a military engagement between British Crown forces and United Irishmen rebels, takes place in the town of Prosperous, County Kildare, on May 24, 1798, during the Irish Rebellion of 1798.

Prosperous is founded by Sir Robert Brooke in 1780 as a village for processing cotton produced in the Americas. When a rebellion spearheaded by the United Irishmen breaks out against British rule in Ireland, rebel forces led by John Esmonde make plans to capture Prosperous. Esmonde has 200 rebels under his command, while Prosperous is garrisoned by elements of the Royal Cork City Militia under the command of Captain Richard Swayne and reinforced by detachments of a Welsh mounted fencible regiment, the Ancient British Regiment of Fencible Cavalry Dragoons (also known as the Ancient Britons), numbering 150 men in all.

On May 24, 1798, Esmonde leads his forces to attack Prosperous. Their entry is preceded by the infiltration of a small rebel vanguard, who with the possible help of female sympathisers residing in Prosperous, scale the walls of the town’s barracks, kill the sentries and open the town gates. The barracks are quickly surrounded and attacked by the rebels who repulse an attempt by the garrison to break out. “Swayne himself was surprised in bed, shot and piked to death and his body burned in a tar barrel.” The remainder of the garrison are trapped in the upper floors of the barracks, which is set on fire by the rebels, causing them to jump in desperation onto the ground below, where they are summarily executed with pikes. While the rebels suffer no known casualties, approximately 40 members of the garrison are killed in the battle.

Ten members of the garrison, all belonging to the Ancient Britons, manage to escape from Prosperous to Dunlavin, County Wicklow, where they participate in the Dunlavin Green executions on May 26. Esmonde is later captured by Crown forces and brought to Dublin for trial. As he had previously enlisted at the rank of lieutenant in the Clane Yeomanry, Esmonde is court-martialled on June 13 and found guilty of being a deserter. He is executed by hanging on June 14 on Carlisle Bridge (now the O’Connell Bridge) with his coat being worn reversed to indicate that he had been convicted of desertion. Prosperous remains under the control of the United Irishmen until June 19, when a detachment of the 5th Dragoon Guards under the command of Lieutenant Colonel Stewart recaptures the town.


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Birth of Shelah Richards, Actress, Manager, Director & Producer

Shelah Geraldine Richards, Irish actress, manager, director and producer, is born in Dublin on May 23, 1903.

Richards is born to John William Richards, a lawyer, and Adelaide Roper, suffragist who had chained herself to the railings in St. Stephen’s Green. She goes to school at Alexandra College, Dublin, and after that she attends a finishing school in Paris. Though her family is not in the arts, her godmother is Beatrice Elvery. Shes attends Elvery’s salons with her parents as a child. She meets W. B. Yeats when she is sixteen. Her niece, Geraldine Fitzgerald, daughter of her sister, Edith Catherine Richards, is also one of Ireland’s pre-eminent actresses.

Richards’s acting career starts while attending the Dublin drama league and she is asked at short notice to replace Eileen Crowe in Juno and the Paycock, playing the role of Mary Boyle in the Abbey Theatre production. Richards gets the role of Nora Clithero in the 1926 production of The Plough and the Stars, Seán O’Casey‘s next production. This role means that she ends up with police protection for the duration of the run due to the disturbances the play engenders. Another important role is to take on playing the lead in The Player Queen by Yeats. Maire O’Neill had previously made the role her own and Yeats had let no one perform the part since then so taking on such a challenge is intimidating. Richards continues to take on leading roles with the Abbey Theatre but in 1926 she also begins to direct.

On December 28, 1928, Richards marries playwright Denis Johnston in St. Anne’s Church in Dublin. She tours the United States with the Abbey players in 1932 and with the Irish Players in the mid 1930s. A role in 1938 in Molly Keane‘s Spring Meeting starring Gladys Cooper and A. E. Matthews takes her to Broadway in New York City. War in Europe breaks out while the run is still going on and Richards is advised to stay in the United States. However, by then she has two children, producer Micheal and novelist Jennifer Johnston, so she returns to Dublin. There she runs her own theater company at the Olympia Theatre with Nigel Heseltine. Her marriage to Johnston, broken in 1938, ends with divorce in February 1945.

