Clarke is born in 83 Manor Street, Stoneybatter, Dublin, on May 9, 1896. His main contribution to Irish poetry is the rigour with which he uses technical means borrowed from classical Irish language poetry when writing in English. Effectively, this means writing English verse based not so much on metre as on complex patterns of assonance, consonance, and half rhyme. Describing his technique to Robert Frost, he says, “I load myself down with chains and try to wriggle free.”
Clarke’s early poetry clearly shows the influence of Yeats. His first book, The Vengeance of Fionn, is a long narrative poem retelling an Ossianic legend. It meets with critical acclaim and, unusually for a first book of poetry, goes to a second edition. Between this and the 1938 volume Night and Morning, he publishes a number of collections, all of which, to one extent or another, can be seen as being written in the shadow of Yeats. There is, however, one significant difference. Unlike the older poet, Clarke is a Catholic, and themes of guilt and repentance run through this early work.
Between 1938 and 1955, Clarke publishes no new lyric or narrative poetry. He is co-founder of the Lyric Theatre, Dublin and writes a number of verses plays for them. He also works as a journalist and has a weekly poetry programme on RTÉ radio. It seems likely that he also experiences some kind of personal crisis during this time, and this has significant consequences for his later poetry.
Clarke returns to publishing poetry with the 1955 collection Ancient Lights and is to continue writing and publishing prolifically for the remainder of his life. Although he continues to use the same Gaelic-derived techniques, this late poetry is markedly different from his earlier work. Many of the later poems are satires of the Irish church and state, while others are sensual celebrations of human sexuality, free of the guilt of the earlier poems. He also publishes the intensely personal Mnemosyne Lay in Dust, which is a poem sequence detailing the fictional Maurice Devanes’s nervous breakdown and subsequent recovery.
Clarke also comes to admire the work of more avant-garde poets like Ezra Pound and Pablo Neruda, both of whom he writes poems about. A number of the late long poems, such as, for instance, the 1971 Tiresias, show the effects of studying these poets and their looser formal structures. He sets up the Bridge Press to publish his own work, which allows him the freedom to publish work that many mainstream Irish publishers of the time might have been reluctant to handle. His Collected Poems is published in 1974 and a Selected Poems in 1976.
In addition to some twenty volumes of poetry and numerous plays, Clarke publishes three novels: The Bright Temptation (1932), The Singing Men at Cashel (1936), and The Sun Dances at Easter (1952). All of these are banned by the Censorship of Publications Board (Ireland). He also publishes two volumes of memoirs, Twice Round the Black Church (1962) and A Penny in the Clouds (1968), and a number of scattered critical essays and book reviews. While all of these prose writings are of interest, his reputation rests firmly on his poetry.
In 1920 Clarke marries Cornelia (Lia) Cummins. The marriage effectively lasts only a few days, and he spends several months in St. Patrick’s Hospital recovering from it, but they do not divorce before Cummins dies in 1943. He meets, has three sons with, and later marries (1945) Norah Esmerelda Patricia Walker (1900–1985), granddaughter of Matthew Harris, MP for East Galway from 1885 to 1890.
Clarke lives in Bridge House beside Templeogue Bridge which spans the River Dodder in the south Dublin suburb of Templeogue. After his death on March 19, 1974, there is a proposal to preserve the house and his library of 6,500 books as a memorial. This is not possible owing to long-term plans to demolish the house and widen the road. The old Templeogue Bridge, built in 1800, and Bridge House are removed. A new bridge is opened by CouncillorBernie Malone, Chairman Dublin City Council, on December 11, 1984, which is renamed Austin Clarke Bridge in his honour.
Dillon is the eldest of five children of Sir James Charles Mathew and Elizabeth Blackmore Mathew. Her family is related to the Butler family, but she does not visit Ireland until 1886. Living in Queen’s Gate Gardens, Kensington, London, she is educated at home. From a young age she attends the ladies’ gallery of the House of Commons, while mixing a busy social life with charitable works.
Dillon begins keeping a diary in 1879, which she continues to write until her death. Her ancestor, Mary Mathew, is also a diarist and keeps the diary for the discipline of the daily activity. She soon begins to write for the love of it, and some have surmised she wrote with the intention her diaries would be read by others. She attends lectures in Old English and literature at King’s College, London from late 1882 to 1884, and begins to learn Irish in 1893.
Dillon’s father supports land reform in Ireland, chairs the evicted tenants commission in 1892, and is a huge influence on her politics. She makes her first political reference on February 25, 1883, when she notes the arrest of the Invincibles, and she then regularly comments on land reform. She travels to Ireland for the first time in August 1886, staying in Killiney, County Dublin. In October 1886, she meets John Dillon and begins to follow the Plan of Campaign so that she can discuss it with him during his visits to the Mathew house in London.
During this time, John Dillon is deeply immersed in politics and is imprisoned on a number of occasions. Being a careful follower of Irish politics, she becomes an anti-Parnellite. She confronts John Dillon in autumn 1895 about their relationship, saying that they can no longer meet as they had become the subject of gossip. He proposes within two weeks, and they are married on November 21, 1895, in Brompton Oratory. They are busy and often apart, with Dillon spending time in a warm climate due to his ill health. She tries to accompany him when she can, but the couple’s large family makes that difficult. They have one daughter and five sons, John Dillon (1896-1970), Anne Elizabeth Dillon (born October 29, 1897), Theobald Wolfe Tone (1898-1946), Myles, James, and Brian.
