seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Cecil King, Painter & Collector

Cecil King, painter and collector, is born on February 22, 1921, at Rathdrum, County Wicklow.

King is the son of Henry King, businessman, of Rathdrum, and Susan King (née Crowe). He is educated at the Church of Ireland Ranelagh School, Athlone, and at Mountjoy School, Clontarf, Dublin (1936–39). Subsequently he joins the printing firm of W. & S. McGowan in Dundalk, where he goes on to become a director. During the 1940s his interest in amateur drama leads him to take classes at the Gaiety School of Acting in Dublin, where his fellow students include Milo O’Shea and Eamonn Andrews. Around this time, he is also involved in An Óige (the Irish Youth Hostel Association), in which he serves as honorary national secretary and honorary treasurer. This involvement leads him to travel extensively from the late 1940s around Europe, where he visits many major art museums and galleries.

King begins to acquire works of art, by both European and Irish artists, and by the mid-1950s he has amassed one of the most important collections of modern art in Ireland. Around 1954 he himself begins to paint, under the guidance of Barbara Warren and the English artist Neville Johnson. In his early work he focuses on urban scenes, often based on the area of Ringsend, Dublin, where he uses subdued tones to produce poetic images of a sombre mood. Even here his interest in the formal qualities of painting – such as the flatness of the picture surface and the juxtaposition of areas of colour on it, which becomes a defining feature of his art – is evident. In 1964 he leaves his successful business career behind in order to devote himself entirely to art, a bold move considering the limited audience for modern art that exists in Ireland at the time. In his own words he recalls how “Painting was what I wanted to do, I realised I didn’t need a car. I could do without an awful lot of things.” (Sunday Independent, November 7, 1982)

By this time, King is working in a fully abstract style. However, he still draws his inspiration from the external world, particularly the milieu of the circus. A painting such as Trapeze (1976; Allied Irish Bank collection) shows how he responds to acrobatic performance, not in any literal or figurative sense, but to the tensions and balances inherent within it. The overall effect is to convey to the viewer the essence of anticipation of the performance. Indeed, his works can create an almost physical sense of involvement on the part of the viewer. This is especially true of his Berlin Suite, a series of screen-prints produced as a result of a visit to East Berlin and published by Editions Alecto of London (1970). He is also inspired to produce a number of paintings on this theme of the claustrophobia of the divided city. Ultimately, he aspires to create works which, with their economy and restraint, achieve a meticulously balanced harmony. This concern leads him, in such works as the Baggot Street Series, to move away from even the most veiled figurative references, evidence for the fact that he constantly strives to further his artistic explorations.

King often works seven days a week. This quiet determination contributes in no small part to the international standing he soon achieves, as does his prolific record as an exhibitor. Writing a foreword to an exhibition of his work at Kilkenny in 1975, the critic William Packer finds that King’s art “confounds the expectations we might have of Irish art, for it is far from local in ambition, accomplishment, and seriousness.” He mounts over twenty-five one-man exhibitions and contributes to a large number of group shows in Ireland and abroad. A significant proportion of his output is to be found in galleries in Europe and the United States, including the Museum of Modern Art, New York, and the Tate Gallery, London. He is also represented in the major public and corporate collections in Ireland, such as the Irish Museum of Modern Art, Ulster Museum, Trinity College Dublin (TCD), Crawford Municipal Gallery, Dublin City Gallery The Hugh Lane, Arts Council, Aer Lingus, Bank of Ireland, Allied Irish Bank, and ESB. In fact, King, with his hard-edge abstract style, is one of the very few artists working in Ireland at the time whose work is comparable to that of the major (principally American) international exponents of abstraction. The term “hard-edge,” applied to King’s style, may however belie the subtlety he could achieve in terms of his handling of colour and texture. This is particularly true of his works in the media of pastel and tapestry, while his last paintings show a tendency towards more expressive brushwork and a more complex approach to colour.

King enjoys a happy relationship with Oliver Dowling from 1960 to the time of his death, at Dún Laoghaire, County Dublin, on April 7, 1986, having suffered a heart attack just three days before an exhibition of his work is due to open in Dublin at the Oliver Dowling Gallery. His legacy is not alone artistic: he also makes a significant contribution to the promotion of modern art in Ireland in his capacity as a member of the organising committee for the Rosc exhibition since its inception in the 1960s, where his wide knowledge of international art is much respected. A member of Aosdána, he twice serves as commissioner for the Department of Foreign Affairs cultural committee. He is also generous in his encouragement of young artists, whose work he regularly adds to his own collection.

