Christened as William O’Brien, Ó Briain is born at 10 Church Street, North Wall, Dublin, on September 16, 1888, the seventh child of Arthur O’Brien, clerk, and Mary O’Brien (née Christie), who is from County Meath. He takes an interest in the Irish language from an early age and begins learning Irish by himself from a grammar book, as it is not encouraged by his teachers at the Christian Brothers’ O’Connell School nor spoken by his parents. While still at the O’Connell School, he starts using the Irish version of his name. He also attends meetings of the Gaelic League, then attends University College Dublin (UCD) on a scholarship, where he studies French, English and Irish, receiving a BA (1909) and an MA (1910).
UCD decides to start awarding one annual scholarship for overseas travel in 1911, and Ó Briain wins the first one, using it to visit Germany and study under Kuno Meyer and Rudolf Thurneysen. After three years, he returns home, where he rejoins the Gaelic League and begins teaching French at UCD. He also joins the Irish Volunteers then, the following year, Seán T. O’Kelly convinces him to join the Irish Republican Brotherhood (IRB).
Around this time, Ó Briain joins Sinn Féin, and he stands unsuccessfully for the party in Mid Armagh at the 1918 United Kingdom general election in Ireland, taking 5,689 votes. His campaign leads, indirectly, to his arrest and three months in jail in Belfast. In 1920, following his release, he is appointed a judge in the then-illegal republican court system in Galway, and visits both France and Italy to try to source weapons for the Irish Republican Army (IRA). In November 1920, he is arrested in the UCG dining room by Black and Tans, and is imprisoned for thirteen months, first in Galway and then in the Curragh camp in County Kildare, thereby missing the conclusion of the Irish War of Independence. By the time he is released, the Anglo-Irish Treaty has been signed. He supports the treaty and takes no further part in militant activity.
In the newly independent Ireland, Ó Briain remains a professor at Galway. He also stands in the 1925 Seanad election, although he is not successful. He is the founding secretary of the Taibhdhearc na Gaillimhe theatre, also acting in many of its productions, and spends much time translating works from English and the Romance languages into Irish. He stands to become president of UCG in 1945, but is not elected, and in the 1940s and 1950s is best known for his many appearances on television and radio.
From his retirement in 1959, Ó Briain lives in Dublin. In 1974, the National University of Ireland (NUI) confers an honorary doctorate on him. He dies on August 12, 1974, at St. Gabriel’s Hospital, Cabinteely, County Dublin. His funeral to Glasnevin Cemetery is almost a state occasion, with a huge attendance of public figures, and a military firing party at the graveside, where the oration is given by Micheál Mac Líammóir and a lesson is read by Siobhán McKenna. For days after his death, the newspapers carry tributes to his many-sided career and personality. On the one hundredth anniversary of his birth, Proinsias Mac Aonghusa and Art Ó Beoláin write commemorative articles in Feasta.
On September 1, 1921, Ó Briain marries Helen Lawlor, of Dublin, who dies two years before him. The couple’s only child is Eibhlín Ní Bhriain, who is a journalist for The Irish Times and other periodicals.
Molloy’s father, Michael Edward Molloy, is originally from Ballyhaunis, County Mayo, and runs a successful wholesale drapery business in the city. His mother, Rita Stanley, hails from Clifden, County Galway. He is educated at Coláiste Iognáid and University College Galway. Before entering politics, he works for several years in printing, the clothing industry and his family’s drapery firm.
Molloy’s early political career is marked by his loyalty to Fianna Fáil’s leadership under TaoiseachJack Lynch. He quickly rises through the ranks and is appointed Minister for Local Government in 1970, a position he holds until 1973. His tenure as Minister for Local Government is characterised by his efforts to modernise and streamline local government structures in Ireland. His tenure in Fianna Fáil sees him as a stalwart of the party’s establishment, though tensions with its leadership grow over the years, particularly with Charles Haughey.
In opposition from 1973, Molloy serves as the frontbench spokesman, where he becomes involved in a high-profile dispute with James Tully, the Labour Minister for Local Government, over the controversial redrawing of constituencies, known as the “Tullymander.” Molloy, along with fellow Fianna Fáil member Brendan Crinion, used Dáil privilege to accuse Tully of having an improper commercial relationship with a builder in County Meath. The accusation is strongly denied by Tully and Molloy and Crinion later withdraw the charge. Despite this, Molloy faces severe repercussions, being forced to resign from his frontbench position. He is subsequently condemned by a judicial tribunal and censured by the Dáil for abusing parliamentary privilege.
When Fianna Fáil returns to office in 1977, Molloy becomes Minister for Defence in the final government of Jack Lynch.
In 1986, Molloy resigns from Fianna Fáil and joins the newly formed Progressive Democrats, spearheaded by Haughey’s arch-rival Desmond O’Malley. Molloy’s move is seen as a major break from the political establishment, as the Progressive Democrats advocate for low-tax, market-oriented economic policies and a more liberal economic agenda. His decision is driven by his dissatisfaction with the direction of Fianna Fáil under Haughey’s leadership and his belief that the party has become increasingly alienating.