Finances are strained until John’s uncle Charles bequeaths him his house, 2 North Great George’s Street, Dublin in 1898, and a business in Ballaghaderreen, County Mayo is bequeathed him by a cousin, Anne Deane, in 1905. Dillon runs the business successfully, while also carrying out duties as a politician’s wife such as opening the Belfast ladies’ branch of the United Irish League in June 1905. Her busy life results in her neglecting her diary.
Dillon dies on May 14, 1907, in Dublin, having given birth to a stillborn daughter that morning. Pneumonia is given as the cause of death, but it could have been medical incompetence. She is buried in the family vault in Glasnevin Cemetery. Her husband writes of her death in June 1907, A short narrative of the illness and death of my dearest love. Trinity College Dublin holds her diary and correspondence. Her diaries, edited by Brendan Ó Cathaoir, are published in 2019.
Yeats spends her first three years between Ballylee, County Galway, and Oxford before her family moves to 82 Merrion Square, Dublin in 1922. She is very sick as a child and spends three years in two different hospitals, St. Margaret’s Hall, 50 Mespil Road, and Nightingale Hall, Morehampton Road, Dublin. She then goes to the Pension Henriette, a boarding school in Villars-sur-Bex, Switzerland from 1928–30. In 1923 her Aunt Elizabeth “Lolly” gives her brush drawing lessons which aid her in winning first prize in the Royal Dublin Society (RDS) National Art competition for children under eight years old in 1925 and 1926.
Yeats trains in the Royal Hibernian Academy school from 1933 to 1936 and works as a stage designer with the Abbey Theatre in Dublin. In 1936, at the age of 16, she is hired by the Abbey Theatre as assistant to Tanya Moiseiwitsch. She studies for four months at the School of Theatrical Design in Paris with Paul Colin in 1937. At 18, she begins her costume career on sets with Ria Mooney‘s company. At the Abbey, she designs the sets and costumes for revivals of W.B. Yeats’ plays The Resurrection and On Baile’s Strand (1938).
In 1938 Yeats designs the first production of W.B. Yeats’ play Purgatory. The designs for Purgatory are her most successful achievement. Purgatory is the last play that W.B Yeats sees on stage, and when it is performed it is a full house. When working on Purgatory, Hugh Hunt wants to have a moon on the back cloth of the production, but she refuses. “If she does not win, she is going to say that she doesn’t wish to have her name on the programme as a designer of the setting.” This could be the main reason why her name is not on many productions that she worked on. She also designs the first play of her uncle Jack Yeats to receive professional production, Harlequin’s Positions.
In 1939 Yeats is promoted to head of design at the Abbey until her departure in May 1941. In 1939 it is commented that her designs are “getting arty” and not in keeping with style of the Abbey. One of her last designs is her father’s last play, The Death of Cuchulain, for the Lyric Theatre on the Abbey stage in 1949. She designs and stage-manages for the Peacock Theatre, the Cork Opera House, the Olympia Theatre, the Gaiety Theatre, the Lyric Theatre, the Abbey Theatre and the Players Theatre.
Among the work Yeats is credited with in the Abbey Theatre, she also works on five productions in the Peacock Theatre with the Theatre Company: Alarm Among the Clerks (1937), The Phoenix (1937), Harlequin’s Positions (1939), The Wild Cat (1940), and Cavaliero (The Life of a Hawk) (1948).
Yeats chooses to move towards painting full-time beginning a brief study at the Dublin Metropolitan School of Art in 1941. She experiments with watercolour and wax. She has a touching naive expressionist style and is interested in representing domestic humanity. She designs many of the covers for the books of Irish language publisher Sáirséal agus Dill over a twenty-year period from 1958. She does illustrations for books by Denis Devlin, Thomas Kinsella and Louis MacNeice, and works with many young designers, such as Louis le Brocquy.
Yeats dies at the age of 82 on July 4, 2001, and is buried in Shanganagh Cemetery, south Dublin.
The Royal Hibernian Academy holds a retrospective of her work in 1995, as does the National Gallery of Ireland in 2002. She donates her collection of Jack B. Yeats’ sketch books to the National Gallery of Ireland, leading to the creation of the Yeats Museum within the Gallery. Her brother, Michael, in turn, donates her sketchbooks to the Museum.
(Pictured: “Coole Park,” oil on board by Anne Butler Yeats, Duke Street Gallery, Dublin)
Hutchinson’s father, Harry Hutchinson, a Scottish printer whose own father had left Dublin to find work in Scotland, is Sinn Féin treasurer in Glasgow and is interned in Frongoch internment camp in 1919–21. His mother, Cathleen Sara, is born in Cowcaddens, Glasgow, of emigrant parents from County Donegal. She is a friend of Constance Markievicz. In response to a letter from Cathleen, Éamon de Valera finds work in Dublin for Harry as a clerk in the Labour Exchange, and later he holds a post in Stationery Office.
Hutchinson is five years old when the family moves to Dublin and is the last to be enrolled in St. Enda’s School before it closes. He then goes to school at Synge Street CBS where he learns Irish and Latin. One of his close friends there is the poet and literary critic John Jordan. In 1948 he attends University College Dublin (UCD) where he spends a year and a half, learning Spanish and Italian.
Having published some poems in The Bell in 1945, Hutchinson’s poetic development is greatly influenced by a 1950 holiday in Spain and Portugal. A short stop en route at Vigo brings him into contact for the first time with the culture of Galicia. Later, in Andalusia, he is entranced by the landscape and by the works of the Spanish poets Federico García Lorca, Emilio Prados and Luis Cernuda.
