Following the sudden death of his father in 1918, Bell is brought at the age of seven to live near Raffery in the Strangford Lough area of County Down. He lives with his mother and two brothers in a cottage with no electricity or running water. This is the setting of his acclaimed novel of Ulster rural life, December Bride (1951). He moves to Belfast in 1921, where he works at a variety of manual jobs before securing a post with the BBC in 1945. He is a co-founder of the left-leaning literary journal, Lagan, in 1943.
Bel’s first collection of short stories, Summer Loanen and Other Stories, is published in 1943. His novels include December Bride (1951), The Hollow Ball (1961), A Man Flourishing (1973) and Across the Narrow Sea (1987).
Bell is recruited to the BBC in 1946, along with fellow writer, W. R. Rodgers, by poet and radio producer, Louis MacNeice. Some of his work as a radio producer is highly innovative. This is Northern Ireland, An Ulster Journey (1949) is a classic radio feature incorporating actuality, poetry, music and narration. In later work, Bell incorporates the voices of “ordinary people” in his attempt to paint a picture of Ulster as rooted in the lives and traditions of its people. His collaboration with W. R. Rodgers, The Return Room (1955), is one of the most important post-war Irish radio features and shows the influence of Dylan Thomas on Rodgers, the poet.
In 1977, Bell is honoured with an MBE in recognition of his contribution to the cultural life of Northern Ireland.
December Bride is made into an acclaimed film in 1990. Reviewing the film, The Irish Times columnist and literary critic Fintan O’Toole says it is “not just a remarkable artistic achievement, but also a remarkable political one…restoring a richness and complexity to a history that has been deliberately narrowed.” In April 1999, December Bride is selected by award-winning novelist and critic Colm Tóibín and publisher, writer and critic Dame Carmen Callil, for inclusion in The Modern Library: The 200 Best Novels in English Since 1950 (Picador).
Bell dies on February 9, 1990, at 190 King’s Road, Knock, Belfast, aged 80, shortly before the premiere of the film of December Bride. On October 15, 2009, the eve of what would have been Bell’s centenary, a blue plaque is unveiled by Northern Ireland Minister of Culture, Arts and Leisure Nelson McCausland on the Belfast house where Bell had written December Bride. Such plaques are erected to commemorate and honour notable people.
A serious interest in poetry and literature begins to manifest itself during his years at TCD. In 1900, he makes the acquaintance of W. B. Yeats and George Moore and begins to frequent Dublin literary circles. In 1904 and 1905 he publishes several short poems in the London publication The Venture and in John Eglinton‘s journal Dana. His name also appears in print as the renegade priest Fr. Oliver Gogarty in George Moore’s 1905 novel The Lake.
In 1905, Gogarty becomes one of the founding members of Arthur Griffith‘s Sinn Féin, a non-violent political movement with a plan for Irish autonomy modeled after the Austro-Hungarian dual monarchy.
In July 1907, his first son, Oliver Duane Odysseus Gogarty, is born, and in autumn of that year he leaves for Vienna to finish the practical phase of his medical training. Returning to Dublin in 1908, he secures a post at Richmond Hospital, and shortly afterward purchases a house in Ely Place opposite George Moore. Three years later, he joins the staff of the Meath Hospital and remains there for the remainder of his medical career.
Gogarty maintains close friendships with many of the Dublin literati and continues to write poetry in the midst of his political and professional duties. He also tries his hand at playwriting, producing a slum drama in 1917 under the pseudonym “Alpha and Omega,” and two comedies in 1919 under the pseudonym “Gideon Ouseley,” all three of which are performed at the Abbey Theatre. He devotes less energy to his medical practice and more to his writing during the twenties and thirties.
With the onset of World War II, Gogarty attempts to enlist in the Royal Air Force (RAF) and the Royal Army Medical Corps (RAMC) as a doctor. He is denied on grounds of age. He then departs in September 1939 for an extended lecture tour in the United States, leaving his wife to manage Renvyle House, which has since been rebuilt as a hotel. When his return to Ireland is delayed by the war, he applies for American citizenship and eventually decides to reside permanently in the United States. Though he regularly sends letters, funds, and care-packages to his family and returns home for occasional holiday visits, he never again lives in Ireland for any extended length of time.
