Pery is born in Limerick, County Limerick on April 8, 1719, into one of Limerick’s most politically influential families, the elder son of the Rev. Stackpole Pery and Jane Twigge. His maternal grandfather is William Twigge, Archdeacon of Limerick.
A trained barrister, Pery becomes a member of the Irish House of Commons for the Wicklow Borough constituency in 1751. On the dissolution of the house following the death of George II, he is elected for the constituency of Limerick City and serves from 1761 until 1785, becoming Speaker of the House in 1771. In 1783, he stands also for Dungannon, however chooses to sit for Limerick City. He is considered one of the most powerful politicians in Ireland in his time, leading a faction which includes his nephew, the future Earl of Limerick, and his relatives by marriage, the Hartstonges. Following his resignation, he is created Viscount Pery, of Newtown Pery, near the City of Limerick, in the Peerage of Ireland, entitling him to a seat in the Irish House of Lords. As he has no male heirs, his title becomes extinct on his death in 1806.
Pery is also noted for his part in the history of the architecture of Limerick. In 1765, he commissions the engineer Davis Ducart to design a town plan for land that he owns on the southern edge of the existing city, which leads to the construction of the Georgian area of the city later known as Newtown Pery. He is also commemorated in the naming of Pery Square.
Pery marries Patricia (Patty) Martin of Dublin in 1756, who dies a year later, and secondly Elizabeth Vesey, daughter of John Vesey, 1st Baron Knapton, and Elizabeth Brownlow. He and Elizabeth have two daughters:
King is the son of Henry King, businessman, of Rathdrum, and Susan King (née Crowe). He is educated at the Church of Ireland Ranelagh School, Athlone, and at Mountjoy School, Clontarf, Dublin (1936–39). Subsequently he joins the printing firm of W. & S. McGowan in Dundalk, where he goes on to become a director. During the 1940s his interest in amateur drama leads him to take classes at the Gaiety School of Acting in Dublin, where his fellow students include Milo O’Shea and Eamonn Andrews. Around this time, he is also involved in An Óige (the Irish Youth Hostel Association), in which he serves as honorary national secretary and honorary treasurer. This involvement leads him to travel extensively from the late 1940s around Europe, where he visits many major art museums and galleries.
King begins to acquire works of art, by both European and Irish artists, and by the mid-1950s he has amassed one of the most important collections of modern art in Ireland. Around 1954 he himself begins to paint, under the guidance of Barbara Warren and the English artist Neville Johnson. In his early work he focuses on urban scenes, often based on the area of Ringsend, Dublin, where he uses subdued tones to produce poetic images of a sombre mood. Even here his interest in the formal qualities of painting – such as the flatness of the picture surface and the juxtaposition of areas of colour on it, which becomes a defining feature of his art – is evident. In 1964 he leaves his successful business career behind in order to devote himself entirely to art, a bold move considering the limited audience for modern art that exists in Ireland at the time. In his own words he recalls how “Painting was what I wanted to do, I realised I didn’t need a car. I could do without an awful lot of things.” (Sunday Independent, November 7, 1982)
By this time, King is working in a fully abstract style. However, he still draws his inspiration from the external world, particularly the milieu of the circus. A painting such as Trapeze (1976; Allied Irish Bank collection) shows how he responds to acrobatic performance, not in any literal or figurative sense, but to the tensions and balances inherent within it. The overall effect is to convey to the viewer the essence of anticipation of the performance. Indeed, his works can create an almost physical sense of involvement on the part of the viewer. This is especially true of his Berlin Suite, a series of screen-prints produced as a result of a visit to East Berlin and published by Editions Alecto of London (1970). He is also inspired to produce a number of paintings on this theme of the claustrophobia of the divided city. Ultimately, he aspires to create works which, with their economy and restraint, achieve a meticulously balanced harmony. This concern leads him, in such works as the Baggot Street Series, to move away from even the most veiled figurative references, evidence for the fact that he constantly strives to further his artistic explorations.