(From: “King, Cecil” by Rebecca Minch, Dictionary of Irish Biography, http://www.dib.ie, May 2012 | Pictured: Abstract, Oil on Canvas by Cecil King)


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Commissioning of the USS Juneau

USS Juneau (CL-52), a United States Navy Atlanta-class light cruiser, is commissioned on February 14, 1942, with Captain Lyman Knute Swenson in command. The ship becomes horribly famous as the vessel which carries the five Irish American Sullivan brothers to their death on November 13, 1942, after it is hit by a Japanese torpedo at the Battle of Guadalcanal.

The USS Juneau is laid down by Federal Shipbuilding and Drydock Company, Kearny, New Jersey, on May 27, 1940, and launched on October 25, 1941, sponsored by Mrs. Harry I. Lucas, wife of the mayor of the city of Juneau, Alaska.

After a hurried shakedown cruise along the Atlantic Coast in the spring of 1942, USS Juneau assumes blockade patrol in early May off Martinique and the Guadeloupe archipelago to prevent the escape of Vichy French naval units. She returns to New York to complete alterations and operates in the North Atlantic and Caribbean from June 1 to August 12 on patrol and escort duties. The cruiser departs for the Pacific Theater on August 22.

On 8 November, USS Juneau departs Nouméa, New Caledonia, as a unit of Task Force 67 under the command of Rear Admiral Richmond K. Turner to escort reinforcements to Guadalcanal. The force arrives there on the morning of November 12, and USS Juneau takes up her station in the protective screen around the transports and cargo vessels. Unloading proceeds unmolested until 14:05, when 30 Japanese planes attack the alerted United States group. The anti-aircraft fire is effective, and the USS Juneau alone accounts for six enemy torpedo bombers shot down. The few remaining Japanese planes are, in turn, attacked by American fighters with only one bomber escaping. Later in the day, an American attack group of cruisers and destroyers clears Guadalcanal on reports that a large enemy surface force is headed for the island. At 01:48 on November 13, Rear Admiral Daniel J. Callaghan‘s relatively small landing support group engages the enemy. The Japanese force consists of two battleships, one light cruiser, and nine destroyers.

Because of bad weather and confused communications, the battle occurs in near-pitch darkness and at almost point-blank range, as the ships of the two sides become intermingled. During the melee, the USS Juneau is struck on the port side by a torpedo launched by Japanese destroyer Amatsukaze, causing a severe list, and necessitating withdrawal. Before noon on November 13, USS Juneau, along with two other cruisers damaged in the battle, USS Helena (CL-50) and USS San Francisco (CA-38), head toward Espiritu Santo for repairs. USS Juneau is steaming on one screw, keeping station 800 yards off the starboard quarter of the likewise severely damaged USS San Francisco. She is down 12 feet by the bow, but able to maintain 13 knots.

A few minutes after 11:00, two torpedoes are launched from Japanese submarine I-26. These are intended for USS San Francisco, but both pass ahead of her. One strikes USS Juneau in the same place that had been hit during the battle. There is a great explosion, and USS Juneau breaks in two and disappears in just 20 seconds. Fearing more attacks from I-26, and wrongly assuming from the massive explosion that there are no survivors, USS Helena and USS San Francisco depart without attempting to rescue any survivors. In fact, more than 100 sailors survive the sinking of USS Juneau. They are left to fend for themselves in the open ocean for eight days before rescue aircraft belatedly arrive. While awaiting rescue, all but ten die from the elements and shark attacks. Among those lost are the five Sullivan brothers. Two of the brothers apparently survive the sinking, only to die in the water. Two presumably go down with the ship. Some reports indicate the fifth brother also survives the sinking but disappears during the first night when he leaves a raft and gets into the water. On November 20, 1942, USS Ballard (DD-267) recovers two of the ten survivors. Five more in a raft are rescued by a PBY Seaplane five miles away. Three others, including a badly wounded officer, make it to San Cristobal (now Makira) Island, about 55 miles away from the sinking. One of the survivors recovered by USS Ballard says he had been with one of the Sullivan brothers for several days after the sinking.

As a direct result of the Sullivans’ deaths (and the deaths of four of the Borgstrom brothers within a few months of each other two years later), the United States Department of War adopts the Sole Survivor Policy, a set of regulations, partially stipulated by law, that are designed to protect members of a family from the draft during peacetime, or from hazardous duty or other circumstances, if they have already lost family members to military service.

To honor the five Sullivan brothers, who all died in the sinking, and the USS Juneau, the United States Navy later commissions two ships named USS The Sullivans, and two ships named USS Juneau. On March 17, 2018, the wreck of USS Juneau is located by Paul Allen‘s research crew on board RV Petrel at a depth of about 13,800 feet off the coast of the Solomon Islands in several large pieces.


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Birth of Irish Sports Broadcaster Jimmy Magee

Jimmy Magee, Irish sports broadcaster known as The Memory Man, is born on January 31, 1935, in New York City. He spends over half a century in sports broadcasting, and presents radio and television coverage of the Olympic Games since 1968 and the FIFA World Cup since 1966. By the time of his retirement he is the longest-serving sports commentator in the English-speaking world.