Gogarty suffers from heart complaints during the last few years of his life, and in September 1957 he collapses in the street on his way to dinner. He dies on September 22, 1957. His body is flown home to Ireland and buried in Cartron Church, Moyard, near Renvyle, County Galway.
(Pictured: 1911 portrait of Oliver St. John Gogarty painted by Sir William Orpen, currently housed at the Royal College of Surgeons in Ireland)
O’Doherty receives a good education and studies medicine, but before he is qualified, joins the Young Ireland party and in June 1848, together with Thomas Antisell and Richard D’Alton Williams, establish The Irish Tribune. Only five editions are issued, the first being on June 10, 1848. On July 10, 1848, when the fifth edition is issued, O’Doherty is arrested and charged with treason felony. At the first and second trials the juries disagree, but at the third trial, he is found guilty and sentenced to transportation for ten years.
O’Doherty arrives in Tasmania in November 1849, is at once released on parole to reside at Oatlands, and his professional services are utilised at St. Mary’s Hospital, Hobart. The other Irish prisoners nickname him “St. Kevin.” In 1854 he receives a pardon with the condition that he must not reside in Great Britain or Ireland. He goes to Paris and carries on his medical studies, making one secret visit to Ireland to marry Mary Eva Kelly, to whom he is affianced before leaving Ireland. He receives an unconditional pardon in 1856, and completes his studies in Dublin, graduating FRCS in 1857. He practises in Dublin successfully, and in 1862 goes to Brisbane, Australia, and becomes well known as one of its leading physicians.
O’Doherty is elected a member of the Legislative Assembly of Queensland in 1867, in 1872 is responsible for a health act being passed, and is also one of the early opponents of the trafficking of Kanakas. In 1885, he resigns as he intends to settle in Europe.
In Ireland, O’Doherty is cordially welcomed, and is returned unopposed as Irish Parliamentary Party (IPP) MP for North Meath to the House of Commons of the United Kingdom in the November 1885 United Kingdom general election. However, finding the climate does not suit him, he does not seek re-election in 1886 and returns to Brisbane in that year. He attempts to take up his medical practice again but is not successful. He dies in poor circumstances in Brisbane on July 15, 1905.
O’Doherty’s wife and a daughter survive him. A fund is raised by public subscription to provide for his widow, a poet, who in her early days is well known as the author of Irish patriotic verse in The Nation under the soubriqet “Eva.” In Australia, she occasionally contributes to Queensland journals, and one of her poems is included in A Book of Queensland Verse. She dies at Brisbane on May 21, 1910.
Brayton is born Teresa Coca Boulanger in Kilbrook, the youngest daughter and fifth child of Hugh Boylan and Elizabeth Boylan (née Downes). Her family are long-time nationalists, with her great grandfather previously leading a battalion of pikesmen at the Battle of Prosperous.
Brayton is educated from the age of 5 in Newtown National School. She writes her first poem at the age of twelve, and soon after wins her first literary award. Later on, she trains to be a teacher, and then becomes an assistant teacher to her older sister Elizabeth in the same school she received her education.
Brayton’s father is a tenant farmer, and from a young age she witnesses the effects of the land wars in Ireland. She is a supporter of Parnell, the Irish National Land League and the Irish Home Rule movement. Her work is largely influenced by her family history and Irish nationalism.
In September 1895, Brayton emigrates to the United States at the age of 27. She first lives in Boston, Chicago, and later moves to New York City. She meets Richard H. Brayton, a French-Canadian who works as an executive in the Municipal Revenue Department, who she then marries. She looks after their home and focuses on her career as a freelance journalist. She lives in the United States for 40 years and becomes well known in Irish American circles as a prominent figure in the Celtic Fellowship. It was in the United States that her reputation is established.
In the 1880s, Brayton begins her career as a poet, writing poetry for both national and provincial Irish newspapers, including Young Ireland and the King’s County Chronicle. She uses the pseudonym “T. B. Kilbrook” while contributing to these papers.