King often works seven days a week. This quiet determination contributes in no small part to the international standing he soon achieves, as does his prolific record as an exhibitor. Writing a foreword to an exhibition of his work at Kilkenny in 1975, the critic William Packer finds that King’s art “confounds the expectations we might have of Irish art, for it is far from local in ambition, accomplishment, and seriousness.” He mounts over twenty-five one-man exhibitions and contributes to a large number of group shows in Ireland and abroad. A significant proportion of his output is to be found in galleries in Europe and the United States, including the Museum of Modern Art, New York, and the Tate Gallery, London. He is also represented in the major public and corporate collections in Ireland, such as the Irish Museum of Modern Art, Ulster Museum, Trinity College Dublin (TCD), Crawford Municipal Gallery, Dublin City Gallery The Hugh Lane, Arts Council, Aer Lingus, Bank of Ireland, Allied Irish Bank, and ESB. In fact, King, with his hard-edge abstract style, is one of the very few artists working in Ireland at the time whose work is comparable to that of the major (principally American) international exponents of abstraction. The term “hard-edge,” applied to King’s style, may however belie the subtlety he could achieve in terms of his handling of colour and texture. This is particularly true of his works in the media of pastel and tapestry, while his last paintings show a tendency towards more expressive brushwork and a more complex approach to colour.
King enjoys a happy relationship with Oliver Dowling from 1960 to the time of his death, at Dún Laoghaire, County Dublin, on April 7, 1986, having suffered a heart attack just three days before an exhibition of his work is due to open in Dublin at the Oliver Dowling Gallery. His legacy is not alone artistic: he also makes a significant contribution to the promotion of modern art in Ireland in his capacity as a member of the organising committee for the Rosc exhibition since its inception in the 1960s, where his wide knowledge of international art is much respected. A member of Aosdána, he twice serves as commissioner for the Department of Foreign Affairs cultural committee. He is also generous in his encouragement of young artists, whose work he regularly adds to his own collection.
(From: “King, Cecil” by Rebecca Minch, Dictionary of Irish Biography, http://www.dib.ie, May 2012 | Pictured: Abstract, Oil on Canvas by Cecil King)
Shackleton is the second of ten children and the first of two sons. His father, Henry Shackleton, tries to enter the British Army, but his poor health prevents him from doing so. He becomes a farmer instead, settling in Kilkea. Shackleton’s mother, Henrietta Letitia Sophia Gavan, is descended from the Fitzmaurice family. His brother Frank achieves notoriety as a suspect, later exonerated, in the 1907 theft of the so-called Irish Crown Jewels, which have never been recovered.
The Shackleton family moves to Sydenham, London when he is ten. His first experience of the polar regions is as third officer on Captain Robert Falcon Scott‘s Discovery Expedition of 1901–04, from which he is sent home early on health grounds, after he and his companions Scott and Edward Adrian Wilson set a new southern record by marching to latitude 82°S. During the Nimrod Expedition of 1907–09, he and three companions establish a new record Farthest South latitude at 88°S, only 97 geographical miles from the South Pole, the largest advance to the pole in exploration history. Also, members of his team climb Mount Erebus, the most active Antarctic volcano. For these achievements, he is knighted by King Edward VII on his return home.
After the race to the South Pole ends in December 1911, with Roald Amundsen‘s conquest, Shackleton turns his attention to the crossing of Antarctica from sea to sea, via the pole. To this end, he makes preparations for what becomes the Imperial Trans-Antarctic Expedition, 1914–17. Disaster strikes this expedition when its ship, Endurance, becomes trapped in pack ice and is slowly crushed before the shore parties can be landed. The crew escapes by camping on the sea ice until it disintegrates, then by launching the lifeboats to reach Elephant Island and ultimately South Georgia island, a stormy ocean voyage of 720 nautical miles and Shackleton’s most famous exploit.
In 1921, Shackleton returns to the Antarctic with the Shackleton–Rowett Expedition on a 125-ton Norwegian sealer, named Foca I, which he renames Quest. When the party arrives in Rio de Janeiro, he suffers a suspected heart attack. He refuses a proper medical examination, so Quest continues south, and on January 4, 1922, arrives at South Georgia. In the early hours of the next morning, Shackleton summons the expedition’s physician, Alexander Macklin, to his cabin, complaining of back pains and other discomfort. According to Macklin’s own account, he tells Shackleton he has been overdoing things and should try to “lead a more regular life,” to which Shackleton answers, “You are always wanting me to give up things, what is it I ought to give up?” “Chiefly alcohol, Boss,” replies Macklin. A few moments later, at 2:50 AM on January 5, 1922, he suffers a fatal heart attack. At his wife’s request, he is buried there.
Away from his expeditions, Shackleton’s life is generally restless and unfulfilled. In his search for rapid pathways to wealth and security, he launches business ventures which fail to prosper, and he dies heavily in debt. Upon his death, he is lauded in the press but is thereafter largely forgotten, while the heroic reputation of his rival Scott is sustained for many decades. Later in the 20th century, Shackleton is “rediscovered”. He rapidly becomes a role model for leadership as one who, in extreme circumstances, kept his team together in a survival story described by cultural historian Stephanie Barczewski as “incredible.”
