O’Faolain describes her early life as growing up in a Catholic country which, in her view, fears sexuality and forbids her even information about her body. In her writings she often discusses her frustration at the sexism and rigidity of roles in Catholic Ireland that expect her to marry and have children, neither of which she does.
O’Faolain becomes internationally well known for her two volumes of memoir, Are You Somebody? and Almost There; a novel, My Dream of You; and a history with commentary, The Story of Chicago May. The first three are all featured on The New York Times Best Seller list. Her posthumous novel Best Love, Rosie is published in 2009.
O’Faolain’s formative years coincide with the emergence of the women’s movement, and her ability to expose misogyny in all its forms is formidable, forensic and unremitting. However, her feminism stems from a fundamental belief in social justice. Unlike most commentators, who maintain a detached, lofty tone, she places herself at the centre of things, a high-risk strategy that works because of her broad range of erudition, worn lightly, her courage and a truthfulness that sometimes borders on the self-destructive.
O’Faolain is engaged at least once but never marries. In Are You Somebody? she speaks candidly about her fifteen-year relationship with the journalist Nell McCafferty, who publishes her own memoir, Nell. From 2002 until her death, she lives much of the time with Brooklyn-based attorney John Low-Beer and his daughter Anna. They are registered as domestic partners in 2003.
O’Faolain splits her time between Ireland and New York City. She is diagnosed with metastaticcancer and is interviewed on the Marian Finucane radio show on RTÉ Radio 1 on April 12, 2008, in relation to her terminal illness. She tells Finucane, “I don’t want more time. As soon as I heard I was going to die, the goodness went from life.”
In a last attempt to grasp as much of life as she can, O’Faolain holidays with family members in Sicily and visits Berlin with a group of friends to hear music and see art. She previously tended to avoid Berlin because, through contact with Jewish friends and lovers, she associated it with the Holocaust. She dies at the Blackrock Hospice, Dublin, on May 9, 2008.
O’Faolain wins a Jacob’s Award in 1985 for her work as the producer of the RTÉ One television programme Plain Tales. In 2006, she wins the Prix Femina étranger, a French literary award, for The Story of Chicago May.
O’Faolain is the subject of a film documentary, Nuala: A Life and Death (2011), directed by Patrick Farrelly and Kate O’Callaghan, and produced and narrated by Marian Finucane. Hugo Hamilton‘s novel Every Single Minute (2014) is based on his experiences when accompanying O’Faolain to Berlin shortly before her death.
Keating is born in Dublin on January 7, 1930, a son of the noted painter Seán Keating and campaigner May Keating. He is educated at Sandford Park School, and then at University College Dublin (UCD) and the University of London. He becomes a lecturer in anatomy at the UCD veterinary college from 1955 until 1960 and is senior lecturer at Trinity College Dublin from 1960 until 1965. He is RTÉ‘s head of agricultural programmes for two years before returning to Trinity College in 1967. While at RTÉ, he scripts and presents Telefís Feirme, a series for the agricultural community, for which he wins a Jacob’s Award in 1966.
In the 1950s and 1960s Keating is a member of the communist Irish Workers’ Party. He is first elected to the Dáil as a Labour Party Teachta Dála (TD) for the Dublin County North constituency at the 1969 Irish general election. From 1973 to 1977 he serves in the National Coalition government under Liam Cosgrave as Minister for Industry and Commerce. In 1973 he is appointed a Member of the European Parliament from the Oireachtas, serving on the short-lived first delegation.
During 1975 Keating introduces the first substantial legislation for the development of Ireland’s oil and gas. The legislation is modelled on international best practice and intended to ensure the Irish people would gain substantial benefit from their own oil and gas. Under his legislation the state could by right acquire a 50% stake in any viable oil and gas reserves discovered. Production royalties of between 8% and 16% with corporation tax of 50% would accrue to the state. The legislation specifies that energy companies would begin drilling within three years of the date of the issue of an exploration license.