Brayton continues writing under the pseudonym until moving to the United States, where she becomes an acclaimed writer and continues to contribute to papers including the Boston newspaper The Pilot, New York Monitor and Rosary Magazine. Her target audience is the Irish immigrant population of the United States. After establishing herself she releases her poetry in collections including Songs of Dawn (1913) and The Flame of Ireland (1926).
Brayton makes return trips to Ireland regularly and develops a relationship with nationalist peers, and the leaders of the Easter Rising. Upon returning to the United States, she becomes an activist for the Irish Republic and participates in organising the distribution of information to the Irish population through pamphlets and public speaking. Her contribution is acknowledged by Constance Markievicz. Her patriotism to Ireland admit her to the Celtic Fellowship in America, where she shares her poetry at events.
Brayton’s best-known poem is “The Old Bog Road,” which is later set to music by Madeline King O’Farrelly. It has since been recorded and released by many Irish musicians including Finbar Furey, Daniel O’Donnell and Eileen Donaghy, among many others. Many more of her best-known ballads include, The Cuckoo’s Call, By the Old Fireside and Takin’ Tea in Reilly’s.
Brayton makes her permanent return to Ireland at the age of 64 following the death of her husband in 1932 and continues her career as a journalist writing for Irish newspapers and publishes religious poetry in the volume Christmas Verses in 1934. A short story called The New Lodger written by Brayton is published by the Catholic Trust Society in 1933. She dedicates much of her work to the exiled Irish living in the United States, incorporating themes of nostalgia, the familiarity of home and religion throughout her poetry.
Initially upon moving back to Ireland, she lives for a few years with her sister in Bray, County Wicklow. She then moves to Waterloo Avenue, North Strand, County Dublin. Here, she witnesses the bombing of the North Strand on May 31, 1941 during World War II. Shortly after the bombing, she eventually settles back in Kilbrook, where she was born, and lives there for the rest of her life. She spends a brief period of time in the Edenderry Hospital before her death. During her stay there she becomes a good friend with Padraig O’Kennedy, the “Leinster Leader,” who is able to reveal to her something that is linked to a family member of his. A copy of her The Old Bog Road which had been set to music and autographed by her while she was living in the United States. She had it sent to O’Kennedy’s eldest son and on it she wrote the words: “To the boy who sings the Old Bog Road so sweetly.”
Two years after her return to Kilbrook, on August 19, 1943, Brayton dies in the same room where her mother had given birth to her over 75 years previously. She is buried at the Cloncurry cemetery in County Kildare. Her funeral is attended by many, including the then Taoiseach, Éamon de Valera.
From the vivid imagery she speaks of in her poetry, Brayton, both a poet and a novelist, is described by some as “the poet of the homes of Ireland.” Such scenes include the vivid imagery of the fireside chats, the sound of her latch lifting as neighbours in to visit at night from her poem “The Old Boreen” and about her home cooking and work from “When the Leaves Begin to Fall.” Such images can be compared to most Irish households and can depict a vivid picture to those reading her poetry.
Brayton’s poetry leaves a lasting sense of Irish beauty and community. This can be seen in such poems as “A Christmas Blessing” where she speaks of “taking and giving in friendship” during Christmas. Since her passing she has continued to keep an audience from overseas from Boston and New York primarily, this as a result of the reminder her poems give to Irish exiles of Irish traditions and music which was close to them. While her poems are more often serious, some portray an almost comical undertone tone. In an article in The Irish Times, her poetry is also said to have a racy feel to them.
Joan O’Hara, Irish stage, film and television actress, dies in Dublin on July 23, 2007. She is one of Ireland’s most popular actresses and is, at the time of her death, recognisable to television viewers as Eunice Dunstan, a gossip in Fair City on RTÉ One.