In 1989, Molloy contests the European Parliament elections but is unsuccessful in his attempt. Following the 1989 Irish general election, Molloy, along with newly elected MEP for MunsterPat Cox, represents the Progressive Democrats in the lengthy negotiations with Fianna Fáil to form a coalition government. Once the negotiations conclude, he is reinstated in the Cabinet as Minister for Energy under Taoiseach Charles Haughey, who had previously caused Molloy’s political humiliation a decade earlier. Over the following three years, Molloy and his Progressive Democrat colleague Desmond O’Malley have a working relationship with their former Fianna Fáil colleagues, though tensions grow due to resentment over their presence in the Cabinet. The issue comes to a head when Molloy and O’Malley make it clear they will not serve in a Cabinet that includes Brian Lenihan Snr, following his controversial remarks during the 1990 Irish presidential election about alleged phone calls to PresidentPatrick Hillery from 1982.
In January 1992, Haughey faces further complications when Seán Doherty reveals information about the phone tapping of journalists dating back to 1982. Despite this, the coalition government ends when Albert Reynolds, Haughey’s successor, calls for a general election after accusing O’Malley of giving “dishonest” evidence to the Beef Tribunal. Molloy strongly denounces Reynolds’ accusation, describing it as “outrageous,” and criticises him for what he perceives as a “lack of generosity” in recent North-South negotiations, in which Molloy had represented the Progressive Democrats in talks with British Unionists.
Molloy stands at the European Parliament elections again in 1994 but is again unsuccessful.
Molloy resigns as a minister and quits politics just before the 2002 Irish general election amid controversy surrounding his involvement in the rape case of Barbara Naughton. The controversy stems from a letter Molloy sent to then Minister for Justice, John O’Donoghue, on behalf of a constituent whose relative had been convicted of rape. The letter, which requests the temporary release of the individual pending an appeal, leads to public criticism. The case is high-profile, involving a Connemara man sentenced to eleven years for the systematic abuse of his young daughter. During the trial, the judge, Philip O’Sullivan, notes that someone acting on Molloy’s behalf had tried to contact him in his chambers to clarify whether he had received certain correspondence from the victim’s sister, which the judge describes as “quite improper.” In response to the backlash, Molloy resigns, describing the letter as a “human error of judgment,” but insisting it was not intended to be dishonest. He retires from politics after the election.
Molloy is a member of Fianna Fáil for over 20 years, but his views are not always in line with the mainstream of the party, particularly under the leadership of Charles Haughey. His decision to leave Fianna Fáil in 1986 and join the Progressive Democrats is motivated by ideological differences, notably the party’s move toward a more conservative, state-controlled economy. Molloy, on the other hand, embraces a platform of fiscal conservatism, with an emphasis on reducing taxes, deregulation, and the liberalisation of the economy.
In terms of social issues, Molloy is ahead of his time in advocating for progressive policies, particularly on women’s rights. In a survey conducted in 1976 by the Women’s Political Association (WPA), Molloy scores among the highest of any member of the Dáil for his progressive stance on issues affecting women. He supports measures such as divorce, contraception, and family law reform, which are seen as highly controversial at the time. His responses to the WPA’s questions reveal that he holds views that are in stark contrast to many of his colleagues within Fianna Fáil. His progressive views on women’s rights are notable, as he is the only member of Jack Lynch’s cabinet who consistently supports reformist policies on issues like family law and the role of women in public life.
In 1972, Molloy marries Phyllis Barry, a Montessori teacher from Foxrock, County Dublin, whose father is a cousin of the executed revolutionary Kevin Barry. The couple meet while campaigning in a by-election in mid-Cork. Together, they have four children: Sinead, Sorcha, Donnacha, and Dara.
Moylett is born into a farming family and emigrates to London as a young man working in various departments in Harrods for five years before returning to Ireland in 1902. He opens a grocery and provisions business in Ballina and, as it proves successful, he later establishes branches in Galway and London between 1910 and 1914. The London-branch is sold at the outbreak of World War I.
Having founded and organised the recruitment and funding of the Mayo activities of the Irish Republican Army (IRA) he also acts as a justice of the Sinn Féin courts. He is advised to leave the area due to death threats from the Black and Tans and their burning down of his commercial premises in Ballina. On one occasion during the period, according to his military statements, he prevents some over-enthusiastic volunteers from attempting to kidnap and assassinate Prince George, Future King of England, who is sailing and holidaying in the Mayo/Donegal region at the time.
Relocating to Dublin, the Irish overseas Trading Company is formed with a former director of Imperial Chemical Industries. Moylett becomes involved in the Irish nationalist movement and is active in the Mayo and Galway areas during the Irish War of Independence. The Irish Overseas Trading Company, of which he is one of two directors, acts as a front for the importation of armaments covered by consignments of trade goods. According to his subsequent detailed military statements archived in the bureau of military history by the Irish Army, the consignments are imported to a number of warehouses in the Dublin Docks with the three keyholders to the warehouses being Éamon de Valera, Michael Collins and Arthur Griffith.
With Harry Boland in the United States with Éamon de Valera, Moylett succeeds him as president of the Irish Republican Brotherhood (IRB) and, in October 1920, is selected to go to London as the personal envoy of Arthur Griffith. During the next several months, he is involved in secret discussions with British government officials on the recognition of Dáil Éireann, a general amnesty for members of the Irish Republican Army and the organisation of a peace conference to end hostilities between both parties.