Parsons is born in London on June 13, 1854, the youngest among eleven children of the famous astronomerWilliam Parsons, 3rd Earl of Rosse, of Parsonstown (now Birr), King’s County (now County Offaly) and Mary Parsons (née Field), a Yorkshire heiress. Only four sons survive to adulthood. He is strongly influenced by his father, who encourages him to use the workshops at the Birr Castleobservatory, and he is tutored at home by some of the assistant astronomers before entering Trinity College Dublin in 1871. He transfers to St. John’s College, Cambridge, and upon graduation in 1877 as eleventh wrangler in a class of thirty-six studying mathematics, he takes the unusual step for the son of an earl, of becoming a premium apprentice at the Elswick Engine and Ordnance Works of Sir William George Armstrong at Newcastle upon Tyne. In the period following this he develops a unique high-speed steam engine, and a torpedo which is powered by a gas turbine. He joins Clarke Chapman at Gateshead as a partner in 1884. In a matter of months he files patents for the world’s first effective steam turbine. These embody many novelties, but the key feature is an electricity generator rated at 6 kW and designed to run, directly coupled, at the astonishing speed of 18,000 rpm.
Parsons is not satisfied that his partners’ efforts to promote turbine development are sufficiently aggressive, and in 1889 he leaves to establish his own company, C. A. Parsons & Company, at Heaton near Newcastle upon Tyne. The price of this impetuous action is the loss of access to his original patents. He quickly establishes alternative designs and by 1892 he has built a turbo-alternator with an output of 100 kW for the Cambridge Electricity Company. Exhausting to a condenser, it has a steam consumption comparable with the best steam engines. Even his 1884 patents envisage applying turbines to marine propulsion, but it is 1893 before he can embark on the design of a suitable demonstration boat of 40 tons. By using careful tests on models, he perfects the hull shape and predicts the power requirements. At this time he recovers his 1884 patents and even wins the very rare prize of an extension for five years, which is a measure of the perceived national importance of his invention.
A syndicate is formed to raise the capital necessary to build Parsons’s turbine-powered vessel Turbinia. At the SpitheadFleet Review in 1897 she speeds among the ships of the world’s navies at 34.5 knots. In 1905 the Royal Navy decides to adopt turbines for its future warships. This example is followed by navies worldwide, from the United States to Japan. Builders of mercantile vessels follow quickly and the turbines of the Cunard liner RMS Mauretania (1906), each developing 26,000 kW, are the largest in existence at the time. The Mauretania holds the Blue Riband for the speediest Atlantic crossing until 1929, a fact that keeps Parsons’s name before the public.
The firm of C. A. Parsons (1889), which builds turbines for use on land, is privately owned, but the Parsons Marine Steam Turbine Company (1897) is a public company. Parsons also earns income from over 300 patents through the Parsons Foreign Patents Co. (1899). He readily licenses others to use his patents but he avoides costly litigation, the ruin of many inventors.
Parsons inherits an interest in optical instruments from his father. In 1890 he develops a cost-effective method for manufacturing searchlight mirrors, using sheets of plate glass and an iron mold heated in a gas furnace. During World War I he supplies most of the national requirements. In 1921 he acquires the optical instrument manufacturers Ross Ltd. and the Derby Crown Glass Company, makers of optical quality glass. In 1925 the firm of Howard Grubb, which makes large optical telescopes, is rescued from insolvency by Parsons. He believes that it is of national importance to maintain the industrial capacity to make optical equipment. Not all of his projects are commercially profitable, as for example his acoustic amplifier, dubbed the “Auxetophone,” or his attempts at synthesising diamonds, which absorbs much time and effort. In the development of his many inventions, he displays great tenacity in the face of reverses and always employs a meticulously scientific approach.
The supply of power on a large scale is revolutionised by the steam turbine. During the twenty years following the building of his first turbogenerator, Parsons remains at the forefront of promoting, building, and selling ever larger and more efficient turbines. He is not only a scientific engineer and inventor, but also a successful manufacturer and businessman. Modest and retiring in manner, his chief weakness lay in a lack of skill in managing interpersonal relationships, though this is compensated to a large extent by his integrity and loyalty. He seeks out the ablest men to run his businesses, among them several Fellows of the Royal Society (FRS). He is elected FRS himself in 1898 and is knighted in 1911. In 1927 he becomes the first engineer to be awarded the Order of Merit for his outstanding contributions to society. He is honoured by many universities and institutions in Europe and the United States.