Magee is born to Patrick (Paddy) Magee and his wife Rose (née Mackin). The family returns to Ireland shortly after his birth. He and his three siblings are subsequently raised in Cooley, County Louth. As a child he is influenced by the sports commentary of the legendary Gaelic games broadcaster Michael O’Hehir. He recalls commentating as a seven-year-old for his next-door neighbour on a variety of imaginary games that the young Magee is also playing in. He also speaks of making up his own radio commentary in a field at a young age.

After being educated locally, Magee secures a full-time clerical post with Dundalk, Newry and Greenore Railway. While still working at the Railway he begins his broadcasting career. He starts out as a reporter for the Radio Éireann programme Junior Sports Magazine. Other contributors on the programme are Jim Tunney and Peter Byrne, former football correspondent with The Irish Times. On leaving his Railway job, he presents a number of sponsored radio programmes before concentrating on sport. He is a producer, presenter and script writer for Radio Éireann’s sponsored programmes in the 1950s and 1960s.

Magee and his wife Marie are married on October 11, 1955, and have five children: Paul, a soccer player with Shamrock Rovers F.C. (winning the League of Ireland Cup in 1977), who died of motor neuron disease, in May 2008, Linda (b. 1959), June (b. 1961), Patricia (b. 1962), and Mark (b. 1970).

Magee joins Raidió Teilifís Éireann in 1956. In 1966 he covers his first World Cup for RTÉ Radio. He does likewise for the 1970 FIFA World Cup before transferring to television for the 1974 FIFA World Cup finals. In all he provides commentary at eleven World Cups – his latest commentary coming at the 2010 FIFA World Cup in South Africa.

Magee’s column or quiz appears in every single publication of the Sunday World since the first edition in 1973.

Magee is also a staple of RTÉ’s coverage of the Olympic Games. Beginning at the 1968 Summer Olympics in Mexico City, he attends the eleven subsequent Olympic games as a commentator with RTÉ. In 2012, he commentates on the boxing for RTÉ at the 2012 Summer Olympics in London, including Katie Taylor‘s gold medal-winning fight. At the 2016 Summer Olympics, he provides commentary on the football.

From 1987 to 1998 Magee hosts Know Your Sport, a sports-themed quiz show, along with George Hamilton. His broadcasting career also sees him provide commentary for over 200 international football games, 30 European Cup finals, multiple Tour de France cycle races, World Athletic Championships and boxing. He also narrates numerous videos on sport in general such as The Purple and Gold, Meath Return to Glory, etc.

A freelancer, Magee works for Channel 4 in 1994 and signs for UTV in 1995 on a three-year contract where a lifetime ambition of commentating on All-Ireland Finals is achieved. He commentates on three finals in both hurling and football.

Magee launches his memoir, Memory Man, in 2012. Some of his one-liners in commentaries have become famous or infamous, what are affectionately known in the broadcasting industry as Colemanballs after the famed commentating clangers of BBC broadcaster David Coleman.

In the emotionally trying year of 1989, Magee’s mother and wife die within months of each other, Marie dying at the young age of 54.

Magee dies on September 20, 2017, after a short illness. Many tributes are made to him including Taoiseach Leo Varadkar who says, “His commentaries were legendary and based on a breadth of sporting knowledge that was peerless.” RTÉ Head of Sport Ryle Nugent says, “It’s hard to put it into words, the man meant an inordinate amount to so many people, I think he was the soundtrack to many generations.”

In 1972 Magee wins a Jacob’s Award for his radio sports commentaries. In 1989, he is the subject of a special tribute show on The Late Late Show. At the 2012 Summer Olympics in London, the International Olympic Committee presents him with a replica of its torch.


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Birth of Kitty Kiernan, Fiancée of Michael Collins

Catherine Brigid “Kitty” Kiernan, Irish woman widely known as the fiancée of Irish revolutionary leader and Chairman of the Provisional Government of the Irish Free State, Michael Collins, is born on January 26, 1892, in Granard, County Longford.

Kiernan is born to Peter Kiernan and Bridget (née Dawson). She is educated at Loreto Convent, County Wicklow. Hers is a very comfortably off merchant family with five sisters and one brother. Her parents enjoy a happy marriage, and life in the Kiernan home is joyous until Kitty reaches her teens. On November 27, 1907, her sister, Elizabeth Mary (a twin), dies at the age of eighteen of pulmonary tuberculosis, while Elizabeth’s twin sister, Rose, apparently dies the same year in Davos, Switzerland, which would also indicate tuberculosis as a cause of death. Her mother dies on November 29, 1908, of apoplexy, while her father dies almost exactly a year later, on November 9, 1909, of pneumonia. The Kiernan family owns the Greville Arms Hotel in the town, as well as a grocery shop, a hardware store, a timber and undertaking business and also a bar. Around the corner from the hotel, they operate a bakery which supplies the town and most of the surrounding countryside. All the family works in one capacity or another.