Moylett is assisted by John Steele, the London editor of the Chicago Tribune, who helps him contact high-level members of the British Foreign Office. One of these officials, in particular C.J. Phillps, has frequent meetings with him. Discussions center on the possibility of an armistice and amnesty in Ireland with the hope for a settlement in which a national Parliament will be established with safeguards for Unionists of Ulster. These meetings are later attended by H. A. L. Fisher, the President of the Board of Education and one of the most outspoken opponents of unauthorised reprisals against the Irish civilian population by the British government. One of the main points Fisher expresses to Moylett is the necessity of Sinn Féin to compromise on its demands for a free and united republic. His efforts are hindered however, both to the slow and confused pace of the peace negotiations as well as the regularly occurring violence in Ireland, most especially the Bloody Sunday incident on November 21, 1920, which happens while he is in London speaking with members of the cabinet. During the Irish Civil War, although a supporter of the Anglo-Irish Treaty, he chooses not to participate in the Free State government party which he views as an amalgam of Unionists and the old Irish Party. In 1926, he is a founding member of the Clann Éireann party and becomes an early advocate of the withholding of land annuities.
In 1930, Moylett and his family move to Dublin, and by 1940 his political activities in the city have become a concern for the Gardai. He begins moving in antisemitic, pro-German far-right politic circles while in Dublin, engaging with the likes of Gearóid Ó Cuinneagáin and George Griffith. Indeed alongside Griffith, he is deeply involved with the founding of the People’s National Party, an explicitly anti-Jewish Pro-Nazi party whose membership overlaps greatly with that of the Irish Friends of Germany. He leaves the People’s National Party in October 1939 only when he is expelled from the party and his position as treasurer on charges of embezzling party funds. In 1941 he continues to support these far-right groups when he aids Ó Cuinneagáin in setting up the Youth Ireland Association, a group gathered to fight “a campaign against the Jews and Freemasons, also against all cosmopolitan agenda.” When the group is found to be stealing guns from army reservists, the Gardai shuts the group down in September 1942.
Davidson is the sixth of ten children of clerk of petty session, Edward Ellice Davidson, and Lucy Rising Davidson (née Doe). Her mother dies in 1888, and it is presumed that she receives a private education but as the family are not affluent, the details are unclear. She goes on to attend the Dublin Metropolitan School of Art (DMSA) from 1895 to 1905. While at the DMSA, she wins prizes in 1895 and 1896 and is awarded a scholarship and free studentship at the Royal Dublin Society (RDS) in 1897, the same year her father dies. She completes her studies in 1905. In the early 1910s, she is living in Rathmines and spends some time in England and Wales.
Davidson is commissioned by Switzer’s department store on Grafton Street to draw costumes in 1899. In 1909, her painting After Rain is exhibited by the Dublin Sketching Club, with her continuing to show work there until 1920. She exhibits The Bonfire with the Water Colour Society of Ireland in 1912, becoming a committee member in 1934 and continuing to exhibit with them until 1954. In 1914, she is one of the artists included in a sale of paintings to aid Belgian refugees. She is first exhibited at the Royal Hibernian Academy (RHA) in 1914, with The Student. Her painting exhibited by the RHA in 1916, The Harbour, St. Ives, demonstrates an influence from Stanhope Forbes and the Newlyn School, with a bright palette and contrasting illumination, which become characteristic of her work. She illustrates C. H. Bretherton’s collection of humorous poems and recollections about London Zoo, A Zoovenir (1919).
Davidson holds a joint exhibition with Mainie Jellett in 1920, at Mill’s Hall, Merrion Row, Dublin. Jellett produces a pencil portrait of Davison (pictured above), which shows her in a straw hat she frequently wears. The RHA exhibits Davidson’s oil painting, The Flax Pullers, in 1921. This work shows an influence from Paul Henry and French Impressionism in her use of colour-blocking. In the early 1920s, she travels to Switzerland, Belgium, and France, producing works such as Fish Market, Bruges. She lives in Paris in the late 1920s, exhibiting at the Salon de la Societé Nationale in 1924 and 1930. She places a self-portrait in her depiction of a peasant gathering, The Country Races. Reproductions of her drawing of Leinster House and Christ Church Cathedral by Bulmer Hobson are included in A Book of Dublin (1929). Her landscape, Low Tide, Wicklow, which is exhibited at the RHA in 1934, and Boats at Wicklow, Dusk show her ability to depict reflections in water. She continues to paint scenes of rural life, including Cottages – Keel, Achill, which shows an influence from Jack Butler Yeats in her use of space and colour. The fact that her family is not wealthy likely influences her choice of poorer people as her subjects, depicting them in a sympathetic manner. Her work is part of the painting event in the art competitions at the 1928 Summer Olympics.
Davidson’s paintings are exhibited at the Contemporary Picture Galleries, Dublin in 1930, alongside Yeats, Evie Hone, and Harry Kernoff. She is a member of the Picture Hire Club, 24 Molesworth Street, Dublin from 1941 to 1942, and is a frequent contributor to the Munster Fine Arts Club. Her work is exhibited at the Salon des Beaux Arts, Paris, the Royal Academy of Arts, London, and in Amsterdam. A large number of her works from the 1930s show the Irish-speaking area of Galway, Claddagh, such as Night in Claddagh, exhibited with the RHA in 1933. Her Irish landscapes, such as Claddagh Cottages, are included in the Oireachtas Art Exhibitions from 1932 to 1946. From around 1934, she is a member of the Society of Dublin Painters, exhibiting with them from 1939 to 1954. She influences the Society’s move toward the avant-garde in the 1940s. She is elected associate to the RHA in 1940 and continues to exhibit there until her death. Her 1946 work, Gorta, shows influence from Zola, Rilke, Dostoyevsky and Picasso.