Parsons marries Katharine Bethell, a Yorkshire woman, in 1883. They have one daughter and a son who dies on active service in 1918. He keeps a residence in London and in Northumbria.
Parsons dies on February 11, 1931, on board the steamship Duchess of Richmond while on a cruise with his wife. The cause of death is given as neuritis. A memorial service is held at Westminster Abbey on March 3, 1931. He is buried in the parish church of St. Bartholomew’s in Kirkwhelpington in Northumberland. His estate is valued at £1,214,355 gross.
Mary Lou McDonald is ratified as the new president of Sinn Féin at a special party Ardfheis on February 10, 2018. Approximately 2,000 party delegates gather for the meeting in Dublin. After almost 35 years, Gerry Adams officially steps down as party leader, a role he has held since November 1983.
McDonald takes the helm with a sweeping speech that touches on everything from abortion to Brexit and promises a united Ireland “in our time.”
McDonald, 48, is the first woman to lead the party, and the first Sinn Féin leader with no direct connection to Ireland’s period of violence known as the Troubles. “We must only agree that the past is never again repeated,” she says. “On other things, we can agree to disagree. The poet Maya Angelou put it well: ‘History, despite its wrenching pain, cannot be unlived. But if faced with courage, need not be lived again.’”
McDonald takes over for Adams, a divisive politician who was the face of the Irish republican movement as it shifted from violence to peace. The end of Adams’ tenure marks a new era for the party, which wants to unite the United Kingdom’s Northern Ireland with the Republic of Ireland to the south.
Adams, who announced in November 2017 he was stepping down after almost 35 years, was the key figure in the peace process that saw the signing of the 1998 Good Friday Agreement and the formation of a power sharing government between Northern Ireland’s pro-British and republican factions. But many believe Sinn Féin’s popularity among voters has been hindered by the presence of leaders linked to the Troubles, which killed over 3,600 people.
McDonald immediately puts her own stamp on the future, trying to infuse new energy into the movement that has lawmakers on both sides of the Irish border. But she also focuses on Sinn Féin’s founding principle: a united Ireland. “We are the generation of republicans who will see the rising of the moon,” she says. “Sinn Féin in government, both North and South. Irish unity in our time.”
McDonald also lays out her positions on the key issues of the day.
On the United Kingdom’s upcoming departure from the European Union, or Brexit, she says Sinn Féin will not accept any deal that reinstates border controls between Northern Ireland and the Republic. Brexit represents a threat to the prosperity of Ireland as a whole.
McDonald also says the party will campaign for women’s right to an abortion in Ireland’s upcoming referendum on the issue and says she is committed to reaching an agreement that will restore Northern Ireland’s power sharing government on the basis of “respect and integrity for all.”
Northern Ireland’s last government collapsed more than a year earlier amid a corruption scandal.
(From: “Mary Lou McDonald takes over as Sinn Féin party leader” by Danica Kirka, AP News, apnews.com, February 10, 2018)
Thomson is born on August 19, 1903, in West Dulwich, London, the eldest of a family of three sons and two daughters born to William Henry Thomson, an accountant, and his wife Minnie (née Clements). Inheriting an interest in Ireland from his maternal grandfather, an Ulsterman of Orange stock, and his mother, he attends Irish language classes run by the Gaelic League in London while a pupil at Dulwich College (1916–22).
Thomson moves back to England in 1934, when he returns to King’s College, Cambridge, to lecture in Greek. He becomes a professor at the University of Birmingham in 1936, the year he joins the Communist Party of Great Britain. He pioneers a Marxist interpretation of Greek drama. His Aeschylus and Athens (1941) and Marxism and Poetry (1945) win him international attention. In the latter book he argues a connection between the work song and poetry, and that pre-industrial songs are connected to ritual.
Thomson befriends and is an important influence on Alfred Sohn-Rethel and his theory of the genesis of occidental thought in Ancient Greece through the invention of coining.
Thomson first visits the Blasket Islands off the west coast of Ireland in 1923. Mac Tomáis, as he quickly becomes known to the islanders, had attended rudimentary Irish classes at a branch of Conradh na Gaeilge in London before he went to Cambridge. When he arrives on the island, he immerses himself in the language. In six weeks of walking around, talking with Muiris Ó Súilleabháin and others, he achieves near complete fluency in the language.