Richards next challenge is to take over the Abbey School of Acting. During her time there one of the designers she works with is Louis le Brocquy. With Siobhán McKenna she produces The Playboy of the Western World in Edinburgh to huge success allowing her to stage it in London and Dublin and later in Toronto‘s Library Theater. She brings Marcel Marceau to Dublin for the first time. She continues to act and has some film roles.

In 1961 Ireland launches its first television service, Raidió Teilifís Éireann. Richards is one of the first producers, recommended to the station by Hilton Edwards. She is one of the few women in the new station. The first Irish play produced during the opening week is directed by her and she is nominated for a Best Actress award in another production, Inquiry at Lisieux. She works as producer on a wide number of programs for the station including documentaries, soap operas and religious programming. Both Tolka Row and The Riordans are produced by her as well as Denis Johnston’s The Moon on the Yellow River, George Bernard Shaw‘s Arms and the Man and John Millington Synge‘s Riders to the Sea.

Richards retires from her RTÉ career in the early 1970s though she continues to raise funds for the Gate Theatre through the Edwards–MacLiammóir Playhouse Society. In 1983, for her 80th birthday, the Abbey puts on a party for her which includes a special rendition of “Nora” from The Plough and the Stars. Richards is the last living member of the original 1926 cast. The song is repeated at her funeral in 1985. She died in Ballybrack, County Dublin, on January 19, 1985. Her funeral is held in St. Anne’s Church in Dublin and she is cremated in Glasnevin Cemetery.


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Birth of Sir William Bernard Hickie, British Army General

Sir William Bernard Hickie, British Army general, commander of the 16th (Irish) Division (1915–18) and an Irish nationalist politician, is born on May 21, 1865, at Slevoir, Terryglass, near Borrisokane, County Tipperary.

Hickie is the eldest son of Colonel James Francis Hickie, JP, of Slevoir, former commanding officer of the 7th Royal Fusiliers, and Lucila Calista (de Tejada) Hickie, daughter of Don Pablo Lariosy Herreros de Tejada of Laguna de Cameros, Castile. He is educated at St. Mary’s College, Oscott, before attending the Royal Military College, Sandhurst, and is commissioned into the Royal Fusiliers in 1885, serving in Egypt and India.

A major at the outbreak of the Second Boer War in 1899, Hickie serves on the staff of Lieutenant-Colonel P. W. J. Le Gallais, commanding officer of the mounted infantry. On November 6, 1900, he is involved in an attempt to capture General Christiaan De Wet at the Battle of Bothaville, when a force led by Le Gallais and Lieutenant-Colonel Wally Ross storm De Wet’s camp. De Wet escapes, while a rearguard of 100 men engages the British force. In a fierce fight Le Gallais is killed, and Wally Ross is badly wounded. Hickie decides to charge the Boer position and leads his small force forward just as reinforcements under Major-General C. E. Knox arrive. The Boers immediately surrender, and some are found with explosive bullets. He wants to execute them immediately, but Knox insists that they be tried. Exasperated with the whole affair, Hickie gives a highly critical interview after the action which is later published in The Times History of the War in South Africa (7 vols, 1900–09), edited by Leo Amery.

Hickie is promoted to brevet lieutenant colonel in 1901 and appointed deputy-assistant adjutant general of the 8th division (1903–06). In 1906, he is given command of the 1st battalion of the Royal Fusiliers. Promoted to colonel in 1912, he serves as assistant quartermaster general of the Irish command (1912–14) and is appointed a Companion of the Order of the Bath in 1914. On the outbreak of World War I, he is promoted to brigadier general and serves in Belgium and France in command of the adjutant’s and quartermaster-general’s department of II Corps. In this capacity, he is involved in the retreat following the Battle of Mons and during the First Battle of the Marne (September 1914). In December 1915, he is appointed to command the 16th (Irish) Division, with the rank of major general, replacing General Sir Lawrence W. Parsons. The division is based around a core of Redmondite National Volunteers, and Hickie, a Catholic and a home ruler, is an acceptable commander to John Redmond and other Irish nationalists.