In the aftermath of President of IranMahmoud Ahmadinejad‘s “World Without Zionism” speech in 2005, Keating publishes an op-ed in The Dubliner magazine, expressing his views on Israel. The article starts by claiming that “the Zionists have absolutely no right in what they call Israel.” He then proceeds to explain why he thinks Israel has no right to exist, claiming that the Ashkenazi Jews are descended from Khazars.
Keating dies at Ballymore Eustace, County Kildare, on December 31, 2009, at the age of 79, one week before his 80th birthday. Tributes come from the leaders of the Labour Party and Fine Gael at the time of his death, Eamon Gilmore and Enda Kenny, as well as former Fine Gael leader and TaoiseachJohn Bruton.
McGurk first joins RTÉ in 1972, as a news reporter, moving on to present Last House and First House on television. In 1972 he wins a Jacob’s Award for his RTÉ Radio documentaries on Ireland’s islands. For 20 years he is the presenter of RTÉ Sport‘s rugby coverage, most notable of the Six Nations Championship and Internationals with the panel of George Hook and Brent Pope. He also spends time in the 1980s and 1990s in the UK, working for BBC Radio 4‘s Start of the Week as a presenter on the regional ITV station for the North West of England, Granada Television. On his return to Ireland, he presents the Sunday Show on RTE Radio 1. He also guest presents Tonight with Vincent Browne, on TV3. He presents a drive-time radio show on 4FM when it launches in 2009.
Until 2019, McGurk is a columnist with The Sunday Business Post. He then writes for The Currency until 2020.
McGurk writes the script for the TV film Dear Sarah based on the letters from Sarah Conlon, campaigning for the release of her husband (Giuseppe Conlon), son (Gerry Conlon) and sister Anne Maguire, caught up in the Guildford Four miscarriage of justice.
Among his poems is “Big Ned” about a farmer from Brockagh, County Tyrone.
While working for 4FM, the Director of the National Women’s Council of Ireland, Susan McKay, speaks out against an “uncouth and objectionable” interview McGurk conducts with her. The National Women’s Council has since refrained from giving interviews to 4FM.
From 1983 to 1996 McGurk is married to the broadcaster Miriam O’Callaghan, with whom he has four daughters. In 2003 he marries PR consultant Caroline Kennedy.
On December 5, 2017, the Irish Revenue Commissioners list of tax defaulters reveal that McGurk had made a settlement of €76,000 with the Revenue for the underpayment of income tax.
Ó Muircheartaigh grows up on the family farm and is educated locally in Dingle. In September 1945, he begins studying at Coláiste Íosagáin in Ballyvourney in the County CorkGaeltacht where he trains to be a teacher. It is at this all-Irish language school that his name changes from Michael Moriarty to the Irish version Mícheál Ó Muircheartaigh. He says that Irish is his stronger language. In September 1948, he begins the final year of his teacher training at St. Patrick’s College of Education in Drumcondra, Dublin.
In early March 1949, Ó Muircheartaigh, along with ten other students from the college, and several from other colleges, do a test commentary on a hurling match at Croke Park. Each student has to commentate for five minutes in Irish and the most successful is to be selected for further commentary work. Up to this point, he has never seen a game of hurling before in his life. He is the one selected and his first assignment is to provide an all-Irish commentary on the 1949 Railway Cup final on Saint Patrick’s Day.
Ó Muircheartaigh graduates from St. Patrick’s College a little later and also completes a Bachelor of Arts degree from University College Dublin (UCD) in 1952. He also completes a Higher Diploma in Education in 1953. He teaches economics, accountancy and Irish in both primary and secondary schools throughout Dublin, the majority of which are run by the Christian Brothers. He continues teaching up until the 1980s, when he becomes a full-time broadcaster with RTÉ.