More recently, O’Hara is best known for appearing in the popular Irish television soap operaFair City, broadcast on RTÉ One. She joins the soap in 1994, portraying the character Eunice Dunstan until her death in 2007. Thus, she is described as both one of Ireland’s most popular actresses and as one of the finest actors of her generation on her death. She admires in particular Samuel Beckett, Federico García Lorca and Ingmar Bergman. While she takes a no-nonsense approach to her craft, famously giving the advice that when in doubt, one should relate to the fireplace, she is educated at the Abbey School of Acting and has a deep appreciation and knowledge of theoretical approaches to acting and is an admirer of the European and American avant-garde. As actor Alan Stanford says after her death, “She had the most amazing energy. She was in the truest sense one of the last of the greats.”
Joan O’Hara Barry (she keeps her maiden name as her stage name) dies in Dublin on July 23, 2007, of complications from heart disease, aged 76. Her death is announced on RTÉ News the following day.
Dermot Healy, Irish novelist, playwright, poet and short story writer, dies at his home in Ballyconnell, Sligo, County Sligo, on June 29, 2014. A member of Aosdána, he is also part of its governing body, the Toscaireacht. He is described variously as a “master,” a “Celtic Hemingway” and as “Ireland’s finest living novelist.”
Healy is born in Finnea, County Westmeath, on November 9, 1947, the son of a Guard. As a child the family moves to Cavan, County Cavan, where he attends the local secondary school. In his late teens he moves to London and works in a succession of jobs, including barman, security man and as a labourer. He later returns to Ireland, settling in Ballyconnell, County Sligo, a small settlement on the Atlantic coast.
Often overlooked due to his relatively low public profile, Healy’s work is admired by his Irish literary predecessors, peers and successors alike, many of whom idolise him. Among the writers to have spoken highly of him are Seamus Heaney, Eugene McCabe, Roddy Doyle, Patrick McCabe and Anne Enright.
Healy dies at his home in Ballyconnell on June 29, 2014, while awaiting an ambulance after suddenly being taken ill. He is laid to rest at Carrigans Cemetery following funeral mass by Fr. Michael Donnelly at St. Patrick’s Church in Maugherow, County Sligo.
Campbell is born in Belfast on July 15, 1879, into a Catholic and Irish nationalist family from County Down. He is educated at St. Malachy’s College, Belfast. After working for his father he teaches for a while. He travels to Dublin in 1902, meeting leading nationalist figures. His literary activities begin with songs, as a collector in Antrim, County Antrim and working with the composer Herbert Hughes. He is then a founder of the Ulster Literary Theatre in 1904. He contributes a play, The Little Cowherd of Slainge, and several articles to its journal Uladh edited by Bulmer Hobson. The Little Cowherd of Slainge is performed by the Ulster Literary Theatre at the Clarence Place Hall in Belfast on May 4, 1905, along with Lewis Purcell’s The Enthusiast.
Campbell moves to Dublin in 1905 and, failing to find work, moves to London the following year where he is involved in Irish literary activities while working as a teacher. He marries Nancy Maude in 1910, and they move shortly thereafter to Dublin, and then later to County Wicklow. His play Judgement is performed at the Abbey Theatre in April 1912.
Campbell takes part as a supporter in the Easter Rising of 1916, doing rescue work. The following year he publishes a translation from Irish of the short stories of Patrick Pearse, one of the leaders of the Rising.
Campbell becomes a Sinn FéinCouncillor in Wicklow in 1921. Later in the Irish Civil War he is on the Republican side, and is interned in 1922-23. His marriage breaks up, and he emigrates to the United States in 1925 where he settles in New York City. He lectures at Fordham University, and works in academic Irish studies, founding the University’s School of Irish Studies in 1928, which lasts four years. He is the editor of The Irish Review (1934), a short lived “magazine of Irish expression.” The business manager is George Lennon, former Officer Commanding of the County WaterfordFlying Column during the Irish War of Independence. The managing editor is Lennon’s brother-in-law, George H. Sherwood.
Campbell returns to Ireland in 1939, settling at Glencree, County Wicklow. He dies at Lacken Daragh, Enniskerry, County Wicklow on June 6, 1944.