Davidson teaches drawing at her studio at 1 Earlsfort Terrace, Dublin. Her pupils include Bea Orpen, Anne Yeats, and Mo Irwin. She also is a teacher at a number of Dublin schools, such as Belgrave school, Rathmines, Wesley College, St. Stephen’s Green, and Castle Park School, Dalkey. She travels to Abbeyleix, County Laois, once a week to teach at Glenbawn boarding school.
As well as painting, Davidson writes a number of plays, short stories, and monologues under a pseudonym, “Ulick Burke.” In 1927, a collection of her poems and Donegal rhymes is published. In 1931, Hilton Edwards directs her stage play Bride, at the Gate Theatre. Her short story, Her Only Son, is published in The Bell under a pseudonym in 1942. In 1935, she is a founder-member of the Torch Theatre, Dublin. She designs scenery, and is the co-director with Hugh Hyland in 1936, under the stage name “Jennifer Maude.”
Davidson dies at her home at 4 Wilton Terrace, Dublin on March 29, 1954. She is buried in an unmarked grave in Mount Jerome Cemetery. The National Gallery of Ireland (NGI) holds her 1938 portrait of Yeats, as well as her crayon drawing of Sarah Purser. She is a regular attendee at Purser’s “Second Tuesdays” gatherings. The Abbey Theatre holds her portrait of Joseph Holloway. She bequeaths The Golden Shawl to the Hugh Lane Gallery, which is a large self-portrait. Two of her works are included in the NGI’s 1987 exhibition, Irish Women Artists from the Eighteenth Century to the Present Day.
Eileen Quinn, age 24 and within two months of the birth of her fourth child, is shot by Galway police on November 1, 1920, during the Irish War of Independence (1919-21), while holding her nine-month-old child in her arms and sitting on the lawn in front of her farmhouse at Kiltartan near Gort, bleeding to death later that night. She leaves three children, the eldest of whom is not yet four years old.
Afraid of ambushes, police have begun to “reconnoiter by fire,” shooting blindly into woods and possible ambush sites. Quinn is near one such site when the police open fire, and she is hit by a stray bullet.
At the time of the shooting, her husband Malachy Quinn, who is a farmer, is in Gort. Another messenger going to Ardrahan for Dr. Foley is, it is reported, wounded by a bullet. Uniformed men pass into Gort subsequently firing shots. When the lorry passes the house where the dying woman lay, the terror-stricken occupants flee by the back way.
Rev. Fr. John Considine, C.C., Gort, gives a graphic description of Quinn’s last moments.
“It is too awful, too inhuman, to contemplate.” These are Father Considine’s opening remarks concerning the tragedy. Pressed to explain what occurred, he says, “I have read of Turkish atrocities; I have read of the death of Joan of Arc; I have read of the sufferings of Nurse Cavell, and as I read those things I often felt my blood boil and I often prayed that the good God might change the minds and hearts of those cruel monsters.”
“Little did I then dream that I should witness a tragedy, an atrocity more hideous, more revolting, more frightful, more brutal, more cruel than any of those things, and here in our own little peaceful parish of Gort. My God, it is awful! About three o’clock on Tuesday, Malachy Quinn weeping bitterly, called for me. Father, says he, ‘I have just heard that my wife had been shot. Will you run down immediately?’ I procured a motor car and hurried to the scene. At the gateway there we beheld a large pool of blood. In the yard another pool, and the porch leading to the kitchen was covered with blood. I entered the room. Oh, God! what a sight. There lay the poor woman, the blood oozing out through her clothes.”
“She turned her eyes towards me and said, ‘Oh, Father John, I have been shot.’ ‘Shot!’ I exclaimed. ‘Yes,’ she replied. By whom, I asked. ‘Police’ she answered.”
Quinn then becomes weaker, Father Considine explains, and on rallying exclaims, “Father John, will you do something for me?” He tries to console her and administers the Last Sacrament.
“When I finished, she whispered to me, bring me Malachy, bring him to me, I hear him crying. I have something to tell him. I did so. What a scene. Then she became weak and fainted off. Gradually she became worse.”
“I sent word immediately to the Head Constable at Gort. He arrived with police and military. All seemed shocked at the tragedy. I asked him to go in and see the woman. He and his men felt the trial too much, as he answered, ‘I cannot.’ No trace of the bullet could be found.”
Continuing, Father Considine says Quinn is sitting on the lawn with her child when the lorry passes from which the fatal shot is fired. The bullet pierces her stomach and the child she is holding falls from her arms. She crawls over the wall into the yard, and then crawls to the porch to tell her servant that she has been shot. “Take in the little children!” she exclaims.
From 3:00 p.m. to 10:30 p.m. she lingers on in pain. Occasionally she clasps Father Considine’s hand and pulls him toward her, and says, “I’m done, I’m done!” At 10:30 her condition becomes worse, and they kneel by her bedside to recite the Rosary and prayers for the dying. She tries to join but is too weak.
At 10:45 p.m. the little children begin to cry, and with them the crowded house bursts into tears. As Father Considine reads the last prayer of the Ritual she looks around, then closes her eyes and dies.
Irish public opinion is outraged when a military court of inquiry subsequently returns a verdict of “death by misadventure.” Soon afterward, the Royal Irish Constabulary (RIC) Headquarters and the Chief of Police issue orders against wild firing from motor vehicles.