In 1951 Hutchinson leaves Ireland again, determined to live in Spain. Unable to get work in Madrid, as he had hoped, he travels instead to Geneva, where he gets a job as a translator with the International Labour Organization, which brings him into contact with Catalan exiles, speaking a language then largely suppressed in Spain. An invitation by a Dutch friend leads to a visit to the Netherlands, in preparation for which he teaches himself the Dutch language.
Hutchinson returns to Ireland in 1953 and becomes interested in the Irish language poetry of writers such as Piaras Feiritéar and Aonghus Fionn Ó Dálaigh and publishes a number of poems in Irish in the magazine Comhar in 1954. The same year he travels again to Spain, this time to Barcelona, where he learns the Catalan and Galician languages, and gets to know Catalan poets such as Salvador Espriu and Carles Riba. With the British poet P. J. Kavanagh, he organises a reading of Catalan poetry in the British Institute.
Hutchinson goes home to Ireland in 1957 but returns to Barcelona in 1961 and continues to support Catalan poets. An invitation by the publisher Joan Gili to translate some poems by Josep Carner leads to the publication of his first book, a collection of thirty of Carner’s poems in Catalan and English, in 1962. A project to publish his translation of Espriu’s La Pell de brau (The Bull-skin), falls through some years later. Some of the poems from this project are included in the collection Done into English.
In 1963, Hutchinson’s first collection of original poems in English, Tongue Without Hands, is published by Dolmen Press in Ireland. In 1967, having spent nearly ten years altogether in Spain, he returns to Ireland, making a living as a poet and journalist writing in both Irish and English. In 1968, a collection of poems in Irish, Faoistin Bhacach (A Lame Confession), is published. Expansions, a collection in English, follows in 1969. Friend Songs (1970) is a new collection of translations, this time of medieval poems originally written in Galician-Portuguese. In 1972 Watching the Morning Grow, a new collection of original poems in English, comes out, followed in 1975 by another, The Frost Is All Over.
In October 1971, Hutchinson takes up the Gregory Fellowship in Poetry at the University of Leeds, on the recommendation of Professor A. Norman Jeffares. There is some controversy around the appointment following accusations, later retracted, that Jeffares had been guilty of bias in the selection because of their joint Irish heritage. He holds tenure at the University for three years, and during that time contributes to the University’s influential poetry magazine Poetry & Audience.
From 1977 to 1978 Hutchinsonn compiles and presents Oró Domhnaigh, a weekly radio programme of Irish poetry, music and folklore for Ireland’s national network, RTÉ. He also contributes a weekly column on the Irish language to the station’s magazine RTÉ Guide for over ten years. A collaboration with Melita Cataldi of Old Irish lyrics into Italian is published in 1981. Another collection in English, Climbing the Light (1985), which also includes translations from Irish, Italian and Galician, is followed in 1989 by his last Irish collection, Le Cead na Gréine (By Leave of the Sun). The Soul that Kissed the Body (1990) is a selection of his Irish poems translated into English. His most recent English collection is Barnsley Main Seam (1995). His Collected Poems is published in 2002 to mark his 75th birthday. This is followed in 2003 by Done into English, a selection of many of the translated works he produced over the years.
A co-editor and founder of the literary journal Cyphers, Hutchinson receives the Butler Award for Irish writing in 1969. He is a member of Aosdána, the state-supported association of artists, from which he receives a cnuas (stipend) to allow him to continue writing. He describes this as “a miracle and a godsend” as he is fifty-four when invited to become a member and is at the end of his tether. A two-day symposium of events is held at Trinity College Dublin, to celebrate his 80th birthday in 2007, with readings from his works by writers including Macdara Woods, Eiléan Ní Chuilleanáin, Paul Durcan and Sujata Bhatt. His most recent collection, At Least for a While (2008), is shortlisted for the Poetry Now Award.
Hutchinson lives in Rathgar, Dublin, and dies of pneumonia in Dublin on January 14, 2012.
Gearóid O’Sullivan, soldier and politician, is born on January 28, 1891, at Coolnagrane, near Skibbereen, County Cork, fourth son among six sons and three daughters of Michael O’Sullivan, farmer, of Loughine, and Margaret Sullivan (née McCarthy) of Coolnagrane.
Christened Jeremiah but known in later life as Gearóid, O’Sullivan is an outstanding pupil at national school and secondary school in Skibbereen. Encouraged by his teachers, he acquires a love of the Irish language. Not yet ten, he joins the Gaelic League in Skibbereen in October 1900. He takes part in the Oireachtas debates of 1909. In 1911 he qualifies at St. Patrick’s College, Dublin, as a national schoolteacher and teaches at Kildorrery, County Cork, but returns to Dublin in 1912 to take up a post at St. Peter’s National School, Phibsborough. He takes an honours degree in Celtic studies at University College Dublin (UCD) (1913), an H.Dip.Ed. (1914), and an M.Ed. (1915). At the same time, he is an organiser and teacher with the Gaelic League, a member of its Keating branch at Parnell Square, Dublin, and a founder of the League’s “fáinne” proficiency badge.
O’Sullivan joins the F Company, 1st Battalion, Dublin Brigade of the Irish Volunteers at their foundation in November 1913, is aide-de-camp to Seán Mac Diarmada during the 1916 Easter Rising and is ordered by Patrick Pearse to raise the flag of rebellion over the General Post Office (GPO) stronghold in Dublin. Interned at Frongoch internment camp in Wales after the rising, he belongs to the Irish Republican Brotherhood (IRB) group of prisoners closely linked with Michael Collins, a proximity that continues throughout the crisis years to follow. Released in the amnesty of December 1916, he intensifies his Volunteer activity, playing a prominent role in Carlow Brigade, for which he is briefly detained while working as a teacher at St. Mary’s Knockbeg College, County Carlow. When the Irish Volunteers become the Irish Republican Army (IRA) in 1919, he is arrested again and goes on hunger strike at Mountjoy Prison, which leads to his release. Active throughout the Irish War of Independence (1919–21) and narrowly avoiding recapture during meetings with Collins, he joins the supreme council of the IRB in November 1921, remaining there for the remainder of his military career.