Kickham’s father, John Kickham, is the proprietor of the principal drapery in the locality and is held in high esteem for his patriotic spirit. His mother, Anne O’Mahony, is related to the Fenian leader John O’Mahony. He grows up largely deaf and almost blind, the result of an explosion with a powder flask when he is thirteen. He is educated locally, where it is intended that he study for the medical profession. During his boyhood the campaign for a repeal of the Acts of Union 1800 between Great Britain and Ireland is at its height, and he soon becomes versed in its arguments and is inspired by its principles. He often hears the issues discussed in his father’s shop and at home amongst all his friends and acquaintances.
From a young age Kickham is imbued with these patriotic ideals. He becomes acquainted with the teaching of the Young Irelanders through their newspaper The Nation from its foundation in October 1842. His father read the paper aloud every week for the family. Like all the young people of the time, and a great many of the old ones, his sympathies are with the Young Irelanders on their secession from the Repeal Association.
When he is 22 years old, Kickham contributes The Harvest Moon sung to the air of “The Young May Moon,” to The Nation on August 17, 1850. Other verses are to follow, but the finest of his poems according to A. M. O’Sullivan, appear in other journals. Rory of the Hill, The Irish Peasant Girl, and Home Longings, better known as Slievenamon, are published in the Celt. The First Felon appears in the Irishman. Patrick Sheehan, the story of an old soldier, is published in the Kilkenny Journal, and becomes very popular as an anti-recruiting song.
Kickham begins to write for a number of papers, including The Nation, but also the Celt, the Irishman, the Shamrock, and becomes one of the leading writers of The Irish People, the Fenian newspaper, in which many of his poems appear. His writings are signed using his initials, his full name, or the pseudonyms, “Slievenamon” and “Momonia.”
Kickham is the leading member of the Confederation Club in Mullinahone, which he is instrumental in founding. When the revolutionary spirit begins to grip the people in 1848, he turns out with a freshly made pike to join William Smith O’Brien and John Blake Dillon when they arrive in Mullinahone in July 1848. On hearing of the progress of O’Brien through the country, he sets to work manufacturing pikes and is in the forge when news reaches him that the leaders are looking for him. It is here that he meets James Stephens for the first time. At O’Brien’s request, he rings the chapel bell to summon the people and before midnight a Brigade has answered the summons. He later writes a detailed account about this period which brings his connection with the attempted Rising of 1848 to a close.
After the failed 1848 uprising at Ballingarry, Kickham has to hide for some time, as a result of the part he had played in rousing the people of his native village to action. When the excitement has subsided, he returns to his father’s house and resumes his interests in the sports of fishing and fowling and spends much of his time in literary pursuits. Some of the authors in which he is well versed are Alfred Tennyson and Charles Dickens and he greatly admires George Eliot, and after William Shakespeare, is Robert Burns.
In the autumn of 1857, a messenger arrives from New York with a message for James Stephens from members of the Emmet Monument Association, calling on him to get up an organization in Ireland. On December 23, Stephens dispatches Joseph Denieffe to the United States with his reply and outlines his conditions and his requirements from the organisation in America. Denieffe returnd on March 17, 1858, with the acceptance of Stephens’ terms and £80. That evening the Irish Republican Brotherhood commences. Those present in Langan’s, lathe-maker and timber merchant, 16 Lombard Street, for that first meeting are Stephens, Kickham, Thomas Clarke Luby, Peter Langan, Denieffe and Garrett O’Shaughnessy. Later it includes members of the Phoenix National and Literary Society, which is formed in 1856 by Jeremiah O’Donovan Rossa in Skibbereen, County Cork.
In mid-1863, Stephens informs his colleagues that he wishes to start a newspaper, with financial aid from O’Mahony and the Fenian Brotherhood in America. The offices are established at 12 Parliament Street, almost at the gates of Dublin Castle. The first issue of The Irish People appears on November 28, 1863. The staff of the paper along with Kickham are Luby and Denis Dowling Mulcahy as the editorial staff, O’Donovan Rossa and James O’Connor in charge of the business office, with John Haltigan being the printer. John O’Leary is brought from London to take charge in the role of Editor. Shortly after the establishment of the paper, Stephens departs on an America tour, and to attend to organizational matters. Before leaving, he entrusts to Luby a document containing secret resolutions on the Committee of Organization or Executive of the IRB. Though Luby intimates its existence to O’Leary, he does not inform Kickham as there seems no necessity. This document later forms the basis of the prosecution against the staff of The Irish People.