Whelan is the sixth of thirteen children born to farmer John Whelan and Bridget Price. He attends national school at Beleek and Clifden, before leaving school at the age of 15 to work on his father’s farm. He moves to Dublin at the age of 18, where he finds work as a railway man, and joins the Irish Volunteers as a member of ‘A’ Company, 3rd Battalion, Dublin Brigade. He lives at Barrow Street, Ringsend, Dublin, and works at a train depot.
Whelan is arrested on November 23, 1920, and, on February 1, 1921, is charged with the shooting death of Captain G.T. Baggallay, an army prosecutor who had been a member of courts that sentenced Volunteers to death under the Restoration of Order in Ireland Act on Bloody Sunday (1920).
Whelan is defended at his court-martial by Michael Noyk, through whom he protests his innocence of the charges. As in the case of Patrick Moran, there is eyewitness evidence that Whelan had been at Mass at the time the shooting had taken place.
The prosecution casts doubt on the reliability of the eyewitnesses, arguing that as Catholics they are not neutral. The defence complains that it is unfair to suggest the witnesses “were prepared to come up and perjure themselves on behalf of the prisoner” because “they belonged to a certain class and might hold certain political opinions.”
The military court does, however, trust the evidence of an army officer who lives in the same house as Baggallay and who has identified Whelan as the man covering him with a revolver during the raid. There is also testimony by a soldier who had passed by the house when he heard shots fired. This witness says he saw Whelan outside, attempting to start his motorcycle. Whelan is found guilty of murder and sentenced to death.
In Mountjoy Prison, Whelan is imprisoned with the writer and activist Ernie O’Malley, who describes him as “… smooth-faced, quiet and brown eyed with wavy hair; he smiled quietly and steadily. His voice was soft and when he laughed with the others one knew that the fibre was not as hard and that there was a shade of wistfulness about him.”
Whelan is quoted just before being hanged, “Give the boys my love. Tell them to follow on and never surrender. Tell them I am proud to die for Ireland.”
Whelan is hanged at 6:00 a.m. along with Patrick Moran, the first of six men to be executed in pairs that day. A crowd estimated at 40,000 gathers outside the prison to pray as the executions take place. His mother, Bridget, sees him before his execution and waits outside with the praying crowd holding candles. She tells a reporter that she had left her son “so happy and cheerful you would almost imagine he was going to see a football match.” He is 22 years old at the time of his death.
Following the Two for One policy that decrees the assassination of two members of the Royal Irish Constabulary (RIC) in retaliation for every executed Irish Volunteer, the Irish Republican Army (IRA) in Whelan’s native Clifden ambushes and fatally shoots RIC Constables Charles Reynolds and Thomas Sweeney at Eddie King’s Corner on March 16, 1921. In response to the RIC’s request for assistance over the wireless, a trainload of Black and Tans arrive in Clifden from Galway in the early hours of Saint Patrick’s Day, March 17, 1921, and proceed to “burn, plunder and murder.” During what is now called “The Burning of Clifden,” the Black and Tans kill one local civilian (John McDonnell), seriously injure another, burn down fourteen houses, and damaged several others.
Whelan is one of a group of men hanged in Mountjoy Prison in the period 1920-1921 who are commonly referred to as the Forgotten Ten. In 2001, he and the other nine, including Kevin Barry, are exhumed from their graves in Mountjoy Prison and given a full state funeral. He is now buried in Glasnevin Cemetery, Dublin. An annual commemoration is still held in Clifden in his honor.
(Pictured: Patrick Moran (left) and Thomas Whelan (right) before their executions, Mountjoy Prison, Dublin, March 14, 1921, courtesy of Kilmainham Gaol Museum.)
Christened as William O’Brien, the seventh child of Arthur O’Brien, clerk, and Mary O’Brien (née Christie), who is from County Meath, Ó Briain takes an interest in the Irish language from an early age and begins learning Irish by himself from a grammar book, as it is not encouraged by his teachers at the Christian Brothers’ O’Connell School nor spoken by his parents. While still at the O’Connell School, he starts using the Irish version of his name. He also attends meetings of the Gaelic League, then attends University College Dublin (UCD) on a scholarship, where he studies French, English and Irish, receiving a BA (1909) and an MA (1910).
UCD decides to start awarding one annual scholarship for overseas travel in 1911, and Ó Briain wins the first one, using it to visit Germany and study under Kuno Meyer and Rudolf Thurneysen. After three years, he returns home, where he rejoins the Gaelic League and begins teaching French at UCD. He also joins the Irish Volunteers then, the following year, Seán T. O’Kelly convinces him to join the Irish Republican Brotherhood (IRB).
Around this time, Ó Briain joins Sinn Féin, and he stands unsuccessfully for the party in Mid Armagh at the 1918 United Kingdom general election in Ireland, taking 5,689 votes. His campaign leads, indirectly, to his arrest and three months in jail in Belfast. In 1920, following his release, he is appointed a judge in the then-illegal republican court system in Galway, and visits both France and Italy to try to source weapons for the Irish Republican Army (IRA). In November 1920, he is arrested in the UCG dining room by Black and Tans, and is imprisoned for thirteen months, first in Galway and then in the Curragh camp in County Kildare, thereby missing the conclusion of the Irish War of Independence. By the time he is released, the Anglo-Irish Treaty has been signed. He supports the treaty and takes no further part in militant activity.