Michael Collins, one of the principal founders of the independent Irish state, is introduced to the vivacious Kiernan sisters by his cousin Gearóid O’Sullivan, who is already dating Maud Kiernan. Collins initially falls for the captivating Helen Kiernan, but she is already engaged to someone else. He then turns his interests to Kitty, who has already captured the interest of Collins’ friend Harry Boland. However, it is Collins to whom Kitty becomes engaged, with plans to marry Collins in a November 1922 double ceremony to include the nuptials of Maud and Gearóid. Collins’ assassination four months earlier, on August 22, 1922, near Béal na Bláth, County Cork, results in a single wedding taking place.

On June 10, 1925, Kiernan marries Felix Cronin, who is Quartermaster General in the Irish Army. They have two sons, Felix Jnr. and Michael Collins Cronin. Felix Jnr. and his son Rex are interred with his parents in Glasnevin Cemetery.

Kiernan dies, aged 52, of a cerebral hemorrhage on July 24, 1945, and her grave is close to that of Collins. Felix Cronin dies suddenly on October 22, 1961, while playing golf at Woodbrook Golf Club and is also buried in Glasnevin.

Kiernan and Michael Collins keep up a lengthy correspondence and while Collins is in London during the Anglo-Irish Treaty negotiations, he writes to her every day. The bulk of these letters are written between 1919 and 1922, and through their almost daily contact emerges a picture of the dreams and aspirations of the man often called Ireland’s “lost leader” and the woman with whom he wanted to share a “normal” life. These letters are the subject of a book written by Leon Ó Broin entitled In Great Haste. In 2000, some of the 300 letters sent by Kiernan and Collins to each other go on permanent display at the Cork Public Museum. These letters give a great insight into her attitude to life and into the political events of this time.

Former Fine Gael minister Peter Barry donates his collection of historic letters to the Lord Mayor of Cork, on behalf of the municipal museum. The collection, purchased from the Cronin family in 1995, is conserved at the Delmas bindery at Marsh’s Library in Dublin. The letters are also catalogued and then returned to the Cork Public Museum. The Peter Barry collection also contains letters from Harry Boland, a friend of Collins and former suitor of Kiernan.

In the 1996 film Michael Collins, Kiernan is played by American actress Julia Roberts though some reviewers are critical of the character’s development.

A number of Irish pubs are named in memory of Kiernan, such as one in Donnycarney, Dublin, one in Waterford, and one in the Bay Ridge section of Brooklyn in New York. A similar pub in Linz, Austria is closed in 2009.


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Death of Elizabeth Corbet Yeats, Educator & Publisher

Elizabeth Corbet Yeats, known as Lolly, Anglo-Irish educator and publisher, dies on January 16, 1940. She works as an art teacher and publishes several books on art and is a founder of Dun Emer Press which publishes several works by her brother, W. B. Yeats. She is the first commercial printer in Ireland to work exclusively with hand presses.

Yeats is born at 23 Fitzroy Road, London, on March 11, 1868. She is the daughter of the Irish artist John Butler Yeats and Susan Yeats (née Pollexfen). She is sister to W. B., Jack and Susan Mary “Lily” Yeats. From the age of four she lives in Merville, Sligo, at the home of her grandfather William Pollexfen. In November 1874 her family moves to 14 Edith Villas, West Kensington, London. Her governess is Martha Jowitt from 1876 until 1879 before the family moves to Bedford Park, Chiswick, in 1878.

Yeats returns to Howth, County Dublin, in 1881. She enrolls, with her sister Susan, in the Dublin Metropolitan School of Art in 1883 and takes classes at the Royal Dublin Society.

The family moves to Eardley Crescent, South Kensington, London, in 1886. While there Yeats starts to write fiction and publishes a homemade magazine, The Pleiades, with six friends, contributing “Story without a plot” to the Christmas 1888 issue. In addition, she publishes “Scamp and three friends” in The Vegetarian.

Yeats also attends the Chiswick School of Art with her sister Susan and brother Jack Butler Yeats, learning “Freehand drawing in all its branches, practical Geometry and perspective, pottery and tile painting, design for decorative purposes.”

In the 1890s Yeats lives at 3 Blenheim Road, Bedford Park, London, and trains as a kindergarten teacher at the Froebel College in Bedford, Bedfordshire. She undertakes her teaching practice at the Bedford Park High School. In 1892, when her training is completed, she teaches as a visiting art mistress at the Froebel Society, Chiswick High School and the Central Foundation School.