Kickham’s first contribution to The Irish People, entitled Leaves from a Journal, appears in the third issue and is based on a journal he kept on his way to America in 1863. This article leaves no doubt as to his literary capacity according to O’Leary. It falls to Kickham, as a good Catholic, to tackle the priests, though not exclusively with articles such as “Two Sets of Principles,” a rebuff to the doctrines laid down by Lord Carlisle, and “A Retrospect,” dealing with the tenant-right movement chiefly but also the events of the recent past and their bearing on the present. Kickham articulates the attitude held by the IRB in relation to priests, or more particularly in politics.
On July 15, 1865, American-made plans for a rising in Ireland are discovered when the emissary loses them at Kingstown railway station. They find their way to Dublin Castle and to Superintendent Daniel Ryan, head of G Division. Ryan has an informer within the offices of The Irish People named Pierce Nagle. He supplies Ryan with an “action this year” message on its way to the IRB unit in Tipperary. With this information, Ryan raids the offices of The Irish People on September 15, followed by the arrests of O’Leary, Luby, and O’Donovan Rossa. Kickham is caught after a month on the run. Stephens is also caught but with the support of Fenian prison warders John J. Breslin and Daniel Byrne is less than a fortnight in Richmond Bridewell when he vanishes and escapes to France. The last issue of The Irish People is dated September 16, 1865.
On November 11, 1865, Kickham is convicted of treason. Judge William Keogh, with many expressions of sympathy for the prisoner, and many compliments in reference to his intellectual attainments, sentences him to fourteen years’ penal servitude. The prisoners’ refusal to disown their opposition to British rule in any way, even when facing charges of life-imprisonment, earn them the nickname of “the bold Fenian men.” Kickham spends time from 1866 until his release in the Woking Convict Invalid Prison.
Kickham is given a free pardon from Queen Victoria on February 24, 1869, because of ill-health, and upon his release he is made Chairman of the Supreme Council of the IRB and the unchallenged leader of the reorganized movement. He is an effective orator and chairman of meetings despite his physical handicaps. He wears an ear trumpet and can only read when he holds books or papers within a few inches of his eyes. For many years he carries on conversations by means of the deaf and dumb alphabet.
Kickham is the author of three well-known stories, dealing sympathetically with Irish life and manners and the simple faith, the joys and sorrows, the quaint customs and the insuppressible humour of the peasantry. Knocknagow is deemed one of the finest tales of peasant life ever written. Sally Cavanagh is a touching story illustrating the evils of landlordism and emigration. For the Old Land deals with the fortunes of a small farmer’s family.
Kickham dies on August 22, 1882, at the house of James O’Connor, a former member of the IRB and afterward MP for West Wicklow, 2 Montpelier Place, Blackrock, Dublin, where he had been living for many years, and had been cared for by the poet Rose Kavanagh. He is buried in Mullinahone, County Tipperary.
In a letter to his family written on April 30, 1916, Thomas MacDonagh recalls “I was astonished to receive by a messenger from P.H. Pearse, Commandant General of the Army of the Irish Republic, an order to surrender unconditionality to the British General. I did not obey the order as it came from a prisoner. I as then in supreme command of the Irish Army, consulted with my second in command and decided to confirm the order. I knew that it would involve my death and the deaths of other leaders. I hoped that it would save many true men among our followers, good lives for Ireland. God grant it has done so and God approve our deed. For my self I have no regret. The one bitterness that death has for me is the separation it brings from my beloved wife Muriel, and my beloved children, Donagh and Barbara. My country will then treat them as wards, I hope. I have devoted myself too much to National work and too little to the making of money to leave them a competence. God help them and support them, and give them a happy and prosperous life. Never was there a better, truer, purer woman than my wife Muriel, or more adorable children than Don and Barbara. It breaks my heart that I shall never see my children again, but I have not wept or murmured. I counted the cost of this and am ready to pay it. Muriel has been sent for here. I do not know if she can come. She may have no one to take the children while she is coming. If she does.”