Hickie is professional, politically adept, and popular with his men, and under his leadership the 16th is renowned for its aggressive fighting spirit. He commands the division during the Battle of the Somme in 1916 and, while proud of his men’s success in capturing Guillemont and Ginchy (September 1916), is appalled by their losses. When the division is ordered to capture Messines (now Mesen) in June 1917, he gives Major Willie Redmond permission to advance as far as the first objective and, following Redmond’s death, reproaches himself bitterly. After this attack the division is transferred to the fifth army and provides assault troops for future attacks. During the Third Battle of Ypres, and especially during the attack on Langemarck in August 1917, the division suffers horrendous casualties, losing 221 officers and 4,064 men. Among the casualties is Fr. Willie Doyle, who Hickie unsuccessfully recommends for a Victoria Cross. The division’s losses at Langemarck are highlighted by Irish MPs in the House of Commons, and Hickie’s handling of the attack is criticised. By this time, nationalist disillusionment with the war means that few Irish replacements are available, and Hickie is forced to accept increasing numbers of non-Irish conscripts into the division. Worn down by years of command, his health finally breaks, and, in February 1918, he is sent home on sick leave, being replaced by Major-General Sir Richard Amyatt Hull.

In 1918, Hickie is created a Knight Commander of the Order of the Bath (KCB) and is also awarded the French Croix de Guerre. During the Irish War of Independence (1919–21), he is critical of the methods used by Crown forces, denouncing in particular the indiscipline of the Black and Tans. In 1921 he retires from the army and becomes a prominent figure in the Royal British Legion in Ireland, tirelessly campaigning on behalf of ex-servicemen. In the 1920s he is involved with the Irish battlefield memorial committee, which erects memorial crosses at Wytschaete, Guillemont, and Salonika, commemorating the 10th and 16th divisions. He later serves as a senator of the Irish Free State (1925–36). Retiring from public life in 1936 to his residence at Terryglass, County Tipperary, he devotes his last years to gardening and reading.

Hickie dies on November 3, 1950, in Dublin, and is buried at Terryglass. He marries a daughter of the novelist Rev. J. O. Hannay, who predeceases him. There is a small collection of his papers in the National Library of Ireland (NLI).

(From: “Hickie, Sir William Bernard” by David Murphy, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Thomas Johnson, Politician & Trade Unionist

Thomas Ryder Johnson, Irish Labour Party politician and trade unionist who serves as Leader of the Opposition from 1922 to 1927 and Leader of the Labour Party from 1917 to 1927, is born on May 17, 1872, in Liverpool, England. He serves as a Teachta Dála (TD) for Dublin County from 1922 to 1927. He is a Senator for the Labour Panel from 1928 to 1934.

Johnson works on the docks for an Irish fish merchant, spending much of his time in Dunmore East and Kinsale. It is this way that he picks up ideas about socialism and Irish nationalism, joining a Liverpool branch of the Independent Labour Party in 1893. In 1900 he starts work as a commercial traveller, then moves in 1903 with his family to Belfast where he becomes involved in trade union and labour politics.

In 1907 Johnson helps James Larkin organise a strike in the port, but has to watch in dismay as the strike, which begins with remarkable solidarity between labour, Orange, and nationalist supporters, collapses in sectarian rioting. At various times he is the president, treasurer and secretary of the Irish Trades Union Congress (ITUC) which is, at the time, also the Labour Party in Ireland, until officially founded in 1912 by James Connolly and James Larkin. Johnson becomes Vice-president of the ITUC in 1913, and President in 1915.

Johnson sympathizes with the Irish Volunteers, many of whom are sacked from their jobs, for illegal activities. During the Easter Rising, he notes in his diary that people in Ireland paid little heed to the fate of the defeated revolutionaries. He succeeds as leader of the Labour Party from 1917, when the party does not contest the 1918 Irish general election. When the British government tries to enforce conscription in Ireland in 1918, he leads a successful strike in conjunction with other members of the Irish anti-conscription movement.

Johnson is later elected a TD for Dublin County to the Third Dáil at the 1922 Irish general election and remains leader of the Labour Party until 1927. As such, he is Leader of the Opposition in the Dáil of the Irish Free State, as the anti-treaty faction of Sinn Féin refuses to recognise the Dáil as constituted. He issues a statement of support for the Government of the 4th Dáil when the Irish Army Mutiny threatens civilian control in March 1924.

Johnson is the only Leader of the Labour Party who serves as Leader of the Opposition in the Dáil. He loses his Dáil seat at the September 1927 Irish general election, and the following year he is elected to Seanad Éireann, where he serves until the Seanad’s abolition in 1936.