From February 1920, O’Sullivan replaces Collins as adjutant general of the IRA, a position he retains until the Anglo–Irish Treaty of December 1921 (which he supports), resuming it a month later as a lieutenant general of the new National Army, responsible for personnel and promotions. He is also elected to Dáil Éireann for Carlow–Kilkenny in 1921 and again in 1922, retiring in 1923. His intellectual and organisational abilities guarantee that his position within the army is safe after the death in August 1922 of Collins, to whom he owes much for his initial rise to prominence. On August 28 he is appointed to the newly created army council, whose most draconian prerogative becomes the military execution of republican prisoners.
After the Irish Civil War (1922–23), wholesale demobilisation of officers and other ranks takes place, but O’Sullivan and his council colleagues Richard Mulcahy, Seán Mac Mahon, and Seán Ó Murthuile survive the fiscal axe. Their privileged position angers some officers, led by Major GeneralLiam Tobin, alarmed at the rate of demobilisation and the state’s apparent abandonment of Collins’s republican ideals. Through the Irish Republican Army Organisation, they deplore the devaluation of their pre-treaty IRA service and the retention of certain former British Army officers and instructors. O’Sullivan’s brief time as adjutant general places him in the role of personnel manager. As the Defence Forces (Temporary Provisions) Act, 1923, transforms the National Army into the defence forces of an Irish dominion, he is clearly in the sights of those who disagree with how these forces took shape.
As demobilisation continues and former British personnel become more evident, O’Sullivan and his colleagues become targets of suspicion that a hostile IRB clique had controlled the army council since its formation after the death of Collins. Exaggerated or not, such claims precipitate the army crisis of March 1924, in which O’Sullivan personally orders a raiding party under Colonel Hugo MacNeill to arrest its leaders. To defuse the crisis, he and his army council colleagues are forced to stand down, while the arrested dissidents are summarily retired. The subsequent army inquiry (April–June 1924) absolves him and his colleagues of any wrongdoing, but their active military careers are over. O’Sullivan, however, is for some time secretary of the military service pensions board.
Civilian life treats O’Sullivan well, as he enters a legal career and in 1926 is called to the bar. In 1927 he is appointed Judge Advocate General and remains so until 1932. After the assassination of Minister for JusticeKevin O’Higgins in July 1927, he fills the vacated Dublin County seat in a by-election in August, retaining it at subsequent elections until 1937. In August 1928 he is a Free State delegate to the Empire Parliamentary Association conference in Canada. Openly supporting Gen. Eoin O’Duffy and the short-lived ‘Blueshirts’ vanguard of the fledgling Fine Gael party during 1933–34, he pointedly refuses to surrender his legally held revolver when gardaí demand it as a precaution against a feared Blueshirt coup d’étât. In 1937 he becomes a barrister on the western circuit, and in 1940 commissioner for special purposes of the income tax acts, a post he holds for life.
O’Sullivan lives at St. Kevin’s Park, Dartry, Dublin, where he dies at the age of 57 on March 26, 1948. His military funeral to Glasnevin Cemetery, with his coffin draped in the same flag that had covered the coffin of Michael Collins, reflects his high national profile.
In 1922, O’Sullivan marries Maude Kiernan, sister of Kitty Kiernan and daughter of Peter and Bridget Kiernan, whose family is closely involved with the Irish political leadership, notably Michael Collins and Harry Boland. After Maude’s death he marries Mary Brennan of Belfast. They have three daughters and a son, all of whom survive him. O’Sullivan is commemorated in County Cork by a plaque at Skibbereen town hall.
Gobnait Ní Bhruadair, Irish republican and lifelong radical, dies in Sneem, County Kerry, on January 16, 1955. She campaigns passionately for causes as diverse as the reform of nursing, protection and promotion of the Irish language and the freedom of Ireland from British rule.
Ní Bhruadair is born the Hon. Albinia Lucy Brodrick on December 17, 1861, at 23 Chester Square, Belgrave, London, the fifth daughter of William Brodrick, 8th Viscount Midleton (1830–1907), and his wife, Augusta Mary (née Freemantle), daughter of Thomas Fremantle, 1st Baron Cottesloe. She spends her early childhood in London until the family moves to their country estate in Peper Harow, Surrey in 1870. Educated privately, she travels extensively across the continent and speaks fluent German, Italian and French, and has a reading knowledge of Latin.
The polar opposite of Ní Bhruadair, her brother is consistent in his low opinion of the Irish and holds imperialist views that warmly embrace much of the jingoism associated with social Darwinism. The young Albinia Lucy Brodrick conforms to her familial political views on Ireland, if her authorship of the pro-Unionist song “Irishmen stand” is an indicator. However, by the start of the twentieth century she becomes a regular visitor to her father’s estate in County Cork. There she begins to educate herself about Ireland and begins to reject the views about Ireland that she had been raised on. In 1902 she writes about the need to develop Irish industry and around the same time she begins to develop an interest in the Gaelic revival. She begins to pay regular visits to the Gaeltacht where she becomes fluent in Irish and is horrified at the abject poverty of the people.