Yeats earns a good income from lecturing and publication of four popular painting manuals: Brushwork (1896), Brushwork Studies of Flowers, Fruits and Animals (1898), Brushwork Copy Book (1899), and Elementary Brushwork Studies (1900).

Yeats trains and works as an art teacher and is a member of William Morris‘s circle in London before her family returns to Dublin in 1900. She writes and creates the artwork for Elementary Brush-Work Studies (1900), an educational book that teaches young children the technique of painting flowers and plants using her simple method. At the suggestion of Emery Walker, who works with Morris on the Kelmscott Press, she studies printing with the Women’s Printing Society in London.

In Dublin, Yeats accepts the invitation to join Evelyn Gleeson to form the Dun Emer Guild along with Lily, who is an embroiderer. She manages the Dun Emer Press from 1902 with a printing press acquired from a provincial newspaper. The Press is located at Runnymede, the house of Evelyn Gleeson. This is set up with the intention of training young women in bookbinding and printing as well as embroidery and weaving. In 1903 she starts printing and Dun Emer’s first book is W. B. Yeats’s In the Seven Woods (1903).

Despite being a gifted printer, the costings exceed the quality of work that Yeats produces with the result that the press is often at risk financially. Eleven books, decorated with pastels by George William Russell, appear under the Dun Emer imprint produced from a first-floor room. She has several disagreements with her brother William over his directions as literary editor. She also dislikes Evelyn Gleeson. In October 1906 she travels to New York to advertise her products but publishes Dun Emer’s last book, William’s Discoveries (1907), in late November when she returns to Dublin.

After many years of strained relations between the Yeats sisters and Evelyn Gleeson, their business relationship is finally ended. Subsequently, in 1908, Lolly and her brother William start the Cuala Press, publishing over 70 books including 48 by the poet. Yeats manages the press while her sister Lily controls the embroidery section. Cuala continues to be a family strain. Their father, John Butler Yeats, has to castigate his son William for sending overtly critical letters to his sisters about the press. However, Cuala produces magnificent books: W. B. Yeats’ The Green Helmet and Other Poems (1910) and a series of Broadsides (published 1908–15, with illustrations from Jack Yeats).

Yeats works with Cuala Press until just before her death in Dublin on January 16, 1940, after a diagnosis of high blood pressure and heart trouble.

(Pictured: “Elizabeth Corbet Yeats” by Jack Butler Yeats, oil on canvas, circa 1899, National Gallery of Ireland)


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Birth of Clare Marsh, Still Life & Portrait Artist

Clare Marsh, still life and portrait artist, is born Emily Cecil Clare Marsh on January 13, 1875, at New Court, Bray, County Wicklow, the house of her maternal grandfather, Andrew McCullagh, a wine merchant.

Marsh’s parents are Arthur and Rachel Marsh (née McCullagh). She has four siblings. Her family is descended from the Anglo-Irish aristocracy, specifically from Francis Marsh of Edgeworth, Gloucestershire, with his wife the great-aunt of James II‘s first wife. The family later moves to Raheen, Clondalkin, and later to Cappaghmore, Clondalkin. There is little information about her early life although she is involved in the suffrage movement.

Marsh meets Mary Swanzy at Mary Manning‘s art classes, with Swanzy remembering Marsh as being from “a background of impecuniosity, which did not apparently worry them in spite of a more affluent upbringing.” She is influenced artistically by her aunt and John Butler Yeats, with whom she becomes close friends. In the summer of 1898, Yeats paints Marsh’s portrait at Manning’s studio. She is more drawn to the work of Yeats than of his son, Jack, and models her portraits on that of the older Yeats. He mentors her, encouraging her to see other artists’ work as much as possible and saying, “to produce a picture will force you to think.” He urges her to paint more industriously. She exhibits with the Royal Hibernian Academy (RHA) for the first time in 1900 with East wind effect and Roses. Yeats later claims that Marsh helped him with “line drawing or sketching, by putting him on the track of bulk drawing.”

Alongside Manning’s classes, Marsh takes night classes in sculpture with John Hughes and Oliver Sheppard at the Metropolitan School of Art. Aside from a trip to Paris in 1910 or 1911, she is taught exclusively in Dublin throughout her 20s. She takes a course at Norman Garstin‘s studio in Penzance, and stays in North Wales in 1914, painting two Trearddur Bay scenes. She paints still life and portraits, including one of Lily Yeats. It appears that her portraits of children and dogs are popular based on her submitted works to the RHA, exhibiting without a break from 1900 to 1921. The Hugh Lane Gallery holds her portrait of Lord Ashbourne, which demonstrates her painting style of loose brush strokes with an air of informality. Yeats suggests that she spend some time in the United States, where he is living at the time. She spends two months in New York City, staying with cousins at White Plains and then moves into a room neighbouring that of Yeats in Petitpas. Her uncle strongly disproves of this living arrangement, so she leaves and returns to Ireland in January 1912, which upsets Yeats greatly.