In 1896 he meets Marie Tregay, then a teacher in St. Multose’s National school, outside Kinsale. A native of Cornwall, she has advanced political views. They marry in 1898 in Liverpool. Their only son, Frederick Johnson, is born in 1899, and becomes a well-known actor. Johnson dies on January 17, 1963, at 49 Mount Prospect Avenue, Clontarf, Dublin.

Each summer, Labour Youth holds the “Tom Johnson Summer School” to host panel discussions, debates and workshops.


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Birth of Evelyn Gleeson, Designer & Co-founder of Dun Emer Press

Evelyn Gleeson, English embroidery, carpet, and tapestry designer, is born on May 15, 1855, in Knutsford, Cheshire, England. Along with Elizabeth and Lily Yeats, she establishes the Dun Emer Press.

Gleeson is the daughter of Irish-born Edward Moloney Gleeson, a medical doctor, and Harriet (née Simpson), from Bolton, Lancashire. Her father has a practice in Knutsford but on a trip to Ireland he is struck by the poverty and unemployment and, with the advice of his brother-in-law, a textile manufacturer in Lancashire, he founds the Athlone Woollen Mills in 1859, investing all his money in the project. The family moves to Athlone in 1863, but Gleeson is educated in England, where she trains as a teacher. She later studies portraiture in London at the Atelier Ludovici from 1890–92. She goes on to study design with Alexander Millar, a follower of William Morris, who believes she has an exceptional aptitude for colour-blending. Many of her designs are bought by the exclusive Templeton Carpets of Glasgow.

Gleeson takes a keen interest in Irish affairs and, as a member of the Gaelic League and the Irish Literary Society, mixes with the Yeats family and the Irish artistic circle in London and is inspired by the Gaelic revival in art and literature. She is also involved in the suffrage movement and is chairwoman of the Pioneer Club, a women’s club in London. In 1900, an opportunity arises to make a practical contribution to the Irish renaissance and the emancipation of Irish women. She is suffering from ill-health, but her friend Augustine Henry, botanist and linguist, suggests she move away from the London smog to Ireland and open a craft centre with his financial assistance. She seizes the opportunity and discusses her plans with her friends the Yeats sisters, Elizabeth and Lily, who are talented craftswomen and have direct contact with William Morris and his followers. They have no money to contribute to the venture but are enthusiastic and can offer their skills and provide contacts. She seeks advice from W. B. and Jack Yeats, from Henry, who loans her £500, and from her cousin, T. P. Gill, secretary of the Department of Agriculture and Technical Instruction.

During the summer of 1902 Gleeson finds a suitable house in Dundrum, County Dublin, ten minutes from the railway station. The house, originally called Runnymede, is renamed Dun Emer, after the wife of Cú-Chulainn, renowned for her craft skills. The printing press arrives in November 1902, and soon three craft industries are in operation. Lily Yeats runs the embroidery section, since she had trained with Morris’s daughter May. Elizabeth Yeats operates the press, having learned printing at the Women’s Printing Society in London. Gleeson manages the weaving and tapestry and looks after the financial affairs of the industries. W. B. Yeats acts as literary adviser, an arrangement that often causes friction, and Gleeson’s sister, Constance McCormack, is also involved.

Local girls are employed and trained, and the industries seek to use the best of Irish materials to make beautiful, high-quality, lasting products of original design. Church patronage accounts for most of their orders and, in 1902–03, Loughrea cathedral commissions twenty-four embroidered banners portraying Irish saints. They also make vestments, traditional dresses, drapes, cushions and other items, all beautifully crafted and mostly employing Celtic design. The first book published is In the Seven Woods (1903), by W. B. Yeats, cased in full Irish linen.

Gleeson is in demand as an adjudicator in craft competitions around the country and at Feis na nGleann in 1904 she praises the workmanship of the entries but is critical of the lack of teaching in design. She gives lectures and tries to raise the status of craftwork from household occupation to competitive industry. There are tensions with the Yeats sisters, who complain that she is bad-tempered and arrogant. In truth she had taken on too much of a financial burden, even with the support of grants, and she is anxious to repay her debt to Augustine Henry, which he is prepared to forego. The sisters snub her and omit her name in an interview about Dun Emer in the magazine House Beautiful. Millar, her design teacher in London, likens the omission to Hamlet without the prince. In 1904, it is decided to split the industries on a cooperative basis: Dun Emer Guild Ltd. under Gleeson and Dun Emer Industries Ltd. under the Yeats sisters.