From this point on, Ní Bhruadair’s affinity with Ireland and Irish culture grows intensely. Upon her father’s death in 1907 she becomes financially independent and in 1908 purchases a home near West Cove, Caherdaniel, County Kerry. The same year she establishes an agricultural cooperative there to develop local industry. She organises classes educating people on diet, encourages vegetarianism and, during the smallpox epidemic of 1910, nurses the local people. Determined to establish a hospital for local poor people, she travels to the United States to raise funds.
There Ní Bhruadair takes the opportunity to study American nursing, meets leading Irish Americans and becomes more politicised to Ireland’s cause. Upon her return to Kerry, she establishes a hospital in Caherdaniel later in 1910. She renames the area Ballincoona (Baile an Chúnaimh, ‘the home of help’), but it is unsuccessful and eventually closes for lack of money. She writes on health matters for The Englishwoman and Fortnightly, among other journals, is a member of the council of the National Council of Trained Nurses and gives evidence to the royal commission on venereal disease in 1914.
Along with Dr. Kathleen Lynn she works with the Irish White Cross to distribute food to the dependents of IRA volunteers. By the end of the Irish War of Independence she has become hardened by the suffering she has seen and is by now implacably opposed to British rule in Ireland. She becomes one of the most vociferous voices against the Anglo-Irish Treaty of December 6, 1921. She becomes a firebrand speaker at meetings in the staunchly republican West Kerry area. In April 1923 she is shot by Irish Free State troops and arrested. She is subsequently imprisoned in the North Dublin Union, where she follows the example of other republicans and goes on hunger strike. She is released two weeks later. Following the formation of Fianna Fáil by Éamon de Valera in 1926, she continues to support the more hardline Sinn Féin.
In October 1926 Ní Bhruadair represents Munster at the party’s Ardfheis. She owns the party’s semi-official organ, Irish Freedom, from 1926–37, where she frequently contributes articles and in its later years acts as editor. Her home becomes the target of the Free State government forces in 1929 following an upsurge in violence from anti-Treaty republicans against the government. She and her close friend Mary MacSwiney leave Cumann na mBan following the decision by its members at their 1933 convention to pursue social radicalism. The two then establish an all-women’s nationalist movement named Mná na Poblachta, which fails to attract many new members.
Ní Bhruadair continues to speak Irish and regularly attends Conradh na Gaeilge branch meetings in Tralee. Although sympathetic to Catholicism, she remains a member of the AnglicanChurch of Ireland, and regularly plays the harmonium at Sneem’s Church of Ireland services. Described by a biographer as “a woman of frugal habits and decided opinions, she was in many ways difficult and eccentric.” She dies on January 16, 1955, and is buried in the Church of Ireland graveyard in Sneem, County Kerry.
In her will Ní Bhruadair leaves most of her wealth (£17,000) to republicans “as they were in the years 1919 to 1921.” The vagueness of her bequest leads to legal wrangles for decades. Finally, in February 1979, Justice Seán Gannon rules that the bequest is void for remoteness, as it is impossible to determine which republican faction meets her criteria.
Gregory becomes involved in republican politics, joining Sinn Féin and the Irish Republican Army (IRA) in 1964. In UCD he helps found the UCD Republican Club, despite pressure from college authorities, and becomes involved with the Dublin Housing Action Committee. Within the party he is a supporter of Wicklow Republican Seamus Costello. Costello, who is a member of Wicklow County Council, emphasises involvement in local politics and is an opponent of abstentionism. Gregory sides with the Officials in the 1970 split within Sinn Féin. Despite having a promising future within the party, he resigns in 1972 citing frustration with ideological infighting in the party. Later, Costello, who had been expelled by Official Sinn Féin, approaches him and asks him to join his new party, the Irish Republican Socialist Party. He leaves the party after Costello’s assassination in 1977. He is briefly associated with the Socialist Labour Party.
Gregory contests the 1979 local elections for Dublin City Council as a “Dublin Community Independent” candidate. At the February 1982 general election, he is elected to Dáil Éireann as an Independent TD. On his election he immediately achieves national prominence through the famous “Gregory Deal,” which he negotiates with Fianna Fáil leader Charles Haughey. In return for supporting Haughey as Taoiseach, he is guaranteed a massive cash injection for his inner-city Dublin constituency, an area beset by poverty and neglect.
Although Gregory is reviled in certain quarters for effectively holding a government to ransom, his uncompromising commitment to the poor is widely admired. Fianna Fáil loses power at the November 1982 general election, and many of the promises made in the Gregory Deal are not implemented by the incoming Fine Gael–Labour Party coalition.
Gregory is involved in the 1980s in tackling Dublin’s growing drug problem. Heroin had largely been introduced to Dublin by the Dunne criminal group, based in Crumlin, in the late 1970s. In 1982 a report reveals that 10% of 15- to 24-year-olds have used heroin at least once in the north inner city. The spread of heroin use also leads to a sharp increase in petty crime. He confronts the government’s handling of the problem as well as senior Gardaí, for what he sees as their inadequate response to the problem. He co-ordinates with the Concerned Parents Against Drugs group in 1986, who protest and highlight the activities of local drug dealers and defend the group against accusations by government Ministers Michael Noonan and Barry Desmond that it is a front for the Provisional IRA. He believes that the solution to the problem is multi-faceted and works on a number of policy level efforts across policing, service co-ordination and rehabilitation of addicts. In 1995 in an article in The Irish Times, he proposes what would later become the Criminal Assets Bureau, which is set up in 1996, catalysed by the death of journalistVeronica Guerin. His role in its development is later acknowledged by then Minister for JusticeNora Owen.