In the newly independent Ireland, Ó Briain remains a professor at Galway. He also stands in the 1925 Seanad election, although he is not successful. He is the founding secretary of the Taibhdhearc na Gaillimhe theatre, also acting in many of its productions, and spends much time translating works from English and the Romance languages into Irish. He stands to become president of UCG in 1945, but is not elected, and in the 1940s and 1950s is best known for his many appearances on television and radio.
From his retirement in 1959, Ó Briain lives in Dublin. In 1974, the National University of Ireland (NUI) confers an honorary doctorate on him. He dies on August 12, 1974, at St. Gabriel’s Hospital, Cabinteely, County Dublin. His funeral to Glasnevin Cemetery is almost a state occasion, with a huge attendance of public figures, and a military firing party at the graveside, where the oration is given by Micheál Mac Líammóir and a lesson is read by Siobhán McKenna. For days after his death, the newspapers carry tributes to his many-sided career and personality. On the one hundredth anniversary of his birth, Proinsias Mac Aonghusa and Art Ó Beoláin write commemorative articles in Feasta.
On September 1, 1921, Ó Briain marries Helen Lawlor, of Dublin, who dies two years before him. The couple’s only child is Eibhlín Ní Bhriain, who is a journalist for The Irish Times and other periodicals.
Ó Muircheartaigh grows up on the family farm and is educated locally in Dingle. In September 1945, he begins studying at Coláiste Íosagáin in Ballyvourney in the County CorkGaeltacht where he trains to be a teacher. It is at this all-Irish language school that his name changes from Michael Moriarty to the Irish version Mícheál Ó Muircheartaigh. He says that Irish is his stronger language. In September 1948, he begins the final year of his teacher training at St. Patrick’s College of Education in Drumcondra, Dublin.
In early March 1949, Ó Muircheartaigh, along with ten other students from the college, and several from other colleges, do a test commentary on a hurling match at Croke Park. Each student has to commentate for five minutes in Irish and the most successful is to be selected for further commentary work. Up to this point, he has never seen a game of hurling before in his life. He is the one selected and his first assignment is to provide an all-Irish commentary on the 1949 Railway Cup final on Saint Patrick’s Day.
Ó Muircheartaigh graduates from St. Patrick’s College a little later and also completes a Bachelor of Arts degree from University College Dublin (UCD) in 1952. He also completes a Higher Diploma in Education in 1953. He teaches economics, accountancy and Irish in both primary and secondary schools throughout Dublin, the majority of which are run by the Christian Brothers. He continues teaching up until the 1980s, when he becomes a full-time broadcaster with RTÉ.
For the early part of his broadcasting career, Ó Muircheartaigh commentates on Minor GAA matches, in the Irish language. He also replaces the legendary Michael O’Hehir when he is not available to commentate. Eventually when O’Hehir is forced to retire in the mid-1980s Ó Muircheartaigh takes over as the station’s premier radio commentator. He develops his own inimitable style of commentary, and his accent is unmistakably that of a native Irish speaker. He is a true lover of Gaelic Athletic Association, and it is reflected in the enthusiasm he brings to matches. His unusual turn of phrase makes him a much-loved broadcaster and often imitated character. He becomes particularly famous in Ireland for his unusual turns of phrase in the heat of the moment while commentating. Towards the end of his life, he commentates on RTÉ Radio 1. In 2004, he publishes his autobiography, From Dún Sion to Croke Park.
On March 5, 1988, Ó Muircheartaigh presents the Saturday Live show on RTÉ 1. In 1990, he holds an impromptu interview with Britain’s Prince Edward, after his greyhound had won at the English Greyhound Derby qualifier when he was commentating.
Ó Muircheartaigh’s commentaries for RTÉ Radio 1’s Sunday Sport show win him a Jacob’s Award in 1992. He is also the Parade Grand Marshal for the 2007 St. Patrick’s Festival, having been given the honour by the chairman of the festival in recognition and appreciation of his unique contribution to Irish culture. He is the Parade Grand Marshal for the 2011 St. Patrick’s Parade in Toronto, Ontario, Canada, also in recognition and appreciation of his unique contribution to Irish culture.
On September 16, 2010, Ó Muircheartaigh announces his retirement from broadcasting. The last All-Ireland he commentates on is the 2010 All-Ireland Senior Football Championship Final on September 19, 2010.
On October 29, 2010, it is announced that the 2nd International Rules test at Croke Park would be Ó Muircheartaigh’s final broadcast as commentator on RTÉ Radio 1. The following day he commentates his final commentary alongside RTÉ’s pundit and former Meath footballer Bernard Flynn.
Ó Muircheartaigh is contracted to officiate at the 2011–2012 Volvo Ocean Race finish in Galway where he commentates on the finish to the round-the-world race, giving it a uniquely Irish conclusion. Sailing is his longtime hobby.
Ó Muircheartaigh writes a weekly sports column for Foinse, the Irish-language newspaper free with the Irish Independent each Wednesday. He is invited to read out a piece in Irish and in English at an event called “Laochra” in Croke Park on April 24, 2016, to commemorate the 100th anniversary of the Easter Rising.
In 2007, Ó Muircheartaigh is awarded the UCD Foundation Day Medal. His nephew by marriage, John McGuire, has presented several programmes on RTÉ.
Ó Muircheartaigh dies in hospital in Dublin at the age of 93 on June 25, 2024.