Thomson spends several years with the people of the islands studying their language, history and culture. He maintains a special study of the now extinct community in Ireland, in which he perceives elements of surviving cultural resonances with historical society prior to the development of private property as a means of production. He becomes a champion of the Irish language.
Thomson has a role in the publication of the memoirs of Muiris Ó Súilleabháin, Fiche Bliain Ag Fás (Twenty Years Growing) in 1933. The introduction to Ó Súilleabháin’s autobiography by E. M. Forster can also be attributed to Thomson.
When Thomson applies for the new position of lecturer of Greek at the National University of Ireland, Galway, in 1931 he, in the words of Richard Roche, “astonished the interview board with a flow of Blasket Irish” and is awarded the post.
In 1951, Thomson is the only member of the Communist Party’s Executive Committee to vote against the Party’s programme, The British Road to Socialism, because “the dictatorship of the proletariat was missing.” He also serves on the Party’s Cultural Committee.
The Chinese revolution of 1949 has a profound effect on Thomson and leads to differences with the British Communist Party, from which he eventually drifts. He never loses his political beliefs. He is committed to working class education, including giving lectures to factory workers at Birmingham’s Austin car plant. He also maintains a special affection and support for the Morning Star in his later years.
Thomson authors three popular expositions on Marxism published by the China Policy Study Group in the early 1970s. From Marx to Mao Tse-tung: A study in revolutionary dialectics (1971), Capitalism and After: The rise and fall of commodity production (1973), and The Human Essence: The sources of science and art (1974). He is also the author of Marxism and Poetry (1945).
Jimmy Magee, Irish sports broadcaster known as The Memory Man, is born on January 31, 1935, in New York City. He spends over half a century in sports broadcasting, and presents radio and television coverage of the Olympic Games since 1968 and the FIFA World Cup since 1966. By the time of his retirement he is the longest-serving sports commentator in the English-speaking world.
Magee is born to Patrick (Paddy) Magee and his wife Rose (née Mackin). The family returns to Ireland shortly after his birth. He and his three siblings are subsequently raised in Cooley, County Louth. As a child he is influenced by the sports commentary of the legendary Gaelic games broadcaster Michael O’Hehir. He recalls commentating as a seven-year-old for his next-door neighbour on a variety of imaginary games that the young Magee is also playing in. He also speaks of making up his own radio commentary in a field at a young age.
After being educated locally, Magee secures a full-time clerical post with Dundalk, Newry and Greenore Railway. While still working at the Railway he begins his broadcasting career. He starts out as a reporter for the Radio Éireann programme Junior Sports Magazine. Other contributors on the programme are Jim Tunney and Peter Byrne, former football correspondent with The Irish Times. On leaving his Railway job, he presents a number of sponsored radio programmes before concentrating on sport. He is a producer, presenter and script writer for Radio Éireann’s sponsored programmes in the 1950s and 1960s.
Magee and his wife Marie are married on October 11, 1955, and have five children: Paul, a soccer player with Shamrock Rovers F.C. (winning the League of Ireland Cup in 1977), who died of motor neuron disease, in May 2008, Linda (b. 1959), June (b. 1961), Patricia (b. 1962), and Mark (b. 1970).
Magee’s column or quiz appears in every single publication of the Sunday World since the first edition in 1973.
Magee is also a staple of RTÉ’s coverage of the Olympic Games. Beginning at the 1968 Summer Olympics in Mexico City, he attends the eleven subsequent Olympic games as a commentator with RTÉ. In 2012, he commentates on the boxing for RTÉ at the 2012 Summer Olympics in London, including Katie Taylor‘s gold medal-winning fight. At the 2016 Summer Olympics, he provides commentary on the football.
From 1987 to 1998 Magee hosts Know Your Sport, a sports-themed quiz show, along with George Hamilton. His broadcasting career also sees him provide commentary for over 200 international football games, 30 European Cup finals, multiple Tour de France cycle races, World Athletic Championships and boxing. He also narrates numerous videos on sport in general such as The Purple and Gold, Meath Return to Glory, etc.
A freelancer, Magee works for Channel 4 in 1994 and signs for UTV in 1995 on a three-year contract where a lifetime ambition of commentating on All-Ireland Finals is achieved. He commentates on three finals in both hurling and football.
Magee launches his memoir, Memory Man, in 2012. Some of his one-liners in commentaries have become famous or infamous, what are affectionately known in the broadcasting industry as Colemanballs after the famed commentating clangers of BBC broadcaster David Coleman.