Work continues, and the guild and industries exhibit separately at the Royal Dublin Society (RDS) and other craft competitions. In 1907, the National Museum of Ireland commissions a copy of a Flemish tapestry. It takes far longer than anticipated to complete, but the result is beautiful and is exhibited at the Arts and Crafts Society of Ireland in 1910. The guild wins a silver medal at the Milan International exhibition in 1906. The guild and industries both show work at the New York exhibition of 1908. The guild alone shows work in Boston. By now cooperation has turned to rivalry, and there is a final split as the Yeats sisters leave, taking the printing press with them to their house in Churchtown, Dublin. Gleeson writes off a debt of £185 owed to her, on condition that they do not use the name Dun Emer.

The business thrives at Dundrum, with her niece Katherine (Kitty) MacCormack and Augustine Henry’s niece, May Kerley, assisting with design. Later they move the workshops to Hardwicke Street, Dublin. In 1909, Gleeson becomes one of the first members of the Guild of Irish Art Workers and is made master in 1917. The Irish Women Workers’ Union commissions a banner from her about 1919, and, among numerous other notable successes, a Dun Emer carpet is presented to Pope Pius XI in 1932, the year of the Eucharistic Congress of Dublin.

Gleeson dies at the age of 89 at Dun Emer on February 20, 1944, with Kitty carrying on the Guild after her death. The final home of Dun Emer is a shop on Harcourt Street, Dublin, which finally closes in 1964.

(From: “Gleeson, Evelyn” by Ruth Devine, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of Peadar O’Donnell, Irish Republican & Socialist Activist

Peadar O’Donnell, Irish republican, socialist activist, politician, writer and one of the foremost radicals of 20th-century Ireland, dies in Dublin on May 13, 1986.

O’Donnell is born on February 22, 1893, in Meenmore, near Dungloe, County Donegal, youngest among six sons and three daughters of Biddy and James O’Donnell. He is greatly influenced by his upbringing in the Rosses, in northwest Donegal, one of the poorest and most remote parts of Ireland. His father, a popular local fiddler, earns a living through his smallholding, seasonal labouring in Scotland, and winter work in a local corn mill. His mother, who comes from a radical labour and nationalist political background, works in a local cooperative store. He attends Rampart national school and Roshine national school, near Burtonport, where he is a monitor for four years. In 1911 he wins a scholarship to attend St. Patrick’s College in Drumcondra, Dublin, and returns in 1913 to the Rosses, where he spends two years teaching on the islands of Inishfree. In 1915 he is appointed head of Derryhenny national school, near Dungloe, and the following year becomes principal of a national school on the island of Arranmore, where he begins to write.

O’Donnell had long been concerned by the poor conditions of the local ‘tatie-hokers’ (potato pickers) who migrate annually to Scotland. In the summer of 1918, he travels there to help organise the Scottish Farm Servants’ Union. While there he is influenced by left-wing radicals such as Willie Gallacher, later a communist Member of Parliament (MP), and Emanuel ‘Manny’ Shinwell, later Baron Shinwell. In September 1918, against a background of rising labour militancy, he leaves teaching to become a full-time organiser for the Irish Transport and General Workers’ Union (ITGWU) in the west Ulster area. The following year he organises one of Ireland’s first “soviets” when the attendants and nurses of the Monaghan District Lunatic Asylum occupy the grounds and appoint O’Donnell as governor until their demands are met.

In early 1919 O’Donnell joins the Irish Republican Army (IRA) in Monaghan, resigning from the ITGWU for full-time IRA service in late 1920. He leads the 2nd Battalion, Donegal IRA, from the summer of 1920. In December 1920 he goes “on the run” and leads a flying column in west Donegal until May 1921, when he is wounded. Regarded as insubordinate and militarily inexperienced, he is unpopular among the other senior officers of the 1st Northern Division. He, in turn, is disappointed by the lack of social radicalism among the nationalist leadership. He opposes the Anglo-Irish Treaty, is placed in command of the minority anti-treaty 1st Northern Division and is a member of the IRA executive that occupies the Four Courts in Dublin in defiance of the provisional government.