Upon her return from New York, Marsh starts holding classes at her studio at South Anne Street which Swanzy recalls are “well liked and always full,” with Susan Yeats becoming a pupil. She becomes the Professor of Fine Arts at Alexandra College in 1916. In the same year, she paints the fires and destruction of the 1916 Easter Rising. She paints a portrait of Jack Butler Yeats in 1918, which is now held by the Highlanes Gallery. John Butler Yeats later sympathises with her in a letter that she and other women are not elected members of the RHA. Knowing that Yeats is in financial difficulty, she sells some of his drawings and sends the money to him. It appears that over time, she works more with colour, as demonstrated in her portrait of Susan Yeats. Her final paintings are night studies, some of which show a possible influence from Swanzy with whom she shares a studio in the autumn of 1920. She is also believed to be one of the founding members of the Society of Dublin Painters.

Marsh dies on May 5, 1923. A posthumous exhibition of her work is held in October 1923. Due to her early death, she largely falls into obscurity until one of her works is included in the 1987 “Irish Women Artists from the Eighteenth Century to the Present Day” exhibition and publication from the National Gallery of Ireland. The National Gallery of Ireland holds a selection of sketches and paintings by Marsh, and a sketch of her by Swanzy. She is included in an exhibition of art by women artists at the Highlanes Gallery in 2012.

(Pictured: “Self-Portrait” by Clare Marsh, oil on canvas, circa 1900, National Gallery of Ireland)


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Birth of Jim Norton, Film & Television Character Actor

Jim Norton, Irish stage, film and television character actor, is born in Dublin on January 4, 1938. He is known for his work in the theatre, most notably in Conor McPherson‘s The Seafarer, and on television as Bishop Brennan in the sitcom Father Ted.

Norton is educated at Synge Street CBS. From an early age he wants to be an actor, and regularly attends performances at the Abbey Theatre. His mother, Frances, plays the violin and his father, Eugene, is a baritone singer and works as a bakery manager. He has one sibling, the late acting teacher Betty Ann Norton.

Norton has been acting for over forty years in theatre, television, and film, and frequently plays clergymen, most notably Bishop Brennan in the sitcom Father Ted, as well as roles in The Sweeney (1975), Peak Practice (1993), Sunset Heights (1997), A Love Divided (1999), Rebus: Black and Blue (2000), Mad About Mambo (2000), Boxed (2003) and Jimmy’s Hall (2014). He stars as Finian McLonergan in the critically acclaimed New York City Center‘s 2009 production of Finian’s Rainbow, and in October 2009 reprises the role in the Broadway revival at the St. James Theatre. His co-stars are Cheyenne Jackson (Woody) and Kate Baldwin (Sharon).

As well as Bishop Brennan in Father Ted, Norton also plays Albert Einstein in two episodes of Star Trek: The Next Generation (namely “The Nth Degree” and “Descent“); the librarian Lieutenant James Porteous in the highly acclaimed 1970s British television drama series Colditz; Phil Harrister, a criminal involved in an intricate bank robbery, in The Sweeney episode “Contact Breaker”; O’Brady in the Minder episode “National Pelmet“; and Rory, a roguish but genteel Irishman who is diagnosed with cirrhosis of the liver, in The Royal episode “Beggars and Choosers.”

Norton has appeared in two episodes of Van der Valk. On Babylon 5 he appears in a number of roles, including that of Ombuds Wellington in the 1994 episodes “Grail” and “The Quality of Mercy“; a Narn in “Dust to Dust” (1996); and Dr. Lazarenn, a Markab doctor, in “Confessions and Lamentations” (1995). In Fall of Eagles he plays Alexander Kerensky.

Other television work includes: 1990, Agatha Christie’s Poirot, Waking the Dead, Cheers, Frasier, Midsomer Murders, Maigret and Rumpole of the Bailey as Fig Newton, Stan Laurel in the BBC drama Stan (2006), Larry Joyce in the 2013 television drama Deception, and as the timid Gardener in the first series of the long-running CITV children’s series T-Bag: “Wonders in Letterland” (1985).

Norton makee his film debut with a small role in the 1965 thriller The Face of Fu Manchu starring Christopher Lee, and later appears in the 1969 epic film Alfred the Great as Thanet. He plays the part of Pongo in the screen version of Spike Milligan‘s war-time memoir Adolf Hitler: My Part in his Downfall. In 1971 he plays Chris Cawsey (aka “The Rat Man”), one of several villains in the controversial Sam Peckinpah film Straw Dogs starring Dustin Hoffman. His character has a deviously infectious, deliberately irritating laugh that helps build tension throughout the film.