Gregory also advocates for Dublin’s street traders. After attending a sit-down protest with Sinn Féin Councillor Christy Burke, and future Labour Party TD Joe Costello on Dublin’s O’Connell Street in defence of a street trader, he, Burke and four others are arrested and charged with obstruction and threatening behaviour. He spends two weeks in Mountjoy Prison after refusing to sign a bond to keep the peace.
Gregory remains a TD from 1982 and, although he never holds a government position, remains one of the country’s most recognised Dáil deputies. He always refuses to wear a tie in the Dáil chamber stating that many of his constituents could not afford them.
Gregory dies on January 2, 2009, following a long battle with cancer. Following his death, tributes pour in from politicians from every party, recognising his contribution to Dublin’s north inner city. During his funeral, politicians from the Labour Party, Fianna Fáil and Fine Gael are told that although they speak highly of Gregory following his death, during his time in the Dáil he had been excluded by many of them and that they were not to use his funeral as a “photo opportunity.” He is buried on January 7, with the Socialist Party‘s Joe Higgins delivering the graveside oration.
McMaster is born as Andrew McMaster, the son of Liverpool-born Andrew McMaster (1855–1940), a master stevedore, and Alice Maude née Thompson (1865–1895). A number of sources make the erroneous claims, based on details supplied by McMaster himself, that he is born in 1893 or 1894 or even 1895 in County Monaghan in Ireland but, according to the Birth Register and the 1901 United Kingdom Census, he is actually born in 1891 in Birkenhead, England. Like his future brother-in-law Micheál Mac Liammóir, who is born in London as Alfred Willmore but claims to have been born in Cork to Gaelic-speaking parents, McMaster reinvents himself as Irish and claims for himself the town of Monaghan as his birthplace, and Warrenpoint, County Down, as the scene of his earliest memories.
At the age of nineteen McMaster gives up a career in banking to pursue one on the stage. He moves to Ireland and tours the country with the O’Brien-Ireland theatrical company from 1910 to 1914. Success quickly follows with his appearance as Jack O’Hara in Paddy the Next Best Thing at the Savoy Theatre (1920). From 1921 he tours Australia in this and other plays, and in 1925 forms his own company, the McMaster Intimate Theatre Company, a ‘fit-up‘ company to tour in the works of Shakespeare, mainly in Ireland but also in Britain and Australia, touring with his theatrical company until 1959. One of the last actor-managers “of the old school – and an epitome of the type,” on occasions he persuades a ‘big name’ to act with his company as a draw for audiences. Frank Benson (1928), Sara Allgood (1929) and Mrs. Patrick Campbell appear with him.
In 1933 at the Shakespeare Memorial Theatre in Stratford-upon-Avon McMaster appears as Hamlet opposite Esme Church as Gertrude, Coriolanus, Macduff in Macbeth, Leonato in Much Ado About Nothing, Prince Escalus in Romeo and Juliet, and Petruchio in The Taming of the Shrew. His greatest roles are as Othello and as Shylock in The Merchant of Venice, to which he adds King Lear in 1952. Just before World War II he and his company appear at the Chiswick Empire in a Shakespeare season. He tours the United States as James Tyrone in Eugene O’Neill‘s Long Day’s Journey into Night in 1956. Having ‘a great organ voice,’ Harold Pinter, who acts in his company in Ireland from 1951 to 1953 and calls him ‘perhaps the greatest actor-manager of his time,’ later describes McMaster as ‘evasive, proud, affectionate, shrewd, merry.’ In his brief biography Mac (1968), Pinter recalls, “Mac gave about a half dozen magnificent performances of Othello while I was with him… At his best he was the finest Othello I have seen. [He] stood dead in the centre of the role, and the great sweeping symphonic playing would begin, the rare tension and release within him, the arrest, the swoop, the savagery, the majesty and repose.”
McMaster’s only film role is an uncredited appearance as the Judge in Sword of Sherwood Forest (1960).
In 1924 McMaster marries the actress and designer Marjorie Willmore (1894–1970), the sister of Micheál Mac Liammóir. They have two children, the actors John Christopher McMaster (1925–1995) and Mary-Rose McMaster (1926–2018).
McMaster trains a generation of actors who tour with his company and go on to achieve success as actors. These include Pauline Flanagan, Milo O’Shea, T. P. McKenna, Kenneth Haigh, Henry Woolf, Harold Pinter, Donal Donnelly and Patrick Magee. It is while they are touring with McMaster’s company that the actor and dramatist Micheál Mac Liammóir and the actor and producer Hilton Edwards first meet and begin their lifelong partnership.
McMaster’s biography, A Life Remembered: A Memoir of Anew McMaster by his daughter Mary-Rose McMaster, is published in 2017. Harold Pinter also publishes a short biography, Mac, in 1968.
Barrett is the son of Richard Barrett, farmer, and Ellen Barrett (née Henigan). Educated at Knocks and Knockskagh national schools, he enters the De La Salle College, Waterford, where he trains to be a teacher. Obtaining a first-class diploma, he first teaches at Ballinamult, County Waterford but then returns to Cork in early 1914 to take up a position at the St. Patrick’s Industrial School, Upton. Within months he is appointed principal of Gurrane National School. Devoted to the Irish language and honorary secretary of KnockavillaGAA club, he does much to popularise both movements in the southern and western districts of Cork. He appears to have been a member of the Cork Young Ireland Society.