For the early part of his broadcasting career, Ó Muircheartaigh commentates on Minor GAA matches, in the Irish language. He also replaces the legendary Michael O’Hehir when he is not available to commentate. Eventually when O’Hehir is forced to retire in the mid-1980s Ó Muircheartaigh takes over as the station’s premier radio commentator. He develops his own inimitable style of commentary, and his accent is unmistakably that of a native Irish speaker. He is a true lover of Gaelic Athletic Association, and it is reflected in the enthusiasm he brings to matches. His unusual turn of phrase makes him a much-loved broadcaster and often imitated character. He becomes particularly famous in Ireland for his unusual turns of phrase in the heat of the moment while commentating. Towards the end of his life, he commentates on RTÉ Radio 1. In 2004, he publishes his autobiography, From Dún Sion to Croke Park.
On March 5, 1988, Ó Muircheartaigh presents the Saturday Live show on RTÉ 1. In 1990, he holds an impromptu interview with Britain’s Prince Edward, after his greyhound had won at the English Greyhound Derby qualifier when he was commentating.
Ó Muircheartaigh’s commentaries for RTÉ Radio 1’s Sunday Sport show win him a Jacob’s Award in 1992. He is also the Parade Grand Marshal for the 2007 St. Patrick’s Festival, having been given the honour by the chairman of the festival in recognition and appreciation of his unique contribution to Irish culture. He is the Parade Grand Marshal for the 2011 St. Patrick’s Parade in Toronto, Ontario, Canada, also in recognition and appreciation of his unique contribution to Irish culture.
On September 16, 2010, Ó Muircheartaigh announces his retirement from broadcasting. The last All-Ireland he commentates on is the 2010 All-Ireland Senior Football Championship Final on September 19, 2010.
On October 29, 2010, it is announced that the 2nd International Rules test at Croke Park would be Ó Muircheartaigh’s final broadcast as commentator on RTÉ Radio 1. The following day he commentates his final commentary alongside RTÉ’s pundit and former Meath footballer Bernard Flynn.
Ó Muircheartaigh is contracted to officiate at the 2011–2012 Volvo Ocean Race finish in Galway where he commentates on the finish to the round-the-world race, giving it a uniquely Irish conclusion. Sailing is his longtime hobby.
Ó Muircheartaigh writes a weekly sports column for Foinse, the Irish-language newspaper free with the Irish Independent each Wednesday. He is invited to read out a piece in Irish and in English at an event called “Laochra” in Croke Park on April 24, 2016, to commemorate the 100th anniversary of the Easter Rising.
In 2007, Ó Muircheartaigh is awarded the UCD Foundation Day Medal. His nephew by marriage, John McGuire, has presented several programmes on RTÉ.
Ó Muircheartaigh dies in hospital in Dublin at the age of 93 on June 25, 2024.
Ó Muircheartaigh is awarded an honorary doctorate by NUI Galway in 1999 for his lifetime service to broadcasting. Shortly after his 90th birthday, he is awarded the only GAA GPA All Stars Award of 2020. No further All Stars can be awarded as competition is suspended due to the COVID-19 pandemic and only completed that December.
Mac Aonghusa is the son of Criostóir Mac Aonghusa, a writer and Irish language activist, and Mairéad Ní Lupain, a nurse and native Irish speaker. The eldest of four siblings, he grows up speaking Irish as his first language and allegedly does not learn English until the age of eleven. His parents are left-wing Irish republicans who support Fianna Fáil and associate with the like-minded Máirtín Ó Cadhain and Peadar O’Donnell. His parents split when he is ten years of age. His mother takes his siblings away to Dublin while he and his father remain in Rosmuc, a remote village and part of the Galway Gaeltacht. As a teenager he is educated at Coláiste Iognáid (also known as St. Ignatius College), a bilingual school in Galway.