Ó Muircheartaigh is awarded an honorary doctorate by NUI Galway in 1999 for his lifetime service to broadcasting. Shortly after his 90th birthday, he is awarded the only GAA GPA All Stars Award of 2020. No further All Stars can be awarded as competition is suspended due to the COVID-19 pandemic and only completed that December.
An earlier “Fianna” is organised “to serve as a Junior Hurling League to promote the study of the Irish Language” on June 26, 1902, at the Catholic Boys’ Hall, Falls Road, in West Belfast, the brainchild of Bulmer Hobson. Hobson, a Quaker influenced by suffragism and nationalism, joins the Irish Republican Brotherhood in 1904 and is an early member of Sinn Féin during its monarchist-nationalist period, alongside Arthur Griffith and Constance Markievicz. Hobson later relocates to Dublin and the Fianna organisation collapses in Belfast. Markievicz, inspired by the rapid growth of Robert Baden-Powell‘s Boy Scouts, forms sometime before July 1909 the Red Branch Knights, a Dublin branch of Irish National Boy Scouts. After discussions involving Hobson, Markievicz, suffragist and labour activist Helena Molony and Seán McGarry, the Irish National Boy Scouts change their name to Na Fianna Éireann at a meeting in 34 Lower Camden Street, Dublin, on August 16, 1909, at which Hobson is elected as president, thus ensuring a strong IRB influence, Markievicz as vice-president and Pádraig Ó Riain as secretary. Seán Heuston is the leader of the Fianna on Dublin’s north side, while Cornelius “Con” Colbert is the leader on the south side. The Fianna forms as a Nationalist alternative to Powell’s Scouts with the aim to achieve the full independence of Ireland by training and teaching scouting and military exercises, Irish history, and the Irish language.
The Fianna finds its first years difficult and by 1912 has barely 1,000 members and a skeleton structure outside of the cities of Dublin, Cork, Belfast and Galway. But in the next couple of years the momentum of events carries the Fianna forward. It is involved in initiating the militarisation of the IRB, the launch of the Irish Volunteers and showing solidarity with the striking Irish Transport and General Workers’ Union (ITGWU). It is also crucial to the success of the Howth and Kilcoole gun-running operations. Alongside these headline-grabbing activities, the Fianna continues with classes, drilling, camps and protests and reaps the benefits of an expanding membership and structure. When the fighting starts, the Fianna are not found wanting either. In 1916, Na Fianna members are present in all areas that mobilise and fight alongside all the other Republican organisations. They continue to fight throughout the Irish War of Independence and Irish Civil War. Seeing comrades being killed in action or executed or suffering imprisonment does not dim their enthusiasm for the fight. In Na Fianna Éireann’s March 1922 Árd Fheis, the 187 delegates representing 30,000 members vote unanimously to reject the Anglo-Irish Treaty.
The Fianna are declared an illegal organisation by the government of the Irish Free State in 1931. This is reversed when Fianna Fáil comes to power in 1932 but re-introduced in 1938. During the splits in the Republican movement of the later part of the 20th century, the Fianna and Cumann na mBan support Provisional Sinn Féin in 1969 and Republican Sinn Féin in 1986. The Fianna have been a proscribed organisation in Northern Ireland since 1920.
While the events in which the Fianna members are involved over the revolutionary years have a special place in Irish history, the specific role of the Fianna is absent from most written histories. This, allied with the failure to adequately commemorate the organisation’s centenary, marks a kind of revisionism of omission.
Hayes-McCoy is born to Thomas Hayes-McCoy and Mary Kathleen Hayes-McCoy (née Wallace). His grandfather, Thomas Hayes-McCoy, is a Dubliner who as a child came to Galway in 1834 and is later a well-known Parnellite. His maternal grandfather, Thomas Burke, is a Galway artist. He grows up on Eyre Square where his father runs a gentleman’s hairdressing business. His two older siblings are Ignatius and Marguerite. The latter receives a PhD-degree in History at University College Galway (UCG), and later teaches at the Galway Technical School.
Hayes-McCoy receives his early education from the Patrician Brothers, Galway. His earliest notebook of 1927 and a manuscript history of Poland of the same year, now at the National Library of Ireland (NLI), testify to an early interest in history and heritage. From 1928 to 1932 he is a student scholarship holder at University College Galway, graduating in 1932 with a Bachelor of Commerce, and a Bachelor of Arts, with first-class honours in both, and a specialisation in “History, Ethics, Politics” for the latter. Mary Donovan O’Sullivan is one of his professors of history, and Liam Ó Briain, professor of Romance languages, is a stimulating influence. At this time, Hayes-McCoy is a member of the Republican Club, a committee member of the Literary and Debating Society, and in 1931 he is one of the founding members of a new Irish Students’ Association.
Hayes-McCoy pursues his PhD at the University of Edinburgh, and then spends two years at the Institute of Historical Research, London, in the Tudor seminar of J. E. Neale, rewriting his PhD and eventually publishing it as Scots mercenary forces in Ireland, 1565–1603 (Dublin and London, 1937), with a foreword by Eoin MacNeill. This is characterised by meticulous archival research, and it anticipates by sixty years the much-vaunted New British History of the late twentieth century by tracing the interconnections between events in England, Ireland, and Scotland.