Through planning and participating in raids and gunrunning episodes, Barrett comes into close contact with many GHQ staff during the Irish War of Independence, thereby ensuring his own rapid promotion. He is an active Irish Republican Army (IRA) brigade staff officer and occasionally acts as commandant of the West Cork III Brigade. He also organises fundraising activities for the purchase of weapons and for comrades on the run. In July 1920, following the arrest of the Cork III Brigade commander Tom Hales and quartermaster Pat Harte, he is appointed its quartermaster. He is arrested on March 22, 1921, and imprisoned in Cork jail, later being sent to Spike Island, County Cork.
As one of the senior officers held in Spike Island, Barrett is involved in many of the incidents that occur during his time there. After the truce is declared on July 11, 1921, some prisoners go on hunger strike, but he calls it off after a number of days on instructions from outside as a decision had been made that able-bodied men are more important to the cause. In November, Barrett escapes by rowboat alongside Moss (Maurice) Twomey, Henry O’Mahoney, Tom Crofts, Bill Quirke, Dick Eddy and Paddy Buckley.
Following the Irish War of Independence, Barrett supports the Anti-Treaty IRA‘s refusal to submit to the authority of Dáil Éireann (civil government of the Irish Republic declared in 1919). He is opposed to the Anglo-Irish Treaty and calls for the total elimination of English influence in Ireland. In April 1922, under the command of Rory O’Connor, he, along with 200 other hardline anti-treaty men, take over the Four Courts building in the centre of Dublin in defiance of the new Irish government. They want to provoke British troops, who are still in the country, into attacking them. They hope this will restart the war with Britain and reunite the IRA against their common enemy. Michael Collins tries desperately to persuade O’Connor and his men to vacate the building. However, on June 28, 1922, after the Four Courts garrison had kidnapped J. J. O’Connell, a general in the new National Army, Collins’s soldiers shell the Four Courts with British artillery to spark off what becomes known as the Battle of Dublin. O’Connor surrenders following two days of fighting, and Barrett, with most of his comrades, is arrested and held in Mountjoy Gaol. This incident marks the official outbreak of the Irish Civil War, as fighting escalates around the country between pro- and anti-treaty factions.
After the death of Michael Collins in an ambush, a period of tit-for-tat revenge killings ensues. The government implements martial law and enacts the necessary legislation to set up military courts. In November, the government begins to execute Anti-Treaty prisoners, including Erskine Childers. In response, Liam Lynch, the Anti-Treaty Chief of Staff, gives an order that any member of the Dáil who had voted for the ‘murder legislation’ is to be shot on sight.
On December 7, 1922, Teachta Dála (TD) Sean Hales is killed by anti-Treaty IRA men as he leaves the Dáil. Another TD, Pádraic Ó Máille, is also shot and badly wounded in the incident. An emergency cabinet meeting is allegedly held the next day to discuss the assassination of Hales. It is proposed that four prominent members of the Anti-Treaty side currently held as prisoners be executed as a reprisal and deterrent. The names put forward were Barrett, O’Connor, Liam Mellows and Joe McKelvey. It is alleged that the four are chosen to represent each of the four provinces – Munster, Connacht, Leinster and Ulster respectively, but none of the four is actually from Connacht. The executions are ordered by Minister for JusticeKevin O’Higgins. At 2:00 AM on the morning of December 8, 1922, Barrett is awoken along with the other three and informed that they are all to be executed at 8:00 that morning.
Ironies stack one upon the other. Barrett is a member of the same IRA brigade as Hales during the Anglo-Irish War, and they were childhood friends. O’Connor had been best man at O’Higgins’ wedding a year earlier. The rest of Sean Hales’ family remains staunchly anti-Treaty, and publicly denounces the executions. In reprisal for O’Higgins’ role in the executions, the Anti-Treaty IRA kills his father and burns his family home in Stradbally, County Laois. O’Higgins himself dies by an assassin’s hand on July 10, 1927.
The executions stun Ireland, but in terms of halting the Anti-Treaty assassination policy, they have the desired effect. The Free State government continues to execute enemy prisoners, and 77 official executions take place by the end of the war.
Barrett is now buried in his home county, Cork, following exhumation and reinternment by a later government. A monument is erected by old comrades of the West Cork Brigade, the First Southern Division, IRA, and of the Four Courts, Dublin, garrison in 1922 which is unveiled on December 13, 1952, by the TánaisteSeán Lemass.
León Ó Broin, senior civil servant, historian, and author, is born Leo Byrne on November 10, 1902, at 21 Aungier Street, Dublin, the second of four sons of James P. Byrne, a potato factor’s bookkeeper, and Mary Byrne (née Killeen), daughter of a seaman who abandoned his family.
After early education in convent school, Ó Broin attends Synge Street CBS, where he is especially adept at languages. After working in several minor clerical employments, he becomes a clerk in the Kingsbridge headquarters of the Great Southern Railway. Joining a local Sinn Féin club, he canvasses for the party in the College Green ward during the 1918 Irish general election. Sent from an early age to Irish language classes by his father, he attends the Irish summer college in Spiddal, County Galway, and joins the Gaelic League, becoming by early 1921 secretary of central branch. He writes articles for the league’s successive weekly organs, each in its turn suppressed by the authorities. Despite regarding such writing as practice work within a language he is yet learning, he is selected best writer of Irish at the 1920 Dublin feis.
Arrested with his father and two brothers just before Christmas 1920 when Black and Tans discover a letter in Irish on his person during a house raid, Ó Broin is imprisoned for several weeks in Wellington Barracks. Leaving his railway job, he works as a clerk in the clandestine office of the Dáil ÉireannDepartment of Agriculture (1921–22). During the Irish Civil War, with departmental work at a standstill, he joins the National Army as a commissioned officer assigned to general headquarters staff at Portobello Barracks. Having recently commenced legal studies at the King’s Inns and University College Dublin (UCD), he handles army legal matters, such as compensation claims for damage to property.