Arrested in June 1922, O’Donnell shares a prison cell with Liam Mellows and influences his radical “Notes from Mountjoy,” an important document for subsequent left-wing republicans. He spends the next two years in various prisons and internment camps. His execution is widely expected to follow those of December 8, 1922. In August 1923, he is elected as a Sinn Féin Teachta Dála (TD) for Donegal in the general election called after the end of the Irish Civil War. He goes on hunger strike for forty-one days in late 1923 and succeeds in escaping from the Curragh in March 1924. In June 1924, while on the run, he marries Lile O’Donel, a wealthy Cumann na mBan activist who had smuggled communications for republican prisoners. O’Donel, a radical and member of the Communist Party, is the daughter of Ignatius O’Donel, a prominent landowner from Mayo. They have no children but raise their nephew, Peadar Joe, as their own son after the death in New York of O’Donnell’s brother Joe.

O’Donnell begins writing seriously while in jail and remains a prolific writer, journalist, and editor until the 1960s. His first novel, Storm, set in the Irish War of Independence, is published in 1925. One of his most highly regarded books, Islanders, is published in 1928. Adrigoole, like Islanders a story of poverty and starvation in rural Ireland, is published the following year. The Knife (1930) and On the Edge of the Stream (1934) soon follow. The most significant of his later novels is probably The Big Windows (1954). Foremost among his qualities as a writer is his empathy for the people, life, and landscape of rural Ireland. But his novels have been criticised for their slow pace, excessive detail, and didactic nature. He claims his writing is incidental to his political activism. His trilogy of autobiographical non-fiction, The Gates flew Open (1932), Salud! An Irishman in Spain (1936), and There Will Be Another Day (1963), which respectively concern the Irish Civil War, his activism during the Spanish Civil War, and his role in the land annuities agitation, remain highly regarded. His other important literary achievement is with The Bell, an innovative literary and political magazine which plays a useful dissenting role in an insular and conservative period. He founds The Bell with the writer Seán Ó Faoláin in 1940 and edits it from 1946 until it ceases publication in 1954.

O’Donnell exercises an influential role in the interwar IRA, particularly through his editorship of An Phoblacht (1926–29), which he attempts to divert from militarism to socialist agitation. His ultimate aim is for a thirty-two-county socialist republic. His most successful campaign is organising small farmers against the payment of land annuities to the government in the late 1920s and early 1930s. This campaign is later adopted by Fianna Fáil and contributes to their electoral success in 1932. He is less successful in radicalising the IRA. After the failure of Saor Éire, a left-wing IRA front which provokes clerical and popular hostility against the IRA, increasing tensions between the IRA’s left-wing and the leadership lead O’Donnell, along with Frank Ryan and George Gilmore, to split from the IRA to establish the short-lived Republican Congress in 1934.

Although O’Donnell claims he was never a Communist Party member, he plays a central role in forging links between republicans and the revolutionary left both in Ireland and internationally and invariably supports the communist party line at critical junctures. After the failure of Republican Congress, he takes up the cause of the Spanish republic. His championing of unpopular causes such as communism and Spain entail a good deal of frustration. He is physically attacked at political meetings and in 1932, despite having never visited the Soviet Union, loses a high-profile libel action against the Dominican Irish Rosary, which claim he had studied in Moscow‘s Lenin College. He is banned from entering the United States for several decades, although he maintains: “My relations with all the great powers continue to be friendly.”

O’Donnell continues to support radical campaigns until his death. He is an outspoken advocate of Irish emigrants. He is prominent in the Irish Campaign for Nuclear Disarmament and serves as its president in the early 1960s. He is a leading protester against the Vietnam War and a supporter of African anti-colonial movements such as that against apartheid. In later years he is involved in the “Save the west” campaign, highlighting the problems of the west of Ireland.

After several months of ill-health following a heart attack, O’Donnell dies in Dublin, aged 93, on May 13, 1986. He leaves instructions that there are to be “no priests, no politicians and no pomp” at his funeral, and those wishes are granted. He is cremated in Glasnevin Cemetery and his ashes are buried at his wife’s home in Swinford, County Mayo. Although he once remarked that every cause he fought for was a failure, he is now regarded as one of the most influential socialist republican theorists and an important voice of dissent in twentieth-century Ireland.

(From: “O’Donnell, Peadar” by Fearghal McGarry, Dictionary of Irish Biography, http://www.dib.ie)


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Birth of James Sheridan Knowles, Dramatist & Actor

James Sheridan Knowles, Irish dramatist and actor, is born in Cork, County Cork, on May 12, 1784. A relative of Richard Brinsley Sheridan, he enjoys success writing plays for the leading West End theatres. Later in his career he also produces several novels.