In the absence of an academic post, Hayes-McCoy becomes an assistant keeper in the Art and Industrial Division at the National Museum of Ireland (1939–1959), with a responsibility for the Military History, and the Irish War of Independence collections. One of his first tasks is to prepare a standing exhibition on Irish history before 1916. His research, long-standing personal interest in the military, and his curatorial experience, helps form an expert knowledge of historical Irish warfare. This leads to his role in co-founding The Military History Society of Ireland in 1949 whose journal, The Irish Sword, he edits. He describes the vagaries of setting up such a body, its reception, and the historiographical considerations attendant on it, in a paper published posthumously in The Irish Sword.
On August 19, 1941, Hayes-McCoy marries Mary Margaret “May” O’Connor, daughter of C.J. and M.B. O’Connor of New Ross/Enniscorthy. They have three daughters and two sons: Mary, Ann, Ian, Robert, Felicity. The family home is in Dublin.
Earning high reputation by continued research and by publishing leads to Hayes-McCoy’s receipt of the D.Litt. degree from the National University, and to his membership in the Royal Irish Academy in 1950. In his professional career, apart from the broad spectrum of press publications, he publishes prolifically. The works that are judged most influential, are his Scots mercenary forces in Ireland 1565–1603 (1937), the papers “The early history of guns in Ireland” (1938–1939), “Strategy and tactics in Irish warfare, 1593–1601” (1941), “The army of Ulster, 1593–1601” (1951), the controversial “Gaelic society in Ireland in the late sixteenth century” (1963), and the monographs “Irish battles” (London 1969), and “A history of Irish flags from earliest times” (Dublin 1979). A member of the Irish Manuscripts Commission, his most notable contribution is the publication “Ulster and other Irish maps, c.1600” (Dublin 1964).
In 1946, Hayes-McCoy is appointed to a committee of eight historians to advise on setting up the Bureau of Military History, a body established for the creation and compilation of material on the history of the Irish movements for independence, 1913–1921, specifically from witness statements. The committee is also to further offer guidance and oversee progress of the Bureau in coordination with the Ministry of Defence. It subsequently expresses concerns about the state’s role and methods in the collection of statements.
Having begun writing for the press at an early stage, Hayes-McCoy’s public position at the Museum encourages him to go further. He has broad involvement with local history groups to whom he presents papers, and also works for newspapers and for radio and television. To the national and Galway press he usually contributes articles on military aspects of Irish history, as well as book reviews, but he also uses them as a platform to engage with what he sees are flaws in the education of history in Ireland which during his lifetime is constrained by a certain degree of political and cultural state control.
During the 1940s and 1950s, Hayes-McCoy becomes involved in a number of paratheatrical events of national significance one of which – the “Pageant of St.Patrick” for which he writes the script (An Tóstal 1954) – is realised on an immense scale. He scripts these works to begin with and is later principally engaged as historical consultant. In that capacity, he collaborates in 1955 and 1956 with Micheál Mac Liammóir and Denis Johnston on their scripts for pageants on St. Patrick and on the Táin Bó Cuailgne, at times finding it difficult to square the historical liberties taken by these artists with his own role.
On Irish radio and television Hayes-McCoy is most active in the mid-1960s, editing and contributing to Thomas Davis lectures series, writing scripts for a series of thirty children’s programmes on all aspects of Irish history, and preparing/contributing on air to the television series “Irish battles” and “The long winter.” As well as writing for RTÉ, Ireland’s national broadcaster, he contributes scripts to BBC Northern Ireland‘s schools radio programmes.
In 1959, Hayes-McCoy succeeds to the chair of his former history professor at UCG with the full remit of lecturing, administering examinations to undergraduates, and supervising postgraduate theses. Among his students who continue in the field of history are Nicholas Canny, Martin Coen, Patrick Melvin, Peter Toner, Tony Claffey, and Breandán Ó Bric. After his appointment to UCG, the family home remains in Dublin, and he commutes to Galway weekly during term time.
In the early 1960s, Hayes-McCoy becomes a spokesperson for the movement rekindled by the Old Galway Society to preserve the landmark “Lion’s Tower” in the city. The ultimate failure of the campaign informs his regret, expressed a year later, that Ireland is forgetful about its past and that “we don’t bother to find out about it or to maintain our ancient heritage,” and, on a perceived spirit of conformity, “take my own city of Galway, it is now more prosperous than it was, but it is no longer distinctive. I do not believe that it is essential for progress that we should lose our heritage.”
While at one time member and secretary of the London Sinn Féin office and informed by a pride of country and place, Hayes-McCoy’s professional and private outlook are marked by a distrust of nationalism or of any antagonising national agendas compromising genuine scholarship. In a paper drafted on tendencies in modern historical studies, he criticises the two historiographical extremes, each to be avoided, each unfortunately characteristic of the moment – extreme de-bunking and extreme “adding for effect.” “A history is a record of fact; to add pseudo-facts is as grave a sin as to leave out real facts that may change the colour of the whole.”
Hayes-McCoy’s abiding pastime is drawing. Among his papers in the James Hardiman Library, NUI Galway are approximately 40 items with predominantly maritime subjects, and he has a special regard for the history of ships, and a romantic liking of the sea. He also has a lifelong interest in Robert Louis Stevenson, Sir Walter Scott, and their works, and in the Pre-Raphaelite movement.
Hayes-McCoy’s middle age is marked by intermittent ill health. He dies on November 27, 1975, in his room at the Great Southern Hotel, Eyre Square, Galway.
Hayes-McCoy’s papers are held at the James Hardiman Library, National University of Ireland, Galway.
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