Upon leaving school, Mac Aonghusa first works as an actor at the Abbey Theatre in Dublin, performing in Irish language productions. In 1952, he becomes involved in Radio Éireann, first as an actor but later as a reader of short stories before advancing to becoming a newsreader, presenter and interviewer. As he advances his career, he works for RTÉ, UTV and BBC television from the 1960s. In 1962, he begins presenting An Fear agus An Sceal (The Man & his Story) on RTÉ television, an Irish language show which sees him interviewing a different guest of note about their life each episode. That same year he wins a Jacob’s Award for An Fear agus an Sceal, which he continues to host until 1964.
As well as attracting awards, An Fear agus an Sceal also brings controversy. Two interviews, one with Máirtín Ó Cadhain, one with Con Lehane, both criticise the measures practised by the Fianna Fáil government during World War II to suppress and imprison Irish republicans. In response, the Fianna Fáil government intervenes with RTÉ, and those episodes are not aired. This is not to be Mac Aonghusa’s only run-in with the Fianna Fáil government. After he recorded a programme in which he questioned the effectiveness of Ireland’s civil defence measures in the face of nuclear war, then Minister for DefenceKevin Boland has the episode suppressed. He once again runs afoul of the Fianna Fáil government when, after criticising the party in his anonymous weekly political gossip column in the Sunday Independent, then Minister for AgricultureNeil Blaney sees to it that the column is dropped. He is not deterred and returns anonymously as “Gulliver” in The Sunday Press and a gossip column on the back page of The Hibernia Magazine.
The latter half of Mac Aonghusa’s 1960s/70s broadcasting career is primarily associated with the Irish language current events show Féach, which he both presents and edits. He resigns from Féach in 1972 following a bitter dispute with the broadcaster and commentator Eoghan Harris.
In 1959, Mac Aonghusa writes a series of six articles for The Irish Times in which he vehemently opposes the Fianna Fáil government’s proposal to abolish single transferable vote in Ireland in favour of first-past-the-post voting. He contends that first-past-the-post voting gives too much influence to party bosses, while proportional representation gives even small minorities representation, preventing them from feeling excluded by the state such as nationalists in Northern Ireland. In the referendum held on the matter on June 17, 1959, voters reject first past the vote by a margin of 2%. Fianna Fáil attempts to repeal proportional representation again in the late 60s, at which point Mac Aonghusa once again throws himself into the fight, leading a group called “Citizens for PR.” In the referendum of 1968, voters reject the first past the post system by over 20%. He later recalls that his defence of proportional representation his greatest achievement in politics.
In the 1960s, both Mac Aonghusa and his wife, Catherine, join the Sean Connolly branch of the Labour Party in Dublin. The branch had established a reputation as a haven for intellectuals who want a branch to themselves away from the many other Labour branches dominated by trade unionists. The branch comes to advocate for expressly socialist policies combined with on-the-ground grass-roots campaigning. Through the Sean Connolly Branch, both he and his wife begin to develop significant influence over the leader of the Labour party Brendan Corish.
In the 1965 Irish general election, Mac Aonghusa stands on behalf of the Labour party in the Louth constituency but is not elected. In 1966, he publishes a book of speeches by Corish, the speeches themselves mostly having been ghostwritten by his wife Catherine. The introduction of the book proclaims that Corish had developed a “brand of democratic republican socialism … broadened by experience and built firmly on Irish‐Ireland roots” and had rid the party of “do‐nothing backwoodsmen”, thereby becoming the “first plausible and respected Labour leader in Ireland”. It is at this same time that he is elevated to vice-chairman of the party. As vice-chair, he tries to convince Corish to stand in the 1966 Irish presidential election. When he fails to do so, he supports Fine Gael‘s Tom O’Higgins in his bid for the presidency. O’Higgins comes within 0.5% of beating the incumbent, an ageing Éamon de Valera.