In the emotionally trying year of 1989, Magee’s mother and wife die within months of each other, Marie dying at the young age of 54.
Magee dies on September 20, 2017, after a short illness. Many tributes are made to him including TaoiseachLeo Varadkar who says, “His commentaries were legendary and based on a breadth of sporting knowledge that was peerless.” RTÉ Head of Sport Ryle Nugent says, “It’s hard to put it into words, the man meant an inordinate amount to so many people, I think he was the soundtrack to many generations.”
In 1972 Magee wins a Jacob’s Award for his radio sports commentaries. In 1989, he is the subject of a special tribute show on The Late Late Show. At the 2012 Summer Olympics in London, the International Olympic Committee presents him with a replica of its torch.
The Good-Natur’d Man, a play written by Oliver Goldsmith in 1768, is first performed at Central London’s Covent Garden on January 29, 1768. The play is written in the form of a comedy with Mary Bulkley as Miss Richland. It is released at the same time as Hugh Kelly‘s False Delicacy, staged at Drury Lane Theatre. The two plays go head-to-head, with Kelly’s proving the more popular. Goldsmith’s play is a middling success, and the printed version of the play becomes popular with the reading public.
Goldsmith is the son of an Anglo-Irish clergyman, the Rev. Charles Goldsmith, curate in charge of Kilkenny West. At about the time of his birth, the family moves into a substantial house at nearby Lissoy, where he spends his childhood. Much has been recorded concerning his youth, his unhappy years as an undergraduate at Trinity College Dublin, where he received the BA degree in February 1749, and his many misadventures before he leaves Ireland in the autumn of 1752 to study in the medical school at Edinburgh. By this time his father has died, but several of his relations support him in his pursuit of a medical degree. Later on, in London, he comes to be known as Dr. Goldsmith, Doctor being the courtesy title for one who holds the Bachelor of Medicine, but he takes no degree while at Edinburgh nor, so far as anyone knows, during the two-year period when, despite his meagre funds, which are eventually exhausted, he somehow manages to make his way through Europe. The first period of his life ends with his arrival in London, bedraggled and penniless, early in 1756.
Goldsmith’s rise from total obscurity is a matter of only a few years. He works as an apothecary‘s assistant, school usher, physician, and as a hack writer, reviewing, translating, and compiling. Much of his work is for Ralph Griffiths‘s Monthly Review. It remains amazing that this young Irish vagabond, unknown, uncouth, unlearned, and unreliable, is yet able within a few years to climb from obscurity to mix with aristocrats and the intellectual elite of London. Such a rise is possible because he has one quality, soon noticed by booksellers and the public, that his fellow literary hacks do not possess – the gift of a graceful, lively, and readable style.
Goldsmith’s rise begins with the Enquiry into the Present State of Polite Learning in Europe (1759), a minor work. Soon he emerges as an essayist, in The Bee and other periodicals, and above all in his Chinese Letters. These essays are first published in the journal The Public Ledger and are collected as The Citizen of the World in 1762. The same year brings his The Life of Richard Nash. Already he is acquiring those distinguished and often helpful friends whom he alternately annoys and amuses, shocks and charms – Samuel Johnson, Sir Joshua Reynolds, Thomas Percy, David Garrick, Edmund Burke, and James Boswell.
The obscure drudge of 1759 becomes in 1764 one of the nine founder-members of the famous The Club, a select body, including Reynolds, Johnson, and Burke, which meets weekly for supper and talk. Goldsmith can now afford to live more comfortably, but his extravagance continually runs him into debt, and he is forced to undertake more hack work. He thus produces histories of England and of ancient Rome and Greece, biographies, verse anthologies, translations, and works of popular science.
Goldsmith’s premature death on April 4, 1774, may be partly due to his own misdiagnosis of a kidney infection. He is buried in Temple Church in London. A monument is originally raised to him at the site of his burial, but this is destroyed in an air raid in 1941. A monument to him survives in the centre of Ballymahon, also in Westminster Abbey with an epitaph written by Samuel Johnson.
Among Goldsmith’s papers is found the prospectus of an encyclopedia, to be called the Universal dictionary of the arts and sciences. He wishes this to be the British equivalent of the Encyclopédie and it is to include comprehensive articles by Samuel Johnson, Edmund Burke, Adam Smith, Edward Gibbon, Sir Joshua Reynolds, Sir William Jones, Charles James Fox and Dr. Charles Burney. The project, however, is not realised due to Goldsmith’s death.