Norton appears in the movie Memoirs of an Invisible Man alongside Chevy Chase in 1992. In the same year he also appears in the Irish-made film Into the West. He appears in the comedy On the Nose as Patrick Cassidy, along with Dan Aykroyd and Robbie Coltrane, in 2001. He appears in a cameo in Harry Potter and the Chamber of Secrets in 2002 as Mr. Mason. He plays an Irish immigrant in the 2005 Australian/UK co-production, The Oyster Farmer. He plays Herr Liszt in the 2008 holocaust film The Boy in the Striped Pyjamas.

In 2011 Norton appears as the character Old Mr. Black in the film Extremely Loud & Incredibly Close directed by Stephen Daldry. He appears in the 2011 film Water for Elephants, in which he portrays a circus worker called “Camel” who befriends a character played by Robert Pattinson. In 2012 he appears as the character Tommy in the short film Homemade written by Matthew Roche and directed by Luke McManus. He is in the Ken Loach film Jimmy’s Hall which is released in 2014. He plays the role of Mr. Heelshire in the 2016 film The Boy. In 2018 he plays the role of Mr. Binnacle in Mary Poppins Returns.

Norton has a longtime partnership with playwright Conor McPherson, having originated roles in six of his plays in Dublin, London and New York, and for which he has won both the Tony and Olivier Award. Norton plays Jack in The Weir (1997), Joe in Port Authority (2001), Matthew in Come On Over (2001), Richard in The Seafarer (2006–7), Reverend Berkeley in The Veil (2011), and Maurice in The Night Alive (2013).


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Death of Michael Corcoran, General in the Union Army

Michael Corcoran, Irish American general in the Union Army during the American Civil War and a close confidant of President Abraham Lincoln, dies on December 22, 1863, of a fractured skull after being thrown from a runaway horse.

Corcoran is born in Carrowkeel, near Ballymote, County Sligo, on September 21, 1827. As its colonel, he leads the 69th Infantry Regiment (New York) to Washington, D.C. and is one of the first to serve in the defense of Washington by building Fort Corcoran. He then leads the 69th into action at the First Battle of Bull Run. After promotion to brigadier general, he leaves the 69th and forms the Corcoran Legion, consisting of at least five other New York regiments.

Corcoran is the only child of Thomas Corcoran, an officer in the British Army, and Mary McDonagh. Through his mother, he claims descent from Patrick Sarsfield, hero of the Williamite War in Ireland and leader of the Wild Geese. In 1846 he takes an appointment to the Revenue Police, enforcing the laws and searching for illicit stills and distilling activities in Creeslough, County Donegal. He also joins a guerrilla group called the Ribbonmen.

On August 30, 1849, Corcoran emigrates from Sligo to the United States and settles in New York City where he finds work as a clerk in the tavern owned by John Heaney, whose niece, Elizabeth, he marries in 1854.

Corcoran enlists as a Private in the 69th New York Militia. By 1859 he is appointed colonel of the regiment. The regiment is a state militia unit at the time composed of citizens, not soldiers, and is involved in the maintenance of public order. On October 11, 1860, he refuses to march the regiment on parade for the 19-year-old Prince of Wales, who is visiting New York City at the time, protesting the British imposition of the Irish Famine. He is removed from command and a court martial is pending over that matter when the Civil War begins.

Corcoran also becomes involved in Democratic politics at Tammany Hall. He becomes district leader, a member of the judicial nominations committee, an elected school inspector for his ward, and a member of the Fourteenth Ward General Committee. He is one of the founders of the Fenian Brotherhood in America.

With the outbreak of war, the court martial is dropped and Corcoran is restored to his command because he had been instrumental in bringing other Irish immigrants to the Union cause. He leads the 69th to Washington, D.C. and serves for a while in the Washington defenses building, Fort Corcoran. In July 1861 he leads the regiment into action at the First Battle of Bull Run and is taken prisoner.

While Corcoran is imprisoned, the United States makes threats to execute captured Confederate privateers. Corcoran and several other Union prisoners are selected by lot for execution if the United States carries out its threats against the privateers. This event is known as the Enchantress Affair, but no executions are ever carried out by either side. Corcoran is then offered a parole under the conditions that he does not take up arms against the Confederacy. Intending to resume his place in the Union army upon his release he refuses the offer of parole. He is appointed Brigadier General of volunteers in July and exchanged in August 1862. His role in the Enchantress Affair and his refusal for parole gains him some attention and upon his release he is invited to dinner with President Abraham Lincoln.

In April 1863 Corcoran is involved in an incident that ends with Corcoran shooting and killing Edgar A. Kimball, commander of the 9th New York Volunteer Infantry Regiment. Corcoran attempts to pass through the 9th New York’s area without giving the required password after receiving the challenge from a sentry. When Kimball intervenes on the side of the sentry, Corcoran shoots him. Corcoran is not charged with a crime or reprimanded and continues to serve.

