
Muriel MacDonagh (née Gifford), Irish nationalist and member of Inghinidhe na hÉireann, dies in Skerries, Dublin, on July 9, 1917. Her husband, Thomas MacDonagh, is one of the signees of the Proclamation of the Irish Republic, which leads to the Easter Rising of 1916.
Muriel Enid Gifford is born at 12 Cowper Road, Rathmines, on December 18, 1884. She is the fourth daughter and eighth child of twelve of Frederick and Isabella Gifford. As a child, she suffers at different times from rheumatic fever and phlebitis. She attends Alexandra College and spends a brief time in England training to as a poultry instructor. Returning to Ireland, she trains at Sir Patrick Dun’s Hospital, Dublin, as a student nurse, but her health suffers from the work.
Along with her sisters, MacDonagh is active in the Irish Women’s Franchise League and Inghinidhe na hÉireann, a nationalist organisation. She is involved in the school meals programme of 1910 to 1911, takes part in a 1914 Women’s Franchise League fundraiser, appearing in a tableau vivant as Maeve, the Warrior Queen. Less ardently feminist than her sisters, she takes delight in inviting home activists and artists for a “proper meal.” In an outgoing family, she is shy and reserved, known for her gentle manner. In 1908, she is introduced to Thomas MacDonagh by suffragette journalist Nannie Dryhurst along with her sisters, Grace and Sidney, on a visit to St. Enda’s School. Dryhurst advises Thomas to “fall in love with one of these girls and marry her,” to which he replies laughingly, “That would be easy; the only difficulty would be to decide which one.” The Gifford sisters remain acquaintances with Thomas until the autumn of 1911, when the couple has a short and intense courtship. They meet secretly in galleries and museums and have copious correspondence. When he is appointed assistant lecturer to University College Dublin (UCD) in December 1911, they marry on January 3, 1912. They have one son, Donagh MacDonagh, and one daughter, Barbara MacDonagh Redmond. The family lives first at 32 Baggot Street, and later at 29 Oakley Road, Rathmines.
MacDonagh suffers with poor health and depression, which leads to periods of convalescence and confinement. When her husband is arrested after the Easter Rising, she is unable to see him before his execution on May 3, 1916, which heightens the intensity of her bereavement. Devastated by his death and estranged from her parents due to their disapproval of his involvement in the Rising, she briefly lives with the Plunketts at Larkfield, Kimmage, and then with relatives of her husband in Thurles, County Tipperary. She later returns to Dublin to rent rooms in a Plunkett family property, 50 Marlborough Road. With two young children to support, she is nearly destitute, but like the other widows and orphans of the executed leaders of the Rising, they are aided by the Irish Volunteers Dependents’ Fund, in her case with £250. She also serves as an officer and committee member on this aid association. Her husband had named her as his literary executor, and she prepares a collected edition of his poetry that is published in October 1916. The success of this volume, and his bestselling Literature in Ireland, published at the time he is executed, ease her financial difficulties somewhat.
MacDonagh converts to Catholicism on May 3, 1917.
MacDonagh dies while swimming in the sea during a holiday with other 1916 widows and orphans in Skerries, County Dublin, on July 9, 1917. She almost does not attend the holiday, as her son is in hospital having been injured in a fall. It is believed that she is attempting to swim to Shenick Island from Skerries, possibly to place a tricolour flag on the island’s Martello tower. Her body is found near Loughshinny Beach and, as there is no water in her lungs, it is concluded that she died of heart failure and not drowning. As there is great interest in the 1916 widows and their families, her funeral at Glasnevin Cemetery attracts a large crowd of mourners estimated at 5,000 in the funeral procession.
Following MacDonagh’s death, there is a legal custody battle between the Giffords and the MacDonaghs over Donagh and Barbara. Their aunt Mary MacDonagh, a nun known as Sister Francesca and with whom MacDonagh had grown close, wins custody. Even though several of her siblings offer to take the children, she places them in a foster home.
On the centenary of MacDonagh’s death, a festival takes place in Skerries in her memory.