MacDonagh and Pearse are contemporaries of one another: poets, progressive educators, Gaelic revivalists. They are men who gird for battle “with a revolver in one hand and a copy of Sophocles in the other.” Each man commands a unit of Irish Volunteers during the Easter Rising, which takes place the week of April 24-30,1916. MacDonagh occupies Jacob’s biscuit factory and Pearse the General Post Office (GPO), from which he issues the surrender at the end of the week.
McDonagh and Pearse are signatories of the Proclamation of the Irish Republic, a document issued by the Irish Volunteers and the Irish Citizen Army at the beginning of the Easter Rising, proclaiming Ireland’s independence from the United Kingdom. The reading of the proclamation by Pearse outside the General Post Office (GPO) on Sackville Street (now O’Connell Street), Dublin‘s main thoroughfare, marks the beginning of the Rising.
Pearse’s and MacDonagh’s signatures on the Proclamation are a fatal endorsement for them and for each of the other five men to lend it their signatures. After being court-martialed, both Pearse and MacDonagh, along with Thomas Clarke, are executed by firing squad at Kilmainham Gaol in Dublin on May 3, 1916, the first of the rebels to be executed.
(Pictured: Thomas McDonagh (left) and Patrick Pearse)
MacCarthy is born in Lower O’Connell Street, Dublin, on May 26, 1817, and educated there and at St. Patrick’s College, Maynooth. He acquires an intimate knowledge of Spanish from a learned priest, who had spent much time in Spain, which he is later to turn to good advantage. In April 1834, before turning seventeen, he contributes his first verses to the Dublin Satirist. He is one of a coterie of writers whose works appear in The Nation, which is started by Charles Gavan Duffy in 1842. Writing under the pseudonym “Desmond,” most of MacCarthy’s patriotic verse appears in this organ.
In 1846, MacCarthy is called to the Irish bar but never practises. In the same year he edits The Poets and Dramatists of Ireland, which he prefaces with an essay on the early history and religion of his countrymen. About this time, he also edits The Book of Irish Ballads (by various authors), with an introductory essay on ballad poetry in general. His Ballads, Poems, and Lyrics appears in 1850, original and translated. His attention is first directed to Pedro Calderón de la Barca by a passage in one of Percy Bysshe Shelley‘s essays, and from then on, the interpretation of the “Spanish Shakespeare” claims the greater part of his attention.
The first volume of MacCarthy’s translations, containing six plays, appears in 1853, and is followed by further instalments in 1861, 1867, 1870, and 1873. His version of Daybreak in Capacabana is completed only a few months before his death.
Until 1864, MacCarthy resides principally on Killiney Hill, overlooking Dublin Bay. The delicate health of some members of his family then renders a change of climate imperative, and he pays a prolonged visit to continental Europe. On his return, he settles in London in 1871, where he publishes – in addition to his translations – Shelley’s Early Life, which contains an account of that poet’s visit to Dublin in 1812.
MacCarthy’s poems are distinguished by a sense of harmony and sympathy with natural beauty. Such poems as “The Bridal of the Year,” “Summer Longings” (alias “Waiting for the May”), and his long narrative poem, “The Voyage of St. Brendan,” are among his most enduring works. The last-mentioned, which paraphrases the “Ave Maria Stella” as the evening song of the sailors, is also marked by the earnest religious feeling which mark its author throughout life. But it is by his version of Calderon that he is considered to have won a permanent place in English letters. His success is sufficiently testified by George Ticknor, who declares in his History of Spanish Literature that MacCarthy “has succeeded in giving a faithful idea of what is grandest and most effective in [Calderon’s] genius… to a degree which I had previously thought impossible. Nothing, I think, in the English language will give us so true an impression of what is most characteristic of the Spanish drama, and of Spanish poetry generally.”
seamus dubhghaill 