It was around this same time that Mac Aonghusa becomes active in the Wolfe Tone Societies, a republican organisation linked almost directly to Sinn Féin. He suggests that republicans with “progressive views” should join the Labour party. In 1966, alongside Máirtín Ó Cadhain and other Gaeilgeoirí, he counter-protests and disrupts the Language Freedom Movement, an organisation seeking the abolition of compulsory Irish in the education system. For this, he and his allies are criticised as acting illiberally, while he maintains that those who oppose the Irish language are “slaves” unworthy of tolerance.
Mac Aonghusa’s open disdain for the conservative and trade union wings of the Labour, as well as his open embrace of republican sensibilities and tendency to make pronouncements on Labour policy without first consulting the party’s structures, bring him many internal enemies. An attempt is made to censure him for backing breakaway trade unions, but he is able to survive this. In 1966, he encourages the formation of the Young Labour League, an unofficial youth wing of the party led by Brian Og O’Higgins, son of former Sinn Féin president Brian O’Higgins. Mirroring his own position, the Youth League are Corish loyalists that openly rebel against the views of Labour’s conservative deputy leader James Tully. When the youth league begins publishing their own weekly newsletter, Labour’s administrative council condemns it after discovering material which is “violently” critical of Tully and other Labour conservatives. An ensuing investigation into the newsletter leads to Mac Aonghusa admitting that he had financed it and written some of the content, but not the anti-Tully material. After he refuses to co-operate with further investigations into the matter, he is expelled on January 12, 1967 for “activities injurious” to the party. In the aftermath, he portrays himself a left-wing martyr purged by a right-wing “Star chamber,” a tactic that garners him sympathy. Nevertheless, his expulsion is confirmed at the October 1967 party conference, despite one last appeal. His wife leaves the party alongside him.
In the aftermath of his expulsion from Labour, Mac Aonghusa expresses an interest in the social democratic wing of Fine Gael, which had been developing under Declan Costello since the mid-1960s. However, he does not join the party and instead runs as an independent candidate in the 1969 Irish general election in Dún Laoghaire–Rathdown. When he is not elected, he begins to refocus on the revival of the Irish language and with nationalist politics rather than being elected himself.
Upon the onset of the Troubles, Mac Aonghusa is initially supportive of Official Sinn Féin, however by 1972 he comes to resent them and, through the Ned Stapleton Cumann, their secret influence over RTÉ. During the Arms Crisis in 1970, he supports Charles Haughey and Neil Blaney, who stand accused of arranging to supply weapons to the Provisional IRA, in the pages of the New Statesman and other left‐wing journals. In this time period, he warns editors not to reprint his material in the Republic of Ireland as there is a de facto ban on him, and indeed, official attempts are made to block the transmission of his telexed reports.
Despite his earlier famed stark criticism of Fianna Fáil, Mac Aonghusa’s defence of Haughey leads to a friendship between the two men which results in him becoming one of Haughey’s loudest defenders throughout the rest of his career. His columns in The Sunday Press and Irish language paper Anois are accused of descending into self-parody in their stringent defences of Haughey.
During the 1970s, Mac Aonghusa writes a number of books covering significant figures in Irish republicanism. In order, he releases books on James Connolly, Patrick Pearse, Wolfe Tone and Éamon de Valera. In his work on De Valera, he emphasises what he perceives as the more radical aspects of the Fianna Fáil founder. During 1974 and 1975, he works as a United Nations Special Representative to the Southern Africa region with Seán MacBride, where they involve themselves in the South African Border War, and during which time Mac Aonghusa becomes involved in setting up a radio station in Namibia, linked to the South West Africa People’s Organisation (SWAPO) nationalist party.
In the 1980s, Haughey twice appoints Mac Aonghusa to the Arts Council as well as naming him president of Bord na Gaeilge (1989-93). This is an issue as Mac Aonghusa is already president of Conradh na Gaeilge. Being head of the main Irish language lobbying body as well as the state body responsible for the Irish language has an obvious conflict of interest. In 1991, following the announcement by Haughey that the government is to fund the creation of an Irish-language television station (launched in 1996 as Teilifís na Gaeilge), an elated Mac Aonghusa suggests that Haughey would be “remembered among the families of the Gael as long as the Gaelic nation shall survive.”