Knowles’s father is the lexicographer James Knowles, cousin of Richard Brinsley Sheridan. The family moves to London in 1793, and at the age of fourteen he publishes a ballad entitled The Welsh Harper, which, set to music, is very popular. His talents secure him the friendship of William Hazlitt, who introduces him to Charles Lamb and Samuel Taylor Coleridge. He serves for some time in the Wiltshire and afterwards in the Tower Hamlets militia, leaving the service to become a pupil of Dr. Robert Willan. He obtains the degree of M.D. and is appointed vaccinator to the Jennerian Society.

Although Dr. Willan offers him a share in his practice, Knowles decides to give up medicine for the stage, making his first appearance as an actor probably at Bath, and plays Hamlet at the Crow Street Theatre, Dublin. At Wexford he marries, in October 1809, Maria Charteris, an actress from the Edinburgh Theatre. In 1810, he writes Leo, a successful play in which Edmund Kean appears. Another play, Brian Boroihme, written for the Belfast Theatre in the next year, attracts crowds. Nevertheless, his earnings are so small that he is obliged to become assistant to his father at the Royal Belfast Academical Institution. In 1817 he moves from Belfast to Glasgow, where, besides keeping a flourishing school, he continues to write for the stage.

Knowles first important success is Caius Gracchus, produced at the Belfast Theatre in 1815. His Virginius, written for William Charles Macready, is first performed in 1820 at Covent Garden. In William Tell (1825), he writes for Macready one of his favourite parts. His best-known play, The Hunchback, is produced at Covent Garden in 1832, and he wins praise acting in the work as Master Walter. The Wife is brought out at the same theatre in 1833. The Daughter, better known as The Wrecker’s Daughter, in 1836, and The Love Chase in 1837. His 1839 play Love is praised by Mary Shelley for its “inspiring situations founded on sentiment and passion.” His second wife is the actress, Emma Knowles.

In his later years Knowles forsakes the stage for the pulpit and, as a Baptist preacher, attracts large audiences at Exeter Hall and elsewhere. He publishes two polemical works: the Rock of Rome and the Idol Demolished by Its Own Priests in both of which he combats the special doctrines of the Roman Catholic Church. He is for some years in the receipt of an annual pension of £200, bestowed by Sir Robert Peel in 1849. In old age he befriends the young Edmund Gosse, whom he introduces to Shakespeare. He makes a happy appearance in Gosse’s Father and Son.

Knowles dies at Torquay on November 30, 1862. He is buried under a huge tomb at the summit of the Glasgow Necropolis.

A full list of the works of Knowles and of the various notices of him can be found in The Life of James Sheridan Knowles (1872), privately printed by his son, Richard Brinsley Knowles (1820–1882), who is well known as a journalist. It is translated into German.


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Birth of Eleanor Charlotte Butler, Recluse of Llangollen

Eleanor Charlotte Butler, recluse of Llangollen, is born in Cambrai, France, on May 11, 1739.

Butler is the youngest daughter of Walter Butler of Garryricken, County Tipperary, and his wife, Ellen (née Morres), of Latargh, County Tipperary. Her family are members of the old Catholic gentry, and her father is the sole lineal representative of James Butler, 2nd Duke of Ormonde. In 1740 her family returns to the Garryricken estate, where she spends part of her childhood. She is educated by the English Benedictine nuns of the convent of Our Lady of Consolation in Cambrai, where her Jacobite grand-aunt is a pensioner. Reared in the liberal and anti-clerical environment at Cambrai, she is open about her opposition to Irish Catholicism. She is also well read in literature.

By the time Butler returns to Ireland, her brother John had claimed the family titles and was recognised as 16th Earl of Ormond. Though he never uses the title, his sisters are recognised as the daughters of an earl. As the family is impoverished, and she is not disposed to marriage, a decade is passed in unhappiness. Then, in 1768, the thirteen-year-old Sarah Ponsonby arrives in Kilkenny to attend a local school. Following her visit to the Butler home at Kilkenny Castle, and despite the difference in age, the two form an immediate friendship and corresponded secretly, having discovered their mutual interest in the arts and Rousseau‘s ideal of pastoral retirement.