(Pictured: “Mr Honeywell introduces the bailiffs to Miss Richland as his friends,”a scene from the play “The Good-Natur’d Man” by Oliver Goldsmith, oil on panel by William Powell Frith)
Collins is born in 1954 in Camlough, County Armagh, Northern Ireland, the son of Brian Collins, a farmer, livestock trader, and cattle smuggler, and Kathleen Collins (née Cumiskey). His extended family has no history of political involvement, though his upbringing is fervently Catholic and nationalist. He leaves secondary school at age 16 and briefly works as a clerk in the Ministry of Defence in London. He returns home for family reasons and resumes his education in 1971 through a scholarship to St. Colman’s College, Newry, County Down. In 1973 he goes to Queen’s University Belfast (QUB) to study law.
Collins develops ultra-leftist political beliefs in his late teens and supports the Northern Ireland civil rights movement but retains reservations about the use of violence. He is further radicalised by being beaten up by soldiers searching his family’s farm at Easter 1974 and by the downfall of the power sharing executive. He loses interest in his studies, leaves QUB in 1976 without completing his degree, and drifts for two years, joining an anarchist collective in Belfast. He comes back into contact with the republican movement through the blanket protest by Long Kesh inmates; he had known hunger strikerRaymond McCreesh as a teenager. In 1978 he joins the customs service in Newry and begins to pass information to the IRA, which he joins in 1979. He is central to IRA recruitment and intelligence in Newry and south Down. Without firing a shot himself he facilitates at least five murders, including that of a customs colleague.
In 1982 Collins marries and the couple has four children. By 1984 he has developed doubts about his activities. He antagonises the Belfast leadership, which is moving towards political engagement and away from the all-out revolutionary violence that he favours, and while he admires the hardline South Armagh IRA for its military professionalism, he regards its members as political primitives. On February 28, 1985, he is arrested after an IRA mortar attack in which nine Royal Ulster Constabulary (RUC) members are killed. He breaks down after six days of interrogation and is recruited as a “supergrass,” but retracts his evidence a fortnight later and is held on remand on the basis of his confessions.
In January–February 1987 Collins is tried for murder but acquitted after the judge rules his statements inadmissible. He completes an Open University degree while awaiting trial. After his release he is ostracised and is interrogated by the IRA, which in July 1987 orders him to leave Northern Ireland. He engages in youth work in Dublin from 1987 to 1990, taking a diploma in community work at Maynooth. His wife and children remain in Newry and he visits them regularly in defiance of the expulsion order. In 1990 he returns to live in Newry and teaches at the Ulster People’s College in Belfast. From 1992–94 he is a community worker in Edinburgh. His wife and children continue to live on the Barcroft Park estate in Newry.
In 1994 Collins returns permanently to Northern Ireland after securing a job at a youth club in Armagh. In April 1995 he describes his career in a television documentary, admitting the murders for which he had been tried. In 1997 he publishes a memoir, Killing Rage, a powerful account of life as a paramilitary, although it is not entirely reliable. After the 1995 documentary he experiences verbal and physical harassment. This intensifies after May 1998 when he testifies for The Sunday Times in a libel action by Thomas Murphy, whom the paper accuses of being a leading IRA member. Four months after Murphy loses the case, the family farmhouse in Camlough, which Collins is renovating, is burned down. After the Omagh bombing he publishes several articles denouncing the Real IRA, several of whose activists he had recruited into the IRA from the Irish National Liberation Army (INLA) in the early 1980s. Graffiti regularly appears outside his home in Newry denouncing him as a British agent.
Early in the morning of January 27, 1999, Collins paints out the latest graffiti, and is walking his dogs near the Barcroft Park Estate in Newry along a quiet stretch of country lane at Doran’s Hill, just within sight of Sliabh gCuircin (Camlough Mountain). His body also bears marks of having been struck by a car moving at speed. The subsequent police investigation and Coroner’s Inquest comments upon the extremity of weaponed violence to Collins’ head and face used during the attack.
Rumoured reasons behind the murder are that Collins had returned to Northern Ireland in breach of the IRA’s banning order, and further he had detailed IRA activities and publicly criticized in the media a multiplicity of Irish Republican paramilitary splinter groups that had appeared after the Provisional IRA’s 1994 ceasefire, and that he had testified in court against Murphy. Gerry Adams states the murder was “regrettable,” but adds that Collins had “many enemies in many places.”