In 1992 there are calls for Mac Aonghusa to step down from Bord na Gaeilge after he pronounces that “every respectable nationalist” in West Belfast should vote for Sinn Féin’s Gerry Adams over the Social Democratic and Labour Party (SDLP) candidate Joe Hendron in the 1992 United Kingdom general election as he considers a defeat for Adams “a victory for British imperialism.” Nevertheless, he simultaneously advises voters in South Down to vote for the SDLP’s Eddie McGrady over Sinn Féin. He rails against his detractors at the Conradh na Gaeilge ardfheis that year, declaring that “The mind of the slave, of the slíomadóir, of the hireling and the vagabond is still fairly dominant in Ireland.”
As of 1995, Mac Aonghusa continues to label himself a socialist. In the foreword to the book, he writes about James Connolly that is released that year, he declares that “the abolition of capitalism is essential if the great mass of the people in all parts of the globe are to be emancipated.”
However, with the recent collapse of the Soviet Union in mind, Mac Aonghusa declares that the Stalinist regimes of Eastern Europe have not been socialist and argues that the social democracies of Scandinavia are what James Connolly had envisioned as the desired socialist society. In the same text, he accuses the Irish education system as well as Ireland’s media of obfuscating Connolly’s views on socialism and nationalism.
Mac Aonghusa battles through ill health in his final years but remains able to continue writing a number of books. His last publication, Súil Tharam (2001), comes just two years before his death in Dublin on September 28, 2003.
In 1955, Mac Aonghusa marries Catherine Ellis, a member of the Church of Ireland from Belfast. For her married name, she chooses to use “McGuinness,” the English language equivalent of Mac Aonghusa. Catherine McGuinness goes on to become a Senator and a Judge of the Circuit Court, High Court and Supreme Court over the course of her legal career. Together they have three children together.
Mac Liammóir is born Alfred Willmore on October 25, 1899. He is born to a Protestant family living in the Kensal Green district of London.
As Alfred Willmore, he is one of the leading child actors on the English stage, in the company of Noël Coward. He appears for several seasons in Peter Pan. He studies painting at London’s Slade School of Fine Art, continuing to paint throughout his lifetime. In the 1920s he travels all over Europe. He is captivated by Irish culture and learns the Irish language which he speaks and writes fluently. He changes his name to an Irish version, presenting himself in Ireland as a descendant of Irish Catholics from Cork. Later in his life, he writes three autobiographies in Irish and translates them into English.
While acting in Ireland with the touring company of his brother-in-law Anew MacMaster, Mac Liammóir meets the man who becomes his partner and lover, Hilton Edwards. Their first meeting takes place in the Athenaeum, Enniscorthy, County Wexford. Deciding to remain in Dublin, where they live at Harcourt Terrace, the pair assists with the inaugural production of Galway‘s Irish language theatre, An Taibhdhearc. The play is Mac Liammóir’s version of the mythical story Diarmuid agus Gráinne, in which Mac Liammóir plays the lead role as Diarmuid.
Mac Liammóir and Edwards then throw themselves into their own venture, co-founding the Gate Theatre in Dublin in 1928. The Gate becomes a showcase for modern plays and design. Mac Liammóir’s set and costume designs are key elements of the Gate’s success. His many notable acting roles include Robert Emmet/The Speaker in Denis Johnston‘s The Old Lady Says “No!” and the title role in Hamlet.
In 1948, Mac Liammóir appears in the NBC television production of Great Catherine with Gertrude Lawrence. In 1951, during a break in the making of Othello, he produces Orson Welles‘s ghost-story Return to Glennascaul which is directed by Hilton Edwards. He plays Iago in Welles’s film version of Othello (1951). The following year, he goes on to play ‘Poor Tom’ in another Welles project, the TV film of King Lear (1953) for CBS.