Corcoran returns to the army and sets about recruiting more Irish volunteers. He raises and takes command of what becomes known as the Corcoran Legion. Placed in command of the 1st Division, VII Corps he is engaged in the Battle of Deserted House and takes part in the Battle of Suffolk. In late 1863 he is placed in command of a division in the XXII Corps and returns to serve in the Washington defenses. While riding alone in Fairfax, Virginia he is thrown from a runaway horse and suffers a fractured skull. He dies at the age of 36 at the William Gunnell House on December 22, 1863.

New York City Mayor Michael Bloomberg unveils Ireland’s national monument to the Fighting 69th in Ballymote on August 22, 2006. The monument is sculpted by Philip Flanagan. The inscription around the top of the monument reads “Michael Corcoran 1827–1863” Around the base is inscribed “New York Ballymote Creeslough Bull Run.” Underneath the monument is a piece of steel from the World Trade Center, donated by the family of Michael Lynch, who died in the tower on September 11, 2001. Lynch’s family are also from County Sligo.


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Birth of John Russell Young, Journalist, Author & Diplomat

John Russell Young, Irish American journalist, author, diplomat, and the seventh Librarian of the United States Congress from 1897 to 1899, is born on November 20, 1840, in County Tyrone. He is invited by Ulysses S. Grant to accompany him on a world tour for purposes of recording the two-year journey, which he publishes in a two-volume work.

Young is born in County Tyrone but as a young child his family emigrates to Philadelphia, Pennsylvania. He enters the newspaper business as a proofreader at age fifteen. As a reporter for The Philadelphia Press, he distinguishes himself with his coverage of the First Battle of Bull Run. By 1862 he is managing editor of the Press and another newspaper.

In 1865 Young moves to New York City, where he becomes a close friend of Henry George and helps to distribute his book, Progress and Poverty. He begins writing for Horace Greeley‘s New York Tribune and becomes managing editor of that paper. He also begins working for the government, undertaking missions to Europe for the U.S. Department of State and the U.S. Department of the Treasury. In 1872, he joins the New York Herald and reports for them from Europe.

Young is invited to accompany President Ulysses S. Grant on Grant’s famous 1877-79 world tour, chronicled in Young’s book Around the World with General Grant. He impresses Grant, especially in China where he strikes up a friendship with Li Hongzhang. Grant persuades President Chester A. Arthur to appoint Young minister to China in 1882. In this position he distinguishes himself by mediating and settling disputes between the United States and China and France and China. Unlike many other diplomats, he opposes the policy of removing Korea from Chinese suzerainty.

In 1885 Young resumes working for the New York Herald in Europe. In 1890 he returns to Philadelphia. In 1897 President William McKinley appoints him Librarian of Congress, the first librarian confirmed by Congress. During his tenure, the library begins moving from its original home in the United States Capitol building to its own structure, an accomplishment largely the responsibility of his predecessor, Ainsworth Rand Spofford. Spofford serves as Chief Assistant Librarian under Young. Young holds the post of librarian until his death.

Young dies in Washington, D.C. on January 17, 1899, and is interred at Mount Moriah Cemetery in Philadelphia, Pennsylvania.

Young’s brother is Congressman James Rankin Young. His son is Brigadier General Gordon Russell Young, who is Engineer Commission of the District of Columbia from 1945-51 and a recipient of the Distinguished Service Medal and the Legion of Merit.


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The Wreck of the “Stephen Whitney”

The passenger-carrying sailing ship Stephen Whitney is wrecked on West Calf Island off the southern coast of Ireland on November 10, 1847 with the loss of 92 of the 110 passengers and crew aboard.

The Stephen Whitney is a packet ship in Robert Kermit‘s Red Star Line. The ship is named after a Kermit investor, New York City merchant Stephen Whitney.

The 1,034-ton ship leaves New York City on October 18 for Liverpool, England, carrying passengers and a cargo which includes corn, raw cotton, cheese, resin, and twenty boxes of clocks. On November 10 in thick fog, the captain, C.W. Popham, mistakes the Crookhaven lighthouse for the one at the Old Head of Kinsale and the lighthouse on Cape Clear Island is obscured by fog compounding the error in navigation. At around 10:00 p.m., the ship strikes the western tip of West Calf Island, completely breaking up within about ten minutes. Conditions in the area are distressing as it is the height of the Great Famine.

The loss of the ship triggers the decision to replace the Cape Clear Island lighthouse with one on Fastnet Rock. This decision is also because the lighthouse on Cape Clear is often shrouded in fog or low level clouds, which make it hard or at times impossible to see.

(Pictured: West Calf Island, the most westerly of the three Calf Islands that lie at the heart of Roaring Water Bay, West Cork)