Ponsonby, upon finishing school, is sent to live with relatives at nearby Woodstock Estate, and there is subject to the uninvited attention of a middle-aged guardian. Butler is discontented with her life and the prospects of her family’s wish to send her back to Cambrai, so the two plan to leave their difficulties behind and settle in England. In their first attempt to flee in March 1778, they leave for Waterford disguised as men and wielding pistols, but their families manage to catch up with them. Butler is then sent to the home of her brother-in-law, Thomas ‘Monarch’ Kavanagh of Borris, County Carlow, but makes a second, successful attempt and runs away to find Ponsonby at Woodstock Estate. Her persistence wins out when both families finally capitulate and accepted their plans to live together.

Butler and Ponsonby set out for Wales in May 1778 and, after an extensive tour of Wales and Shropshire, eventually settle in Llangollen Vale, where they rent a cottage which is renamed Plas Newydd. They are accompanied by Mary Carryll, a former servant of the Woodstock household, who remains in their service until her death in 1809. Having made a deliberate decision to retire from the world, they spend the greater part of their days corresponding with friends, reading, building up a large library and making alterations to Plas Newydd, which takes on a fashionable Gothic look. Their garden, landscaped under their direction, becomes a popular attraction for visitors. Butler meticulously records their daily routine in a series of journals, some of which are now lost.

Their seclusion, eccentricities, semi-masculine dress and short-cropped powdered hair gain them notoriety, and it becomes fashionable to call on them. Their numerous and illustrious visitors include Hester Lynch Piozzi, Charles and Erasmus Darwin, Sir Walter Scott, Sir Arthur Wellesley, the Duke of Gloucester and Josiah Wedgwood. In 1792 they entertain Stéphanie Caroline Anne Syms, later that year to become the wife of Lord Edward FitzGerald, and her mother, Madame de Genlis. Following the arrest of Edward FitzGerald in 1798, Stéphanie and her suite flee to London and on May 27 pass through Llangollen, where the events in Dublin are already known. On hearing that she is staying in the local inn, Butler and Ponsonby invite her to call in. However, when she wishes to stay for the day, their apprehension of Jacobinism leads them to persuade her “principally for her own sake and a little for [our] own to proceed as fast and as incognito as possible for London.”

Both Anna Seward and William Wordsworth, who stay at Plas Newydd, write poems celebrating their friendship, and Lord Byron sends them a copy of The Corsair. Owing to her support of the Bourbons, Butler is sent the Croix St. Louis, which she wears about her neck. Though generally considered a hospitable couple, Seward, who is a good friend, admits that the “incessant homage” they received could make Butler “haughty and imperious,” while Lady Lonsdale thinks her “very clever, very odd.” Their celebrity does have its drawbacks: an article in the General Evening Post of July 24, 1790, entitled “Extraordinary female affection,” suggests indirectly that their relationship is unnatural. Butler is particularly angered by this publicity and appeals to Edmund Burke for legal advice. Their retirement is also continually dogged by financial difficulties. They live mainly off their respective allowances and Butler’s royal pension (granted through the influence of Lady Frances Douglas), but spend beyond their means and are often in debt. To add to their problems, Butler receives no mention in her father’s will. However, the Gothic eccentricities of their cottage, which they succeed over time in purchasing, and garden attract even the interest of Queen Charlotte.

Though it is claimed that neither woman spends a night away from Plas Newydd, in January 1786 they stay with their friends, the Barretts of Oswestry, and that September they visit Sir Henry Bridgeman of Weston Park, near Staffordshire. In June 1797 they take their only holiday, at the coastal resort of Barmouth. Despite their isolation they are well informed about international events and society gossip. The Irish serjeant-at-law Charles Kendal Bushe recalls how they gave him all the news of Dublin, London, Cheltenham, and Paris.

In later years Butler’s eyesight deteriorates, preventing her from keeping her journal. She is secretly painted as an old woman with Ponsonby by Lady Mary Leighton and sketched by Lady Henrietta Delamere. A distinctive, anonymous silhouette shows the two generously proportioned women in traditional riding habits (National Portrait Gallery, London). Butler dies on June 2, 1829, and is buried alongside Carryll at Llangollen church. Sarah Ponsonby is subsequently buried with them.

(From: “Butler, Lady (Charlotte) Eleanor” by Frances Clarke, Dictionary of Irish Biography, http://www.dib.ie)