Mac Liammóir claims when talking to Irish playwright Mary Manning, to have had a homosexual relationship with General Eoin O’Duffy, former Garda Síochána Commissioner and head of the paramilitary Blueshirts in Ireland, during the 1930s. The claim is revealed publicly by RTÉ in a documentary, The Odd Couple, broadcast in 1999. However, Mac Liammóir’s claims have not been substantiated.
Mac Liammóir’s life and artistic development are the subject of a major study by Tom Madden, The Making of an Artist. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christopher Fitz-Simon.
Micheál Mac Liammóir dies at his and Edwards’s Dublin home, 4 Harcourt Terrace, at the age of 78 on March 6, 1978. Edwards and Mac Liammóir are buried alongside each other at St. Fintan’s Cemetery, Sutton, Dublin.
Edwards is born in London on February 2, 1903. He begins his career acting with the Charles Doran Shakespeare Company in 1920 in Windsor and then joins The Old Vic in London, playing in all but two of Shakespeare‘s plays before leaving the company a few years later. Trained in music, he also sings baritone roles with the Old Vic Opera company.
After touring with various companies in Britain and South Africa, Edwards goes to Ireland in 1927 for a season with Anew McMaster‘s company and meets McMaster’s brother-in-law, Micheál Mac Liammóir. As he tells an interviewer once, both men want a theater of their own. Mac Liammóir wants it to be in Ireland and Edwards does not care. “I don’t care about nationalism, I care about the theater,” he says.
In New York City in 1948 Edwards plays in and directs John Bull’s Other Island and directs The Old Lady Says No and Where Stars Walk. In 1961, Edwards takes a two-year leave from the Gate to become the first Head of Drama at Telefís Éireann. A year later, he wins a Jacob’s Award for his television series Self Portrait.
Hilton Edwards dies in a Dublin hospital on November 18, 1982. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christophor Fitz-Simon.
Michael “Mick” Lally, Irish stage, film and television actor, is born in the Gaeltacht village of Toormakeady, County Mayo, on November 10, 1945. He departs from a teaching career for acting during the 1970s. Though best known in Ireland for his role as Miley Byrne in the television soap Glenroe, his stage career spans several decades, and he is involved in feature films such as Alexander and the Academy Award-nominated The Secret of Kells. Many reports cite him as one of Ireland’s finest and most recognisable actors.
Lally begins his acting career with Taibhdhearc na Gaillimhe, Ireland’s national Irish language theatre, and is a founding member of the Druid Theatre Company. He receives an Irish Times/ESB Theatre Award Nomination for Best Actor for his role in Druid’s production of The Dead School. He also becomes a member of the Field Day Theatre Company, and stars in the company’s 1980 premiere of Brian Friel‘s play Translations. He first plays at the Abbey Theatre in 1977 in a production of Wild Oats and goes on to perform in many other Abbey productions.
In 1982, Lally stars in the TV series The Ballroom of Romance alongside Brenda Fricker. From 1983 he plays the role of Miley Byrne in the RTÉ soap Glenroe, reprising the character that he played earlier in Bracken in 1978. In 1979, he wins a Jacob’s Award for his performance as Miley in Bracken. He also has some musical success when “The By-road to Glenroe” goes to the top of the Irish charts in 1990. He is also involved in voice-over work, including a noted advertisement for Kilmeaden Cheese during the 1990s. Other TV appearances include roles in Tales of Kinvarna, The Year of the French and Ballykissangel.
In 1994, Lally plays the character Hugh in The Secret of Roan Inish, and in 1995 portrays Dan Hogan in the film adaptation of Maeve Binchy‘s Circle of Friends. Other film roles included Poitín, Our Boys, The Outcasts, A Man of No Importance and others. In later years, he provides the voice of Brother Aidan in the Academy Award-nominated The Secret of Kells, an animated film directed by Tomm Moore.