Called to the bar in 1924, Ó Broin enters the civil service. Assigned to the Department of Education (1925–27), he was involved in launching the Irish language publishing imprint An Gúm, intended to redress the paucity of reading material, apart from school texts, in the language. Transferred to the Department of Finance (1927), he serves as estimates officer and parliamentary clerk and is assistant secretary of the economy committee established by the Cumann na nGaedheal government to make recommendations on reductions in current expenditure. Appointed private secretary to the Minister for Finance (1931–32), he serves both Ernest Blythe and the first Fianna Fáil minister, Seán MacEntee. Promoted to assistant principal (1932), and to principal officer (1939), he represents the department on the Irish Folklore Commission, and serves on the interdepartmental committee that, after the disastrous Kirkintilloch bothy fire in 1937, investigates seasonal migration to Scotland. During the emergency he is regional commissioner for Galway and Mayo (1940–45), one of eight such officers charged with organising contingency preparations for dealing with the likely collapse of central administration in the event of invasion by any of the wartime belligerents.
Transferred out of Finance, Ó Broin becomes assistant secretary (1945–48) and secretary (1948–67) of the Department of Posts and Telegraphs, administering both the postal service and telecommunications. He works closely with Fianna Fáil minister Patrick Little to improve the range and quality of music offered by the broadcasting service, playing a large part in the decision to form and adequately staff a full Radio Éireann symphony orchestra. He represents Ireland in several post-war conferences in Europe and America that reorganise the international regulation of broadcasting activities. He is elected to the European Broadcasting Union‘s administrative council (1953). He establishes and serves on a departmental committee in 1953 that studies all facets of launching a television service.
A devout but liberal Catholic, Ó Broin is prominent for many years in the Legion of Mary, founded by his close friend and civil-service colleague Frank Duff. President of a legion presidium of writers, actors, and artists, he is first editor (1937–47) of the quarterly organ Maria Legionis. Sharing Duff’s ecumenism, he belongs to the Mercier Society, the Pillar of Fire Society, and Common Ground, groups organised by Duff in the early 1940s to facilitate discussion between Catholics and, respectively, protestants, Jews, and secular intellectuals. The first two are suspended amid disapproval by the Catholic Archbishop of Dublin, John Charles McQuaid.
On retirement from the civil service in 1967, Ó Broin concentrates on the parallel career of research and writing that he had cultivated over many years. Having begun writing articles and short stories in Irish from his earliest years in the Gaelic League, he publishes his first collection of short stories, Árus na ngábhad, in 1923. With the establishment of An Gúm, he publishes three more collections of original short stories and translations of such masters of the genre as Alexander Pushkin, Prosper Mérimée, Guy de Maupassant, and Jerome K. Jerome. He translates several popular modern novels, including Robert Louis Stevenson‘s Kidnapped and H. G. Wells‘s The War of the Worlds. Active as secretary, actor, and writer with the state-subsidised Gaelic Drama League (An Comhar Drámaíochta), which produces Irish language plays, he publishes many plays in Irish, both original and translated. His best-selling book in Irish is Miss Crookshank agus coirp eile (1951), about the mummified corpses in the vaults of St. Michan’s Church, Dublin.
Ó Broin writes prolifically on modern Irish history and biography. His Irish language biography of Charles Stewart Parnell (1937), the first full-scale study of its kind in Irish since the commencement of the language revival, is a landmark publication, praised for the quality of its prose by such critics as Frank O’Connor and Seán Ó Faoláin. His biography of Robert Emmet, published in Irish in 1954, and awarded the Douglas Hyde prize, pioneers the scholarly subversion of the romantic myth surrounding its subject, and includes consideration of the political and social context. The subjects of subsequent biographies include Richard Robert Madden, Charles Gavan Duffy, Joseph Brenan, Michael Collins, and Frank Duff.
Ó Broin takes a largely biographical approach to historical writing, researching neglected aspects of pivotal historical events, and basing his studies on previously unexploited primary sources, often the papers of a single individual, whose career serves as the linchpin of his narrative, filtering events through the perspective of that person. Another vein of his scholarship is his primary research into the history of Irish separatism, especially with sources in the Irish State Paper Office.
Ó Broin receives an honorary LL. D from the National University of Ireland (NUI) in 1967. Elected a member of the Royal Irish Academy (RIA) in 1971, he is a council member (1974–76) and senior vice-president (1976–77) and chairs the group whose recommendations results in the academy’s establishment of the National Committee on International Affairs. He is president of the Irish Historical Society (1973–74), and a member of the Irish Manuscripts Commission.
In 1925 Ó Broin marries Cait Ní Raghallaigh, an office assistant reared in Baltinglass, County Wicklow, whom he met in the Gaelic League. They have two sons and three daughters. After residing in the south city suburbs, they move to Booterstown, County Dublin in the 1930s, and from there to the Stillorgan Road in the 1950s.
Ó Broin dies February 26, 1990, in Dublin, and is buried in Deans Grange Cemetery. His papers are in the National Library of Ireland (NLI). His eldest son, Eimear Ó Broin, is an accomplished musicologist and assistant conductor of the several Radio Éireann orchestras (1953–89).
(From: “Ó Broin, León” by Lawrence William White, Dictionary of Irish Biography, http://www.dib.ie)
seamus dubhghaill 