After a traditional Irish wake, with a closed coffin necessitated due to the damage to his face, and a funeral service at St. Catherine’s Dominican Church in Newry, Collins’ body is buried at the city’s Monkshill Cemetery, not far from the grave of Albert White, a Catholic former Royal Ulster Constabulary Inspector, whose assassination he helped to organise in 1982.
In January 2014 the Police Service of Northern Ireland (PSNI) releases a statement that a re-examination of the evidence from the scene of the 1999 murder had revealed new DNA material of a potential perpetrator’s presence, and makes a public appeal for information, detailing the involvement of a specific car model, a white coloured Hyundai Pony, and a compasspommel that had broken off a hunting knife during the attack and had been left behind at the scene. In February 2014 detectives from the Serious Crime Branch arrest a 59-year-old man at an address in Newry in relation to the murder, but he is subsequently released without charge. In September 2014 the police arrest three men, aged 56, 55 and 42, in County Armagh in relation to inquiries into the murder, all of whom are subsequently released without charges after questioning. In January 2019 the police release a statement regarding the murder that one of the assailants had been seriously injured by an accidentally sustained knife wound during the attack, and had left traces of his own blood at the scene, and that recent scientific advances in DNA evidence had increased the possibility of his identification. In May 2019, three men aged 60 to 62 are arrested and questioned, but then released unconditionally.
Kiernan is born to Peter Kiernan and Bridget (née Dawson). She is educated at Loreto Convent, County Wicklow. Hers is a very comfortably off merchant family with five sisters and one brother. Her parents enjoy a happy marriage, and life in the Kiernan home is joyous until Kitty reaches her teens. On November 27, 1907, her sister, Elizabeth Mary (a twin), dies at the age of eighteen of pulmonary tuberculosis, while Elizabeth’s twin sister, Rose, apparently dies the same year in Davos, Switzerland, which would also indicate tuberculosis as a cause of death. Her mother dies on November 29, 1908, of apoplexy, while her father dies almost exactly a year later, on November 9, 1909, of pneumonia. The Kiernan family owns the Greville Arms Hotel in the town, as well as a grocery shop, a hardware store, a timber and undertaking business and also a bar. Around the corner from the hotel, they operate a bakery which supplies the town and most of the surrounding countryside. All the family works in one capacity or another.
Michael Collins, one of the principal founders of the independent Irish state, is introduced to the vivacious Kiernan sisters by his cousin Gearóid O’Sullivan, who is already dating Maud Kiernan. Collins initially falls for the captivating Helen Kiernan, but she is already engaged to someone else. He then turns his interests to Kitty, who has already captured the interest of Collins’ friend Harry Boland. However, it is Collins to whom Kitty becomes engaged, with plans to marry Collins in a November 1922 double ceremony to include the nuptials of Maud and Gearóid. Collins’ assassination four months earlier, on August 22, 1922, near Béal na Bláth, County Cork, results in a single wedding taking place.
On June 10, 1925, Kiernan marries Felix Cronin, who is Quartermaster General in the Irish Army. They have two sons, Felix Jnr. and Michael Collins Cronin. Felix Jnr. and his son Rex are interred with his parents in Glasnevin Cemetery.
Kiernan dies, aged 52, of a cerebral hemorrhage on July 24, 1945, and her grave is close to that of Collins. Felix Cronin dies suddenly on October 22, 1961, while playing golf at Woodbrook Golf Club and is also buried in Glasnevin.
Kiernan and Michael Collins keep up a lengthy correspondence and while Collins is in London during the Anglo-Irish Treaty negotiations, he writes to her every day. The bulk of these letters are written between 1919 and 1922, and through their almost daily contact emerges a picture of the dreams and aspirations of the man often called Ireland’s “lost leader” and the woman with whom he wanted to share a “normal” life. These letters are the subject of a book written by Leon Ó Broin entitled In Great Haste. In 2000, some of the 300 letters sent by Kiernan and Collins to each other go on permanent display at the Cork Public Museum. These letters give a great insight into her attitude to life and into the political events of this time.
Former Fine Gael minister Peter Barry donates his collection of historic letters to the Lord Mayor of Cork, on behalf of the municipal museum. The collection, purchased from the Cronin family in 1995, is conserved at the Delmas bindery at Marsh’s Library in Dublin. The letters are also catalogued and then returned to the Cork Public Museum. The Peter Barry collection also contains letters from Harry Boland, a friend of Collins and former suitor of Kiernan.
In the 1996 film Michael Collins, Kiernan is played by American actress Julia Roberts though some reviewers are critical of the character’s development.
seamus dubhghaill 