Lally appears in several TV advertisements encouraging elderly people to “release the equity tied up in their homes” during the Celtic Tiger.
Mick Lally dies in Dublin on the morning of August 31, 2010, after a short stay in the hospital. The cause of death is reported as heart failure, arising from an underlying emphysema condition. His funeral takes place in Dublin on September 2, 2010. The Irish Examiner comments that the “nation has lost one of its favourite uncles.” Personalities from TV, film, theatre and politics attend, while President of IrelandMary McAleese sends a letter and Lally receives a standing ovation at the end.
Born in Newry, County Down, on February 24, 1921, Hall receives little more than a primary education as he leaves school at the age of twelve to work in a local shop. He later works as a waiter in London before moving to Dublin. On his return he joins the art department of the Irish Independent. He subsequently works with the Evening Herald where he writes a column on dance bands.
After that, Hall moves to RTÉ where he works in the newsroom. From 1964 to 1971 he presents Newsbeat, a regional news programme. He also presents The Late Late Show for the opening of the 1964 season, but his lack of success in that seat leads to the return of the previous presenter, Gay Byrne. When Newsbeat ends, he starts writing and presenting Hall’s Pictorial Weekly, a political satire show that runs for over 250 episodes until 1980. A successor show, Hall and Company, runs from 1980 until his retirement from television in 1986. He serves as spokesperson for the Irish jury in the Eurovision Song Contest 1965 and 1966.
Hall wins two Jacob’s Awards, in 1966 and 1975, for his work on Newsbeat and Hall’s Pictorial Weekly respectively.
In 1978, Hall is appointed Ireland’s national film censor. During his period as censor, he is known for his strict application of Irish censorship and his defence of family values. Among the films banned by him is Monty Python’s Life of Brian, which he describes as “offensive to Christians and to Jews as well, because it made them appear a terrible load of gobshites.”
Hall has a long running affair with a young colleague from RTÉ, though married to Aideen Kearney at the time. It is also widely accepted that he has a daughter in 1956 with RTÉ presenter Frankie Byrne, although this is disputed at the time by his family members. His relationship with Frankie Byrne is placed in the public domain in a Mint Productions programme, Dear Frankie, screened on RTÉ in January 2006. In 2010, a play written by Niamh Gleeson, also entitled Dear Frankie, opens in the Liberty Hall theatre. Later in 2012, it opens again in the Gaiety Theatre, going on to play in theatres across the country.
Hall dies of a heart attack in Dublin on September 21, 1995. He is buried in Dardistown Cemetery in Northside, Dublin.
Initially acting part-time with the Cork Shakespearean Company and at the Cork Opera House, by 1947 Lynch is acting full-time.
Lynch is a founding member of the Radio Éireann Players and appears in productions of Teresa Deevy plays among others. During the 1950s he is responsible for a Radio Éireann show Living with Lynch, broadcast on Sunday nights, the first comedy series on Radio Éireann. Between 1967–81, he acts onstage with the Abbey Theatre.
In 1962, and again in 1977, Lynch wins a Jacob’s Award for his acting on RTÉ television.
By 1979, Lynch is back in Ireland, and makes his first appearances as Dinny Byrne in the RTÉ soap Bracken. Later the Byrne character would feature in the long-running RTÉ soap Glenroe.
Lynch quits Glenroe after he claims to have been “shamefully treated” and offered “small potatoes” when he asked for a pay rise. He is also upset that he is not to get a pension. RTÉ disputes those claims. He criticised RTÉ for preventing him from doing other acting work alongside Glenroe. “I was terrible restricted in RTÉ, they wouldn’t let me off for anything, even commercials.”
Lynch voices the main antagonist, Grundel the Toad, in the Don Bluth film Thumbelina, his final audio work before his death seven years later.
Lynch dies suddenly on August 1, 2001, in Alicante, Spain, where he had been living since leaving Glenroe.
seamus dubhghaill 